Search results for ""author jan"

A ground-breaking history of one of the greatest ever sieges. Masterfully brought to life by a leading expert using original Russian and German source material. '[An] excellent account.' - Richard Overy, The Telegraph Shortlisted for the Military History Matters Book of the Year Award 2024 This new history of the first two years of this crucial battle for the heart and soul of Russia is the first in over a decade and also the first to look comprehensively at the wider military strategies of both sides. At a huge cost, the Red Army and the civilian population of Leningrad ultimately endured a bitter 900-day siege, struggling against constant bombing, shelling, and starvation. Throughout the siege, Soviet forces tried to break the German lines and restore contact with the garrison. To Besiege a City charts the first of these offensives which began in January 1942 and was followed by repeated assaults. Acclaimed Eastern Front historian Prit Buttar details how although the Red Army suffered huge casualties in the swampy and forested terrain, the German infantry divisions were also steadily eroded. Indeed, by keeping control of parts of the shores of Lake Ladoga, the Soviet Union was able to sustain Leningrad through the winters of the siege via the ‘road of life’, constructed across the frozen lake. This epic history details the dramatic race to create the road across the ice and first-hand accounts from both Soviet and German soldiers, many never previously translated, bring the horrific series of battles and assaults to life. Ultimately the determination of the defenders to hold out during this first phase of the siege and the desperate attempts to break it became a hugely significant part of Russian wartime history. The echoes of the battle persist to this day helping to define both a country and its politics. There is no better time to fully understand this history and To Besiege a City is the most comprehensive account to date.

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‘Think Jack Reacher fronting Line of Duty’ Ian Rankin You get away with murder.In a remote sea loch on the west coast of Scotland, a fisherman vanishes without trace. His remains are never found. You make people disappear.A young man jumps from a bridge in Glasgow and falls to his death in the water below. DS Max Craigie uncovers evidence that links both victims. But if he can’t find out what cost them their lives, it won’t be long before more bodies turn up at the morgue… You come back for revenge.Soon cracks start to appear in the investigation, and Max’s past hurtles back to haunt him. When his loved ones are threatened, he faces a terrifying choice: let the only man he ever feared walk free, or watch his closest friend die… LONGLISTED FOR THE 2022 McILVANNEY PRIZE FOR SCOTTISH CRIME BOOK OF THE YEAR! Max, Janie and Ross return in the second gripping novel in this explosive Scottish crime series. Readers LOVE The Blood Tide ‘Line of Duty on steroids… It just never lets up!’ John Barlow ‘The Blood Tide grabs you from page one and doesn’t let go. Be warned: don’t sit down planning to read only a few pages!’ Kate London ‘Tightly plotted, tense and thrilling. Neil Lancaster just gets better and better’ Marion Todd ‘You can’t beat the voice of experience… A rugged tale from a writer who’s done this chilling stuff for real’ Paul Finch ‘A rattlingly good read. The pages practically turn themselves…’ John Sutherland ‘An absolutely thrilling read from a brand-new star of Tartan Noir. Superb.’ Cass Green ‘Authentic to a tee. A story to die for. Characters that leap of all the page-turny pages.’ Imran Mahmood ‘What a gripping page-turner – it kept me guessing until the very end’ Michelle Davies ‘I’ve been hooked on this for a few days. It has it all: action, humour, tightly plotted with the most satisfying of endings!’ Chris McDonald

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THE NUMBER ONE SUNDAY TIMES BESTSELLER, PICKED FOR THE ZOE BALL TV BOOK CLUB'Ruth Jones is excellent on human nature and why we make the mistakes we do. I felt for every character. Unputdownable.' Jojo MoyesThe past has a habit of tracking us down. And tripping us up.When Kate was twenty-two, she had an intense and passionate affair with a married man, Callum, which ended in heartbreak. Kate thought she'd never get over it.Seventeen years later, life has moved on - Kate, now a successful actress, is living in London, married to Matt and mother to little Tallulah. Meanwhile Callum and his wife Belinda are happy together, living in Edinburgh and watching their kids grow up. The past, it would seem, is well and truly behind them all.But then Kate meets Callum again.And they are faced with a choice: to walk away from each other . . . or to risk finding out what might have been.Second chances are a rare gift in life. But that doesn't mean they should always be taken . . .-In her unmissable debut, actress and screenwriter Ruth Jones shows us the dangers of trying to recapture that which was once lost and failing to realise the beauty of what we already have.Praise for Ruth Jones:'I love books about gnarly, messy relationships and this one kept me gripped from the beginning. A great read.' Jane Fallon'Heart-rending, provocative and astutely written, Never Greener is a love story about getting what you want and losing everything you need. Ruth's characters will stay with me for a long time.' Cathy Bramley'Easy to read and full of laughter - and truth.' Daily MailReaders have fallen in love with Never Greener:***** 'Loved this book from start to finish.'***** 'I fell in love with all the characters and could not put it down.'***** 'Brilliantly written, laugh-out-loud hilarious yet tear-jerking.'****RUTH'S BRILLIANT NEW NOVEL LOVE UNTOLD IS AVAILABLE TO PRE-ORDER NOW. COMING IN 2022****

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When John Charles Chasteen learned that Simon Bolivar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualise the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolivar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance before the twentieth century. Chasteen first focuses on Havana, Buenos Aires, and Rio de Janeiro, where dances featuring a 'transgressive close embrace' (forerunners of today's salsa, tango, and samba) emerged by 1900. Then, digging deeper in time, Chasteen uncovers the historical experiences that moulded Latin American popular dance, including carnival celebrations, the social lives of slaves, European fashions, and, oddly enough, religious processions. The relationship between Latin American dance and nationalism, it turns out, is very deep, indeed.

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The Greening of Central Europe evaluates the environmental policies of Central Europe, using Poland and the Czech Republic as examples. John W. Sutherlin recognizes that since the Earth Summit II meeting in Rio de Janeiro in 1992, most states have attempted to incorporate the principles of sustainable development into their national environmental and economic management policies, in turn leading to less pollution and more favorable economic conditions in the long term. However, achieving this goal in the states that emerged from Soviet domination would seem nearly impossible. So Sutherlin portrays the political changes in Poland and the Czech Republic as a foundation for understanding the formation of environmental policy. He then summarizes how well each state has incorporated the principles of sustainable development into their policy-making systems. Finally, he evaluates various environmental measurements, including air quality, deforestation, and public health, to assess the successes and failures of each state. His conclusions provide a mixed result for sustainable development, especially for the transitional states in Central Europe, yet the evidence shows that the "greening" of central Europe has begun.

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How interracial couples in Brazil and the US navigate racial boundaries How do people understand and navigate being married to a person of a different race? Based on individual interviews with forty-seven black-white couples in two large, multicultural cities—Los Angeles and Rio de Janeiro—Boundaries of Love explores how partners in these relationships ultimately reproduce, negotiate, and challenge the “us” versus “them” mentality of ethno-racial boundaries. By centering marriage, Chinyere Osuji reveals the family as a primary site for understanding the social construction of race. She challenges the naive but widespread belief that interracial couples and their children provide an antidote to racism in the twenty-first century, instead highlighting the complexities and contradictions of these relationships. Featuring black husbands with white wives as well as black wives with white husbands, Boundaries of Love sheds light on the role of gender in navigating life married to a person of a different color. Osuji compares black-white couples in Brazil and the United States, the two most populous post–slavery societies in the Western hemisphere. These settings, she argues, reveal the impact of contemporary race mixture on racial hierarchies and racial ideologies, both old and new.

