Search results for ""globe pequot press""

Tarot cards have been used to foretell the future for centuries. In the hands of a sensitive and gifted reader like Jane Stern they can help clarify the decisions we make every day and realign our lives to work more effectively.

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In the Time of Terror, friends turn against friends, patriots are betrayed, and lovers must pay the ultimate price.1793: British navy commander Nathan Peake patrols the English coast, looking for smugglers. Desperate for some real action, Peake gets his chance when France declares war on England and descends into the bloody madness of the Terror. Peake is entrusted with a mission to wreck the French economy by smuggling fake banknotes into Paris. His activities take him down Paris streets patrolled by violent mobs and into the sinister catacombs beneath the French capital. As opposition to the Terror mounts, Peake fights to carry out his mission—and to save the life of the woman he loves.

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A compelling new historical naval adventure from a master of maritime storytelling. 1796: Nathan Peake, captain of the frigate Unicorn is sent with a small squadron into the Adriatic to help bring Venice into an Italian alliance with Britain against the French. He establishes a British naval presence, harrying the French corsairs that swarm out of Ancona in Italy and confronts the politics of "intrigue, poison and the stiletto" in Venice, but learns that Bonaparte is negotiating a peace deal with the Austrians--Britain's only remaining ally. Worse, the Spanish are about to ally with the French. Nathan returns to the Unicorn and rejoins Nelson for the decisive Battle of St. Vincent against the entire Spanish fleet.

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This new revised edition of the trusted guide to vegetarian family cooking is better than ever with recipes for quick, healthy, tasty, kid-tested meals—many of them totally new for this edition. The vegan information has been expanded, too, with plenty of helpful tips on incorporating vegan choices into a diet. This is one recipe book that belongs in every earth-friendly kitchen.

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In Magic to Do, which celebrates the 50th anniversary of Pippin's opening, two-time Pulitzer Prize jury member Elysa Gardner turns her attention to this innovative show, the musical retelling of the story of Prince Pippin, son of Charlemagne, and his quest for an "extraordinary life." Magic to Do dives deep into the legendary clashes, backstage drama, and incredible artistic synergy that produced one of Broadway's most influential musicals, a show that paved the way for the pop-informed musicals that we know and love today. Full of big personalities, brilliant creative minds, and never-before-told stories, Magic to Do is an intimate look at a moment in history, a time and a place in which popular culture was as defined by conflict—between the young and the old, idealism and cynicism, creation and destruction—as anything else. Gardner draws out this friction through her examination of the creative struggles between Pippin's director/choreographer, the iconic Bob Fosse, for whom the show would mark a massive career resurgence, and its young composer/lyricist, Stephen Schwartz (of Wicked fame), who was making his Broadway debut. Magic to Do clearly marks the lasting cultural significance of Pippin, which derives in large part from the timelessness of the search for self, one that presents itself anew to each succeeding generation, accounting for the show's enduring popularity around the world. Infused with R&B sounds and a universal message, it is fair to say that, without Pippin, there is no Spring Awakening, Dear Evan Hansen, or even Hamilton.

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A fond recollection of the West’s one-room school houses, this book celebrates an American institution with stories of heroism and perseverance. Illustrated with archival images of classrooms and students, One Room reflects the earnest striving and innocent hopes of pioneers forging communities. Learn about the unsung and yet mythical frontiersmen and women who “civilized” the west, the children who attended one-room schools, and the teachers who faced hardships on the frontier, including blizzards, fires, and teaching the three “R’s.”

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At Montana’s Chico Hot Springs Resort, their mission is to turn guests into friends and friends into family. For more than a century visitors have soaked in their legendary waters and Chico has been hosting parties and entertaining guests from all over the world, whether they are cowhands or celebrities. The surrounding majesty of the mountains, the free flowing Yellowstone River and the vastness of the valley where it sits, nestled in the shadow of 11,000-foot Emigrant Peak, make this historic and rustic resort unique. And the food keeps the visitors coming back. From their famous brunch, featuring bread puddings, quiches, smoked duck, and coffee cakes, to the bison ravioli appetizers and flaming orange desserts that bookend their fantastic dinners, the dining room at Chico is legendary. The combination of culinary expertise, a chef’s garden and greenhouse, regional ingredients and the subtle elegance of Chico Hot Springs’ dining room brings people together to share in celebrations, festive gatherings, traditions and simple meals. Chico’s chefs stay true to mountain cuisine, relying on the freshest ingredients to make very dish from scratch. They find the best meats and trout from local Montana farms and ranches, and their most important source for ingredients is in their backyard, where two geothermal greenhouses provide the freshest produce available for half the year. The specialty menus and one hundred recipes included in this cookbook will serve as a reminder of the good times, good company and good food in Montana.

