Search results for ""Author Jan"

An elegantly bound collection of fine wine writing past and present – the perfect gift for wine lovers everywhere (or the wine lovers in their life). With contributions from Michael Broadbent on good and bad vintages, Ian Maxwell Campbell on Bordeaux vs Burgundy, George Orwell and PG Wodehouse on the complementary pleasures of wine and tea, Randall Grahm on the search for California’s ‘magic grape’ and Andrew Caillard MW on the art of the wine label, it brims with wit and wisdom from some of the most erudite wine writers ever to raise a glass. Also includes Steven Spurrier, Jason Tesauro, Jane MacQuitty, Giles MacDonogh, Philippe de Rothschild, Fiona Morrison MW, Dan Keeling, Charles Walter Berry and many more. Like Cyril Ray’s classic Compleat Imbiber before it, In Vino Veritas might rightfully be described as ‘the quintessential late-evening or bedtime book for those who like wine'. ‘Denied wine’s bridge to gregariousness, “cabined, cribbed, confined, bound in to saucy doubts and fears,” as Macbeth once complained, we need an antidote, and rummaging around in this anthology of wine writing is a good one: It’s a set of keys to open the windows and let some sun shine in.’ - World of Fine Wine

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The critically-acclaimed first novel from historical fiction star Lucy Strange - a perfect gift for readers aged 9 and up. CHOSEN AS ONE OF AMAZON.COM'S BEST MIDDLE-GRADE BOOKS OF 2017 CHOSEN IN THE TELEGRAPH'S TOP 10 BOOKS OF 2016 'Perfect in so many ways.' EMMA CARROLL 'Tender, funny, devastating and just about word perfect.' NATASHA FARRANT, winner of the Costa Book Award 'Outstanding' THE BOOKSELLER 1919. Mama is ill. Father has taken a job abroad. Nanny Jane is too busy to pay any attention to Henrietta and the things she sees – or thinks she sees – in the shadows of their new home, Hope House. All alone, with only stories for company, Henry discovers that Hope House is full of strange secrets: a forgotten attic, ghostly figures, mysterious firelight that flickers in the trees beyond the garden. One night she ventures into the darkness of Nightingale Wood. What she finds there will change her whole world ... A beautifully told debut with a classic feel, incorporating themes of family, loss and childhood loneliness. Ideal for fans of Emma Carroll and Hilary McKay. A perfect gift for readers aged 9 and up.

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Eight compelling monologues offering a state-of-the-nation group portrait for the stage. From Millie, the jolly-hockey-sticks prostitute who mourns the loss of the good old British class system, to Miles, a 7/7 survivor, and Danny, an ex-squaddie who makes friends in morgues, Eight looks at what has happened to a generation that has grown up in a world where everything has become acceptable. Ella Hickson's play Eight was first staged at Bedlam Theatre, Edinburgh, during the Edinburgh Festival Fringe, in August 2008. It was awarded a Fringe First Award and the Carol Tambor 'Best of Edinburgh' Award. The production transferred to Performance Space 122, New York, as part of the COIL Festival, in January 2009, and then to Trafalgar Studios, London, in July 2009. In its original performances, each audience voted for four of the eight monologues that they wished to see, resulting in a different line-up at every performance. A ninth unperformed monologue is included in this edition. The monologues are ideal for performance by student and amateur groups; any number and any combination can be performed. They also provide excellent opportunities for actors looking for audition material.

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Did You Know? Overlooking Ballymena, Slemish Mountain was believed to be the first home of St Patrick in Ireland. His footprint is said to be indented in a stone close to Skerry churchyard. The ‘sport’ of rat racing thrived on the shores of Lough Neagh in the 1960s, with the annual championships taking place in Norman Wilson’s bar in the main street of Crumlin. In January 1998, a 16-year-old Glengormley schoolgirl became one of the youngest National Lottery millionaires when she picked up £1,055,101 for choosing the six winning numbers. The Little Book of Antrim is a compendium of fascinating, obscure, strange and entertaining facts about County Antrim. Here you will find out about Antrim’s people and places, its business and industry, its spectacular coasts and glens and its proud sporting heritage. Across quaint villages and bustling towns, this book takes the reader on a journey through County Antrim and its vibrant past.A reliable reference book and a quirky guide, this can be dipped into time and again to reveal something new about the people, the heritage and the secrets of this ancient county.

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My Little Occult Book Club is a hilarious collection of Steven Rhodes’ parody book covers for the aspiring occultist, exorcist, necromancer, and more, illustrated in his fan-favorite artistic twist on retro '70s and '80s children's books. The humorous fake titles include Sell Your Soul! (Economics for Children), Necromancy for Beginners, and Caring for Your Demon Cat, and much more. • Written in a playful voice that parodies subscription book catalogs • Features puzzles, activities, and even a free fold-out poster • Funny fake mail order offers for gifts such as "Cursed Videocassette" Whether you're looking for a health guide for your changing werewolf body or a simple introduction to alien abduction, this silly and twisted read features a wide selection of books for any occult need. For fans of dark humor, nostalgic horror, and vintage books alike, don't wait—order today! • Perfect gift for fans of Stranger Things, IT, and The Chilling Adventures of Sabrina • Add it to the shelf with books like Yiddish with Dick and Jane by Ellis Weiner and Barbara Davilman and My Best Friend's Exorcism: A Novel by Grady Hendrix

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The Lumberjanes find a treasure map that leads to them to a buried prize...which comes to life and threatens to drain all the magic from the woods around them. That definitely sounds like the opposite of what they wanted! X MARKS THE SPOT...FOR TROUBLE! Ripley found a treasure map! The Roanoke scouts are eager to hunt down what they hope might be some kind of mystical hoard of gems and jewels, rad dinosaur bones, or maybe even more treasure maps (that you have to piece together to find an EVEN BIGGER prize, obviously)! What they end up finding is scattered pieces of an ancient Greek statue of a woman, who, when assembled, comes back to life as a vindictive ex-goddess!n. And she's looking to satisfy her hunger after thousands of years frozen in stone by draining any nearby magical resource...starting with the ‘Janes! Writers Shannon Watters and Kat Leyh (Super Cakes) and artist Dozerdraws hunt for gold in the newest collection of stories from the New York Times bestseller and multiple Eisner Award and GLAAD Award-winning series where the ultimate treasure is friendship! Collects Lumberjanes #53-56.