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Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.

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Featuring interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors. Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography. Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.

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New trends in solid-phase extraction for analytical use-a practical introduction. Owing to its low cost, ease of use, and nonpolluting means of preparing samples for analysis, solid-phase extraction (SPE) is fast overtaking traditional liquid-liquid methods in clinical, pharmaceutical, agricultural, and industrial applications. This book describes what analytical scientists and technicians need to know about this emerging procedure: how it works, how to choose from available techniques, how to utilize it effectively in the laboratory. Along with the historical perspective and fundamental principles, this practical book reviews the latest literature on solid-phase materials, equipment, and applications-including EPA-endorsed techniques. Special features include: * Coverage of separation and uptake methods. * Promising developments in the use of membrane disks. * The advantages of using polymeric resins over silica materials. * Mechanism and use of ion-exchange materials for SPE. * A remarkably complete chapter on the extraction of metal ions. * Groundbreaking research in the miniaturized SPE technique. Readers seeking additional information on SPE procedures may wish to consult: SOLID-PHASE EXTRACTION, Principles and Practice, E. M. Thurman and M. S. Mills 1998 (0-471-61422-X) 384 pp. SOLID-PHASE MICROEXTRACTION Theory and Practice Janusz Pawliszyn 1997 (0-471-19034-9) 264 pp.

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Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career. Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago. Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways.

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At home, incipient spring had been in evidence. Late January was mild and in London the trees showed buds. But after he began to travel East, it became colder. By the time the Elbe was crossed, the ground was fast with snow in all directions, and the river moved under grinding floes of ice. As the train stopped, the cook announced with an ironic smile he would grow used to, that Mitroba smile, 'Berlin Haupstadt der DDR. Wilkommen!'. Two decades after the Wall tumbled down, Winter in Berlin evokes everyday life in the shadowy world of the Soviet-controlled German Democratic Republic. Throughout this atmospheric novella 'the scholar' remains anonymous. Who is he and what is his motivation for being in the GDR, a police state where freedom means something different to everyone and trust is the scarcest commodity?Fearing that intimacy may be no more than a trap, he nevertheless slides into a relationship with a young Bulgarian woman. Behind the Wall many eyes are watching, but can he see himself clearly any more? Forced to interrogate the usefulness of his own idealism, the scholar finally comes up against the walls that limit an individual's influence on history.

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An award-winning beer worth killing for. Can DCI Oldroyd find the killer before last orders? Steeped in a history of award-winning Yorkshire ale, the town of Markham boasts not one but two breweries. Richard Foster runs one; his sister, Emily, along with her partner, Janice, runs the other. And not without some resentment. The unwelcome return of the town’s former bad boy, Brendan Scholes, threatens to ignite the sibling rivalry further. Scholes claims to have found the long-lost secret recipe to the beer that made Richard and Emily’s father famous, and he wants money. But it isn’t long before Scholes’ body is found floating in a fermentation tank at one of the breweries, his head caved in by a hammer. DCI Oldroyd and Andy Carter are called in to investigate the murder, and there’s no shortage of suspects. As rumours of the possible existence of a recipe for the famous beer spread against a backdrop of growing homophobia and misogyny, tempers run high. With Markham’s beer industry at stake, a killer on the loose and the town’s residents out for blood, Oldroyd needs to solve the murder before someone else is killed…

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Mary E. Richmond (1861-1928) was a contemporary of Jane Addams and an influential leader in the American charity organization movement. In this biography--the first in-depth study of Richmond's life and work--Elizabeth N. Agnew examines the contributions of this important, if hitherto under-valued, woman to the field of charity and to its development into professional social work. Orphaned at a young age and largely self-educated, Richmond initially entered charity work as a means of self-support, but came to play a vital role in transforming philanthropy--previously seen as a voluntary expression of individual altruism--into a valid, organized profession. Her career took her from charity organization leadership in Baltimore and Philadelphia to an executive position with the prestigious Russell Sage Foundation in New York City. Richmond's progressive civic philosophy of social work was largely informed by the social gospel movement. She strove to find practical applications of the teachings of Christianity in response to the social problems that accompanied rapid industrialization, urbanization, and poverty. At the same time, her tireless efforts and personal example as a woman created an appealing, if ambiguous, path for other professional women. A century later her legacy continues to echo in social work and welfare reform.

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Portugal was the first European country to colonise Africa. It was also the last to leave, almost five centuries later. During the course of what Lisbon called its civilizing mission in Africa the Portuguese weathered numerous insurrections, but none as severe as the guerrilla war first launched in Angola in 1961 and two years later in Portuguese Guinea. While Angola had a solid economic infrastructure, that did not hold for the tiny West African enclave that was to become Guine-Bissau. Both Soviets and Cubans believed that because that tiny colony- roughly the size of Belgium - had no resources and a small population, that Lisbon would soon capitulate. They were wrong, because hostilities lasted more than a decade and the 11-year struggle turned into the most intense of Lisbon's three African colonies. It was a classic African guerrilla campaign that kicked off in January 1963, but nobody noticed because what was taking place in Vietnam grabbed all the headlines. The Soviet-led guerrilla campaign in Portuguese Guinea was to go on and set the scene for the wars that followed in Rhodesia and present-day Namibia.

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Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career. Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago. Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways.

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Eine der zentralen Herausforderungen der heutigen Rechtswissenschaft besteht in der Suche nach Antworten auf die Frage, wie das Recht auf die Phänomene gesellschaftlicher Globalisierung eingestellt werden kann. Der Band versammelt Beiträge führender deutscher Experten, die sich mit der Theorie des transnationalen Rechts sowie mit konkreten Anwendungsfeldern wie dem Finanzmarktrecht, dem Arbeitsrecht, dem Strafrecht, dem Verwaltungsrecht, dem Europarecht und weiteren Bereichen jeweils mit Darstellung von disziplinären und interdisziplinären Bezügen auseinandersetzen. Er beruht auf Vorträgen, die in den Jahren 2012 und 2013 am Fachbereich Rechtswissenschaft der Universität Bremen im Rahmen der Ringvorlesung "Transnationalisierung des Rechts" gehalten wurden, die in Zusammenarbeit mit dem Zentrum für transnationale Studien (ZenTra) ausgerichtet wurde. Die Referentinnen und Referenten haben dabei den aktuellen Stand der Forschung zum transnationalen Recht in ihrem jeweiligen Fachgebiet dargestellt und Entwicklungslinien nachgezeichnet. So ist ein Kompendium entstanden, das nicht nur den Blick auf den aktuellen Stand der deutschen Forschung zum transnationalen Recht eröffnet, sondern darüber hinaus auch eine Forschungsagenda für die nächsten Jahre und möglicherweise Jahrzehnte skizziert. Mit Beiträgen von: Jürgen Basedow, Gralf-Peter Calliess, Andreas Fischer-Lescano, Claudio Franzius, Friedhelm Hase, Nils Jansen, Florian Jeßberger, Lorenz Kähler, Johannes Köndgen, Martin Kment, Karl-Heinz Ladeur, Andreas Maurer, Stephan Meder, Ralf Michaels, Florian Möslein, Ulrich Mückenberger, Stefan Oeter, Moritz Renner, Myriam Senn, Gerald Spindler, Gunther Teubner, Christian Tietje, Lars Viellechner, Gerhard Wagner, Gerd Winter, Ingeborg Zerbes, Peer Zumbansen

