Search results for ""Author Christo"

No British periodical or weekly magazine has a richer and more distinguished archive than the New Statesman, which has long been at the centre of British political and cultural life. If not quite at the centre, then at the most energetic, subversive end of the progressive centre-left. Kingsley Martin, editor of the New Statesman from 1930 to 1960, wrote that "life on the NS was always a battle. After all, I had been brought up as a dissenter and I tended to see all problems as moral issues."The magazine has notably recognized and published new writers and critics, as well as encouraged major careers. Many of the most notable political and cultural writers of the recent past have written for the New Statesman. Many have been on its staff or were associates of it: HG Wells, George Bernard Shaw, JM Keynes, VS Pritchett, Paul Johnson, Claire Tomalin, Christopher Hitchens and John Gray. The most significant intellectual and cultural currents of the age ripple through its pages. There is, too, a rich history of poetry and fiction and illustration and cartoons to draw on, from Low's sketches of the great and the good to the gonzo art of Ralph Steadman and the bold cover illustrations and caricatures of André Carrilho.The book is more than an anthology. It tells the story of the New Statesman, from the eve of the First World War to the long aftermath of 9/11 and the populist upheavals of today. It looks forward as well as back, offering a unique and unpredictable perspective on politics, literature and the world.

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A passionate, illuminating exploration of Shakespeare's greatest plays and characters, by the director of acclaimed theatre company Shakespeare at the Tobacco Factory. Combining close textual analysis with practical insights based on his extensive experience of directing Shakespeare's plays, Andrew Hilton delves into a fascinating range of topics such as emotional truth in the comedies, the importance of the plays' social dynamics, the choice of settings and periods, making and withholding moral judgements, working with different versions of the texts, and even adapting them. Throughout, Hilton urges us as audiences and theatre-makers to set aside our preconceived notions, and instead to approach Shakespeare's plays with an open mind, moment by moment, so that we can connect with them in fresh and vital ways. 'The clear-sightedness, wit and depth of knowledge and insight into the plays and their worlds is unparalleled... should be required reading for everyone approaching these plays... A fabulous book, brimful of wisdom and revelations and a gift to anyone interested in Shakespeare or, quite frankly, in people' John Heffernan, actor 'Andrew Hilton's Tobacco Factory Shakespeares were an inspiration... What audiences saw and heard was not a display but an uncovering. His productions did not add to the drama: they revealed it... In Shakespeare on the Factory Floor, Hilton has once again lit up Shakespeare: lucid and penetrating on the page and on the stage' Susannah Clapp, theatre critic of the Observer 'The detail and simplicity of Andrew Hilton's directing is as potent in his writing as it is in the rehearsal room... A wonderful book' Dorothea Myer-Bennett, actor 'Andrew Hilton has used his rich experience of many years to create a penetrating, timely and distinctive study of the plays… I only wish this book had been around when first I read Shakespeare. It would have opened my eyes and my mind much earlier' Professor Sir Christopher Frayling, Former Rector of the Royal College of Art and Chair of Arts Council England 'Andrew Hilton's fascinating book reveals how theatrical performance offers insights into longstanding questions of literary interpretation… Written in an engaging and readable style, it will be of interest to actors, directors, scholars and anyone who enjoys reading Shakespeare's plays or seeing them performed' Lesel Dawson, Senior Lecturer in English at the University of Bristol

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Since its sudden and dramatic formation upon winning the competition to design Paisley Civic Centre in 1963, Hutchison, Locke and Monk (HLM Architects) has consistently served and adapted to the changing requirements of Britain’s welfare state, and has instinctively dedicated its professional services to community architecture.Conceived from the perspective of founding partner Tony Monk, this book reveals the inside story of how the partnership has grown over 50 years to become a leading UK national practice. It sets out the early influences and progressive design philosophy of HLM Architects and analyses how they developed their design ethos from late-modern through contextual post-modern architectural styles by the early 1980s, and then matured into producing its own contemporary designs, explaining why these changes took place over that period. As well as reflecting the transformations in the social and political landscapes and in aesthetic approaches, it also inevitably records the changing social history of the architectural profession from labour-intensive manual presentations using drafting pens and drawing boards, through to the slick mass-produced computer modelling that accompanied the digital revolution, and the fundamental adjustments needed to meet the realities of managing an efficient modern commercial business.Working with the HLM Board, the authoritative contributors are Directors who have used their knowledge and experience in responding to government legislation with innovative architectural solutions in their specialist fields. HLM Chairman Christopher Liddle is a leading exponent of defence and custodial procurement, alongside Caroline Buckingham in education and Leslie Welch in healthcare. Their award winning projects now help formulate current policy. The critical Introduction by Dr Edward Denison re-examines the practice’s philosophy and contribution to the evolving welfare state during the second half of the twentieth century. The conclusion is a perceptive assessment of the future direction of the architectural profession and a statement of HLM’s continuing commitment to improving our society. The complex relationships described shed new light on previous architectural theories and, in doing so, this book adds to the knowledge of post-war British architecture.

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Shaped by the increasing commercialization of economic relations, the social agitation of the agricultural and artisan classes, and the growing formalization of status consciousness, the cultural landscape of late medieval England was fertile territory for the representation of work. In The Voice of the Hammer, Nicola Masciandaro examines the Middle English lexicon, accounts of the history of work, and the poetry of Geoffrey Chaucer to reveal that late medieval society understood work as a distinct and problematical field of experience, and that concerns over the relation of work to life were as pressing then as now. "This book deals with questions that historians of late medieval labour scarcely dare to ask—what is the meaning of the words werk, swink, and craft? How did people in the fourteenth century conceptualize and value work? Much superficial speculation about whether people regarded work as punishing or virtuous can be set aside, as Nicola Masciandaro has applied his formidable learning to supply a nuanced and authoritative analysis of the thinking of such writers as Chaucer and Gower. Anyone enquiring into late medieval attitudes to labour must now take account of this important book."—Christopher Dyer, University of Leicester "In The Voice of the Hammer, Nicola Masciandaro engagingly presents a large issue with elegance and capaciousness. His subtle and significant readings of all of the works he addresses support the ingenious topics and important ideas he has highlighted in the broad field of late medieval ideas of labor, at once so central to the concerns of later Middle English poetry and so widely disseminated in the culture from which that arose."—Andrew Galloway, Cornell University "Nicola Masciandaro shows us a contested and complex Middle English set of attitudes towards work, incorporating ideas about nature, humanity's place in the world, and the relation of the present to a simpler past. He gives an intriguing account of the multiple meanings of work in English and shows that texts often regarded as denunciations of workers or of technical progress are more interesting statements about the ambiguity of humanity's control over the world and subjugation to its laws. The result is an important and perceptive contribution to the history of medieval social thought."—Paul Freedman, Chester D. Tripp Professor of History, Yale University

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From a talented young journalist on the rise, a deeply reported, timely new biography of the Notorious B.I.G., publishing for what would have been his 50th birthdayThe Notorious B.I.G. was one of the most charismatic and talented artists of the 1990s. Born Christopher Wallace and raised in Clinton Hill/Bed Stuy, Brooklyn, Biggie lived an almost archetypal rap life: young trouble, drug dealing, guns, prison, a giant hit record, the wealth and international superstardom that came with it, then an early violent death. Biggie released his first record, Ready to Die, in 1994, when he was only 22. Less than three years later, he was killed just days before the planned release of his second record Life After Death.Journalist Justin Tinsley’s It Was All a Dream is a fresh, insightful telling of the life beyond the legend. It is based on extensive interviews with those who knew and loved Biggie, including neighbors, friends, DJs, party promoters, and journalists. And it places Biggie’s life in context, both within the history of rap but also the wider cultural and political forces that shaped him, including Caribbean immigration, the Reagan era disinvestment in public education, street life, the war on drugs, mass incarceration, and the booming, creative, and influential 1990s music industry. This is the story of where Biggie came from, the forces that shaped him, and the legacy he has left behind.

