Search results for ""rowman littlefield""

The interdisciplinary chapters in this volume explore and engage the work of Vincent and Elinor Ostrom, along with the Bloomington School of political economy more generally.The book emphasizes the continuing relevance of the Ostroms’ work for our understanding of collective action, self-governance, and institutional diversity for interdisciplinary research in the social sciences and humanities. The wide array of topics and approaches will make the volume of interest to readers in a variety of fields, including: political science, economics, philosophy, sociology, public administration, environmental studies, and political economy.

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Human rights and development cannot be understood separately. They are historically connected by the idea of race, and have evolved concomitantly with the latter. As the tools of race, human rights and development have been forged in the effort to legitimize and maintain coloniality. While rights and development can be used as tools to achieve protection, specific political goals, or access in the dominant society, they limit radical social change because they are framed within a specific dominant ontology, and sustain a particular political horizon. This book provides an original analysis of the evolution of the overlapping histories of human rights and development through the prism of coloniality, and offers an important contribution to the search for alternatives to these through the lens of indigenous and other southern theories and epistemologies. In this effort, Julia Suárez-Krabbe brings new perspectives to discussions pertaining to the decolonial perspective, race, knowledge, pluriversality, mestizaje and identity while elaborating on original philosophical concepts that can ground alternatives to human rights and development.

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Large sections of democracy and its basic structures have recently been hijacked. By stealth, powerful elites have gradually gained control of the political sphere and transformed it to serve their own interests. The political systems of what appear to be established democracies in all corners of the world are showing signs of this takeover, which has led to widespread citizen disaffection and indignation. Kidnapped Democracy uses the metaphor of captivity to illustrate the differences and similarities between conventional kidnappings and the hijacking of a political system. The book’s nine chapters identify the kidnappers, the accomplices, the hostages, the victims and the negotiators before examining the effect of a peculiar Stockholm syndrome and, finally, reflecting on possible ways to secure the release of democracy.

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Austerity as Public Mood explores how politicians and the media mobilise nostalgic and socially conservative ideas of work and community in order to justify cuts to public services and create divisions between the deserving and undeserving. It examines the powerful appeal of these concepts as part of a wider public mood marked by guilt, nostalgia and resentment – particularly around the inequalities produced by global capitalism and changes to the nature of work. In doing so, the book engages with urgent questions about the contemporary political climate. Focusing on the UK, it challenges accounts of neoliberalism which frame it as primarily an individualising force and localist definitions of community as mitigating its damaging effects. Finally, it explores how resistance to austerity can challenge these tendencies by offering a politics of solidarity and hope, and a forum for experimentation with alternative forms of collectivity.

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An articulation of any kind of global understanding of belonging, or ways of cosmopolitan life, requires a constant engagement with vulnerability, especially in a world that is so deeply wounded by subjugation, colonialisms and genocides. And yet discussion of the body, affect and corporeal politics from the margins are noticeably absent from contemporary liberal and Kantian models of cosmopolitan thought. This book explores the ways in which existing narratives of cosmopolitanism are often organised around European and American discourses of human rights and universalism, which allow little room for the articulation of an affective, embodied and subaltern politics. It brings contemporary understandings of cosmopolitan solidarities into dialogue with the body, affect and the persistent spectre of colonial difference. Race, ethnicity, sexuality and gender are all extremely important to these articulations of cosmopolitan belongings, and we cannot really speak of communities without speaking of embodiment and emotion. This text envisions new ways of articulating and conceptualising ‘corporeal cosmopolitanism’ which are neither restricted to a purely postcolonial paradigm, nor subjugated by European colonialism and modernity. It challenges the understanding of liberal cosmopolitan solidarities using decolonial, and feminist performances of solidarity as radical compassion, resistance, and love.

