Search results for ""author frances"

The book retraces the inventive richness of Pietro Consagra (Mazara del Vallo, 1920 – Milan, 2005), one of the most seminal figures on the international art scene of the 20th century. It proposes a comparison between different moments in the artist’s creative path, thus making it possible to emphasise both the elements of continuity in his work, but also and above all the specificities of the individual periods, offering a varied panorama of his continuous reinventions of forms and his experimentation with materials. Francesca Pola identifies Consagra’s path not in a purely chronological sense, but rather according to a reading key highlighting the importance of the relationship between sculpture, space and observer: a specific focus on the “location” of the plastic presence in relation to the observer, the fulcrum of the characteristic “frontal sculpture” codified by Consagra starting from his famous Colloqui of the early 1950s and contextually theorised as early as his book Necessità della scultura (1952). Text in English and Italian.

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Francesca Bell’s second collection of poems, What Small Sound, interrogates what it means to be a mother in a country where there are five times as many guns as children; female in a country where a woman is raped every two minutes; and citizen of a world teeming with iniquities and peril. In poems rich in metaphor and music and unflinching in their gaze, Bell offers us an exacting view of the audiologist’s booth and the locked ward as she grapples with the gradual loss of her own hearing and the mental illness spreading its dark wings over her family. This is a book of plentiful sorrows but also of small and sturdy comforts, a book that chronicles the private, lonely life of the body as well as its tender generosities. What Small Sound wrestles with some of the broadest, most complicated issues of our time and also with the most fundamental issue of all: love. How it shelters and anchors us. How it breaks us and, ultimately, how it pieces us back together.

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If you grow up in a world where wrinkles are practically illegal, going bald is cause for a mental breakdown, and women over size zero are encouraged to shoot themselves (immediately), what the hell do you do if you’re, gasp … DISABLED? Whatever body you’re born into, the pressure to be normal is everywhere. But have you ever met a normal person? What do they look like? Where do they live? What do they eat for breakfast?And what the **** does normal mean anyway?This is the award-winning wobbly comedian Francesca Martinez’s funny, personal, and universal story of how she learned to stick two shaky fingers up to the crazy expectations of a world obsessed with being ‘normal’.

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Set in a small fishing town in southern Italy called Termoli and centred around, and narrated by, the ancient castle at the heart of the town that views the stories and lives of the towns’ inhabitants. The novel revolves around Thomas (an English fisherman), his flatmate Roderigo and a mysterious woman, Mariella. Thomas and Roderigo both fall under Mariella’s spell, but as their relationships strengthen, friendships are destroyed, falsehoods are told, and dark pasts are revealed. Emeralds Among the Sand considers the subject of love in many forms, from conditional to unrequited love and shows how love can both trap us and set us free. Francesca Fratamico takes us to the heart of an Italian town full of intriguing characters and complex stories.

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In response to the idea that alternative theories, ideologies and institutions of public economics are unsatisfactory, this important and path-breaking book deals with the principles of economics using a more realistic 'tempered public choice approach'. Opening with an introduction on the development of the economic theory of public finance, Francesco Forte develops a discourse based on a theoretical framework of welfare economics. Here, the assumption of 'homo oeconomicus' is replaced by that of an average man with imperfect rationality and imperfect ethical constraints, and social welfare functions are replaced by equilibrium solutions in 'games' played by contracting parties at constitutional and post-constitutional stages. The positive and normative theory of public goods becomes much more complex, and merit wants are evaluated from an individualistic perspective. Theories of public expenditure, public revenues and the interrelation between various levels of government are also analysed. The public choice approach combined with theoretical welfare economics and institutions will prove a stimulating and engaging read for those with a special interest in public sector economics, public choice and Austrian economics.

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Are assisted reproductive technologies (ARTs) such as in vitro fertilization a medical issue or a matter of public policy, subject to restrictions? In Delivering Policy, Francesca Scala employs the concept of boundary work to explain the prolonged debates that ensued when the Canadian government appointed a royal commission in 1989 to draw up a blueprint for legislative action.From the birth of the first “test tube baby” in 1978 to the Assisted Human Reproduction Act of 2004, Scala reveals how policy makers, civil society actors, and members of the medical-scientific community attempted to define assisted reproductive technologies from within the realms of science or politics. They challenged, defended, or blurred the boundaries or divisions between the two fields of knowledge to secure their position as the authoritative voice on the issue.Delivering Policy delineates in vivid detail the people, institutions, and processes that influenced ARTs policy in Canada. This compelling account contributes to our understanding of the interaction between science and politics, the exercise of social control over science and technology, and the politics of expertise in policy making.

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Most of us are taught from a young age to be winners and avoid being losers. But what does it mean to win or lose? And why do we care so much? Does winning make us happy? Winning undertakes an unprecedented investigation of winning and losing in American society, what we are really after as we struggle to win, our collective beliefs about winners and losers, and much more. Francesco Duina argues that victory and loss are not endpoints or final destinations but gateways to something of immense importance to us: the affirmation of our place in the world. But Duina also shows that competition is unlikely to provide us with the answers we need. Winning and losing are artificial and logically flawed concepts that put us at odds with the world around us and, ultimately, ourselves. Duina explores the social and psychological effects of the language of competition in American culture. Primarily concerned with our shared obsessions about winning and losing, Winning proposes a new mind-set for how we can pursue our dreams, and, in a more satisfying way, find our proper place in the world.

