Search results for ""author christo"

The first decade of the twenty-first century saw a number of best-selling books which not only challenged the existence of god, but claimed that religious faith was dangerous and immoral. The New Atheists, as writers such as Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett have become known, sparked a vicious debate over religion's place in modern society. In After the New Atheist Debate, Phil Ryan offers both an elegant summary of this controversy and a path out of the cul-de-sac that this argument has become. Drawing on the social sciences, philosophy, and theology, Ryan examines the claims of the New Atheists and of their various religious and secular opponents and finds both sides wanting. Rather than the mutual demonization that marks the New Atheist debate, Ryan argues that modern society needs respectful ethical dialogue in which citizens present their points of view and seek to understand the positions of others. Lucidly written and clearly argued, After the New Atheist Debate is a book that brings welcome clarity and a solid path to the often contentious conversation about religion in the public sphere.

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Economists make confident assertions in op-ed columns and on cable news—so why are their explanations often at odds with equally confident assertions from other economists? And why are all economic predictions so rarely borne out? Harnessing his frustration with these contradictions, Jonathan Schlefer set out to investigate how economists arrive at their opinions.“A lucid, plain-spoken account of the major economic models, which [Schlefer] introduces in chronological order, creating a kind of intellectual history of macroeconomics. He explains what the models assume, what they actually demonstrate—and where they fall short.”—Binyamin Applebaum, New York Times blog“Fascinating...[Schlefer’s] book is a tough critique of economics, but a deeply informed and sympathetic one.”—Justin Fox, Harvard Business Review blog“This book is an impressive and informative analysis of the economics literature—and it presents some useful insights about how a more eclectic, catholic approach might allow economics to progress more convincingly into the future.”—Michelle Baddeley, Times Higher Education“The Assumptions Economists make [is] a knowledgeable...broadside against neoclassical economics...Schlefer’s gripes concern model-building run amok...His criticisms of these models are original and sophisticated.”—Christopher Caldwell, Literary Review

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Sometimes overshadowed by his friend and contemporary, Samuel Pepys, Evelyn is the other great English diarist. He was a scholar, a scientific amateur, a garden designer and architect, and a founder member of the Royal Society who published a magisterial book about trees, Sylva, and many pamphlets on assorted subjects.His great interest as a diarist is that he was privy to all the great men and events of his very long life, from the execution of Charles I to the accession of Queen Anne, whereas Pepys writes of a relatively short period. A personal friend of Charles II, he observed at close quarters- and with some disapproval- that monarch's amorous life, and the diaries contain vivid portraits of Nell Gwynn, other royal mistresses and their children. The personalities of James II, the Dukes of Monmouth and Marlborough, and Judge Jeffreys, also figure largely. But this is more than a social record. As a valued administrator, Evelyn was also involved with many serious projects, such as combating the Plague, and rebuilding London after the Great Fire - an enterprise which brought him close to Christopher Wren.In all, a vivid portrait of the social, personal and political life of a society in ferment by one of its major players.

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It is a common misconception that it is difficult or impossible to discuss music, that a piece of music simply speaks to the listener-or not. Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries-twenty-six of whom are Canadian-with a colleague's candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today. Composers Interviewed: R. Murray Schafer; Robert Normandeau; Chris Paul Harman; Linda Catlin Smith; Alexina Louie; Omar Daniel; Michael Finnissy; John Weinzweig; Udo Kasemets; Pierre Boulez; Barbara Croall; James Rolfe; John Beckwith; Yannick Plamondon and Marc Couroux; George Crumb; Peter Hatch; John Oswald; Francis Dhomont; Martin Arnold; Helmut Lachenmann; Juliet Palmer; Christian Wolff; Mauricio Kagel; John Rea; Gary Kulesha; Howard Bashaw; Christopher Butterfield; Keith Hamel; Jean Piché; James Harley; Hildegard Westerkamp;

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This book brings together seventeen important new papers published by Anna Muthesius since 1995. Many of the articles, plates and specially prepared figures are available only in this book. The volume acts as an essential companion to Dr Muthesius' earlier book in this series, Studies in Byzantine and Islamic Silk Weaving. The present book includes a group of seven papers (Studies II-VI, X, and XIV) originally entitled 'Silk in Byzantium'. These were prepared in the first instance for a seminar held in 1997 in Nicosia at the University of Cyprus. They offer an overall survey of Byzantine sericulture, silk manufacture, design, use and distribution. Study I has been added as an introduction to the Cyprus series, and to the book as a whole. Silk in an ecclesiastical context (the relationship between Imperial and monastic piety, ritual and Christological debate) forms the focus for a further five papers (Studies VIII-IX and XI-XIII). Study VIII acts to introduce a new subject, the theme of Byzantine Seafaring silks. The final three articles (Studies XV-XVII) explore the immense impact of Byzantine silks abroad between the fifth and fifteenth centuries, in regions as far apart as the British Isles and Central Asia.

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When Hammer Films broke box office records in 1957 with `The Curse of Frankenstein’, the company not only resurrected the gothic horror film, but also created a particularly British-flavoured form of horror that swept the world. `The British Horror Film from the Silent to the Multiplex’ is your guide to the films, actors, and filmmakers who have thrilled and terrified generations of movie fans. In just one book, you will find the literary and cinematic roots of the genre to the British films made by film legends such as Bela Lugosi and Boris Karloff, Hammer’s accomplishments starring Christopher Lee and Peter Cushing, and the post-Hammer horrors such as Peter Walker’s `Frightmare’ and huge British-made successes such as `Alien’ and the zombie craze of the twenty-first century. Featuring the history, the films, the stars, the directors, and the studios in one fascinating, fun, and fact-filled volume, whether you are an absolute beginner or a seasoned gore-hound, this volume covers everything you ever wanted to know about the British horror movie, but were too bone-chillingly afraid to ask.

