Search results for ""Author Christo"

The Inspiration for the New Podcast Featuring Jason Rezaian. “544 Days” is a Spotify original podcast, produced by Gimlet, Crooked Media and A24.The dramatic memoir of the journalist who was held hostage in a high-security prison in Tehran for eighteen months and whose release—which almost didn’t happen—became a part of the Iran nuclear dealIn July 2014, Washington Post Tehran bureau chief Jason Rezaian was arrested by Iranian police, accused of spying for America. The charges were absurd. Rezaian’s reporting was a mix of human interest stories and political analysis. He had even served as a guide for Anthony Bourdain’s Parts Unknown. Initially, Rezaian thought the whole thing was a terrible misunderstanding, but soon realized that it was much more dire as it became an eighteen-month prison stint with impossibly high diplomatic stakes. While in prison, Rezaian had tireless advocates working on his behalf. His brother lobbied political heavyweights including John Kerry and Barack Obama and started a social media campaign—#FreeJason—while Jason’s wife navigated the red tape of the Iranian security apparatus, all while the courts used Rezaian as a bargaining chip in negotiations for the Iran nuclear deal.In Prisoner, Rezaian writes of his exhausting interrogations and farcical trial. He also reflects on his idyllic childhood in Northern California and his bond with his Iranian father, a rug merchant; how his teacher Christopher Hitchens inspired him to pursue journalism; and his life-changing decision to move to Tehran, where his career took off and he met his wife. Written with wit, humor, and grace, Prisoner brings to life a fascinating, maddening culture in all its complexity.“An important story. Harrowing, and suspenseful, yes—but it’s also a deep dive into a complex and egregiously misunderstood country with two very different faces. There is no better time to know more about Iran—and Jason Rezaian has seen both of those faces.” — Anthony Bourdain“Jason paid a deep price in defense of journalism and his story proves that not everyone who defends freedom carries a gun, some carry a pen.” —John F. Kerry, 68th Secretary of State

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'An addictive read that will remain with you long after you emerge from the rabbit hole' - THE TIMES 'A marvellously twisty whodunnit [with] the brutal, clockwork ingenuity of an Agatha Christie mystery' - FT 'A pacy, exciting and most unusual crime story' - GUARDIAN ________________________________________ SHARING A BODY CAN BE MURDER The Earth's spiralling population has finally been controlled. Lifespans are limited to eighty years, except for those who make an extreme choice: to become a commune. Five minds sharing one body, each living for four hours at a time. But with a combined lifespan of nearly 150 years. Alex, Kate, Mike, Sierra and Ben have already spent twenty-five years together in what was once Mike's body, their frequent personality clashes leading to endless bickering, countless arguments, and getting themselves stranded on a Russian Arctic freighter. Wanting to buy upgrades for their next host body, they decide to travel to a Death Park where time can be gambled like money. But things go very wrong when Kate accepts a dangerous offer, and one of them disappears. Someone is trying to kill off members of the commune. But why? Is one of them responsible? Or is an outsider playing a deadly game? It's hard enough to catch a murderer. It's almost impossible when you might be sharing a body with them... This brilliant murder mystery blends classic crime with speculative fiction in a stunning debut. ______________________________________ 'This clever, twisty debut really delivers. Gripping, well-written and intriguing on every level' - SARAH PEARSE 'Brilliantly inventive. If you liked The Seven Deaths of Evelyn Hardcastle, you'll love this' - EVE SMITH 'Morpuss is set to become a powerhouse in speculative crime. A feast of a book' - HELEN FIELDS 'A whip-smart, searing debut, which grinds into the mind like cursed clockwork' - MATT WESOLOWSKI 'A mind-stretching and irresistible premise deftly spun into a twisty, page-turning action-thriller' - PHILIPPA EAST 'Consider my single mind blown! An astonishing and original concept, deftly executed' - DAVID JACKSON 'A mind-bendingly original debut. Nothing short of a cross-genre masterpiece' - ADAM CHRISTOPHER 'The world-building of Gibson with the pace of The Running Man. A fantastic ride' - TIM GLISTER

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The forty-four-year reign of Elizabeth I, daughter of Henry VIII and the last Tudor monarch, was considered a golden age. It saw the emergence of the great playwrights such as William Shakespeare and Christopher Marlowe, while the exploits of Sir Francis Drake and other sea-dogs' helped establish England's position among the great maritime powers. This book looks at Elizabeth's life through some of the many artefacts, buildings, documents and institutions that survive to this day. From the execution of her mother, Ann Boleyn, when she was just two-and-a-half-years-old, to her imprisonment on suspicion of supporting Protestant rebels, Elizabeth's early life was a turbulent one, but her accession to the throne ushered in a period of stability. During her reign, England's wealth and prestige grew through her patronage of seafaring privateers such as Drake, John Hawkins and Walter Raleigh. She encouraged the exploration and colonialization of North America, marking the birth of the British Empire and the establishment of British trade routes. Elizabeth was responsible for expanding the English Navy, its defeat of the Spanish Armada being considered one of England's greatest military victories. In this magnificently illustrated book we see her birthplace at Greenwich Palace, her childhood homes, her prison in the Tower of London, the palaces she lived in, ruins of stately homes she visited, such as Gorhambury House, Kenilworth House, Upnor Castle and the Elizabethan town walls at Berwick, the many fortifications built during her reign to defend her realm, through to her final resting place in Westminster Abbey. Also found in this fascinating volume are books that she presented to her father and step-mother, Katherine Parr, with the binding embroidered by Elizabeth, her clothes, letters she wrote in her own hand, her coronation chair, her coat of arms asserting her title as Governor of the Church of England and her signature signing the death warrant of her cousin, the 4th Duke of Norfolk. This book is not just a journey back in time to the reign of Elizabeth I, but also a tour across the country to visit the sites which still evoke that golden era of the Virgin Queen.

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Reprint of this bestselling title on contemporary jewelry. An introduction into art jewelry in light of current trends in contemporary fine art and society On Jewellery offers a comprehensive overview of the trends and role of contemporary international jewelry art from the 1960s to today, shown within the context of corresponding trends in art and society. This publication is dedicated to themes such as interdisciplinary collaboration, new means of presentation and contextualization. It also incorporates photography and the relationships between jewelry and the body, jewelry and ornament and new interpretations of traditional technical skills. Furthermore it considers aspects such as terminology and strategies, positioning, prejudices and the significance of content with regard to jewelry. On this basis this publication offers a synopsis of what jewelry art is and what it can be. Its aim is to reveal the characteristics, language and potential of jewelry. A bibliography of the most important works of jewelry art, a directory of jewelry galleries, museums and educational institutions make On Jewellery a compact handbook of contemporary jewelry art. Artists featured include Pia Aleborg, Gijs Bakker, Melanie Bielenker, Manfred Bischoff, Helen Britton, Paul Derrez, Iris Eichenberg, Warwick Freeman, Otto Kunzli, Daniel Kruger, Yuka Oyama, Robert Smit, Annamaria Zanella and Christoph Zellweger. Contents: Beyond the Showcase; Conceptual Jewellery; Jewellery and Photography; Reading Jewellery; Borderline Jewellery; Jewellery and the Body; Jewellery and Ornament; Jewellery and the Goldsmith's Skill; The Language of Jewellery; Documentation: Manifests. Since 1985, Liesbeth den Besten has worked free lance as a writer for newspapers, art and design magazines and exhibition catalogues. She is active as an advisor and jury member for Dutch and international governmental institutions, exhibitions and competitions, and lectures about contemporary jewelry and crafts at international conferences and art academies. She is chairwoman of the Francoise van den Bosch Foundation for contemporary jewelry and one of the founding members of Think Tank, a European Initiative for the Applied Arts.

