Search results for ""globe pequot press""

Pithy, provocative, poignant advice on a variety of self-help topics-in four well-chosen words.

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The German war machine is in retreat as the Russians advance. In Warsaw, Resistance fighters rise up against their Nazi occupiers, but the Germans retaliate, ruthlessly leveling the once-beautiful city. American Adam Nowak has been dropped into Poland by British intelligence as an assassin and Resistance fighter. During the Warsaw Uprising he meets Natalia, a covert operative who has lost everything—just as he has. Amid the Allied power struggle left by Germany’s defeat, Adam and Natalia join in a desperate hunt for the 1940 Soviet order authorizing the murders of 20,000 Polish army officers and civilians. If they can find the Katyn Order before the Russians do, they just might change the fate of Poland.

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The splendor and beauty of New York's Finger Lakes are illuminated in this gorgeous photography collection. From idyllic country scenes featuring whimsical roadside stands and small town festivals to magnificent images of the region's spectacular waterfalls, gorges, and wineries, this visual journey through a western portion of the Empire State will charm and delight.

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All that is within me cries out to go back to my home on The Hudson River, President Franklin Roosevelt once declared. For it was at his home in Hyde Park, New York that FDR could indulge in his favorite avocationtree farmer. This book introduces children to FDR's love of nature through a lifetime in which he oversaw the planting of over a million trees on his estate. It tells of a childhood hiking the trails through his forest, later widening those trails into roads after polio deprived him of the use of his legs and only able to get around by car. It describes the creation of the Civilian Conservation Corps during the Great Depression, which came to be known as Roosevelt's Tree Army. It also tells the story of how FDR sent England's Prime Minister Winston Churchill a Norway spruce one Christmas to cheer up the English people. Today, FDR's love of trees is remembered at the Franklin D. Roosevelt Historic Site in Hyde Park, New York, where many of the trees he planted still rise on

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Winter 1795: Lieutenant John Pearce, reckoning to have finally ditched his old enemy, Admiral Hotham, has found a new one in Henry Digby, previously a friend. Meanwhile, Pearce's pregnant and recently widowed lover is adamant they cannot be seen together for the sake of their unborn child as she seeks respectability in society.Aboard HMS Flirt as part of the squadron led by Horatio Nelson, Pearce and his Pelicans soon join a reconnaissance mission which results in the destruction of a key French battery—though the success is short-lived. In raids ashore, split loyalties, and bloody sea fights, Pearce must show bravery and resourcefulness to ensure his survival and return to Emily. But the headstrong lieutenant is faced with immense danger, not only from the enemy but also from his own captain. Only luck and Pearce's fierce appetite for battle can save them from the perils ahead.

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On March 2, 1965, The Sound of Music was released in the United States and the love affair between moviegoers and the classic Rodgers and Hammerstein musical was on. Rarely has a film captured the love and imagination of the moviegoing public in the way that The Sound of Music did as it blended history, music, Austrian location filming, heartfelt emotion, and the yodeling of Julie Andrews into a monster hit. Tom Santopietro has written the ultimate Sound of Music fan book with all the details from behind-the-scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real-life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when Cleopatra bankrupted 20th Century Fox. We all know that Julie Andrews and Christopher Plummer played Maria and Captain Von Trapp, but who else had been considered? Tom Santopietro knows and will tell all while providing a historian's critical analysis of the careers of director Robert Wise and screenwriter Ernest Lehman, a look at the critical controversy which greeted the movie, the film's relationship to the turbulent 1960s and the super stardom which engulfed Julie Andrews. Tom Santopietro's The Story of The Sound of Music is book for everyone who cherishes this American classic.

