Search results for ""Author Jan"

'A warts-and-all memoir of an ex-cop from probationer days on. Fascinating' IAN RANKIN'A humane but unflinching look at the sharp end of contemporary policing' LUKE JENNINGS'I loved this book. Gritty and gripping, moving and shocking, this brilliant police memoir shows that life on the force really is different for girls' ERIN KELLY Welcome to London. Population: 8.7 million. And it's your job to keep them safe. A no-holds-barred account of life on the front line of policing, On the Line follows PC Alice Hearn throughout ten years in the Met, from rookie to constable. As she deals with violent criminals, heart-breaking domestic situations, petty crime, life, death, and everything in between, she builds up a portrait of a living, complex city, and what it means to look after it.'COMPELLING' Sunday Express 'EXTRAORDINARY' Mail on Sunday'I've never read such an authentic and interesting account of what it's like to be a female police officer' LOUISE VOSS'Deeply moving and inspiring' JANE CASEY'Alice Vinten is the real deal - all the thrills of a crime novel, only true' MEL MCGRATH 'Heartbreaking, funny and, most of all, honest' LISA CUTTS 'Compelling, honest and moving' LAURA WILSON

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A radical retelling of the most important event in English history - the Norman invasion of 1066. The Norman Conquest is the single most important event in English history. On this invasion and 'regime change' pivoted the second millennium of English history. This is well recognised, what is not is how long and hard the English people fought to deny William 'the Bastard', Duke of Normandy his prize. Rather than being the smooth transition peddled by pro-Norman historians, the Norman Conquest was a brutal and violent takeover by an army of occupation. Unknown thousands of rebellious thegns resisted the Norman regime, the most famous being Hereward, but there were plenty of willing collaborators among England's clergy, who pushed for William to be crowned king. In return he let them retain their sees and abbacies, as well as the vast tracts of land. Peter Rex tells the whole story of the Conquest of England by the Normans from its genesis in the deathbed decision of King Edward the Confessor in January 1066 to recommend Harold Godwinson as his successor, to the crushing of the last flickers of English resistance in June 1076.

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On January 12, 1945, the Soviet Red Army unleashed its winter offensive, launching strong forces on either side of Warsaw, and within a couple of days crushed the German forces defending the line of the river Vistula and began streaming westwards. The Russian Army began a great dash across Poland, leaving behind a few small pockets of enemy resistance and cities proclaimed fortresses by Adolf Hitler. Within a little over two weeks the Soviet forces reached the river Oder and established several bridgeheads on its western bank. The Oder was the last great river crossing barring the way to Berlin, just 60 kilometres away, and the Germans mobilised everything in a desperate effort to defend the river line and prevent a Soviet march on the capital. This book brings together three After the Battle articles by Tomasz Zgoda, documenting the advance on the Oder and the long-draw-out struggles for the bridgeheads over it. It has been re-edited and enhanced by Daniel Taylor and features 152 pages lavishly illustrated with maps, wartime photographs and their modern equivalents.

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'All you have is yourself, no words, no script in hand, no music to dance to, nothing to hide behind. It was just me – the pure expression of my desire.' Trish Arnold (1918-2017) was a pioneer in the field of movement. Her work stands alongside that of movement practitioners such as Litz Pisk, Jacques Lecoq and Rudolf Laban in its influence on international theatre, film and drama-school training. Until now, her practice has never been written down in its entirety, but has been passed from body to body, through one-to-one teaching between movement practitioners. Lizzie Ballinger's intimate and groundbreaking book provides the first full exploration of Arnold's movement training for actors, focusing on the context, practice and evolution of Arnold's work, and its legacy in theatre-making today. Beginning with Arnold’s journey into theatre from a dance background, Ballinger describes her own mentorship with Movement Director and Choreographer Jane Gibson, Arnold's first mentee, and provides a detailed and honest reflection on how she learned to teach this work. Supplemented throughout by beautiful illustrations of her movements, alongside Arnold's original notes and sketches, this book gives a clear and concise explanation of how to embody Arnold's movements.

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'Warm-hearted but sharp-tongued...it's hard to think of a better amateur sleuth series in the last decade' Morning Star 'Light-hearted and engaging . . . a perfect antidote to the January blues' Irish Independent The only way is murder . . . Lena Szarka, a Hungarian cleaner working in London, is forced to brush up on her detective skills for a third time when her cousin Sarika is plunged into danger.Sarika and her reality TV star boyfriend Terry both receive threatening notes. When Terry stops calling, Lena assumes he's lost interest. Until he turns up. Dead. Lena knows she must act fast to keep her cousin from the same fate.Scrubbing her way through the grubby world of reality television, online dating and betrayed lovers, Lena finds it harder than she thought to discern what's real - and what's just for the cameras. Praise for Elizabeth Mundy 'Beautiful writing' The Sun 'Perfect for our multicultural age' Vaseem Khan'A deliciously light and amusing souffle of a book' Irish Independent 'Witty and warm but with an unsentimental core of steel' Morning Star 'Poignant, funny and races effortlessly along' Elodie Harper'As warm and satisfying as a bowl of goulash' LC Tyler

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Writers' relationships with their surroundings are seldom straightforward. While some, like Jane Austen and Thomas Mann, wrote novels set where they were staying (Lyme Regis and Venice respectively), Victor Hugo penned Les Misérables in an attic in Guernsey and Noël Coward wrote that most English of plays, Blithe Spirit, in the Welsh holiday village of Portmeirion.Award-winning BBC drama producer Adrian Mourby follows his literary heroes around the world, exploring 50 places where great works of literature first saw the light of day. At each destination - from the Brontës' Yorkshire Moors to the New York of Truman Capote, Christopher Isherwood's Berlin to the now-legendary Edinburgh café where J.K. Rowling plotted Harry Potter's first adventures - Mourby explains what the writer was doing there and describes what the visitor can find today of that great moment in literature.Rooms of One's Own takes you on a literary journey from the British Isles to Paris, Berlin, New Orleans, New York and Bangkok and unearths the real-life places behind our best-loved works of literature.

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'Hugely gripping' Mark Billingham, Rabbit Hole 'Heart-stopping Elly Griffiths, The Locked Room 'What a read!' Stuart Turton, The Devil and the Dark Water----------16-year-old Sadie Saunders is missing. Five friends set out into the woods to find her. But they're not just friends... THEY'RE SUSPECTS. You see, this was never a search party. It's a witch hunt. And not everyone will make it home alive... THE CHALK MAN meets THE HUNTING PARTY in this Observer, Thriller of the Month; witness four suspects as, alongside DI Fleet, you attempt to discover the truth about what happened to Sadie...---------- 'A bloody good read and the very definition of unpredictable ' John Marrs, Keep it in the Family 'Clever and atmospheric' Mark Edwards, No Place to Run 'A brilliantly tense tale' Araminta Hall, Hidden Depths 'A marvel: intricate, complex and utterly gripping' Alex Lake, Ready or Not 'Simon Lelic just gets better and better' Dervla Mctiernan, The Murder Rule 'A chillingly complex, well-crafted web' Jane Corry, We All Have Our Secrets 'A skilfully-woven mystery that oozes with tension' T M Logan, The Holiday 'Atmospheric and chilling. Fantastic read!' Carla Kovach, One Girl Missing