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In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation’, providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury’ as the Sex Pistols uttered strong profanities on live television. The switch from COUM to Throbbing Gristle encompassed a primary mode of expression in making music as opposed to art, to further coincide with the energy of the nascent punk scene. The band quickly developed a radically deviant and challenging reputation through pushing the punk format past its strictures in terms of lyrical themes, amateurism, and considerations of what constitutes music. Through a handful or record releases on their own label Industrial Records, and a sporadic string of live performances, the band nurtured a strong and devoted following including key journalists and fanzine editors of the punk and post-punk scenes such as Jon Savage and Sandy Robertson. The band’s style of exploring harsh pre-recorded sounds, samples of disconcerting narrative and conversation, and feeding all sounds through messy electronic processing devices gave rise to the title industrial music. This was further buttressed by performing a strictly timed set of one hour, and adopting a non-rockstar mode by appearing disinterested and preoccupied with electronic devices. Having given a name and impetus to the industrial music scene, many of their followers and fans formed bands in later years. Drawing on works such as Andy Bennett’s When the Lights Went Out, this book looks at late 1970s Britain, before, during and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value, as Throbbing Gristle emerged with punk in late 1976, seemingly grappled with it through 1977, and then went on to create and eventually criticise a number of post-punk scenes that had flourished around 1979. Trowell narrates the story through a series of live performances, as this is a point where Throbbing Gristle interact with the various city-scenes around England during their original period of operation (1975-1981). The band reflected (and incorporated into their live music) key tropes form the time, both ‘mainstream’ and fringe (subcultural, avant-garde art, counter-culture, taboo subjects, extremes) such that Throbbing Gristle events had an impact and affect, and Trowell traces these as a series of impressions and reverberations amongst fans who went on to do their own music and projects.

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In its 104-year history, Lincoln Electric Company has managed to sustain its status as the world's leader in welding technology despite intense domestic and foreign competition. The company's success can be attributed to founder James Lincoln, who began adopting principles of management that empowered workers and allowed the company to change rapidly to take advantage of new opportunities. This book shows you how to duplicate these pioneering ideas and follow the brilliance of the Lincoln management system. The results of this system include happier customers, more prosperous workers, and richly rewarded shareholders. Joseph Maciariello uncovers Lincoln's approach to management in a systematic manner and demonstrates why the company has been so effective for over a century. You'll discover how Lincoln employs a mutually reinforcing set of management systems that creates a boost in overall performance. When these systems are described and understood in their entirety, you'll see how the company's sustained success is due to its natural development of agility. You'll findout how this agility is connected to its executive leadership, management systems, and cultural environment. And you'll learn how to utilize these principles and techniques in your own company to obtain similar results. The management system detailed in this book has helped Lincoln Electric: * Obtain net sales of over $1.1 billion in 1998 * Grab 40% of the U.S. market for welding machines and products * Double the average return on stock- holder equity in the metals industry * Provide production workers with an average salary that is twice as much as the industry median By implementing this system, you can also experience these strong financial returns for shareholders, an increase in wages for workers, higher productivity, and much more! "Lasting Value is that rarest of books: a "why to" book, a "what to" book, and a "how to" book- its examples deal with manufacturing companies and blue-collar workers. But the lessons have particular force for the new job facing management: building organizations of knowledge workers who perform and who create lasting value." -Peter F. Drucker "In today's world of quarterly expectations and Wall Street's praise for major restructuring, Lasting Value successfully illustrates that long-term shareholder value can occur when corporations are truly customer and employee driven with the highest of motives." -Donald F. Hastings Chairman Emeritus, Lincoln Electric Company "Worthington was founded on the lifelong principles rooted in the Golden Rule and today it represents one of the strongest employee-employer partnerships in American business. We are proud of this important foundation for our company, as it has provided us with lasting value." -John H. McConnell Founder and Chairman Emeritus, Worthington Industries "This book should be on every manager's bookshelf and be required reading at everybusiness school." -F. Kenneth Iverson Chairman Emeritus, NUCOR Corporation "Joe Maciariello's in-depth description and detailed analysis of the Lincoln Electric Company will allow managers (and others) to revisit the powerful lessons this company has offered. Lasting Value is a valuable and practical contribution that should be welcomed by managers everywhere." -Christopher A. Bartlett Daewoo Professor of International Business and Chair, Program for Global Leadership Harvard University "Managers should consider the application of this novel approach to managing their companies. Lincoln Electric has used it successfully for almost 100 years." -Robert N. Anthony Walker Professor of Management Control, Emeritus The Harvard Business School

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Turn Uncomfortable Conversations into Meaningful Dialogue If you believe that talking about race is impolite, or that "colorblindness" is the preferred approach, you must read this book. Race Talk and the Conspiracy of Silence debunks the most pervasive myths using evidence, easy-to-understand examples, and practical tools. This significant work answers all your questions about discussing race by covering: Characteristics of typical, unproductive conversations on race Tacit and explicit social rules related to talking about racial issues Race-specific difficulties and misconceptions regarding race talk Concrete advice for educators and parents on approaching race in a new way "His insistence on the need to press through resistance to have difficult conversations about race is a helpful corrective for a society that prefers to remain silent about these issues." —Christopher Wells, Vice President for Student Life at DePauw University "In a Canadian context, the work of Dr. Derald Wing Sue in Race Talk: and the Conspiracy of Silence is the type of material needed to engage a populace that is often described as 'Too Polite.' The accessible material lets individuals engage in difficult conversations about race and racism in ways that make the uncomfortable topics less threatening, resulting in a true 'dialogue' rather than a debate." —Darrell Bowden, M Ed. Education and Awareness Coordinator, Ryerson University "He offers those of us who work in the Diversity and Inclusion space practical tools for generating productive dialogues that transcend the limiting constraints of assumptions about race and identity." —Rania Sanford, Ed.D. Associate Chancellor for Strategic Affairs and Diversity, Stanford University "Sue's book is a must-read for any parent, teacher, professor, practioner, trainer, and facilitator who seeks to learn, understand, and advance difficult dialogues about issues of race in classrooms, workplaces, and boardrooms. It is a book of empowerment for activists, allies, or advocates who want to be instruments of change and to help move America from silence and inaction to discussion, engagement, and action on issues of difference and diversity. Integrating real life examples of difficult dialogues that incorporate the range of human emotions, Sue provides a masterful illustration of the complexities of dialogues about race in America. More importantly, he provides a toolkit for those who seek to undertake the courageous journey of understanding and facilitating difficult conversations about race." —Menah Pratt-Clarke, JD, PhD, Associate Provost for Diversity, University of Illinois Urbana-Champaign

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NOW AVAILABLE: Bite-sized wisdom and inspirational advice to lift your spirits and help you live a fuller life - from Instagram's answer to Fleabag's 'Hot Priest'. ______________________ One minute could change your life. Reverend Christopher Lee is a young vicar who has taken the internet by storm. With more Instagram followers than the Arch Bishop of Canterbury and the Church of England put together, Rev Chris helps and inspires hundreds of thousands of his followers everyday with his sixty-second sermons, full of bite-sized wisdom for busy people. From family to faith, career to community, self-care to self-worth, The OMG Effect encapsulates Rev Chris Lee's uplifting message of positivity and inclusivity, which has inspired millions of people globally regardless of their religious beliefs (or lack thereof) and, throughout the Covid-19 pandemic, Rev. Chris Lee has been live-streaming prayer and faith sessions for those under lock-down, quarantine, or in self-isolation to help fight loneliness, give hope, and bring people together.Whether you're struggling with your self-esteem, trying to find your purpose, or dealing with disappointment, get ready to refresh your outlook, rediscover your self-worth, and start living a fuller life. 'You are loved. You are precious. You are of vital importance.' Rev Chris Lee __________________________________________________ What people on Instagram are saying about Rev Chris Lee: 'This is so universally applicable. Your sermons reach far and wide and are so healing. I needed to hear this today.' 'I've always been more spiritual than religious and veered away from the church, but you bring such love and light energy to the world.' 'I'm an atheist and I'd have a pint with Rev Chris. He has a good heart.' 'Rev Chris is the wholesome kind of positivity this world needs. I'm not even a religious person, and I'm over here nodding along like I know the good word.' 'You are the only Christian I can stand, tbh.' 'I'm not Christian but I always receive positive vibes from your account.' 'I'm not spiritual or anything. But I love your sermons because it still applies to life anyways.' 'Keep spreading those positive vibes, we need more people like you Rev Chris!!'

