Search results for ""author jan"

"Rebel Girls latest installment puts your kid in the driver's seat. It's a great way to kickstart conversations and get them thinking about the world around them and their place in it." ? MotherlyDesigned to ignite exciting discussions between little rebels and their siblings, friends, and grown-ups, Questions for Rebel Girls is packed with more than 300 entertaining and thought-provoking questions inspired by real rebel women from the best-selling Good Night Stories for Rebel Girls series - including some questions submitted by young fans of Good Night Stories for Rebel Girls.Jane Goodall devoted her life to studying chimpanzees. If you dedicated your life to one type of animal, what would it be?When cyclist Alfonsina Strada began racing, she was so unstoppable that newspapers nicknamed her "the devil in a dress." What would your cycling nickname be?Celia Cruz is the Queen of Salsa music. Beyoncé is a pop superstar. Roxanne Shante is an amazing rapper. And Joan Jett is all about rock and roll. If you could be a singing sensation, what type of music would you sing? If you could perform a duet with anyone in the world, who would you pick?If you could meet any woman from any country and any time in history, who would it be? What would you ask her?Would you rather ask questions or answer them? Luckily, with Questions for Rebel Girls, you can do both!Girls love to explore their feelings, uncover their personality, and decode the world around them. One way to do that is to explore their answers to provocative questions about anything and everything.Questions for Rebel Girls introduces readers to extraordinary women throughout history and asks them to imagine themselves in similar scenarios.

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KSAN!: The Hippie Radio Revolution that Rocked America is an oral history of America’s first hippie underground FM station which broadcasted the countercultural consciousness of the ‘60s and ‘70s to a new generation. A communal radio band of intrepid hellraisers, pranksters, and drug-enlightened geniuses defined this psychedelic era, from the Summer of Love in Golden Gate Park, to the rebellion and bitter end of the late 1970s, which launched the Reagan Revolution.Founded in San Francisco by Tom Donahue, a 1996 inductee into the Rock & Roll Hall of Fame, an entire generation of Americans discovered a new musical universe among dance clubs, light shows and street fests––the original pop-ups. Almost overnight, KSAN became an audio clubhouse, where anyone could belong with friends and the cool cats and hipsters they just met.Rock gods, political stars, and literary celebrities, including Jerry Garcia, Ken Kesey, Sly Stone, and John Lennon were all interviewed by founder Tom Donahue and his cohorts, whose listeners “tuned in and turned on” to bands like Jefferson Airplane, The Grateful Dead, Janis Joplin, Quicksilver, Country Joe and the Fish, Hot Tuna, The Beatles and Santana, among others.Folk journalist Hank Rosenfeld was there during those final years––writing, producing, and announcing. His warm, funny voice presents a behind-the-mic experience at KSAN, the beloved, “Jive 95,” whose delicious dose of enlightened sunshine and 33 rpm LP dreamscapes ignited a radio explosion from coast to coast.So, how did KSAN go from a liberating voice to a corporate cliché? It’s all here in Rosenfeld’s insightful, hilarious account, which includes countless exclusive interviews with iconic performers and never before available in print or audio form.

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‘One of the world’s most prominent radical scientists.’ The Guardian ‘Vandana Shiva is an expert [on the dangers of gobalization] whose analysis has helped us understand this situation much more deeply.’ Russell Brand A powerful new memoir published to coincide with Vandana Shiva’s 70th birthday. Vandana Shiva has been described in many ways: the ‘Gandhi of Grain,’ ‘a rock star’ in the battle against GMOs, and ‘the most powerful voice’ for people of the developing world. For over four decades she has vociferously advocated for diversity, indigenous knowledge, localisation, and real democracy; she has been at the forefront of seed saving, food sovereignty, and connecting the dots between the destruction of nature, the polarization of societies, and indiscriminate corporate greed. In Terra Viva, Dr Shiva shares her most memorable campaigns, alongside some of the world’s most celebrated activists and environmentalists, all working towards a livable planet and healthier democracies. For the very first time, she also recounts the stories of her childhood in post-partition India – the influence of the Himalayan forests she roamed; her parents, who saw no difference in the education of boys and girls at a time when this was not the norm; and the Chipko movement, whose women were ‘the real custodians of biodiversity-related knowledge.’ Throughout, Shiva’s pursuit of a unique intellectual path marrying quantum physics with science, technology, and environmental policy will captivate the reader. Terra Viva is a celebration of a remarkable life and a clear-eyed assessment of the challenges we face moving forward – including those revealed by the Covid crisis, the privatisation of biotechnology, and the commodification of our biological and natural resources. ‘All of us who care about the future of Planet Earth must be grateful to Vandana Shiva.’ Jane Goodall, UN Messenger of Peace

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On the afternoon of August 15, 1969, Richie Havens took the stage at the Woodstock Music and Art Fair, welcoming a crowd of several hundred thousand to the green fields of Max Yasgur's farm. Havens was the first act - the legendary festival, years in the making, was finally beginning. Nothing would be the same after. But the story of the legendary festival begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz and who eventually found his way to Florida, where he opened a head shop and produced his first festival - Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others. In the late '60s, after settling in Woodstock, he began to envision a music and arts festival where folks could come and stay for a few days amid the rural beauty of upstate New York. The idea crystallized when Lang talked it over with Artie Kornfeld, a songwriter and A and R man, and with two other young men they formed Woodstock Ventures. They booked talent, from Janis Joplin and the Who to the virtually unknown Santana and Crosby, Stills and Nash; won over agents and promoters; brought in the Hog Farm commune to set up campgrounds; hired a peacekeeping force; took on fleets of volunteers; appeased the Yippies; and, were run out of one town and found another site weeks before the festival. On the ground with the talent, the townspeople, and his handpicked crew, Lang had a unique and panoramic perspective of the festival. Enhanced by interviews with others who were central to the making of the festival, "The Road to Woodstock" tells the story from inspiration to celebration, capturing all the magic, mayhem, and mud in between.

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THE SUNDAY TIMES HISTORY BOOK OF THE YEAR 2022 WINNER OF THE POL ROGER DUFF COOPER PRIZE FOR NON-FICTION SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE Eleven years when Britain had no king. In 1649 Britain was engulfed by revolution. On a raw January afternoon, the Stuart king, Charles I, was executed for treason. Within weeks the English monarchy had been abolished and the ‘useless and dangerous’ House of Lords discarded. The people, it was announced, were now the sovereign force in the land. What this meant, and where it would lead, no one knew. The Restless Republic is the story of the extraordinary decade that followed. It takes as its guides the people who lived through those years. Among them is Anna Trapnel, the daughter of a Deptford shipwright whose visions transfixed the nation. John Bradshaw, the Cheshire lawyer who found himself trying the King. Marchamont Nedham, the irrepressible newspaper man and puppet master of propaganda. Gerrard Winstanley, who strove for a Utopia of common ownership where no one went hungry. William Petty, the precocious scientist whose mapping of Ireland prefaced the dispossession of tens of thousands. And the indomitable Countess of Derby who defended to the last the final Royalist stronghold on the Isle of Man. The Restless Republic ranges from London to Leith, Cornwall to Connacht, from the corridors of power to the common fields and hillsides. Gathering her cast of trembling visionaries and banished royalists, dextrous mandarins and bewildered bystanders, Anna Keay brings to vivid life the most extraordinary and experimental decade in Britain’s history. It is the story of how these tempestuous years set the British Isles on a new course, and of what happened when a conservative people tried revolution.