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Travel in the Middle Ages is filled with the stories and adventures of those who hazarded hostile landscapes, elements, and people—out of want or necessity—to get from place to place. While most journeys involved very short distances (home to market or village to village), longer trips were not uncommon in the Middle Ages. Clergy were frequently called upon to act as ambassadors, messengers, and overseers to the various monasteries and churches within their jurisdiction. Merchants, agents of the king, and pilgrims were also frequently required to travel. While sharing the fascinating stories of these ordinary wayfarers, Verdon also relates colorful tales of the journeys of notable historical figures such as Marco Polo and Christopher Columbus. Part I of Travel in the Middle Ages addresses the means by which people traveled. This section contains vivid descriptions of modes of conveyance, road systems, sea lanes, tolls, taxes, and even pirates. Knowing the risks involved, why did people brave the uncertainty of travel? Part II of the book addresses this question by identifying five main motivational categories of medieval travel. Part III deals with travel myths, monsters, and fictitious journeys of medieval fantasy writers. Verdon concludes with a pithy critique of travel in the modern world. Appearing for the first time in an English translation, Travel in the Middle Ages will delight anyone with an interest in medieval culture or travel books.

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Sultans, Spices, and Tsunamis: The Incredible Story of the World's Largest ArchipelagoIndonesia is by far the largest nation in Southeast Asia and has the fourth largest population in the world after the United States. Indonesian history and culture are especially relevant today as the Island nation is an emerging power in the region with a dynamic new leader. It is a land of incredible diversity and unending paradoxes that has a long and rich history stretching back a thousand years and more. Indonesia is the fabled "Spice Islands" of every school child's dreams—one of the most colorful and fascinating countries in history. These are the islands that Europeans set out on countless voyages of discovery to find and later fought bitterly over in the 15th, 16th and 17th centuries. This was the land that Christopher Columbus sought, and Magellan reached and explored. One tiny Indonesian island was even exchanged for the island of Manhattan in 1667! This fascinating history book tells the story of Indonesia as a narrative of kings, traders, missionaries, soldiers and revolutionaries, featuring rough sea crossings, fiery volcanoes, and the occasional tiger. It recounts the colorful visits of foreign travelers who have passed through these shores for many centuries—from Chinese Buddhist pilgrims and Dutch adventurers to English sea captains and American movie stars. For readers who want an entertaining introduction to Asia's most fascinating country, this is delightful reading.

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'The slackers guide to staying in, the antidote to peak frazzle and spending too much time out on the razzle. It's time to tune in to being cosy, because tucking up inside with the ones you love is all that matters.' Laura Weir There seems to be a lot to worry about in the world right now, with Brexit looming, social media draining our time and anxiety on the rise, the public are seeking out value in the small things which are close to home that can bring us maximum simple joy in our daily lives. In this hug of a book, Laura Weir celebrates the very best of our cool and quirky traditions and habits and rituals with a big dose of comfort - think warm cups of tea, toasty open fires and windswept walks that will blow away the cobwebs. Cosy gives readers permission to batten down the hatches and switch off - it is an ode to tucking in, hunkering down and softening life's edges when we need it most.Includes illustrations by Rose Electra Harris, as well as cosy contributions from the likes of Dolly Alderton, Alice Temperley and Christoper Kane. 'A warm, generous, blanket of a book, to reach for whenever you need a dose of comfort.' Sophie Dahl'As someone who has spent the majority of their adult life hunkered down in a big jumper, dodging reasons to leave the house, Cosy is the official justification for not going out.' Alice Levine

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From contributors to The Conversation, a look at gender diversity in the twenty-first century and the intricate and intersecting challenges faced by trans and nonbinary people.With media amplifying the voices of anti-trans legislators and critics, it is important to turn to the stories, research, and expertise of trans and nonbinary people in order to understand the reality of their experiences. In The Conversation on Gender Diversity, editor Jules Gill-Peterson assembles essential essays from The Conversation U.S. by experts on gender diversity. The essays guide readers through seldom-covered aspects of transgender history and present an overview of the social and political barriers that disenfranchise trans people and attempt to remove them from public life. As these essays collectively show, trans and nonbinary people may be forced to be the face of gender and its diversity, but the cultural, political, and social realities of gender connect—and subject—everyone. Despite these challenges, there is an immense culture of love and support across the queer community that is bolstered by activists and allies working against transphobic attacks. Trans and gender-diverse youth are growing up in a world filled with ever-increasing hurdles and rising danger, even with the contemporary public recognition of trans life in culture and media. But they are not facing these challenges alone.The Critical Conversations series collects relevant essays from top scholars on timely topics, including water, biotechnology, gender diversity, gun culture, and more, originally published on the independent news site The Conversation U.S. Contributors: Robert L. Abreu, Catherine Armstrong, Stacy Branham, Christopher Carpenter, L. F. Carver, Mandy Coles, Arin Collin, George B. Cunningham, Avery Dame-Griff, Jules Gill-Peterson, Abbie Goldberg, Gilbert Gonzales, Frances Grimstad, Foad Hamidi, Elizabeth Heineman, Glen Hosking, Bethany Grace Howe, Jay A. Irwin, Shanna K. Kattari, Kacie Kidd, Terry Kogan, Vanessa LoBue, Gabriel Lockett, Megan K. Maas, Julie Manning Magid, Em Matsuno, Tey Meadow, Kyl Myers, Madeleine Pape, Ruth Pearce, Jae A. Puckett, Samantha G. Rosenthal, Morgan Klaus Scheuerman, Elizabeth A. Sharrow, Carl Sheperis, Donna Sheperis, stef m. shuster, Jules Sostre, Ryan Storr, Carl Streed, Diana M. Tordoff, Travers

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In this excellent, thoroughly-researched and thoughtful study, J. aims to steer a path between these divergent views, and to provide a way out of what has become a scholarly impasse. […] J.'s study is a model of sober scholarship. […] this is a fine study that will undoubtedly become the standard discussion of Antipas for some time to come."Helen Bond in Theologische Literaturzeitung 133 (2008), pp. 379-381"Jensen has written a persuasive and comprehensive study on Antipas and his impact on Galilee. He has given us significant background information to our understanding of the Gospels and the historical Jesus."Christoph Stenschke in Religion and Theology 16 (2009), pp.111-115"We recommend the book to every scholarly or seminary library, and to all individuals interested in the origins of Christianity."Zdzislaw J. Kapera in The Polish Journal of Biblical Research 6 (2007), pp.193-194"His bibliography is a goldmine for those interested in Galilean archaeology, and a set of helpful illustrations, maps, and charts enhances the work. This book is a must read for anyone interested in historical Jesus; indeed, it undermines so much current scholarship on Christian origins that it (and Galilee generally) is a good place to begin."Jonathan L. Reed in Bulletin of the Institute for Antiquity and Christianity 35 (2007), S. 10-11"This is an important study, one that no scholar writing on the cultural climate of first-century Galilee or the historical Jesus can afford to ignore. It is a fine exemplar of thoroughness and nuance and will quickly become the standard reference work on Herod Antipas's impact on the region."Die ungekürzte Rezension von Mark A. Chancey finden Sie auf www.bookreviews.org"This seems to be a model historical study."L.L. Grabbe in Journal for the Study of the Old Testament - Book List 31.5 (2007), S. 48-49"This work is a major up-to-date contribution on the life and reign of Herod Antipas. Jensen is to be commenended for his research and insight. Although he deals with complex and detailed issues, the book is easy to read and follow because it is so well organized and well written. For anyone who wants to learn about Herod Antipas and first-century Galilee, this book is a must."Harold W. Hoehner in Journal of the Evangelical Theological Society 50 (2007), S. 833-835

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Run or Die by Kilian Jornet - the autobiography of the world's most dominating athlete in ultra runningShortlisted for the 2014 William Hill Sports Book of the Year AwardNational Geographic Adventurer of the Year 2014Marca Legend Award 2014 'This man can run 100 miles. Up and down mountains. Without stopping. After skipping breakfast. Meet Kilian Jornet, the world's greatest ultra-runner' The TimesAt 18 months he went on his first hike. At 3, he climbed his first mountain. At 10, he entered his first mountain race. At 26, he plans to run up Everest - without an oxygen mask.Kilian Jornet has conquered some of the toughest physical tests on the planet. He has run up and down Mt. Kilimanjaro faster than any other human being, and struck down world records in every challenge that has been proposed - all before the age of 25. Dominating ultra marathons and races at altitude, he has redefined what is possible in running, astonishing competitors with his near-superhuman fitness and ability.In Run or Die Kilian shares his passion, inviting readers into a fascinating world rich with the beauty of rugged trails and mountain vistas, the pulse-pounding drama of racing, and an intense love for sport and the landscapes that surround him. In turns inspiring, insightful, candid, and deeply personal, this is a book written from the heart of the world's greatest endurance runner, for whom life presents one simple choice: Run. Or die.This is the next must-have read for those who enjoyed the endurance books Born to Run by Christopher McDougall and Ultramarathon Man by Dean Karnazes.'Fascinating insight into the gruelling world of the ultimate ultra-runner' Daily MailKilian Jornet is a world champion ultra-runner, climber and ski mountaineer (a combination of skiing and mountaineering).He was voted the presitigious 'Adventurer of the Year 2014' award by National Geographic magazine, in honour of his latest project to break speed records up and down the world's 7 tallest mountains. The 4-year-project finishes with a running attempt up Everest in 2016.