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El gran avance, y la gran oportunidad se nos presenta por tanto en la participación educativa, la cual depende del docente directamente, y del equipo directivo que le permita ejercer, desde su libertad de cátedra, acciones y proyectos en los que los padres sean protagonistas junto a sus hijos. Es el profesorado quien debe ser valiente y atreverse a permitir que los padres, abuelos, y familia en general formen parte de la vida del aula.27 proyectos para desarrollar en Educación Infantil, Primaria y Secundaria, en la que la participación de docentes, alumnado y familia es necesaria.Este libro es una obra coral, coordinada por Francesc Vicent Nogales Sancho y puesta en escena por varios y diferentes autores: Alconada Martín, Rut Alegría Mercé, Irene Andrades Cordero, Manuel Bermúdez Gutiérrez, Luis Miguel Bonet Juan, Lluís Borao Moreno, Laura Bou Pérez, Juan Fernando Busquiel García, Roberto Caramés Bartolomé, María Teresa Cornelles Company,

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Last year, one in three American weddings were officiated by a friend or family member. With the officiating trend on the rise, novice officiants need a resource to guide them. In The Wedding Officiant's Guide, interfaith minister Lisa Francesca breaks down the entire officiating process, from becoming an ordained officiant and interviewing the couple to drafting and performing a moving ceremony. Written in an engaging and friendly tone and featuring empowering advice, suggested readings, stories and lessons learned from new officiants and practical tips from wedding planners, this inviting handbook will help new officiants write and deliver a wedding ceremony that fulfils marriage laws, delights guests and honours the marrying couple.

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Twenty Thousand Leagues Under the Sea represents an authentic prototype for every tale of undersea adventure. On board the submarine Nautilus, young readers will be fascinated by the enigmatic Captain Nemo and will come to be astounded by the wonders that populate the depth of the sea. The splendid illustrations by Francesca Rossi, an artist capable of capturing vividly and realistically the atmosphere of the stories, will carry the children into the heart of the adventure. Almost as if they could browse the pages of the Nautilus logbook, they will be enthralled by the illustrations and sketches interspersing the narrative, which has been specially adapted to respond to the taste and sensibility of the young readers of today. Ages: 6 plus

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In response to the idea that alternative theories, ideologies and institutions of public economics are unsatisfactory, this important and path-breaking book deals with the principles of economics using a more realistic 'tempered public choice approach'. Opening with an introduction on the development of the economic theory of public finance, Francesco Forte develops a discourse based on a theoretical framework of welfare economics. Here, the assumption of 'homo oeconomicus' is replaced by that of an average man with imperfect rationality and imperfect ethical constraints, and social welfare functions are replaced by equilibrium solutions in 'games' played by contracting parties at constitutional and post-constitutional stages. The positive and normative theory of public goods becomes much more complex, and merit wants are evaluated from an individualistic perspective. Theories of public expenditure, public revenues and the interrelation between various levels of government are also analysed. The public choice approach combined with theoretical welfare economics and institutions will prove a stimulating and engaging read for those with a special interest in public sector economics, public choice and Austrian economics.

Read more less

Are assisted reproductive technologies (ARTs) such as in vitro fertilization a medical issue or a matter of public policy, subject to restrictions? In Delivering Policy, Francesca Scala employs the concept of boundary work to explain the prolonged debates that ensued when the Canadian government appointed a royal commission in 1989 to draw up a blueprint for legislative action.From the birth of the first “test tube baby” in 1978 to the Assisted Human Reproduction Act of 2004, Scala reveals how policy makers, civil society actors, and members of the medical-scientific community attempted to define assisted reproductive technologies from within the realms of science or politics. They challenged, defended, or blurred the boundaries or divisions between the two fields of knowledge to secure their position as the authoritative voice on the issue.Delivering Policy delineates in vivid detail the people, institutions, and processes that influenced ARTs policy in Canada. This compelling account contributes to our understanding of the interaction between science and politics, the exercise of social control over science and technology, and the politics of expertise in policy making.

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Francesco Gioia''s collection, 57, rejoices in the undiluted magnificence of the photographic medium. In the vast expanse of photographic expression, Gioia''s work stands as a bridge between palpable reality and fleeting dreams. Each frame is a story echoing with the hustle and bustle of street life, capturing fleeting moments that, in the grand tapestry of existence, might seem inconsequential. Yet, through Gioia''s lens, they become profound, with a universal resonance. They remind us that even in the commonplace, there exists a depth of story, emotion, and humanity.Gioia''s philosophy is encapsulated in his belief that beauty in today''s world often goes unnoticed, lurking in the corners, waiting for the discerning eye to uncover it. True beauty, he says, when it appears today, remains concealed, shining from unexpected places. With every photograph, Gioia challenges us to seek out these hidden gems, to truly see, and in doing so, discover the concealed wonders around us.

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Guest-edited by Agostino De Rosa, Alessio Bortot and Francesco Bergamo Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality. Contributors: Matthias Bärmann, Silvia Benedito, Filippo Bricolo, Edwin Carels, Javier Corvalán, Dris Kettani, Stephen Kite, Giancarlo Mazzanti, Akira Mizuta Lippit, Susanna Pisciella, Renato Rizzi, Paul O Robinson, and Antonella Soldaini. Featured architects and artists: Alexander Savvich Brodsky, Neri&Hu studio, Quay Brothers, Ursula Schulz-Dornburg, and Marco Tirelli.

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Francesco Zanella untersucht in der vorliegenden Studie die Entstehung, Gestaltung und Entwicklung der tannaitischen Vergeltungsvorstellungen, um die religions- und sozialgeschichtlichen Gründe für ihre Anwendung begreifbar zu machen. Er fragt nach der möglichen identitätsstiftenden Funktion der tannaitischen Vergeltungsvorstellungen bzw. nach ihrem Beitrag zur Ausgrenzung der Alterität sowie zum Selbstverständnis des tannaitischen Judentums. Wird "der Andere" aufgrund von seiner Alterität bestraft oder belohnt von Gott? Wer sind "die Anderen"? Was geschieht hingegen im Bereich der Identität? Sind diese Vergeltungsvorstellungen in der Lage, eine zufriedenstellende Erklärung der komplexen Probleme der tannaitischen Gegenwart zu bieten und zugleich eine erfolgreiche Fortsetzung der Tradition der Väter zu ermöglichen und das Weiterleben der Gemeinschaft sicher zu stellen? Diese sind einige Fragen, auf die der Autor zu antworten versucht.