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It is 1546: the last year of Henry VIII’s reign. What is the purpose of the top-quality portrait, painted then, of Elizabeth I aged about 13? It hangs today for all to see in Windsor Castle. Her clothes are a dazzling scarlet and gold and she wears many jewels; in fact, the gold material was reserved for top royalty. The only person in 1546 who could have commissioned such a portrait was her father, the King. Behind Elizabeth hang her bed-curtains. They signify that this is a betrothal portrait: a declaration that she is now ready to be married. Her destiny is a foreign Prince for a political alliance. She will soon be despatched abroad. It’s a tense year at Court. The King is ill and beset with suspicions. He lashes out at anyone he suspects of heresy or claims of royal descent. No-one dares mention the Succession, because it implies the King’s death. But it is uppermost in every mind at Court now. Prince Edward is only 8. His two half-sisters are the wrong sex to inherit. No-one is more aware of this than Edward’s two uncles, Jane Seymour’s brothers. They antagonise each other but share the aim of assuming power over the future child-king. The Catholic/Protestant divide is also volatile. Only Henry’s domineering character has kept dissent at bay in England so far. So, when this serene portrait was painted, the Court was silently simmering and scheming for future power. Elizabeth herself is the central character. She has spent nearly all her life in the royal country manors, away from London. She’s unaware of the hidden ferment at Court. Now she deeply dreads her imminent exile, which has come as a great shock to her. Her sheltered, confident childhood is coming to a sudden end.

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The magical and feel-good novel from the Sunday Times bestseller‘The feeling you get when you read a Milly Johnson book should be bottled and made available on the NHS’ Debbie JohnsonLife is full of second chances, if only you keep your heart open for them. Spring Hill Square is a pretty sanctuary away from the bustle of everyday life. And at its centre is Leni Merryman's Teashop on the Corner, specialising in cake, bookish stationery and compassion. And for three people, all in need of a little TLC, it is somewhere to find a friend to lean on.Carla Pride has just discovered that her late husband Martin was not who she thought he was. And now she must learn to put her marriage behind her and move forward.Molly Jones's ex-husband Harvey has reappeared in her life after many years, wanting to put right the wrongs of the past before it is too late. And Will Linton's business has gone bust and his wife has left him to pick up the pieces. Now he needs to gather the strength to start again. Can all three find the comfort they are looking for in The Teashop on the Corner? And as their hearts are slowly mended by Leni, can they return the favour when she needs it most?Praise for Milly Johnson: 'Every time you discover a new Milly book, it’s like finding a pot of gold' heat 'A glorious, heartfelt novel' Rowan Coleman ‘Absolutely loved it. Milly's writing is like getting a big hug with just the right amount of bite underneath. I was rooting for Bonnie from the start' Jane Fallon ‘Bursting with warmth and joie de vivre’ Jill Mansell ‘Warm, optimistic and romantic’ Katie Fforde

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A pocket-sized travel guide, packed with expert advice and ideas for the best things to see and do in Rome, and complemented with a sturdy pull-out map - perfect for a day trip or a short break.Whether you want to step back in time to Ancient Rome, see the Sistine Chapel, throw a coin into the Trevi Fountain, or check out the hipster bars and restaurants in Monti - this great-value, concise travel guide will ensure you don't miss a thing. Inside Mini Map and Guide Rome:- Easy-to-use pull-out map shows Rome in detail, and includes a Metro map- Colour-coded area guide makes it easy to find information quickly and plan your day- Illustrations show the inside of some of Rome's most iconic buildings- Colour photographs of Rome's museums, ancient ruins, shops, parks, churches, and more- Essential travel tips including our expert choices of where to eat, drink and shop, plus useful transport, currency and health information and a phrase book- Chapters covering Capitol; Forum and Palatine; Piazza della Rotonda; Piazza Navona; Piazza di Spagna and Villa Borghese; Campo de' Fiori; Quirinal and Monti; Esquiline; Lateran; Caracalla; Aventine; Trastevere; Janiculum; Vatican; Via VenetoMini Map and Guide Rome is abridged from DK Eyewitness Travel Guide RomeStaying for longer and looking for a more comprehensive guide? Try our DK Eyewitness Top Ten Rome. About DK Eyewitness Travel: DK's Mini Map and Guides take the work out of planning a short trip, with expert advice and easy-to-read maps to inform and enrich any short break. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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'If you read only one thriller this year; make it this one' Daily Mail'Gob-smackingly, heart-stoppingly, breath-holdingly brilliant' Ruth Jones------------THREE HOURS TO SAVE THE PEOPLE YOU LOVEIn rural Somerset in the middle of a blizzard, the unthinkable happens: a school is under siege.Pupils and teachers barricade themselves into classrooms, the library, the theatre. The headmaster lies wounded in the library, unable to help his trapped students and staff. Outside, a police psychiatrist must identify the gunmen, while parents gather desperate for news.In three intense hours, all must find the courage to stand up to evil and save the people they love.A TOP 10 SUNDAY TIMES BESTSELLERTHE TIMES THRILLER OF THE YEARA BEST BOOK OF 2020 IN THE SUNDAY TIMES, TIMES, GUARDIAN, MAIL, MIRROR, LITERARY REVIEW, STYLIST, RED AND GOOD HOUSEKEEPINGA TIMES & SUNDAY TIMES THRILLER OF THE MONTH------------'Brilliant' Lee Child, Better off Dead'A brave, timely and intricately crafted work' Emma Stonex, The Lamplighters'Superb' Kate Mosse, The City of Tears'It's beautifully, elegantly written, SO gripping, intelligent, timely, affecting and moving' Marian Keyes, Again, Rachel'A brilliant literary thriller... moving, masterly' Sunday Times'Kept us on the edge of our seats from start to finish' Independent'A novel that you live rather than merely read' Daily Telegraph'Amazing' Davina McCall, Menopausing'An electrifying, pulse-racing novel' Red'Wow! This is a stunner of a book, staggeringly good' Jane Fallon, Just Got Real'An emotionally devastating and beautifully observed literary thriller' Observer'Astonishing, powerful, terrifying, heartbreaking' Emma Flint, Little Deaths'Intersperses scenes of breath-sucking tension with stirring meditations on human nature' Guardian

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Patrick Hennessey's The Junior Officers' Reading Club is a lucid, witty account of all the horror, boredom and exhilaration of war. Patrick Hennessey is pretty much like any other member of Generation X: he spent the first half of the noughties reading books at university, going out, listening to house music and watching war films. He also, as an officer in the Grenadier guards, fought in some of the most violent combat the British army has seen in decades. Telling the story of how a modern soldier is made, from the testosterone-heavy breeding ground of Sandhurst to the nightmare of Iraq and Afghanistan, The Junior Officers' Reading Club is already being hailed as a modern classic. 'Soldiers who can write are as rare as writers who can strip down a machinegun in 40 seconds' Christopher Hart, Sunday Times 'An extraordinary memoir ... Hennessey has a reporter's eye for detail and a soldier's nose for bullshit' John Shirley, Guardian 'High tempo, full-on, honest and revealing' Patrick Bishop, Evening Standard 'The most accomplished work of military witness to emerge from British war-fighting since 1945' Boyd Tonkin, Independent 'Remarkable ... conveys vividly what it's like to experience combat' Jeremy Paxman, Daily Telegraph, Books of the Year Patrick Hennessey (b. 1982) joined the Army in January 2004, undertaking officer training at the Royal Military Academy Sandhurst where he was awarded the Queen's Medal and commissioned into The Grenadier Guards. He served as a Platoon Commander and later Company Operations Officer from the end of 2004 to early 2009 in the Balkans, Africa, South East Asia and the Falkland Islands and on operational tours to Iraq in 2006 and Afghanistan in 2007, where he became the youngest Captain in the Army and was commended for gallantry.