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There have been many books written about Johnny Thunders and the Heartbreakers, but only by people who weren t there. Walter Lure was from the band's chaotic beginnings on New York's Lower East Side, through a now-legendary UK tour with the Sex Pistols and the Clash, and on to a yearlong stay in London eyewitness and midwife to the birth of UK punk. Now, he tells his story in To Hell and Back, a thrilling ride through the clubs and dives of two continents, in the company of one of the most notorious junkies in rock 'n' roll history. Drawing from his own contemporary journals, Lure paints a vivid portrait of life in both cities, during perhaps the most crucial musical uprising of the past forty years the music, the characters, the clothes, the fights, the drugs, the orgies, the lot. Lure lays bare his own battle with drugs, and reflects upon his life after the band's split rising to become a Wall Street fixture yet still finding time to make music.

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One of the most colorful parts of American History is the time of train robberies and the daring outlaws who undertook them in the period covering from just after the Civil War to 1924. For decades, the railroads were the principal transporters of payrolls, gold and silver, bonds, and passengers who often carried large sums of money as well as valuable jewelry. For the creative outlaw, trains became an obvious target for robbery. The list of America’s train robbers is a veritable Who’s Who of American outlawry and includes: Frank and Jesse James, Butch Cassidy and The Sundance Kid, Charles Searcy, Charles Morganfield, Sam Bass, Black Jack Ketchum, Seaborn Barnes, and others. To this cast of train robbery-related characters can be added the relentless investigations and pursuit by individuals associated with the Pinkerton Detectives, Texas Rangers, Wells Fargo detectives, railroad company detectives, as well as local and area law enforcement authorities. In addition, there are numerous tales of bravery that took place during train robberies involving heroic express car messengers, conductors, engineers, brakemen, and even passengers.

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From the earliest days of the western frontier, women heeded the call to go west along with their husbands, sweethearts, and parents. Many of these women were attached to the army camps and outposts that dotted the prairies. Some were active participants in the skirmishes and battles that took place in the western territories. Each of these women-wives, mothers, daughters, laundresses, soldiers, and shamans-risked their lives in unsettled lands, facing such challenges as bearing children in primitive conditions and defying military orders in an effort to save innocent people. Soldier, Sister, Spy, Scout tells the story of twelve such brave women-Buffalo Soldiers, scouts, interpreters, nurses, and others-who served their country in the early frontier. These heroic women displayed a depth of courage and physical bravery not found in many men of the time. Their remarkable commitment and willingness to throw off the constraints of nineteenth-century conventions helped build the west for generations to come.

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Most of the books that have been written about territorial Arizona and the southwest focus on the Indian Wars, outlaws, violent crimes, gambling, saloons, and bawdy houses. They foster and perpetuate the notion that southwest mining towns in the nineteenth century were little more than battlefields and lawless dens of vice and corruption. This is only half true. The lawyers, judges, doctors, army officers, bankers, journalists, teachers, and businessmen and women who actually ran the towns were educated and culturally sophisticated people who yearned for the niceties of Atlantic Coast culture. They built churches, founded choral societies and amateur theater troupes, and built libraries, multi-purpose halls, and “opera houses” where talented professional actors and their companies performed both the classics and contemporary melodramas, operas, minstrels shows, etc. These men and women spent a considerable amount of their leisure time in the theater, often as much as three nights per week. The plays they attended reflected their social and moral values, their taste, and their worship of theatrical celebrities. Their attendance and financial support of the theater was a measure of their civic pride and social consciousness. This popular history will help to balance the image of the Wild West.

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In the mid-nineteenth centrury, Martha Maupin left home at a young age and defied her parents to marry the dashing Garrett Maupin. After years of hardship and difficult marriage, Garrett Maupin died in 1866, leaving Martha alone on the frontier with her young children. Single mothers had few options in her day, but with an unwavering spirit, Martha seized her dream and bought her own farm. Few could have predicted that her life would intersect with some of the most extraordinary events in antebellum American history, eventually leading to her journey to a new life on the Oregon Trail. A Place of Her Own is the story of the author’s great-great-grandmother’s daring decision to buy that farm on the Oregon frontier after the death of her husband--and story of the author's own decision to keep that farm in the family. Janet Fisher's journey into the past to uncover her own family history as she worked to keep the property interweaves with the tales from her ancestors' lives during the years leading up to the Mexican-American War in the East and her great-great-grandmother's harrowing journey across the Oregon Trail with her young family and finally tells the tale of Martha's courageous decision to strike out on her own in Oregon.

