Search results for ""author christo"

The artist Stefan Hunstein brought magical photographs of untouched landscapes back from his journey to the Arctic in 2012. In their majesty and beauty, their immensity and their deadly cold they echo the visions of ice in painting and literature, especially during the Romantic era. The publication shows a selection of these breathtaking photographs which are being presented in public for the first time – also in a series of exhibitions. Here Hunstein, famous for his critical exami nation of contemporary history through the artistic processing of existing pictures, has taken up the camera himself and has created “Dream Pictures” which retain a hint of unreality in their outlines, shadows and reflections, in their theatrical blue lumi nosity and the bizarre, constantly changing structures. In these photos – printed on glass using a special technique – the artist links the fragile and the monstrous, the beauty of nature and “the horrors of the ice and of darkness” (Christoph Ransmayr)

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Fifteen years in the making, Ann Eljenholm Nichols's The Early Art of Norfolk: A Subject List of Extant and Lost Art Including Items Relevant to Early Drama is the most comprehensive listing of early art from Norfolk ever compiled. It is based on careful examination of the painted glass, wall paintings, woodcarvings, and other art in the 600 or so churches of this county and also on thorough searching of archival records and antiquarian accounts. The book (double columns, 357 pages, plus plates) will serve as a standard reference source for students of the ecclesiastical arts and also will provide an essential dimension for drama scholars. Appendices treating angels, Norwich Cathedral bosses, apostles and prophets, liturgical estates, painted panels, christocentric sequences, and Te Deum as well, and there are glossaries (including terms used in describing costume) and a contribution by Barbara Green on the antiquaries whose notes provided essential information about lost examples of Norfolk art.

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Ulrike Mittmann-Richert entwickelt in kritischer Auseinandersetzung mit der älteren und neueren Lukasforschung eine neue lukanische Soteriologie. Sie wendet sich gegen die These, bei Lukas habe das Kreuz Christi nicht den Stellenwert, den es in anderen neutestamentlichen Schriften hat. Ausgangspunkt ist die Erkenntnis, daß Lukas das Kreuzesgeschehen von Jesaja 53 her durchdringt und auf der Grundlage dieses Textes Jesus auf seinem Weg an das Kreuz konsequent als den von Gott zur Erlösung des Menschen gesandten Gottesknecht stilisiert. Wie andere neutestamentliche Schriftsteller versteht Lukas den Kreuzestod Jesu als ein Sühnegeschehen, gleichzeitig als die eschatologische Zeitenwende. In Jesu Todesstunde öffnet sich für den von der Macht der Sünde befreiten Menschen der Zugang zum Reich Gottes und wird das Leben in der ungebrochenen Gemeinschaft mit Gott zur Realität ewigen Heils. Die Autorin erstellt dieses soteriologische Profil des Lukasevangeliums in der Auslegung seiner Haupttexte, vor allem der Passions- und Ostererzählungen. In ausführlichen Exkursen bewertet sie auch die lukanische Christologie, Anthropologie, Eschatologie und Ekklesiologie neu.

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Longlisted, 2018 International DUBLIN Literary AwardLong-shortlisted, 2017 ReLit Awards1593. Queen Elizabeth reigns from the throne while two rival spymasters - Sir Robert Cecil and the Earl of Essex - plot from the shadows. Their goal? To control succession upon the aged queen's death. The man on which their schemes depend? Christopher Marlowe, a cobbler's son from Canterbury who has defied expectations and become an accomplished poet and playwright. Now that the plague has closed theatres, Marlowe must resume the work for which he was originally recruited: intelligence and espionage. Fighting to stay one step ahead in a dizzying game that threatens the lives of those he holds most dear, Marlowe comes to question his allegiances and nearly everything he once believed. As tensions mount, he is tossed into an impossible bind. He must choose between paths that lead either to wretched guilt and miserable death or to love and honour. An historical novel with a contemporary edge, This Marlowe measures the weight of the body politic, the torment of the flesh, and the state of the soul.

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Before there was an immigrant American Church, there was a Native American Church. The Native American Catholic Studies Reader offers an introduction to the story of how Native American Catholicism has developed over the centuries, beginning with the age of the missions and leading to inculturated, indigenous forms of religious expression. Though the Native-Christian relationship could be marked by tension, coercion, and even violence, the Christian faith took root among Native Americans and for those who accepted it and bequeathed it to future generations it became not an imposition, but a way of expressing Native identity.From the perspective of historians and theologians, the Native American Catholic Studies Reader offers a curated collection of essays divided into three sections: education and evangelization; tradition and transition; and Native American lives. Contributors include scholars currently working in the field: Mark Clatterbuck, Damian Costello, Conor J. Donnan, Ross Enochs, Allan Greer, Mark G. Thiel, and Christopher Vecsey, as well as selections from a past generation: Gerald McKevitt, SJ, and Carl F. Starkloff, SJ.These contributions explore the interaction of missionaries and tribal leaders, the relationship of traditional Native cosmology and religiosity to Christianity, and the role of geography and tribal consciousness in accepting and maintaining indigenous and religious identities. These readings highlight the state of the emergent field of Native-Catholic studies and suggest further avenues for research and publication.For scholars, teachers, and students, the Native American Catholic Studies Reader explores how the faith of the American Church's eldest members became a means of expressing and celebrating language, family, and tribe.

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The hovercraft was first created in 1959, when Sir Christopher Cockerell came up with a prototype that crossed the English Channel. The SRN1, the first ever hovercraft, is now proudly housed by the Science Museum and this very British invention enjoys an active role in many arenas, from travel, leisure cruising and racing to lifesaving and transporting goods. This detailed book delves into the history of the hovercraft, from the early days of its development through to the commercial and military applications of the craft. It looks into the exciting world of hovercraft leisure, cruising and racing from amateur to Formula 1, and also explores the important role the hovercraft plays in rescues whether on water or delivering aid around the word in places that helicopters can’t reach. Finally, it details the types of hovercraft in use today, and what the future holds. The hovercraft is more than a product of 1960s Britain: it is one that has pushed the boundaries of transport as we look into the future and we have the back-shed culture of Britain to thank for its invention.