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The volume of proceedings is divide into ten issues. Issue 1 includes papers presented at the American Ceramic Society's 71st Conference on Glass Problems, held at Ohio State University from October 19-20, 2010. Issues 2-10 include papers presented at the International Conference on Advanced Ceramics and Composites (ICACC), held January 23-28, 2011 in Daytona Beach, Florida. 71st Conference on Glass Problems, CESP Volume 32, Issue 1 Mechanical Properties and Performance of Engineering Ceramics and Composites VI, CESP Volume 32, Issue 2 Advanced Ceramic Coatings and Materials for Extreme Environments, Volume 32, Issue 3 Advances in Solid Oxide Fuel Cells VI, CESP Volume 32, Issue 4 Advances in Ceramic Armor VII, CESP Volume 32, Issue 5 Advances in Bioceramics and Porous Ceramics IV, CESP Volume 32, Issue 6 Nanostructured Materials and Nanotechnology V, CESP Volume 32, Issue 7 Advanced Processing and Manufacturing Technologies for Structural and Multifunctional Materials V, CESP Volume 32, Issue 8 Ceramic Materials for Energy Applications, CESP Volume 32, Issue 9 Developments in Strategic Materials and Computational Design II, CESP Volume 32, Issue 10

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On January 16, 1944, the submarine rescue vessel USS Macaw (ASR-11) ran aground at Midway Atoll while attempting to get a towing line to the stranded submarine USS Flier (SS-250). The Flier was pulled free six days later, but another three weeks of salvage efforts, plagued by rough seas and equipment problems, failed to dislodge the Macaw. Then on Saturday, February 12, amid an episode of freakishly enormous waves, the sea accomplished that task, nudging the ship from her perch backward into deeper water.As night fell and the ship slowly sank, the 22 men on board face=Calibri>– Lt. Cmdr. Paul W. Burton, USN, the captain, his executive officer and twenty enlisted men—sought refuge in the pilot house. By about 0230 Sunday, that compartment having flooded almost entirely, Burton gave the order to open the portside door and make for the foremast. Three men got to it and climbed it. Most of the rest were swept overboard. Five of the men, including Burton himself, died, as did three sailors from the base at Midway in a pair of unauthorized and effectively suicidal rescue attempts that morning.Drawing on contemporaneous written statements by survivors of that night and interviews conducted over a span of thirty years, this book traces the lives of the Macaw and her enigmatic captain, from birth on San Francisco Bay to death at Midway. It tells a war story short on combat but not on drama, a wartime tragedy in which the conflict is more interpersonal, and perhaps intrapersonal, than international. Ultimately, for Paul Burton and the Macaw the real enemy was the sea, and in a deadly denouement told here in riveting detail, the sea won. Highlighting the underreported role auxiliary vessels played in the war, A Strange Whim of the Sea: The Wreck of the USS Macaw should engage the military historian and lay reader alike with the previously untold story it tells of struggle, sacrifice, death and survival in the Pacific in World War II.

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This wide-ranging selection combines popular choices of traditional poems read at funerals with powerful poems by contemporary writers more tuned to our present age of doubt and disbelief. There are poems here for churchgoers and believers, including classic verses of grief and consolation by John Donne, Christina Rossetti, Emily Bronte and Emily Dickinson, the anonymous Do not stand at my grave and weep, and the poems read at Princess Diana's funeral. But there are also poems for people of all faiths and religions, for agnostics and atheists, and most importantly for those who aren’t sure what they believe, whose grief over loss is the more intense for not knowing what happens to the soul after death. Grief isn’t denied but experienced and made more bearable by being put into memorable words. Searing poems of lament are followed by moving elegies celebrating the lives of those we will always love. Whether and how the spirit survives is then explored in an extraordinary gathering of poems by writers as different and diverse as the Persian mystic Rumi, Zen Buddhist composers of Japanese haiku, and American poets Mary Oliver and Jane Kenyon. Buttressed against their assertions of faith in an afterlife are modern sceptics, from Auden and Larkin to William Carlos Williams and C.K. Williams, whose wrestling with the meaning of death helps us make sense of no sense, mirroring our own anxieties and difficulties. But however various and contradictory these poems, their message chimes with Larkin’s famous words, proving 'Our almost-instinct almost true:/ What will survive of us is love.' Unlike other poetry anthologies of loss, mourning and remembrance, Do Not Go Gentle offers a selection of poems specifically for reading at funerals and memorial services. It can also be used for reading aloud to friends and family, or for reading while numbed and bewildered – all times when the right poem can help us share and bear the burden of immediate grief.

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This three-volume edition provides translations of the Goldsmiths' Company Register of Deeds with full explicatory annotation, and with a clear introduction to both the manuscript and the legal texts contained in it. The Worshipful Company of Goldsmiths, commonly known as the Goldsmiths' Company, is one of the twelve Great Livery Companies of the City of London. This three-volume edition provides translations of the company's Register of Deeds with full explicatory annotation and with a clear introduction to both the manuscript and the legal texts contained within. Additionally, the volumes contain detailed name and subject indexes. The company's Register of Deeds has never been fully utilised by historians, but it contains a record copy made from the fifteenth century onwards of the original deeds of the company's acquisitions of property from the reign of King Richard I to the seventeenth century. These deeds reveal much about the precise location of properties and their inhabitants. Wills, often appearing in the Register, help to piece together a social history of the time. Charitable purposes were often the reason for monies or property bequeathed to the Goldsmiths, sometimes of an educational nature, or of almsgiving to the poor, or for the training and support of young goldsmiths and silversmiths. Many documents also concern women, either acting solely in their own name or jointly with a husband, sometimes also appearing as daughters or sisters, providing evidence regarding their legal position during the medieval and early modern period. The editing and translation of these documents (from Latin and French into modern-day English) will be of great use to historians interested in the buildings of medieval and Tudor London and their use as personal or business premises. But beyond these obvious confines, these so far hidden sources will help to rewrite a social, legal, and economic history of medieval and Tudor London. SPECIAL INTRODUCTORY PRICE: £395/$575. Rises to full price £450/$650 on 1st January 2023.