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Although most credit Wilbur and Orville Wright with America's first powered flight, two months before the brothers lifted off the sands of Kitty Hawk, a French immigrant named August Greth flew theCalifornia Eagle, an airship of his own design, across the skies of San Francisco. While the Wrights claimed they had invented a flying machine, Greth and the California aviators proved it in front of thousands of spectators at state fairs and festivals across the country.L.A. Birdmenis the fascinating and forgotten story of America's first aviatorsCalifornians like August Greth, Tom Baldwin, Roy Knabenshue, John Montgomery, and James Zerbe. Possessing a rare blend of ingenuity, creativity, and bravery, these pilots captured the world's attention in 1910 when Los Angeles hosted America's first international airshow. Inspired by a flying exhibition held in Reims, France, Los Angeles promoter Dick Ferris convinced the city to host a competing eventa show that feature

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The Doors, James Brown, the Grateful Dead, the Sir Douglas Quintet, David Bowie—the list goes on. . . . From 1967 to 1973, Michael Oberman interviewed more than three hundred top musical artists. Collected together for the first time, Fast Forward, Play and Rewind presents more than one hundred interviews Oberman conducted with the most important musical artists of the day.Along the way, Oberman touches on the influence of his brother, who interviewed the Beatles and other top artists from 1964 to 1967. He also recounts stories from his later career working for the major Warner-Elektra-Atlantic recording company, where he produced concerts for Cellar Door Productions and managed recording artists. Want to know the true story of how David Bowie became Ziggy Stardust? That and dozens more true tales that might seem like fiction are waiting inside the pages of Fast Forward, Play and Rewind. Each short interview is an invitation for readers to relive (or live for the first time) one of the greatest periods in rock 'n' roll history.

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From John C. Payne, one of the foremost international authorities on marine electrical systems and electronics, comes an easy-to-understand yet thorough treatment of boat wiring and the technical issues facing every boat owner, whether sail or power.Concise, compact, and fully illustrated for easy reference, Understanding Boat Wiring: 2nd Edition has been fully revised throughout. This guide offers a comprehensive coverage of the following major topics: Boat wiring standards Basic electrical principles System voltages How to plan and install boat wiring Circuit protection and isolation Switchboards and panels Bilge pump wiring Mast and external wiring Grounding systems

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The movie High Fidelity is sacred ground for music lovers and cinephiles alike. The story of Rob Gordon and his coterie of vinyl snobs made it cool to let your geek flag fly and embrace your irrational enthusiasm. In Top Five, journalist Andrew Buss offers a rollicking oral history of the making of the film and its continued influence on popular culture.Usually, when a book that is as universally praised as Nick Hornby’s original novel, a film adaptation is a tricky thing. Top Five examines the difficulties that went into making it: although the book was set in London, the screenwriting team (which included star John Cusack) adapted it to fit their shared Chicago upbringing and to reflect their own experiences. As faithful as they remained to the book, the little tweaks allowed the material to feel authentic to the artists telling it. Despite the feeling that this might be an Americanized dilution of the source material, those doubts quickly subsided when fans of the book saw just how true the film stayed to Rob’s story.Buss draws on interviews with actors like John Cusack, Jack Black, and Iben Hjejle, along with all the key principals behind the scenes, including director Stephen Frears and the movie’s screenwriter, producers, and composer. Taken together, they offer a multi-perspectival picture that captures the legacy of the film, showing how it brilliantly captured a cross-section of ‘90s culture while anticipating the current era of cultural surfeit and content overload.