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Inspired by the fortunes and misfortunes of the Getty family, whose most extraordinary and troubled episode – the kidnap and ransom of grandson Paul Getty – is now a major motion picture, directed by Ridley Scott, from a screenplay written by David Scarpa and starring Michelle Williams, Christopher Plummer and Mark Wahlberg. When sixteen-year-old Paul Getty was kidnapped, the news exploded worldwide. But his grandfather, J. Paul Getty, the richest living American, refused to pay the ransom, oblivious to his sufferings. And as the days dragged painfully on, it was Paul’s distraught but determined mother Gail who was left to negotiate with his captors… In this full biography of the Getty family, John Pearson traces the creation of their phenomenal wealth and the ways in which it has touched and tainted the lives of various generations. Packed with colourful characters, bitter feuds and unexpected turns, it is a riveting insight into the lives of the super-rich. Previously published as Painfully Rich. Motion Picture Artwork ©2017 CTMG. All Rights Reserved.

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When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences’ understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.By analyzing specific structures of affect with the vocabulary of emotions, Marla Carlson builds upon the conception of affect articulated by psychologist Silvan Tomkins. The book treats a diverse selection of live performance and archival video and analyzes the ways in which they affect their audiences. The range of performances includes commercially successful productions such as The Curious Incident of the Dog in the Night-Time, War Horse, and The Lion King as well as to the more avant-garde and experimental theater created by Robert Wilson and Christopher Knowles, Back to Back Theatre, Elevator Repair Service, Pig Iron Theatre, and performance artist Deke Weaver.

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Liberated, licentious, or merely liberal, the sexual freedoms of Germany's Weimar Republic have become legendary. The home of the world's first gay rights movement, the republic embodied a progressive, secular vision of sexual liberation. Immortalized - however misleadingly - in Christopher Isherwood's Berlin Stories and the musical Cabaret, Weimar's freedoms have become a touchstone for the politics of sexual emancipation. Yet, as Laurie Marhoefer shows in Sex and Weimar Republic, those sexual freedoms were only obtained at the expense of a minority who were deemed sexually disordered. In Weimar Germany, the citizen's right to sexual freedom came with a duty to keep sexuality private, non-commercial, and respectable. Sex and the Weimar Republic examines the rise of sexual tolerance through the debates which surrounded "immoral" sexuality: obscenity, male homosexuality, lesbianism, transgender identity, heterosexual promiscuity, and prostitution. It follows the sexual politics of a swath of Weimar society ranging from sexologist Magnus Hirschfeld to Nazi stormtrooper Ernst Rohm. Tracing the connections between toleration and regulation, Marhoefer's observations remain relevant to the politics of sexuality today.

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Essays on the many key aspects of medieval literature, reflecting the significant impact of Professor Derek Brewer. Derek Brewer (1923-2008) was one of the most influential medievalists of the twentieth century, first through his own publications and teaching, and later as the founder of his own academic publishing firm. His working life of some sixty years, from the late 1940s to the 2000s, saw enormous advances in the study of Chaucer and of Arthurian romance, and of medieval literature more generally. He was in the forefront of such changes, and his understandings ofChaucer and of Malory remain at the core of the modern critical mainstream. Essays in this collection take their starting point from his ideas and interests, before offering their own fresh thinking in those key areas of medieval studies in which he pioneered innovations which remain central: Chaucer's knight and knightly virtues; class-distinction; narrators and narrative time; lovers and loving in medieval romance; ideals of feminine beauty; love,friendship and masculinities; medieval laughter; symbolic stories, the nature of romance, and the ends of storytelling; the wholeness of Malory's Morte Darthur; modern study of the medieval material book; Chaucer's poetic language and modern dictionaries; and Chaucerian afterlives. This collection builds towards an intellectual profile of a modern medievalist, cumulatively registering how the potential of Derek Brewer's work is being reinterpreted and is renewing itself now and into the future of medieval studies. Charlotte Brewer is Professor of English Language and Literature at Oxford University and a Fellow of Hertford College, Oxford; Barry Windeatt is Professor of English in the University of Cambridge and a Fellow of Emmanuel College, Cambridge. Contributors: Elizabeth Archibald, Charlotte Brewer, Mary Carruthers, Christopher Cannon, Helen Cooper, A.S.G. Edwards, Jill Mann, Alastair Minnis, Derek Pearsall, Corinne Saunders, James Simpson, A.C. Spearing, Jacqueline Tasioulas, Robert Yeager, Barry Windeatt.

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With its laser-focus on the verbal and visual infrastructure of narrative, The Metanarrative Hall of Mirrors is the first sustained comparative study of how image patterns are tracked in prose and cinema. In film examples ranging from Citizen Kane through Apocalypse Now to Blade Runner 2049, then on to Christopher Nolan’s 2020 Tenet, Garrett Stewart follows the shift from celluloid to digital cinema through various narrative manifestations of the image, from freeze-frames to computer-generated special effects. By bringing cinema alongside literature, Stewart discovers a common tendency in contemporary storytelling, in both prose and visual narrative, from the ongoing trend of “mind-game” films to the often puzzling narrative eccentricities of such different writers as Nicholson Baker and Richard Powers—including the latter’s eerie mirroring of reader empathy in his 2021 Bewilderment.