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Este libro de Francesc Valls (1966-2017) estudia el papel clave que jugó la viticultura en el arranque de la industrialización catalana. Y lo hace con una visión de largo plazo (desde finales del siglo XVII hasta mediados del siglo XIX), que demuestra como las estrechas relaciones que existieron entre las exportaciones de aguardientes y vinos catalanes a los países del Norte de Europa y de América y las importaciones de telas de lino, primero, y de algodón en rama, después, procedentes de esos mismos mercados, fueron un factor esencial que impulsó la Revolución Industrial en Cataluña. Asimismo, este libro pone de relieve también la evolución del comercio marítimo de Cataluña en el tránsito de la Edad Moderna a la Contemporánea, que se caracterizó por una decidida expansión hacia el océano Atlántico.

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A 2019 Italian BestsellerSurgically, but with wit, Francesco Filippi demolishes each and every myth that has taken root about Mussolini and fascism in an uplifting handbook for political and intellectual self-defense. No stones are left unturned, including the colonial devastation of Libya and Ethiopia.Legend would have it that Mussolini put roofs over Italians’ heads, developed the economy, had trains running on time, stood up for justice and against the mafia, protected the Jews from Nazi Germany, was a feminist, and put Italy on the map as a respected power. The founder of fascism’s only mistake was allying with Hitler.Though this is entirely false, it didn’t prevent Antonio Tahani, president of the European Union, from declaring in 2019 that “if we must be honest, he [Mussolini] did positive things to realize infrastructures … he reclaimed many parts of our Italy.” In fact, only 6 percent of the improvements referred to were done during the 21 years of fascist rule.Though written first for Italians, this book is relevant and timely for North Americans. Through a study of Mussolini and Italy, Filippi shows how such legends are built on webs of lie, manipulation of History, and constant uncontested repetition, explaining at the same time why so many people fall victim to the propaganda.

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The Mediterranean port of Livorno was home to one of the most prominent and privileged Jewish enclaves of early modern Europe. Focusing on Livornese Jewry, this book offers an alternative perspective on Jewish acculturation during the eighteenth century, and reassesses common assumptions about the interactions of Jews with outside culture and the impact of state reforms on the corporate Jewish community. Working from a vast array of previously untapped archival and literary sources, Francesca Bregoli combines cultural analysis with a study of institutional developments to investigate Jewish responses to Enlightenment thought and politics, as well as non-Jewish perceptions of Jews, through an exploration of Jewish-Christian cultural exchange, sites of sociability, and reformist policies. Mediterranean Enlightenment shows that Livornese Jewish scholars engaged with Enlightenment ideals and aspired to contribute to society at large without weakening the boundaries of traditional Jewish life. By arguing that the privileged status of Livorno Jewry had conservative rather than liberalizing effects, it also challenges the notion that economic utility facilitates Jewish integration, nuancing received wisdom about processes of emancipation in Europe.

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Groundwater amounts to 97% of available global freshwater resources. Emphasising the crucial importance of this in the context of increasing population, climate change and the overall global water crisis, Francesco Sindico offers a comprehensive study of the emerging body of international law applicable to transboundary aquifers.Adopting a scenario-based approach, this much-needed book analyses a diverse set of transboundary aquifer agreements and arrangements. With just a handful of such agreements and arrangements around the world, it demonstrates how identifying a normative roadmap for countries that want to begin jointly managing a transboundary aquifer is of paramount importance. Offering an in-depth exploration into the ILC Draft Articles on the Law of Transboundary Aquifers, it provides insight into how this body of law is evolving, and discusses its relation to customary international law.Academics and researchers interested in international water law, environmental law and public international law more widely will find this a unique and compelling work, whilst the book’s practical approach will also make it a useful tool for transboundary aquifer professionals and wider stakeholders working in governments and public bodies dealing with water management around the world.

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Freedom Is an Endless Meeting offers vivid portraits of American experiments in participatory democracy throughout the twentieth century. Drawing on meticulous research and more than one hundred interviews with activists, Francesca Polletta challenges the conventional wisdom that participatory democracy is worthy in purpose but unworkable in practice. Instead, she shows that social movements have often used bottom-up decision making as a powerful tool for political change.Polletta traces the history of democracy in early labor struggles and pre-World War II pacifism, in the civil rights, new left, and women's liberation movements of the sixties and seventies, and in today's faith-based organizing and anti-corporate globalization campaigns. In the process, she uncovers neglected sources of democratic inspiration—Depression-era labor educators and Mississippi voting registration workers, among them—as well as practical strategies of social protest. But Freedom Is an Endless Meeting also highlights the obstacles that arise when activists model their democracies after familiar nonpolitical relationships such as friendship, tutelage, and religious fellowship. Doing so has brought into their deliberations the trust, respect, and caring typical of those relationships. But it has also fostered values that run counter to democracy, such as exclusivity and an aversion to rules, and these have been the fault lines around which participatory democracies have often splintered. Indeed, Polletta attributes the fragility of the form less to its basic inefficiency or inequity than to the gaps between activists' democratic commitments and the cultural models on which they have depended to enact those commitments. The challenge, she concludes, is to forge new kinds of democratic relationships, ones that balance trust with accountability, respect with openness to disagreement, and caring with inclusiveness.For anyone concerned about the prospects for democracy in America, Freedom Is an Endless Meeting will offer abundant historical, theoretical, and practical insights. "This is an excellent study of activist politics in the United States over the past century. . . . Assiduously researched, impressively informed by a great number of thoughtful interviews with key members of American social movements, and deeply engaged with its subject matter, the book is likely to become a key text in the study of grass-roots democracy in America."—Kate Fullbrook, Times Literary Supplement"Polletta's portrayal challenges the common assumption that morality and strategy are incompatible, that those who aim at winning must compromise principle while those who insist on morality are destined to be ineffective. . . . Rather than dwell on trying to explain the decline of 60s movements, Polletta shows how participatory democracy has become the guiding framework for many of today's activists."—Richard Flacks, Los Angeles Times Book Review "In Freedom Is an Endless Meeting, Francesca Polletta has produced a remarkable work of historical sociology. . . . She provides the fullest theoretical work of historical sociology. . . . She provides the fullest theoretical picture of participatory democracy, rich with nuance, ambiguity, and irony, that this reviewer has yet seen. . . . This wise book should be studied closely by both academics and by social change activists."—Stewart Burns, Journal of American History