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Introduced by Apple in January 2005, iWork '05 is an innovative new suite of document and presentation software that's the same caliber as Apple's groundbreaking digital media applications and that's wholly dedicated to what Mac users like you care about most: artistry and creativity. iWork '05 isn't about "office productivity" - it's about creating slick and stylish documents and cinema-quality digital presentations that say precisely what you want them to say. While iWork '05 helps you create stunning documents and presentations, the suite doesn't come with any in-depth documentation of its own. That's where "iWork '05: The Missing Manual" comes in. The book that should have been in the box, it gives you everything you need to master iWork '05. Seamlessly integrated with the wildly popular iLife '05 and designed to take advantage of the advanced typography and graphics engine of Mac OS X, iWork is actually two separate programs: Pages and Keynote 2. Pages is a brand-new, streamlined word processor and page layout program that allows non-professionals to quickly and painlessly produce gorgeous brochures, newsletters, letters, invitations, product data sheets, and more. You can start documents from scratch or use one of the 40 professionally designed templates as a starting point. Keynote 2 is a significant upgrade to Keynote, Apple's PowerPoint-like presentation software that allows you to build unique presentations, demonstrations, storyboard animations, interactive slideshows, and more. Like every Missing Manual, this one is refreshingly entertaining and scrupulously detailed. "iWork '05: The Missing Manual" gives you all the essentials of Pages and Keynote 2, including an objective look at each program's capabilities, its advantages over similar programs, and its limitations. The book delivers countless goodies that you won't find anywhere else: undocumented tips, tricks, and secrets for getting the very best results from both exciting new applications. With the iWork '05 suite and "iWork '05: The Missing Manual", you are totally equipped to give your work the style it deserves.

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'Obligatory reading for all parents of teenagers!' NIGELLA LAWSON'Bloody marvellous. Horribly familiar, funny, touching, sad, brutally honest...clutch this book to your stained T-shirt and never let it go.' JO BRAND'Terrific. A remarkable blend of hilarity and heartbreak with a really satisfying plot. Being childless never felt so good.' GRAHAM NORTON'Warm and witty... The competitive mothering, the hell that is other people's children, the fights and accusations of Homeland inquisition all rang deliciously true... a most entertaining read.' KATHY LETTE'Very poignant... A moving read as well as a funny one.' JANE GARVEY 'Honest, hilarious and painful' WOMAN & HOMEWarning!! This novel may lead you to make rash and life-changing decisions!**Probably don't read if you fear you may be ripe for liberation. Or if you sometimes wee when you laugh...First there was Having It All, then there was Bridget Jones' s Diary and I Don't Know How She Does It. Now there is Teenage Punchbag.I'm Just A Teenage Punchbag is a laugh-out-loud, sob-on-the bus journey through the so-called life of a middle-aged woman.Ciara is mother to three ungrateful, entitled teenagers, is married to steady Martin, a man with hairy udders, and is grieving for her mum who now lives in the wardrobe in a cardboard box from the crematorium. She finds solace in her anonymous blog, and in the daily chats she has with her mum's ashes (often the best conversations she has all day.)Despite the menopause, the invisibility of middle age and the daily self-esteem bashings, courtesy of her kids, Ciara manages to navigate the stormy waters of grief and family life - until her mask slips and she is cast out from the family bosom. She embarks on a mission to fulfil her mum's dying wishes to have her remains sprinkled from the top of the Empire State Building, finding company, distraction and - ultimately - herself in the process.If motherhood is a job - who says you can't resign?

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"Terry was everywhere in the '60s - he knew everything and everyone that was happening" - Keith Richards Terry O'Neill (1938-2019) was one of the world's most celebrated and collected photographers. No one captured the front line of fame so broadly - and for so long. Terry O'Neill's Rock ‘n’ Roll Album contains some of the most famous and powerful music photographs of all time. At the same time, the book includes many intimate personal photos taken 'behind the scenes' and at private functions. Terry O'Neill photographed the giants of the music world - both on and off-stage. For more than fifty years he captured those on the front line of fame in public and in private. David Bowie, Elton John, Led Zeppelin, Amy Winehouse, Dean Martin, The Who, Janis Joplin, AC/DC, Eric Clapton, Sammy Davis Jnr., The Rolling Stones, Bruce Springsteen, Chuck Berry and The Beatles - to name only a few. O'Neill spent more than 30 years photographing Frank Sinatra as his personal photographer, with unprecedented access to the star. He took some of the earliest known photographs of The Beatles, and then forged a lifetime relationship with members of the band that allowed him to photograph their weddings and other private moments. It is this contrast between public and private that makes Terry O'Neill's Rock ‘n’ Roll Album such a powerful document. Without a doubt, Terry O'Neill's work comprises a vital chronicle of rock 'n' roll history. To any fan of music or photography, this book will be a must-buy. "Trusted by the stars to make them look good, O'Neill has captured the icons of music for over half a century... Terry O'Neill's Rock 'N' Roll Album, collects a wealth of private moments and memories captured for eternity, with the likes of David Bowie, Bryan Ferry, Dolly Parton, Diana Ross, Bruce Springsteen, Led Zeppelin, Amy Winehouse and even Elvis Presley all the subject of O'Neill's immaculately placed lens. A life in pictures, a legacy in print. Pay heed to history!" - Simon Harper, Clash Magazine

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A beautiful story of love and survival for fans of Ruth Hogan and Sally Page.-----A LOST CHILD. A LONG-KEPT SECRET. THE HOUSE THAT HOLDS THE KEYSpring 1937: Teresa is evacuated to London in the wake of the Guernica bombing. She thinks she's found safety in the soothing arms of Mary Davidson and the lofty halls of Rochester Place, but trouble pursues her wherever she goes.Autumn 2020: Corinne, an emergency dispatcher, receives a call from a distressed woman named Mary. But when the ambulance arrives at the address, Mary is nowhere to be found. Intrigued, Corinne investigates and, in doing so, disturbs secrets that have long-dwelt in Rochester Place's crumbling walls. Secrets that, once revealed, will change her life for ever . . .Who is Mary Davidson? And what happened at Rochester Place all those years ago?Set between the dusty halls of Rochester Place and the bustling streets of modern-day Tooting, this emotive, intricately layered mystery tells the spellbinding story of two people, separated by time, yet mysteriously connected through an enchanting Georgian house and the secrets within its walls.-----'A moving, page-turning story - beautifully written and heartfelt' Amanda Prowse, To Love and Be Loved'A rich and tender story of fortitude, family and friendship' Ruth Hogan, The Keeper of Lost Things'Simply spellbinding, very addictive, and so beautifully written' Sophie Irwin, A Ladies Guide to Fortune Hunting'Richly atmospheric, evocative and moving - a triumph of storytelling' Abbie Greaves, The Silent Treatment'Full of intrigue and loss, this beautifully written gothic tale makes for a spellbinding read' Rhiannon Ward, The Quickening'This atmospheric tale of family, friendship and long held secrets is a compelling read' My Weekly'An intriguing story which skilfully entwines the past and present' Heidi Swain, A Taste of Home'Absorbing, moving and multi-layered... A book to curl up with' Emma Curtis, Keep Her Quiet'Beautifully written with a story that draws you in' Jane Corry, We All Have Our Secrets

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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There are many different ways to remember the sixties," Frye Gaillard writes, "and this is mine. There was in these years the sense of a steady unfolding of time, as if history were on a forced march, and the changes spread to every corner of our lives. As future generations debate the meaning of the decade, I hope to offer a sense of how it felt to have lived it. A Hard Rain is one writer’s reconstruction and remembrance of a transcendent era—one that, for better or worse, lives with us still." With A Hard Rain Gaillard gives us a deeply personal history, bringing his keen storyteller’s eye to this pivotal time in American life. He explores the competing story arcs of tragedy and hope through the political and social movements of the times: civil rights, black power, women’s liberation, the war in Vietnam, and the protests movements against it. Gaillard also examines the cultural manifestations of change in the era—music, literature, art, religion, and science—and so we meet not only the Brothers Kennedy, Martin Luther King Jr., and Malcolm X, but also Gloria Steinem, Janis Joplin, Jimi Hendrix, Johnny Cash, Harper Lee, Mister Rogers, Rachel Carson, James Baldwin, Andy Warhol, Billy Graham, Thomas Merton, George Wallace, Richard Nixon, Angela Davis, Barry Goldwater, the Beatles, Bob Dylan, and the Berrigan Brothers. As Gaillard remembers these influential people, he weaves together a compelling story about an iconic American decade of change, conflict, and progress.