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Selected as a Doody's Core Title for 2022 and 2023! Part of the popular and well-regarded Clinical Anesthesia family of titles, and founded by Drs. Paul G. Barash, Bruce F. Cullen, and Robert K. Stoelting, Clinical Anesthesia Fundamentals, Second Edition, is a concise, highly visual resource covering the core concepts in anesthesiology. The editorial board comprised of Drs. Bruce F. Cullen, M. Christine Stock, Rafael Ortega, Sam R. Sharar, Natalie F. Holt, Christopher W. Connor, and Naveen Nathan, and their team of expert contributors clearly and simply present the information you need on key aspects of anesthesia for every specialty area and key organ systems. From physiology and pharmacology to anatomy and system-based anesthesia, it uses full-color graphics, easy-to-read tables, and clear, concise text to convey the essential principles of the field. Presents material in a highly visual manner, including “Did You Know” boxes that highlight key points, as well as video boxes that reference more than 120 short, to-the-point tutorial videos in the eBook, in addition to end of chapter multiple choice questions, answers, and explanations. New features include: a chapter on anesthesia for the older patient as well as 31 chapter-based infographics that provide “At a Glance” or “A Closer Look” at topical content. The ebook also comes with access to question-based interactive versions of the infographics, as well as dozens of video lectures covering every chapter in the book, including 500integrated review questions throughout. Includes an introductory section covering scientific and technical foundations, pharmacology, and technology. Features helpful appendices with handy formulas; an electrocardiography atlas; numerous key protocols, guidelines, and standards; algorithms, and more. Ideal for medical students, residents, SRNAs, CRNAs, and practitioners studying for board exams—anyone who needs a quick overview of the essential elements of clinical anesthesia in an easily accessible format. ,Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech. , ,

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Why Captain Ahab is worthy of our fear—and our compassion Herman Melville’s Captain Ahab is perennially seen as the paradigm of a controlling, tyrannical agent. Ahab Unbound leaves his position as a Cold War icon behind, recasting him as a contingent figure, transformed by his environment—by chemistry, electromagnetism, entomology, meteorology, diet, illness, pain, trauma, and neurons firing—in ways that unexpectedly force us to see him as worthy of our empathy and our compassion. In sixteen essays by leading scholars, Ahab Unbound advances an urgent inquiry into Melville’s emergence as a center of gravity for materialist work, reframing his infamous whaling captain in terms of pressing conversations in animal studies, critical race and ethnic studies, disability studies, environmental humanities, medical humanities, political theory, and posthumanism. By taking Ahab as a focal point, we gather and give shape to the multitude of ways that materialism produces criticism in our current moment. Collectively, these readings challenge our thinking about the boundaries of both persons and nations, along with the racist and environmental violence caused by categories like the person and the human.Ahab Unbound makes a compelling case for both the vitality of materialist inquiry and the continued resonance of Melville’s work.Contributors: Branka Arsić, Columbia U; Christopher Castiglia, Pennsylvania State U; Colin Dayan, Vanderbilt U; Christian P. Haines, Pennsylvania State U; Bonnie Honig, Brown U; Jonathan Lamb, Vanderbilt U; Pilar Martínez Benedí, U of L’Aquila, Italy; Steve Mentz, St. John’s College; John Modern, Franklin and Marshall College; Mark D. Noble, Georgia State U; Samuel Otter, U of California, Berkeley; Donald E. Pease, Dartmouth College; Ralph James Savarese, Grinnell College; Russell Sbriglia, Seton Hall U; Michael D. Snediker, U of Houston; Matthew A. Taylor, U of North Carolina at Chapel Hill; Ivy Wilson, Northwestern U.

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When Winnie-the-Pooh and his friends are playing Poohsticks one day, they’re most surprised to see a calm, dignified Eeyore floating out beneath the bridge … This story first appeared in A.A.Milne’s The House at Pooh Corner, accompanied by E.H.Shepard’s original decorations. Classic Winnie-the-Pooh Story Pooh Invents a New Game – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. Milne’s classic children’s stories – featuring Piglet, Eeyore and, of course, Pooh himself – are both heart-warming and funny, teaching lessons of friendship and reflecting the power of a child’s imagination like no other story before or since. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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"Sad? Why should I be sad? It's my birthday. The happiest day of the year," said Eeyore. "Your birthday?" said Pooh in great surprise. Classic Winnie-the-Pooh Story Eeyore Has a Birthday – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. It's Eeyore's birthday and none of his friends have remembered it. So Pooh and Piglet plan to cheer him up with presents, and some unexpected suprises… This beautiful little storybook is a great way to introduce young readers to the characters in A.A.Milne's Hundred Acre Wood. This is guaranteed to be a bedtime favourite for children aged 5 and up. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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Isn’t it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does? The perfect introduction to Winnie-the-Pooh! Classic Winnie-the-Pooh Story Winnie-the-Pooh And The Wrong Bees – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. Winnie-the-Pooh goes out for a walk and encounters the “wrong sort of bees” in this, the first Winnie-the-Pooh story by A.A.Milne. This beautiful little storybook is a great way to introduce young readers to the characters in the Hundred Acre Wood. This is guaranteed to be a bedtime favourite for children aged 5 and up. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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The letter to the Colossians offers great insight into the faith, life, and problems of an early Christian church. Understanding this letter to be one of Paul's prison epistles but aware of the differences between this and his other writings, Jerry Sumney shows how the church struggled with expressing its new faith in the diverse settings of the Greco-Roman world. Paying special attention to the ways of forgiveness and salvation through the power of Christ, this fine commentary shows Colossians' expansive Christology and expectant eschatology.The New Testament Library offers authoritative commentary on every book and major aspect of the New Testament, as well as classic volumes of scholarship. The commentaries in this series provide fresh translations based on the best available ancient manuscripts, offer critical portrayals of the historical world in which the books were created, pay careful attention to their literary design, and present a theologically perceptive exposition of the text.