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Representative democracy has long been problematic and subject to erosion through the introduction of components of direct democracy (referenda, voter initiatives and systems of recall). Following the increase of direct action across the world, through the Occupy movement and the rise of new populist parties championing greater citizen inclusion in decision making, many are considering whether the hierarchical system of political control might have had its day. But what might be the alternative, next democracy? This book considers the viability of a populist conception of democratic organization, which puts power into the hands of ordinary citizens. Examining contemporary and classic theory to contextualize the critique of existing systems, the book goes on to explore alternative arrangements tested out by activists, eco-protestors and anti-capitalists – from the recent Occupy agenda to Gandhi’s experiments in alternative living. Milligan confronts the practical challenges posed by these systems of direct democracy and discusses the considerable difficulties of scaling up and sustaining them in state-level contexts. Whilst the book concedes that such concerns are genuine, it argues that a theory of generalized direct democracy can shake off its utopian aspirations and become a legitimate alternative for the future.

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As its title suggests, this collections of essays by one of the foremost theorists working today takes as its theme the edge or limit between language, time, history, and politics. These are essays that are all on the brink, about the edge, the very extreme at which one can no longer say where one is located, neither on the cliff, say, nor over the edge. To be on the brink, then, is to take up that extreme limit, the point of contamination or indetermination where language, time, history, and politics all converge upon one another.The book begins with a consideration of Kant’s treatment of time as representation, before moving toward more explicitly political themes as it engages political theology and messianism in Hegel and Hölderlin. The second section explores the questionof language in a variety of manifestations—from translation to complaint and greeting—and through a number of literary and cultural forms, from the work of Mallarmé to email. The volume concludes with an interview in which Hamacher offers a revealing overview of his work, beginning with an account of his early writings and moving up to his most recent essays.

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The United States' national security depends on a secure, reliable and resilient cyberspace. The inclusion of digital systems into every aspect of US national security has been underway since World War II and has increased with the proliferation of Internet enabled devices. There is an increasing need to develop a robust deterrence framework within which the US and its allies can dissuade would be adversaries from engaging in various cyber activities. Yet despite a desire to deter adversaries, the problems associated with dissuasion remain complex, multifaceted, poorly understood and imprecisely specified. Challenges including, credibility, attribution, escalation and conflict management to name but a few remain ever present and challenge the US in its efforts to foster security in cyberspace. These challenges need to be addressed in a deliberate and multidisciplinary approach that combines political and technical realities to provide a robust set of policy options to decision makers. The Cyber Deterrence Problem brings together a multi-disciplinary team of scholars from multiple institutions with expertise in computer science, deterrence theory, cognitive psychology, intelligence studies, and conflict management to analyze and develop a robust assessment of the necessary requirements and attributes for achieving deterrence in cyberspace. Beyond simply addressing the base challenges associated with deterrence many of the chapters also propose strategies and tactics to enhance deterrence in cyberspace and emphasize conceptualizing how the US deters adversaries.

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Theopoetics names the notion that the divine (theos) manifests itself as creative making (poiesis). Anatheism expresses the attendant claim that this making takes the form of a second creation – re-creation or creation again (ana) – where humanity and divinity collaborate in the coming of the Kingdom. The Art of Anatheism brings together philosophers, theologians, and artists to open up the question of the relationship between artistic creation and the divine. The book asks the question – how can God happen again after the death of God? It answers it by proposing an 'art of anatheism' which attends to the recreation and return of the divine through certain forms of literature, painting, liturgy, music, and performance. Engaging students, scholars, and interested readers across a wide range of disciplines – philosophy, theology, aesthetics, literary criticism, poetics – the volume includes contributions from both practising artists and professional academics. As such it brings together examples from ancient religious wisdom traditions and cutting-edge contemporary cultural practices to suggest that the sacred is often most potent and persuasive when recreating the everyday world of our secular experience.

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This book engages studentsâparticularly those who may not be very familiar with many playsâin the theatre experience by focusing on just four plays: the tragedy Macbeth, the landmark African American drama A Raisin in the Sun, the American comedy classic You Can't Take It with You, and the contemporary hip-hop musical Hamilton.