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Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion "Thelema," he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as "The Beast," Crowley saw the closing lights of Berlin's artistic renaissance of the Weimar period when Berlin played host to many of the world's most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley's years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley's colleagues under the Nazis as well as what happened to Crowley's lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents "the Beast" anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.

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Cities and Citizenship is a prize-winning collection of essays that considers the importance of cities in the making of modern citizens. For most of the modern era the nation and not the city has been the principal domain of citizenship. This volume demonstrates, however, that cities are especially salient sites for examining the current renegotiations of citizenship, democracy, and national belonging. Just as relations between nations are changing in the current phase of global capitalism, so too are relations between nations and cities. Written by internationally prominent scholars, the essays in Cities and Citizenship propose that “place” remains fundamental to these changes and that cities are crucial places for the development of new alignments of local and global identity. Through case studies from Africa, Europe, Latin America, and North America, the volume shows how cities make manifest national and transnational realignments of citizenship and how they generate new possibilities for democratic politics that transform people as citizens. Previously published as a special issue of Public Culture that won the 1996 Best Single Issue of a Journal Award from the Professional/Scholarly Publishing Division of the Association of American Publishers, the collection showcases a photo essay by Cristiano Mascaro, as well as two new essays by James Holston and Thomas Bender. Cities and Citizenship will interest students and scholars of anthropology, geography, sociology, planning, and urban studies, as well as globalization and political science.Contributors. Arjun Appadurai, Etienne Balibar, Thomas Bender, Teresa P. R. Caldeira, Mamadou Diouf, Dilip Parameshwar Gaonkar, James Holston, Marco Jacquemet, Christopher Kamrath, Cristiano Mascaro, Saskia Sassen, Michael Watts, Michel Wieviorka

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Train-loving children ages 0 to 3 will be thrilled to read this new Thomas & Friends™ Halloween board book based on the Thomas & Friends: All Engines Go™ series on Netflix and Cartoon Network.Train-loving boys and girls ages 0 to 3 will be thrilled to read this new board book based on the Thomas & Friends: All Engines Go™ series on Netflix and Cartoon Network..As the hero of his own adventure in the Thomas & Friends: All Engines Go™ series, Thomas will be center stage and we will see the world through his young eyes. More playful and relatable than ever before, his competitive spirit will be readily apparent as he strives to be the Number One Tank Engine on Sodor through play, trial and error, and just enjoying being a kid.In the early 1940s, a loving father crafted a small blue wooden train engine for his son, Christopher. The stories that this father, the Reverend W Awdry, made up to accompany the wonderful toy were first published in 1945 and became the basis for the Railway Series, a collection of books about Thomas the Tank Engine and his friends--and the rest is history.The Thomas & Friends characters are now a big extended family of engines and others on the Island of Sodor. They appear not only in books but also in television shows and movies, and as a wide variety of beautifully made toys. The adventures of Thomas and his friends, which are always, ultimately, about friendship, have delighted generations of train-loving boys and girls for more than 70 years and will continue to do so for generations to come.

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The life of William Shakespeare, Britain's greatest dramatist, was inextricably linked with the history of London. Together, the great writer and the great city came of age and confronted triumph and tragedy. Triumph came when Shakespeare's company, the Chamberlain's Men, opened the Globe playhouse on Bankside in 1599, under the patronage of Queen Elizabeth I. Tragedy touched the lives of many of his contemporaries, from fellow playwright Christopher Marlowe to the disgraced Earl of Essex, while London struggled against the ever-present threat of riots, rebellions and outbreaks of plague. Globetakes its readers on a tour of London through Shakespeare's life and work, as, in fascinating detail, Catharine Arnold tells how acting came of age. We learn about James Burbage, founder of the original Theatre in Shoreditch, who carried timbers across the Thames to build the Globe among the bear-gardens and brothels of Bankside, and of the terrible night in 1613 when the theatre caught fire during a performance of King Henry VIII. Rebuilt, the Globe continued to stand as a monument to Shakespeare's genius until 1642 when it was destroyed on the orders of Oliver Cromwell. And finally we learn how 300 years later, Shakespeare's Globe opened once more upon the Bankside, to great acclaim, rising like a phoenix from the flames Arnold creates a vivid portrait of Shakespeare and his London from the bard's own plays and contemporary sources, combining a novelist's eye for detail with a historian's grasp of his unique contribution to the development of the English theatre. This is a portrait of Shakespeare, London, the man and the myth.

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Although formal analysis programming techniques may be quite old, the introduction of formal methods only dates from the 1980s. These techniques enable us to analyze the behavior of a software application, described in a programming language. It took until the end of the 1990s before formal methods or the B method could be implemented in industrial applications or be usable in an industrial setting. Current literature only gives students and researchers very general overviews of formal methods. The purpose of this book is to present feedback from experience on the use of “formal methods” (such as proof and model-checking) in industrial examples within the transportation domain. This book is based on the experience of people who are currently involved in the creation and evaluation of safety critical system software. The involvement of people from within the industry allows us to avoid the usual problems of confidentiality which could arise and thus enables us to supply new useful information (photos, architecture plans, real examples, etc.). Topics covered by the chapters of this book include SAET-METEOR, the B method and B tools, model-based design using Simulink, the Simulink design verifier proof tool, the implementation and applications of SCADE (Safety Critical Application Development Environment), GATeL: A V&V Platform for SCADE models and ControlBuild. Contents 1. From Classic Languages to Formal Methods, Jean-Louis Boulanger. 2. Formal Method in the Railway Sector 
the First Complex Application: SAET-METEOR, Jean-Louis Boulanger. 3. The B Method and B Tools, Jean-Louis Boulanger. 4. Model-Based Design Using Simulink – Modeling, Code Generation, Verification, and Validation, Mirko Conrad and Pieter J. Mosterman. 5. Proving Global Properties with the Aid of the SIMULINK DESIGN VERIFIER Proof Tool, Véronique Delebarre and Jean-Frédéric Etienne. 6. SCADE: Implementation and Applications, Jean-Louis Camus. 7. GATeL: A V&V Platform for SCADE Models, Bruno Marre, Benjamin Bianc, Patricia Mouy and Christophe Junke. 8. ControlBuild, a Development Framework 
for Control Engineering, Franck Corbier. 9. Conclusion, Jean-Louis Boulanger.