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Paulus ist, um ein berühmtes Votum Rudolf Bultmanns aufzunehmen, zum Begründer einer christlichen Theologie geworden. In diesem Buch stehen die Person des Paulus und sein Werk im Mittelpunkt. Wir blicken heute auf eine rege, mit Ferdinand Christian Baur in der Mitte des 19. Jahrhunderts einsetzende Forschungsgeschichte zurück und befinden uns gegenwärtig in einer recht offenen und von höchst divergenten Ansätzen bestimmten Forschungssituation. Die großen Epochen des vergangenen Jahrhunderts - die Religionsgeschichtliche Schule, die Kerygmatheologie Rudolf Bultmanns und seiner Schüler und die 'New Perspective on Paul' - sind keineswegs überholt. Ihren Fragen und Ergebnissen gegenüber ist die Forschung bleibend verpflichtet. Zum Ansatz gegenwärtiger Paulus-Exegese gehört seit einigen Jahrzehnten, dass in einem Dreischritt das Leben des Apostels, seine Briefe und seine Theologie gleichwertig bedacht werden und dass sich aus der Zusammenschau dieser Aspekte erst ein Gesamtbild ergibt. Die jüngere Forschung hat hinsichtlich des Lebens des Apostels auf den bleibenden jüdischen Untergrund aufmerksam gemacht, der vor allem im Schriftgebrauch Ausdruck findet. Paulus entfaltet sein theologisches Denken im Gespräch und in der Auseinandersetzung mit seiner Tradition, mit seinen Mitarbeitern, seinen Gemeinden und den ihn bedrängenden Gegnern, aber auch in möglichst präziser Wahrnehmung der Religiosität und Kultur der Städte seiner Gemeinden. Es ist die konstruktive Aufgabe der Exegese, auf der Grundlage aller vermutlich authentischen Briefe und unter Berücksichtigung des Lebens des Apostels eine Theologie des Paulus zu entwerfen. Gegenwärtig scheint hierfür der Gedanke einer partizipatorischen Christologie leitend zu sein. Das Paulus Handbuch stellt Leben, Briefe und Theologie des Paulus dar und rahmt diesen Schwerpunkt mit der Forschungsgeschichte und mit einem Ausblick auf Wirkung und Rezeption des Apostels. Mehr als vierzig Autorinnen und Autoren beschreiben den Weg des Pharisäers Paulus zum Heidenapostel, analysieren seine Briefe und rekonstruieren das Werden seiner christlichen Theologie. Eine durchgehende Lektüre des Handbuchs wird die Leserschaft mitnehmen in eine breite, vielleicht für manche in ihren althistorischen, epistolographischen, kultur- und sozialgeschichtlichen Fragestellungen neue und ungewohnte Forschungslandschaft.

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'With smoking hot chemistry, next to no angst, and a friend group that is literally squad goals, Rochon has written another winner' - The Dating Playbook is one of Vulture's Best Romances of 2021! If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon, whose books are always witty, hot, and engaging (BuzzFeed)!'A total knockout: funny, sexy, and full of heart' Kirkus..................................What happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!It was only supposed to be for one night . . . Successful pediatric surgeon London Kelley just needs to find some balance and de-stress. According to her friends Samiah and Taylor, what London really needs is a casual hookup. A night of fun with no strings. But no one - least of all London - expected it to happen at her high school reunion with Drew Sullivan, millionaire, owner of delicious abs, and oh yes, her archnemesis.Now London is certain the road to hell is paved with good sex. Because she's found out the real reason Drew's back in Austin: to decide whether her beloved hospital remains open. Worse, Drew is doing everything he can to show her that he's a decent guy who actually cares. But London's not falling for it. Because while sleeping with the enemy is one thing, falling for him is definitely not part of the plan...................................Raves for Farrah Rochon:'Relatable and real . . . I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana Jackson'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters . . . A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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Collected stories from renowned and emerging voices writing fiction, poetry, and dramatic prose in the aftermath of 9/11 New York is a city of writers. And when the city was attacked on 9/11, its writers began to do what writers do, they began to look and feel and think and write, began to struggle to process an event unimaginable before, and even after, it happened. The work of journalists appeared immediately, in news reports, commentaries, and personal essays. But no single collection has yet recorded how New York writers of fiction, poetry, and dramatic prose have responded to 9/11. Now, in 110 Stories, Ulrich Baer has gathered a multi-hued range of voices that convey, with vivid immediacy and heightened imagination, the shock and loss suffered in September. From a stunning lineup of 110 renowned and emerging writers-including Paul Auster, Lynne Sharon Schwartz, Edwidge Danticat, Vivian Gornick, Phillip Lopate, Dennis Nurkse, Melvin Bukiet, Susan Wheeler-these stories give readers not so much an analysis of what happened as the very shape and texture of a city in crisis, what it felt like to be here, the external and internal damage that the city and its inhabitants absorbed in the space and the aftermath of a few unforgettable hours. As A.M. Homes says in one of the book's eyewitness accounts, "There is no place to put this experience, no folder in the mental hard drive that says, 'catastrophe.' It is not something that you want to remember, not something that you want to forget." This collection testifies to the power of poetry and storytelling to preserve and give meaning to what seems overwhelming. It showcases the literary imagination in its capacity to gauge the impact of 9/11 on how we view the world. Just as the stories of the World Trade towers were filled with people from all walks of life, the stories collected here reflect New York's true diversity, its boundless complexity and polyglot energy, its regenerative imagination, and its spirit of solidarity and endurance. The editor’s proceeds will be donated to charity. Cover art donated by Art Spiegelman. List of Contributors: Humera Afridi, Ammiel Alcalay, Elena Alexander, Meena Alexander, Jeffery Renard Allen, Roberta Allen, Jonathan Ames, Darren Aronofsky, Paul Auster, Jennifer Belle, Jenifer Berman, Charles Bernstein, Star Black, Breyten Breytenbach, Melvin Jules Bukiet, Peter Carey, Lawrence Chua, Ira Cohen, Imraan Coovadia, Edwidge Danticat, Alice Elliot, Eric Darton, Lydia Davis, Samuel R. Delany, Maggie Dubris, Rinde Eckert, Janice Eidus, Masood Farivar, Carolyn Ferrell, Richard Foreman, Deborah Garrison, Amitav Ghosh, James Gibbons, Carol Gilligan, Thea Goodman, Vivian Gornick, Tim Griffin, Lev Grossman, John Guare, Sean Gullette, Jessica Hagedorn, Kimiko Hahn, Nathalie Handal, Carey Harrison, Joshua Henkin, Tony Hiss, David Hollander, A.M. Homes, Richard Howard, Laird Hunt, Siri Hustvedt, John Keene, John Kelly, Wayne Koestenbaum, Richard Kostelanetz, Guy Lesser, Jonathan Lethem, Jocelyn Lieu, Tan Lin, Sam Lipsyte, Phillip Lopate, Karen Malpede, Charles McNulty, Pablo Medina, Ellen Miller, Paul D. Miller/DJ Spooky, Mark Jay, Tova Mirvis, Albert Mobilio, Alex Molot, Mary Morris, Tracie Morris, Anna Moschovakis, Richard Eoin Nash, Josip Novakovich, Dennis Nurkse, Geoffrey O'Brien, Larry O'Connor, Robert Polito, Nelly Reifler, Rose-Myriam Réjouis, Roxana Robinson, Avital Ronell, Daniel Asa Rose, Joe Salvatore, Grace Schulman, Lynne Sharon Schwartz, Dani Shapiro, Akhil Sharma, Suzan Sherman, Jenefer Shute, Hal Sirowitz, Pamela Sneed, Chris Spain, Art Spiegelman, Catharine R. Stimpson, Liz Swados, Lynne Tillman, Mike Topp, David Trinidad, Val Vinokurov, Chuck Wachtel, Mac Wellman, Owen West, Rachel Wetzsteon, Susan Wheeler, Peter Wortsman, John Yau, Christopher Yu.

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In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation’, providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury’ as the Sex Pistols uttered strong profanities on live television. The switch from COUM to Throbbing Gristle encompassed a primary mode of expression in making music as opposed to art, to further coincide with the energy of the nascent punk scene. The band quickly developed a radically deviant and challenging reputation through pushing the punk format past its strictures in terms of lyrical themes, amateurism, and considerations of what constitutes music. Through a handful or record releases on their own label Industrial Records, and a sporadic string of live performances, the band nurtured a strong and devoted following including key journalists and fanzine editors of the punk and post-punk scenes such as Jon Savage and Sandy Robertson. The band’s style of exploring harsh pre-recorded sounds, samples of disconcerting narrative and conversation, and feeding all sounds through messy electronic processing devices gave rise to the title industrial music. This was further buttressed by performing a strictly timed set of one hour, and adopting a non-rockstar mode by appearing disinterested and preoccupied with electronic devices. Having given a name and impetus to the industrial music scene, many of their followers and fans formed bands in later years. Drawing on works such as Andy Bennett’s When the Lights Went Out, this book looks at late 1970s Britain, before, during and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value, as Throbbing Gristle emerged with punk in late 1976, seemingly grappled with it through 1977, and then went on to create and eventually criticise a number of post-punk scenes that had flourished around 1979. Trowell narrates the story through a series of live performances, as this is a point where Throbbing Gristle interact with the various city-scenes around England during their original period of operation (1975-1981). The band reflected (and incorporated into their live music) key tropes form the time, both ‘mainstream’ and fringe (subcultural, avant-garde art, counter-culture, taboo subjects, extremes) such that Throbbing Gristle events had an impact and affect, and Trowell traces these as a series of impressions and reverberations amongst fans who went on to do their own music and projects.