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For decades, British stage musicals struggled to compete against the dazzling Broadway productions that came roaring in from across the pond. But that tide was turned at last in 1978, when Tim Rice and Andrew Lloyd Webber’s production of Evita brought the West End back into contention with Broadway. It was just the first of several blockbuster productions that helped Britain dominate musical theater all over the world.In this revealing behind-the-scenes narrative, journalist and author Robert Sellers gives a definitive account of how Evita, Cats, Starlight Express, Les Misérables, Phantom of the Opera, Chess, and Miss Saigon changed the business of musical theater in the 1980s. These mega productions of the were larger than life, colorful, and spectacular. Sellers collects insightful, personal stories from cast members, set designers, musical supervisors, dancers, lighting designers, production managers, singers, and choreographers from the shows that finally put Broadway on its back foot. He also describes the backstage drama, production nightmares, and financial woes that threatened to derail the shows at multiple points. Whatever obstacles they faced, though, these productions swept the world and transformed the face of musical theater in ways that still resound today.

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The Way We Were is the definitive inside story of a landmark movie and its troubled making. Starring Barbra Streisand and Robert Redford, this iconic movie won multiple Academy Awards, but its success followed a variety of financial challenges, creative disputes, and the demands of the passionate individuals who fought to bring it into the world.With mingled reverence and wry humor, best-selling author Tom Santopietro embarks on an investigation to decode the enduring power of the movie. He analyzes the mysterious chemistry between Streisand and Redford, showing how their talents combined for an enthralling, once-in-a-lifetime blend that is cited in television shows and feature films to this day. Filled with first-hand accounts by actors, film historians, and members of the creative team, The Way We Were is the ultimate fiftieth anniversary account of a beloved movie that has remained an emotional touchstone for generations.

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KSAN!: The Hippie Radio Revolution that Rocked America is an oral history of America’s first hippie underground FM station which broadcasted the countercultural consciousness of the ‘60s and ‘70s to a new generation. A communal radio band of intrepid hellraisers, pranksters, and drug-enlightened geniuses defined this psychedelic era, from the Summer of Love in Golden Gate Park, to the rebellion and bitter end of the late 1970s, which launched the Reagan Revolution.Founded in San Francisco by Tom Donahue, a 1996 inductee into the Rock & Roll Hall of Fame, an entire generation of Americans discovered a new musical universe among dance clubs, light shows and street fests––the original pop-ups. Almost overnight, KSAN became an audio clubhouse, where anyone could belong with friends and the cool cats and hipsters they just met.Rock gods, political stars, and literary celebrities, including Jerry Garcia, Ken Kesey, Sly Stone, and John Lennon were all interviewed by founder Tom Donahue and his cohorts, whose listeners “tuned in and turned on” to bands like Jefferson Airplane, The Grateful Dead, Janis Joplin, Quicksilver, Country Joe and the Fish, Hot Tuna, The Beatles and Santana, among others.Folk journalist Hank Rosenfeld was there during those final years––writing, producing, and announcing. His warm, funny voice presents a behind-the-mic experience at KSAN, the beloved, “Jive 95,” whose delicious dose of enlightened sunshine and 33 rpm LP dreamscapes ignited a radio explosion from coast to coast.So, how did KSAN go from a liberating voice to a corporate cliché? It’s all here in Rosenfeld’s insightful, hilarious account, which includes countless exclusive interviews with iconic performers and never before available in print or audio form.

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Roman Polanski: Behind the Scenes of His Classic Early Films is a rare portrait of the artist in the act of creation. Journalist, film historian, and playwright Jordan Young takes Polanski watchers onto the set of a movie made under the worst possible conditions, by a crew who hated each other and a cast barely on speaking terms.