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Honest and emotionally charged, Good and Gone is the story of a teenage girl who must find her way back to herself as she grapples with the truth of what her boyfriend did to her. A gripping YA that will appeal to fans of Jandy Nelson and Sara Zarr. When Lexi Green's older brother, Charlie, starts plotting a road trip to find a famous musician who's been reported missing, she's beyond confused. Her brother hasn't left the couch since his girlfriend broke up with him months ago-but he'll hop in a car to find some hipster rocker? Concerned at how he seems to be rebounding, Lexi decides to go along for the ride. Besides, Lexi could use the distraction. The anger and bewilderment coursing through her after getting dumped by her pretentious boyfriend Seth has left her on edge. As Lexi, Charlie, and their neighbor Zack hit the road, Lexi recalls bits and pieces of her short-lived romance and sees, for the first time, what it really was: a one-sided, cold-hearted manipulation game. Not only did Seth completely isolate her, but he took something she wasn't ready to give up. The further along in their journey they get, the three uncover much more than empty clues about a reclusive rocker's whereabouts. Instead, what starts off as a car ride turns into something deeper as each of them faces questions they have been avoiding for too long. Like the real reason Charlie has been so withdrawn lately. What Seth stole from Lexi in the pool house. And if shattered girls can ever put themselves back together again.

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The Millennium Development Goals, adopted at the UN Millennium Summit in 2000, are the world's targets for dramatically reducing extreme poverty in its many dimensions by 2015 income poverty, hunger, disease, exclusion, lack of infrastructure and shelter while promoting gender equality, education, health and environmental sustainability. These bold goals can be met in all parts of the world if nations follow through on their commitments to work together to meet them. Achieving the Millennium Development Goals offers the prospect of a more secure, just, and prosperous world for all. The UN Millennium Project was commissioned by United Nations Secretary-General Kofi Annan to develop a practical plan of action to meet the Millennium Development Goals. As an independent advisory body directed by Professor Jeffrey D. Sachs, the UN Millennium Project submitted its recommendations to the UN Secretary General in January 2005. The core of the UN Millennium Project's work has been carried out by 10 thematic Task Forces comprising more than 250 experts from around the world, including scientists, development practitioners, parliamentarians, policymakers, and representatives from civil society, UN agencies, the World Bank, the IMF, and the private sector. This report lays out the recommendations of the UN Millennium Project Task Force 5 Working Group on TB. The Working Group's recommendations include expanding access to DOTS programs, implementing efforts against HIV-related TB and multidrug-resistant (MDR) TB, engaging all primary care providers and communities in high quality TB care, and developing new diagnostics, drugs and vaccines. These bold yet practical approaches will enable countries in every region of the world to halve the prevalence of TB by 2015.

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Who is to blame for the economic and political crisis in Puerto Rico—the United States or Puerto Rico? This book provides a fascinating historical perspective on the problem and an unequivocal answer on who is to blame. In this engaging and approachable book, journalist A. W. Maldonado charts the rise and fall of the Puerto Rican economy and explains how a litany of bad political and fiscal policy decisions in Washington and Puerto Rico destroyed an economic miracle. Under Operation Bootstrap in the 1950s and '60s, the rapid transformation and industrialization of the Puerto Rican economy was considered a “wonder of human history,” a far cry from the economic “death spiral” the island’s governor described in 2015. Boom and Bust in Puerto Rico is the story of how the demise of an obscure tax policy that encouraged investment and economic growth led to escalating budget deficits and the government’s shocking default of its $70 billion debt. Maldonado also discusses the extent of the devastation from Hurricane Maria in 2017, the massive street protests during 2019, and the catastrophic earthquakes in January 2020. After illuminating the century of misunderstanding between Puerto Rico and the United States—the root cause of the economic crisis and the island’s gridlocked debates about its political status—Maldonado concludes with projections about the future of the relationship. He argues that, in the end, the economic, fiscal, and political crises are the result of the breakdown and failure of Puerto Rican self-government. Boom and Bust in Puerto Rico is written for a wide audience, including students, economists, politicians, and general readers, all of whom will find it interesting and thought provoking.

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From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the “savage” and “uncivilized” native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view.Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression.

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From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the “savage” and “uncivilized” native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view.Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression.

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This collection ponders the personal and political implications for Haitians at home and abroad resulting from the devastating 2010 earthquake. The 7.0 magnitude earthquake that struck Haiti in January 2010 was a debilitating event that followed decades of political, social, and financial issues. Leaving over 250,000 people dead, 300,000 injured, and 1.5 million people homeless, the earthquake has had lasting repercussions on a struggling nation. As the post-earthquake political situation unfolded, Myriam Chancy worked to illuminate on-the-ground concerns, from the vulnerable position of Haitian women to the failures of international aid. Originally presented at invited campus talks, published as columns for a newspaper in Trinidad and Tobago, and circulated in other ways, her essays and creative responses preserve the reactions and urgencies of the years following the disaster. In Harvesting Haiti, Chancy examines the structures that have resulted in Haiti's post-earthquake conditions and reflects at key points after the earthquake on its effects on vulnerable communities. Her essays make clear the importance of sustaining and supporting the dignity of Haitian lives and of creating a better, contextualized understanding of the issues that mark Haitians’ historical and present realities, from gender parity to the vexed relationship between Haiti and the Dominican Republic.