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At Columbia University in 1906, William James gave a highly confrontational speech to the American Philosophical Association (APA). He ignored the technical philosophical questions the audience had gathered to discuss and instead addressed the topic of human energy. Trampling on the rules of academic decorum, James invoked the work of amateurs, read testimonials on the benefits of yoga and alcohol, and concluded by urging his listeners to take up this psychological and physiological problem.What was the goal of this unusual speech? Rather than an oddity, Francesca Bordogna asserts that the APA address was emblematic - it was just one of many gestures that James employed as he plowed through the barriers between academic, popular, and pseudoscience, as well as the newly emergent borders between the study of philosophy, psychology, and the "science of man." Bordogna reveals that James' trespassing of boundaries was an essential element of a broader intellectual and social project. By crisscrossing divides, she argues, James imagined a new social configuration of knowledge, a better society, and a new vision of the human self. As the academy moves toward an increasingly interdisciplinary future, "William James at the Boundaries" reintroduces readers to a seminal influence on the way knowledge is pursued.

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Available in bookshops for the first time, the internationally acclaimed time management system that has been used by millions, written by Francesco Cirillo, creator of the Pomodoro Technique.We all face the same problem: we’re constantly busy but we never seem to get anything done. We know we should focus on the task in hand, but it feels impossible with so many distractions and demands on our time.We all need The Pomodoro Technique. This deceptively simple tool, now being used by more than 2 million people around the world, helps us regain control and achieve our goals. It transforms both work and home life by splitting days into 25-minute ‘pomodoros’, which focus our minds and make us far more productive.Drawing on more than two decades of refinement and thinking, this powerful little book will teach you how to . . .-Work with time-Eliminate burnout-Manage distractions-Create a better work/life balance. . . all using only a pen, some paper and a timer. Start now – and join the Pomorodo revolution.Fully updated edition with exclusive material on teamwork – to make you and your team more dynamic than ever.

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Stories of transnational terror and justice illuminate the past and present of South America’s struggles for human rights “Outstanding. . . . An Olympian view of the Condor system.”—Philip Chrimes, International Affairs Through the voices of survivors and witnesses, human rights activists, judicial actors, journalists, and historians, Francesca Lessa unravels the secrets of transnational repression masterminded by South American dictators between 1969 and 1981. Under Operation Condor, their violent and oppressive regimes kidnapped, tortured, and murdered hundreds of exiles, or forcibly returned them to the countries from which they had fled. South America became a zone of terror for those who were targeted, and of impunity for those who perpetuated the violence. Lessa shows how networks of justice seekers gradually materialized and effectively transcended national borders to achieve justice for the victims of these horrors. Based on extensive fieldwork, archival research, trial ethnography, and over one hundred interviews, The Condor Trials explores South America’s past and present and sheds light on ongoing struggles for justice as its societies come to terms with the unparalleled atrocities of their not-so-distant pasts.

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The second edition of SIGNS. Contemporary Italian Graphic Design continues the work of the first edition of 2016 with the aim of introducing the general public to the profession and discipline of graphic designers as well as to the different languages, unique characteristics and orientations of some of the leading figures of visual design, always able to renew itself and dialogue with the international scene, in the footsteps of a great historical tradition. The designers and projects in this book do not represent a definitive and arbitrary selection, but rather one step of a journey tracing out a map of Italian excellence in visual design.Artists: Alessio D'Ellena, Andrea Rauch, Andrea Rovatti, CamuffoLab, Carmi e Ubertis, Claudia Neri/ Teikna Design, Francesco Messina, Franco Achilli/A+G, G&R Associati, Gaetano Grizzanti, La Tigre, Marco Tortoioli Ricci, Mario Cresci, Matteo Alabisio, Paola Lenarduzzi, Paolo Tassinari, Parco Studio, Rovai-Weber, Salvatore Gregoriet

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Después de sus cuatro libros sobre el amor, Francesco Alberoni estaba preparando en los últimos años una teoría completa sobre el amor. Ahora, esta teoría se presenta en su forma acabada en la presente obra. Te amo es un libro destinado a convertirse en el texto básico sobre el tema del amor, que todos tendrían que conocer.Te amo nos dice que existen muchos tipos de amor, el amor de la madre, el amor entre hermanos y el amor de la amistad. Y, por último, el amor erótico, la pasión amorosa, el amor de los amantes, el amor de los esposos, el amor de pareja: el amor que nos hace decir te amo. Éste puede nacer lentamente de la amistad o aparecer brúscamente como un flechazo. Puede ser un arrebato pasajero de pocos días o de pocos meses. O bien durar muchos años, incluso toda la vida. Puede estar hecho de sexualidad tórrida o de dulce ternura. Puede quedar como una pasión insatisfecha o florecer en un matrimonio. Puede producir un idilio o un conflicto. Puede extinguirse