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THE FIVE-DAY WORKING WEEK MUST CHANGE: HERE'S HOW.Fingers crossed that this book will shake up the five-day working week.' - Sir Christopher Pissarides, 2010 Nobel Laureate in EconomicsFriday is the New Saturday makes a compelling, provocative and timely case for societal change. Drawing on an eclectic range of economic theory, history and data, Dr Pedro Gomes argues that a four-day working week will bring about a powerful economic renewal for the benefit of all society. It will stimulate demand, productivity, innovation and wages, whilst reducing unemployment and crushing populist movements. The arguments come from both the left and right of the political spectrum to show that a polarised society can still find common ground.In the 1800s, people in the West worked six days each week, resting on Sundays. In the 1900s, firms began to give workers Saturdays off as well, realising that a two-day weekend helped the

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These sketchbooks have an extraordinary story behind them, created as they were in 1942, Alfred Wallis’s final year, when he lived in the Penzance poorhouse. They shine new light on his contribution to the development of modern art in Britain. A Cornish mariner and scrap metal dealer, he was self-taught and started to paint in around 1925 following the death of his wife three years earlier. A potent influence in the late 1920s for artists Winifred and Ben Nicholson and Christopher Wood, his simple and direct style communicated a truth of experience that also came to personify the overriding character of St Ives as an art community that valued his authenticity of expression. The legacy of his art continues to inspire artists today. This book brings together the contents of three sketchbooks that Wallis filled with drawings. With an introduction by curator Andrew Wilson, it offers a remarkable insight into Wallis’s art of memory made tangible. 'No, I don’t think a good Wallis is representational it is simply REAL.’ - Ben Nicholson.

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Artists and professionals worldwide guide you through creating props, armor, and accessories with techniques to modify color, heat form, and detail with thermoplastics and other modern materials.

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John Gower's poetry offers an important and immediate response to the turbulent events of his day. The essays here examine his life and his works from an historical angle, bringing out fresh new insights. The late fourteenth century was the age of the Black Death, the Peasants' Revolt, the Hundred Years War, the deposition of Richard II, the papal schism and the emergence of the heretical doctrines of John Wyclif and the Lollards. These social, political and religious crises and conflicts were addressed not only by preachers and by those involved in public affairs but also by poets, including Chaucer and Langland. Above all, though, it is in the verse of John Gower that we find the most direct engagement with contemporary events. Yet, surprisingly, few historians have examined Gower's responses to these events or have studied the broader moral and philosophical outlook which he used to make sense of them. Here, a number of eminent medievalists seek to demonstrate what historians can add to our understanding of Gower's poetry and his ideas about society (the nobility and chivalry, the peasants and the 1381 revolt, urban life and the law), the Church (the clergy, papacy, Lollardy, monasticism, and the friars) gender (masculinity and women and power), politics (political theory and the deposition of Richard II) and science and astronomy. The book also offers an important reassessment of Gower's biography based on newly-discovered primary sources. STEPHEN RIGBY is Emeritus Professor of Medieval Social and Economic History at the University of Manchester; SIAN ECHARD is Professor of English, University of British Columbia. Contributors: Mark Bailey, Michael Bennett, Martha Carlin, James Davis, Seb Falk, Christopher Fletcher, David Green, David Lepine, Martin Heale, Katherine Lewis, Anthony Musson, Stephen Rigby, Jens Röhrkasten.

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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present.Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor

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In The Fragile Balance of Terror, the foremost experts on nuclear policy and strategy offer insight into an era rife with more nuclear powers. Some of these new powers suffer domestic instability, others are led by pathological personalist dictators, and many are situated in highly unstable regions of the world—a volatile mix of variables. The increasing fragility of deterrence in the twenty-first century is created by a confluence of forces: military technologies that create vulnerable arsenals, a novel information ecosystem that rapidly transmits both information and misinformation, nuclear rivalries that include three or more nuclear powers, and dictatorial decision making that encourages rash choices. The nuclear threats posed by India, Pakistan, Iran, and North Korea are thus fraught with danger. The Fragile Balance of Terror, edited by Vipin Narang and Scott D. Sagan, brings together a diverse collection of rigorous and creative scholars who analyze how the nuclear landscape is changing for the worse. Scholars, pundits, and policymakers who think that the spread of nuclear weapons can create stable forms of nuclear deterrence in the future will be forced to think again. Contributors: Giles David Arceneaux, Mark S. Bell, Christopher Clary, Peter D. Feaver, Jeffrey Lewis, Rose McDermott, Nicholas L. Miller, Vipin Narang, Ankit Panda, Scott D. Sagan, Caitlin Talmadge, Heather Williams, Amy Zegart

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Essays on the complexity of multilingualism in medieval England. Professor Jocelyn Wogan-Browne's scholarship on the French of England - a term she indeed coined for the mix of linguistic, cultural, and political elements unique to the pluri-lingual situation of medieval England - is of immenseimportance to the field. The essays in this volume extend, honour and complement her path-breaking work. They consider exchanges between England and other parts of Britain, analysing how communication was effected where languagesdiffered, and probe cross-Channel relations from a new perspective. They also examine the play of features within single manuscripts, and with manuscripts in conversation with each other. And they discuss the continuing reach ofthe French of England beyond the Middle Ages: in particular, how it became newly relevant to discussions of language and nationalism in later centuries. Whether looking at primary sources such as letters and official documents, orat creative literature, both religious and secular, the contributions here offer fruitful and exciting approaches to understanding what the French of England can tell us about medieval Britain and the European world beyond. Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Carolyn Collette is Professor of English Language and Literature at Mount Holyoke College. Contributors: Christopher Baswell,Emma Campbell, Paul Cohen, Carolyn Collette, Thelma Fenster, Robert Hanning, Richard Ingham, Maryanne Kowaleski, Serge Lusignan, Thomas O'Donnell, W. Mark Ormrod, Monika Otter, Felicity Riddy, Delbert Russell, Fiona Somerset, +Robert M. Stein, Andrew Taylor, Nicholas Watson, R.F. Yeager