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 1 the pieces are mostly at Grade 1 standard, helping pianists progress to Grade 2 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes Handel's 'Fireworks Minuet' and opera classics from Bizet and Verdi. There are also lots of unsung melodies to be discovered, like Harry J. Lincoln's 'Bees-Wax Rag' and a traditional Swiss piece called 'In the Alps'. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 3 the pieces are mostly at Grade 3 standard, helping pianists progress to Grade 4 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes The Lark Ascending by Vaughan Williams and 'Consider yourself' from Oliver! There are also lots of unsung melodies to be discovered, like 'Clog Dance' from La fille mal gardée and a traditional Serbian folk tune Djurdjevka. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Take as long as you need, they said. Enjoy Oxford. Get better. But it didn’t turn out that way… Recovering from a near-fatal shooting, British diplomat Adam White is sent on a sabbatical to Oxford University. He soon becomes embroiled in the murder of an Oxford colleague. There is no shortage of suspects: the victim was widely disliked and feared. Among those affected are Sir Julian de Crespigny, director of the diplomacy programme, Catriona MacKay, the programme administrator, and Dame Gillian King, master of St Christopher’s College. MI6 are also involved, through the shadowy figure of John Smith, tasked with recruiting spies at Oxford. Impatient with the speed of police investigations, Adam sets out to solve the murder himself, his characteristically incautious approach putting him rapidly in jeopardy. In the past, against the odds, he has escaped death three times. Has his luck finally run out? Meanwhile, Adam’s partner, Alison, becomes emotionally involved with a colleague in New York, not suspecting that she too will be drawn into danger as the fates of the various characters converge. The story concludes with a denouement both violent and shocking. As readers of Alan Hunt’s previous books have come to expect, nothing is quite as it seems…

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Ivor Novello (born David Ivor Davies) was a Welsh composer, singer and actor who became one of the most popular British entertainers of the early 20th century. He first became well known through the song Keep the Home Fires Burning which he composed during World War I. After the war, he began a film career, and also appeared on stage in the West End, in musical shows of his own devising, most notably The Dancing Years. Novello starred in two early Hitchcock films before heading to Hollywood and appeared in some successful films. He died in 1951, at a fairly young age of 58. Novello wrote his musical shows in the style of operetta, and was one of the last major composers in this form. He generally composed his music to the librettos of Christopher Hassall. The Ivor Novello Awards for songwriting, are awarded each year by the record industry to songwriters and arrangers as well as the performing artistes. **ABRSM selected pieces (Singing from 2009): We’ll gather lilacs: from Perchance to Dream (Novello) Waltz of my heart: from The Dancing Years (Novello & Hassall) **Trinity College London selected piece (Singing 2010-2012): We’ll gather lilacs: from Perchance to Dream (Novello)

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Shortlisted for the Baileys Women's Prize for Fiction'Extraordinarily affecting' Alex Preston, Observer'This is a novel whose engine is flesh and blood, not cold ideas . . . Grant brings the 1950s - that odd, downbeat, fertile decade between war and sexual liberation - into sharp, bright, heartbreaking focus' - Christobel Kent GuardianAll over Britain life is beginning again now the war is over but for Lenny and Miriam, East End London teenage twins who have been living on the edge of the law, life is suspended - they've contacted tuberculosis. It's away to the sanatorium - newly opened by the NHS - in deepest Kent for them where they will meet a very different world: among other patients, an aristocract, a young university grad, a mysterious German woman and an American merchant seaman with big ideas about love and rebellion. They are not the only ones whose lives will be changed forever. 'Grant is so good at conjuring up atmosphere and writes with earthy vivacity'- Anthony Gardner Mail on Sunday'Read this fine, persuasive, moving novel and contemplate' John Sutherland, The Times

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Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.

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When we read the book of nature, what do we read there? “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all,” says a well-known hymn. This issue of Plough celebrates the creatures of our planet – plant, animal, and human – and the implications of humankind’s relationship to nature. But if nature can be read as a book that reveals the wisdom of its Creator, it also reveals things less lovely than stars and singing birds – a world of desperate competition for survival, mass extinctions, and deadly viruses. Is such a world a convincing argument for the Creator’s goodness? Turns out Christians and skeptics alike have been asking such questions since long before Darwin added a twist. Are we moderns out of practice at reading the book of nature? And if we forget how, will we fail to read human nature as well – what rights or purposes our Creator may have endowed us with? What then is there to limit the bounds of technological manipulation of humankind? This issue of Plough explores these and other fascinating questions about the natural world and our place in it. In this issue: - Sussex farmer Adam Nicholson evokes centuries of handwork that shaped the landscape of the Weald. - Gracy Olmstead revisits the land her forebears farmed in Idaho. - Ian Marcus Corbin tries walking phoneless to better note the beauty of the natural world. - Amish farmer John Kempf, a leader in regenerative agriculture, foresees a healthier future for farming. - Leah Libresco Sargeant offers a feminist critique of society’s war on women’s bodies. - Iván Bernal Marín visits Panama City’s traditional fishermen. - Maureen Swinger recalls to triumphs of second grade in forest school. - Edmund Waldstein questions head transplants and the limits of medical science. - Kelsey Osgood says it’s natural to fear death, and to transcend that fear through faith. - Tim Maendel lifts the veil on urban beekeeping along the Manhattan skyline. You’ll also find: - An essay by Christian Wiman on the poetry of doubt and faith - New poems by Alfred Nicol - A profile of Amazon activist nun Dorothy Stang - An appreciation of Keith Green’s songs - Insights on creation from Blaise Pascal, Julian of Norwich, Francis of Assisi, Mechthild of Magdeburg, Christopher Smart, Augustine of Hippo, The Book of Job, and Sadhu Sundar Singh - Reviews of The Opening of the American Mind, and Kazuo Ishiguro’s Klara and the Sun Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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n ancient artefact, a stone arch anachronistically imbedded with electronic circuitry, is recovered following a rupture in an undersea stretch of the Mull lava group in North West Scotland, a geological feature dating from tens of millions of years ago. UNIT's investigation will unlock a link to another world and bring them face to face with a new and powerful threat. Contains four stories: 1.1 The Enemy Beyond by Andrew Smith. In a UNIT facility beneath Edinburgh Castle, Kate and Osgood work to unlock the mystery of a stone arch discovered buried in a prehistoric rock formation. When the arch takes one of their number away to a strange, bleak world, it leads to an encounter with a Time Lord. One with multiple personalities. Soon the Eleven is loose in the streets of Edinburgh and plotting to seize the arch from UNIT by any means necessary. 1.2 Fire and Ice by John Dorney. When Kate needs Harry Sullivan's help with a threat from the Eleven, she and Osgood travel to Australia to meet him. He's there with Naomi Cross, investigating footage of an apparent UFO crash that turned up on social media. They find themselves caught in the middle of a conflict between Ice Warriors. And one Ice Warrior isn't so ice - in fact, he's red hot. And getting hotter... 1.3 Eleven's Eleven by Lisa McMullin. A series of jewel robberies in London and the Home Counties draws the attention of UNIT when it's discovered that some of the stolen gems are alien in origin. The robberies are the work of an organised criminal gang led by East End villain Ava Drake. But Ava has a new, ruthless partner. The Eleven has promised her riches, and for him the gems are a means to defeat UNIT and regain the arch. 1.4 The Curator's Gambit by Andrew Smith. The arch is taken to the Under Gallery for safe keeping, under the protection of the Curator. When the Eleven penetrates the Gallery's security, the Curator initiates an emergency plan. He and UNIT play a game of cat and mouse with their pursuers within the Under Gallery's original location, Hampton Court Palace. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Tom Baker (The Curator), Mark Bonnar (The Eleven), Eleanor Crooks (Naomi Cross), James Joyce (Captain Josh Carter), James MacCallum (Adam Merchant), Glen McCready (J.M.W. Turner), Christopher Naylor (Harry Sullivan), Olivia Poulet (Ros Green), Maggie Service (Ava Drake), Tracy Wiles (Jacqui McGee), Becky Wright (Clare Duvall). Other parts played by members of the cast.