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For over forty years now there has been a steady stream of interest in Richard Hooker. This renaissance in Hooker Studies began with the publication of the Folger Library Edition of the Works of Richard Hooker. With this renaissance has come a growing recognition that it is anachronistic to classify Hooker simply as an Anglican thinker, but as yet, no generally agreed-upon alternative label, or context for his thought, has replaced this older conception; in particular, the question of Hooker's Reformed identity remains hotly contested. Given the relatively limited engagement of Hooker scholarship with other branches of Reformation and early modern scholarship to date, there is a growing recognition that Hooker must be evaluated not only against the context of English puritanism and conformism but also in light of his broad international Reformed context. At the same time, it has become clear that, if this is so, scholars of continental Reformed orthodoxy must take stock of Hooker's work as one of the landmark theological achievements of the era.This volume aims to facilitate this long-needed conversation, bringing together a wide range of scholars to consider Richard Hooker's theology within the full context of late 16th- and early 17th-century Reformed orthodoxy, both in England and on the Continent. The essays seek to bring Hooker into conversation not merely with contemporaries familiar to Hooker scholarship, such as William Perkins, but also with such contemporaries as Jerome Zanchi and Franciscus Junius, predecessors such as Heinrich Bullinger, and successors such as John Davenant, John Owen, and Hugo Grotius. In considering how these successors of Hooker identified themselves in relation to his theology, these essays will also shed light on how Hooker was perceived within 17th-century Reformed circles. The theological topics touched on in the course of these essays include such central issues as the doctrine of Scripture, predestination, Christology, soteriology, the sacraments, and law. It is hoped that these essays will continue to stimulate further research on these important questions among a wide community of scholars.

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The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived. Abolitionism was a theater in which a variety of actors—slaves, African rulers, Caribbean planters, working-class radicals, British evangelicals, African political entrepreneurs—played a part. The Atlantic was an echo chamber, in which abolitionist symbols, ideas, and evidence were generated from a variety of vantage points. These essays highlight the range of political and moral projects in which the advocates of abolitionism were engaged, and in so doing it joins together geographies that are normally studied in isolation. Where empires are often understood to involve the government of one people over another, Abolitionism and Imperialism shows that British values were formed, debated, and remade in the space of empire. Africans were not simply objects of British liberals’ benevolence. They played an active role in shaping, and extending, the values that Britain now regards as part of its national character. This book is therefore a contribution to the larger scholarship about the nature of modern empires. Contributors: Christopher Leslie Brown, Seymour Drescher, Jonathon Glassman, Boyd Hilton, Robin Law, Phillip D. Morgan, Derek R. Peterson, John K. Thornton

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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It is hard to think of an area of Christian theology that provides more scope for interdisciplinary conversation than the doctrine of creation. This doctrine not only invites reflection on an intellectual concept: it calls for contemplation of the endlessly complex, dynamic, and fascinating world that human being inhabit. But the possibilities for wide-ranging discussion are such that scholars sometimes end up talking past one another. Productive conversation requires mutual understanding of insights across disciplinary boundaries. Knowing Creation offers an essential resource for helping scholars from a range of fields to appreciate one another's concerns and perspectives. In so doing, it offers an important step forward in establishing a mutually-enriching dialogue that addresses, amongst others, the following key questions: Who is the God who creates? Why does God create? What is "creation"? What does it mean to recognize that a theology of creation speaks of a natural world that is subject to the observation of the natural sciences? What does it mean to talk about both a "natural" order and a "created" order? What are the major tensions that have arisen between the natural sciences and Christian thinking historically, and why? How can we move beyond such tensions to a positive and constructive conversation, while also avoiding facile notions such as a "god of the gaps"? Is it feasible for a natural scientist to maintain a belief in God's continuing creative activity? In what ways might a naturalistic understanding of the natural world be said to be limited? How can biblical studies, theology, philosophy, history, and science talk better together about these questions? At a time when the doctrine of creation - and even a mention of "creation" - has been disparaged due to its supposed associations with anti-scientific dogma, and theological offerings sometimes risk appearing a little more than reactionary exercises in naive apologetics, ill-informed by science or distinctly wary of engagement with it, it is more important than ever to offer a cross-disciplinary resource that can voice a positive account of a Christian theology of creation, and do so as a genuinely broad-ranging conversation about science and faith.Contributors to Knowing Creation include Marilyn McCord Adams, Denis Alexander, Susan Eastman, C. Stephen Evans, Peter van Inwagen, Christoph Schwobel, John H. Walton, Francis Watson, and more.

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This is a unique book written by one of the leading scholars in the field. It uses detailed case studies to analyze the successes, failures and challenges of renewable energy initiatives in developing and emerging countries.Incorporating the insights and perspectives of researchers who come from the respective countries covered, the study compares some of the most exciting success stories, including: China's meteoric rise from near zero use of renewable energy to being the world leader in solar thermal, solar photovoltaic and wind energy; Brazil's success in becoming the world s top ethanol producer and exporter; and India's pioneering use of a hedge plant to produce biodiesel and its use of animal and human wastes for rural electrification. The book also describes Indonesia s disastrous palm oil program which cut down its forests and excavated its peat bogs. It concludes that good leadership is the largest factor in success, but that it is also critical to include public participation, training, transparency, environmental consideration, fair labor practices, protection against exploitation and enforcement.This book is designed to be helpful to other countries seeking to initiate renewable energy programs. It will appeal to local administrators and policymakers, field personnel from UN agencies and NGOs, and renewable energy funders, as well as to academic researchers.Contents: Preface Introduction 1. Case Studies of Renewable Energy in China with Chen Yitong, Long Xue and Zheyuan Liu 2. Nuclear Power in China: Successes and Challenges with Jingru Feng 3. Renewable Energy in the Philippines with Alvin K. Leong 4. Case Study of the Implementation of the Integrated Solar Combined Cycle Pilot Plant in Aïn Beni Mathar, Morocco with Alexis Thuau 5. Case Study of Biofuels in India with Sayan S. Das 6. Case Study of Renewable Energy in Brazil with Douglas S. Figueiredo and Lia Helena M.L. Demange 7. Case Study of Indonesia's Palm Oil-based Biodiesel Program with Christopher J. Riti 8. Case Study of Renewable Energy in Pakistan with Shakeel Kazmi 9. Conclusion Index

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What do our myths say about us? Why do we choose to believe stories that have been disproven? David M. Krueger takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define both a community’s and a state’s identity for decades.In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing told a North American origin story, predating Christopher Columbus’s exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Indians. The tale’s credibility was quickly challenged and ultimately undermined by experts, but the myth took hold.Faith in the authenticity of the Kensington Rune Stone was a crucial part of the local Nordic identity. Accepted and proclaimed as truth, the story of the Rune Stone recast Native Americans as villains. The community used the account as the basis for civic celebrations for years, and advocates for the stone continue to promote its validity despite the overwhelming evidence that it was a hoax. Krueger puts this stubborn conviction in context and shows how confidence in the legitimacy of the stone has deep implications for a wide variety of Minnesotans who embraced it, including Scandinavian immigrants, Catholics, small-town boosters, and those who desired to commemorate the white settlers who died in the Dakota War of 1862.Krueger demonstrates how the resilient belief in the Rune Stone is a form of civil religion, with aspects that defy logic but illustrate how communities characterize themselves. He reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. By considering who is included, who is left out, and how heroes and villains are created in the stories we tell about the past, Myths of the Rune Stone offers an enlightening perspective on not just Minnesota but the United States as well.

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A key way that behavioral ecologists develop general theories of animal behavior is by studying one species or a closely related group of species--"model systems"--over a long period. This book brings together some of the field's most respected researchers to describe why they chose their systems, how they integrate theoretical, conceptual, and empirical work, lessons for the practice of the discipline, and potential avenues of future research. Their model systems encompass a wide range of animals and behavioral issues, from dung flies to sticklebacks, dolphins to African wild dogs, from foraging to aggression, territoriality to reproductive suppression. Model Systems in Behavioral Ecology offers an unprecedented "systems" focus and revealing insights into the confluence of personal curiosity and scientific inquiry. It will be an invaluable text for behavioral ecology courses and a helpful overview--and a preview of coming developments--for advanced researchers. The twenty-five chapters are divided into four sections: insects and arachnids, amphibians and reptiles, birds, and mammals. In addition to the editor, the contributors include Geoff A. Parker, Thomas D. Seeley, Naomi Pierce, Kern Reeve, Gerald S. Wilkinson, Bert Holldobler and Flavio Roces, George W. Uetz, Michael J. Ryan and Gil Rosenthal, Judy Stamps, H. Carl Gerhardt, Barry Sinervo, Robert Warner, Manfred Milinski, David F. Westneat, Alan C. Kamil and Alan B. Bond, Paul Sherman, Jerram L. Brown, Anders Pape Moller, Marc Bekoff, Richard C. Connor, Joan B. Silk, Christopher Boesch, Scott Creel, A.H. Harcourt, and Tim Caro and M. J. Kelly.