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Der fünfte Band der Kleinen Schriften von Martin Hengel enthält in chronologischer Reihenfolge ihrer Entstehung 27 Studien, die die Person und das Wirken Jesu und die vier Evangelien betreffen. Sämtliche Beiträge sind durchgesehen und einzelne auch teilweise ergänzt. Entstanden sind sie in einem Zeitraum von 45 Jahren. Sie behandeln sowohl besondere, oft umstrittene Texte als auch übergreifende Probleme und konzentrieren sich dabei auf Jesus selbst, fragen aber auch nach der Tendenz der Evangelien und den Umständen ihrer Entstehung. Die ersten beiden Untersuchungen entstanden zu einer Zeit, als der Autor noch nicht wußte, ob er aus den opera aliena der Wirtschaft in die wissenschaftliche Theologie zurückkehren könnte. Dem dritten Beitrag liegt die Probevorlesung bei der Habilitation im Januar 1967 zugrunde, der vierte enthält die Tübinger Antrittsvorlesung im Mai desselben Jahres, der achte geht auf die Antrittsvorlesung in Erlangen im Mai 1973 zurück. Diese Studien spiegeln so auch ein Stück der wissenschaftlichen Entwicklung des Autors, seiner Auseinandersetzungen und Interessen wider, und sie zeigen zugleich, daß strenge philologische und historische Arbeit, die Frage nach der Wahrheit des Evangeliums und die Stellungnahme zu brennenden Zeitfragen sich von der 'theologischen Existenz' des Verfassers nicht trennen lassen, sondern stets in einem inneren Bezug zu dieser stehen. Nur durch diese enge Verbindung wird exegetische und theologische Arbeit in gegenseitiger Wechselwirkung fruchtbar.

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A devotional-style book for the modern seeker, intended to help them remember the divine wisdom they carry within and utilize it to create a life that is authentic.Are you ready to activate your inner goddess?365 Days of Divine Feminine Wisdom is a devotional-style book for today's spiritual seeker. In it, you will learn how to deepen your connection with yourself and your spirituality, discover who you really are, and find the courage to create a life you love by using your innate gifts and power.Each daily entry reflects upon the different aspects of Divine Feminine energy that are always active within us, regardless of age or experience: the Maiden, the Mother, and the Crone. These aspects are linked to the milestones that we experience throughout our lives as we get in touch with the goddess within us. These aspects are also connected to the phases of the moon, as well as to the seasons.Each daily entry draws wisdom from the three-part feminine archetype, according to the time of year: January to April provides inspiration from the Maiden aspect; May to August offers guidance from the Mother aspect; and September to December reveals knowledge from the Crone aspect. This helps readers gain a full understanding of their innate gifts and wisdom, as well the phases they naturally go through each year as they continue to grow, evolve, and live their best life

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SHORTLISTED FOR THE 2014 DEBUT CATEGORY - KITCHIES PRIZELONGLISTED FOR THE 2013 IMPAC DUBLIN LITERARY AWARDSA New York Times bestseller, Mr Penumbra's 24-hour Bookstore is an entirely charming and lovable first novel of mysterious books and dusty bookshops; it is a witty and delightful love-letter to both the old book world and the new.Recession has shuffled Clay Jannon out of his life as a Web-design drone and serendipity coupled with sheer curiosity has landed him a new job working the night shift at Mr. Penumbra's 24-Hour Bookstore. And it doesn't take long for Clay to realize that the quiet, dusty book emporium is even more curious than the name suggests. There are only a few fanatically committed customers, but they never seem to actually buy anything, instead they simply borrow impossibly obscure volumes perched on dangerously high shelves, all according to some elaborate arrangement with the eccentric proprietor. The store must be a front for something larger, Clay concludes, and soon he has plugged in his laptop, roped in his friends (and a cute girl who works for Google) and embarked on a high-tech analysis of the customers' behaviour. What they discover is an ancient secret that can only be solved by modern means, and a global-conspiracy guarded by Mr. Penumbra himself... who has mysteriously disappeared.

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Maura Dooley’s poetry is remarkable for embracing both lyricism and political consciousness, for its fusion of head and heart. These qualities have won her wide acclaim. Helen Dunmore (in Poetry Review) admired her ‘sharp and forceful’ intelligence. Adam Thorpe praised her ability ‘to enact and find images for complex feelings…Her poems have both great delicacy and an undeniable toughness…she manages to combine detailed domesticity with lyrical beauty, most perfectly in the metaphor of memory ’ (Literary Review). Five Fifty-Five is Maura Dooley’s first new collection since The Silvering (2016). These are quizzical poems concerned with time and mortality which ask fundamental questions about our lives, such as Where have you gone? and Who were you anyway? She tries to find out through conversations with, among others, Louisa M. Alcott, Hokusai, Jane Austen, Buzz Aldrin, Anne Tyler and the Great Uncle and Grandfather she never knew. There are poems, too, about the difficulties and responsibilities of translation, both from the written word and in interpreting what is left unspoken in different kinds of absence; empty streams, bare trees, the loss of friends. Yet these are poems that find and try to offer consolation: 'What have you learned exactly? / To love, to speak up, to hold steady.'

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A multi-faceted study of intellectual transformation in early modern Europe as seen through the eyes of a leading French scholar and cleric, Pierre-Daniel Huet (1630-1721). Early modern Europe's most extensive commonwealth -- the Republic of Letters -- could not be found on any map. This republic had patriotic citizens, but no army; it had its own language, but no frontiers. From its birth during theRenaissance, the Republic of Letters long remained a small and close-knit elite community, linked by international networks of correspondence, sharing an erudite neo-Latin culture. In the late seventeenth century, however, it confronted fundamental challenges that influenced its transition to the more public, inclusive, and vernacular discourse of the Enlightenment. Transforming the Republic of Letters is a cultural and intellectual history that chronicles this transition to "modernity" from the perspective of the internationally renowned scholar Pierre-Daniel Huet (1630-1721). Under Shelford's direction, Huet guides us into the intensely social intellectual worldof salons, scientific academies, and literary academies, while his articulate critiques illumine a combative world of Cartesians versus anti-Cartesians, ancients versus moderns, Jesuits versus Jansenists, and salonnières versus humanist scholars. Transforming the Republic of Letters raises questions of critical importance in Huet's era, and our own, about defining, sharing, and controlling access to knowledge. April G. Shelford is Assistant Professor in the History Department at American University, Washington, D.C.