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The new Great British Bake Off Book - KITCHEN CLASSICS - is available now!Tuck into your all-time favourite flavours and a good sprinkling of Bake Off magic with our easy-to-follow recipes. A feast for both the eyes and the taste buds, these flavourful bakes will leave you inspired to mix and match different combinations, or to indulge yourself with some classic tastes and textures.Whether you're looking for a tart blackcurrant millefeuille, a fresh passion fruit trifle, a sticky ginger treacle tart or a rich chocolate and speculoos cake - Paul, Prue, the Bake Off team and the 2022 bakers are here to show you how to get the perfect result. From earthy to spicy, and from tangy to creamy, this book showcases how to bring out the very best flavours in whatever you create.Featuring recipes from the 2022 contestants: Abdul Rehman Sharif, Carole Edwards, Dawn Hollyoak, James Dewar, Janusz Domgala, Kevin Flynn, Maisam Algirgeet, Maxy Maligisa, Nelsandro "Sandro" Farmhouse, Rebecca "Rebs" Lightbody, Syabira Yusoff, William "Will" Hawkins

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In June of 1881, on the very night of their wedding in Searsport, Maine, Captain Lincoln Alden Colcord and his new wife, Jane Sweetser Colcord, departed for sea to begin a two-year voyage on the bark Charlotte A. Littlefield. The voyage would take them around the world and witness the birth of their daughter Joanna amid the South Sea Islands and young Lincoln's arrival during a treacherous winter storm off Cape Horn.Fifth generation seafarers, Joanna and Lincoln Colcord spent their youth at sea aboard their fathers' ships. Years later, looking back at his seafaring childhood Lincoln wrote, "I know no other home than a ship's deck, except the distant home in Maine that we visited for a few weeks every year or two. My countryside was the ocean floor, where I could roam only with the spyglass; my skyline was the horizon, broken by the ghostly silhouettes of passing vessels, or at intervals by the coasts of many continents, as we sailed the world."The Colcords' richly detailed "journal letters" to family members ashore, their logbooks, photographs, and later correspondence all give us a splendid window into the life of a seafaring family. We share their exhilaration in catching the trades under fair skies yet are ever conscious of the uncertainties of sea life: illness, the threat of typhoons and dismastings, wrecks and financial disaster. Life's tasks emerge as the family forges a home aboard ship, raises and educates the children, and seeks companionship in foreign ports, all while trying to eke out a living under sail.

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Illustrated with never-before-published artifacts from the unique treasures in the museum's Northwest Coast collections, Listening to Our Ancestors profiles native communities of the Pacific Northwest and showcases the region's rich cultural history and artwork.Sophisticated in conception and execution and rich with symbolism, the totem poles, painted housefronts, masks, dance regalia, feast bowls, and elaborately decorated boxes made by the native people of the North Pacific Coast have long been recognized as masterworks of art. Here, in a series of community self-portraits, cultural figures from eleven Northwest Coast nations discuss the ways in which these masterpieces, as well as everyday tools and utensils from the museum's collections, connect them with their forbears, who made and used these beautiful objects. Kwakwaka'wakw Chief Robert Joseph and the community curators contrast the approach anthropologists and art historians have taken to the treasures of the Northwest with Native people's perspective on their cultural legacy. In addition, Mary Jane Lenz explores the Northwest as a crossroads of native and non-native worlds in the nineteenth and early twentieth centuries, when many of these works were collected, and today.With its striking images and community self-portraits, Listening to Our Ancestors invites readers to appreciate Northwest Coast art as its native inheritors do—for the spirit with which it is endowed.Official companion to the exhibition opening at the National Museum of the American Indian in November 2005.

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Historians often think of Russia before the 1860s in terms of conservative stasis, when the "gendarme of Europe" secured order beyond the country's borders and entrenched the autocratic system at home. This book offers a profoundly different vision of Russia under Nicholas I. Drawing on an extensive array of sources, it reveals that many of modern Russia's most distinctive and outstanding features can be traced back to an inconspicuous but exceptional year. Russia became what it did, in no small measure, because of 1837. The catalogue of the year's noteworthy occurrences extends from the realms of culture, religion, and ideas to those of empire, politics, and industry. Exploring these diverse issues and connecting seemingly divergent historical actors, Paul W. Werth reveals that the 1830s in Russia were a period of striking dynamism and consequence, and that 1837 was pivotal for the country's entry into the modern age. From the romantic death of Russia's greatest poet Alexander Pushkin in January to a colossal fire at the Winter Palace in December, Russia experienced much that was astonishing in 1837: the railway and provincial press appeared, Russian opera made its debut, Orthodoxy pushed westward, the first Romanov visited Siberia—and much else besides. The cumulative effect was profound. The country's integration accelerated, and a Russian nation began to emerge, embodied in new institutions and practices, within the larger empire. The result was a quiet revolution, after which Russia would never be the same.

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A FLAME TREE POCKET NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Tove Jansson was a Finnish-Swedish writer and artist who created the Moomin family and their friends. She first started painting Moomintrolls in 1935 and her last Moomin book was published in 1970; but her stories live on and continue to be adapted and enjoyed by many generations. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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On January 2, 1959, Fidel Castro, the rebel comandante who had just overthrown Cuban dictator Fulgencio Batista, addressed a crowd of jubilant supporters. Recalling the failed popular uprisings of past decades, Castro assured them that this time “the real Revolution” had arrived. As Jonathan Brown shows in this capacious history of the Cuban Revolution, Castro’s words proved prophetic not only for his countrymen but for Latin America and the wider world.Cuba’s Revolutionary World examines in forensic detail how the turmoil that rocked a small Caribbean nation in the 1950s became one of the twentieth century’s most transformative events. Initially, Castro’s revolution augured well for democratic reform movements gaining traction in Latin America. But what had begun promisingly veered off course as Castro took a heavy hand in efforts to centralize Cuba’s economy and stamp out private enterprise. Embracing the Soviet Union as an ally, Castro and his lieutenant Che Guevara sought to export the socialist revolution abroad through armed insurrection.Castro’s provocations inspired intense opposition. Cuban anticommunists who had fled to Miami found a patron in the CIA, which actively supported their efforts to topple Castro’s regime. The unrest fomented by Cuban-trained leftist guerrillas lent support to Latin America’s military castes, who promised to restore stability. Brazil was the first to succumb to a coup in 1964; a decade later, military juntas governed most Latin American states. Thus did a revolution that had seemed to signal the death knell of dictatorship in Latin America bring about its tragic opposite.

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LA+ WILD explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche, and aesthetics. This issue of LA+ includes contributions drawn from disciplines as diverse as evolutionary ecology, biology, visual arts, bioengineering, landscape architecture, planning, architecture, climatology, environmental history, philosophy, and literature. It features essays by Timothy Mousseau and Anders Moller, Timothy Morton, Paul Carter, Richard Weller, Julian Raxworthy, Emma Marris, Stefan Rahmstorf, Stephen Pyne, Nina-Marie Lister, and Orkan Telhan, among others. It also includes a review of the New York s Rebuild by Design competition, and interviews with eminent ecologists Richard T.T. Forman and Daniel Janzen. The feature artist for this issue is Viennese bio-artist Sonja Baumel. LA+ (Landscape Architecture Plus) Journal from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. Within its pages you hear not only from designers, but also from historians, artists, lawyers, ecologists, planners, scientists, philosophers, and many more besides. LA+ aims to reveal connections and build collaborations between landscape architecture/urban design and other disciplines by exploring each issue's theme from multiple perspectives. The journal features a range of contribution types including essays, interviews, design criticism, graphic features, illustrations, and short-form pieces designed to provoke and inspire readers. LA+ Journal brings you a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually."