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A reassessment of the impact of the Hanoverian succession. Was the accession of the Hanoverian dynasty of Brunswick to the throne of Britain and its empire in 1714 merely the final act in the 'Glorious Revolution' of 1688-89? Many contemporaries and later historians thought so, explainingthe succession in the same terms as the earlier revolution - deliverance from the national perils of 'popery and arbitrary government'. By contrast, this book argues that the picture is much more complicated than straightforwardcontinuity between 1688-89 and 1714. Emphasizing the plurality of post-Revolutionary developments, it explores early eighteenth-century Britain in light of the social, political, economic, religious and cultural transformations inaugurated by the 'Glorious Revolution' of 1688-1689 and its ensuing settlements in church, state and empire. The revolution of 1688-89 was much more transformative and convulsive than is often assumed; and the book shows that, although the Hanoverian Succession did embody a clear-cut reaffirmation of the core elements of the Revolution settlement - anti-Jacobitism and anti-popery - its impact on various post-Revolutionary developments in Church, state, Union, intellectual culture, international relations, political economy and empire is decidedly less clear. BRENT S. SIROTA is Associate Professor in the Department of History at North Carolina State University. ALLAN I. MACINNES is Emeritus Professor of History at the University of Strathclyde. CONTRIBUTORS: James Caudle, Megan Lindsay Cherry, Christopher Dudley, Robert I. Frost, Allan I. Macinnes, Esther Mijers, Steve Pincus, Brent S. Sirota, Abigail L. Swingen, Daniel Szechi, Amy Watson

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In today’s scattering world, challenged as it is by climate change, pollution and other forms of environmental degradation, developing an adequate theology of creation is not just an armchair luxury, but a vital task, a mission in which we are implicated whether we like it or not. Such an adequate theology of creation should allow theologians and believers in general to enter into processes of personal and social transformation that bring about justice between human beings and a sustainable relationship of humankind with non-human reality. The contributions to this volume take up the difficult task of developing an adequate theology of creation for our times. They seek to reflect on creation in our scattering world from multiple and diverse perspectives, engaging Scripture, old and new traditions, philosophy, ethics, science, Christology, ecclesiology, sacraments and the liturgy. The wealth and heterogeneity of perspectives gathered in this collection is a gift to be explored and cherished. The articles gathered in this book contribute to an urgently needed re-articulation of the idea of creation and offer to theologians the occasion to sound their own voice in the forum of those who attempt to answer the great challenges posed by the times in which we live.

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Any student of the New Testament must be conscious of the competing expectations in ancient Jewish thought of what and who the Messiah would be. In King and Messiah, Aage Bentzen offers a fascinating glimpse into this topic, which preoccupied the most eminent Scandinavian biblical scholars of the mid-twentieth century. Beginning with the Messiah described in many of the Psalms, representing a demythologised form of the Oriental concept of kingship, Bentzen proceeds to the eschatological Messiah of Isaiah and Micah. He next discusses the later, prophetic-Messianic Moses Redivivus of Deutero-Isaiah, reaching the final stage of Old Testament Messianic thought in the description of the Son of Man in Daniel 7, which carries the 'eschatologising' process still further. Bentzen shows how all of these Old Testament types are synthesised in the Christology of the New Testament - Jesus is the new Adam, the present Messiah, the suffering Prophet, the new Moses and the future Divine King - and yet simultaneously superseded. The Christian 'myth' adds its own adornment to the complex question of Jesus' identity.

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An award-winning study of England’s unique and peculiarly insular variant of modernism. While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that ‘the modern’ need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjeman’s nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.

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Politicians and philosophers presenting themselves as the ultimate bearers of truth and reality have created unprecedented technological, cultural, and political framings. This new order conspires to undermine the interpretive practices of open-ended critique, normalizing a sense of threat to preserve control. The greatest emergency has become the absence of emergencies. Tracing an intellectual alliance between academics such as Jordan Peterson and Christina Hoff Sommers and right-wing populist politicians such as Donald Trump and Marine Le Pen, this book denounces framings that make a claim to objectivity. With the help of contemporary thinkers including Bruno Latour, Judith Butler, and Giorgio Agamben, as well as discussion of the Cambridge Analytica whistleblower Christopher Wylie and the emergency of biodiversity loss due to climate change, Santiago Zabala illustrates that the twenty-first-century question is not whether we can be free, but how to be at large - unconstrained by the new realist order. Being at Large demonstrates the anarchic power of hermeneutics, calling for interpretive disruptions of the authoritarian narrative as a way of reclaiming freedom in the age of alternative facts.

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LEGO® Minifigures don’t play around when it comes to matters of the heart! We Just Click is a sweet and humorous look at love within the zany LEGO universe. Fifty pairs of iconic Minifigures answer the timeless question: “I knew we clicked when . . . ,” sharing heartwarming moments of romance, friendship, and love. • We Just Click features a different diverse relationship on each spread. • Highlights what our favorite Minifigures love about each other with delightful, punny humor • Has a little something for the LEGO lover in each of us We Just Click is a lighthearted, humorous exploration of love within the LEGO universe, in all of its forms. It’s almost as if Minfigures were made to fit together. • Features a diverse range of relationships and representation of love • Perfect lighthearted gift for friends, parents, and children—celebrates love in all its forms • Great for nostalgic LEGO lovers, newfound fans, and those who loved The LEGO Movie • Add it to the shelf with books like I Lego N.Y. by Christoph Niemann, A Lovely Love Story by Edward Monkton, and Unlikely Loves: 43 Heartwarming True Stories from the Animal Kingdom by Jennifer S. Holland.