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AS FEATURED ON THE ZOE BALL RADIO 2 BOOK CLUB SUNDAY TIMES CRIME BOOK OF THE MONTH 'Wonderful' Lee Child 'Outstanding' Nadine Matheson 'Riveting' Harriet Tyce 'Brilliant' Janice Hallett 'We know you know. Talk and you’re next.' Bishop Jeremiah Dawodu, pastor of a Nigerian megachurch, has been arrested and charged with the murder of his wife, Folasade, the 'First Lady' of the church. The arrest was public, humiliating and sensational - sending shockwaves through Lagos - but throughout it all, Bishop Dawodu maintains his innocence. Philip Taiwo, an acclaimed investigative psychologist, is asked by his sister, a member of the church's congregation, to clear the pastor’s name. With no actual body, it looks to be a simple case and despite Philip’s dislike of organised religion, he agrees to take it on as a favour to his sister. Then the First Lady's body is found in a nearby lake just as Philip’s beloved family come under attack from someone warning him off the case, and he realises that nothing to do with this investigation will be straightforward. Was it murder or suicide? Is someone framing the Bishop or the First Lady? Gaslight is the sensational follow up to Femi Kayode's acclaimed debut, Lightseekers, picked as a Book of the Month by the Times, Sunday Times, Independent, Guardian, Observer, Financial Times and Irish Times 'Femi Kayode is an unparalleled wordsmith' S. A. Cosby 'Deftly plotted, with strong characterisation and a great sense of place' Guardian

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This book explores Woolf's writing alongside Deleuzian philosophy and new materialist theories of sexuality, animality, and posthuman life. How does Virginia Woolf conceptualise the material world? In what ways has Woolf's modernism affected understandings of materiality, and what new perspectives does she offer contemporary theoretical debates? Derek Ryan demonstrates how materiality is theorised in Woolf's writings by focusing on the connections she makes between culture and nature, embodiment and environment, human and nonhuman, life and matter. Through close readings of texts including To the Lighthouse, Orlando, A Room of One's Own, The Waves, Flush, and 'Sketch of the Past', he details the fresh insights Woolf provides into issues concerning the natural world, sexual difference, sexuality, animality, and life itself. Ryan opens up Woolf studies to new theoretical paradigms by placing Woolf in dialogue with Gilles Deleuze - who cites her modernist aesthetics as exemplary of some of his most important philosophical concepts - as well as eminent contemporary theorists including Rosi Braidotti, Donna Haraway, Karen Barad, and Jane Bennett, all of whom have influenced the recent critical turn towards new materialisms. Locating theory within Woolf's writing as well as locating Woolf within theory, Virginia Woolf and the Materiality of Theory: Sex, Animal, Life brings her modernism firmly into to the foreground of current debates in literary studies, feminist philosophy, queer theory, animal studies and posthumanities.

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Nineteenth-century England witnessed an unprecedented increase in the number of publications and institutions devoted to the creation and the dissemination of knowledge: encyclopedias, scientific periodicals, instruction manuals, scientific societies, children’s literature, mechanics’ institutes, museums of natural history, and lending libraries. In Useful Knowledge Alan Rauch presents a social, cultural, and literary history of this new knowledge industry and traces its relationships within nineteenth-century literature, ending with its eventual confrontation with Charles Darwin’s Origin of Species.Rauch discusses both the influence and the ideology of knowledge in terms of how it affected nineteenth-century anxieties about moral responsibility and religious beliefs. Drawing on a wide array of literary, scientific, and popular works of the period, the book focusses on the growing importance of scientific knowledge and its impact on Victorian culture. From discussions of Jane Webb Loudon’s The Mummy! and Mary Shelley’s Frankenstein, to Charlotte Brontë’s The Professor, Charles Kingsley’s Alton Locke, and George Eliot’s Mill on the Floss, Rauch paints a fascinating picture of nineteenth-century culture and addresses issues related to the proliferation of knowledge and the moral issues of this time period. Useful Knowledge touches on social and cultural anxieties that offer both historical and contemporary insights on our ongoing preoccupation with knowledge.Useful Knowledge will appeal to readers interested in nineteenth century history, literature, culture, the mediation of knowledge, and the history of science.

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The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.

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The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.

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In 2018, the critical and financial success of Crazy Rich Asians ignited new fires in Hollywood to create and back Asian-centric stories. Since then, the number of movies featuring Asian Americans, either in front or behind the camera, has boomed and ushered in a new era of filmmaking. But many films, like The Joy Luck Club in 1993, paved the way for Asian American-led films before Crazy Rich Asians and to today. The Golden Screen is an in-depth look at those films, and the factors that played into their success.The Golden Screen includes commentary and conversations from Hollywood's most visible faces, such as Simu Liu, Lulu Wang, Daniel Dae Kim, Janet Yang, Ronny Chieng, Alice Wu, and Ken Jeong. See the movies that inspired today's modern stars to enter moviemaking, and how they're paying it forward to the next wave of creators.Featuring beautiful, original artwork from nine esteemed Asian illustrators, including: Toma Nguyen, barbarian flower, Jun Cen, Cryssy Cheung, Cliff Chiang, Yu-Ming Huang, JiYeun Kang, Ashraf Omar, and Zi Xu.A beautiful keepsake and collection of over 100 photographs and original art, The Golden Screen is perfect for movie and history fans alike, and reaffirms the importance of the Asian American film canon, and all the people involved, in an increasingly diverse Hollywood.

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Why do some national leaders pursue ambitious grand strategies and adventuresome foreign policies while others do not? When do leaders boldly confront foreign threats and when are they less assertive? Politics and Strategy shows that grand strategies are Janus-faced: their formulation has as much to do with a leader's ability to govern at home as it does with maintaining the nation's security abroad. Drawing on the American political experience, Peter Trubowitz reveals how variations in domestic party politics and international power have led presidents from George Washington to Barack Obama to pursue strategies that differ widely in international ambition and cost. He considers why some presidents overreach in foreign affairs while others fail to do enough. Trubowitz pushes the understanding of grand strategy beyond traditional approaches that stress only international forces or domestic interests. He provides insights into how past leaders responded to cross-pressures between geopolitics and party politics, and how similar issues continue to bedevil American statecraft today. He suggests that the trade-offs shaping American leaders' foreign policy choices are not unique--analogous trade-offs confront Chinese and Russian leaders as well. Combining innovative theory and historical analysis, Politics and Strategy answers classic questions of statecraft and offers new ideas for thinking about grand strategies and the leaders who make them.

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Churches vary a great deal - but can we see past all their differences to what underlies them? 'Generous orthodoxy' is a phrase that describes a Christianity both broad and deep, rooted in the historic creeds and embracing different expressions of Christian faith. Exploring Generous Orthodoxy is a ground-breaking, creative and practical exploration of what that really means, and how expressing it might bring about a sense of unity in the church that is badly needed in our fractured and polarised world. Drawing together leading theologians from the UK and the USA - including David Ford, Katherine Sonderegger, Willie Jennings, Tom Greggs, JKA Smith and Jane Williams - this collection of reflections explores how generous orthodoxy can be expressed through everything from worship and preaching to biblical theology, the arts and more. Based around a series of lectures held at St Mellitus College, and sponsored by the McDonald Agape Foundation, Exploring Generous Orthodoxy is essential reading for anyone interested in how the Christian Church can bridge the gap between denominations to negotiate the challenges of our 21st century world in a united manner. It will leave you, not only with a deeper understanding of generous orthodoxy, but the practical confidence to celebrate and embrace the differences in Christian denominations so we can all live together more joyfully - through the transforming and renewing work of the Holy Spirit.