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'Theo’s book is brilliant. What you would call a delightful sunny Mediterranean day on a plate' Jean-Christophe Novelli 'Inventively combines ingredients and foods...fun and accessible...These tempting recipes will inspire both novice and skilled party hosts' – Publishers Weekly Create a brand new dining experience in your own home with 75 recipes from MasterChef UK’s Theo Michaels, presented as themed menus on stunning sharing boards. Here you will discover delicious food, presented with maximum visual appeal and designed to be shared by a group of people. Theo has been presenting his creative cooking this way at events of all sizes and styles for some time, his aim to create an interactive and relaxed dining experience that brings people together. Now he brings his unique vision to your home. Downsized to feed six to eight people and easily achievable, these exciting sharing menus are perfect for modern, communal eating. The book opens with a sharing board comprised of bought-in deli-style foods to get you started, with expert pointers on how to create a visually stunning presentation. Next, each of the themed boards is dedicated to one concept and features recipes as well as suggestions for aromatic and edible garnishes to help you create a feast for the eyes, senses and taste buds. Menus include a relaxed brunch, a summer picnic, a harvest celebration, an indulgent feast, treats to satisfy a sweet tooth, plus plenty for vegans, pescatarians and meat-lovers.

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Volume 101 of Harvard Studies in Classical Philology includes the following contributions: Stephen Scully, “Reading the Shield of Achilles: Terror, Anger, Delight”; Hugh Lloyd-Jones, “Zeus, Prometheus, and Greek Ethics”; Robert W. Wallace, “An Early Fifth-Century Athenian Revolution in Aulos Music”; Lucia Athanassaki, “Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes”; Christina Clark, “Minos’ Touch and Theseus’ Glare: Gestures in Bakkhylides 17”; Peter Grossardt, “The Title of Aeschylus’ Ostologoi”; John Gibert, “Apollo’s Sacrifice: The Limits of a Metaphor in Greek Tragedy”; Albert Henrichs, “Hieroi Logoi and Hierai Bibloi: The (Un)Written Margins of the Sacred in Ancient Greece”; David M. Engel, “Women’s Role in the Home and the State: Stoic Theory Reconsidered”; James J. Clauss, “Once upon a Time on Cos: A Banquet with Pan on the Side in Theocritus Idyll 7”; Alexander Sens, “Pleasures Recalled: A.R. 3.813–814, Asclepiades, and Homer”; Christopher S. Mackay, “Quaestiones Pisonianae: Procedural and Chronological Notes on the S.C. De Cn. Pisone Patre”; Alex Hardie, “The Pindaric Sources of Horace Odes 1.12”; Charles E. Murgia, “The Date of the Helen Episode”; Mark Toher, “Nicolaus and Herod in the Antiquitates Judaicae”; W. S. Watt,† “Notes on the Anthologia Latina”; D. R. Shackleton Bailey, “New Readings in Valerius Maximus”; and R. Sklenář, “The Cosm(et)ology of Claudian’s ‘In Sepulchrum Speciosae.’”

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Classic hardback edition of the first volume of The Lord of the Rings, featuring Tolkien’s original unused dust-jacket design. Includes special packaging and the definitive edition of the text with fold-out map and colour plate section. Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose. This classic hardback features Tolkien’s original unused dust-jacket design, and its text has been fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included is the original red and black map of the Shire and – for the first time – a special plate section containing the pages from the Book of Mazarbul.

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Practices of experimentation lie at the heart of creative research and teaching in higher education in arts. The Department of Art & Media at Zurich University of the Arts offers a unique teaching and research environment as a laboratory of converging and diverging practices of experimentation. Its Bachelor and Master's programs are supported by two research institutes within the department, the Institute for Contemporary Art Research (IFCAR) and the Institute for Critical Theory (ith). Practices of Experimentation investigates how the different fields of fine arts, photography, media arts and theory interlace with each other, inspire and differentiate one and another. The book presents 15 positions in text, image, video and sound by theorists and artists. They enquire how practices of experimentation constitute one of the most advanced approaches to research and teaching in arts worldwide. They ask how practices of experimentation are able to unfold, take position and enquire current discourses on artistic creation, the relation between art schools and society, the specific production of knowledge in the arts and the particularities of inter- and trans-disciplinary teaching and research in the arts. Contains essays by Essays by Ute Meta Bauer, Maria Eichhorn, Knowbotic Research, Jorg Huber, Marianne Muller, Gerald Raunig, Nils Roller, Richard Wentworth. With a foreword by Giaco Schiesser and Christoph Brunner.

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Mindfulness finds its origins in Buddhist meditation techniques. Instead of trying to achieve goals that lie far ahead in the future, mindfulness teaches you to be present in the moment, with a compassionate and open mind. This book, consisting of short and airy texts, follows the eight weeks of the traditional stress reduction programme as it was developed by dr. Jon Kabat-Zinn, the founder of the mindfulness movement. Based on his many years of experience as a psychiatrist, Edel Maex has written a clear, concise and heartfelt guide to mindfulness, that will help you to deal differently with the unavoidable agitations of life. With a preface by Jon Kabat-Zinn. "I bow to Edel Maex for writing this lovely book, and for all his efforts to bring mindfulness in an authentic and universal articulation, based on his own years of meditation practice and study, more and more into the mainstream of medicine, psychiatry, and Western culture." Jon Kabat-Zinn, Professor of Medicine Emeritus and founding director of the Stress Reduction Clinic and the Center for Mindfulness in Medicine, Health Care, and Society at the University of Massachusetts Medical School. "What a delight! This book is like a peaceful conversation, rich and dense. The mix of personal meditation experience, his professional experience as a psychotherapist, counselling techniques and zen wisdom transforms reading this book into an immediate Mindfulness exercise: while reading, you take the time to pause and reflect. The journey has already begun..." Christophe André, psychiatrist at the Saint-Anne Hospital in Paris. "This book invites the reader to make an appointment with himself, in an open and welcoming spirit. It seems so simple... In reality, this requires, as any other form of training, the daily discipline to perform mindful exercises and meditations. Edel Maex gives us different keys to sit, to maintain and to develop our mindfulness practice, with an exceptional clarity and a lot of wisdom. An admirably clear, didactic book. I would recommend it to all participants of our MBCT-courses and their instructors." Lucio Bizzini, Ph.D, Department of Psychiatry, University Hospital of Geneva. "Writing about Mindfulness is a delicate exercise. Edel Maex has found the words to convey the deeper sense of meditation in a remarkably simple way. The secret of his limpid and captivating style undoubtedly lies in his experience in the field, as a psychiatrist and mindfulness trainer. This book is a fantastic invitation to discover, maintain and develop our practice." Guido Bondolfi, M.D., Department of Psychiatry, University Hospital of Geneva.

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The long-awaited sequel to Andrew Ashbee's pioneering study of the life and music of John Jenkins (1592-1678). The primary focus of this second volume is Jenkins' huge output of fantasia-suites, but his vocal music also comes under examination, and a complete source-list of Jenkins' music is provided. John Jenkins (1592-1678) was both the most prolific and the most esteemed of English composers in the fifty years or so between the death of William Byrd and the rise of Henry Purcell. After his apprenticeship Jenkins became renowned as a skilled performer on lute and viol, once playing to Charles I 'as one that performed somewhat extraordinary'. Throughout his long life he was employed as a resident musician in East Anglia in households of the nobility, where, as well as playing, teaching and directing the music-making, his duties would include the composing and copying of music. At the restoration of Charles II Jenkins became a court musician, although, in view of his advanced age, he spent little time there. He died on 27 October 1678 at Kimberley, Norfolk, where he is buried. As a composer, Jenkins' preferred medium was instrumental music, and he wrote little else. He came to maturity in the 1620s,when the consort fantasia for viols was in its prime. In later years he turned to the newer music then in vogue, such as the fantasia-suite and suites of dances, contributing significantly to their development. This book is the second in a two-volume study of Jenkins and his music. Volume I contains a full biographical introduction before concerning itself exclusively with the superb consorts for viols which dominate the early part of the composer's career. This second volume surveys the rest of his output, setting each group of pieces in context, beginning with his innovative series of fantasia-suites. Although often unpretentious and geared to amateur performance, his 'horsloads' of airs maintain a lively and varied character. More than fifty works for bass viol(s) are among the best of their kind, as are the pieces featuring the lyra viol in both solo and consort works. The book ends by examining Jenkins' vocal music. Whatever medium he chose, Jenkins was able to add important pieces to the repertory. An growing list of recordings endorses Christopher Simpson's view that he was 'the ever Famous and most Excellent Composer,in all sorts of Modern Musick'.