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'A writer at the very height of his powers' – Ian RankinPlaying With Fire is the fourteenth novel in Peter Robinson's Inspector Banks series, following on from The Summer That Never Was.In the early hours of a cold January morning, two narrowboats catch fire on a dead-end stretch of the Eastvale canal. When signs of accelerant are found at the scene, DCI Banks and DI Annie Cabbot are summoned. But by the time they arrive, only the smouldering wreckage is left, and human remains have been found on both boats.The evidence points towards a deliberate attack. But who was the intended victim? Was it Tina, the sixteen-year-old who had been living a drug-fuelled existence with her boyfriend? Or was it Tom, the mysterious, lonely artist?As Banks makes his enquiries, it appears that a number of people are acting suspiciously: the interfering 'lock-keeper', Tina's cold-hearted stepfather, the wily local art dealer, even Tina's boyfriend . . .Then the arsonist strikes again, and Banks's powers of investigation are tested to the limit . . .The Inspector Banks books became the major British ITV crime drama DCI Banks. Continue the series with Strange Affair.

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The New York Time's bestseller from coauthor of Five Feet Apart and She Gets the Girl comes a fresh and inventive sapphic romantic comedy that’s What If It’s Us meets Bridgerton. What if you found a once-in-a-lifetime love…just not in your lifetime? Seventeen-year-old Audrey Cameron has lost her spark. After an embarrassing run-in with her ex-boyfriend, she’s told that she needs to get back out there and take risks. What she doesn't expect is to be transported to Regency England! Lucy Sinclair has her own problems – stifled by her father and trying to avoid an unwanted marriage proposal – when Audrey lands into her life, claiming to be from two hundred years in the future, it's a welcome distraction. While the girls try to understand what’s happening and how to send Audrey home, their sparks make a comeback in a most unexpected way - instead of falling for their suitors and the happily-ever-afters everyone expects of them, they fall for each other. Can their love story survive impossible circumstances?A swoony time-travelling YA romance set in the regency era about finding your spark – a lesbian Jane Austen story.

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When the Space Shuttle Challenger exploded on January 28, 1986, millions of Americans became bound together in a single, historic moment. Many still vividly remember exactly where they were and what they were doing when they heard about the tragedy. Diane Vaughan recreates the steps leading up to that fateful decision, contradicting conventional interpretations to prove that what occurred at NASA was not skullduggery or misconduct but a disastrous mistake. Why did NASA managers, who not only had all the information prior to the launch but also were warned against it, decide to proceed? In retelling how the decision unfolded through the eyes of the managers and the engineers, Vaughan uncovers an incremental descent into poor judgment, supported by a culture of high-risk technology. She reveals how and why NASA insiders, when repeatedly faced with evidence that something was wrong, normalized the deviance so that it became acceptable to them. In a new preface, Vaughan reveals the ramifications for this book and for her when a similar decision-making process brought down NASA's Space Shuttle Columbia in 2003.

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The definitive biography of the world's most important body of water – the Atlantic. One hundred and ninety million years ago, the shifting of two of the world's tectonic plates led to the creation of an immense chasm. This giant gash in the flanks of the planet slowly opened up and eventually evolved into the most important and most travelled ocean in our world. In this utterly original biography, Simon Winchester explores the life of the Atlantic; it's birth, its relationship with mankind, and what lies in store for it once man has left the stage. He charts the development of the first settlements by the Oceanside – the communities of Celts and Vikings and whose lives depended on the sea – and delves into the age of exploration, venturing to forgotten worlds. The building of some of the world's most beautiful port cities – London, Rio de Janeiro, New York, Casablanca – is also examined, along with the creation of settlements and colonies in and around the sea. Completely unique and highly readable, Atlantic takes its reader on a wonderful journey through time, along the waves of our planet's most significant ocean.

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Arthur Henry Peppercorn, OBE (29 January 1889 - 3 March 1951) was the last Chief Mechanical Engineer (CME) of the London and North Eastern Railway. Peppercorn finished several projects which were started by his predecessor Edward Thompson, but most popular were his LNER Peppercorn Class A1 and the LNER Peppercorn Class A2 . These were known as some of the best British steam locomotives ever in service. Upon nationalisation and the foundation of British Railways, he continued in essentially the same job, now titled "Chief Mechanical Engineer, Eastern and North Eastern Regions"; he retired at the end of 1949, two years after nationalisation. Only one of his famous Pacific locomotives, a LNER Peppercorn Class A2, 60532 Blue Peter, was preserved, but none of the LNER Peppercorn Class A1. However, a brand new A1, 60163 Tornado, built as the next in the class, has been constructed. It moved under its own steam for the first time in August 2008. The book will detail Peppercorn's life with as many personal pictures as possible. It will include black and white and colour pictures of 49 of his A1 locomotives and 15 of his A2 locomotives. The pictures will show the locomotives under construction, from the lineside and on shed.

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From ancient Greece and Rome (Sappho, Marcellus Empiricus) to the current Covid 19 crisis (Eavan Boland's 'Quarantine'), poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing is a small treasury of their words, illuminating many different experiences of illness, injury and convalescence, from John Donne's 'Hymne to God My God, In My Sicknesse' to Thom Gunn's 'The Man with Night Sweats'; from Anne Finch's 'Spleen' to Jane Kenyon's 'Prognosis'; from Emily Dickinson's 'The Soul has Bandaged moments' to Seamus Heaney's 'Miracle'. Here are poems from around the world, by Baudelaire, Hugo, Rudaki and Cavafy; by Masaoka Shiki, Miroslav Holub and Zbigniew Herbert. Shakespeare and Milton; Tennyson and Emily Bronte; Charlotte Mew, Sylvia Plath, Wallace Stevens, W. H. Auden, Tony Harrison and Carol Ann Duffy are all present at the sickbed. Messages of hope in the midst of pain - in such masterpieces as Adam Zagajewski's 'Try to Praise the Mutilated World', Wislawa Szymborska's 'The End and the Beginning' and Stevie Smith's 'Away, Melancholy' - make this a perfect gift for anyone on the road to healing.

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Richard Osman meets MasterChef. In this cookery school, murder is on the menu...'Delicious fun!' Tess Gerritsen'Knife Skills for Beginners is a joy.' S. J. Bennett‘A deliciously dark slice of murder and mystery.’ Chris Whitaker'If Ruth Rendell had teamed up with Delia Smith they’d have produced something like this.’ J. M. Hall‘Dazzlingly sharp with a wit that sparkles off the page.' Jane CorryA recipe for disaster.When chef Paul Delamare takes a job teaching at an exclusive residential cookery school in Belgravia, the only thing he expects his students to murder is his taste buds. But on the first night, the unthinkable happens: someone turns up dead...The school rests on a knife-edge.The police are convinced Paul is the culprit. After all, he’s good with a blade, was first on the scene – and everyone knows it doesn’t take much to push a chef over the edge. To prove his innocence, he must find the killer. Could it be one of his students? Or the owner of the school – a woman with secrets and a murky past?It all boils down to murder.If Paul can’t solve the mystery fast – as well as teach his students how to make a perfect hollandaise sauce – he’ll be next to get the chop.