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Joaquim Nabuco, for more than three decades a dominant figure in the literary, intellectual and political life of Brazil, was born in Recife in the country's Northeast in 1849 and died in Washington in 1910. He was what we would now call a public intellectual, indeed given that he spent half his adult life in Europe and the United States a trans-national public intellectual and from a country on the periphery of the world system. Nabuco is best known as the inspirational leader of the campaign in the 1880s for the abolition of slavery in Brazil, which after abolition in the United States and Cuba was the last remaining slave state in the Americas. Eighteen months after slavery was finally ended in 1888 the Brazilian Empire was overthrown and Nabuco, a committed monarchist, believing--wrongly--that his public career was over (from 1899 until his death he was to serve the Republic with distinction as Brazilian minister in London and Brazil's first ambassador to the Washington), devoted himself in 'internal exile' to writing, including a series of newspaper articles on his education, his early intellectual development, his discovery of the world outside Brazil and his life as a young diplomat and politician. These articles, together with some later additions, were published as Minha Formacao (My Formative Years) in 1900. In twenty six chapters Nabuco examines (though not in chronological order): the first eight years of his life in Massangana, a sugar plantation in Pernambuco worked by slaves and his return there, as a student aged twenty, which he claimed determined his decision to devote himself to the abolition of slavery in Brazil; his education in the Law Faculties in Rio de Janeiro and Sao Paulo; the influence of Walter Bagehot s The English Constitution (1867) on his political thinking; his introduction to French literature and history (besides Portuguese he wrote his first poems and plays in French); his first visit to Europe in 1873-4, primarily a Grand Tour of Italy and France but ending in London where, he wrote, he was touched by the beginnings of anglomania (he was to visit and reside in London on seven separate occasions during the next 20 year before his six years as Brazilian minister there); his two years (1876-8) as attache in the Brazilian legations in Washington and London; the beginning of his political career in Pernambuco, contesting and winning election to the Chamber of Deputies in 1878 at the age of 29 and becoming a self-styled 'English liberal in the Brazilian Parliament'; the influence of English and North American abolitionists on his thinking about slavery and abolition; and the eventually successful parliamentary struggle to end slavery. A concluding chapter ('The last ten years 1889-1899') briefly considers his life after the abolition of slavery and the fall of the Empire.

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Between 1890 and 1920, the forces accompanying industrialization sent the familiar nineteenth-century world plummeting toward extinction. The traditional countryside with its villages and family farms was eclipsed by giant corporations and sprawling cities. America appeared headed into an unknown future.In lively, accessible prose, John Chambers incorporates the latest scholarship about the social, cultural, political, and economic changes which produced modern America. He illuminates the experiences of blacks, Asians, Latinos, as well as other working men and women in the cities and countryside as they struggled to improve their lives in a transformed economy. He explores the dimensions of the new consumer society and the new information and entertainment industries: newspapers, magazines, the movies. Striding these pages are many of the prominent individuals who shaped the attitudes and institutions of modern America: J. P. Morgan and corporate reorganization; Jane Addams and the origin of modern social work; Mary Pickford and the new star-oriented motion picture industry; and the radical labor challenge of “Big Bill” Haywood and the “Wobblies.”While recognizing a “progressive ethos”—a mixture of idealistic vision and pragmatic reforms—which dominated the mainstream reforms that characterized the period, Chambers elaborates the role of civic volunteerism as well as the state in achieving directed social change. He also emphasizes the importance of radical and conservative political forces in shaping the so-called “Progressive Era.”The revised edition in this classic work has an updated bibliography and a new preface, both of which incorporate particularly the new social and cultural research of the past decade.

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5-Star Review from Doody's Review Service. Raise your simulation programs to new heights with the fully updated Defining Excellence in Simulation Programs, 2nd edition. An official publication of the Society for Simulation in Healthcare, this fully illustrated guide speaks to the needs of all healthcare professionals using simulation for education, assessment, and research. Offering best practices for a wide variety of programs, it addresses all areas of program management, from staffing, funding, and equipment, to education models. Whether you are new to running a simulation program, developing a program, or studying simulation, this is your key to creating cost-effective, research-based programs. Improve your simulation program with this definitive guide. This edition offers: NEW content on International Nursing Association for Clinical Simulation (INACSL) and Association of Standardized Patient Educators (ASPE) standards of practice 17 new chapters, with content reorganized to better align with certification exam blueprints A fully illustrated, comprehensive framework for all operational aspects of simulation programs Sections that address: Standards of Practice – SSH, INACSL, and ASPE standards, technology standards, ethics, and more Simulation Modalities – History of modern-day mannequins; mannequin terminology, selection, and usage; and standardized patient/participant Simulation Methods – In situ, mobile, hybrid, and tabletop simulation; and the continuum of care Management – Creating the infrastructure for a successful program, business needs and assets management, policies and procedures, and strategic plans Funding – Sources of revenue, program budgets, business plans, and fee structures Environmental Design – Building a simulation center, technical infrastructure, and more Educational and Content Development – Educator training and simulation methodology courses, assessing learning needs, shared theories, and more Delivery of Simulation – Assessment in healthcare simulation, preparing the learner, management of the scenarios, and more Research – Healthcare simulation research, institutional review board, and more Resources – Terms of references, examples of studies, case and scenario development templates, and more Chapter features include: Expert’s Corner – Commentary on essential areas of training, research, and program development by simulation experts and founders Consider This – Practical how-to’s on critical, related topics Example and Case Study Boxes – Added examples that support chapter content Terms of Reference – Defines simulation terms and concepts About the Clinical Editors Juli C. Maxworthy, DNP, MSN, MBA, RN, CNL, CPHQ, CPPS, CHSE, FNAP, FSSH, is an Associate Professor at the University of San Francisco, School of Nursing and Health Professions, and President (2021) of the Society for Simulation in Healthcare. Chad A. Epps, MD, FSSH, was the Executive Director, Center for Healthcare Improvement and Patient Simulation (CHIPS) and Professor at the University of Tennessee Health Science Center, and Past President of The Society for Simulation in Healthcare. Yasuharu Okuda, MD, FACEP, FSSH, is Executive Director of the Center for Advanced Medical Learning and Simulation, CEO of USF Health Professions Conferencing Corporation, Associate Vice President, USF Health Office of Interprofessional Education and Practice, Professor of Medicine at the Morsani College of Medicine at the University of South Florida Health in Tampa, and President (2022) of the Society for Simulation in Healthcare. Mary Elizabeth (Beth) Mancini, RN, Ph.D., NE-BC, FAHA, ANEF, FAAN, is Professor Emeritus at the College of Nursing, the University of Texas at Arlington. She is also a Past President of The Society for Simulation in Healthcare. Janice C. Palaganas, Ph.D., APRN, ANEF, FNAP, FAAN, FSSH, is a Professor at MGH Institute of Health Professions, Lecturer at Harvard Medical School, Chief Executive Officer of the Institute for Interprofessional Innovations, and Principal Faculty at the Center for Medical Simulation at Massachusetts General Hospital, and in the Department of Anesthesia, Critical Care & Pain Medicine at Harvard Medical School in Boston.

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On March 30, 1972 some 30,000 North Vietnamese troops along with tanks and heavy artillery surged across the demilitarized zone into South Vietnam in the opening round of Hanoi's Easter Offensive. By early May South Vietnamese forces were on the ropes and faltering. Without the support of U.S. combat troops - who were in their final stage of withdrawing from the country - the Saigon government was in danger of total collapse and with it any American hope of a negotiated settlement to the war. In response, President Richard Nixon called for an aggressive, sustained bombardment of North Vietnam. Code-named Operation Linebacker I, the interdiction effort sought to stem the flow of men and material southward, as well as sever all outside supply lines in the first new bombing of the North Vietnamese heartland in nearly four years. To meet the American air armada, North Vietnamese MiG fighters took to the skies and surface-to-missiles and anti-aircraft fire filled the air from May to October over Hanoi and Haiphong. With the failure of its Easter Offensive to achieve military victory, Hanoi reluctantly returned to the negotiating table in Paris. However, as the peace talks teetered on the edge of collapse in mid-December 1972, Nixon played his trump card: Operation Linebacker II. The resulting twelve-day Christmas bombing campaign from 18-30 December unleashed the full wrath of American air power. More than 2,200 attack sorties, including 724 B-52 sorties alone, were flown by Air Force and Navy aircraft delivering 15,287 tons of bombs that laid waste to the North Vietnamese capital. Railyards, military storage depots, power stations, and bridges, as well as radar and communication sites, airfields, and anti-aircraft defences were pummelled day and night. Linebacker II would prove to be decisive: a ceasefire agreement was signed on 23 January 1973.