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April 1945: Europe is in ruins and Berlin is burning. As the Red Army closes in on the last few blocks surrounding the Fuhrerbunker, a famous aviatrix lands her light aircraft in the center of the shattered German capital. Two days later she takes off again. With her is a man called Heinrich Bechmann, SS mass killer and personal bodyguard of the German chancellor Adolf Hitler—and with Bechmann is a file of documents.Nearly a century later, in the spring of 2020, Pope Francis announces that he intends to open the Vatican Secret Archives to the public. A week later, masked gunmen kill five people at an isolated Jesuit retreat in the mountains of Sicily. And two weeks after that, the body of a celebrated British historian is discovered in a beach house on Long Island. Aiden Blake, ex-Royal Marine and brother of the dead historian, believes there is a mysterious link between these events, stretching across seventy-five years of history.He’s right—and history itself will provide the clues. The trail will lead him and his brother’s New York-based researcher, Hannah Harper, across the Atlantic to the hidden bunkers of Berlin, a Gothic castle in the South Tyrol, Rome, Sicily, and deep into the past in a bid to find his brother’s killers—and expose a neo-Fascist plot to kill the present Pope and replace him with one more conducive to the party’s own political views and ambitions.

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This is the Golden Age of comic-book blockbusters. Since his introduction in August 1962, Spider-Man's pop culture reach has extended from comic books and clothing to video games, toys, and television shows. His strongest impact, however, is in the feature-film realm, where eight different Spider-Man movies collectively boast more than $7.2 billion in worldwide tickets sold. If Hollywood had a superhero throne, Spider-Man would be sitting on it. Of the five highest-grossing film franchises in Hollywood history, Spider-Man now plays a pivotal role in three: the Marvel Cinematic Universe; the four-film Avengers franchise; and the Spider-Man series. This ranks the character ahead of James Bond, the Transformers, every on-screen Batman, and Peter Jackson's complete Tolkien series in Hollywood's box-office hierarchy. Marvel's wall-crawler has come a long way since his earliest days, but his cinematic journey has yet to be documented. Unusual, since Spider-Man's Hollywood history is littered with A-list names (such as James Cameron and Leonardo DiCaprio), behind-the-scenes squabbles, franchise reboots, and Tom Holland preventing Disney from booting Spidey out of the MCU. The prized creation of Marvel guru Stan Lee has helped create and cultivate the current Golden Age of comic-book blockbusters, and lessons learned on the Spider-Man franchises are applied to all comic-book movies today. Veteran film reporter and author Sean O'Connell uses his exclusive access to directors, actors, producers, and screenwriters to get the inside angles on Spider-Man's climb to the top of the superhero heap in With Great Power.

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The sixth volume in the award-winning series profiling the
American perspective in the Age of Sail, No Sacrifice Too Great, chronicles the swashbuckling adventures of 
the Cutler family as the United States takes on Great Britain 
in the War of 1812. Richard Cutler and his two 
sons, William and James, serve in the US Navy, weak in 
number of ships but strong in experience and fighting
spirit. Battles in which the family participates include high 
seas drama between Constitution and HMS Guerriere, fleet 
engagements on Lake Erie and Lake Champlain, the siege 
of Baltimore, and the epic Battle of New Orleans.

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The narrative of Tumult! The Incredible Life and Music of Tina Turner is an extended exploration of the magical transformation of shy country girl Anna Mae Bullock into the boisterous force of nature we know today as Tina Turner. This is creative alchemy in action: turning into Turner is actually also the captivating tale of someone who was already precociously there, a stellar talent just waiting to emerge and grab the global spotlight. Far from the early myths attached to her name by association with her talented but tormenting producer-husband, she was not a Svengali-like creation at all, but rather a fully formed, if vulnerable, young musical prodigy who was going to burst out of the creative shell imposed upon her one way or the other. Even though it took sixteen years to do so, her second career as a solo pop artist is the achievement for which she is rightly remembered. In Turner, we have a case study in triumph over adversity and sheer creative will power: singer, songwriter, dancer, actress, feminist icon. Often referred to as the Queen of Rock and Roll, she has sold over two hundred million records and sold more live concert tickets than any other solo performer in history. In 2019, she celebrated her eighieth birthday and was also lionized in the live Broadway version of her incredible life story, Tina: The Musical, starring Adrienne Warren. In Tumult!, we unearth and examine what uncanny skills enabled her to connect with so many people at such a deep heart-to-heart level. She is, in fact, a beating human heart in high heels.