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Die vorliegende Neuauflage von Martin Hengels epochemachender Untersuchung über die Zeloten und die jüdische Freiheitsbewegung im ersten nachchristlichen Jahrhundert ist auch 50 Jahre nach ihrem Erscheinen für die Forschung noch immer unentbehrlich. In ihr wurde zum ersten Mal im Detail das Profil der vierten jüdischen Partei neben den Pharisäern, Sadduzäern und Essenern historisch und theologisch beschrieben. Hengel argumentierte, dass die treibende Kraft hinter dem jüdischen Aufstand gegen Rom nicht in erster Linie soziale Unruhen waren, sondern theologische Motive aus den jüdischen heiligen Schriften, die von den Zeloten in ein konkretes theo-politisches Programm mit messianischen Ansprüchen weiterentwickelt wurden. Wer immer sich mit der jüdischen Geschichte des Heiligen Landes im 1. Jahrhundert unserer Zeitrechnung beschäftigt, kommt an diesem Werk nicht vorbei. Neben seiner Bedeutung für die jüdische Geschichte stellt dieses Buch zugleich den Auftakt für Hengels lebenslange Beschäftigung mit den jüdischen Messiaserwartungen und seinen Studien zum historischen Jesus und der Entstehung der Christologie dar.Die deutsche Neuauflage von 1976 ist seit längerem vergriffen. Noch zu Lebzeiten Martin Hengels und in Absprache mit dem Autor hat sich der Verlag daher entschieden, eine behutsam bearbeitete Neuauflage herauszubringen. Roland Deines skizziert in einem Nachwort die Wirkungsgeschichte des Buches, die durch es ausgelösten Kontroversen sowie den aktuellen Stand der Erforschung des jüdischen Aufstandes gegen Rom.Mit der Aufnahme dieses Titels ist nun das gesamte Werk von Martin Hengel bei Mohr Siebeck erhältlich.

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What are the suburbs? The popular vision of monotonous streets curving into culs-de-sac and emerald lawns unfurling from nearly identical houses would have us believe that suburbia is a boring, homogeneous, and alienating place. But this stereotypical portrayal of the suburbs tells us very little about the lives of the people who actually live there. Making Suburbia offers a diverse collection of essays that examine how the history and landscape of the American suburb is constructed through the everyday actions and experiences of its inhabitants.From home decor and garage rock to modernist shopping malls and holiday parades, contributors explore how suburbanites actively created the spaces of suburbia. The volume is divided into four parts, each of which addresses a distinct aspect of the ways in which suburbia is lived in and made. More than twenty essays range from Becky Nicolaides’s chronicle of cross-racial alliances in Pasadena, to Jodi Rios’s investigation of St. Louis residents’ debates over public space and behavior, to Andrew Friedman’s story of Cold War double agents who used the suburban milieu as a cover for their espionage.Presenting a wide variety of voices, Making Suburbia reveals that suburbs are a constantly evolving landscape for the articulation of American society and are ultimately defined not by planners but by their inhabitants.Contributors: Anna Vemer Andrzejewski, U of Wisconsin–Madison; Heather Bailey, History Colorado State Historical Fund; Gretchen Buggeln, Valparaiso U; Charity R. Carney, Western Governors U; Martin Dines, Kingston U London; Andrew Friedman, Haverford College; Beverly K. Grindstaff, San José State U; Dianne Harris, U of Illinois, Urbana–Champaign; Ursula Lang, U of Minnesota; Matthew Gordon Lasner, Hunter College; Willow Lung-Amam, U of Maryland, College Park; Becky Nicolaides, U of California, Los Angeles; Trecia Pottinger, Oberlin College; Tim Retzloff, Michigan State U; Jodi Rios, U of California, Berkeley; Christopher Sellers, Stony Brook U; David Smiley, Columbia U; Stacie Taranto, Ramapo College of New Jersey; Steve Waksman, Smith College; Holley Wlodarczyk, U of Minnesota.