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It Happened on the Lewis and Clark Expedition features fascinating events from Meriwether Lewis and William Clark's 1803-1805 expedition from St. Louis to the Pacific Ocean and back, including the first democratic vote west of the Mississippi, the remarkable and unexpected reunion of their Indian guide Sacagawea with the clan brother she hadn't seen in years, the day they found a huge whale on the beach, and their discovery of Carolina parakeets—a now extinct species.

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The first woman ever elected to the U.S. Congress, Jeannette Rankin represented Montana for two terms in the U.S. House of Representatives. A leading advocate for both woman suffrage and world peace, she was instrumental in securing the right or Montana women to vote, five years before the right was granted nationally. As the sole female member of the U.S. Congress in 1919, Jeanette was the only woman to vote for national suffrage. This biography reveals Jeannette Rankin's life and personal story, exposing her many courageous and remarkable accomplishments.

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By 1883 when the rail lines of the Northern Pacific reached the tiny town of Cinnabar, Montana Territory, newspaper and magazine stories of the wonders to be found in Yellowstone National Park had been firing the imaginations of eager potential visitors around the world for a decade. Once the railroad completed that critical bit of their route, the world was poised to actually see the magic of Yellowstone, and the prospect of a trip was no longer just exciting—it was a possibility. It seemed like everyone who could afford the ticket—from middle class residents of New York City to Army Generals William Tecumseh Sherman and Philip Sheridan to President Chester A. Arthur—wanted to ride the train to see Yellowstone . Their jumping off point for their journey into “Wonderland” was the town envisioned by Hugo Hoppe, a raucous Wild West town poised for greatness as the Gateway to all of Yellowstone’s offerings. The town of Cinnabar, Montana, no longer exists, but when it did, it served as the immediate railroad gateway for a generation of visitors to Yellowstone National Park. Visitors passed through its streets from September 1, 1883, through June 15, 1903 This book tells the story of its place in the West, and the legend of the town and its promoters. Its story is one of aspiration and dreams in the American West and its place in the legend and lore of Yellowstone has kept the spirit of Cinnabar alive for more than a hundred years since the town itself faded away.

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"Bill Westbrook's follow-up to The Bermuda Privateer is buoyed by details of history and seamanship that will delight any fan of saltwater yarns and explosive action."—Broos Campbell author of the Matty Graves Novels That dashing British privateer Nicholas Fallon is back again, helping himself to a fistful of mayhem in The Black Ring . The year is 1798. The African slave trade is in brutal flower, and the great powers are fighting for control of the Caribbean's immensely profitable sugar plantations. Nico, meanwhile, has been trying his damnedest to become a salt merchant under Ezra Somers, father of the beautiful Elinore. But when an urgent request arrives from Admiral Davies of the Leeward Island Station, Ezra and Elinore give Nico their blessing to head off in search of plunder and adventure. Sailing aboard the American-built topsail schooner Rascal , Nico takes on the job of slipping a secret agent into Cuba, but soon becomes entangled in numerous dangers—or opportunities, as he likes to call them. There's an escaped slave trying to burn every stalk of sugarcane in Cuba, a pirate running riot with a flotilla of "little wolves," an admiral's lady that needs a bit of rescuing, and a French plot that threatens Britain's very presence in the islands.

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JAMES BOND AND THE SIXTIES SPY CRAZE

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On November 20, 1983, a three-hour made-for-TV movie The Day After premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. After the premiere, ABC News aired an episode of Viewpoint, a live special featuring some of the most prominent public intellectuals of the debating the virtues of the Arms Race and the prospect of a winnable nuclear war. The response to the film proved more powerful than perhaps any film or television program in the history of media. Aside from its record-shattering Nielsen ratings, it enjoyed critical acclaim as well as international box office success in theatrical screenings.The path to primetime for The Day After proved nearly as treacherous as the film’s narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers, with Broadcast Standards and Ad Sales, in the edit room and on the set, including the “nuke-mares” experienced by the cast. After the director was pushed aside, he contemplated suicide while also engineering a comeback through the press. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film’s message.Before The Day After features a dramatic insider’s account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, Reagan officials in the White House who mounted the propaganda campaign, rogue publicists who hijacked the film to promote a Nuclear Freeze, the backlash from the conservative movement and Religious Right, the challenges encountered by film’s production team from conception to reception, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot, if also, ground zero in America’s nuclear heartland.