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The historic 872 day siege of Leningrad by German Army Group North began in earnest on 8 September 1941 and was not lifted until 27 January 1944\. During this period the Red Army made numerous desperate attempts to break the blockade, which the Nazis and their Spanish and Finnish allies doggedly resisted. Eventually, due to overwhelming enemy pressure, Hitler's forces were compelled to retreat, but not before looting and destroying numerous historic palaces and landmarks and looting their priceless art collections. The bitter and prolonged fighting often under appalling climatic conditions resulted in many thousands of casualties for both sides from direct action and constant indirect artillery and air attack. Arguably most shocking was the loss of life due to the systematic starvation of the civilian population trapped inside and the intentional destruction of its buildings. Drawing on a superb collection of rare and unpublished photographs with detailed captions and explanatory text, this dramatic book vividly portrays every aspect of the siege which has the dubious claim of being arguably the most costly in human and material terms of any in recent military history.

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Written from an insider’s extraordinary working encounters and packed with never-seen-before pictures, this compelling and entertaining compendium of astonishing (and often hilarious) anecdotes, is a must-read for anyone who appreciates the sounds and sights of the 70s, 80s and 90s. Fascinating encounters and working relationships with over fifty global super-stars - from Madonna to Miles Davis, David Bowie, Little Richard, Ozzy Osbourne, Bryan Ferry, Malcolm Maclaren, Sting, Elton John, Jane Fonda and many more, are described with wry humour. Amongst many, there are first-hand tales of the great Miles Davis being ordered to stop playing his trumpet (“that thing”) in a Newcastle pub; Chris paying Madonna’s train fare (standard class) with cash in brown envelope; Red Hot Chilli Peppers playing on top of a giant hot dog in Hollywood, and a meeting with Grace Jones wearing a Micky Mouse hat in Birmingham Botanical Gardens. “Namedropper – an unorthodox biography” is jam-packed with similar observations and anecdotes on the rich and famous of the day and is written with huge warmth and wit by broadcaster, film maker and former producer of Channel 4’s The Tube, Chris Phipps.

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The Christmas Jigsaw Murders, the brand new Alexandra Benedict novel, is out now.CAN YOU SOLVE THE CASE? 'Whatever you unwrap for Christmas, you had better hope it’s this book. This is 21st-century cosy Christmas crime that doesn’t shy away from the darkness. Eighteen passengers, seven stops, one killer Christmas read' JANICE HALLETT 'The perfect book to read on a train . . . A thrilling journey from start to finish. Highly recommended' ELLY GRIFFITHS 'It’s wonderful! A page-turning homage to the Golden Age, with a dash of Poirot and a dark, modern heart' S J BENNETT Eighteen passengers. Seven stops. One killer. In the early hours of Christmas Eve, the sleeper train to the Highlands is derailed, along with the festive plans of its travellers. With the train stuck in snow in the middle of nowhere, a killer stalks its carriages, picking off passengers one by one. Those who sleep on the sleeper train may never wake again. Can former Met detective Roz Parker find the killer before they kill again?All aboard for . . . Murder on the Christmas Express.

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Katalog zur Ausstellung der Staatlichen Graphischen Sammlung München in der Pinakothek der Modernevom 13. Oktober 2018 bis 6. Januar 2019 Die italienische Kunst fand in der Monumentalmalerei der Renaissance und des Barock zu faszinierenden, oft überwältigenden Lösungen. Michelangelos »Sixtinische Decke«, das »Jüngste Gericht«, Fresken Raffaels und Annibale Carraccis zählen zu den eindrucksvollsten Schöpfungen der Kunstgeschichte. Über Jahrhunderte hinweg prägten Holzschnitte, Kupferstiche und Radierungen die Vorstellung von diesen Meisterwerken maßgeblich mit. Welche Strategien wurden entwickelt, die Dekorationen druckgraphisch zu inszenieren? Wie gelang es, Kuppelmalereien in die ebene Fläche des Papiers zu übertragen? Antwort auf diese Fragen geben hochkarätige Blätter und Montagen von Mantegna bis Tiepolo, von Andrea Andreani, Giulio Bonasone bis Carlo Cesio. Die Staatliche Graphische Sammlung München stellt in einer Überschau herausragende Beispiele dieses bisher wenig beachteten Zweiges der Druckgraphik in den Mittelpunkt. Der Ausstellungskatalog zeigt, wie sich Kunst in neue Kunst verwandelt, wie Komplexes und Großes ins leicht Lesbare und Handliche der Graphik übersetzt wurde. Neben ausgewählten Hauptwerken erfasst der Katalog den Gesamtbestand von fast 1.000 Blättern nach Wand- und Deckenbildern, unter anderem aufgeschlüsselt nach Druckgraphikern, erfi ndenden Malern und Orten.

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At the height of the Lebanese civil war in the 1980s over 100 foreign civilians were taken hostage by Islamic Jihad. As the Archbishop of Canterbury’s special envoy, Terry Waite conducted several successful missions to negotiate the release of numerous hostages. But in January 1987, while on one of his many visits to Beirut, he was captured himself. Imprisoned for nearly five years, four of them in solitary confinement, he was chained, beaten, frequently blindfolded, and subjected to a mock execution. In this moving sequence of poems and reflections Terry Waite recalls the highs and lows of his life, both during that ordeal and throughout the happier years of humanitarian work that have followed. They give us a glimpse into the depths of faith, hope and love that sustained him through that intense time of suffering. They also take us into memories of his later life, reminding us of the joy to be found in meaningful work, and in the humanity we share with those around us. Out of the Silence not only offers a rare insight into one man’s experience in the throes of a bitter conflict of the past; it also bears witness to the enduring power of forgiveness, truth and reconciliation in the face of adverse forces still at work in the world today.