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Reports of the surveyors of Westminster Abbey in the twentieth century provide a wealth of information on this most important building. The annual reports of the Surveyors of the Fabric in the twentieth century give much detailed information about the maintenance and major restoration of Westminster Abbey and its contents. The Surveyors, William Lethaby, Walter Tapper, Charles Peers and Stephen Dykes Bower, had to deal with many problems and challenges between 1906 and 1973. Not least of these were two World Wars and the most extensive programme of cleaning and re-decoration since the timeof Sir Christopher Wren. Lethaby brought to light original decoration on medieval tombs, lost to sight for centuries under grime and shellac used by his predecessor Gilbert Scott; Tapper had to carry out emergency restoration tothe fan vault of Henry VII's chapel after a stone crashed to the floor; Peers was required to deal with the evacuation of hundreds of treasures during the 1939-45 war and with repairs to bomb damaged areas after it. Dykes Bower, meanwhile, was the most controversial of the Surveyors of this period. His replacement of medieval roof timbers drew criticism, although these were riddled with decay and death watch beetle. The nave could have looked vastly different if his design for a Cosmati work floor had gone ahead. But the Abbey interior would not look as it does today without his massive contribution to the cleaning of the brown stonework and re-decoration of the dirty and damaged Tudor and Jacobean monuments. The Abbey's current Surveyor, Ptolemy Dean, outlines the legacies of the work of these Surveyors of the modern age in his introduction; Christine Reynolds, the Abbey's Assistant Keeper of the Muniments, adds valuable notes from other sources within the archives to supplement the fascinating accounts of work carried out in the most historically significant church in England.

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Patristic thinking is the bedrock of the uniformity of Byzantine culture, legitimization of image use in the Eastern Church, as well as Byzantine aesthetics, Karahan argues. The synergy in Late Byzantine holy images of "meta-images" for God's inexplicability, and elaborated dramatized narration for God's immanence epitomize orthodox tradition in general, and in particular fourth-century Cappadocian modes and models of thought on Christology, trinitarian theology and the Theotokos. The incomprehensible, uncircumscribed invisible Trinity, and the comprehensible God-man born of the Theotokos, circumscribed in flesh but not in divinity is a one-God reality of transcendent ontology and actions in the world of the two-natured image of God, Christ. Explanations in words or in images cannot ignore these orthodox axioms without turning into false images or heretic idols. This book explores why and how the idiosyncratic use of color, form, kinetics, light, and brilliance in Late Byzantine aesthetics concur with the tradition of the Fathers. How narration in image as well as literature is orthodoxos, 'of right belief, orthodox'.

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The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

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Der neue Pietismus und Neuzeit-Doppelband 46/47 hat auf sich warten lassen, aber das Warten hat sich gelohnt. Neben einem buch- und verlagsgeschichtlichen Schwerpunkt mit Beiträgen zu Lesern und Empfängern hallischer Bücher in Schlesien im 18. Jahrhundert (Brigitte Klosterberg), zur Zunnerischen Buchhandlung um 1700 (Oliver Kruk) und zu Übersetzungen und Kommentaren jansenistischer Bücher in pietistischen Kontexten (Christoph Schmitt-Maaß) sowie zu Zinzendorfs (erstem) Zeitungsprojekt Der Parther von 1725 (Otto Teigeler) schreiten weitere Aufsätze die historische und thematische Bandbreite des Pietismus und seiner Erforschung aus: beginnend mit einer kritischen Relektüre der Dokumente zur Buttlarschen Rotte um 1700 und ihrer Bewertung in der jüngeren Forschung (Stefanie Siedeck-Strunk), einer Auseinandersetzung mit mittelalterlicher Frauenmystik im Kontext des von dem Wittenberger Theologen Martin Chladni (1669-1725) betriebenen Streites um den Pietismus (Bernd Roling), und Mitte des 19. Jahrhunderts zur Indienstnahme von Magnetismus und Somnambulismus in der Theologie August Tholucks (Sabine Wolsink). Wie üblich runden Rezensionen, Bibliographie und Register den Band ab.

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Shows how Renaissance writers and artists struggled to reconcile past traditions with experiences of 'discovery'. In what ways have colonial and postcolonial studies transformed our perceptions of early modern European texts and images? How have those perceptions enriched our broader understanding of the colonial and the postcolonial? Focusing on English, Portuguese, Spanish and French colonial projects, Shankar Raman explains how encounters with new worlds and peoples irrevocably shaped both Europeans and their 'others'. There are in-depth case studies on: the Portuguese drama and epic of Gil Vicente and Luis Vaz de Camoes; travel narratives and exotic engravings from Theodore de Bry's influential compilations; and the English plays and verse of Christopher Marlowe, John Donne and Richard Brome. Key Features * Introduces readers to the careful reading of visual sources as a complement to textual analysis * Emphasises the importance of comparative work in literary studies of colonialism: see especially the discussion of Adam Olearius' travels in Chapter 2 as well as the case studies of Portuguese literary texts and de Bry

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Over five decades, the painter Humphrey Ocean RA's work has filtered into our national culture. This includes his series of portraits entitled A handbook of modern life displayed at the National Portrait Gallery in 2013; his portrait of Christopher Le Brun, President of the Royal Academy of Arts; and the cover of Sir Paul McCartney's 2007 album Memory Almost Full, which featured one of the Chair series. Ocean's practice encompasses painting, printmaking, sculpture, book-making and drawing. Of the last, he has said: 'Paper is lovely, immediate and personal. I draw as an end in itself.' In 2019 his exhibition 'Birds, Cars and Chairs' is on display at the Royal Academy of Arts. Of these subjects, he says: 'Birds, cars and chairs are, in that order, ancient, modern and intimate. Without them life would be a lot less bearable.' These works are reproduced alongside others in the book to provide a fascinating overview of Ocean's career, with an essay by Ben Thomas, which sets out to discover exactly what it is that makes Ocean's art so appealing and universal.