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Rowland showcases here the dominant contemporary approaches to doing Catholic theology. Chapter 1 offers a summary of the two International Theological Commission (ITC) documents on the discipline of Catholic theology. These documents set out the general principles which should govern any approach to Catholic theology (at least according to the ITC). The subsequent chapters each focus on one of four different approaches frequently found in contemporary Catholic academies: the approach of Thomists, members of the Communio milieu, members of the Concilium milieu and promoters of different varieties of Liberation Theology. Rowland's work is pitched at the level of first time students of theology who are trying to make sense of the methodological choices which undergird the different approaches to Catholic theology. Rowland concludes with four appendices: a list of all Doctors of the Church, a list of all encyclicals since the 19th century, a list of the documents of the Second Vatican Council, and a list of definitions of the various Christological heresies which were the subject of the debates of the early Church Councils. These appendices will provide useful reference tables for young scholars, including seminarians.

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At ninety years old, Mary Soames is the only surviving child of Winston and Clementine Churchill. A Daughter’s Tale follows her early life from an idyllic childhood in her own ‘Garden of Eden’ at Chartwell to her ATS service in mixed anti-aircraft batteries during the war. With glimpses into her fascinating personal diary, published here for the first time, she draws us into a world where the experiences of a packed family, social and romantic life unfold against a background of cataclysmic events.When Chamberlain’s declaration of war in 1939 shatters Mary’s world, she begins to share the anxieties and stresses suffered by her family through her father’s position. The mutual love between Mary and her parents is evident on every page, from her Chartwell years to Winston’s defeat at the 1945 general election, when she recounts her own devastation on her father’s behalf. As she meets her future husband Christopher Soames at the end of this charming memoir, it is clear that, at twenty-four, Mary has lived a full life and is well prepared for her future as wife and mother.

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THE ACTION-PACKED FINAL VOLUME IN THE EPIC TRILOGY THAT FANTASY FANS EVERYWHERE ARE TALKING ABOUT 'Unflinchingly bloodthirsty and outrageously entertaining' Christopher Brookmyre 'It simply grabbed me by the throat and wouldn't let go' Bibliosanctum 'Gore soaked and profanity laden - full of visceral combat and earthy humor' Publishers Weekly 'Would I read the next one? Yes, absolutely. Bring me my hammer, bring my beer, bring it on!' SF Crowsnest 'Fun and addictive' Fantasy Faction Invaders have massacred and pillaged their way through neighbouring kingdoms and loom on the far side of the sea, ready to descend upon the fortress of Maidun - with them are an unstoppable legion of men twisted by dark magic. Somehow Queen Lowa's army must repel the invasion, although their best general is dead and their young druid powerless. She faces impossible odds, but when the alternative is death or slavery, a warrior queen will do whatever it takes to save her people. Look out now for YOU DIE WHEN YOU DIE - first in a new series from Angus Watson.

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A USA Today and Wall Street Journal bestseller!Learn how to fight better and end your arguments with your partner feeling closer, more loved, and better understood.We take our cars in for oil changes. We mow our lawns and pull weeds. Why don't we do maintenance on our marriages? This relationship is the most important one we will ever have, so why not get better at it?For the last several years, Penn and Kim Holderness of The Holderness Family have done the hard maintenance and the research to learn how to fight better. With the help of their marriage coach Dr. Christopher Edmonston, they break down their biggest (and in some cases, funniest) fights. How did a question about chicken wings turn into a bra fight (no, not a bar fight or a bra fight)? How did a roll of toilet paper lead to tears, resentment, and a stint in the guest bedroom?With their trademark sense of humor and complete vulnerability, Penn and Kim share their 10 most common Fight Fails and how to combat them. Throughout the book, they offer scripts for how to start, continue, and successfully close hard conversations. Couples will emerge equipped to engage and understand, not do battle—and maybe laugh a little more along the way.In Everybody Fights, couples will learn how to: Use "magic words" for healthy conflict resolution Address unspoken and unrealistic expectations Banish the three Ds of unhealthy communication—distraction, denial, and delay Carry individual baggage while helping your partner deal with theirs Penn and Kim want you to know you're not alone. Everybody fights. Marriage is messy. Marriage is work. But marriage is worth it. Fight for it!

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Whether you are a seasoned professional looking to explore new areas within the alternative investment arena or a new industry participant seeking to establish a solid understanding of alternative investments, Alternative Investments: An Allocator's Approach, Fourth Edition (CAIA Level II curriculum official text) is the best way to achieve these goals. In recent years, capital formation has shifted dramatically away from public markets as issuers pursue better financial and value alignment with ownership, less onerous and expensive regulatory requirements, market and information dislocation, and liberation from the short-term challenges that undergird the public capital markets. The careful and informed use of alternative investments in a diversified portfolio can reduce risk, lower volatility, and improve returns over the long-term, enhancing investors' ability to meet their investment outcomes. Alternative Investments: An Allocator's Approach (CAIA Level II curriculum official text) is a key resource that can be used to improve the sophistication of asset owners and those who work with them. This text comprises the curriculum, when combined with supplemental materials available at caia.org, for the CAIA Level II exam. "Over the course of my long career one tenet has held true, 'Continuing Education'. Since CalSTRS is a teachers' pension plan, it is no surprise that continuing education is a core attribute of our Investment Office culture. Overseeing one of the largest institutional pools of capital in the world requires a cohesive knowledge and understanding of both public and private market investments and strategies. We must understand how these opportunities might contribute to delivering on investment outcomes for our beneficiaries. Alternative Investments: An Allocator's Approach is the definitive core instruction manual for an institutional investor, and it puts you in the captain's chair of the asset owner."—Christopher J. Ailman, Chief Investment Officer, California State Teachers’ Retirement System "Given their diversified cash flow streams and returns, private markets continue to be a growing fixture of patient, long-term portfolios. As such, the need to have proficiency across these sophisticated strategies, asset classes, and instruments is critical for today's capital allocator. As a proud CAIA charterholder, I have seen the practical benefits in building a strong private markets foundation, allowing me to better assist my clients."—Jayne Bok, CAIA, CFA, Head of Investments, Asia, Willis Tower Watson