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Building on the foundations of human geography and regional science, there has now emerged a powerful theoretical basis that underpins a spatially integrated approach in social science research. This approach explicitly recognizes the key role that geographical (or spatial) concepts - such as distance, distribution, location, proximity, connectivity, place, neighborhood and region - play in human society and the behavior of individuals, groups and organizations. It also promotes research that advances the understanding of spatial patterns and processes.The chapters in this unique Handbook provide broad coverage of the theoretical foundations and methodologies that typify research using a Spatially Integrated Social Science (SISS) approach. This insightful volume is intended chiefly as an introduction for students and budding researchers who wish to investigate social, economic and behavioural phenomena by giving explicit consideration to the roles of space and place. The majority of chapters provide an emphasis on demonstrating applications of methods, tools and techniques that are used in SISS research, including long-established and relatively new approaches.Accessible and packed with key instructions on organizing SISS research, the book is structured into five distinct parts which give the reader a unparalleled overview of the field:- A Spatially Integrated Social Science Approach- Setting Up Your Research- Data Sources, Data Collection and Information Generation- Research Tools and Techniques and Applications- Producing Research OutputThis volume will appeal to all students and researchers with an interest in understanding the techniques, method and application of the spatial dimension of social sciences.Contributors: Imran Azeezullah, Irfan Azeezullah, A. Beer, M. Bell, D. Brown, C. Brunsdon, P. Chhetri, J. Corcoran, G. Daraganova, D. Faulkner, M. Goodchild, K. Grossner, A. Harding, K.E. Haynes, B.W. Head, G. Hugo, D.G. Janelle, R. McCrea, T. McGee, P. McGuirk, L. Mazerolle, W. Mitchell, A. Murray, K. O'Connor, P. O'Neill, L. Mazerolle, P. Pattison, J. Poot, K. Risley, D. Rohde, T.-K. Shyy, A. Sorensen, R.J. Stimson, R. Stough, R. Tanton, M. Watts, M. Western, R. Wickes

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The mystery of how an ordinary Minnesota girl came to be, briefly, one of the most wanted domestic terrorists in the United States Behind every act of domestic terrorism there is someone’s child, an average American whose life took a radical turn for reasons that often remain mysterious. Camilla Hall is a case in point: a pastor’s daughter from small-town Minnesota who eventually joined the ranks of radicals like Sara Jane Olson (aka Kathleen Soliah) in the notorious Symbionese Liberation Army before dying in a shootout with Los Angeles Police in May 1974. How could a “good girl” like Camilla become one of the most wanted domestic terrorists in the United States? Rachael Hanel tells her story here, revealing both the deep humanity and the extraordinary circumstances of Camilla Hall’s life.Camilla’s childhood in a tight-knit religious family was marred by loss and grief as, one after another, her three siblings died. Her path from her Minnesota home to her final, radical SLA family featured years as an artist and activist—in welfare offices, political campaigns, union organizing, culminating in a love affair that would be her introduction to the SLA. Through in-depth research and extensive interviews, Hanel pieces together Camilla’s bewildering transformation from a “gentle, zaftig, arty, otherworldy” young woman (as one observer remarked), working for social change within the system, into a gun-wielding criminal involved in the kidnapping of Patty Hearst.During this time of mounting unrest and violence, Camilla Hall’s story is of urgent interest for what it reveals about the forces of radicalization. But as Hanel ventures ever further into Camilla’s past, searching out the critical points where character and cause might intersect, her book becomes an intriguing, disturbing, and ultimately deeply moving journey into the dark side of America’s promise.

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A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

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Building on the foundations of human geography and regional science, there has now emerged a powerful theoretical basis that underpins a spatially integrated approach in social science research. This approach explicitly recognizes the key role that geographical (or spatial) concepts - such as distance, distribution, location, proximity, connectivity, place, neighborhood and region - play in human society and the behavior of individuals, groups and organizations. It also promotes research that advances the understanding of spatial patterns and processes.The chapters in this unique Handbook provide broad coverage of the theoretical foundations and methodologies that typify research using a Spatially Integrated Social Science (SISS) approach. This insightful volume is intended chiefly as an introduction for students and budding researchers who wish to investigate social, economic and behavioural phenomena by giving explicit consideration to the roles of space and place. The majority of chapters provide an emphasis on demonstrating applications of methods, tools and techniques that are used in SISS research, including long-established and relatively new approaches.Accessible and packed with key instructions on organizing SISS research, the book is structured into five distinct parts which give the reader a unparalleled overview of the field:- A Spatially Integrated Social Science Approach- Setting Up Your Research- Data Sources, Data Collection and Information Generation- Research Tools and Techniques and Applications- Producing Research OutputThis volume will appeal to all students and researchers with an interest in understanding the techniques, method and application of the spatial dimension of social sciences.Contributors: Imran Azeezullah, Irfan Azeezullah, A. Beer, M. Bell, D. Brown, C. Brunsdon, P. Chhetri, J. Corcoran, G. Daraganova, D. Faulkner, M. Goodchild, K. Grossner, A. Harding, K.E. Haynes, B.W. Head, G. Hugo, D.G. Janelle, R. McCrea, T. McGee, P. McGuirk, L. Mazerolle, W. Mitchell, A. Murray, K. O'Connor, P. O'Neill, L. Mazerolle, P. Pattison, J. Poot, K. Risley, D. Rohde, T.-K. Shyy, A. Sorensen, R.J. Stimson, R. Stough, R. Tanton, M. Watts, M. Western, R. Wickes

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Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon’s production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change.Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt’s works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists’ efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history.Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos