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François Hébel, who then was the Director of Rencontres photographiques d'Arles, requested Magnum photographers to recall their 'first time' - namely that delicate moment of transition that 'distinguished' them and that marked an actual turning-point in their artistic careers. The Magnum: La première fois volume has been inspired by the turning points identified, and recalls - thanks to the series of photographs by Abbas, Christopher Anderson, Olivia Arthur, Bruno Barbey, Cornell Capa, Robert Capa, Chien-Chi Chang, Bruce Gilden, Harry Gruyaert, David Alan Harvey, Thomas Hoepker, Richard Kalvar, Peter Marlow, Susan Meiselas, Paolo Pellegrin, Gueorgui Pinkhassov, Eli Reed, Jacob Aue Sobol, Larry Towell and Alex Webb - the particular moment in which artists distance themselves from their teachers and come up with a language, an aesthetic form and a grammar that are theirs and theirs alone. The moment in which their concept of photography, together with their commitment, acquire meaning and individuality for the first time. Text in English and Italian.

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This thought-provoking collection not only takes us into the past and the future, but also explores what might happen if we attempt to manipulate time to our own advantage. These stories show what happen once you start to meddle with time and the paradoxes that might arise. It also raises questions about whether we understand time, and how we perceive it. Once we move outside the present day, can we ever return or do we move into an alternate world? What happens if our meddling with Nature leads to time flowing backwards, or slowing down or stopping all together? Or if we get trapped in a constant loop from which we can never escape. Is the past and future immutable or will we ever be able to escape the inevitable? These are just some of the questions that are raised in these challenging, exciting and sometimes amusing stories by Kage Baker, Simon Clark, Fritz Leiber, Christopher Priest, Kristine Kathryn Rusch, Robert Silverberg, Michael Swanwick, John Varley and many others.

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Eternal Light: A Requiem is arranged for an accompanied mixed voices choir with soprano, tenor and baritone solo options. It is by the award-winning British composer and internationally acclaimed broadcaster, Howard Goodall, and is a stunning new Requiem for the modern day. It is intended to provide solace to the grieving, reflecting on the words of the Latin Mass by juxtaposing them with poems in English. Speaking about the work, Howard Goodall said, "For me, a modern Requiem is one that acknowledges the unbearable loss and emptiness that accompanies the death of loved ones, a loss that is not easily ameliorated with platitudes about the joy awaiting us in the afterlife. This, like Brahms’, is a Requiem for the living, addressing their suffering and endurance, a Requiem focussing on the consequences of interrupted lives.” Goodall's fresh and unorthodox interpretation of the Requiem Mass was released on EMI Classics, performed by Christ Church Cathedral Choir, Oxford and London Musici conducted by Stephen Darlington with soloists Natasha Marsh, Alfie Boe and Christopher Maltman.

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Postcolonial Naturalism proposes an innovative periodizing schema for historicizing contemporary Anglophone fiction. Engaging and revising the materialist paradigm of the Warwick Research Collective’s concept of “world-literature,” Fredric Jameson’s mapping of modernity’s cultural periods, and Christopher L. Hill’s positing of a transnational naturalism, Eric D. Smith theorizes “postcolonial naturalism” as a structurally determined cultural logic rather than as a literary technique or style. Supported by careful, theoretically and critically sophisticated analyses of exemplary literary works, this important intervention invites us to reconsider the living history of aesthetic naturalism as well as its social and political implications for the practice of world-literature in the aftermath of anticolonial resistance.

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The language of self-fulfilment, self-realization, and self-actualization (in short, 'authenticity') has become common in contemporary culture. The desire to be authentic is implicitly a desire to shape one's self in accordance with an ideal, and the concern for what it means to be authentic is, in many ways, the modern form of the ancient question what is the life of excellence? However, this notion of authenticity has its critics: Christopher Lasch, for instance, who equates it with a form of narcissism and Theodor Adorno, who views it as a glorification of privatism. Brian J. Braman argues that, despite such criticisms, it is possible to speak about human authenticity as something that addresses contemporary concerns as well as the ancient preoccupation with the nature of the good life. He refers to the work of Bernard Lonergan and Charles Taylor, thinkers who place a high value on the search for human authenticity. Lonergan discusses authenticity in terms of a three-fold conversion-intellectual, moral, and religious-while Taylor views authenticity as a rich, vibrant, and important addition to conversations about what it means to be human. Meaning and Authenticity is an engaging dialogue between these two thinkers, both of whom maintain that there is a normative conception of authentic human life that overcomes moral relativism, narcissism, privatism, and the collapse of the public self.

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Every generation of theologians must respond to its context by rearticulating the central tenets of the faith. Interreligious comparison has been integral to this process from the start of the Christian tradition and is especially salient today. The emerging field of comparative theology, in which close study of another religious tradition yields new questions and categories for theological reflection in the scholar’s home tradition, embodies the ecumenical spirit of this moment. This discipline has the potential to enrich systematic theology and, by extension, theological education, at its foundations. The essays in Comparing Faithfully demonstrate that engagement with religious diversity need not be an afterthought in the study of Christian systematic theology; rather, it can be a way into systematic theological thinking. Each section invites students to test theological categories, to consider Christian doctrine in relation to specific comparisons, and to take up comparative study in their own contexts. This resource for pastors and theology students reconsiders five central doctrines of the Christian faith in light of focused interreligious investigations. The dialogical format of the book builds conversation about the doctrine of God, theodicy, humanity, Christology, and soteriology. Its comparative essays span examples from Hindu, Buddhist, Jewish, Muslim, Jain, and Confucian traditions as well as indigenous Aztec theology, and contemporary “spiritual but not religious” thought to offer exciting new perspectives on Christian doctrine.