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Years back, a blood transfusion with a member of the undead left Christopher Cséjthe a half-vampire. Since that time, he’s gone mano y monster with zombies, werewolves, master vampires, and creatures from the Cthulhu Lagoon—not to mention an immortal Nazi, an ancient Babylonian demon, a six-thousand-year-old necromancer, voodoo queen Marie Laveau, the mad monk Rasputin, and a couple of the Great Old Ones. As founder of After Dark Investigations, he’s seen his fair share of the seedy side of the supernatural world. He’s saved New Orleans from total destruction in the past. And lost his family to another temporal realm. To add insult to injury, someone cut the gas line of his SUV and then ran over him with a semi-truck while he tried to get a tow. But this is the third time Chris has died. It’s old hat at this point for him. Now, awakened in a world he doesn’t quite recognize, he’ll have to use his wits to once again keep the supernatural world at bay. INTERPOL is interested in some of his associations with Vlad Drakul’s grandson—better known as Dracula—and a trio of witches from Greek myth want him dead—and for good this time. Bad enough. But what’s worse is that the IRS is looking into his tax returns and not at all liking what they find. Now that’s really terrifying. About A Witch in Time: “. . . a snappy, snarky, and surprisingly emotional grand finale that blends characters from weird fiction, gothic tales, and mythology into one fun, if crowded, universe. . . .Though the tone is light and comically cynical, Simmons doesn’t downplay the gravity of the history in his tale, making this a tense and gripping story that is sure to please series fans.”—Publishers Weekly About the Halflife Chronicles: "[O]ne of those rare novels that combine levity and the supernatural in just the right balance."—Chronicle on Habeas Corpses. Praise for Wm. Mark Simmons: “A high-tech heroic fantasy full of adventure, puns, and damn good reading. Well thought out.”—Pulsar “Frequently fun . . . ”—Publishers Weekly “A nonstop romp through a complex and captivating world! Highly recommended!”—K D Wentworth

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To commemorate the journal’s quarter-century, this double issue consists of foundational pieces arranged in conversation with one another. Common Knowledge has opened lines of communication among schools of thought in the academy, as well as between the academy and the community of thoughtful people outside its walls, and the pages of the journal challenge the ways we think about scholarship and its relevance to humanity. Contributors to the issue include former presidents, prime ministers, and archbishops, along with winners of the Nobel Prize, Man Booker Prize, Pulitzer Prize, National Book Award, Mellon Foundation Distinguished Achievement Award, MacArthur Fellowship, International Balzan Prize, and Holberg International Prize. Contributors. M. H. Abrams, Edward Albee, Barry Allen, Wayne Andersen, Kwame Anthony Appiah, Sir Isaiah Berlin, Marianna Birnbaum, Sir John Boardman, G. W. Bowersock, Aldo Buzzi, Caroline Walker Bynum, Anne Carson, William M. Chace, J. M. Coetzee, Cornelius Castoriadis, Stanley Cavell, Stuart Clark, Inga Clendinnen, Francis X. Clooney, Christopher Coker, Maria Conterno, Michael Cook, Lorraine Daston, Lydia Davis, Natalie Zemon Davis, Thibault De Meyer, Gunter Eich, Sir John H. Elliott, Caryl Emerson, Mikhail Epstein, Péter Esterházy, Roger Cardinal Etchegaray, Fang Lizhi, Paul Feyerabend, Michael Fried, Joseph Frank, Manfred Frank, Luis Garcia, Clifford Geertz, Carlo Ginzburg, Philip Gossett, Stephen Greenblatt, Thom Gunn, Jürgen Habermas, Ian Hacking, Václav Havel, Sir Edward Heath, Albert O. Hirschman, David Hollinger, Darrel Alejandro Holnes, Miroslav Holub, Maya Jasanoff, Albert R. Jonsen, Stanley N. Katz, Hugh Kenner, Sir Anthony Kenny, Sir Frank Kermode, Jee Leong Koh, Joseph Leo Koerner, Yusef Komunyakaa, György Konrád, Bruce Krajewski, László Krasznahorkai, Anton O. Kris, Julia Kristeva, Bruno Latour, Ewa Lipska, Greil Marcus, Steven Marcus, Samuel Menashe, Adam Michnik, Jack Miles, Alexander Nehamas, Reviel Netz, Sari Nusseibeh, Jeffrey M. Perl, Marjorie Perloff, J. G. A. Pocock, W. V. Quine, Belle Randall, Nadja Reissland, Colin Richmond, Richard Rorty, Ingrid Rowland, Hanna Segal, Amartya Sen, Quentin Skinner, Barbara Herrnstein Smith, A. L. Snijders, Timothy Snyder, Susan Sontag, Isabelle Stengers, Wis?awa Szymborska, Miguel Tamen, G. Thomas Tanselle, Sir Keith Thomas, Stephen Toulmin, Anna Lowenhaupt Tsing, Michiko Urita, Bas van Fraassen, Marina Vanzolini, Gianni Vattimo, Helen Vendler, Charlie Samua Veric, Eduardo Viveiros de Castro, Sir Bernard Williams, Lord (Rowan) Williams, H. R. Woudhuysen, Grzegorz Wróblewski, Santiago Zabala

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A common misconception holds that Marco Polo "opened up" a closed and recalcitrant "Orient" to the West. However, this sweeping history covering 4,000 years of international relations from the perspective of China, Japan, Korea, and Southeast Asia shows that the region's extensive involvement in world affairs began thousands of years ago. In a time when the writing of history is increasingly specialized, Warren I. Cohen has made a bold move against the grain. In broad but revealing brushstrokes, he paints a huge canvas of East Asia's place in world affairs throughout four millennia. Just as Cohen thinks broadly across time, so too, he defines the boundaries of East Asia liberally, looking beyond China, Japan, and Korea to include Southeast Asia. In addition, Cohen stretches the scope of international relations beyond its usual limitations to consider the vital role of cultural and economic exchanges. Within this vast framework, Cohen explores the system of Chinese domination in the ancient world, the exchanges between East Asia and the Islamic world from the thirteenth to the seventeenth centuries, and the emergence of a European-defined international system in the eighteenth and nineteenth centuries. The book covers the new imperialism of the 1890s, the Manchurian crisis of the early 1930s, the ascendancy of Japan, the trials of World War II, the drama of the Cold War, and the fleeting "Asian Century" from the mid-1970s to the mid-1990s. East Asia at the Center is replete with often-overlooked or little-known facts, such as: * A record of persistent Chinese imperialism in the region * Tibet's status as a major power from the 7th to the 9th centuries C.E., when it frequently invaded China and decimated Chinese armies * Japan's profound dependence on Korea for its early cultural development * The enormous influence of Indian cuisine on that of China * Egyptian and Ottoman military aid to their Muslim brethren in India and Sumatra against European powers * Extensive Chinese sea voyages to Arabia and East Africa-long before such famous Westerners as Vasco da Gama and Christopher Columbus took to the seas East Asia at the Center's expansive historical view puts the trials and advances of the past four millennia into perspective, showing that East Asia has often been preeminent on the world stage-and conjecturing that it might be so again in the not-so-distant future.