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During the second half of 1943, after the failure at Kursk, Germany’s Army Group South fell back from Russia under repeated hammerblows from the Red Army. Under Erich von Manstein, however, the Germans were able to avoid serious defeats, while at the same time fending off Hitler’s insane orders to hold on to useless territory. Then, in January 1944, a disaster happened. Six divisions of Army Group South became surrounded after sudden attacks by the 1st and 2nd Ukrainian Fronts under command of generals Nikolai Vatutin and Ivan Konev around the village of Korsun (near the larger town of Cherkassy on the Dnieper). The Germans’ greatest fear was the prospect of another Stalingrad, the catastrophe that had occurred precisely one year before. This time, though, von Manstein was in control from the start, and he immediately rearranged his Army Group to rescue his trapped divisions. A major panzer drive got underway, led by General der Panzertruppen Hans Hube, a survivor from Stalingrad pocket, which promptly ran up against several soviet tank armies. Leading the break-in was Franz Baeke with his Tiger and Panther-tanks. Due to both weather and ferocious resistance, the German drive stalled. Ju-52s still flew into Korsun’s airfield, delivering supplies and taking out the wounded, but it soon became apparent that only one option remained for the beleaguered defenders: breakout. Without consulting Hitler, on the night of February 16 von Manstein ordered the breakout to begin. When dawn broke, the Soviets realized their prey was escaping. Although the Germans within the pocket lost nearly all of their heavy weapons and left many wounded behind, their escape was effected. Stalin, having anticipated another Stalingrad, was left with little but an empty bag, as Army Group South, this time, had pulled off a rescue. In The Korsun Pocket, Niklas Zetterling, a researcher at the Swedish Defense College since 1995 and Anders Frankson, have provided a highly detailed and often breathtaking account of one of the most dramatic battles of World War II.

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In the spring of 1576, the Health Office of Venice, fearful of a growing outbreak of plague, imposed a quarantine upon the city. The move was controversial, with some in power questioning the precise nature of the disease and concerned about the economic and political impact of the closure. A tribunal of physicians was summoned by the Doge, among them Girolamo Mercuriale, professor of medicine in nearby Padua and perhaps the most famous physician in all of Europe. Whatever the disease was that was affecting Venice, Mercuriale opined, it was not and could not be plague, for it was neither fast-moving nor widespread enough for that diagnosis. Following Mercuriale's advice and against the objections of the Health Office of the Republic, the quarantine was lifted. The rejoicing of the Venetian populace was short-lived. By July 1577, when the outbreak had run its course, the plague had killed an estimated 50,000 Venetians, or approximately a third of the city's population. In January 1577, in the midst of a plague he now recognized he had misdiagnosed, Mercuriale offered a series of lectures from his seat in Padua. Published under the title On Pestilence, the work surveyed past epidemics, including the Justinianic Plague of the sixth century and the Black Death of the fourteenth, and accounts of plague in Hippocrates, Galen, Avicenna, and other sources. Plague, Mercuriale pronounced, was characterized by its lethal nature and the rapidity with which it spread. He contended it was primarily airborne and was not caught through microbial transmission, but because the air itself became pestiferous and promoted putrefaction. Using his observations, he evaluated recently developed theories of contagion and concluded that pestiferous vapors could also emanate from the diseased bodies of its victims, and that one might also contract the disease from the contaminated clothing or bedding of the ill. In Craig Martin's translation, On Pestilence appears for the first time in English, accompanied by an introduction that places the work within the context of sixteenth-century Italy, the history of medicine, and our own responses to epidemic disease.

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“The book will form a solid foundation to support the transition of students into the world of work or further research.”Professor Jane M Binner, Chair of Finance, Department of Finance, University of Birmingham, UK“In over 20 years of teaching quantitative methods, I have rarely come across a book such as this which meets/exceeds all the expectations of its intended audience so well”Tuan Yu, Lecturer, Kent Business School, Canterbury, UK“This is a fantastic book for anyone wanting to understand, learn and apply quantitative methods in finance using R” Professor Raphael Markellos, Professor of Finance, Norwich Business School, UKQuantitative Methods in Finance Using R draws on the extensive teaching and research expertise of John Fry and Matt Burke, covering a wide range of quantitative methods in Finance that utilise the freely downloadable R software. With software playing an increasingly important role in finance, this book is a must-have introduction for finance students who want to explore how they can undertake their own quantitative analyses in dissertation and project work.Assuming no prior knowledge, and taking a holistic approach, this brand new title guides you from first principles and help to build your confidence in tackling large data sets in R. Complete with examples and exercises with worked solutions, Fry and Burke demonstrate how to use the R freeware for regression and linear modelling, with attention given to presentation and the importance of good writing and presentation skills in project work and data analysis more generally.Through this book, you will develop your understanding of:•Descriptive statistics•Inferential statistics•Regression•Analysis of variance•Probability regression models•Mixed models•Financial and non-financial time seriesJohn Fry is a senior lecturer in Applied Mathematics at the University of Hull. Fry has a PhD in Mathematical Finance from the University of Sheffield. His main research interests span mathematical finance, econophysics, statistics and operations research. Matt Burke is a senior lecturer in Finance at Sheffield Hallam University. He holds a PhD in Finance from the University of East Anglia. Burke’s main research interests lie in asset pricing and climate finance.

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New recruits. New technology. New threats. SHADO is nearly fully operational, but the alien menace is intensifying at a greater rate than the fledgling organisation can cope with. Under ever-increasing pressures, Straker is repeatedly put to the test. Facing unimaginable weaponry, warring factions, and near-insurmountable personal strain - can the man leading the fight to defend Earth survive? Contains three new stories; 2.1 Lost in Action. An unexpected confrontation at 30,000 feet leads to a civilian casualty. With no other options, Straker must recruit this stubborn but brave pilot to join SHADO. Meanwhile, Straker’s team orders the early activation of Moonbase - without his consent. It’s just in time. Now, the nascent organisation is being put to the ultimate test, and SHADO’s latest recruit will have put his life on the line. 2.2 Assassination Time. In the wake of loss, SHADO’s problems are brought into sharp focus by a series of unexpected and inexplicable events. A new threat from the aliens emerges - one that the organisation is illequipped to deal with. With few options left, Straker must follow his instincts and put SHADO’s survival in the hands of a traitor. 2.3 Breaking Point. SHADO faces a severe security breach, swiftly followed by the most intense and highlycoordinated alien threat it has ever seen. Straker now faces unimaginable pressures from every angle. The strain on him, and his organisation, reach impossible levels. Mistakes will be made. Lives will be lost. Could this be the end? Based on the original tv series created by Gerry and Sylvia Anderson. UFO © ITC Entertainment Group Limited 1970. Licensed by ITV Ventures Limited. All rights reserved. CAST: Barnaby Kay (Commander Ed Straker), Jeany Spark (Lieutenant-Colonel Virginia Lake), Hywel Morgan (Paul Foster), Samuel Clemens (Colonel Alec Freeman), Nicholas Briggs (Dave Jansen / Richard Craven / Dr Schroeder / Jeff Randolph), Wayne Forester (SID / Gallison / Melville Hopkins / Radley), Charlotte Harris (Mary Straker / Captain Georgia Maxwell / Miss Ealand), Lynsey Murrell (Lieutenant Gay Ellis), George Naylor (Johnnie Straker / Lieutenant Ford). Other parts played by members of the cast.