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In December 1943, Eisenhower was Supreme Commander of Allied forces in Europe with General Carl Spaatz in command of all US Army Air Force. In January 1944, M/G James Doolittle replaced M/G Ira Eaker to lead the Eighth Air Force. The air battle strategy scenario soon changed. Air strategy at the Casablanca Conference was to take out the Luftwaffe before D-Day. The modified P-51 was now one had in good numbers. Doolittle made a key decision to turn his fighters loose. They would no longer fly with bomber formation but now in fighter sweeps to hit Luftwaffe installations and destroy Luftwaffe fighters as they formed for the intercept. Spaatz and Doolittle prayed for one week of good weather in which massive bomber raids could be launched to flush out get German fighters. During that week, five such bomber attacks attacked key targets. It worked, but at high cost to both sides. Eighth Air Force, Fifteenth Air Force and the RAF lost 369 aircrafts, but the Luftwaffe Fighter Command lost an estimated two thirds of its strength. The Luftwaffe did not show up on D-Day except for a few furtive attacks on the beachheads. The battle for air supremacy was won by the Allies and the progressive decline of the Luftwaffe ensued thereafter. The book will provide insight into a pilot's mind who flew such missions and try to give the reader not only the historic background, but a sense of what it must have been like to fly such missions.

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An inside view of Chinese academia and what it reveals about China’s political systemOn January 1, 2017, Daniel Bell was appointed dean of the School of Political Science and Public Administration at Shandong University—the first foreign dean of a political science faculty in mainland China’s history. In The Dean of Shandong, Bell chronicles his experiences as what he calls “a minor bureaucrat,” offering an inside account of the workings of Chinese academia and what they reveal about China’s political system. It wasn’t all smooth sailing—Bell wryly recounts sporadic bungles and misunderstandings—but Bell’s post as dean provides a unique vantage point on China today.Bell, neither a Chinese citizen nor a member of the Chinese Communist Party, was appointed as dean because of his scholarly work on Confucianism—but soon found himself coping with a variety of issues having little to do with scholarship or Confucius. These include the importance of hair color and the prevalence of hair-dyeing among university administrators, both male and female; Shandong’s drinking culture, with endless toasts at every shared meal; and some unintended consequences of an intensely competitive academic meritocracy. As dean, he also confronts weightier matters: the role at the university of the Party secretary, the national anticorruption campaign and its effect on academia (Bell asks provocatively, “What’s wrong with corruption?”), and formal and informal modes of censorship. Considering both the revival of Confucianism in China over the last three decades and what he calls “the Communist comeback” since 2008, Bell predicts that China’s political future is likely to be determined by both Confucianism and Communism.

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Featured in Stylist's guide to 2019's best non-fiction booksThe true story of the fierce band of women who battled Washington - and Hanoi - to bring their husbands home from the jungles of Vietnam.On 12 February, 1973, one hundred and sixteen men who, just six years earlier, had been high flying Navy and Air Force pilots, shuffled, limped, or were carried off a huge military transport plane at Clark Air Base in the Philippines. These American servicemen had endured years of brutal torture, kept shackled and starving in solitary confinement, in rat-infested, mosquito-laden prisons, the worst of which was The Hanoi Hilton.Months later, the first Vietnam POWs to return home would learn that their rescuers were their wives, a group of women that included Jane Denton, Sybil Stockdale, Louise Mulligan, Andrea Rander, Phyllis Galanti, and Helene Knapp. These women, who formed The National League of Families, would never have called themselves 'feminists', but they had become the POW and MIAs most fervent advocates, going to extraordinary lengths to facilitate their husbands' freedom - and to account for missing military men - by relentlessly lobbying government leaders, conducting a savvy media campaign, conducting covert meetings with antiwar activists, and most astonishingly, helping to code secret letters to their imprisoned husbands.In a page-turning work of narrative non-fiction, Heath Hardage Lee tells the story of these remarkable women for the first time. The League of Wives is certain to be on everyone's must-read list.

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'A tremendous novel that combines powerfully moving moments with hilarious satire' Daily Mail'Eva Thorvald is the new Olive Kitteridge' Elisabeth Egan'Kitchens of the Great Midwest is terrific' Jane Smiley, GuardianHave you met Eva Thorvald?To her father, a chef, she's a pint-sized recipe tester and the love of his life. To the chilli chowdown contestants of Cook County, Illinois, she's a fire-eating demon. To the fashionable foodie goddess of supper clubs, she's a wanton threat. She's an enigma, a secret ingredient that no one can figure out. Someday, Eva will surprise everyone. One by one, they tell their story; together, they tell Eva's. Joyful, quirky and heartwarming, this is a novel about the family you lose, the friends you make and the chance connections that make a life.On the day before her eleventh birthday, she's cultivating chilli peppers in her wardrobe like a pro. Abandoned by her mother, gangly and poor, Eva arms herself with the weapons of her unknown heritage: a kick-ass palate and a passion bordering on obsession. Over the years, her tastes grow, and so do her ambitions. One day Eva will be the greatest chef in the world. But along the way, the people she meets will shape her - and she, them - in ways unforgettable, riotous and profound. So she - for one - knows exactly who she is by the time her mother returns.Special paperback edition with questions for reading groups, interview, guide to the Midwest, recipes and more!

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The 2022 issue explores North Carolina writers who teach (and teachers who write). The issue opens with Georgann Eubanks's essay on North Carolina playwright, civil rights activist, and UNC Chapel Hill Professor Paul Green, followed by letters from Peter Taylor from his Greensboro home where he taught at North Carolina Women's College (now UNC Greensboro) and Marian Janssen's John Ehle Prize essay on Carolyn Kizer's UNC Chapel Hill years. The featured interviews includes one conducted students in the Veteran to Scholar program at ECU interviewing Ben Fountain, as well as Senior Associate Editor Christy Alexander Hallberg's interview with Leah Hampton, Indiana University Kokomo Professor Jim Coby interviewing Wiley Cash, and UNC Wilmington Professor Malia Butler interviewing Khalisa Rae Thompson. The creative writing in this section includes poetry by Catherine Carter and the winner and honorees of the 2021 James Applewhite Poetry Prize, including the winning poem by Michael Loderstedt; creative nonfiction by Barbara Bennett; and fiction by Settle Monroe. The Flashbacks and North Carolina Miscellany sections of this issue feature more creative writing: Steve Mitchell's Alex Albright Creative Nonfiction Prize essay, Heather Bell Adams's Doris Betts Fiction Prize short story by Heather Bell Adams, more honorees from the James Applewhite Poetry Prize contest; and a poem by Frank Borden Hanes, Sr., introduced by James W. Clark, Jr. and shared with permission of the writer's family.NCLR 31 (2022) is the 25th annual print issue under the editorship of Margaret D. Bauer, Rives Chair of Southern Literature and Distinguished Professor of Harriot College of Arts and Sciences at East Carolina University, where NCLR is produced, serving as an excellent opportunity for students to attain significant experience in editing and publishing.