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Scores sewn into coat linings, instruments hidden in suitcases, sheet music stashed among dirty laundry, concertos written on discarded food wrappers - these are just some of the ingenious ways prisoners in civilian, political and military captivity from 1933 to 1953 protected their music in the darkest of times.Italian pianist and composer Francesco Lotoro has been on a lifelong quest to find this remarkable music. He has painstakingly salvaged and performed symphonies, operas and songs written by the incarcerated musicians, many of whom died in the camps. He has travelled the globe to meet with families and survivors whose harrowing testimonies bear witness to the most devastating experiences in twentieth-century history.Movingly piecing together the human stories of those who wrote and performed whilst imprisoned, this compelling book takes readers on a journey into their extraordinary lives and music, shining a light on a unique beauty that somehow prevail

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Create a cozy getaway with this fabulous compendium in the highly successful 150 Best series, packed with images, ideas, inspiration, and information on the latest trends in small space design.150 Best New Cottage and Cabin Ideas shows off a diversity of creative, and innovative getaway homes the exemplify the small-space trend. Francesc Zamora draws on the developments of distinguished international architects and designers who have worked to achieve practical, innovative, and stylish solutions adapted to the specific needs and particular tastes of their clients.Filled with hundreds of color and black-and-white photographs, this comprehensive handbook offers an extensive collection of cabins and cottages from all over the world, and provides an inspirational source of ideas for architects, designers, and homeowners alike—whether you’re looking to design and build a new dwelling or renovating and redecorating an existing structure.

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Scores sewn into coat linings, instruments hidden in suitcases, sheet music stashed among dirty laundry, concertos written on discarded food wrappers - these are just some of the ingenious ways prisoners in civilian, political and military captivity from 1933 to 1953 protected their music in the darkest of times.Italian pianist and composer Francesco Lotoro has been on a lifelong quest to find this remarkable music. He has painstakingly salvaged and performed symphonies, operas and songs written by the incarcerated musicians, many of whom died in the camps. He has travelled the globe to meet with families and survivors whose harrowing testimonies bear witness to the most devastating experiences in twentieth-century history.Movingly piecing together the human stories of those who wrote and performed whilst imprisoned, this compelling book takes readers on a journey into their extraordinary lives and music, shining a light on a unique beauty that somehow prevail

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In the modern West, we take for granted that what we call the “natural world” confronts us all and always has—but Before Nature explores that almost unimaginable time when there was no such conception of “nature”—no word, reference, or sense for it. Before the concept of nature formed over the long history of European philosophy and science, our ancestors in ancient Assyria and Babylonia developed an inquiry into the world in a way that is kindred to our modern science. With Before Nature, Francesca Rochberg explores that Assyro-Babylonian knowledge tradition and shows how it relates to the entire history of science. From a modern, Western perspective, a world not conceived somehow within the framework of physical nature is difficult—if not impossible—to imagine. Yet, as Rochberg lays out, ancient investigations of regularity and irregularity, norms and anomalies clearly established an axis of knowledge between the knower and an intelligible, ordered world. Rochberg is the first scholar to make a case for how exactly we can understand cuneiform knowledge, observation, prediction, and explanation in relation to science—without recourse to later ideas of nature. Systematically examining the whole of Mesopotamian science with a distinctive historical and methodological approach, Before Nature will open up surprising new pathways for studying the history of science.

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Enhancing Firm Sustainability Through Governance presents a fresh perspective on corporate governance and how the relationship between governance mechanisms, processes and variables should be understood through a new unifying theory: the relational corporate governance approach.Francesco de Zwart examines significant areas of governance study and practice to illustrate how the most established governance mechanisms, processes and variables affect each other and the governance and management structures within a company. The relational corporate governance approach acts as a tool for analyzing the governance health of individual companies and suggests the actions required to remedy sub-optimal governance and management arrangements. A wide selection of articles, empirical studies and literature have been translated into an original and understandable theory which complements and enhances the explanatory power of existing law and economics models of the firm.This interdisciplinary book will interest scholars and researchers in the fields of corporate law, economics, accounting, management and, more specifically, governance and regulation. Policymakers and practitioners involved in corporate governance will benefit from the discerning insight into managerial design and adoption, decision-making, monitoring and reporting structures and other processes within the corporation.

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Understanding Institutions proposes a new unified theory of social institutions that combines the best insights of philosophers and social scientists who have written on this topic. Francesco Guala presents a theory that combines the features of three influential views of institutions: as equilibria of strategic games, as regulative rules, and as constitutive rules. Guala explains key institutions like money, private property, and marriage, and develops a much-needed unification of equilibrium- and rules-based approaches. Although he uses game theory concepts, the theory is presented in a simple, clear style that is accessible to a wide audience of scholars working in different fields. Outlining and discussing various implications of the unified theory, Guala addresses venerable issues such as reflexivity, realism, Verstehen, and fallibilism in the social sciences. He also critically analyses the theory of "looping effects" and "interactive kinds" defended by Ian Hacking, and asks whether it is possible to draw a demarcation between social and natural science using the criteria of causal and ontological dependence. Focusing on current debates about the definition of marriage, Guala shows how these abstract philosophical issues have important practical and political consequences. Moving beyond specific cases to general models and principles, Understanding Institutions offers new perspectives on what institutions are, how they work, and what they can do for us.

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Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 500 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, Damien Hirst’s symbolic skull for the Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

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Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.