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Singapore and Hong Kong had fallen to the forces of Imperial Japan, Thailand and Burma had been invaded and islands across the Pacific captured. But one place, one tiny island fortress garrisoned by a few thousand hungry and exhausted men, refused to be beaten. That island fortress was Corregidor which guarded the entrance to Manila Bay and controlled all sea-borne access to Manila Harbour. At a time when every news bulletin was one of Japanese success, Corregidor shone as the only beacon of hope in the darkness of defeat. The Japanese 14th Army of Lieutenant General Masaharu Homma, threw everything it had at Corregidor, officially named Fort Mills. But deep within the island's rocky heart, a tunnel had been excavated into Malinta Hill and there the US troops, marine, naval and army, endured the terrible onslaught. At their head was General Douglas MacArthur who became a national hero with his resolute determination never to surrender, until ordered to evacuate to Australia to avoid such a senior officer being captured by the enemy. Bur with his departure, the rest of the garrison knew that there was no possibility of relief. They would have to fight on until the bitter end, whatever form that might take. That end came in May 1942\. The defenders were reduced to virtually starvation rations with many of them wounded. Consequently, when, on 5 May the Japanese mounted a powerful amphibious assault, the weakened garrison could defy the enemy no longer. Corregidor, the 'Gibraltar of the East', finally fell to the invaders. Those invaders were to become the invaded when MacArthur returned in January 1945\. For three weeks, US aircraft, warships and artillery hammered the Japanese positions on Corregidor. Then, on 16 February, the Americans landed on the island. It took MacArthur's men ten days to hunt down the last of the Japanese, after many had chosen to commit suicide rather than surrender, but Corregidor was at last back in Allied hands. In this unique collection of images, the full story Corregidor's part in the Second World War is dramatically revealed. The ships, the aircraft, the guns, the fortifications and the men themselves, are shown here, portraying the harsh, almost unendurable, realities of war.

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Launched in 2011 as online magazine to revive the great American tradition of the long-form literary and cultural arts review, the Los Angeles Review of Books has established itself as a new institution for writers and readers unlike anything else. A nonprofit, multimedia literary and cultural arts magazine, LARB combines serious book review with the evolving technologies of the web. The LARB Quarterly Journal reflects the best that this institution has to bring to readers all over the world. Cultivating a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah), LARB achieves a certain tone that readers expect and enjoy: looser and more eclectic than other journals, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on Los Angeles either. The LARB Quarterly Journal builds on the best aspects of the online magazine and proves that long-form literary and cultural arts review is alive and well.

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The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled "The Death of the Book." The gesture was meant to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist? The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either. The new LARB print quarterly builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

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In the middle decades of the nineteenth century Jeremiah G. Hamilton was a well-known figure on Wall Street. Cornelius Vanderbilt, America's first tycoon, came to respect, grudgingly, his onetime opponent. The day after Vanderbilt's death on January 4, 1877, an obituary acknowledged that "There was only one man who ever fought the Commodore to the end, and that was Jeremiah Hamilton." Hamilton, although his origins were lowly, possibly slave, was reportedly the richest black man in the United States, possessing a fortune of $2 million, or in excess of two hundred and $50 million in today's currency. In this ground-breaking and vivid account, eminent historian Shane White reveals the larger than life story of a man who defied every convention of his time. He wheeled and dealed in the lily white business world, he married a white woman, he bought a mansion in rural New Jersey, he owned railroad stock on trains he was not legally allowed to ride, and generally set his white contemporaries teeth on edge when he wasn't just plain outsmarting them. An important contribution to American history, the Hamilton's life offers a way into considering, from the unusual perspective of a black man.

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'I delight in this work', wrote the young Victoria shortly after she became Queen. She was an engaging creature, high-spirited and eager to be 'amused'. But her early years were difficult ones. Fatherless from the age of eight months, she was brought up at Kensington Palace in an atmosphere thick with family feuds, backbiting and jealousy - the focus of conflicting ambitions. Though her uncle William IV was anxious to bring her into Court circles, her German mother and the calculating John Conroy were equally determined that she should remain under their control. The 'little Queen', who succeeded to the throne a month after her eighteenth birthday, was greeted by a unanimous chorus of praise and admiration. She embraced the independence of her position and often forced her will on those around her. She met and married Albert, marking the end of her childhood and the beginning of a glorious legend. Alison Plowden was one of the most successful and popular historians of British history. Her bestselling books include: The House of Tudor, The Young Elizabeth, Lady Jane Grey and Danger to Elizabeth, all of which are available from The History Press.

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Dr. Bill Brockton-founder of the University of Tennessee's macabre Body Farm-has enjoyed professional acclaim and personal contentment in the years since he once came close to losing his wife and son at the hands of a serial killer. The pioneering research done at the Body Farm, and Brockton's forensic expertise, have earned him respect, renown, and high-profile cases.Now the FBI has asked Brockton to help identify the remains of a pilot killed in a suspicious, fiery plane crash. Are the charred bones indeed those of maverick humanitarian Richard Janus And was the nighttime crash an accident, a suicide-or a murderBut a storm is about to hit Brockton with cataclysmic force. First, he discovers he's landed in the middle of a nasty political battle. Then his identification of the crash victim is called into question, as is the future of his research facility. Reeling from these blows, he receives a gruesome threat from the killer who nearly murdered the Brocktons more than a decade before. But Brockton gets the most shocking news of all from his beloved Kathleen.Will the legendary Dr. Bill Brockton be pushed beyond his breaking point

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'a wonderfully atmospheric tale ... offers a brief, magical escape to a kinder, simpler time' – Roger Cox, The Scotsman It's 1968, and the fishermen of Kinloch are preparing to celebrate the old New Year on the twelfth of January. The annual pilgrimage to the Auld Stones is a tradition that goes back beyond memory, and young Hamish, first mate on the Girl Maggie, is chuffed that he’s been invited to this exclusive gathering – usually reserved for the most senior members of Kinloch's fishing community. Meanwhile, it appears that the new owners of the Firdale Hotel are intent upon turning their customers teetotal, such is the exorbitant price they are charging for whisky. Wily skipper Sandy Hoynes comes up with a plan to deliver the spirit to the thirsty villagers at a price they can afford through his connections with a local still-man. But when the Revenue are tipped off, it looks as though Hoynes and Hamish’s mercy mission might run aground. Can the power of the Auld Stones come to their rescue, and is the reappearance of a face from Hoynes' past a sign for good or ill?