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But will she find it where she least expects it? Stella Shakespeare isn’t having a good day, or month come to think of it. She’s been unceremoniously dumped by her boyfriend,cut off from the bank of dad and at thirty-two years old, she doesn’t know what she’s doing with her life. What Stella really wants is to find love. She wants all-consuming, can’t-think-about-anything-else, can’t-even-manage-to-eat kind of love. What she found beside her in bed that morning wasn’t love. But when a tall, handsome man in a well-fitting suit walks into a Notting Hill pub, she thinks she’s finally found The One. Everything seems to be falling into place now Stella has met the man of her dreams and has an actual job working with a private investigator nicknamed ‘The Affair Hunter’. Although sadly, life is never that straightforward and Stella starts to question whether she’s been looking for love in the wrong places all along… ––––––––––––––––––––––– Everyone LOVES the hilarious and heart-warming novels by Sophia Money-Coutts ‘Enjoyable and endearing’ Katie Fforde ‘With laugh-out-loud moments, you’ll love this romcom’ Prima ‘Hilariously relatable’ Sophie Cousens ‘For fans of Jilly Cooper…warm-hearted, hilarious and romantic’ Best ‘I laughed out loud throughout this’ Laura Jane Williams ‘The perfect poolside page-turner!’ Woman & Home ‘Super funny, super witty and so warm’ Lia Louis ‘It wouldn’t be summer without a new romcom from Sophia Money-Coutts to deliver a hit of bookish serotonin’ Red ‘Funny, joyful, life-affirming’ Cressida McLaughlin ‘This is a heart-warming, witty, feel good rom-com that will brighten the cold winter’ Platinum Magazine

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The Millennium Development Goals, adopted at the UN Millennium Summit in 2000, are the world's targets for dramatically reducing extreme poverty in its many dimensions by 2015 income poverty, hunger, disease, exclusion, lack of infrastructure and shelter while promoting gender equality, education, health and environmental sustainability. These bold goals can be met in all parts of the world if nations follow through on their commitments to work together to meet them. Achieving the Millennium Development Goals offers the prospect of a more secure, just, and prosperous world for all. The UN Millennium Project was commissioned by United Nations Secretary-General Kofi Annan to develop a practical plan of action to meet the Millennium Development Goals. As an independent advisory body directed by Professor Jeffrey D. Sachs, the UN Millennium Project submitted its recommendations to the UN Secretary General in January 2005. The core of the UN Millennium Project's work has been carried out by 10 thematic Task Forces comprising more than 250 experts from around the world, including scientists, development practitioners, parliamentarians, policymakers, and representatives from civil society, UN agencies, the World Bank, the IMF, and the private sector. This report lays out the recommendations of the UN Millennium Project Task Force on Hunger in seven major categories: political action; national policy reforms; increased agricultural productivity for food insecure farmers; improved nutrition for the chronically hungry; productive safety nets for the acutely hungry; improved rural incomes and markets; and restoration and conservation of natural resources essential for food security. The task force strongly endorses the Secretary General's call for a 21st Century African Green Revolution. These bold yet practical approaches will enable countries in every region of the world to halve world hunger by 2015.

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Exactly when Matisse and Picasso first met is open to debate. Their earliest encounter may have taken place during the Matisse retrospective at Galerie Druet right before the 1906 Salon des Indépendants. The latter marked the first time all the Fauves exhibited together. The centerpiece was Matisse’s monumental Le bonheur de vivre. Leo Stein bought the painting while the Salon was still running, regarding it as “the most important work of our time.” This opinion undoubtedly annoyed Picasso. Jealousy of the other man’s success goaded him to greater innovations. In his view, the new art would have to match the sense of endless discovery that science and technology were offering. The 1900 “Exposition Universelle” had already shown the latest marvels in engineering. If painting wanted to keep the public’s attention, instead of merely reproducing what the eye saw, it had to generate its own reality on the surface of the canvas, a reality more vivid than, and bearing only the mostcursory resemblance to, anything found in nature. Matisse was also a catalyst in that he was the one who introduced Picasso to African sculptures. Max Jacob recalls: “Matisse took a black, wooden statuette from a table and showed it to Picasso. It was the first piece of Negro wooden art. Picasso held onto it all evening. The next morning, when I arrived at the studio, the floor was strewn with sheets of paper, and on each sheet was drawn the head of a woman; all of them were more or less the same: one eye, an oversized nose attached to the mouth, and a lock of hair on the shoulders. Cubism was thus born” (cited in Janine Warnod, Washboat Days [New York: Grossman Publishers Warnod, 1972, p. 128]).

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Reformation Thought Praise for previous editions:“Theologically informed, lucid, supremely accessible: no wonder McGrath’s introduction to the Reformation has staying power!”—Denis R. Janz, Loyola University“Vigorous, brisk, and highly stimulating. The reader will be thoroughly engaged from the outset, and considerably enlightened at the end.”—Dr. John Platt, Oxford University“[McGrath] is one of the best scholars and teachers of the Reformation... Teachers will rejoice in this wonderfully useful book.”—Teaching HistoryReformation Thought: An Introduction is a clear, engaging, and accessible introduction to the European Reformation of the sixteenth century. Written for readers with little to no knowledge of Christian theology or history, this indispensable guide surveys the ideas of the prominent thought leaders of the period, as well as its many movements, including Lutheranism, Calvinism, Anabaptism, and the Catholic and English Reformations. The text offers readers a framework to interpret the events of the Reformation in full view of the intellectual landscape and socio-political issues that fueled its development.Based on Alister McGrath’s acclaimed lecture course at Oxford University, the fully updated fifth edition incorporates the latest academic research in historical theology. Revised and expanded chapters describe the cultural backdrop of the Reformation, discuss the Reformation’s background in late Renaissance humanism and medieval scholasticism, and distill the findings of recent scholarship, including work on the history of the Christian doctrine of justification. A wealth of pedagogical features—including illustrations, updated bibliographies, a glossary, a chronology of political and historical ideas, and several appendices—supplement McGrath’s clear explanations.Written by a world-renowned theologian, Reformation Thought: An Introduction, Fifth Edition upholds its reputation as the ideal resource for university and seminary courses on Reformation thought and the widespread change it inspired in Christian belief and practice.

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Fannie Barrier Williams made history as a controversial African American reformer in an era fraught with racial discrimination and injustice. She first came to prominence during the 1893 Columbian Exposition, where her powerful arguments for African American women's rights launched her career as a nationally renowned writer and orator. In her speeches, essays, and articles, Williams incorporated the ideas of Booker T. Washington and W.E.B. DuBois to create an interracial worldview dedicated to social equality and cultural harmony. Williams's writings illuminate the difficulties of African American women in the Progressive Era. She frankly denounced white men's sexual and economic victimization of black women and condemned the complicity of religious and political leaders in the immorality of segregation. Citing the discrimination that crushed the spirits of African American women, Williams called for educational and professional progress for African Americans through the transformation of white society. Committed to aiding and educating Chicago's urban poor, Williams played a central and continuous role in the development of the Frederick Douglass Center, which she called "the black Hull House." An active member of the NAACP and the National Urban League, she fought a long and successful battle to become the first African American admitted to the influential Chicago Women's Club. Her efforts to promote the well-being of African American women brought her into close contact with such influential women as Celia Parker Woolley, Jane Addams, Susan B. Anthony, and Ida B. Wells-Barnett. Accompanied by Deegan's introduction and detailed annotations, Williams's perceptive writings on race relations, women's rights, economic justice, and the role of African American women are as fresh and fascinating today as when they were written.