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Narrated by Barry Singer—one of contemporary musical theater’s most authoritative chroniclers—Ever After was originally published in 2003 as a history of the previous twenty-five years in musical theater, on and off Broadway. This new, second edition extends the narrative, taking readers from 2004 to the present. The book revisits every new musical that has opened since the last edition, with Barry Singer once again as guide. Before Ever After appeared in 2003, no book had addressed the recent past in musical theater history—an era Singer describes as “ever after musical theater’s many golden ages.” Derived significantly from Singer’s writings about musical theater for the New York Times, New York magazine, and the New Yorker, Ever After captured that era in its entirety, from the opening of The Act on Broadway in October 1977 to the opening of Avenue Q Off-Broadway in March 2003. This new edition brings Ever After up to date, from Wicked through The Book of Mormon to Hamilton and beyond. Once again, Ever After is the first book to cover this new age. And, once again, utilizing his recent writing about musical theater for Huffington Post and Playbill, Barry Singer’s viewpoint is comprehensive and absolutely unique.

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Phil Ochs is known primarily as a songwriter; however, his oeuvre extends far beyond that—to short stories, poetry, criticism, journalism, and satire, all of which are included in I’m Gonna Say It Now: The Writings of Phil Ochs, which represents the majority of what Ochs wrote outside of his large circle of songs. This comprehensive tome presents another side of the famous topical songwriter, showcasing his prose and poetry from across the full span of his life. From prizewinning stories and clear-eyed reporting while a journalism major in college to music criticism, satires, and political pieces written while part of the burgeoning folk scene of New York City in the early 1960s and during the tumultuous Vietnam War era; from sharp and lyrical poems (many previously unpublished) to reviews, features, and satires written while living in Los Angeles and the final, elegiac coda writings from near the end of his life—I’m Gonna Say It Now presents the complete picture. The book includes many rare or nearly impossible to find Ochs pieces, as well as previously unpublished works sourced from the unique holdings in the Ochs Archives at the Woody Guthrie Center. Additionally, never-before-seen reproductions from Ochs’s journals, notebooks, and manuscripts provide a closer look at the hand of the artist, giving a deeper context and understanding to his writings. Never before published photographs of Ochs bestow the visual cherry on top.

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Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred songs include the standards "On the Sunny Side of the Street," "Pick Yourself Up," and "The Way You Look Tonight," among other classic tunes. This book introduces the trailblazing Fields to audiences who may not know her name but surely know her five decades worth of work. Beginning in the 1920s, Fields was one of the few women writing for commercial theater, and she did it so remarkably well that her work was recognized with a Tony Award, an Oscar, and the accolades of ASCAP president Stanley Adams, who referred to her as "the most important woman writer in the history of ASCAP."

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Idaho's Remarakble Women 2 tells the history of the Gem State through the stories of fifteen pioneering women, all born before 1900, who made a profound impact on Idaho. Meet Sacajawea, Lewis and Clark's Shoshone guide; Jo Monaghan, who lived as a man for nearly forty years; Margaret Cobb Ailshie, who ran Idaho's biggest newspaper; and Nell Shipman, an actress, writer, and early filmmaker. Each woman in her own way displayed remarkable courage, hope, and love during a time when Idaho was still an untamed frontier. Read about their exceptional lives in this collection of absorbing biographies.

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John Corcelli, author of Frank Zappa FAQ, takes a deep dive into the comedic artistry of George Carlin, one of America's most important funny men. From his early radio days to his most successful comedy albums, Carlin changed the way stand-up comedy was written and performed. He was the king of all media: print, recordings, movies, television, and the thirteen quintessential HBO Specials that still resonate with fans. Carlin's gift for gab was founded on his ability to understand the human condition and express his politically incorrect views with powerful insights. Carlin's contributions to popular culture have had a salient and lasting impact as a result of their prescience and visionary nature. Along with Lenny Bruce and Richard Pryor, Carlin is considered part of the holy trinity of stand-up comedy. He opened the door to what was possible in stand-up beyond simple joke telling. Jon Stewart, Bill Maher, and Stephen Colbert all owe a little something to their success today from the groundbreaking work of George Carlin.In Outside Looking In, Corcelli reveals how Carlin's mother nurtured him as a child performer, his stint in the USAF, his first act with Jack Burns, and how he was able to transition from a clean-cut performer doing the "Hippy Dippy Weatherman" into the counter-culture satirist with a ponytail.