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One of ‘the heirs to John le Carré’ The Times ‘A tremendous achievement’ WILLIAM BOYD ‘Behold the new Golden Age of Spy Kings’ Sunday Times To betray, you must first belong… In June 1934, Kim Philby met his Soviet handler, the spy Arnold Deutsch. The woman who introduced them was called Edith Tudor-Hart. She changed the course of 20th century history. Then she was written out of it. Drawing on the Secret Intelligence Files on Edith Tudor-Hart, along with the private archive letters of Kim Philby, this finely worked, evocative and beautifully tense novel – by the granddaughter of Kim Philby – tells the story of the woman behind the Third Man. A future classic: ‘A fine achievement’ THE TIMES ‘Completely fascinating. A sophisticated and brilliantly constructed fictional retelling of a crucial relationship in 20th century espionage history. A tremendous achievement’ WILLIAM BOYD ‘Atmospheric and rigorously researched’ Sunday Times ‘Persuasive… involving… impressive’ LITERARY REVIEW ‘A fascinating contribution to the literature of the Cambridge spies by a clever, nimble writer with some genuine skin in the game’ CHARLES CUMMING ‘Complex and powerfully written… a persuasive repurposing of the lives of real-life figures’ i NEWSPAPER ‘A dextrous writer who gives her tale a quickening, thrillerish propulsion’ NEW STATESMAN ‘Mother, lover, revolutionary, spy… Philby’s stunning fourth novel thrusts this former bit-player in the Cambridge Spy scandal to the centre stage where she belongs… Her best book yet’ ERIN KELLY ‘Blending SIS files and imagined letters from her grandfather, Philby shines a spotlight on Edith Tudor-Hart as activist, spy and often desperate single, working mother’ SARAH VAUGHAN ‘Completely absorbing’ MICK HERRON ‘A tense and brilliantly structured story of power and intrigue’ JANE SHEMILT ‘Unforgettable… a fascinating exploration of a key moment in history and a stunning piece of fiction’ HOLLY WATT

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THE FIRST IN A THRILLING NEW SERIES FROM THE NO.1 BESTSELLERKaren Pirie returns . . . Pre-order Past Lying, the eagerly-awaited new Karen Pirie thriller, publishing October 2023____________________She's on the hunt for a killer story . . . 1979. It's the winter of discontent, and Allie Burns is chasing her first big scoop. One of few women in the newsroom, she needs something explosive for the boys' club to take her seriously.Soon Allie and fellow reporter Danny Sullivan are making powerful enemies with their investigations - and Allie won't stop there. When she discovers a terrorist threat close to home, she devises a dangerous plan to make her name.But Allie is a woman in a man's world . . . and putting a foot wrong could be fatal.____________________'A supremo of the genre at the height of her powers' PETER JAMES'The Queen of Crime has delivered another masterpiece' DAVID BALDACCI'Allie is a fabulous character, I'll go wherever she takes me' MARIAN KEYES'A thrilling snapshot of a fascinating era' JANE HARPER'McDermid at her nail-biting, heart-rending best' CHRIS WHITAKER'Her best book in years' THE TIMES, BOOK OF THE MONTH'Allie Burns is off to a flying start, and well worth following' SCOTSMAN'A perfect snapshot of the social and political issues of the time' LINWOOD BARCLAY'Full of wit, thrills and incisive social observation and features a marvellous new character' MICK HERRON'I have been reading Val McDermid for twenty-five years, so I am really saying something when I tell you I enjoyed this novel the most' CHRIS BROOKMYRE'The good news is that this excellent novel marks the start of a new series' GUARDIAN'Brilliant characters, masterful plotting' CHRIS HAMMER'An excellent opener to what promises to be an outstanding series' SPECTATOR'The fast-paced storytelling flows irresistibly' IRISH TIMES'Riveting' DAILY EXPRESS'Sensational. One of Britain's most accomplished writers' SUNDAY EXPRESS'A nail-biting new series' OBSERVER

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There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery. Andre Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral. For his very first parish, Father Christopher Pennant is sent to the sleepy town of Barrow. With more sheep than people, it's very bucolic--too much Barrow Brew on Barrow Day is the rowdiest it gets. Bu things aren't so idyllic for Liz Denny, whose fiance doesn't want to decide between Liz and his more worldly mistress Jane, and for Father Pennant himself, who greets some miracles of nature--mayors walking on water, talking sheep--with a profound crisis of faith. 'It's been clear since his debut novel, Childhood, that Alexis is one of our most distinctive and exacting prose stylists, and at its highest pitch, as in the breathtaking final paragraph, these are sentences that attain the level of the best music.' - Montreal Gazette Praise for Andre Alexis's previous books: "Astonishing ...an irresistible, one-of-a-kind work."--Quill & Quire "Alexis [has an] astute understanding of the madly shimmering, beautifully weaving patterns created by what we have agreed to call memory."--Ottawa Citizen Andre Alexis was born in Trinidad and grew up in Canada. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers' Trust Fiction Prize. His books include Asylum and Ingrid and the Wolf.

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Midnight. A call out to an isolated farm on the outskirts of Oxford. A body shot at point-blank range in the kitchen. -------- 'One of the finest crime writers we have' Mark Billingham 'Fawley is back and better than ever' Shari Lapena 'Emotionally riveting, taut, and suspenseful' Karin Slaughter It looks like a burglary gone wrong, but DI Adam Fawley suspects there's something more to it. When the police discover a connection to a high-profile case from years ago, involving a child's murder and an alleged miscarriage of justice, the press go wild. Suddenly Fawley's team are under more scrutiny than ever before. And when you dig up the past, you're sure to find a few skeletons... The sixth twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell. -------- Everyone loves Cara Hunter 'An intelligent and immersive thriller with a gritty human story' Janice Hallett, The Twyford Code'If you have not sampled Adam Fawley before, now is certainly the time' Daily Mail'A mystery that is both satisfying and surprising' Sunday Times Crime Club 'A great premise, tight plotting, and characters who live beyond the page' JP Delaney, Playing Nice 'A clever, fascinating book' Araminta Hall, Hidden Depths 'If you start, you won't be able to stop' Nicci French, The Unheard 'A masterclass in how to write crime fiction' John Marrs, The Vacation 'The DI Adam Fawley series just keeps getting better and better' Victoria Selman, Truly, Darkly, Deeply 'Twist follows twist at a breathtaking pace' Daily Mail And readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'This series just gets better and better' Tina, Netgalley

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Perfect for planning and enjoying a stress-free family holiday, this easy-to-use guide book is packed with insider tips and information on Rome's best family-friendly activities and attractions.Marvel at the stunning ceiling of the Sistine Chapel, admire the art treasures in the Vatican museums, make a wish and throw a coin in the Trevi Fountain or follow in the footsteps of the Romans at the Colosseum. From recommendations of child-friendly restaurants to suggestions for rainy-day activities, this guide book takes the work out of planning a family trip to Rome.Inside Family Guide Rome:- Each major listing includes details of the nearest places to grab a snack or meal, what do if it rains, the closest toilets, and where kids can play and let off steam- Contains cartoons, quizzes and games to keep young travellers happy all day long- Detailed coloured maps of all the major attractions and areas help you navigate with ease- Colour-coded area guides make it easy to find information- At-a-glance pages highlight all the best sights and activities in each area so you can plan your day quickly- Features expert suggestions for the best places for families to stay, eat and shop - Gives essential travel information, including transport, visa and health information- Covers Ancient Rome, Piazza Navona, Campo de' Fiori, Piazza di Spagna, Trevi Fountain, Villa Borghese, Northern Rome, Trastevere, Janiculum Hill, The Vatican and moreLooking for a comprehensive guide to Rome? Try our DK Eyewitness Travel Guide Rome. About DK Eyewitness Travel: DK's Family Guides are designed to help families make the most of their holiday, with easy-to-read maps, tips, and information to enrich your journey. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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As seen on The 700 Club! HE WAS THERE! Apple Records former US manager Ken Mansfield takes a touching and comprehensive look back on one of Rock’n’Roll’s most significant events, while bringing an insider’s perspective to the days leading up to those 42 fascinating minutes of the Beatles monumental Rooftop Concert.There are moments in time that cause us to stop and take notice of where we were and what we were doing when they happen in order to commit the experience to memory—how it made us feel, who was there with us, why it felt important. January 30, 1969 was one of those moments. There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions. As the US manager of Apple, Ken Mansfield was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.