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"A fascinating and indispensable book."—Christopher Knight, Los Angeles TimesBest Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2018 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, later signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

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What happens if you discover you've been lied to by your own family for twenty-five years? 'In his latest page-turner, Veste deftly explores the violence and heartbreak that erupt when long-buried secrets bubble to the surface' LINWOOD BARCLAY'Local Woman Missing meets The Fugitive, You Never Said Goodbye breathes new life into the psychological thriller genre with a captivating and gripping storyline that is part missing person mystery, part all out action thriller. I couldn't put it down' C.L. TAYLORA DEVOTED MOTHERSam Cooper has a happy life: a good job, a blossoming relationship. Yet, there's something he can never forget - the image seared into his mind of his mother, Laurie, dying when he was a child. His father allowed his grief to tear them apart and Sam hasn't seen him in years.A LOVING WIFEUntil an unexpected call from Firwood hospital, asking Sam to come home, puts in motion a chain of devastating events. On his deathbed, Sam's father makes a shocking confession.A LIAR?Who was Laurie Cooper? It's clear that everything Sam thought he knew about his mother was wrong. And now he's determined to find out exactly what she did and why - whatever the cost. 'This is a rip-roaring and, at times, a touching thriller from a writer who has been favourably compared to Harlan Coben and Linwood Barclay ... and rightly so. Heart pumping action ... thoroughly recommended and a must for everyone who enjoys high octane thrills' BELFAST TELEGRAPH'Action packed suspense' SUNDAY TIMES CRIME CLUB'Grips from the first page to the last. A UK thriller writer that gives giants like Linwood Barclay and Harlan Coben a run for their money' MARK BILLINGHAM'Heart-pounding thrills from start to finish' IRISH INDEPENDENT'Explosive ... this is an electrifying-edge-of-the-seat thriller, a must-read for fans of Harlan Coben' CANDIS MAGAZINE'A truly pulse-pounding thriller. The relentless tension is leavened only by its heart-rending emotion' CHRISTOPHER BROOKMYRE'A barnstorming, rocket-paced thriller about an ordinary man thrown into an extraordinary situation. Fans of John Connolly and Linwood Barclay will love it' MARK EDWARDS'An absolutely gripping and immersive thrill ride from start to finish. A white-knuckle rollercoaster that's also full of heart and soul' DOUG JOHNSTONE'There are many gasp-inducing revelations before skilful writer Veste produces a gripping and surprise climax' PETERBOROUGH TELEGRAPH

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Die hier zusammengestellten Abhandlungen Reinhard Feldmeiers zu Texten und Themen der hellenistischen Religionsgeschichte, des Antiken Judentums und des Neuen Testaments sind bei aller Unterschiedenheit verbunden durch ihr gemeinsames Thema, die von Juden, Christen und Heiden immer wieder neu gestellte Frage nach Gott. Neben exegetischen und religionsgeschichtlichen Untersuchungen wurden dabei auch Vorträge aufgenommen, die auf Tagungen, vor Pfarrkapiteln oder in Gemeinden gehalten wurden.Titel und Untertitel deuten schon an, dass es um den biblischen Gottesglauben geht, der im Kontext der antiken Religionsgeschichte und Philosophie in einem fortwährenden dialektischen Prozess von Anpassung und Abgrenzung, Abstoßung und Aneignung, Überbietung und Überformung immer wieder neu zur Sprache gebracht wurde. Gerade die Auseinandersetzung mit den 'Heiden' und die sorgfältige Beachtung der Außenperspektive (die nicht zu verwechseln ist mit der ahistorischen Konstruktion eines Kontrastbildes) verhilft dazu, die Konturen des biblischen Zeugnisses umso schärfer wahrzunehmen.Systematisch ist der Band in drei Hauptteile gegliedert. Der erste widmet sich der Religionsgeschichte der kaiserzeitlichen Antike mit Schwerpunkt auf Plutarch. Der zweite Hauptteil zeichnet nach, wie Juden und Christen in diesem Kontext ihren Glauben an den Gott Israels und den Vater Jesu Christi reflektiert und auf neue Weise zur Sprache gebracht haben. Im dritten Teil ist vor allem die Verbindung des Gottesglaubens mit der Christologie und hier vor allem mit der Passion im Blick."Feldmeiers Überlegungen inspirieren ausdrücklich nicht nur diejenigen, die einen Faible für antike Philosophie und Religionsgeschichte haben, sondern alle, die an einem theologischen Urteil in Kohärenz zu den biblischen Gedanken interessiert sind."Simon Blatz in ichthys 32 (2016), S. 203-205

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Die Diskussionen um Kontinuitäten und Umbrüche zwischen dem späten Mittelalter und der Reformationszeit nötigen zu einer Klärung der historiographischen Stellung der Reformation. Im Zentrum der einzelnen Studien dieses Buches steht die Frage nach dem "Anfang" der Reformation als eines in sich komplexen Ereignisses. Dabei zeigt sich, dass die literarischen Akteure der reformatorischen Bewegung, allen voran Luther, Traditionen konstruierten, in denen sie ihre Anliegen legitimierten und plausibilisierten. An den "Anfängen" der Reformation stehen auch bestimmte Traditionskonstruktionen der vorreformatorischen Ketzergeschichte, des Bibelgebrauchs und der reform- und der politiktheoretischen Literatur des 15. Jahrhunderts.Ein weiterer Schwerpunkt in Thomas Kaufmanns Studien liegt auf den Kommunikationsdynamiken, die die Reformation mittels "neuer Medien" über den Bereich der akademischen Diskussionen in eine breitere Öffentlichkeit getragen haben. Lehrbildungen und Identitätsentwürfe, die den inneren Zusammenhang und die Dissoziationsprozesse der reformatorischen Bewegung darstellen, bilden einen weiteren Fokus. Dem Verfasser geht es im Kern darum, Luther und die unterschiedlichen Rezeptionen, die ihm zuteilwurden, aufeinander zu beziehen. Dies wird vornehmlich an Texten und Sachverhalten der frühen 1520er Jahre aufgezeigt."Ein unglaublich gelehrtes, in viele Einzelheiten der frühen Neuzeit einführendes Buch, weit über theologische Fragen hinausgehend und doch immer nach der Relevanz für die Theologie fragend. […] Der Stand der Forschung, die Fülle der Quellen, spannende Ergebnisse. Spitzenforschung."Christoph Auffarth auf http://buchempfehlungen.blogs.rip-virtuell.net (02/2013)"Ein großes Werk des Göttinger Kirchenhistorikers Thomas Kaufmann."Karl-Friedrich Wiggermann in PV-aktuell Nr. 3 (2012), S. 9"Mit diesem Werk legt Kaufmann erneut ein sorgfältig recherchiertes Buch vor, das zahlreiche Anknüpfungspunkte für eine fruchtbringende Diskussion bietet."Jan Martin Lies in Ebernburg-Hefte 48 (2014), S. 318-320