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"I read Peter Y. Paik’s lucid, graceful, ruthless book in one single astonished sitting. I scarred it all over with arrows and exclamation points, so I can read it again as soon as possible." —Bruce Sterling Revolutionary narratives in recent science fiction graphic novels and films compel audiences to reflect on the politics and societal ills of the day. Through character and story, science fiction brings theory to life, giving shape to the motivations behind the action as well as to the consequences they produce. In From Utopia to Apocalypse, Peter Y. Paik shows how science fiction generates intriguing and profound insights into politics. He reveals that the fantasy of putting annihilating omnipotence to beneficial effect underlies the revolutionary projects that have defined the collective upheavals of the modern age. Paik traces how this political theology is expressed, and indeed literalized, in popular superhero fiction, examining works including Alan Moore and Dave Gibbons’s graphic novel Watchmen, the science fiction cinema of Jang Joon-Hwan, the manga of Hayao Miyazaki, Alan Moore’s V for Vendetta, and the Matrix trilogy. Superhero fantasies are usually seen as compensations for individual feelings of weakness, victimization, and vulnerability. But Paik presents these fantasies as social constructions concerned with questions of political will and the disintegration of democracy rather than with the psychology of the personal. What is urgently at stake, Paik argues, is a critique of the limitations and deadlocks of the political imagination. The utopias dreamed of by totalitarianism, which must be imposed through torture, oppression, and mass imprisonment, nevertheless persist in liberal political systems. With this reality looming throughout, Paik demonstrates the uneasy juxtaposition of saintliness and cynically manipulative realpolitik, of torture and the assertion of human dignity, of cruelty and benevolence.

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How Donald Trump laid waste to American politics, culture, and social orderAfter Donald Trump’s rise to power, after the 2020 presidential election, after January 6, is American politics past the point of no return? New York Times columnist and political reporter Thomas Byrne Edsall fears that the country may be headed over a cliff, arguing that the election of Donald Trump was the most serious threat to the American political system since the Civil War. In this compelling and illuminating book, Edsall documents how the Trump years ravaged the nation’s politics, culture, and social order. He explains the demographic shifts that helped make Trump’s election possible, and describes the racial and ethnic conflict, culture wars, rural/urban divide, diverging economies of red and blue states, and the transformation of both the Republican and Democratic parties that have left our politics in a state of permanent hostility.The Point of No Return brings together a series of Edsall’s columns, bookended by a new introduction and conclusion, which show how we got to this dangerous point. These dispatches from our new political landscape chronicle the emergence of what Edsall calls “the not-so-silent white majority” and show how Trump deployed fears about race and immigration to appeal to voters. Edsall examines Trump’s construction of an alternate reality, discusses why we don’t always vote according to our own self-interest, and explores the Democrats’ calibrated response. Considering the 2020 election and its violent aftermath, Edsall looks at the Capitol insurrection and warns that American democracy is under siege. The forces behind Trump’s election, and the “stop the steal” true believers, have pushed the nation to the brink.

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'READING THIS TERRIFIC, ORWELLIAN NOVEL YOU ALMOST HOLD YOUR BREATH' Bel MooneyAn alternative history with a strong feminist twist, perfect for fans of Robert Harris' Fatherland, Christina Dalcher's Vox and the dystopian novels of Margaret Atwood.'A TRIUMPH' Amanda Craig'CONVINCING AND GRIPPING' Elizabeth Buchan'BRILLIANTLY IMAGINED' Clare Chambers'TERRIFIC HEROINE' Adèle Geras'VIVIDLY IMAGINED' Nicci FrenchTo control the past, they edited history. To control the future, they edited literature.London, 1953, Coronation year - but not the Coronation of Elizabeth II.Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalized. George VI and his family have been murdered and Edward VIII rules as King. Yet, in practice, all power is vested in Alfred Rosenberg, Britain's Protector. The role and status of women is Rosenberg's particular interest. Rose Ransom belongs to the elite caste of women and works at the Ministry of Culture, rewriting literature to correct the views of the past. But now she has been given a special task. Outbreaks of insurgency have been seen across the country; graffiti daubed on public buildings. Disturbingly, the graffiti is made up of lines from forbidden works, subversive words from the voices of women. Suspicion has fallen on Widowland, the run-down slums where childless women over fifty have been banished. These women are known to be mutinous, for they have nothing to lose.Before the Leader arrives for the Coronation ceremony of King Edward and Queen Wallis, Rose must infiltrate Widowland to find the source of this rebellion and ensure that it is quashed.'THE MOST IMPORTANT FEMINIST NOVEL IN DECADES' Jane Harris'A VERY SMART REIMAGINED HISTORY' Henry Porter'BRIMMING WITH CRACKLING DETAIL, A GRIPPING THRILLER' Miranda Carter

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Between 1890 and 1920, the forces accompanying industrialization sent the familiar nineteenth-century world plummeting toward extinction. The traditional countryside with its villages and family farms was eclipsed by giant corporations and sprawling cities. America appeared headed into an unknown future.In lively, accessible prose, John Chambers incorporates the latest scholarship about the social, cultural, political, and economic changes which produced modern America. He illuminates the experiences of blacks, Asians, Latinos, as well as other working men and women in the cities and countryside as they struggled to improve their lives in a transformed economy. He explores the dimensions of the new consumer society and the new information and entertainment industries: newspapers, magazines, the movies. Striding these pages are many of the prominent individuals who shaped the attitudes and institutions of modern America: J. P. Morgan and corporate reorganization; Jane Addams and the origin of modern social work; Mary Pickford and the new star-oriented motion picture industry; and the radical labor challenge of “Big Bill” Haywood and the “Wobblies.”While recognizing a “progressive ethos”—a mixture of idealistic vision and pragmatic reforms—which dominated the mainstream reforms that characterized the period, Chambers elaborates the role of civic volunteerism as well as the state in achieving directed social change. He also emphasizes the importance of radical and conservative political forces in shaping the so-called “Progressive Era.”The revised edition in this classic work has an updated bibliography and a new preface, both of which incorporate particularly the new social and cultural research of the past decade.

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Essential reading for all involved in the educational sector in Wales (and beyond), A Class Apart investigates the effectiveness of educational policies, such as the Foundation Phase and Welsh Baccalaureate, introduced by the Welsh Government since devolution and assesses whether they have really created the potential for Wales to become a 'small, clever nation'. Spanning all major policy developments, from Primary to Higher Education, since 1999, Gareth Evans also assesses the legacy of the two main protagonists, former Education Ministers Jane Davidson and Leighton Andrews. He investigates the issues that some policymakers wished were swept under the carpet and delves deeper to analyse the big issues effecting educational practitioners in Wales, including: Welsh education's place on the world stage The growing funding gap between Wales and England The role of schools inspectorate Estyn The truth behind Wales' ambitious PISA target The 2012 GCSE grading fiasco Secrecy and personality clashes in the higher education merger saga His chronological account also includes the events up to and following the PISA results of 2013 and his close proximity to the key protagonists in Welsh education provides him with the perfect position to judge the situation in which Wales' education system finds itself today.

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Let Secret Rio guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Rio guide book and let our local experts show you the well-hidden treasures of this fascinating city. Ideal for local inhabitants, curious visitors and armchair travellers alike. Visit an extraordinary hill where the little angels are buried; discover remarkable forgotten Art Deco buildings; see a plane taking off at really close range, leftovers from the 1908 and 1922 Universal Expositions, a beautiful private palace open to visitors once a month, modernist ceramics hidden on the 15th-floor terrace of a former government building, a remarkable secret staircase; experience little-known walks and views of the city; find an Amazonian talisman at Copacabana, vestiges of the Carioca river, a rare statue of the great-grandmother of Jesus, a taxi nightclub, a work of art in a favela, a disused airship hangar...Far from the crowds and the usual beach and carnival cliches, Rio de Janeiro has countless treasures it reveals only to residents and travellers who wander off the beaten track. An indispensable guide for all those who thought they were familiar with Rio or would like to discover the other face of the city.