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Will Metz's main ambition in his first book, Music Theory for Self-Taught Musicians: Level 1: The Basics, was to define and introduce all the main concepts used in music theory (intervals, chords, scales, modes, etc.). He refers to these notions as "tools" because they are what musicians use to create music. Having a clear understanding of these notions is crucial, but it is only the first step . . . One must then understand how to actually use these tools and how they are combined and how they interact. More concretely, this book, Music Theory for Self-Taught Musicians: Level 2: Harmony, Composition, and Improvisation goes in depth into the notions of harmony, composition, and improvisation. It answers one of the most common and troubling questions of any musician, that is: What to play in any given musical context?This is what music theory is all about at the end of the day—learning a bunch of relatively complex notions would make no sense if they didn’t help to compose and create music. This is not rocket science, and anyone can understand the mechanisms of harmony. All of this is explained using the same principles that are in the first book, which means no (or very few) notes written on staff and clear, logical step-by-step explanations. As a self-taught musician, Metz would have given anything to have this book when he decided to start learning harmony and was dabbling with improvisation. Allow him to save you years of time and trial and error and to finally give you the clear and complete understanding of theory you deserve.

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Emily Mann: Rebel Artist in the American Theater is the story of a remarkable American playwright, director, and artistic director. It is the story of a woman who defied the American theater's sexism, a traumatic assault, and illness to create unique documentary plays and to lead the McCarter Theatre Center, for thirty seasons, to a place of national recognition. The book traces and describes Emily Mann's family life; her coming-of-age in Chicago during the exuberant, rebellious, and often violent 1960s; how sexual violence touched her personally; and how she fell in love with theater and began learning her craft at the Loeb Drama Center in Cambridge, Massachusetts, while a student at Radcliffe. Mann's evolution as a professional director and playwright is explored, first at the Guthrie Theater in Minneapolis, where she received an MFA from the University of Minnesota, then in New York City, and again in the Midwest, where she became recognized internationally, married, had a child, and divorced her husband. Mann's leadership of the McCarter is examined, along with her battles to overcome multiple sclerosis, and conquer—personally and artistically—the memories of the violence she experienced when a teenager. Finally, the book discusses her retirement from the McCarter Theatre Center, while she continues as a playwright, amplifying her journey as a female artist of sensitivity and originality.

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Planet of the Apes was a concept that started life in 1963 as a quirky work by French literary novelist Pierre (The Bridge on the River Kwai) Boulle. His concept of a world where humans are ruled over by apes proceeded to become one of the biggest multi-media sensations in history. The 1968 Charlton Heston motion-picture adaptation of Boulle's book was celebrated and successful but was just the beginning. By 1973, said picture had spawned four sequels. It then spun off a live-action TV series, which in turn spun off the animated TV show Return to the Planet of the Apes. What with this, comic books, novelizations, and a tsunami of merchandising, the late sixties and first half of the seventies had a distinctly simian flavor. A new generation was introduced to the concept when, in 2001, Tim Burton's updating of the series appeared in cinemas. This itself was rebooted a decade later in the form of Rise of the Planet of the Apes and its two sequels. Despite all the fantasy (and money-chasing), however, the series has always been marked by thoughtfulness, exploring serious themes alien to most franchises. Planet of the Apes explores every aspect of this media phenomenon---from books to films to comic books to television shows to video games to merchandise---to provide an overview of Planet of the Apes that is truly definitive. With the help of new and exclusive interviews, it examines the contributions of producers, directors, writers, actors, and makeup artists in an attempt to gain an understanding of how this media property has changed the world.

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