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When Louis XVI was guillotined on January 21, 1793, vast networks of production that had provided splendor and sophistication to the royal court were severed. Although the king’s royal possessions—from drapery and tableware to clocks and furniture suites—were scattered and destroyed, many of the artists who made them found ways to survive. This book explores the fabrication, circulation, and survival of French luxury after the death of the king.Spanning the final years of the ancien régime from the 1790s to the first two decades of the nineteenth century, this richly illustrated book positions luxury within the turbulent politics of dispersal, disinheritance, and dispossession. Exploring exceptional works created from silver, silk, wood, and porcelain as well as unrealized architectural projects, Iris Moon presents new perspectives on the changing meanings of luxury in the revolutionary and Napoleonic periods, a time when artists were forced into hiding, exile, or emigration. Moon draws on her expertise as a curator to revise conventional accounts of the so-called Louis XVI style, arguing that it was only after the revolutionary auctions liquidated the king’s collections that their provenance accrued deeper cultural meanings as objects with both a royal imprimatur and a threatening reactionary potential.Lively and accessible, this thought-provoking study will be of interest to curators, art historians, scholars, and students of the decorative arts as well as specialists in the French Revolution.

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The photographer and reformer Jacob Riis once wrote, "I have seen an armful of daisies keep the peace of a block better than a policeman and his club." Riis was not alone in his belief that beauty could tame urban chaos, but are aesthetic experiences always a social good? Could aesthetics also inspire violent crime, working-class unrest, and racial murder? To answer these questions, Russ Castronovo turns to those who debated claims that art could democratize culture - civic reformers, anarchists, novelists, civil rights activists, and college professors - to reveal that beauty provides unexpected occasions for radical, even revolutionary, political thinking. "Beautiful Democracy" explores the intersection of beauty and violence by examining university lectures and course materials on aesthetics from a century ago along with riots, acts of domestic terrorism, magic lantern exhibitions, and other public spectacles. Philosophical aesthetics, realist novels, urban photography, and black periodicals, Castronovo argues, inspired and instigated all sorts of collective social endeavors, from the progressive nature of tenement reform to the horrors of lynching. Discussing Jane Addams, W. E. B. Du Bois, Charlie Chaplin, William Dean Howells, and Riis as aesthetic theorists in the company of Kant and Schiller, "Beautiful Democracy" ultimately suggests that the distance separating academic thinking and popular wisdom about social transformation is narrower than we generally suppose.

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The photographer and reformer Jacob Riis once wrote, "I have seen an armful of daisies keep the peace of a block better than a policeman and his club." Riis was not alone in his belief that beauty could tame urban chaos, but are aesthetic experiences always a social good? Could aesthetics also inspire violent crime, working-class unrest, and racial murder? To answer these questions, Russ Castronovo turns to those who debated claims that art could democratize culture - civic reformers, anarchists, novelists, civil rights activists, and college professors - to reveal that beauty provides unexpected occasions for radical, even revolutionary, political thinking. "Beautiful Democracy" explores the intersection of beauty and violence by examining university lectures and course materials on aesthetics from a century ago along with riots, acts of domestic terrorism, magic lantern exhibitions, and other public spectacles. Philosophical aesthetics, realist novels, urban photography, and black periodicals, Castronovo argues, inspired and instigated all sorts of collective social endeavors, from the progressive nature of tenement reform to the horrors of lynching. Discussing Jane Addams, W. E. B. Du Bois, Charlie Chaplin, William Dean Howells, and Riis as aesthetic theorists in the company of Kant and Schiller, "Beautiful Democracy" ultimately suggests that the distance separating academic thinking and popular wisdom about social transformation is narrower than we generally suppose.

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A published edition of the lecture delivered by Peter Barber on the occasion of being awarded the Soane Medal in November 2022. As one of Britain’s most acclaimed architects and founder of Peter Barber Architects, Peter’s practice focuses on social housing and urban planning. He has been widely celebrated for his inventive approach to design, delivering innovative housing which is both high-quality and affordable. Barber has also developed a number of speculative projects which respond to issues including the housing crisis, the climate emergency, and the revitalisation of de-industrialised areas. In recent years Peter and his firm have received several awards, including a lifetime achievement award from the Architects’ Journal and IBA Neave Brown Award for Housing 2021. He was awarded an OBE for services to architecture last year and elected as a Royal Academician in January. Alongside his practice, Peter lectures on architecture at the University of Westminster and was recently invited by the government to lead a discussion on "Designing for Better Public Spaces" with a team of top built environment professionals. The Soane Medal was established by Sir John Soane’s Museum in 2017 and continues the mission of the Museum’s founder, the celebrated Regency architect Sir John Soane, to encourage a better understanding of the central importance of architecture in culture and society. The Medal recognises architects, educators and critics who have made a major contribution to their field through practice, history or theory.

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This inspiring guide is full of ideas and inspirations for travel destinations around the world that invite you to renew yourself physically and spiritually - perfect for recent graduates, soon to be retirees, inveterate daydreamers and armchair travellers, and anyone considering taking a much needed sabbatical. When it is time to escape from the hectic, hurly-burly of ordinary life, this is where you can find a thousand delightful quiet and peaceful places that encourage you to relax. Featuring a range of escapes that include everything from momentary getaways in the heart of New York or Paris to longer contemplative visits to places that allow you to screen out the jangle of contemporary life, this is an expertly curated trove of peaceful places. It includes small parks and squares, lovely old churches and spiritual sanctuaries, off-the-beaten-path museums and galleries, hidden courtyards and gardens, tiny local eateries - and even cemeteries. Also included are wilder escapes in unspoiled natural settings that last over a weekend or longer, ideal for those whose idea of peace and quiet involves birdsong and the gentle rustle of leaves. From the magic of watching the sun rise over the desert at the top of Mt. Sinai, to the perfect quiet of an antiquarian book dealer in London or a Buddhist temple in Tokyo, each destination offers the chance for space, a time to think, and provides a moment to savour the world around us in a new light.

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In an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders)--to say nothing of demonstrations over exhibitions and artworks--have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture.As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests. Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy--she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence.In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.

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Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from "Murder on the Orient Express" and "Far From the Madding Crowd" to "Equus" and "Four Weddings and a Funeral". For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being.

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The Big Book of Breasts was an immediate best seller when it debuted in 2006. Its 396 pages introduced readers to the top naturally bountiful nude models of the 1950s, ’60s and ’70s, amazingly mammiferous beauties including Virginia Bell, Roberta Pedon, Mary Waters, Keli Stewart and many more. The one and only complaint was that there was no biographical information on these curvaceous cuties, no lists of their magazines and films to give readers a more intimate connection. We listened, and The Bigger Book of Breasts answers! Not only are there more pages with all new photos of your favorite big breast models of the ’50s through ’70s, there are also personal profiles for each and every one. Which model married comedian Richard Pryor? Who inspired Russ Meyer’s first film? Where are those free Mary Waters loops? And yes, Roberta Pedon is alive and well! Further updating the “Bigger” theme, we added the 12 most incredible, natural, and provocative breast models of today, gathered from across the world by Berlin-based photographer, Bernd Daktari Lorenz. Nadine Jansen, Luna Amor, Miosotis Claribel and the incredible Hitomi Tanaka prove breasts are bigger than ever, and bigger is beautiful, for both breasts and books. Wrap it up with stunning photos of our original cover girl Kelly Madison and The Bigger Book of Breasts is a bigger treat for all.