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** A WATERSTONES SCOTTISH BOOK OF THE MONTH ** ** SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD ** 'One of the Scottish crime books of the year. I loved it' CHRIS BROOKMYRE 'Heart-warming, heart-breaking and utterly compelling' MARION TODD 'Excellent' HERALD THE GREATEST DANGERS LIE BEHIND CLOSED DOORS... Twelve-year-old Lesley has lived in the Homes since she was three weeks old, just one of a thousand unwanted children who occupy the village-like estate in the lowlands of Scotland in the 1960s. Life for her and her best friend Jonesy has been hard, and often cruel, but never dangerous. Until now. A girl is found dead at the Homes, soon followed by another. With the police unable to catch the killer, Lesley and Jonesy decide to take matters into their own hands. But unwanted children are easy victims, and the closer they get to the truth, the more they will put themselves in terrible danger... Inspired by a true story, and introducing readers to the unforgettable voice of young orphan Lesley, The Homes is a moving and lyrical thriller, perfect for readers of Val McDermid, Chris Whitaker, Jane Casey and Denise Mina.

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Richard Osman meets MasterChef. In this cookery school, murder is on the menu...'Delicious fun!' Tess Gerritsen'Knife Skills for Beginners is a joy.' S. J. Bennett‘A deliciously dark slice of murder and mystery.’ Chris Whitaker'If Ruth Rendell had teamed up with Delia Smith they’d have produced something like this.’ J. M. Hall‘Dazzlingly sharp with a wit that sparkles off the page.' Jane CorryA recipe for disaster.When chef Paul Delamare takes a job teaching at an exclusive residential cookery school in Belgravia, the only thing he expects his students to murder is his taste buds. But on the first night, the unthinkable happens: someone turns up dead...The school rests on a knife-edge.The police are convinced Paul is the culprit. After all, he’s good with a blade, was first on the scene – and everyone knows it doesn’t take much to push a chef over the edge. To prove his innocence, he must find the killer. Could it be one of his students? Or the owner of the school – a woman with secrets and a murky past?It all boils down to murder.If Paul can’t solve the mystery fast – as well as teach his students how to make a perfect hollandaise sauce – he’ll be next to get the chop.

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On 20 January 1973, the Bissau-Guinean revolutionary Amílcar Cabral was killed by militants from his own party. Cabral had founded the PAIGC in 1960 to fight for the liberation of Portuguese Guinea and Cape Verde. The insurgents were Bissau- Guineans, aiming to get rid of the Cape Verdeans who dominated the party elite. Despite Cabral's assassination, Portuguese Guinea became the independent Republic of Guinea- Bissau. The guerrilla war that Cabral had started and led precipitated a chain of events that would lead to the 1974 Carnation Revolution in Lisbon, toppling the forty-year-old authoritarian regime. This paved the way for the rest of Portugal's African colonies to achieve independence. Written by a native of Angola, this biography narrates Cabral's revolutionary trajectory, from his early life in Portuguese Guinea to his death at the hands of his own men. It details his quest for national sovereignty, beleaguered by the ethnic-based identity conflicts the national liberation movement struggled to overcome. Through the life of Cabral, António Tomás critically reflects on existing ways of thinking and writing about the independence of Lusophone Africa.

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Sally Magnusson brings together thirty well-known names together to discuss their most sacred spots.Including James Cosmo, Judy Murray, Anna Campbell-Jones, Val McDermid, Kieron Achara, Chris Hoy, Linda Bauld, Rhona Cameron, Eddi Reader, Clive Russell, Gordon Campbell Gray, John Colquhoun, Nati Dreddd, Kezia Dugdale, Janice Kirkpatrick, Sue Lawrence, Gemma Lumsdaine, Shauna MacDonald, Catriona Matthew, Danni Menzies, Gordon & Vanessa Quinn, Roza Salih, Richard Scott, Tony Singh, Victoria Stapleton, Alexander Stoddart, Grant Stott and Laura Young.Through in-depth interviews we delve into the minds of each personality as they explore the joyful, treasured, painful and inspirational moments we all share throughout life. Alongside stunning photography by Susie Lowe, My Perfect Place in Scotland is a captivating collection which highlights the importance of supporting mental health and wellbeing and reveals the special places where we choose to spend our time, which mean so much more than just a pretty view.A royalty of 5% of net receipts from the sale of every copy of My Perfect Place in Scotland sold will be made to SAMH (Scottish Association for Mental Health, Scottish Charity No. SC-008897)

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*Highly Commended by the British Records Association for the 2019 Janette Harley Prize* In September 1943, at the height of World War II, the Aegean island of Leros became the site of the most pivotal battle of the Dodecanese campaign as the British tried, in vain, to retain control of the island. Over the course of two short months - from 15 September 1943 to 17 November 1943 - almost 1500 men lost their lives and hundreds more ended up in Prisoner-of-War camps. In this book, Julie Peakman, a modern-day resident of Leros, brings to life the story of the men caught up in the battle based on first-hand interviews and written accounts including diaries, letters and journals. She tells of the preparations of the soldiers leading up to the battle, the desperate hand-to-hand fighting, and the suffering endured from continual bombings. She also shows the extent of the men's despair at the allied surrender, the many subsequent daring escapes as well as the terrible years of incarceration for those who were captured and imprisoned. Many of the heart-rending accounts of the battle are told here for the first time, providing a unique eyewitness take on this forgotten corner of World War II.