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Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Issue 27 is particularly international—even for Copper Nickel—and features an expansive folio of younger and less-established Irish and UK poets, including Irish poets Martin Dyar, Elaine Feeney, Victoria Kennefick, Conor O'Callaghan, Paul Perry, Stephen Sexton, Lorna Shaughnessy, and Jessica Traynor; and UK poets James Byrne, Vahni Capildeo, Manuela Moser, Sam Riviere, Zoë Brigley Thompson, and Chrissy Williams. The oldest poet in the folio was born in 1968; the youngest poets were born in the 1990s. Issue 27 also features three translation folios (which are a regular feature in Copper Nickel): (1) a group of five prose poems by Danish poet Carsten Rene Nielsen (b. 1966), translated and introduced by David Keplinger; (2) three longer poems by Mexican poet Cristina Rivera Garza (b. 1964), translated by Julia Leverone; and (3) four poems by Mauritian poet Khal Torabully (b. 1956), translated and introduced by Nancy Naomi Carlson. This issue also includes fiction by Farah Ali, Amy Stuber, Jyotsna Sreenivasan, and Jacinda Townsend. Nonfiction includes a personal essay on Günter Grass by poet and German translator Stuart Friebert, a lyric essay on hexes by Laughlin award winner Kathryn Nuernberger, and a lyric essay on hide-and-seek by Ira Sukrungruang. Poets in issue 27 include two-time Pushcart Prize winner T. R. Hummer, NEA Fellow Christopher Kempf, Kingsley Tufts Award winner John Koethe, Whitman Award winner Emily Skaja, Best American Poetry contributor Corey Van Landingham, Jenny Boychuk, Juan Morales, Paul Otremba, Paige Quiñones, Arthur Russell, Francis Santana, and Chelsea Wagenaar. The cover features work by Denver-based photographer Kristen Hatgi Sink.

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Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse] Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The poems in this volume are independent, not extracted from Traherne's prose, and demonstrate the range of his imagination. Each poem has its own unique form, line numbers, meter and rhyme, and they are personal in nature with a didactic purpose, filled with joy and thanksgiving. They are also new transcriptions from four manuscripts, held variously at the Bodleian, the British Library, and the Folger Shakespeare Library. They include thirty-seven autograph poems from the "Dobell Folio"; Poems of Felicity, taken from Philip Traherne's incomplete edition of his brother's poems; The Ceremonial Law, an incomplete, autograph, narrative poem in rhyming couplets, wherein Traherne not only gives a reading of events in the Old Testament as types fulfilled in the New, but also interprets his own spiritual journey in terms of the stories from Pentateuch; and the "Early Notebook", made up ofnotes from various sources, probably from Thomas's undergraduate days, as well as five autograph poems. Included in the Appendix are the "Manuscript foliation of Poems" and "The Story of the Traherne MSS. by their Finder" byWilliam T. Brooke; a glossary and index of titles and first lines complete the volume.

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The City of London was always going to be an obvious target for German bombers during the Second World War. What better way for Nazi Germany to spread fear and panic amongst the British people than by attacking their capital city?Although not vastly populated in the same way that a bigger city or larger town would be, there were still enough people working there during the day for attacks on it to take their toll. The city's ancient and iconic buildings also bore the brunt of the German bombs, including churches designed by Sir Christopher Wren after the Great Fire in 1666. The book looks at the effects of war on the City of London, including the damage caused by the 8 months of the Blitz between September 1940 and May 1941. The most devastating of the raids took place on 29 December 1940, with both incendiary and explosive bombs causing a firestorm so intense it was known as the Second Great Fire of London. It also looks at the bravery of the staff at St Bart's Hospital, which was one of the medical facilities that remained open during the course of the war. Other stories include the sterling work carried out by the City's civilian population and the different voluntary roles that they performed to help keep the city safe, including the Home Guard and the Fire Watchers, who spent their nights on the city's rooftops looking out for incendiary devices dropped by the German Luftwaffe. Despite the damage to its buildings and its population, by the end of the war the City of London was able to rise, like a phoenix, from the flames of destruction, ready to become the vibrant and flourishing borough that it is today.

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Premiering the day after the JFK assassination, Doctor Who humbly launched one of the entertainment world's first super-brands. We begin with a look at TV programming of the day and the original pitch documents before delving into the Daleks, which almost didn't make the cut but inspired many monsters to follow. After three years, First Doctor William Hartnell left, prompting the BBC to recast their hit rather than end it, giving us the first "regeneration" and making TV history. We follow the succession of Doctors—including Third Doctor Jon Pertwee, exiled to Earth and targeted by the Master—and see how the program reflected the feminism of the 1970s while gaining mainstream popularity with Fourth Doctor Tom Baker . . . until declining support from the BBC eventually led to cancelation. Fan outcry saved the series only for it to suffer a repeat cancelation. Yet many continued to enjoy the Whoniverse in syndication, novels, audio dramas, and Doctor Who Magazine. Paul McGann impressed many as the Eighth Doctor in a 1996 TV movie, but it failed to reignite the series. A new age dawned in 2005 with Ninth Doctor Christopher Eccleston and a serious special effects budget before Tenth Doctor David Tennant helped rocket the series to international popularity and a new era of spinoffs. With Eleventh Doctor Matt Smith, the show became a bona fide success here in America. Following the program's fiftieth anniversary, Whovians will meet the Twelfth Doctor, ushering in yet another era for the unstoppable Time Lord.Featuring discussions of concepts and characters, with insights from producers, writers, and actors from across the years, here is a rich, behind-the-camera investigation into the dazzling multiverse of Doctor Who.

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A dramatic new interpretation of the encounter between Europe and the Americas that reveals the crucial role of animals in the shaping of the modern world.When the men and women of the island of Guanahani first made contact with Christopher Columbus and his crew on October 12, 1492, the cultural differences between the two groups were vaster than the oceans that had separated them. There is perhaps no better demonstration than the divide in their respective ways of relating to animals. In The Tame and the Wild, Marcy Norton tells a new history of the colonization of the Americas, one that places wildlife and livestock at the center of the story. She reveals that the encounters between European and Native American beliefs about animal life transformed societies on both sides of the Atlantic.Europeans’ strategies and motives for conquest were inseparable from the horses that carried them in military campaigns and the dogs they deployed to terrorize Native peoples. Even more crucial were the sheep, cattle, pigs, and chickens whose flesh became food and whose skins became valuable commodities. Yet as central as the domestication of animals was to European plans in the Americas, Native peoples’ own practices around animals proved just as crucial in shaping the world after 1492. Cultures throughout the Caribbean, Amazonia, and Mexico were deeply invested in familiarization: the practice of capturing wild animals—not only parrots and monkeys but even tapir, deer, and manatee—and turning some of them into “companion species.” These taming practices not only influenced the way Indigenous people responded to human and nonhuman intruders but also transformed European culture itself, paving the way for both zoological science and the modern pet.

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew's forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...Praise for Deborah Harkness:'Rich, thrilling . . . captivating' E L James'Intelligent and off-the-wall' The Sunday Times'I could lose myself in here and never want to come out' Manda Scott'A bubbling cauldron of illicit desire' Daily Mail

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Patrick Hennessey's The Junior Officers' Reading Club is a lucid, witty account of all the horror, boredom and exhilaration of war. Patrick Hennessey is pretty much like any other member of Generation X: he spent the first half of the noughties reading books at university, going out, listening to house music and watching war films. He also, as an officer in the Grenadier guards, fought in some of the most violent combat the British army has seen in decades. Telling the story of how a modern soldier is made, from the testosterone-heavy breeding ground of Sandhurst to the nightmare of Iraq and Afghanistan, The Junior Officers' Reading Club is already being hailed as a modern classic. 'Soldiers who can write are as rare as writers who can strip down a machinegun in 40 seconds' Christopher Hart, Sunday Times 'An extraordinary memoir ... Hennessey has a reporter's eye for detail and a soldier's nose for bullshit' John Shirley, Guardian 'High tempo, full-on, honest and revealing' Patrick Bishop, Evening Standard 'The most accomplished work of military witness to emerge from British war-fighting since 1945' Boyd Tonkin, Independent 'Remarkable ... conveys vividly what it's like to experience combat' Jeremy Paxman, Daily Telegraph, Books of the Year Patrick Hennessey (b. 1982) joined the Army in January 2004, undertaking officer training at the Royal Military Academy Sandhurst where he was awarded the Queen's Medal and commissioned into The Grenadier Guards. He served as a Platoon Commander and later Company Operations Officer from the end of 2004 to early 2009 in the Balkans, Africa, South East Asia and the Falkland Islands and on operational tours to Iraq in 2006 and Afghanistan in 2007, where he became the youngest Captain in the Army and was commended for gallantry.