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La théologie actuelle s’intéresse vivement au Saint-Esprit. Parmi les circonstances qui ont aidé à percevoir l’urgence de la pneumatologie, il y a le dialogue avec les théologiens orientaux, mais aussi le souci de ne pas abandonner, en Occident même, l’accent sur la vie de l’Esprit à des tendances sectaires. On doit évoquer également l’essor des mouvements charismatiques; ils ont amené la présence de l’Esprit Saint au premier plan de l’attention. Tout cela invite à reprendre la question du discernement des esprits. Le présent ouvrage le fait opportunément. Par ailleurs, il tient compte de l’insistance de la théologie actuelle sur l’importance de l’Esprit Saint pour rééquilibrer un accent trop unilatéral sur la christologie. Il souligne la dimension pneumatologique de l’ecclésiologie. Il montre que la pneumatologie peut libérer la théologie de maintes étroitesses et l’aider à entrer dans un échange fructueux avec les interrogations de l’esprit moderne et postmoderne. L’un des principaux atouts de ce livre est d’explorer en détail la relation de la pneumatologie et de la théologie fondamentale, et de fournir une vue systématique des dimensions essentielles de la théologie fondamentale. On peut distinguer deux parties principales de l’ouvrage. La première, plus longue, adopte la forme d’un exposé historique. Après les deux premiers chapitres, consacrés respectivement aux religions non chrétiennes (chap. 1) et à l’hellénisme philosophique (chap. 2), les chapitres trois à dix présentent le déploiement de la théologie chrétienne de l’Esprit Saint à travers les siècles. Ils considèrent ce thème successivement dans l’Ancien et dans le Nouveau Testament (chap. 3 et 4), chez les Pères de l’Église et dans les premiers Conciles (chap. 5), chez les théologiens médiévaux et au concile de Florence (chap. 6), dans la Réforme protestante et dans les mouvements et renouveaux qui en dérivent (chap. 7); puis, dans l’imposante pneumatologie de Hegel (chap. 8) et dans l’œuvre de son contemporain Schleiermacher (chap. 9); enfin, au concile Vatican II, ainsi que chez les théologiens catholiques, protestants et orthodoxes du XXe siècle (chap. 10). La seconde partie de l’ouvrage, que l’on peut dire systématique, comprend les chapitres onze à dix-sept. Ici, il ne s’agit plus de retracer simplement l’histoire, mais de proposer une vue cohérente des différents aspects de la pneumatologie fondamentale. Après un chapitre sur la pneumatologie philosophique (chap. 11), le livre traite du Dieu des chrétiens comme Esprit, et en particulier du Saint-Esprit comme Personne et du rapport entre l’Esprit et le Fils (chap. 12). Puis, il considère l’Esprit comme coauteur de la Création, et de son rôle dans l’évolution cosmique (chap. 13). Il explicite ensuite les rapports entre l’Esprit Saint et le Christ (chap. 14), la présence de l’Esprit dans l’existence chrétienne (chap. 15), et la relation entre l’Esprit Saint et l’Église (chap. 16). Le dernier chapitre met en évidence le caractère eschatologique de l’Esprit (chap. 17). L’ouvrage se montre ouvert à des questions très actuelles, comme celles liées à la rencontre du christianisme et des autres religions, au renouveau charismatique, et au mouvement œcuménique (chap. 15 et 16). Mais cette recherche d’une pneumatologie attentive au contexte actuel ne le conduit pas à négliger le centre du message pneumatologique: la présence de Dieu et du Christ dans l’Esprit.

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Aurora Plomer explores international human rights, and its relevance to battles over intellectual property and science. Her work highlights the need for the benefits of scientific research to be fairly and equitably shared. Her work is an important original contribution to the literature on intellectual property, human rights, and the sociology of science.'- Matthew Rimmer, Queensland University of Technology, Australia'This remarkable book highlights and analyzes the inherent tensions and complementarities of patents with access to science, as materialized in the most prominent international human rights agreements. A must-read for anyone interested in one of the most crucial and debated questions of intellectual property, examined here from the perspective of its fascinating but complex interactions with human rights.'- Christophe Geiger, University of Strasbourg, France'The relationship between patents, human rights and science raises fundamental questions for innovation and for access to the benefits of scientific endeavour. Yet the complexities of the underlying science and legal environment in which it operates cannot be underestimated. Aurora Plomer deftly navigates this terrain with great clarity and skill. The resulting book is timely, accessible and a thorough scholarly work that demystifies and throws new light on the interface between science and the law.'- Duncan Matthews, Queen Mary University of London, UKThe new millennium has been described as 'the century of biology', but scientific progress and access to medicines has been marred by global disputes over ownership of the science by universities and private companies. This book examines the challenges posed by the modern patent system to the right of everyone to access the benefits of science in international law.Aurora Plomer retraces the genesis and evolution of the key Articles in the UN system (Article 27 UDHR and Article 15 ICESCR). She combines the historiography of these Articles with a novel perspective on the moral foundations of rights of access to science to draw out implications for today's controversies on patents in the life-sciences. The analysis suggests that access to science as a fundamental right requires both freedom from political and religious interference and the existence of enabling research institutions and educational facilities which promote the flow of knowledge through transparent and open structures. From this perspective, the global patent system is shown to fail spectacularly when it comes to the human rights ideal of universal access to science. The book concludes that a fundamental restructuring of patent institutions is required, in which democratic oversight of patent policies would ensure meaningful realization of the right of everyone to access the benefits of science.Students and scholars of international law, particularly those focusing on intellectual property and human rights, will find this book to be of considerable interest. It will also be of use to practitioners in the field.

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Book & CD. Husain Lehri, the director of Super Book House, approached Yashwant Pitkar, teaching at the Sir J J College of Architecture in Mumbai, to bring out a book on a contemporary Indian architect whose approach is different from the run of the mill. Pitkar had no hesitation in choosing Shirish Beri who in a career spanning almost forty years has built works ranging from private residences to educational complexes and large public projects across India. As it turned out, this book is the result of an extensive collaboration between Lehri, Piktar and Beri -- Pitkar describes the process of making the book as one of slow and deep unfolding. What is most interesting about this book is its structure. Interspersed with the projects are Beri's written and sketched expressions. Each set of two projects is bookended by his illustrated essays and poetry. The essays are more like collections of rambling thoughts, posers and anecdotes -- seeking connections between nature, art, architecture, and life. There is a seamless rhythm set up in the book that constantly keeps the reader acquainted with the architect's outer manifestations in form of his buildings and his inner thought processes, integral to that creation. The opening essay, "Working with Wature ... Towards Sustainability" sets a tone towards not just architecture but life in general. Beri asks whether man's relationship with nature could become a universal archetype for a sustainable future. He advocates an approach towards architecture that grows out from the place and its spirit rather than imposed technocratic solutions. The book features about a dozen projects in greater detail, well illustrated with clear drawings, evocative sketches and excellent photographs accompanied by the architect's own analysis of the design process and governing concerns in each project. The opening section of the book contains a note by B V Doshi and a foreword by Christopher Charles Benninger who was Beri's mentor when he was a student at the CEPT in Ahmedabad. The Hirwai Farmhouse in Nathawade for himself, one of his earliest projects, is perhaps the best example of his avowed philosophy: spaces inspired by nature. The Sanjeevan Primary School and the Laboratory for the Conservation of Endangered Species at Hyderabad display Beri's playful and unconventional approach towards space organisation which is at once in harmony with the site's topography and natural features. Projects such as the Dharwad Engineering College or the Computational Mathematics Laboratory in Pune display a nuanced sense of structure, construction and meticulousness towards detail. In the closing section of the book there is an exhaustive list of projects with thumbnails giving a good idea of the full range of the architect's work. Accompanying the book is a CD titled "The Unfolding White: Shirish Beri's search for wholeness.