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From Harold Bloom, one of the greatest Shakespeare scholars of our time, comes an intimate, wise, deeply compelling portrait of Cleopatra—one of the Bard’s most riveting and memorable female characters—in “a masterfully perceptive reading of this seductive play’s endless wonders” (Kirkus Reviews).Cleopatra is one of the most famous women in history—and thanks to Shakespeare, one of the most intriguing personalities in literature. She is lover of Marc Antony, defender of Egypt, and, perhaps most enduringly, a champion of life. Cleopatra is supremely vexing, tragic, and complex. She has fascinated readers and audiences for centuries and has been played by the greatest actresses of their time, from Elizabeth Taylor to Vivien Leigh to Janet Suzman to Judi Dench. Award-winning writer and beloved professor Harold Bloom writes about Cleopatra with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime. The book becomes an extraordinarily moving argument for literature as a path to and a measure of our own humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. With Cleopatra, “Bloom brings considerable expertise and his own unique voice to this book” (Publishers Weekly), delivering exhilarating clarity and inviting us to look at this character as a flawed human who might be living in our world. The result is an invaluable resource from our greatest literary critic.

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A crucial senatorial debate on the question of the states’ relationship to the federal government.Two generations after the founding, Americans still disagreed on the nature of the Union. Was it a confederation of sovereign states or a nation headed by a central government? To South Carolina Senator Robert Y. Hayne and others of his mindset, only the vigilant protection of states’ rights could hold off an attack on the southern way of life, which was undergirded by slavery. Massachusetts Senator Daniel Webster, on the other hand, believed that the political and economic ascendancy of New England—and the nation—required a strong, activist national government. In The Webster-Hayne Debate, Christopher Childers focuses on the sharp dispute that engaged Webster and Hayne in January 1830. During Senate discussion of western land policy, Childers explains, the senators’ exchanges grew first earnest and then heated, finally landing on the question of union—its nature and its value in a federal republic. Childers argues that both Webster and Hayne, and the factions they represented, saw the West as key to the success of their political plans and sought to cultivate western support for their ideas.A short, accessible account of the conflict and the related issues it addressed, The Webster-Hayne Debate captures an important moment in the early republic. Ideal for use in college classrooms or for readers interested in American history, this book examines a pivotal moment and a critical problem in the history of US politics. It also shows how Americans grappled with the issues of nationalism, sectionalism, and the meaning of union itself—issues that still resonate today.

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From the MTV trailblazer, stand-up comedian, and actor, a hilariously candid memoir that is an intimate, entertaining, and heartfelt tour through the exclusive, elusive, and eternally iconic world of ’90s pop culture.Imagine 50 Cent’s Hustle Harder, Hustle Smarter written by a nerdy Black kid from Newark, New Jersey, who made it big despite the skepticism of his family. That’s Top Billin'.Bill Bellamy is Carlton Banks’s slightly cooler and comedically inclined alter-ego—a guy who went against the grain and left a promising corporate career path to pursue comedy (much to the dismay of his family). Making the leap paid off—in ways Bill never expected. In Top Billin', he looks back at his time at MTV during the ’90s, when the cable music channel was at the epicenter of pop culture. He recounts his legendary interviews with the biggest pop stars—Tupac, Biggie, and Kurt Cobain—making friends with Janet Jackson, and even coining the infamous term “booty call” on HBO’s Def Comedy Jam. During his time at MTV, Bill broke color and class barriers, appearing four times a week on the network’s various programs, including MTV Jamz and MTV Beach House.Top Billin' is an exclusive, all-access backstage pass to Bill’s career and life. It’s all in here—memories, music, and unforgettable moments, including conversations with some of the decade’s legendary artists, the best of the ’90s celebri-tea, nostalgia, and insights on what it meant to be a tastemaker during one of the most exciting and innovative periods in music and American pop culture history.

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On 8 March, 1965, 3,500 United States Marines of the 9th Marine Expeditionary Brigade made an amphibious landing at Da Nang on the south central coast of South Vietnam, marking the beginning of a conflict that would haunt American politics and society for many years, even after the signing of the Paris Peace Accords in January 1973. For the people of North Vietnam it was just another in a long line of foreign invaders. For two thousand years they had struggled for self-determination, coming into conflict during that time with the Chinese, the Mongols, the European colonial powers, the Japanese and the French. Now it was the turn of the United States, a far-away nation reluctant to go to war but determined to prevent Vietnam from falling into Communist hands. A Short History of the Vietnam War explains how the United States became involved in its longest war, a conflict that, from the outset, many claimed it could never win. It details the escalation of American involvement from the provision of military advisors and equipment to the threatened South Vietnamese, to an all-out shooting war involving American soldiers, airmen and sailors, of whom around 58,000 would die and more than 300,000 would be wounded. Their struggle was against an indomitable enemy, able to absorb huge losses in terms of life and infrastructure. The politics of the war are examined and the decisions and ambitions of five US presidents are addressed in the light of what many have described as a defeat for American might. The book also explores the relationship of the Vietnam War to the Cold War politics of the time.

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Those Flat Share Girls is a collection of light verse, written in easy to read rhyming couplets, containing an old man’s recollections of his young life in London in the 1960s. It begins in January 1960, when he bids his school goodbye with the thought that: I knew I’d never use again A logarithm or a sine But the trappings of a cultured mind I knew exactly where to find. And, not long after this, while strolling to a local coffee bar, he and a friend sense that: There was a fire about to burn And of that flame we had both caught a spark. That warm summer’s evening in Grovelands Park. And so, life moves forward through the years with the usual parties and musical delights of the superb jazz bands to be found performing in the back rooms of pubs for twopence ha’penny and the emerging electric bands who would sell black rhythm and blues back to the USA. Unfortunately, he misses most of this scene’s excitement because: Far from the fuss and ballyhoo I was on my way to Kathmandu On what became known as the Hippie Trail. Then onwards to a couple of years in Australia as a roustabout ‘swagman’. A few further adventures follow, an attempt to walk the Pennine Way amongst them; and there are several unconsummated romances along the way until he eventually finds himself ‘complete’ in the comforting arms of a loving wife. And finally, back in a local park, an old man minding a friend’s dog. He sits observing the changed world of 2022, sixty odd years after he sensed a fire about to burn and ponders contentedly: There really is no better place To see first-hand the changing face Of our noble, ancient ‘Island Race’ Than in a local park on a Sunday morn …