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'Another dark parable of society's vilification of women. Intelligent... A tantalizing investigation' Kate Colquhoun. On the night of 3 October 1922, in the quiet suburb of Ilford, Edith Thompson and her husband Percy were walking home after an evening spent at a London theatre, when a man sprang out of the darkness and stabbed Percy to death. The assailant was Frederick Bywaters, a twenty-year-old merchant seaman who had been Edith's lover. When the police learned of his relationship with Edith, she was arrested as his accomplice, despite protesting her innocence. The remarkably intense love letters Edith wrote to Freddy – some of them couched in ambiguous language – were read out at their trial for murder at the Old Bailey. They would seal her fate: Edith and Freddy were hanged for the murder of Percy Thompson in January 1923. Freddy was demonstrably guilty; but was Edith truly so? In shattering detail and with masterful emotional insight, Laura Thompson charts the course of a liaison with thrice-fatal consequences, and investigates what the trial and execution of Edith Thompson tell us about perceptions of women in early twentieth-century Britain.

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Country & Townhouse's Best Book for Christmas, 2018A delectable anthology celebrating the finest writing on wine.In this richly literary anthology, Jay McInerney - bestselling novelist and acclaimed wine columnist for Town & Country, the Wall Street Journal and House and Garden - selects over twenty pieces of memorable fiction and nonfiction about the making, selling and, of course, drinking of fine wine.Including excerpts from novels, short fiction, memoir and narrative nonfiction, Wine Reads features big names in the trade and literary heavyweights alike. We follow Kermit Lynch to the Northern Rhône, while long-time New Yorker writer A. J. Liebling raises feeding and imbibing on a budget in Paris into something of an art form. Michael Dibdin's fictional Venetian detective Aurelio Zen gets a lesson in Barolo, Barbaresco and Brunello vintages from an eccentric celebrity, and writer and gourmet Joseph Wechsberg visits the medieval Château d'Yquem to sample different years of the roi des vins. Also showcasing an iconic scene from Rex Pickett's Sideways and work by Jancis Robinson, Roald Dahl, Auberon Waugh and McInerney himself, this is an essential volume for any disciple of Bacchus.

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In January 2012, creative writing professor and novelist Kyle Beachy published one of his first essays on skate culture, an exploration of how Nike's corporate strategy successfully gutted the once-mighty independent skate shoe market. Beachy has since established himself as skate culture's freshest, most illuminating, at times most controversial voice, writing candidly about the increasingly popular and fast-changing pastime he first picked up as a young boy and has continued to practice well into adulthood.What is skateboarding? What does it mean to continue skateboarding after the age of forty, four decades after the kickflip was invented? How does one live authentically as an adult while staying true to a passion cemented in childhood? How does skateboarding shape one's understanding of contemporary American life? Of growing old and getting married?Contemplating these questions and more, Beachy offers a deep exploration of a pastime-often overlooked, regularly maligned-whose seeming simplicity conceals universal truths. THE MOST FUN THING is both a rich account of a hobby and a collection of the lessons skateboarding has taught Beachy-and what it continues to teach him as he struggles to find space for it as an adult, a professor, and a husband.

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A Miscarriage of Justice examines women's reproductive health in relation to legal and medical policy in Rio de Janeiro, Brazil. After the abolition of slavery in 1888 and the onset of republicanism in 1889, women's reproductive capabilities—their ability to conceive and raise future citizens and laborers—became critical to the expansion of the new Brazilian state. Analyzing court cases, law, medical writings, and health data, Cassia Roth argues that the state's approach to women's health in the early twentieth century focused on criminalizing fertility control without improving services or outcomes for women. Ultimately, the increasingly interventionist state fostered a culture of condemnation around poor women's reproduction that extended beyond elite discourses into the popular imagination. By tracing how legal thought and medical knowledge became cemented into law and clinical practice, how obstetricians, public health officials, and legal practitioners approached fertility control, and how women experienced and negotiated their reproductive lives, A Miscarriage of Justice provides a new way of interpreting the intertwined histories of gender, race, reproduction, and the state—and shows how these questions continue to reverberate in debates over reproductive rights and women's health in Brazil today.

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Throughout the 1980s, Barricada, the official daily newspaper of the ruling Sandinista Front, played the standard role of a party organ, seeking the mobilize the Nicaraguan public to support the revolutionary agenda. Beyond the Barricades, however, reveals a story that is both more intriguing and much more complex. Even during this period of sweeping transformation and outside military siege, another, more professional agenda also motivated Barricada’s journalists and editors. When the Sandinistas unexpectedly fell from power in the 1990 elections, Barricada gained a substantial degree of autonomy that allowed it to explore a more balanced and nuanced journalism “in the national interest.” This new orientation, however, ran afoul of more orthodox party leaders, who gradually gained the upper hand in the bitter internal struggle that wracked the Sandinista Front in the early 1990s. The paper closed its doors in January 1998. Adam Jones’s outstanding study offers an unprecedented behin-the-scenes looks at Barricada’s two decades of evolution and dissolution. It also presents an intimate portrait of a key revolutionary institution and the memorable individuals who were a part of it.

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Elvis Presley's television debut in January 1956 is often cited as the moment when popular music and television came together. Murray Forman challenges that contention, revealing popular music as crucial to television years before Presley's sensational small-screen performances. Drawing on trade and popular journalism, internal television and music industry documents, and records of audience feedback, Forman provides a detailed history of the incorporation of musical performances into TV programming during the medium's formative years, from 1948 to 1955. He examines how executives in the music and television industries understood and responded to the convergence of the two media; how celebrity musicians such as Vaughn Monroe, Frank Sinatra, and Fred Waring struggled to adjust to television; and how relative unknowns with an intuitive feel for the medium were sometimes catapulted to stardom. Forman argues that early television production influenced the aesthetics of musical performance in the 1940s and 1950s, particularly those of emerging musical styles such as rock and roll. At the same time, popular music helped to shape the nascent medium of television—its technologies, program formats, and industry structures. Popular music performances were essential to the allure and success of TV in its early years.

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From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers’ Stories, Yvonne Tasker traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the Second World War, women were portrayed as auxiliaries, temporary necessities of “total war.” Later, nursing, with its connotations of feminine care, offered a solution to the “gender problem.” From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers’ Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, Tasker relates female soldiers’ provocative presence to contemporaneous political and cultural debates and to the ways that women’s labor and bodies are understood and valued.

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This book tells the remarkable stories of ten women whose inspirational lives and struggles exemplify the concerns and problems that other women have faced throughout the last two centuries. Each is the subject of a chapter devoted to her particular story and the times in which she lived. The nineteenth and twentieth centuries witnessed great changes in women's position in Scotland, and yet little is known about the achievements of the Scottish women who were the main agents of these changes. In presenting the life stories of ten women, William Knox provides evidence of the huge contribution made by women to the shaping of modern Scotland. At the same time he shows how the life histories of individuals can reveal previously dark corners of historical understanding and allow a more nuanced picture of Scottish society as a whole. Subjects include Jane Welsh Carlyle, brilliantly gifted, but married to the wayward and demandingThomas, Sophia Jex-Blake, Scotland's first female doctor, and Mary Slessor, the 'White Queen' missionary. Individually their biographies are full of drama and interest. Collectively they say about much the range of women's economic, social and political experience in the past two hundred years.