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In eighteen enlightening essays, the critic Brooke Allen explores the lives and work of some of the last century's most brilliant and eccentric literary talents. It was a century that apotheosized ideology and frequently demanded evidence of political engagement from its artists and intellectuals. Some of the writers considered in Twentieth-Century Attitudes found a spiritual home in the left (George Bernard Shaw, Christopher Isherwood, Sylvia Townsend Warner); others, like Evelyn Waugh, in the right; still others maneuvered the shifting ideological sands with a more measured skepticism. It was also a century during which the dictates of fashion, both social and intellectual, changed with unprecedented rapidity. A few of the writers Ms. Allen considers, like James Baldwin and Saul Bellow, struggled honorably but not always with success to reconcile their artistic intentions with intellectual fashion; others, like Colette and H. G. Wells, took an avid role in the drama of their historical moment and triumphantly communicated that sense of drama to their descendants. Really good writers, as Ms. Allen shows, do not write well in spite of the foibles, prejudices, and fallacies of their times; instead they crystallize these oddities into something universal. The writers in Twentieth-Century Attitudes embody in their very different ways the various attitudes of their contentious century and the success or failure of attempts to transcend these attitudes. Ms. Allen's essays, which combine extensive biographical information with new critical insights, richly illustrate the tenuous and often bizarre links between character and talent, between historical circumstances and individual vision.

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Pope John Paul II was a great defender of truly vulnerable human beings throughout his life, affirming their personhood consistently and powerfully. In John Paul II on the Vulnerable, Jeffrey Tranzillo provides a lucid introduction to John Paul II’s philosophical and theological understanding of the human person. Unlike other writings on the topic, Tranzillo’s explicit aim is to highlight an aspect of John Paul’s work that has been largely neglected until now. He shows convincingly that John Paul’s seminal reflections on the human being as a personal agent progressed over time to include human beings at even the most vulnerable stages of development or decline. With this advance in thought, the pontiff began to declare eloquently that the vulnerable are capable of contributing to and enriching the human community through their activity. An engaging overview of John Paul II’s life, thought, and work introduces the book and provides readers with helpful background material. It shows that John Paul’s interest in, and lofty regard for, the human person is rooted in his strong Catholic faith and in the extraordinary life experiences that he interpreted in its light. Following this is an examination of his principal works on the human person, emphasizing their implications for vulnerable human beings as persons and actors. Tranzillo considers this theme in the light of selected Christological texts of John Paul II and then reflects on John Paul’s portrayal of the vulnerable in his social encyclicals and Evangelium Vitae. A final chapter develops the anthropological underpinnings of John Paul’s thought on the radically vulnerable and their personal agency.

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Nicholas Hawksmoor (1662-1736) is considered one of Britain's greatest architects. He was involved in the grandest architectural projects of his age and today is best known for his London churches - six idiosyncratic edifices of white Portland stone that remain standing today, proud and tall in the otherwise radically changed cityscape. Until comparatively recently, however, Hawksmoor was thought to be, at best, a second-rate talent: merely Sir Christopher Wren's slightly odd apprentice, or the practically minded assistant to Sir John Vanbrugh. This book brings to life the dramatic story of Hawksmoor's resurrection from the margins of history.Charting Hawksmoor's career and the decline of his reputation, Owen Hopkins offers fresh interpretations of many of his famous works - notably his three East End churches - and shows how over their history Hawksmoor's buildings have been ignored, abused, altered, recovered and celebrated. Hopkins also charts how, as Hawksmoor returned to prominenceduring the twentieth century, his work caught the eye of observers as diverse as T. S.Eliot, James Stirling, Robert Venturi and, most famously, Peter Ackroyd, whose novel Hawksmoor (1985) popularized 12 the mythical association of his work with the occult. Meanwhile, passionate campaigns were mounted to save and restore Hawksmoor's churches, reflecting the strange hold his architecture can have over observers. There is surely no other body of work in British architectural history with the same capacity to intrigue and inspire, perplex and provoke as Hawksmoor's has done for nearly three centuries.

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Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism. The German term Mitteleuropa, or Central Europe, was never just a geographical concept: it connoted extending German influence to the east. In the 1980s, the eastern European dissident writers György Konrád, Czesław Miłosz, and Milan Kundera revived the concept to counter a perceived Cold War memory vacuum, aligning themselves with the multiethnic and multilingual legacy of the Habsburg Empire. Their observations gave rise to a protracted public debate that posited literature against politics. This debate was both anticipated and expanded upon in postwar literary works by Ingeborg Bachmann, Peter Handke, and Christoph Ransmayr in Austria, and Danilo Kiš, Aleksandar Tišma, and Dubravka Ugrešić in (the former) Yugoslavia, all of whom questioned notions of geographic identity and national allegiance by imagining Mitteleuropa as a cultural space between nostalgia and totalitarianism. Yvonne Zivkovic draws on space and memory studies to show how Mitteleuropa emerged as an alternate memory discourse that reveals deep ties between the Second Austrian Republic and the Socialist Federal Republic of Yugoslavia. The writers discussed address the major themes of the 1980s debate - traumatic memory, geographic displacement, and transnationalism - but also share a literary aesthetics that privileges the intersections of prose fiction and the essay, the literary fragment, and intertextuality. Zivkovic's book shows the persistence of Mitteleuropa as a literary network and as a cultural collective that examines civic values against public tendencies of memory manipulation.

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Illuminates our understanding of the soul as a historically and philosophically vital concept through Shakespearean drama Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimately—and counterintuitively—theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religious writings, helps us understand the soul’s historical placement as a powerful paradox: it was essential to establishing humanity but resistant to clear representation. Drawing from current critical theory as well as extensive historical research, Second Death examines works of Shakespearean drama, including The Merchant of Venice, Coriolanus, and The Winter’s Tale, to suggest that rather than simply being incapable of understanding or physical realisation, the soul expressed itself in complex and subtle modes of performance. As a result, this book offers new ways of looking at identity, theatre, and spirituality in Shakespeare’s era and in our own. Key Features Provides understanding of the soul as not only a religious, cultural, and literary concept, but also a theatrical one Discusses genealogy of the philosophical and theological traditions that inform the soul’s placement in the early modern era, from Plato to Protestantism Includes novel readings of key works of Shakespearean drama along with substantial analyses of other Shakespeare plays (King Lear, Hamlet) as well as other early modern works (by John Donne, Christopher Marlowe, John Foxe, John Stow, Thomas Middleton, John Milton, and others) Draws new interdisciplinary connections among theatre studies, Shakespeare, critical theory, and religious studies

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As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.

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An unusual, searching, and poignant memoir of one man's quest to make sense of depression George Scialabba is a prolific critic and essayist known for his incisive, wide-ranging commentary on literature, philosophy, religion, and politics. He is also, like millions of others, a lifelong sufferer from clinical depression. In How To Be Depressed, Scialabba presents an edited selection of his mental health records spanning decades of treatment, framed by an introduction and an interview with renowned podcaster Christopher Lydon. The book also includes a wry and ruminative collection of "tips for the depressed," organized into something like a glossary of terms—among which are the names of numerous medications he has tried or researched over the years. Together, these texts form an unusual, searching, and poignant hybrid of essay and memoir, inviting readers into the hospital and the therapy office as Scialabba and his caregivers try to make sense of this baffling disease. In Scialabba's view, clinical depression amounts to an "utter waste." Unlike heart surgery or a broken leg, there is no relaxing convalescence and nothing to be learned (except, perhaps, who your friends are). It leaves you weakened and bewildered, unsure why you got sick or how you got well, praying that it never happens again but certain that it will. Scialabba documents his own struggles and draws from them insights that may prove useful to fellow-sufferers and general readers alike. In the place of dispensable banalities—"Hold on," "You will feel better," and so on—he offers an account of how it's been for him, in the hope that doing so might prove helpful to others.

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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