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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Campegius Vitringa (16591722) of Franeker University was a biblical scholar of considerable influence for the first half of the 18th century. Similar to that of Calvin, his exegetical methodology attempts to walk a via media between the historicism of Grotius (1583-1645) and the Christocentrism of Cocceius (16031669). His magnum opus was a widely-acclaimed commentary on Isaiah (1720). Vitringa scholars have charted his influence along a historical-critical trajectory (including Schultens, Venema, Alberti, Manger, Delitzsch, and Gesenius) and along a Pietistic trajectory (including Franke, Lange, and Bengel, leading toward Lessing, Herder and German Idealism). The book includes the first biography in English and compares his hermeneneutical theoria with his praxis. It analyzes Vitringas exegetical presuppositions, his remarkably high view of the Bible, and his canones hermeneuticos (highly valued by J.J. Rambach [16931735]). It shows Vitringas contextual sensitivity at every level of exegesis, commitment to New Testament normativity in the reading of Isaiah (in which redemptive history is the ultimate hermeneutical horizon), nuanced views on the historical fulfillment of prophecy, and concern for pastoral application. A scholars scholar, widely admired for his mastery of the languages and his intense historical focus in exegesis, Vitringa was also appreciated for his orthodox views, warm-hearted piety, and love for the church.

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The suggestion that the New Testament contains citations of early Christological hymns has long been a controversial issue in New Testament scholarship. As a way of advancing this facet of New Testament research, Matthew E. Gordley examines the Colossian hymn (Col 1:15-20) in light of its cultural and epistolary contexts. As a result of a broad comparative analysis, he claims that Col 1:15-20 is a citation of a prose-hymn which represents a fusion of Jewish and Greco-Roman conventions for praising an exalted figure. A review of hymns in the literature of Second Temple Judaism demonstrates that the Colossian hymn owes a number of features to Jewish modes of praise. Likewise, a review of hymns in the broader Greco-Roman world demonstrates that the Colossian hymn is equally indebted to conventions used for praising the divine in the Greco-Roman tradition. In light of these hymnic traditions of antiquity, the analysis of the form and content of the Colossian hymn shows how the passage fits well into a Greco-Roman context, and indicates that it is best understood as a quasi-philosophical prose-hymn cited in the context of a paraenetic letter. Finally, in view of ancient epistolary and rhetorical theory and practice, an analysis of the role of the hymn in Colossians suggests that the hymn serves a number of significant rhetorical functions throughout the remainder of the letter.

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This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); Maria Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Remi Labrusse (Universite Paris Ouest Nanterre la Defense); Gulru Necipo?lu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaro?lu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

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A brand-new four-part adventure featuring the Master's exploits in the Time War. In a Time War, there is a crime that not even the Daleks would dare consider. But the Master has more than considered - and he is ready to commit. When his TARDIS returns to Gallifrey carrying his corpse, a chain of events ensues that will change established history, Old friendships will be destroyed and dark alliances formed, as the Master exploits a terrifying truth. Even for the two most powerful races, time can be rewritten. 4.1 From the Flames by Nicholas Briggs. After the Master's TARDIS returns his remains to Gallifrey, in accordance with his final wishes, an intricate plot begins to change the nature of the universe forever. But even in death the Master threatens life. And only CIA Coordinator Narvin can hope to stop him. 4.2 The Master's Dalek Plan by Alan Barnes. As the Master infiltrates the Kaled scientific elite, the Time Lords seek to counter his interference. But while Narvin and President Livia try to stabilise the past, a new and horrifying future dawns in the wastelands of ancient Skaro. 4.3 Shockwave by Alan Barnes. With all known history threatened, the Daleks take desperate action to preserve their established legacy. When they cross dimensions to recruit an alternative incarnation of the Master, an uneasy alliance is formed ... But can either side truly trust the other? 4.4 He Who Wins by Nicholas Briggs. The Master has achieved an ultimate victory. But at what cost? Cast: Derek Jacobi (The Master), Mark Gatiss (The Other Master), Sean Carlsen (Narvin), Nicholas Briggs (The Daleks), Zaraah Abrahams (Kaled Corporal), Pippa Bennett-Warner (Livia), Vikash Bhai (Arfor), Daniel Brocklebank (Yaren), Richard Clifford (Novar), Ben Crystal (Soogasor), Christopher Harper (Kaled Guard), Will Kirk (Uglen), Jordan Renzo (Insloy), Gavin Swift (Crazlus), Franchi Webb (Lamarius). Other parts played by members of the cast.

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For the third time in 10 seasons, the Boston Red Sox are World Series champions. The team’s path to postseason glory—and the celebration that followed—are featured in this special commemorative volume. The book documents the American League Divisional Series, American League Championship Series, and World Series games that led up to the clinching Game 6 victory with action-packed photos, great quotes, and colorful commentary by Globe columnists Dan Shaughnessy, Christopher Gasper, and others, as well as a special introduction by Red Sox manager John Farrell. The photo-driven keepsake also includes the celebratory parade, which captured the passion and excitement of the Red Sox players as well as fans throughout Boston.

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Anouk Ricard's bold and colourful comics of this quirky, grumpy gang of pals are delightfully weird yet thoroughly reaslistic in their honest and hilarious portrayal of friendship. Anna, Froga, Christopher the worm, Ron the cat, and Babu the dog continue their non-adventures with bickering, needling, cajoling, and honest friendship. No white lie goes unexposed, no small embarrassment goes unrevealed, no secret is kept, everyone's foibles are fodder for jokes. Anna and Froga: Completely Babu collects all five volumes of the acclaimed Anna and Froga series into an accessible paperback. Ricard's virbrant world shines with visual puns and deft animal caricatures, making Anna and Froga enjoyable for kids and their parents alike.