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In 2021, the Chinese Communist Party celebrated a century of existence. Since the Party's humble beginnings in the Marxist groups of the Republican era to its current global ambitions, one thing has not changed for China's leaders: their claim to represent the vanguard of the Chinese working class. Spanning from the night classes for workers organised by student activists in Beijing in the 1910s to the labour struggles during the 1920s and 1930s; from the turmoil of the Cultural Revolution to the social convulsions of the reform era to China's global push today, this book reconstructs the contentious history of labour in China from the early twentieth century to this day (and beyond). This will be achieved through a series of essays penned by scholars in the field of Chinese society, politics, and culture, each one of which will revolve around a specific historical event, in a mosaic of different voices, perspectives, and interpretations of what constituted the experience of being a worker in China in the past century.Contributors: Corey Byrnes, Craig A. Smith, Xu Guoqi, Zhou Ruixue, Lin Chun, Elizabeth J. Perry, Tony Saich, Wang Kan, Gail Hershatter, Apo Leong, S.A. Smith, Alexander F. Day, Yige Dong, Seung-Joon Lee, Lu Yan, Joshua Howard, Bo Ærenlund Sørensen, Brian DeMare, Emily Honig, Po-chien Chen, Yi-hung Liu, Jake Werner, Malcolm Thompson, Robert Cliver, Mark W. Frazier, John Williams, Christian Sorace, Zhu Ruiyi, Ivan Franceschini, Chen Feng, Ben Kindler, Jane Hayward, Tim Wright, Koji Hirata, Jacob Eyferth, Aminda Smith, Fabio Lanza, Ralph Litzinger, Jonathan Unger, Covell F. Meyskens, Maggie Clinton, Patricia M. Thornton, Ray Yep, Andrea Piazzaroli Longobardi, Joel Andreas, Matt Galway, Michel Bonnin, A.C. Baecker, Mary Ann O'Donnell, Tiantian Zheng, Jeanne L. Wilson, Ming-sho Ho, Yueran Zhang, Anita Chan, Sarah Biddulph, Jude Howell, William Hurst, Dorothy J. Solinger, Ching Kwan Lee, Chloé Froissart, Mary Gallagher, Eric Florence, Junxi Qian, Chris King-chi Chan, Elaine Sio-Ieng Hui, Jenny Chan, Eli Friedman, Aaron Halegua, Wanning Sun, Marc Blecher, Huang Yu, Manfred Elfstrom, Darren Byler, Carlos Rojas, Chen Qiufan.

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In Dynamics of Difference in Australia, Francesca Merlan examines relations between indigenous and nonindigenous people from the events of early exploration and colonial endeavors to the present day. From face-to-face interactions to national and geopolitical affairs, the book illuminates the dimensions of difference that are revealed by these encounters: what indigenous and nonindigenous people pay attention to, what they value, what preconceived notions each possesses, and what their responses are to the Other. Basing her analysis on her extensive fieldwork in northern Australia, Merlan highlights the asymmetries in the exchanges between the settler majority and the indigenous minority, looking at everything from forms of violence and material transactions, to indigenous involvement in resource development, to governmental intervention in indigenous affairs. Merlan frames the book within the current debate in Australian society concerning the constitutional recognition of indigenous people by the nation-state. Surveying the precursors to this question and its continuing and unresolved nature, she chronicles the ways in which an indigenous minority can remain culturally different while simultaneously experiencing the transformative forces of domination, constraint, and inequality. Conducting an investigation of long-term change against the backdrop of a highly salient and timely public debate surrounding indigenous issues, Dynamics of Difference has far-reaching implications both for public policy and for current theoretical debates about the nature of sociocultural continuity and change.

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Will the use of artificial intelligence (AI), algorithms, and smart machines be the end of journalism as we know it—or its savior? In Newsmakers, Francesco Marconi, who has led the development of the Associated Press and Wall Street Journal’s use of AI in journalism, offers a new perspective on the potential of these technologies. He explains how reporters, editors, and newsrooms of all sizes can take advantage of the possibilities they provide to develop new ways of telling stories and connecting with readers.Marconi analyzes the challenges and opportunities of AI through case studies ranging from financial publications using algorithms to write earnings reports to investigative reporters analyzing large data sets to outlets determining the distribution of news on social media. Newsmakers contends that AI can augment—not automate—the industry, allowing journalists to break more news more quickly while simultaneously freeing up their time for deeper analysis. Marshaling insights drawn from firsthand experience, Marconi maps a media landscape transformed by artificial intelligence for the better. In addition to considering the benefits of these new technologies, Marconi stresses the continuing need for editorial and institutional oversight. Newsmakers outlines the important questions that journalists and media organizations should consider when integrating AI and algorithms into their workflow. For journalism students as well as seasoned media professionals, Marconi’s insights provide much-needed clarity and a practical roadmap for how AI can best serve journalism.

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A stunning and utterly captivating debut about war, love and betrayal in 1940s Hong Kong 'Gripping and moving ... Francesca Brill is a very good writer indeed and I was sucked into the story until I was no longer aware of things going on around me, only of what was going on to the characters I had grown to love' Simon Sebag Montefiore 'A powerful novel of depth and intensity' Sunday Times _________________ Hong Kong, 1940. For the reckless young journalist Stevie Steiber, days at the Happy Valley racecourse slip into dangerous, hedonistic nights. Meanwhile Major Harry Field, a British Intelligence Officer, is investigating the recent arrival of Wu Jishang, a sophisticated publisher who owns a controversial political magazine. But it is Stevie, Jishang’s close colleague and lover, who really fascinates Harry. As the British community continues to party despite the looming threat of war, the two are obsessively drawn into a dark passion. And when the Japanese army seizes the island, they are faced with terrifying challenges – how far will they go to protect each other?

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De l'autor de L'art de saber escoltar, un llibre sobre l'art de saber estimar. Només pot morir el qui ha viscut, però només viu el qui estima. És veritat que l'amor fa la vida més dolça, però també la fa més aspra, perquè la seva naturalesa és paradoxal. L'amor, com l'ésser, es diu de moltes maneres, però en el fons de tot amor subsisteix una secreta arrel invisible que s'obre camí en els sòls més difícils. L'arrel de l'amor és la gratuïtat. S'estima perquè sí, sense raó utilitària. Una visió de l'amor profunda, espiritual i alhora terrenal: un amor complet. Lluny de la idealització edulcorada que se'ns n'acostuma a oferir avui dia, Francesc Torralba escriu la seva obra més personal. De la mà dels més grans glossadors de l'amor, Llull i Shakespeare, Torralba assumeix en primera persona les contradiccions, els sofriments, els esfoços i els treballs que suposa el sentiment més intens de tots, i ens guia per un camí gens fàcil però al quan no ens podem resistir.