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Compared to the People’s Liberation Army Air Force and Naval Aviation, the PLA’s Army Aviation is the least known und understood of the country’s air arms. Its formation was only approved in 1986 and it was established as the Army Aviation Corps in January 1988, using helicopters inherited from the Air Force. Beginning as a single regiment, the first true Army Aviation brigade was formed in 2009 and the force has now expanded to around a dozen frontline units operating hundreds of different helicopters. In its current form, Army Aviation has established itself as a major force in support of the PLA Ground Forces.In April 2017 – and in parallel with China’s other two air arms – the Army Aviation began a dramatic reorganisation. The former PLA Group Armies were restructured, and the aviation units have undergone major changes. This trend has included not only the introduction of larger numbers of more modern helicopters, but also the establishment of newly numbered aviation brigades. Consequently, while the PLA Ground Forces generally face a reduction in numbers, the Army Aviation brigades will probably see expansion, not only in size but also in operational importance.Complementing Harpia’s two fully revised volumes dedicated to the PLAAF and Naval Aviation, this uniquely compact yet comprehensive directory provides a magnificently illustrated, in-depth analysis and directory of modern Chinese Army Aviation air power. It is organised in four parts: the most important military aircraft and their weapons in service today; aircraft markings and serial number systems; recent modernisation efforts and structural reforms and orders of battle for the PLA’s Army Aviation.

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The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

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Bridgerton is the runaway Netflix success that has captured the hearts and imaginations of its biggest ever global audience. Producers Chris Van Dusen and Shonda Rhimes have ripped up the Regency drama rulebook to create a series that speaks to a modern audience. Apart from the intense sexual chemistry, inspired casting and a lavish costume budget, what sets Bridgerton apart is the extensive use of location shooting. Step forward Bath: the Georgian architectural jewel gets to play many different parts of fashionable London. Bridgerton’s Bath takes you on a tour of all these locations from No.1 The Royal Crescent (the Featherington’s house on Grosvenor Square) to Abbey Green (Covent Garden) and the Abbey Deli (Modiste couturier) on Abbey Street. Bridgerton intersects with Jane Austen’s world at the Assembly Rooms where one of the early balls takes place, while the 18th-century Bath Guildhall also gets a place on the series’ dance card. A key character in the drama is Lady Danbury, played by Adjoa Andoh, and her grand mansion is Bath’s former Sydney Hotel, today the Holburne Museum. Gunter’s Tea Room was a celebrated London patisserie and in Bridgerton it can be found on Trim Street. Many Bath streets feature regularly, including Beauford Square, a place for regular carriage trips and the Royal Crescent, which in Series One, reverberated to the sound of galloping hooves as our heroine (or her stunt double) raced to stop a duel. The book includes a feature on how the series was filmed in the city, and includes a detailed map so you can follow your own Bridgerton Walking Tour of this beautiful city, which has more to offer besides.

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Discover 100 life-changing travel experiences. Familiar faces from the world of travel, plus Lonely Planet writers, share their most remarkable, poignant and memorable experiences from the road - moments that changed them as individuals and reshaped their perspective on the world. Tales includes a Rwandan gorilla encounter, reincarnation on the Ganges, horse riding with Patagonian gauchos, witnessing Nelson Mandela's first free speech, watching a space shuttle launch, crossing the Gobi desert on foot, and a son journeying with his mother back to Alexandria, the city of her childhood. Destinations include Monument Valley Navajo Tribal Park in Utah, Cape Town, Gir National Park in India, the Western Wall in Jerusalem, Carnival in Rio de Janeiro, the Trans-Siberian Railway, Antarctica, Samburu National Reserve in Kenya, Samye Monastery in Tibet and Madagascan forests. With each story, you'll get a powerful account of how the experience unfolded and what it was like to be there, right at that moment. A 'Build Up' and 'Take Away' complete the story, detailing how the moment made a lasting impact on the contributor's life. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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'Tense, gripping and atmospheric' - CHRIS WHITAKER'Gripped me from its shocking start' - SARAH YARWOOD-LOVETT'I highly recommend it' - LYNDA LA PLANTE CBE________________TWO MISSING BACKPACKERS. ONE VAST OUTBACK.DS Lucas Walker is on leave in his hometown, Caloodie, taking care of his dying grandmother. When two young German backpackers, Berndt and Rita, vanish from the area, he finds himself unofficially on the case.But why all the interest from the Federal Police when they have probably just ditched the heat and dust of the outback for the coast? Working in the organised crime unit has opened Walker's eyes to the growing drug trade in Australia's remote interior - and he becomes convinced there is more at play.As the number of days since the couple's disappearance climbs, Walker is joined by Rita's older sister. A detective herself with Berlin CID, she has flown to Australia - desperate to find her sister.Their search becomes ever more urgent as temperatures soar. Even if Walker does find the young couple, will it be too late?This deeply atmospheric thriller is the gripping opening of a new crime series for fans of The Dry by Jane Harper, Cara Hunter and Chris Whitaker.________________Praise for Outback'Tense, atmospheric and gripping. I eagerly await the next DS Walker thriller' - CHRIS WHITAKER'A hot read. I highly recommend it.' - LYNDA LA PLANTE CBE'A tense, twisty read that gripped me from its shocking start, immersed me in its sun-scorched landscape, then raced to its satisfying conclusion' - SARAH YARWOOD-LOVETT'Nail-bitingly tense. A startlingly well-accomplished debut.' - JOHN MARRS'A setting so vivid it's almost a character within itself' - BECCA DAY

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I know you want to punish me, trying to make me live. In 1995 Sarah Kane's first full-length play Blasted sent shockwaves throughout the theatrical world. Making front-page headlines, the play outraged critics with its depiction of rape, torture and violence in civil war. However, from being roundly condemned by the critics the play is now considered a seminal work of European theatre and has defined an entire era of stage writing. In an expensive hotel room in Leeds, Ian, a middle-aged tabloid journalist, sits with his teenage lover Cate who he attempts to seduce and eventually rapes. As reality dissipates, the room becomes embroiled in civil war as a soldier invades the space and the play descends into apocalyptic scenes of brutality. Blasted's canonical status reflects the raw beauty and terror of Kane's writing. Probing the brutality people inflict upon one another, the suffering and violation, the play also looks at the role of love and the redemption it offers. Unafraid to delve into darkness, this is a provocative, fragmenting piece full of significance and power. Blasted premiered at the Royal Court Theatre Upstairs in January 1995. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of Blasted was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a brand new foreword by Mel Kenyon.

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The Forest: Politics, Poetics, and Practice focuses on the forest as a theme in contemporary art. The full-color catalog accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. The show features contemporary works of art by more than thirty artists from North and South America, Europe, Asia, Africa, and Australia. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Starting with “politics”—the first of its three organizing themes—the exhibition examines works that take a political approach to the forest and nature. Germany’s Joseph Beuys’s lithograph Save the Woods (1972) anchors a contemporary collection of works—by An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among others—that look at issues of war, nuclear threat, colonialism, industrialization, and deforestation.“Poetics” investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms’ fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). “Practice” focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany).The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.