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Christopher Martin, the sole survivor of a torpedoed destroyer, is stranded upon a rock in the middle of the Atlantic. Pitted against him are the sea, the sun, the night cold and the terror of his isolation. To drink there is a pool of rain water; to eat there are weeds and sea anemones. Through the long hours with only himself to talk to, Martin must try to assemble the truth of his fate, piece by terrible piece. While most readers are aware of William Golding as the writer of Lord of the Flies, it is Pincher Martin, his third novel, that speaks most directly to contemporary readers. This shocking, unusual bullet of a book is the definitive survival novel and has an ending that is guaranteed to leave you reeling.

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Most Anticipated by Foreign Policy • Globe and Mail • Publishers Weekly • Next Big Idea Club Must Read April Books“Will stand as a classic.” – Christopher Leonard 'Riveting, shocking, and full of revelations.' - Bryan BurroughFrom veteran Amazon reporter for The Wall Street Journal, The Everything War is the first untold, devastating exposé of Amazon's endless strategic greed, from destroying Main Street to remaking corporate power, in pursuit of total domination, by any means necessary. In 2017, Lina Khan published a paper that accused Amazon of being a monopoly, having grown so large, and embedded in so many industries, it was akin to a modern-day Standard Oil. Unlike Rockefeller’s empire, however, Bezos’s company had grown voraciously without much scrutiny. In fact, for over twe

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The first double-issue of Shearsman magazine for 2021. Poetry by Charlotte Baldwin, Linda Black, Melissa Buckheit , Charlotte Baldwin, Susan Connolly, Harriet Cooper-Smithson, Claire Crowther, Amy Crutchfield, Jane Frank, Amlanjyoti Goswami, Christopher Gutkind, Mandy Haggith, Jeremy Hooker, David Johnson, Norman Jope, L Kiew, Peter Larkin, Mary Leader, Carola Luther , Robin Fulton Macpherson, Olivia McCannon, Peter Robinson, David Rushmer, Maurice Scully, Aidan Semmens, Lucy Sheerman, Hannah Cooper Smithson, Agnieszka Studzińska, Scott Thurston, Anannya Uberoi, John Welch, Petra White, Tamar Yoseloff & translations of Marta Agudo (by Lawrence Schimel), Kjell Espmark (by Robin Fulton Macpherson), Kinga Tóth (by Annie Rutherford) & Virgil (by David Hadbawnik). With this issue, Shearsman magazine marks 40 years of publication.

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NEW YORK TIMES 100 NOTABLE BOOKS OF 2017: 'masterly'GUARDIAN BEST BOOKS OF THE YEAR: 'An absolute tour de force'Fran may be old but she's not going without a fight. So she dyes her hair, enjoys every glass of red wine, drives restlessly around the country and lives in an insalubrious tower block that her loved ones disapprove of. And as each of them - her pampered ex Claude, old friend Jo, flamboyant son Christopher and earnest daughter Poppet - seeks happiness in their own way, what will the last reckoning be? Will they be waving or drowning when the end comes? By turns joyous and profound, darkly sardonic and moving, The Dark Flood Rises questions what makes a good life, and a good death.

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Sir Christopher Wren overcame a complete lack of formal training and firsthand knowledge of European architecture to become a master of his art. He built nothing before he was thirty; but by the time he was seventy and still very active, his achievements rivaled those of any European architect. Wren was gifted with a fertile imagination, and his artistic gifts were complemented by his brilliant technical ingenuity. This combination is apparent in Wren's greatest work, St. Paul's Cathedral in London, which required rebuilding after the Great Fire of 1666. The famous dome of St. Paul's is a masterpiece of engineering, but it is also considered among the most beautiful in the world; it occupies a striking place in the London skyline as a legacy to England's greatest architect.

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From stories of zombie apocalypses to love stories centered on brooding, blood-sucking vampires, the occult and all things goth are immensely popular in today's media. Now, Christopher Hart's latest title in his Manga for the Beginner series, teaches fans and artists how to draw their own spooky people. Inside, readers will find all they need to know about turning a cute child into an undead one, how to draw ghoulish creatures of the night and secrets for injecting any drawing with gothic flair. With his trademark quick tips and helpful hints, Chris Hart provides the most thorough instruction available for this all-time favourite genre of manga fans.

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One of the most mysterious texts from the Second Byzantine Iconoclasm (815-843) is the so-called Synodical Letter, purportedly sent by Patriarchs Christopher of Alexandria, Job of Antioch, and Basil of Jerusalem to Emperor Theophilos in 836. The earliest reference thereto is dated 945, whereas the oldest extant manuscript fragment is written in the ninth-century uncial. But was it a real missive or pious forgery? Several Greek texts deriving from the lost original do not prove sufficient ground for a confident answer. Among the main problems is the lack of protocol elements indispensable for a document of this kind. Those elements, however, are present in the Slavonic text entitled Mnogosloznyj Svitok, which corresponds to "Polustichos tomos" in Greek. A thorough scrutiny has revealed that this is the closest version we possess to the original Letter. The Slavonic, besides indications of place (Jerusalem) and date (836) within the main text, contains two solid termini ante quos, 837 and 838, and names the actual compiler of the Letter - a certain monk Basil, who can very well be identical with the hagiographer Basil of Emesa. The latter in his Life of Theodore of Edessa claims to have attended a synod in Jerusalem, presumably that of 836. This book presents a critical edition of the Slavonic text together with corresponding Greek fragments, English translation, and Glossary. Russian translation is also attached.

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We know the shape of the world today because ships of the mid-fiftennth to mid-eighteenth centuries, driven by wind and human muscle, were navigated into every last bay and estuary on Earth searching for new riches. First the take was spices and other exotic products of the Orient, then gold and ivory from Africa, followed by beaver pelts, coffee, and goods from the Americas, and finally luxurious sea otter pelts from the Northwest Coast of North America. The ships that made these voyages evolved over time and their navigators benefited from centuries of accumulated experience. Voyages recounts the extraordinary feats of more than twenty of Europe's most daring maritime explorers as they ventured into the unknown and braved uncharted territory, including Christopher Columbus, Bartolomeu Dias, Vasco da Gama, John Cabot, Giovanni da Verrazzano, Jacques Cartier, Martin Frobisher, Ferdinand Magellan, Francis Drake, and James Cook. Exquisitely illustrated with almost 100 of Gordon Miller's paintings, many detailed maps, and ship drawings, Voyages reveals the evolution of maritime technologies, the rise and fall of maritime empires, the extreme dangers of sailing uncharted waters, the courage and brutality of life at sea, and the discovery of new continents, cultures, and products. Through their voyages, these ships and sailors defined the true dimensions of the oceans and coastlines of the world.