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We live in a mediatized society, a society one could call a society of images. Working at the intersection of aesthetics and politics, Patrick Vauday challenges the dominant assumptions of this society and its disposition towards images. This challenge does not advocate repudiatingimages altogether, but rather entreats us to see them in a different light. This new way of thinking of images affords a glimpse into what images do and produce, rather than viewing them as copies or mere representations. Images are dynamic agents that are active in our world rather than simply empty reflections of it. Rethinking the concept of the image in this fashion opens up new ways of interpreting and engaging with works of art. This reconsideration of the role of images in society is the starting point for a new politics that considers the multiple and complex efficacies by which images act, circulate and are created.

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We live in a mediatized society, a society one could call a society of images. Working at the intersection of aesthetics and politics, Patrick Vauday challenges the dominant assumptions of this society and its disposition towards images. This challenge does not advocate repudiatingimages altogether, but rather entreats us to see them in a different light. This new way of thinking of images affords a glimpse into what images do and produce, rather than viewing them as copies or mere representations. Images are dynamic agents that are active in our world rather than simply empty reflections of it. Rethinking the concept of the image in this fashion opens up new ways of interpreting and engaging with works of art. This reconsideration of the role of images in society is the starting point for a new politics that considers the multiple and complex efficacies by which images act, circulate and are created.

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Indonesia is undergoing a process of rapid change, with an affluent middle class due to hit 141 million people by 2020. While official statistics suggest that internet penetration is low, over 70 million Indonesians have a Facebook account, the fourth highest group in the world. Jakarta is the Twitter capital of the world with more tweets per minute than any other city around the globe. In the past ten years digitalisation of media content has enabled extensive concentration and conglomeration of the industry, and media owners are wealthier and more politically powerful than ever before. Digital media is a prominent place of contestation between large, powerful oligarchs, and citizens looking to bring about rapid and meaningful change. This book examines how the political agencies of both oligarchs and ‘netizens’ are enhanced by digitalisation, and how an increasingly divergent society is being formed. In doing so, this book enters this debate about the transformations of society and power in the digital age.

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'A splendid critique' James O'Brien, Times Literary Supplement'Richly nuanced, the most stimulating book I have read on Labour in ages' Martin Kettle, Guardian'A brilliant book ... a reading of left-wing politics that suggests a road ahead' Independent A 'dark knight' conflict between good and evil; control by elite puppet masters; nostalgia for a golden age: these are the core myths of populism. And these narratives, argues Chris Clarke, have seduced the Left in Britain, causing bitter division and electoral disaster. Only by breaking this narrative spell and moving towards pluralism can Labour hope to fix itself - and to one day hold power again.Previously published by Rowman & Littlefield and Policy Network under the title Warring Fictions

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This catalogue explores the role of craft in voicing dissent in an era of political disruption. Crafting Democracy: Fiber Arts and Activism calls upon craft, during an era of political disruption, as a creative force to voice dissent, express hope, critique the curtailment of civil rights, and to restore dignity to the human experience. The essays and artwork featured in this exhibition catalogue are framed within the context of American democracy and disclose how we, as individuals and as a culture, "craft democracy" and ultimately question what democracy means today. This is the catalogue of an exhibition held at Harold Hacker Hall, Central Library of Rochester [New York] & Monroe County: August-October, 2019. Juilee Decker is associate professor of museum studies at Rochester Institute of Technology. Her publications include the 3rd edition of Museums in Motion: An Introduction to the History and Functions of Museums (2017) and the four-volume series Innovative Approaches for Museums (2015). Hinda Mandell is associate professor in the School of Communication at Rochester Institute of Technology and is a co-editor of Nasty Women and Bad Hombres: Gender and Race in the 2016 U.S. Presidential Election (University of Rochester Press, 2018). She is editor of Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats (forthcoming with Rowman & Littlefield).

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