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A riveting account of the most consequential year in English history, marked by bloody conflict with invaders on all sides.1066 is the most famous date in history, and with good reason, since no battle in medieval history had such a devastating effect on its losers as the Battle of Hastings, which altered the entire course of English history.The French-speaking Normans were the pre-eminent warriors of the 11th century and based their entire society around conflict. They were led by William 'the Bastard' a formidable, ruthless warrior, who was convinced that his half-Norman cousin, Edward the Confessor, had promised him the throne of England. However, when Edward died in January 1066, Harold Godwinson, the richest earl in the land and the son of a pirate, took the throne . . . . this left William no choice but to forcibly claim what he believed to be his right. What ensued was one of the bloodiest periods of English history, with a body count that might make even George RR Martin balk.Pitched at newcomers to the subject, this book will explain how the disastrous battle changed England—and the English—forever, introducing the medieval world of chivalry, castles and horse-bound knights. It is the first part in the new A Very, Very Short History of England series, which aims to capture the major moments of English history with humor and bite.

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THE TOP TWENTY SUNDAY TIMES BESTSELLER ‘A brilliant new story-teller has arrived’ ERIN KELLY‘A read-in-one-sitting thriller’ LUCY CLARKE‘Chilling, devious’ JANICE HALLETT‘Glorious escapism with a murderous twist’ TAMMY COHEN They thought it was perfect. They were wrong… A glamorous chateau Aura and Nick don’t talk about what happened in England. They’ve bought a chateau in France to make a fresh start, and their kids need them to stay together – whatever it costs. A couple on the brink The expat community is welcoming, but when a neighbour is murdered at a lavish party, Aura and Nick don’t know who to trust. A secret that is bound to come out… Someone knows exactly why they really came to the chateau. And someone is going to give them what they deserve. The Sunday Times bestseller is back with a rollercoaster read, perfect for fans of Lucy Foley and Ruth Ware. ‘Gripping, glamorous, ingeniously twisty’ LAURA MARSHALL ‘The definition of unputdownable’ SINEAD CROWLEY ‘Hot on the heels of her debut thriller, Cooper has crafted yet another gripping page-turner that kept me second guessing myself until the very end’ KARIN NORDIN Praise for Catherine Cooper: ‘Pure adrenaline’ Erin Kelly‘Agatha Christie with glamour’ Sunday Times Style‘Intense and claustrophobic’ Heat The Chalet was a Sunday Times No.5 bestseller for w/e 28/11/20

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In an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders)--to say nothing of demonstrations over exhibitions and artworks--have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture.As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests. Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy--she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence.In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.

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A SPECTATOR BOOK OF THE YEAR - 'a dark remembrance of 1953, when nuclear annihilation was only the press of a button away'. January 1953. Eight years on from the most destructive conflict in human history, the Cold War enters its deadliest phase. An Iron Curtain has descended across Europe, and hostilities have turned hot on the Korean peninsula as the United States and Soviet Union clash in an intractable and bloody proxy war. Former wartime allies have grown far apart. An ageing Winston Churchill, back in Downing Street, yearns for peace with the Kremlin - but new American President Dwight Eisenhower cautions the West not to drop its guard. Joseph Stalin, implacable as ever, conducts vicious campaigns against imaginary internal enemies. Meanwhile, the pace of the nuclear arms race has become frenetic. The Soviet Union has finally tested its own atom bomb, as has Britain. But in the middle of the Pacific Ocean, the United States has detonated its first thermonuclear device, dwarfing the destruction unleashed on Hiroshima and Nagasaki. For the first time, the Doomsday Clock is set at two minutes to midnight, with the risk of a man-made global apocalypse increasingly likely. As the Cold War powers square up, every city has become a potential battleground and every citizen a target. 1953 is set to be a year of living dangerously.

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'Riveting and thrilling in equal measure. I didn't come up for air until the very last page' Patricia Gibney'Compelling and clever. They All Lied grips you from the opening page and doesn't let you go' Brian McGilloway 'MUM, LISTEN TO ME. DO EXACTLY AS I SAY, OR WE COULD BOTH END UP DEAD.'It seems like any other morning at Nadine Fitzmaurice's office job, until she receives a shocking phone call from her teenage daughter. Becca confesses to killing someone, saying she is now being held hostage. And Nadine must follow a series of mysterious instructions in order to keep her alive.Terrified but determined to save her daughter, Nadine finds herself dragged into the underworld of organised crime, lying to everyone in her life to protect Becca.But as Becca's captors increase their demands, secrets from Nadine's past rush to the surface, including memories of a teenager who went missing and never came home. Could there be a link to her disappearance and the danger Becca is in now? And if someone is out for revenge, can Nadine rescue her daughter before it's too late?'One of the most original and distinctive voices in Irish crime fiction.' Jane Casey'Cleverly plotted and deftly woven, with surprises at every turn.' Andrea Mara'An explosive thriller with brilliant twists.' Anthony Quinn'From the opening psychological dilemma to the breathtaking denouement, They All Lied is Louise Phillips' best yet' Sharon Dempsey

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Guardian Books to Watch 2022Evening Standard Books to Watch 2022Bookseller Editor's ChoiceWinner of the Boardman Tasker Award for Mountain Literature'A wonderful book - exhilarating and taut, fearless in its explorations of wildness, risk, motherhood, and the inner and outer worlds of the writer' Jon McGregor'This book is beautiful' Emma Jane Unsworth'Climbing gives you the illusion of being in control, just for a while, the tantalising sense of being able to stay one move ahead of death'As a child, Helen Mort was drawn to the thrill and risk of climbing, the tension between human and rockface, and the climber's need to be hyperaware of the sensory world - to feel the texture of rock under their fingers, how their crampons bite into the ice, the subtle shifts in weather. But when she becomes a mother for the first time, she finds herself re-examining this most elemental of disciplines, and the way that we view women who put themselves in danger.Written by one of Britain's most talented young writers, A Line Above the Sky melds memoir and nature writing to create what will surely become a classic of the genre; it asks why humans are compelled to climb and poses other, deeper questions about self, motherhood and freedom. It is a love letter to losing oneself in physicality, whether that in the risk of climbing a granite wall solo, without ropes, or the intensity of bringing a child into the world.

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*DEBBIE JOHNSON'S GORGEOUSLY ROMANTIC AND UNMISSABLE NEW NOVEL, FOREVER YOURS, IS AVAILABLE TO PRE-ORDER NOW!*'A laugh-cry book from first page to last' MILLY JOHNSON'Simply brilliant' JANE LINFOOT'Moving, beautiful and heart-wrenching' CATHY BRAMLEY'Humour, tears and above all, hope. Bring tissues' CATHERINE ISAACWhat if you had the chance to find a lost love? Jess still thinks about the man who disappeared from her life seventeen years ago, and the tragedy that tore them apart. So when she discovers a hidden box of letters in her mother's attic, Jess realises that the truth about why he walked away has been kept from her all this time. Jess sets out to follow the faded postmarks across the country, determined that her journey will bring her closer to him. As each clue falls into place, Jess discovers new things about herself - and the man who once broke her heart. Maybe she can find him. Maybe their love story isn't over.Maybe one day, they will be together again...Readers are loving Maybe One Day:'Wow! Wow! Wow!' Reader Review'One of the best Debbie Johnson books I have ever read' Reader Review'Just fabulous' Reader Review'Funny, emotional, heartbreaking and beautifully uplifting' Reader Review'Love, love, loved it' Reader Review

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