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The Poverty of Clio challenges the hold that cliometrics--an approach to economic history that employs the analytical tools of economists--has exerted on the study of our economic past. In this provocative book, Francesco Boldizzoni calls for the reconstruction of economic history, one in which history and the social sciences are brought to bear on economics, and not the other way around. Boldizzoni questions the appeal of economics over history--which he identifies as a distinctly American attitude--exposing its errors and hidden ideologies, and revealing how it fails to explain economic behavior itself. He shows how the misguided reliance on economic reasoning to interpret history has come at the expense of insights from the humanities and has led to a rejection of valuable past historical research. Developing a better alternative to new institutional economics and the rational choice approach, Boldizzoni builds on the extraordinary accomplishments of twentieth-century European historians and social thinkers to offer fresh ideas for the renewal of the field. Economic history needs to rediscover the true relationship between economy and culture, and promote an authentic alliance with the social sciences, starting with sociology and anthropology. It must resume its dialogue with the humanities, but without shrinking away from theory when constructing its models. The Poverty of Clio demonstrates why history must exert its own creative power on economics.

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This lavishly produced book provides unique photographic insight into the design and engineering of 15 landmark Ferrari road-car engines, documenting the `inside view’ of the engines – each one a mechanical work of art. Photographer and journalist Francesco Reggiani has been granted a `back-stage pass’ at various engineering specialists working on the restoration and servicing of Cavallino Rampante engines, taking photographs to document the restoration of some of the most beautiful Ferraris built by the Maranello factory. During these assignments, he became fascinated by the aesthetic appeal and engineering of the engines – the pulsating hearts of the cars which they power – as he photographed them both dismantled and assembled. Beginning with the first-generation Ferrari V12 engine fitted to the 195 Inter in 1949, and progressing through V6s, normally aspirated and turbocharged V8s and flat-12s to the latest 6.3-litre V12 fitted to the four-wheel-drive FF, the engines are documented in detail, with photographs of the components, assembled engines, and the cars in which they are fitted. A history and technical overview is provided for each engine and car featured, along with engine specifications, taking the reader on a journey through the history of Ferrari’s engineering progress and technical innovation. Essential reading for car enthusiasts, particularly fans of the Ferrari marque, those interested in engineering, and anybody who appreciates the mechanical artistry of Ferrari’s superbly engineered engines

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At a time of deep political divisions, leaders have called on ordinary Americans to talk to one another: to share their stories, listen empathetically, and focus on what they have in common, not what makes them different. In Inventing the Ties that Bind, Francesca Polletta questions this popular solution for healing our rifts. Talking the way that friends do is not the same as equality, she points out. And initiatives that bring strangers together for friendly dialogue may provide fleeting experiences of intimacy, but do not supply the enduring ties that solidarity requires. But Polletta also studies how Americans cooperate outside such initiatives, in social movements, churches, unions, government, and in their everyday lives. She shows that they often act on behalf of people they see as neighbors, not friends, as allies, not intimates, and people with whom they have an imagined relationship, not a real one. To repair our fractured civic landscape, she argues, we should draw on the rich language of solidarity that Americans already have.

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"Since when is Fran Drescher Jewish?" This was Chiara Francesca Ferrari's reaction when she learned that Drescher's character on the television sitcom The Nanny was meant to be a portrayal of a stereotypical Jewish-American princess. Ferrari had only seen the Italian version of the show, in which the protagonist was dubbed into an exotic, eccentric Italian-American nanny. Since When Is Fran Drescher Jewish? explores this "ventriloquism" as not only a textual and cultural transfer between languages but also as an industrial practice that helps the media industry foster identification among varying audiences around the globe. At the heart of this study is an in-depth exploration of three shows that moved from global to local, mapping stereotypes from both sides of the Atlantic in the process. Presented in Italy, for example, Groundskeeper Willie from The Simpsons is no longer a belligerent, alcoholic Scotsman but instead easily becomes a primitive figure from Sardinia. Ironically, The Sopranos—a show built around Italian-Americans—was carefully re-positioned by Italian TV executives, who erased the word "mafia" and all regional references to Sicily. The result of Ferrari's three case studies is evidence that "otherness" transcends translation, as the stereotypes produced by the American entertainment industry are simply replaced by other stereotypes in foreign markets. As American television studios continue to attempt to increase earnings by licensing their shows abroad, Since When Is Fran Drescher Jewish? illuminates the significant issues of identity raised by this ever-growing marketplace, along with the intriguing messages that lie in the larger realm of audiovisual cultural exchange.

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Why are poor Americans so patriotic? They have significantly worse social benefits compared to other Western nations, and studies show that the American Dream of upward mobility is, for them, largely a myth. So why do these people love their country? Why have they not risen up to demand more from a system that is failing them? In Broke and Patriotic, Francesco Duina contends that the best way to answer these questions is to speak directly to America's most impoverished. Spending time in bus stations, Laundromats, senior citizen centers, homeless shelters, public libraries, and fast food restaurants, Duina conducted over sixty revealing interviews in which his participants explain how they view themselves and their country. He masterfully weaves their words into three narratives. First, America's poor still see their country as the "last hope" for themselves and the world: America offers its people a sense of dignity, closeness to God, and answers to most of humanity's problems. Second, America is still the "land of milk and honey:" a very rich and generous country where those who work hard can succeed. Third, America is the freest country on earth where self-determination is still possible. This book offers a stirring portrait of the people left behind by their country and left out of the national conversation. By giving them a voice, Duina sheds new light on a sector of American society that we are only beginning to recognize as a powerful force in shaping the country's future.