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* WINNER OF THE CRIME FICTION LOVER BEST DEBUT NOVEL AWARD * 'An absolute roller-coaster of a read' - DAILY MAIL 'The most fun you're ever likely to have with a hammer-wielding maniac' - DAILY EXPRESS 'Refreshingly original and laugh-out-loud funny' - CLARE MACKINTOSH I have a gift. I see people as ghosts before they die. Of course, it helps that I'm the one killing them. The night after her father's funeral, Claire meets Lucas in a bar. Lucas doesn't know it, but it's not a chance meeting. One thoughtless mistyped email has put him in the crosshairs of an extremely put-out serial killer. But even before they make eye contact, before Claire lets him buy her a drink, before she takes him home and carves him up into little pieces, something about that night is very wrong. Because someone is watching Claire. Someone who is about to discover her murderous little hobby. The thing is, it's not sensible to tangle with a part-time serial killer, even one who is distracted by attending a weekly bereavement support group and trying to get her art career off the ground. Claire will do anything to keep her secret hidden - not to mention the bodies buried in her garden. Let the games begin... Dexter meets Killing Eve in this superb thriller, perfect for fans of How To Kill Your Family and My Sister, the Serial Killer. 'A welcome addition to darkly humorous female serial killer novels' - GUARDIAN 'Delightfully shocking and irreverently funny' - JANICE HALLETT 'If Bret Easton Ellis ever went to grief counselling, this would be just the kind of brilliant book he'd write' - PHILIPPA EAST

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In the wake of the attack on the offices of Charlie Hebdo in Paris on 7 January 2015, millions took to the streets to demonstrate their revulsion, expressing a desire to reaffirm the ideals of the French Republic: liberté, égalité, fraternité. But who were the millions of demonstrators who were suddenly united under the single cry of ‘Je suis Charlie’?In this probing new book, Emmanuel Todd investigates the cartography and sociology of the three to four million who marched in Paris and across France and draws some unsettling conclusions. For while they claimed to support liberal, republican values, the real middle classes who marched on that day of indignant protest also had a quite different programme in mind, one that was far removed from their proclaimed ideal. Their deep values were in fact more reminiscent of the most depressing aspects of France’s national history: conservatism, selfishness, domination and inequality.By identifying the anthropological, religious, economic and political forces that brought France to the edge of the abyss, Todd reveals the real dangers posed to all western societies when the interests of privileged middle classes work against marginalised and immigrant groups. Should we really continue to mistreat young people, force the children of immigrants to live on the outskirts of our cities, consign the poorer classes to the remoter parts of the country, demonise Islam, and allow the growth of an ever more menacing anti-Semitism? While asking uncomfortable questions and offering no easy solutions, Todd points to the difficult and uncertain path that might lead to an accommodation with Islam rather than a deepening and divisive confrontation.

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Acclaimed by critics as a second F. Scott Fitzgerald, Billy Lee Brammer was once one of the most engaging young novelists in America. “Brammer’s is a new and major talent, big in scope, big in its promise of even better things to come,” wrote A. C. Spectorsky, a former staffer at the New Yorker. When he published his first and only novel, The Gay Place, in 1961, literary luminaries such as David Halberstam, Willie Morris, and Gore Vidal hailed his debut. Morris deemed it “the best novel about American politics in our time.” Halberstam called it “a classic . . . [a] stunning, original, intensely human novel inspired by Lyndon Johnson. . . . It will be read a hundred years from now.” More recently, James Fallows, Gary Fisketjon, and Christopher Lehmann have affirmed The Gay Place’s continuing relevance, with Lehmann asserting that it is “the one truly great modern American political novel.”Leaving the Gay Place tells a sweeping story of American popular culture and politics through the life and work of a writer who tragically exemplifies the highs and lows of the country at mid-century. Tracy Daugherty follows Brammer from the halls of power in Washington, DC, where he worked for Senate majority leader Johnson, to rock-and-roll venues where he tripped out with Janis Joplin, and ultimately to back alleys of self-indulgence and self-destruction. Constantly driven to experiment with new ways of being and creating—often fueled by psychedelics—Brammer became a cult figure for an America on the cusp of monumental change, as the counterculture percolated through the Eisenhower years and burst out in the sixties. In Daugherty’s masterful recounting, Brammer’s story is a quintessential American story, and Billy Lee is our wayward American son.

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'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig RobertsonSt. Andrews, Scotland: When a man's preserved body is discovered in a whisky ageing cask in the local Gleneden Distillery, DCI Andy Gilchrist and his partner, DS Jessie Janes, are assigned to the investigation. But when the dead man is identified as Hector Dunmore, the once heir-apparent of Gleneden Distillery, their investigation takes a dramatic turn, for Dunmore was reported missing 25 years earlier when his Land Rover was found abandoned on the outskirts of Mallaig, almost two hundred miles away on the Scottish west coast.Why hide a body in a 25-year ageing cask? And who would want Dunmore dead?Suspicion falls on Duncan Milne, the distillery manager at the time, but when Gilchrist learns that Milne died under suspicious circumstances the year Dunmore disappeared, he suspects they are looking at a double murderer. Gilchrist's efforts to resolve the murders forces him to dig deep into the Dunmore family's past, only to come up against a frightening killer who will stop at nothing to keep the darkest of family secrets from ever coming to light.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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From the contributors to The Conversation, this collection of essays by leading experts in biotechnology provides foundational knowledge on a range of topics, from CRISPR gene sequencing to the ethics of GMOs and "designer babies."In The Conversation on Biotechnology, editor Marc Zimmer collects essays from The Conversation U.S. by top scholars and experts in the field, who present a primer on the latest biotechnology research, the overwhelming possibilities it offers, and the risks of its abuse. From an overview of CRISPR technology and gene editing in GMOs to the ethical questions surrounding "designer babies" and other applications of biotechnology in humans, it highlights the major implications biotechnology will bring for health and society. Topics range from the spectacular use of light to fire individual neurons in the brain to making plant-based meats; from curbing diseases with genetically modified mosquitoes to looking back on 40 years of opinions on IVF babies.The Critical Conversations series collects essays from top scholars on timely topics, including water, biotechnology, gender diversity, gun culture, and more, originally published on the independent news site The Conversation U.S.Contributors: Nathan Ahlgren, Ivan Anishchenko, Trine Antonsen, Jennifer Barfield, Pedro Belda-Ferre, Ari Berkowitz, Adeline Boettcher, Jason Delbourne, Kevin Doxzen, Mo Ebrahimkhani, Eleanor Feingold, J. Benjamin Hurlbut, Cecile Janssens, Samira Kiani, Amanda Kowalczyk, Mariana Lamas, Andrew Lapworth, Rebecca Mackelprang, Kathleen Merrigan, Saman Naghieh, Sean Nee, Dimitri Perrin, Christopher Preston, Jason Rasgon, Penny Riggs, Jason Robert, Oliver Rogoyski, Gary Samore, Sahotra Sarkar, George E. Seidel, Patricia A. Stapleton, Craig W. Stevens, Paul B. Thompson, Christopher Tuggle, Vikramaditya G. Yadav, Marc Zimmer

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Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public – such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood – and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.

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