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The global trend toward democratization of the last two decades has been accompanied by the resurgence of various politics of "identity/difference." From nationalist and ethnic revivals in the countries of east and central Europe to the former Soviet Union, to the politics of cultural separatism in Canada, and to social movement politics in liberal western-democracies, the negotiation of identity/difference has become a challenge to democracies everywhere. This volume brings together a group of distinguished thinkers who rearticulate and reconsider the foundations of democratic theory and practice in the light of the politics of identity/difference. In Part One Jurgen Habermas, Sheldon S. Wolin, Jane Mansbridge, Seyla Benhabib, Joshua Cohen, and Iris Marion Young write on democratic theory. Part Two--on equality, difference, and public representation--contains essays by Anne Phillips, Will Kymlicka, Carol C. Gould, Jean L. Cohen, and Nancy Fraser; and Part Three--on culture, identity, and democracy--by Chantal Mouffe, Bonnie Honig, Fred Dallmayr, Joan B. Landes, and Carlos A. Forment. In the last section Richard Rorty, Robert A. Dahl, Amy Gutmann, and Benjamin R. Barber write on whether democracy needs philosophical foundations.

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By the age of eight, Charlotte Brontë had lost first her mother and then her two older sisters. Later, in a second wave of deaths, her brother and two younger sisters died, leaving her a sole survivor. With subtlety and imagination, Robert Keefe examines Brontë’s works as the creative response to these losses, particularly the loss of her mother. Terrified and yet fascinated by death, struggling with guilt, remorse, and a deep sense of rejection, Charlotte Brontë found in art a way to come to terms with death through its symbolic reenactment. In her earlier writings she created a fictional world marked by devices that allow her to control or deny death. In her later works these mechanisms evolved into mature expressions of a profound psychological reality. Brontë’s preoccupation with death is seen in her fiction in the recurring patterns of separation and exile. Keefe traces the development of these motifs in the juvenilia and the four novels: The Professor, Jane Eyre, Shirley, and Villette. Unique in its emphasis on the maternal relationships in Brontë’s life and art, this study also explores certain aspects of her life that have often puzzled biographers.

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“South America is not the poorest continent in the world, but it may very well be the most unjust.” This statement by Ricardo Lagos, then president of Chile, at the Summit of the Americas in January 2004 captures nicely the dilemma that faces Latin American countries in the wake of the transition to democracy that swept across the continent in the last two decades of the twentieth century. While political rights are now available to citizens at unprecedented levels, social and economic rights lag far behind, and the fledgling democracies struggle with long legacies of poverty, inequality, and corruption. Key to understanding what is happening in Latin America today is the relationship between the state and civil society. In this ambitious book, Philip Oxhorn sets forth a theory of civil society adequate for explaining current developments in a way that such controversial neoconservative theories as Francis Fukuyama’s liberal triumphalism or Samuel Huntington’s “clash of civilizations” cannot. Inspired by the rich political sociology of an earlier era and the classic work of T. H. Marshall on citizenship, Oxhorn studies the process by which social groups are incorporated, or not, into national socioeconomic and political development through an approach that focuses on the “social construction of citizenship.”

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The trajectory of Friedrich Nietzsche’s thought has long presented a difficulty for the study of his philosophy. How did the young Nietzsche—classicist and ardent advocate of Wagner’s cultural renewal—become the philosopher of Will to Power and the Eternal Return? With this book, Laurence Lampert answers that question. He does so through his trademark technique of close readings of key works in Nietzsche’s journey to philosophy: The Birth of Tragedy, Schopenhauer as Educator, Richard Wagner in Bayreuth, Human All Too Human, and “Sanctus Januarius,” the final book of the 1882 Gay Science. Relying partly on how Nietzsche himself characterized his books in his many autobiographical guides to the trajectory of his thought, Lampert sets each in the context of Nietzsche’s writings as a whole, and looks at how they individually treat the question of what a philosopher is. Indispensable to his conclusions are the workbooks in which Nietzsche first recorded his advances, especially the 1881 workbook which shows him gradually gaining insights into the two foundations of his mature thinking. The result is the most complete picture we’ve had yet of the philosopher’s development, one that gives us a Promethean Nietzsche, gaining knowledge even as he was expanding his thought to create new worlds.

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When Bruno Sacco walked through the doors on his first day at Mercedes-Benz on 13 January 1958 it is highly unlikely that his Daimler-Benz colleagues could ever imagine that this nervous young man would not only revolutionize design but would change the way design and innovation connected with brand tradition forever. Bruno Sacco is one of the most influential automotive designers of the late twentieth century; many models launched during his era now characterize the Mercedes-Benz brand. When Nik Greene asked Bruno Sacco to assist with this book, he replied humbly 'No-one designs a car alone, and more to the point, I never, for one minute, wanted to. From the moment I became Head of Design, I put down my pens and became a manager of minds.' With over 330 photographs and illustrations, this book includes an overview of the early days of functional vehicle design; the influence of safety on design evolution; protagonists of Daimler-Benz design from Hermann Ahrens to Paul Bracq; design philosophy and innovation under Bruno Sacco; the Sacco-designed cars and, finally, the Bruno Sacco legacy.

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Sew 19 simply embellished projects (with full-size patterns), including a card holder, coin purses, earbud holder, small wallets, pouches and organisers. These cute and useful bags are perfect for holding and organising all of your little things. Personalise the organisers with adorable embellishments and appliqués and use up your scraps, trims and other odds and ends in the process. Whip one up in an afternoon or bring your handwork with you - small pieces make these projects fun and easy to work on anywhere. Great to give as gifts or keep for yourself, these tiny bags will bring a smile to anyone's face. 'This is a fabulous glossy book with 19 projects to make. Sew Small has missed nothing out. It is easy to follow and each project can be done in a few hours or more.' Tracy Shepherd at Postcard Reviews '... I love making bags of various kinds... so when I saw this book, I thought I'd give it a go to see if it might have some different kinds of projects for me to make, and I wasn't disappointed!' https://janetgranger.wordpress.com 'The instructions have plenty of diagrams showing what to do and everything is laid out with double spacing giving it an airy, easy to read appearance.' www.myshelf.com

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