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You will be amazed by what you can create with polymer and air-dry clay. These affordable, easy-to-find clays present endless possibilities for artisan-quality home decor and gifts. Francesca Stone, creator of the decor blog Fall For DIY, presents simple step-by-step techniques for shaping and decorating clay with just a few household tools. All final pieces can be air-dried or baked in a standard home oven. Featuring a gorgeous, modern palette of natural colours, these projects are deceptively easy and effortlessly chic. Personalize your home with practical and beautiful items like the Terra-Cotta Jewellery Dish, Hanging Herb Garden Planter and Salt-and-Pepper Pinch Pot. Get creative with colour and geometric shapes in home accents such as the Colour-Block Photo Holder and Abstract Floral Block Platter. This book is the perfect primer to start making beautiful clay pieces at home and get that handmade ceramic look without the expenses and challenges of traditional pottery.

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With thick pages cut into the shape of each letter, children and parents will enjoy this peek-through guessing game around the letterform itself. Sprinkles, hot fudge, and cherries hint at I’s ice cream sundae, while aquarium accessories hint at F’s fish. As readers interact with the pages, they will familiarize themselves not only with the 26 letters and associated words, but also with each letter’s physicality—angles, holes, and curves, both front and back. With Peskimo’s animated, stylish visuals, this fresh ABC book encourages readers to manipulate the alphabet in a whole new way. Note: illustrations have a retro feel, with imperfect variations in color and texture. Also available: A BOX OF BLOCKS, featuring Alphablock, Countablock, and Dinoblock.Praise for AlphablockSTARRED REVIEW "All the parts together make an appealing and fun way for youngsters to interact with the alphabet, and for slightly older children to enjoy the clever artwork." —School Library Journal, starred review "The straightforward vocabulary, cheery vintage-style graphics, and neat incorporation of cut-out letters make for a sharply designed package." —Publishers Weekly "With a pleasing, retro feel, Peskimo’s art uses bold colors in a slightly muted hue and the weathered look of woodblock prints… A visually captivating delight for careful little ones." —Kirkus Reviews "While it’s graphically sophisticated enough to please adults, little children can happily flip through this book on their own." —The New York Times "The baby, toddler or nursery-schooler who tears the gift wrapping off Christopher Franceschelli's Alphablock may think that she has just opened a toy, for how lively and tactile the thing in her hands will be." —The Wall Street JournalAwardsParents 10 Best Children’s Books of 2013 Notable Children's Books from ALSC 2014

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How an antisemitic legend gave voice to widespread fears surrounding the expansion of private credit in Western capitalismThe Promise and Peril of Credit takes an incisive look at pivotal episodes in the West’s centuries-long struggle to define the place of private finance in the social and political order. It does so through the lens of a persistent legend about Jews and money that reflected the anxieties surrounding the rise of impersonal credit markets.By the close of the Middle Ages, new and sophisticated credit instruments made it easier for European merchants to move funds across the globe. Bills of exchange were by far the most arcane of these financial innovations. Intangible and written in a cryptic language, they fueled world trade but also lured naive investors into risky businesses. Francesca Trivellato recounts how the invention of these abstruse credit contracts was falsely attributed to Jews, and how this story gave voice to deep-seated fears about the unseen perils of the new paper economy. She locates the legend’s earliest version in a seventeenth-century handbook on maritime law and traces its legacy all the way to the work of the founders of modern social theory—from Marx to Weber and Sombart.Deftly weaving together economic, legal, social, cultural, and intellectual history, Trivellato vividly describes how Christian writers drew on the story to define and redefine what constituted the proper boundaries of credit in a modern world increasingly dominated by finance.

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How an antisemitic legend gave voice to widespread fears surrounding the expansion of private credit in Western capitalismThe Promise and Peril of Credit takes an incisive look at pivotal episodes in the West’s centuries-long struggle to define the place of private finance in the social and political order. It does so through the lens of a persistent legend about Jews and money that reflected the anxieties surrounding the rise of impersonal credit markets.By the close of the Middle Ages, new and sophisticated credit instruments made it easier for European merchants to move funds across the globe. Bills of exchange were by far the most arcane of these financial innovations. Intangible and written in a cryptic language, they fueled world trade but also lured naive investors into risky businesses. Francesca Trivellato recounts how the invention of these abstruse credit contracts was falsely attributed to Jews, and how this story gave voice to deep-seated fears about the unseen perils of the new paper economy. She locates the legend’s earliest version in a seventeenth-century handbook on maritime law and traces its legacy all the way to the work of the founders of modern social theory—from Marx to Weber and Sombart.Deftly weaving together economic, legal, social, cultural, and intellectual history, Trivellato vividly describes how Christian writers drew on the story to define and redefine what constituted the proper boundaries of credit in a modern world increasingly dominated by finance.

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A study of the networks of opera production and critical discourse that shaped Italian cultural identity during and after Unification. Opera’s role in shaping Italian identity has long fascinated both critics and scholars. Whereas the romance of the Risorgimento once spurred analyses of how individual works and styles grew out of and fostered specifically “Italian” sensibilities and modes of address, more recently scholars have discovered the ways in which opera has animated Italians’ social and cultural life in myriad different local contexts. In Networking Operatic Italy, Francesca Vella reexamines this much-debated topic by exploring how, where, and why opera traveled on the mid-nineteenth-century peninsula, and what this mobility meant for opera, Italian cities, and Italy alike. Focusing on the 1850s to the 1870s, Vella attends to opera’s encounters with new technologies of transportation and communication, as well as its continued dissemination through newspapers, wind bands, and singing human bodies. Ultimately, this book sheds light on the vibrancy and complexity of nineteenth-century Italian operatic cultures, challenging many of our assumptions about an often exoticized country.

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