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Association of Catholic Publishers 2022 Excellence in Publishing Awards: First Place, Theology Catholic Media Association, Honorable Mention in Theology: Morality, Ethics, Christology, Mariology, and Redemption Unveiling divine mysteries across continents and centuries. Revelation in the Vernacular retrieves a hermeneutics of the vernacular that is rooted en lo cotidiano, in everyday life and experience. Traversing time and geography, Ruiz remaps a theology of revelation done latinamente, beginning with sixteenth-century encounters of Spanish colonizers with Indigenous peoples in the Caribbean. Drawing on the theology of the Incarnation articulated by Fray Luis de León (1527–91), he offers rich resources for interreligious engagement by believers in today’s religiously diverse world. Through an analysis of the documents of the 2019 Amazonian Synod, including Querida Amazonia, the Postsynodal Exhortation by Pope Francis, he explores a culture of encounter and dialogue that has been a hallmark of this pontificate. From the inscriptions in the caves of la Isla de Mona through the writings of the Latin American Bishops (CELAM), this book establishes a solid basis on which to discern the “Seeds of the Word” in our times.

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Steed and Dr Keel return to action in these three recreations of classic lost episodes. Dragonsfield, written by Ian Potter, from a script by Terence Feely. A man has been murdered in an experimental laboratory, and Steed is sent to investigate. Someone is working for the other side - and Steed will need to untangle a messy web of inter-personal relationships if he's to stand any chance of identifying who. The Far Distant Dead, written by Tom Mallaburn from a script by John Lucarotti. En route from Chile back to England, Dr Keel stops off to help the victims of a cyclone. Except not every fatality he encounters was caused by the disaster. It appears he's stumbled onto an international conspiracy of the most sinister kind...and the perpetrators will be found many miles away. The Deadly Air, written by John Dorney from a script by Lester Powell. When an experimental vaccine is destroyed Steed calls in Keel to join him on the scene as a medical expert. But it isn't long before the saboteur becomes a murderer. As the situation escalates, can the Avengers identify their foe before they become his victims?Episodes from the wiped first series of The Avengers recreated faithfully on audio - this set sees some real detective work piecing together the stories from the few clues remaining from before the episodes were lost. This full-cast audio drama is brought to life with eerily engrossing sound design and a brand new, cinematic music score and stars Anthony Howell (Foyle's War, Dirk Gently, Dracula) and Julian Wadham (The Iron Lady, War Horse, Downton Abbey).CAST: Anthony Howell (Dr Keel), Julian Wadham(John Steed), Lucy Briggs-Owen (Carol Wilson), Cate Debenham-Taylor (Lisa Strauss), Harriet Kershaw (Susan Summers / Secretary), Ramon Tikaram (Saunders), Richard Dixon (Redington / One-Fifteen), Christopher Taylor (Boris / Landlord), James Joyce (Jack Alford / Peters), Robert Fitch (Technician / Dr Philip Karswood), Karina Fernandez (Dr Ampara Alvarez Sandoval / Maria Alvarez), David Shaw-Parker (Hercule Zeebrugge / Luis Garcia), Andy Secombe (Inspector Gauvreau / Godoy / Jose Alvarez), Alex Blake (Rayner / Caron / Sergeant Delon), Tom Alexander (Mateos / Mario), Dan Starkey (One- Ten), Bettrys Jones (Barbara Anthony / Receptionist), Richard Atlee (Heneager / Herbert Truscott), Ewan Bailey (Dr Hugh Chalk / Armstrong), Glen McReady (Dr Owen Craxton / Professor Kilbride).

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Face au conflit qui allait en s'aggravant entre les sieges de Constantinople et de Rome en 862, le patriarche Photius se tourna vers l'Armenie pour y chercher un soutien. Il esperait devenir lui-meme facteur d'unite chretienne au moment oA' la reconquete byzantine de l'Est anatolien paraissait imminente. L'auteur demontre que Photius a influence non seulement les relations de Byzance avec l'Occident, mais aussi les debats doctrinaux avec l'Orient. Il explore les sources patristiques de la politique ecclesiastique de Photius afin d'expliquer comment l'attitude de ce patriarche a l'egard des heterodoxes a permis la formulation d'un accord aussi singulier que celui de Sirakawan. La traduction commentee des documents armeniens concernant ce concile et la controverse qui le suivit est basee sur une nouvelle collation de manuscrits et accompagnee d'un lexique extensif. L'analyse du langage technique developpe par les auteurs armeniens lors de la domination arabe permet d'exposer comment evoluait l'articulation de la doctrine de l'Incarnation depuis les grandes controverses de l'epoque de Justinien. L'interpretation de ces textes et de leurs sources represente la premiere etude systematique de la christologie armenienne. Les divergences dogmatiques entre les Armeniens et les Byzantins sont mises en relation avec les differents criteres de l'orthodoxie soutenus par les deux Eglises.

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My heart is stirred by a noble theme ...' (Psalm 45:1) The Old Testament prophets spoke oracles from God - but the theology of the Psalms arises from the daily lives of his people. The New Testament apostles expounded the death and resurrection of Christ through sermon and epistle - but the Christology of the Psalms is expressed in poetry. The Gospels show us Jesus in the flesh, teaching, healing, dying and rising. In the Psalms we are invited to accompany him on his journey of suffering, trust and vindication. What are we to do with such unique theology? How should we hear it as Christians? How can it shape our life together, and our lives as individuals? The goal of this stimulating volume, based on the 2012 Moore College School of Theology, is to help us hear the message of the Psalms - as a story, as prophecy, as theology, as poetry, as praise - and to explore its application for the people of God today, whether in joy or pain, perplexity or persecution, politics or mission. The contributors are Greg Anderson, Kit Barker, Andrew Cameron, James Hely Hutchinson, Seumas Macdonald, David Peterson, Andrew Shead, Andrew Sloane, Tara Stenhouse, Mark Thompson, John Woodhouse and Dan Wu.