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"We thought the study of women would be a temporary phase; eventually we would all go back to our disciplines."—Gloria Bowles, From the AfterwordSince the 1970s, Women's Studies has grown from a volunteerist political project to a full-scale academic enterprise. Women's Studies on Its Own assesses the present and future of the field, demonstrating how institutionalization has extended a vital, ongoing intellectual project for a new generation of scholars and students.Women’s Studies on Its Own considers the history, pedagogy, and curricula of Women’s Studies programs, as well as the field’s relation to the managed university. Both theoretically and institutionally grounded, the essays examine the pedagogical implications of various divisions of knowledge—racial, sexual, disciplinary, geopolitical, and economic. They look at the institutional practices that challenge and enable Women’s Studies—including interdisciplinarity, governance, administration, faculty review, professionalism, corporatism, fiscal autonomy, and fiscal constraint. Whether thinking about issues of academic labor, the impact of postcolonialism on Women’s Studies curricula, or the relation between education and the state, the contributors bring insight and wit to their theoretical deliberations on the shape of a transforming field.Contributors. Dale M. Bauer, Kathleen M. Blee, Gloria Bowles, Denise Cuthbert, Maryanne Dever, Anne Donadey, Laura Donaldson, Diane Elam, Susan Stanford Friedman, Judith Kegan Gardiner, Inderpal Grewal, Sneja Gunew, Miranda Joseph, Caren Kaplan, Rachel Lee, Devoney Looser, Jeanette McVicker, Minoo Moallem, Nancy A. Naples, Jane O. Newman, Lindsey Pollak, Jean C. Robinson, Sabina Sawhney, Jael Silliman, Sivagami Subbaraman, Robyn Warhol, Marcia Westkott, Robyn Wiegman, Bonnie Zimmerman

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From the early days of second-wave feminism, motherhood and the quest for women's liberation have been inextricably linked. And yet motherhood has at times been viewed, by anti-feminists and select feminists alike, as somehow at odds with feminism. In reality, feminists have long treated motherhood as an organizing metaphor for women's needs and advancement. The mother has been regarded with suspicion at times, deified at others, but never ignored.The first book devoted to this complex relationship, Motherhood Reconceived examines in depth how the realities of motherhood have influenced feminist thought. Bringing to life the work of a variety of feminist writers and theorists, among them Jane Alpert, Mary Daly, Susan Griffin, Adrienne Rich, and Dorothy Dinnerstein, Umansky situates feminist discourses of motherhood within the social and political contexts of the 1960s. Charting an increasingly favorable view of motherhood among feminists from the late 1960s through the 1980s, Umansky reveals how African American feminists sought to redefine black nationalist discourses of motherhood, a reworking subsequently adopted by white radical and socialist feminists seeking to broaden the racial base of their movement. Noting the cultural left's conflicted relationship to feminism, that is, the concurrent demand for individual sexual liberation and the desire for community, Umansky traces that legacy through various stages of feminist concern about motherhood: early critiques of the nuclear family, tempered by strong support for day care; an endorsement of natural childbirth by the women's health movement of the early 1970s; white feminists' attempt to forge a multiracial movement by declaring motherhood a universal bond; and the emergence of psychoanalytic feminism, ecofeminism, spiritual feminism, and the feminist anti- pornography movement.

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Behind some of the most popular works of science fiction, fantasy, and horror there are forgotten stories of female creators. It's no secret that genres like science fiction, fantasy, horror, and more, have evolved from niche interest to mainstream staple in the last few decades. However, the countless women who have been instrumental in creating and shaping those genres for the last fifty-plus years have largely gone largely unrecognized -- until now. Pop Culture Pioneers explores and pays respect to the work and influence of the female creators who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture from the early 70s through to 2010 including:* Creators like Bonnie Erickson (co-creator of Miss Piggy), Christy Marx (Jem! And The Holograms creator), Roberta Williams (creator of the adventure game genre), and Betty Cohen (founder of Cartoon Network)* Writers & Editors like Jeanette Khan (head of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.) and Malia Scotch Marno (screenwriter for Jurassic Park and Hook)* Animators & Artists like Vicky Jenson (animator and director of Shrek) and Brenda Chapman (animator and director of Brave)* Directors & Producers like Jean MacCurdy (producer of Batman: The Animated Series and Animaniacs), Denise Di Novi (co-producer of Batman Returns and The Nightmare Before Christmas), and Fran Walsh (co-producer of the Lord of the Rings trilogy)* As well as Yvonne Blake (costume designer for Superman), Marlene Clark (Blaxploitation actress), Jane Feinberg (casting director for Blade Runner, E.T., The Goonies, and Indiana Jones), and so many more!

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*A TIMES AND SPECTATOR BOOK OF THE YEAR*'[Owolade's] argument has needed saying for years' Janan Ganesh, Financial Times'Compelling and admirable' Sunday Times'Passionate and timely' Observer'Excellent' Telegraph'Illuminating' The Times'Timely [and] engaging' Guardian***Chosen as a non-fiction highlight of 2023 in The Times, Guardian, Observer, Irish Times and New Statesman***Across the West, racial injustice has become one of the most divisive issues of our age. In the rush to address inequality and prejudice, and to understand concerns around identity, immigration and colonial history, Britain has followed the lead of the world's dominant power: America. We judge ourselves by America's standards, absorb its arguments and follow its agenda. But what if we're looking in the wrong place?This is Not America is built on the idea that black Britons are British first and foremost, and thus are likely to have more in common with other Britons than with black people in other parts of the world. It argues that too much of the conversation around race in Britain today is viewed through the prism of American ideas that don't reflect the history, challenges and achievements of increasingly diverse black populations at home. To build a long-lasting and more effective anti-racist agenda we must acknowledge that crucial differences exist between Britain and America, and that we are talking about distinct communities and cultures, distinguished by language, history, class, religion and national origin. Humane, empirical and passionate, this book provides a bold new framework for understanding race in Britain today.

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The Tet Offensive of January 1968 was the most important military campaign of the Vietnam War. The ancient capital city of Hue, once considered the jewel of Indochina’s cities, was a key objective of a surprise Communist offensive launched on Vietnam’s most important holiday. But when the North Vietnamese launched their massive invasion of the city, instead of the general civilian uprising and easy victory they had hoped for, they faced a devastating battle of attrition with enormous casualties on both sides. In the end, the battle for Hue was an unambiguous military and political victory for South Vietnam and the United States. In Fire in the Streets, the dramatic narrative of the battle unfolds on an hour-by-hour, day-by-day basis. The focus is on the U.S. and South Vietnamese soldiers and Marines–from the top commanders down to the frontline infantrymen–and on the men and women who supported them. With access to rare documents from both North and South Vietnam and hundreds of hours of interviews, Eric Hammel, a renowned military historian, expertly draws on first-hand accounts from the battle participants in this engrossing mixture of action and commentary. In addition, Hammel examines the tremendous strain the surprise attack put on the South Vietnamese-U.S. alliance, the shocking brutality of the Communist “liberators,” and the lessons gained by U.S. Marines forced to wage battle in a city–a task for which they were utterly unprepared and which remains highly relevant today. Re-issued in the fiftieth anniversary year of the battle, with an updated photo section and maps this is the only complete and authoritative account of this crucial landmark battle.