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Das Handbuch zeichnet die Tendenzen des Umgangs mit „Alter Musik“ heute und in der Vergangenheit nach und informiert konkret und detailreich über die verschiedenen Richtungen der Historischen Aufführungspraxis. Es betrachtet typische Erscheinungsformen der Szene, analysiert das Verhältnis zwischen Musikforschung und Musikbetrieb und nimmt die sozialen Bedingungen von Musikern in den Blick. Ergänzt werden die von renommierten internationalen Autorinnen und Autoren verfassten Sachkapitel durch 14 Interviews mit Leitfiguren der Alte Musik-Szene u.a. Jordi Savall, Katharina Bäuml, Christophe Rousset, René Jacobs oder Dorothee Oberlinger. Anfangs eine Sache weniger Spezialisten, wurde das Musizieren auf historischen Instrumenten und mit historischen Spielweisen in den 1970er- und 1980er-Jahren zu einer Bewegung mit kulturpolitischen Implikationen und ist heute selbstverständlicher Bestandteil des Musiklebens. Die Szene ist mittlerweile auch durch Pragmatismus, vor allem aber durch die Suche nach künstlerischen Entfaltungsmöglichkeiten der ganz überwiegend freien Ensembles geprägt. So hat die Historische Aufführungspraxis z. B. zu einer Renaissance der Barockoper an den Bühnen geführt, eine neue Kultur des Improvisierens und Arrangierens befördert, das Ziel einer Erweiterung des Repertoires für Alte Musik bis ins 19. Jahrhundert hinein verfolgt, Techniken der Rekonstruktion nicht schriftlich überlieferter Musik erarbeitet und Grenzüberschreitungen zu andern Musikgenres betrieben. All dies kommt in diesem Handbuch anschaulich zur Sprache.

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The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s. The contemporary German directors collectively known as the "Berlin School" constitute the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because their films mark the emergence of a new film language. The Berlin School filmmakers, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent of the directors of the New German Autorenkino and of French cinéma des auteurs of the 1960s. This is the first book-length study of the Berlin School in any language. Its central thesis - that the movement should be regarded as a "counter-cinema" - is built around the unusual style of realism employed in its films, a realism that presents images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political: they are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" - a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Professor of English and Film Studies at the University of Nebraska, Lincoln.

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'An epic tale . . . told relentlessly well. If you want to read a serious account of the price of Zionism, and a sobering review of Israel's new role as conqueror and occupier, then Hirst is your man.' Christopher HitchensA myth-breaking general history of the Israeli-Palestinian conflict, The Gun and the Olive Branch traces events right back to the 1880s to show how Arab violence, although often cruel and fanatical, is a response to the challenge of repeated aggression.Banned from six Arab countries, kidnapped twice, David Hirst, former Middle East correspondent of the Guardian, is the ideal chronicler of this terrible and seemingly insoluble conflict. The new edition of this 'definitive' (Irish Times) study brings the story right up to date. Amongst the many topics that are subjected to Hirst's piercing analysis are: the Oslo peace process, the Israeli occupation of the West Bank and Gaza, the destabilising effect of Jewish settlement in the territories, the second Intifada and the terrifying rise of the suicide bombers, the growing power of the Israel lobby - Jewish and Christian fundamentalist - in the United States, the growth of dissent in Israel and among sections of America's Jewish population, the showdown between Sharon and Arafat and the spectre of nuclear catastrophe that threatens to destroy the region.'[Hirst's] peerless reporting has earned him curses, expulsion and respect in virtually every country in the region.' Guardian

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The story of the building of an iconic mid-century housing estate, that is often seen as the model for housing architecture. Fully illustrated with commissioned photography of the interiors and exteriors, archive images and newly commissioned writing by leading architectural historians, plus interviews with people on the estate to capture their story. Following World War II, the population in the City of London plummeted, and with a duty to provide housing for those working in the area – such as nurses, policemen and doctors – the City Corporation commissioned architect Geoffry Powell in 1952 to design the Golden Lane Estate. Powell invited Christoph Bon and Jo Chamberlin to join him in developing a detailed design for the Estate. They would later become Chamberlin, Powell & Bon, working on world-renowned projects such as the Barbican Estate and the University of Leeds. Golden Lane Estate, now Grade II and Grade II* listed is often cited as being a model estate. With its high level of detailing, use of materials, colour, its humane scale, thoughtfulness of space, light, communal spaces, leisure facilities and integrated shops, it is exemplary, particularly for social housing. It was deemed as a success from the off and remains popular today, with many original tenants and/or their families still choosing to live there. What sets the estate apart is the sense of community and neighbourliness which is promoted by the architecture and design.

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The artist Stefan Hunstein brought magical photographs of untouched landscapes back from his journey to the Arctic in 2012. In their majesty and beauty, their immensity and their deadly cold they echo the visions of ice in painting and literature, especially during the Romantic era. The publication shows a selection of these breathtaking photographs which are being presented in public for the first time – also in a series of exhibitions. Here Hunstein, famous for his critical exami nation of contemporary history through the artistic processing of existing pictures, has taken up the camera himself and has created “Dream Pictures” which retain a hint of unreality in their outlines, shadows and reflections, in their theatrical blue lumi nosity and the bizarre, constantly changing structures. In these photos – printed on glass using a special technique – the artist links the fragile and the monstrous, the beauty of nature and “the horrors of the ice and of darkness” (Christoph Ransmayr)

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