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Agent-based Models and Causal Inference Scholars of causal inference have given little credence to the possibility that ABMs could be an important tool in warranting causal claims. Manzo’s book makes a convincing case that this is a mistake. The book starts by describing the impressive progress that ABMs have made as a credible methodology in the last several decades. It then goes on to compare the inferential threats to ABMs versus the traditional methods of RCTs, regression, and instrumental variables showing that they have a common vulnerability of being based on untestable assumptions. The book concludes by looking at four examples where an analysis based on ABMs complements and augments the evidence for specific causal claims provided by other methods. Manzo has done a most convincing job of showing that ABMs can be an important resource in any researcher’s tool kit.—Christopher Winship, Diker-Tishman Professor of Sociology, Harvard University, USA Agent-based Models and Causal Inference is a first-rate contribution to the debate on, and practice of, causal claims. With exemplary rigor, systematic precision and pedagogic clarity, this book contrasts the assumptions about causality that undergird agent-based models, experimental methods, and statistically based observational methods, discusses the challenges these methods face as far as inferences go, and, in light of this discussion, elaborates the case for combining these methods’ respective strengths: a remarkable achievement.—Ivan Ermakoff, Professor of Sociology, University of Wisconsin-Madison, USA Agent-based models are a uniquely powerful tool for understanding how patterns in society may arise in often surprising and counter-intuitive ways. This book offers a strong and deeply reflected argument for how ABM’s can do much more: add to actual empirical explanation. The work is of great value to all social scientists interested in learning how computational modelling can help unraveling the complexity of the real social world.—Andreas Flache, Professor of Sociology at the University of Groningen, Netherlands Agent-based Models and Causal Inference is an important and much-needed contribution to sociology and computational social science. The book provides a rigorous new contribution to current understandings of the foundation of causal inference and justification in the social sciences. It provides a powerful and cogent alternative to standard statistical causal-modeling approaches to causation. Especially valuable is Manzo’s careful analysis of the conditions under which an agent-based simulation is relevant to causal inference. The book represents an exceptional contribution to sociology, the philosophy of social science, and the epistemology of simulations and models.—Daniel Little, Professor of philosophy, University of Michigan, USA Agent-based Models and Causal Inference delivers an insightful investigation into the conditions under which different quantitative methods can legitimately hold to be able to establish causal claims. The book compares agent-based computational methods with randomized experiments, instrumental variables, and various types of causal graphs. Organized in two parts, Agent-based Models and Causal Inference connects the literature from various fields, including causality, social mechanisms, statistical and experimental methods for causal inference, and agent-based computation models to help show that causality means different things within different methods for causal analysis, and that persuasive causal claims can only be built at the intersection of these various methods. Readers will also benefit from the inclusion of: A thorough comparison between agent-based computation models to randomized experiments, instrumental variables, and several types of causal graphs A compelling argument that observational and experimental methods are not qualitatively superior to simulation-based methods in their ability to establish causal claims Practical discussions of how statistical, experimental and computational methods can be combined to produce reliable causal inferences Perfect for academic social scientists and scholars in the fields of computational social science, philosophy, statistics, experimental design, and ecology, Agent-based Models and Causal Inference will also earn a place in the libraries of PhD students seeking a one-stop reference on the issue of causal inference in agent-based computational models.

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"BARD DESPERATE FOR APPRENTICE AND ROGUE WITH SIDELINE IN INSURANCE SEEK WORK. PREFERABLY AS GOOD GUYS." Indrajit Twang is the four hundred twenty-seventh epic poet of his people, the only person alive to carry their entire epic history and mythology in his head. His people are dwindling in number, and if he can’t find a successor in the great city of Kish, their story will disappear with them. Fix grew up a foundling on the ancient streets of Kish and is making his living as a mercenary. The woman he loves married someone else, and Fix has turned to buying and selling risk on the black market—but is he trying to impress her, or prove something to himself? Indrajit and Fix have been hired by a powerful risk-merchant to protect the life of opera star Ilsa without Peer for the duration of a risk contract he’s taken on. When an attempt is made on Ilsa’s life, Indrajit and Fix find themselves hunted by multiple mercenary squads and targeted by some of the most powerful men in Kish. Will they be able to save themselves, not to mention protect Ilsa, in the Palace of Shadow and Joy? Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: " . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . . I didn’t want to stop reading . . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon " . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"–David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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Daniel Press brings his considerable experience to light in this excellent book, and it should be a required read for every scholar and student of environmental studies and science. He convincingly leverages an evidence based approach by digging into the data on toxic release, acid rain, non-point source water pollution, and industrial recycling to challenge the conventional wisdom that environmental regulation in the United States has been settled and is successful. Issuing a clarion call to those who care about environmental values, he urges us to redirect our action and discourse and to rethink how we can be more effective, with his specific recommendations for policy and regulatory reform.'- Toddi A. Steelman, University of Saskatchewan, Canada'Those of us who work on environmental policy should never let the grind of our day-to-day challenges turn us away from the ultimate question of whether we are leaving a better environment to the next generation. Daniel Press looks at the current state of environmental regulation and probes just this question. It s worth a read for anyone who cares about the decisions we must make - and the processes we now use to get to those decisions - that will shape the world for years to come.'- John Laird, California Secretary for Natural Resources'In American Environmental Policy Daniel Press guides the reader through not only the motivations and concepts that have been employed to set land, water, and air pollution policies, but also a dive into the details of both the environmental science and the legal and regulatory science that determines the success or failure of these actions. This book is instrumental for all those interested in both the why and the how - and the how much - of the legacy of Rachel Carson and the past five decades of environmental management.'- Daniel Kammen, University of California, Berkeley, US'Daniel Press's new book is an excellent one. By focusing on implementation - what happens after policy has been adopted - Press demonstrates the weaknesses of pollution control policy in the United States. Case studies of acid rain, nonpoint source water pollution, and paper recycling illuminate 'regulatory failure,' the structural problems of American regulatory approaches. He concludes with recommendations to move us ahead, a path forward that focuses on performance, information, incentives, and source reduction. Strongly recommended.'- Christopher McGrory Klyza, Middlebury College, USMore than 40 years after the United States launched bold efforts to curb pollution and waste, American environmental management has stalled. Drawing extensively on recent environmental science, engineering, regulatory agency data and trade information, American Environmental Policy explores how environmental management in the US has fallen short of its early promise and reputation.Arguing that policies need to be redesigned for the 21st century, this book offers examples and principles of effective environmental policy reforms. It concludes with suggestions for how new policies should be designed, as well as examples of successful regulatory innovations already in practice around the world.Environmental policy scholars, students and science and environment journalists interested in evaluating environmental policy over time will find this to book of value. The approaches discussed in this book will also be useful for environmental and natural resource agency officials.