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A revealing, no-holds-barred portrait of the legendary Eileen Ford-the entrepreneur who transformed the business of modeling and helped invent the celebrity supermodel. Working with her husband, Jerry, Eileen Ford created the twentieth century's largest and most successful modeling agency, representing some of the fashion world's most famous names-Suzy Parker, Carmen Dell'Orefice, Lauren Hutton, Rene Russo, Christie Brinkley, Jerry Hall, Christy Turlington, and Naomi Campbell. Her relentless ambition turned the business of modeling into one of the most glamorous and desired professions, helping to convert her stable of beautiful faces into millionaire superstars. Model Woman chronicles the Ford Modeling Agency's meteoric rise to the top of the fashion and beauty business, and paints a vibrant portrait of the uncompromising woman at its helm in all her glittering, tyrannical brilliance. Outspoken and controversial, Ford was never afraid to offend in defense of her stringent standards. When she chose, she could deliver hauteur in the grand tradition of fashion's battle-axes, from Coco Chanel to Diana Vreeland-just ask John Casablancas or Janice Dickinson. But she was also a shrewd businesswoman with a keen eye for talent and a passion for serving her clients. Drawing on more than four years of intensive interviews with Ford and her intimates, associates, and rivals, as well as exclusive access to agency documents and memorabilia, Robert Lacey weaves an unforgettable tale of a determined entrepreneur and the empire she built-a story of beauty, ambition, business, and popular culture as powerful and complex as the woman at its center.

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In these pages you will encounter gamblers and adventurers, conmen and conwomen, rodomontades and ragamuffins, outright fools and outrageous liars. Scalawags, the lot of them. But you can be an adventurer, a conman or conwoman, a fool, liar, gambler, rodomontade or ragamuffin and not be a scalawag. Many adventurers are not even interesting, come to think of it, let alone scalawags. There is an ineffable quality, an indefinable something or other that sets some people apart, places themin the special category that Jim Christy calls "scalawag." You might call them something else: nuts, perhaps. And quite frankly in many instances-George Francis Train, for instance, or Louis De Rougemont-you'd probably be right. But likewise you don't have to be a crackpot to be a scalawag: Two Gun Cohen, for instance, or Lady Jane Digby. What you have to be is outrageous with a bit of what Andre Malraux, an adventurer and liar, perhaps-;but not a scalawag-designated, in reviving an old French word, farfelu. It means that you are willing to risk everything, whether on a grand or small scale, on the craziest of schemes, the wildest of notions. "Curious cases of cannibalism, extreme sado-masochism, and generally irrational behaviour abound, making 'Scalawags' the perfect balm anyone attempting to cloister their desires in a bid for self improvement." - Steven Schelling "My advice: Keep your copy of 'Scalawags' in the bathroom. Or on your bedside table. Or in the bag you carry on thebus. It's perfectly suited to those times when you're seeking a momentary escape. There's nothing like outrageous lives and flamboyant characters to take you out of your dreary day-to-day." - Robert J. Wiersema, The Vancouver Sun

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Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz

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"This richly varied text offers generous support for every aspect of the teacher's role, while constantly reminding us that mathematical activity is not a de-contextualised skill that children possess, but part of their identity, their way of being in the world, engaged with the world, energetically - and playfully - trying to make sense of it."Mary Jane Drummond, formerly of the Faculty of Education, University of Cambridge, UKTeaching and Learning Early Number is a bestselling guide for all trainee and practising Early Years teachers and classroom assistants. It provides an accessible guide to a wide range of research evidence about the teaching and learning of early number.Major changes in the primary mathematics curriculum over the last decade - such as the National Numeracy Strategy, the Primary National Strategy, the Early Years Foundation Stage and the Williams Review - have greatly influenced the structure of this new edition. The book includes: A new introductory chapter to set the scene Six further new chapters - including Mathematics through play, Children's mathematical graphics and Interview-based assessment of early number knowledge Six completely re-written chapters and two updated chapters A new concluding chapter looking to the future The chapters can be read in a standalone fashion and many are cross referenced to other parts of the book where specific ideas are dealt with in a different manner. Issues addressed include: new research on the complex process of counting and on children's written mathematical marks; counting in the home environment and play in the school setting; the importance of mathematical representations and of ICT in children's understanding of number; errors and misconceptions and the assessment of children’s number knowledge.

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THE NEW THRILLER FROM THE NO.1 SUNDAY TIMES BESTSELLERThey say the camera never lies.But on this show, you can't trust anything you see.Stranded in the Welsh mountains, seven reality show contestants have no idea what they've signed up for.Each of these strangers has a secret. If another player can guess the truth, they won't just be eliminated - they'll be exposed live on air. The stakes are higher than they'd ever imagined, and they're trapped.The disappearance of a contestant wasn't supposed to be part of the drama. Detective Ffion Morgan has to put aside what she's watched on screen, and find out who these people really are - knowing she can't trust any of them.And when a murderer strikes, Ffion knows every one of her suspects has an alibi . . . and a secret worth killing for.'Twisty and clever . . . another deeply enjoyable mystery from a talented storyteller' KARIN SLAUGHTER'Sharply written, wickedly fun, and smartly plotted - A GAME OF LIES is a joy from beginning to end' LUCY CLARKE'Great fun - clever plot, engaging characters and smart, sharp writing' SHARI LAPENAPraise for The Last Party (a DC Ffion Morgan thriller):'Superb, with echoes of Agatha Christie' PATRICIA CORNWELL'A dark delight of a murder mystery' JANICE HALLETT'Detectives Leo and Ffion make a storming debut' BELINDA BAUER'Mackintosh is just getting better and better' PETER JAMES'An absolute triumph' CLAIRE DOUGLAS'I fell in love with courageous, complicated DC Ffion Morgan' RUTH WARE'This is the new crime series you need in your life' WILL DEAN'Expertly plotted and relentlessly gripping' LUCY CLARKE

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Longlisted for the New Blood Dagger Award 2021 'A darkly gripping and addictive read. I tore through it in a few days’ ESTHER FREUD 'Deeply engrossing … an exquisite literary thriller’ PHILIPPA EAST ‘Emotionally wrenching’ WALL STREET JOURNAL ‘Impossible to put down’ TREVOR WOOD A missing woman 30 years ago, in the suffocating heat of a Sydney summer, the Greens’ next-door neighbour Mandy disappeared without a trace. A cold case reopened In 1997, in a basement flat in Hackney, Isla Green is awakened by a call in the middle of the night: her father is under suspicion of Mandy’s murder. A devastating secret How well does Isla know her father? Is he capable of doing something terrible? And is there another secret in their community – a conspiracy of silence which stretches deep into Australia’s past? –––––––––––––––––––––––––––––– ‘An atmospheric, convincing portrayal of the way that the decisions we make, both individually and collectively, reverberate down the years’ GUARDIAN ‘Allott uses the scandal of Australia’s stolen children to devastating effect in this memorable debut’ SUNDAY TIMES 'A riveting mystery, beautifully unwound. The Silence excavates dark, decades-old secrets buried in human hearts, in families and in nations. I read it in one weekend’ ERIN KELLY ‘An impressive and beautifully written, Australian-set debut with the devastating subject of the Stolen Generation at its core’ FIONA MITCHELL ‘Tense, atmospheric and brilliantly paced. The Silence is fraught with disturbing secrets and powerful emotions. I loved it’ FRANCESCA JAKOBI ‘A brooding, suspenseful debut’ SUNDAY MIRROR ‘A suspenseful, beautifully crafted debut for fans of Celeste Ng and Jane Harper’ TELEGRAPH AUSTRALIA ‘Intricate and suspenseful… [a] stellar debut’ NEW YORK JOURNAL OF BOOKS

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