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Examines the impact of contemporary ideas about the psyche and neglected yet crucial artistic influences on the psychological dimension of Wagner's operas, especially Die Feen, Der fliegende Holländer, Tannhäuser, Lohengrin, and the Ring. Wagner's Visions studies crucial influences on Wagner's dramatic style during the years before and just after the failed Dresden revolutionary uprising of 1849. Offering a detailed examination of Die Feen, Wagner's least-known complete opera, together with analysis of Der fliegende Holländer, Tannhäuser, Lohengrin, and the four Ring dramas, Katherine Syer explores the inner experiences of Wagner's protagonists. Sources ofparticular political significance include the fables of the eighteenth-century Venetian playwright Carlo Gozzi, the Iphigenia operas of Christoph Willibald Gluck, and the legacy of the martyr Theodor Körner, whose poetry became the lingua franca of the revolutionary movement to liberate and unify Germany. Syer's book offers fresh insights into the historical context that gave rise to Wagner's dramatic art, revealing how his distinct and powerful imagery is intimately bound up with the crises and instabilities of his era. Katherine R. Syer is associate professor of theatre and musicology at the University of Illinois at Urbana-Champaign.

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In the late 1770s, as a wave of revolution and republican unrest swept across Europe, scholars looked with urgency on the progress of European civilization. The question of social development was addressed from Edinburgh to St. Petersburg, with German scholars, including C. G. Heyne, Christoph Meiners, and J. G. Eichhorn, at the center of the discussion.Michael Carhart examines their approaches to understanding human development by investigating the invention of a new analytic category, "culture." In an effort to define human nature and culture, scholars analyzed ancient texts for insights into language and the human mind in its early stages, together with writings from modern travelers, who provided data about various primitive societies. Some scholars began to doubt the existence of any essential human nature, arguing instead for human culture. If language was the vehicle of reason, what did it mean that all languages were different? Were rationality and virtue universal or unique to a given nation?In this scholarship lie the roots of anthropology, sociology, and classical philology. Dissecting the debates over nature versus culture in Enlightenment Europe, Carhart offers a valuable contribution to cultural and intellectual history and the history of the human sciences.

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Encuadernación: rústicaColección: Sillón OrejeroLewis Trondheim lleva una felicidad atormentada. Son ya 80 días sin ponerse delante de un nuevo álbum después de haber estado durante 14 años dibujando y también escribiendo para otros de forma ininterrumpida y tremendamente prolífica. Detecta el problema de la repetición y tras preguntarse "Por qué los autores de cómic envejecen mal?" intenta encontrar las esquivas claves que permitan mantener la frescura y la magia que eviten derivar hacia un definitivo agotamiento creativo. Para ello, en sus viajes a distintos salones de cómic a los que es invitado y que alterna supervisando a un equipo de guionistas de una serie de animación para TV sobre El rey catástrofe, decide contrastar experiencias y "documentarse" con múltiples encuentros, conversaciones y correos electrónicos cruzados con autores jóvenes y veteranos ?todos ellos antropomorfizados como él?, de Moebius y Gotlib a Sfar y Frank Margerin, de Bilal y Fred a Christophe Blain y

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Danielle Steel nos regala un nuevo relato mágico en el cual nos recuerda que, a veces, los cuentos de hadas se hacen realidad.N 1 del New York TimesChristophe y Joy eran una pareja profundamente enamorada cuando convirtieron su suntuosa propiedad en California en una pequeña bodega de prestigio. En ese entorno de ensueño criaron a Camille, su única hija, que no tardará en regresar tras terminar los estudios para ayudar con el negocio familiar.Pero cuando la enfermedad se lleva a su madre y su padre cree recuperar la felicidad con una nueva compañera, Camille queda a la merced de su madrasta y comprende que su lugar en la familia está en peligro.La aparición en escena de una peculiar hada madrina y la ayuda inesperada de un vecino con aspecto de príncipe quizá le permitan recuperar su paraíso perdido y defender su legado.La crítica ha dicho...Steel es una de las mejores!Los Angeles TimesPocas mujeres transmiten el pathos de la

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The first novel from two-time National Book Award winner Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in a rural town on Mississippi’s Gulf Coast. Over the course of a single, life-changing summer, as they struggle to find work and contend with the reappearance of their parents – Cille, who left town for a better job, and Sandman, a dangerous addict – the brothers are forced into a series of decisions that will ultimately damn or save them. A delicate and closely observed portrait of fraternal love and strife and the bonds that can sustain and torment us, Where the Line Bleeds marks the beginning of Jesmyn Ward’s extraordinary career in fiction.

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'You should definitely read Jack McDevitt' Gregory BenfordForty-one years ago, renowned physicist Dr. Christopher Robin vanished. Before his disappearance, his fringe science theories about the existence of endless alternate universes had earned him both admirers and enemies.Now his widow has died and Alex Benedict has been asked to handle the auction of the physicist's artifacts - leading the public to once again speculate on the mystery surrounding Robin's disappearance. Did he finally find the door between parallel universes that he had long sought?Intrigued, Alex Benedict and Chase Kolpath embark on their own investigation as they follow the missing man's trail into the unknown to uncover the truth - a truth people are willing to kill to protect...

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Text in Arabic. This book aims to shed light on one of the most prominent figures in human history: the Chinese sailor and Muslim admiral Zheng-He (in Arabic, Hajji Mahmoud Shams). The book examines his geographical discoveries and his seafaring travels. Zheng-he visited all of the countries located on the coasts of the Indian Ocean, South Asia, and African East coast during the first third of the fifth century (Hijri calendar), between 1405 1433). His voyages were known as Rahlat Al-Kanz, or Voyages of Treasure, and were a compilation of seven different marine expeditions over the course of 28 years. An important issue explored in this book is that of Zheng-Hes arrival to the American territories, a discovery that he made before Christopher Columbus. Specialists in history, geography, and archaeology provide their opinion and research regarding this claim.

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Christopher Flynn is trying to get it right. After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

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