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An encounter with her father’s goddess has not turned out to be the end for Sarah Elytharias Penn. Now, with the Imperial fist tightened around her city of Cahokia and the beastkind of the Heron King ravaging across the river, she must find a way to access the power of the Serpent Throne itself—a feat, she has learned, that her father never accomplished. To complicate her efforts, Cahokia’s Metropolitan, a beloved and charismatic priest who despises the goddess as a demon, returns from a long pilgrimage and attempts to finalize the Wisdom-eradicating reform that dogged Sarah’s father when he was king. Meanwhile, Sarah’s brother Nathaniel and her brilliant but erratic servant Jacob Hop find their steps dogged by the Emperor’s Machiavel, Temple Franklin, as they hunt in New Amsterdam for the third Elytharias sibling. Isaiah Wilkes, having failed to awaken the Emperor by reminding him of his esoteric obligations, now travels north in disguise to seek other allies to stand against the destroying storm of the reign of Simon Sword. Chigozie Ukwu, the Shepherd of the Still Waters, finds his peaceful flock threatened and pressed into a dangerous mission in the service of Cahokia’s wild sister city Zomas, while his brother, the Vodun houngan Etienne Ukwu, pushes toward a final showdown with the mameluke assassins of the Chevalier of New Orleans. Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy. . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: “… you can’t stop yourself from taking another bite…and another…and another….I didn’t want to stop reading…. Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon "… a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk... A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"–David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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SEASON OF THE WITCH An encounter with her father’s goddess has not turned out to be the end for Sarah Elytharias Penn. Now, with the Imperial fist tightened around her city of Cahokia and the beastkind of the Heron King ravaging across the river, she must find a way to access the power of the Serpent Throne itself—a feat, she has learned, that her father never accomplished. To complicate her efforts, Cahokia’s Metropolitan, a beloved and charismatic priest who despises the goddess as a demon, returns from a long pilgrimage and attempts to finalize the Wisdom-eradicating reform that dogged Sarah’s father when he was king. Meanwhile, Sarah’s brother Nathaniel and her brilliant but erratic servant Jacob Hop find their steps dogged by the Emperor’s Machiavel, Temple Franklin, as they hunt in New Amsterdam for the third Elytharias sibling. As Simon Sword’s destroying storm threatens from the south and west, and New Orleans is thrown into deadly turmoil when a vodoun priest and mameluke assassins contend for ultimate power and control of the Mississippi, the chance for a unified New World teeters on the brink. Sarah Penn understands she may face a hard fate in the final reckoning. But she also knows that only she can access the power of the Throne—if she can find the Wisdom inside to unlock it. Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: “ . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon " . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"–David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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Sarah Calhoun has taken her father’s throne and ascended into her goddess’s presence in Unfallen Eden as her father never did. And Sarah Calhoun is dying. Her uncle Thomas Penn isn’t done with her. Armed with new powers conferred upon him by the Necromancer and with new allies won via his impending marriage, Penn aims to remove Sarah from her throne—and from the world of the living. In the meantime, Sarah has fallen out with one of her best allies. Against Sarah’s advice, her brother Nathaniel heads into Imperial Philadelphia with the reckless and likely impossible aim of healing the Emperor Thomas. On the shores of the northern seas, agents of Franklin’s Conventicle with an unlikely connection to the Emperor struggle to win allies among the pole-dwelling giants, who are torn between seizing land covertly from the Firstborn of the Ohio and entering the war openly on the side of Simon Sword. In the west, the Heron King rides an explosive storm into war, crushing the mortal kingdoms in his path and bearing down on Sarah’s Cahokia.To survive—and to gain the strength she needs to fight this impossible war—Sarah must unite the Moundbuilder kings to enact an ancient rite that will propel her beyond mortality. To do so, she must not only win over doubters among the Firstborn kings, but she must also beat back a rebellion among the Handmaids of her goddess—for there are some of the goddess’s priestesses who long for the dark days of human sacrifice, and who are willing to throw Sarah herself upon the altar.Praise for Witchy Winter:“Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly"For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—BooklistPraise for Witchy Eye and D.J. Butler:“ . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore“Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly"David's a pro storyteller, and you're in for a great ride."—Larry Dixon" . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo"This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon"Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"—David Farland“A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo"Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg"[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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Leading experts reveal ways that the future of food production for the world's burgeoning population can (and must) be both sustainable and ethical.In the United States, food is abundant and cheap but loaded with hidden costs to the environment, human health, animal welfare, and the people who work in our food systems. The country's current food production systems lack diversity in crops and animals and are intensified but not sustainable, inhumane in the treatment of animals, and inconsiderate of labor. In order to feed the world's rapidly growing population with high-quality, ethically produced food, new food production systems are urgently needed. These new systems must be genetically diverse and environmentally sustainable, and they need to follow internationally recognized animal welfare and labor practices.Feeding the World Well examines these costs of cheap food while presenting a unique framework for ethical food systems: the Core Ethical Commitments, which are designed to guide consumers in choosing foods that are aligned with their values while helping producers enhance the ethics of their practices and products. Edited by Alan M. Goldberg, the volume features contributions from leading ethicists and food systems experts. Addressing complex issues such as climate change, worker exploitation, obesity, antibiotic resistance, wasted food, and biotechnology, the book discusses the fundamental forces that have shaped, and will continue to shape, our food systems. It also describes some of the approaches that food companies and nonprofit organizations are using to address the ethical challenges facing these food systems. Finally, the book explains what the Core Ethical Commitments are (and what they are not), how they were developed, and how they might be used by food system actors.By bringing together an all-star group of contributors from academia and industry, Feeding the World Well sets a new course for food production and how it is evaluated. By including the voices of industry leaders alongside those of researchers and regulators, the book prepares the food production industry for a world in which "ethical" or "sustainable" production practices are not only trendy but necessary to ensure that we can feed the world's growing population. Conceived as a textbook for food studies courses, this volume will appeal to anyone who is strongly interested in food, including conscious consumers, food industry leaders, researchers, and policy makers.Contributors: Anne Barnhill, Martin W. Bloem, Jonathan Bloom, Nicole M. Civita, Claire Davis, Michiel van Dijk, Adele Douglass, Shauna Downs, Kevin Esvelt, Ruth Faden, Jessica Fanzo, Evan Fraser, Maisie Ganzler, Tara Garnett, Sara Glass, Alan M. Goldberg, Christopher Good, Meredith Kaufman, Gillian Kelleher, Frederick L. Kirschenmann, Herman B. W. M. Koëter, Jennifer Kuzma, Kees van Leeuwen, Robert Martin, Anne E. McBride, Suzanne McMillan, Tom Morley, Marion Nestle, Peter O'Driscoll, Lance B. Price, Marie Luise Rau, Bernard Rollin, Yashar Saghai, Susan A. Schneider, Ellen K. Silbergeld, Paul B. Thompson, Paul Willis, Sylvia Wulf

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“BARD DESPERATE FOR APPRENTICE AND ROGUE WITH SIDELINE IN INSURANCE SEEK WORK. PREFERABLY AS GOOD GUYS.” Indrajit Twang is the four hundred twenty-seventh epic poet of his people, the only person alive to carry their entire epic history and mythology in his head. His people are dwindling in number, and if he can’t find a successor in the great city of Kish, their story will disappear with them. Fix grew up a foundling on the ancient streets of Kish and is making his living as a mercenary. The woman he loves married someone else, and Fix has turned to buying and selling risk on the black market—but is he trying to impress her, or prove something to himself? Indrajit and Fix have been hired by a powerful risk-merchant to protect the life of opera star Ilsa without Peer for the duration of a risk contract he’s taken on. When an attempt is made on Ilsa’s life, Indrajit and Fix find themselves hunted by multiple mercenary squads and targeted by some of the most powerful men in Kish. Will they be able to save themselves, not to mention protect Ilsa, in the Palace of Shadow and Joy? Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah. . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: " . . . you can’t stop yourself from taking another bite . . . and another . . . and another. . . . I didn’t want to stop reading. . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the worldbuilding. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon " . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!" —David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influenced by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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'A dazzling chronicle, a bracing challenge to modernity's smug assumptions' - Bryce Christensen, Booklist'O what a world of profit and delightOf power, of honour and omnipotenceIs promised to the studious artisan.'Christopher Marlowe, Dr FaustusBetween the Renaissance and the Enlightenment, Europe changed out of all recognition and particularly transformative were the ardent quest for knowledge and the astounding discoveries and inventions which resulted from it. The movement of blood round the body; the movement of the earth round the sun; the velocity of falling objects (and, indeed, why objects fall) - these and numerous other mysteries had been solved by scholars in earnest pursuit of scientia. Several keys were on offer to thinkers seeking to unlock the portal of the unknown:Folk religion had roots deep in the pagan past. Its devotees sought the aid of spirits. They had stores of ancient wisdom, particularly relating to herbal remedies. Theirs was the world of wise women, witches, necromancers, potions and incantations.Catholicism had its own magic and its own wisdom. Dogma was enshrined in the collective wisdom of the doctors of the church and the rigid scholastic system of teaching. Magic resided in the ranks of departed saints and the priestly miracle of the mass.Alchemy was at root a desire to understand and to exploit the material world. Practitioners studied the properties of natural substances. A whole system of knowledge was built on the theory of the four humours.Astrology was based on the belief that human affairs were controlled by the movement of heavenly bodies. Belief in the casting of horoscopes was almost universal.Natural Philosophy really began with Francis Bacon and his empirical method. It was the beginning of science 'proper' because it was based on observation and not on predetermined theory.Classical Studies. University teaching was based on the quadrivium - which consisted largely of rote learning the philosophy and science current in the classical world (Plato, Aristotle, Galen, Ptolemy, etc.). Renaissance scholars reappraised these sources of knowledge.Islamic and Jewish Traditions. The twelfth-century polymath, Averroes, has been called 'the father of secular thought' because of his landmark treatises on astronomy, physics and medicine. Jewish scholars and mystics introduced the esoteric disciplines of the Kabbalah.New Discoveries. Exploration connected Europeans with other peoples and cultures hitherto unknown, changed concepts about the nature of the planet, and led to the development of navigational skills.These 'sciences' were not entirely self-contained. For example physicians and theologians both believed in the casting of horoscopes. Despite popular myth (which developed 200 years later), there was no perceived hostility between faith and reason. Virtually all scientists and philosophers before the Enlightenment worked, or tried to work, within the traditional religious framework. Paracelsus, Descartes, Newton, Boyle and their compeers proceeded on the a príori notion that the universe was governed by rational laws, laid down by a rational God.. This certainly did not mean that there were no conflicts between the upholders of different types of knowledge. Dr Dee's neighbours destroyed his laboratory because they believed he was in league with the devil. Galileo famously had his run-in with the Curia.By the mid-seventeenth century 'science mania' had set in; the quest for knowledge had become a pursuit of cultured gentlemen. In 1663 The Royal Society of London for Improving Natural Knowledge received its charter. Three years later the French Academy of Sciences was founded. Most other European capitals were not slow to follow suit. In 1725 we encounter the first use of the word 'science' meaning 'a branch of study concerned either with a connected body of demonstrated truths or with observed facts systematically classified'. Yet, it was only nine years since the last witch had been executed in Britain - a reminder that, although the relationship of people to their environment was changing profoundly, deep-rooted fears and attitudes remained strong.

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Sarah Calhoun has taken her father’s throne and ascended into her goddess’s presence in Unfallen Eden, as her father never did. And now young Sarah Calhoun is dying. Her uncle Thomas Penn isn’t done with her. Armed with new powers conferred upon him by the Necromancer and with new allies won via his impending marriage, Penn aims to remove Sarah from her throne—and from the world of the living. In the meantime, Sarah has fallen out with one of her best allies. Against Sarah’s advice, her brother Nathaniel heads into Imperial Philadelphia with the reckless and likely impossible aim of healing the Emperor Thomas. On the shores of the northern seas, agents of Franklin’s Conventicle with an unlikely connection to the Emperor struggle to win allies among the pole-dwelling giants, who are torn between seizing land covertly from the Firstborn of the Ohio and entering the war openly on the side of Simon Sword. In the west, the Heron King rides an explosive storm into war, crushing the mortal kingdoms in his path and bearing down on Sarah’s Cahokia. To survive—and to gain the strength she needs to fight this impossible war—Sarah must unite the Moundbuilder kings to enact an ancient rite that will propel her beyond mortality. To do so, she must not only win over doubters among the Firstborn kings, but she must also beat back a rebellion among the Handmaids of her goddess—for there are some of the goddess’s priestesses who long for the dark days of human sacrifice, and who are willing to throw Sarah herself upon the altar. Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly “For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist.”—Booklist Praise for Witchy Eye and D.J. Butler: “ . . . [Y]ou can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson “Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes.”—Publishers Weekly “David's a pro storyteller, and you're in for a great ride.”—Larry Dixon “ . . . [A] fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave.”—Cat Rambo “This is enchanting! I'd love to see more.”—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.”—Charles E. Gannon “Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!”—David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo “Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!”—Christopher Husberg “[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time.”—Booklist

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Teaching is complex. But there are simple ideas we can enact to help our teaching be more effective. This book contains over 400 such ideas.The ideas come from two sources. First, from the wonderful guests on my Tips for Teachers podcast - education heavyweights such as Dylan Wiliam, Daisy Christodoulou and Tom Sherrington, as well as talented teachers who are not household names but have so much wisdom to share. Then there's what I have learned from working with amazing teachers and students in hundreds of schools around the world.Inside you will find 22 ideas to enhance mini-whiteboard use, 15 ideas to improve the start of your lesson, 14 ideas to help make Silent Teacher effective, seven ways to respond if a student says they don't know, and lots, lots more.Each idea can be implemented the very next time you step into a classroom. So, whatever your level of experience, subject or phase, there are plenty of ideas in this book to help take your teaching to the next level.Book contentsChapter 1: How to use this bookTip 1. How to use this book to improve your teachingTip 2. How to give yourself the best chance of making a lasting changeChapter 2: Habits and routines Why are habits and routines important? Tip 3. Eight ideas to help introduce a routineTip 4. Beware of the Valley of Latent PotentialTip 5. Two ideas to help a routine stickTip 6. Develop a set of high-value activity structuresTip 7. Six ideas to help establish positive norms in your classroomTip 8. Four types of words to consider removing from your teaching vocabularyChapter 3: The means of participationA challengeTip 9. Front-load the means of participationTip 10. Ten ideas to improve Cold CallTip 11. Eight reasons to strive for mass participation more frequentlyTip 12. Twenty-two ideas to improve the use of mini-whiteboardsTip 13. Five ideas to improve the use of voting systems Tip 14. Nine ideas to improve Call and ResponseTip 15. Fifteen ideas to improve Partner TalkTip 16. Six ideas to improve group workTip 17. Use the means of participation holy trinityTip 18. Never rely on a mental noteTip 19. The best tool for the long term might not be the best tool for nowChapter 4: Checking for understandingTip 20. Think of questions as a check for misunderstandingTip 21. Use the temptation to ask for self-report as a cue to ask a better questionTip 22. Lengthen wait times after asking a questionTip 23. Lengthen wait times after an answerTip 24. Ten types of questions to ask when checking for understandingTip 25. Try these three frameworks for learner-generated examplesTip 26. Three ways to use diagnostic questions to check for understandingTip 27. Provide scaffolds for verbal responsesTip 28. Six key times to check for understandingTip 29. Ten ideas to improve Exit TicketsTip 30. Pick the student least likely to knowTip 31. Start with whoever got 8 out of 10Tip 32. Ten ideas to help create a culture of errorTip 33. Three ideas to encourage students to ask questionsChapter 5: Responsive teachingTip 34. Trick your students to test if they really understandTip 35. Never round-upTip 36. Six ideas if a student says 'I don't know'Tip 37. What to do when some students understand and some don'tTip 38. What to do when some students still don't understandTip 39. How students can own and record classroom discussionsTip 40. Share students' work with the rest of the classChapter 6: PlanningTip 41. Seven ideas to improve a scheme of workTip 42. Six ideas to help start the planning processTip 43. Plan to do less, but betterTip 44. Ask yourself: 'What are my students likely to be thinking about?'Tip 45. Write out ideal student responsesTip 46. Four ideas to help you plan for and respond to errorsTip 47. Two ideas to help teachers engage in Deep Work Tip 48. Aim to close the loop when sending an emailChapter 7: Prior knowledgeTip 49. Plan relevant prior knowledgeTip 50. Prioritise relevant prior knowledgeTip 51. Assess relevant prior knowledgeTip 52. Respond to prior knowledge assessmentTip 53. Assess relevant prior knowledge for each idea, not for the whole sequenceChapter 8: Explanations, modelling and worked examplesTip 54. Five ideas to show students why what we are learning today mattersTip 55. Use related examples and non-examples to explain technical languageTip 56. Fourteen ideas to improve the explanation of a conceptTip 57. Teach decision making separatelyTip 58. Five ideas to improve our choice of examplesTip 59. Model techniques liveTip 60. Use a teacher worked-examples bookTip 61. Use student worked-examples booksTip 62. Make use of the power of Example-Problem PairsTip 63. Fourteen ideas to improve Silent TeacherTip 64. Use self-explanation prompts to help develop your students' understanding Tip 65. Six ideas to improve 'copy down the worked example'Tip 66. Vary the means of participation for the We DoTip 67. Three errors to avoid with the Your Turn questionsTip 68. Reflect after a worked exampleTip 69. Beware of seductive detailsChapter 9: Student practiceTip 70. Eight ideas to improve student practice timeTip 71. How to harness the hidden power of interleavingTip 72. Consider using Intelligent PracticeTip 73. Consider using 'no-number' questionsTip 74. Nine ideas to help you observe student work with a purposeTip 75. Occasionally let students do work in someone else's bookChapter 10: Memory and retrievalRetrieval opportunitiesTip 76. Show your students the Forgetting CurveTip 77. Show your students the path to high storage and retrieval strengthTip 78. Show your students the limits of working memoryTip 79. Show your students how long-term memory helps thinkingTip 80. Show your students that being familiar with something is not the same as knowing itTip 81. Ensure you provide retrieval opportunities for all contentTip 82. When designing retrieval opportunities, aim for 80%Tip 83. Vary the types of retrieval questions you askTip 84. Consider providing prompts and cues during retrieval opportunitiesTip 85. Get your students to assign confidence scores to their answersTip 86. Make corrections quizzableTip 87. Twenty-one ideas to improve your Low-Stakes QuizzesTip 88. Fifteen ideas to improve the Do NowTip 89. Consider using Trello to help organise the disorganisedChapter 11: Homework, marking and feedbackTip 90. Make homework feed into lessonsTip 91. Eight ideas to improve homeworkTip 92. Two things to check if homework or test scores are a surprise Tip 93. Be careful how you respond to 'silly' mistakesTip 94. Turn feedback into detective workTip 95. Consider recording verbal feedbackTip 96. Twelve ideas to improve whole-class feedbackChapter 12: Improving as a teacherTip 97. Find the expertise within your teamTip 98. Five different people to learn fromTip 99. Revisit education books and podcast episodesTip 100. Four things to consider when trying something newTip 101. Five ideas to help tackle the negativity radioTip 102. Consider slowing down your careerTip 103. Sixteen ideas to improve the delivery of CPD Tip 104. Micro tipsTip 105. If you want more tips...

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