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UNBREAKABLE: THE ENDURING LEGACY OF BRUCE WILLIS ON FILM

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Bea Arthur as the owner of the Mos Eisley Cantina. Long scenes entirely of Wookies bleating at each other, without subtitles. Harvey Korman, in drag, as a four-armed Space Julia Child. Six minutes of Jefferson Starship performing for Art Carney and a bored Imperial Guard. Mark Hamill, fresh from his near-fatal motorcycle accident, slathered in pancake makeup. A salacious holographic burlesque from Diahann Carroll.Even by the standards of the 1970s, even compared to Jar-Jar Binks, the legendary 1978 Star Wars Holiday Special is a peerlessly cringeworthy pop-culture artifact. George Lucas, who completely disowned the production, reportedly has said, “If I had the time and a sledgehammer, I would track down every copy of that show and smash it.” Just how on earth did this thing ever see the light of day?To answer that question, as Steven Kozak shows in this fascinating and often hilarious inside look into the making of the Special, you have to understand the cultural moment in which it appeared—a long, long time ago when cheesy variety shows were a staple of network television and Star Wars was not yet the billion-dollar multimedia behemoth that it is today. Kozak explains how the Special was one piece of a PR blitz undertaken by Lucas and his colleagues as they sought to protect the emerging franchise from hostile studio executives. He shows how, despite the involvement of some of the most talented people in the business, creative differences between movie and television writers led to a wildly uneven product. He gives entertaining accounts of the problems that plagued production, which included a ruinously expensive cantina set; the acrimonious departure of the director and Lucas himself; and a furious Grace Slick, just out of rehab, demanding to be included in the production.Packed with memorable anecdotes, drawing on extensive new interviews with countless people involved in the production, and told with mingled affection and bewilderment, this never-before-told story gives a fascinating look at a strange moment in pop-culture history that remains an object of fascination even today.

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He didn’t know it at the time, but Tim Ghianni’s love affair with Nashville and its musical artists began on a steamy night in 1972, when the twenty-year-old author had unsolicited help from honky-tonkin’ legends Bobby Bare and Shel Silverstein during an after-midnight “salvation” of the city. It was the beginning of a lifelong urban romance that Ghianni would pursue during a career as a journalist in middle Tennessee, interviewing Nashville’s biggest stars and developing friendships with musicians of all kinds.Pilgrims, Pickers & Honky-Tonk Heroes is Tim Ghianni’s love letter and nostalgic swan song, recounting the storied musical history of Nashville as well as the dramatic changes the city has seen over the course of fifty years. The Nashville of today—with one hundred newcomers a day from places like Los Angeles and New York and fresh waves of musicians making up a new modern soundtrack—is not the same city he made his home in 1972, for better and for worse.Time changes everything, even a beloved American city, but this briskly told and warmly remembered book recounts the countless friends, adventures, and anecdotes that capture the essence of Music City across a half-century.

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Before she knew she was Ukranian, Soviet, or Jewish, Inna Faliks knew she was a musician. Growing up in the city of Odessa, the piano became her best friend, and she explored the brilliant, intricate puzzles of Bach’s Goldberg Variations and learned to compose under her mother’s watchful eye. At ten, Faliks and her parents moved to Chicago as part of the tide of Jewish refugees who fled the USSR for the West in the 1980s. During the months-long immigration process, she would silently practice on kitchen tables while imagining a full set of piano keys beneath her fingertips. In Weight in the Fingertips, Faliks gives a globe-trotting account of her upbringing as a child prodigy in a Soviet state, the perils of immigration, the struggle of assimilating as an American, years of training with teachers, and her slow and steady rise in the world of classical music. With a warm and playful style, she helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, the poems she memorized as a child all connect to her sound at the piano, and the way she hears and shapes a musical phrase illuminate classical music and elite performance. She also explores how a person’s humanity makes their art honest and their voice unique, and how the life-long challenge of retaining that voice is fueled by a balance between being a great musician and being a human being. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow.

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From the dawn of silent cinema to today, sci-fi movies have been a constant presence in pop culture, with mad scientists, terrifying monsters (giant and otherwise), UFOs, and invading aliens all bursting out from some of the most brilliantly designed posters ever printed, featuring art that was sometimes lurid, always eye-catching, and often simply beautiful.Acknowledging the iconic, but with plenty of room for the rare and unfamiliar, The Art of Classic Sci-Fi Movies presents a stellar selection of imagery, charting the story of the genre from its origins in foundational works like Voyage to the Moon and Metropolis, through Cold War classics like Invasion of the Body-Snatchers and Godzilla, and on to visionary films such as 2001 and Solaris—as well as less celebrated but nonetheless infamous cultural artifacts like Barbarella and Zardoz, and genuine oddities such as Canadian Mounties vs. Atomic Invaders. The most extensive book of its type ever published, it includes ample selections from American movies as well as a range of films from Japan, Italy, Spain, France, Russia, and Eastern Europe.

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Almost thirty years after Rock Opera, his first book on Jesus Christ Superstar, Ellis Nassour returns to the world of Andrew Lloyd Webber and Tim Rice to complete the fascinating story of the Broadway musical that rocked the stage and pushed boundaries. Nassour goes behind the scenes to show the evolution of Jesus Christ Superstar from an album to a Broadway musical, exploring not only the breakthroughs, but also the frustrations and pitfalls. With never-before-seen photos and new interviews, Superstar presents a detailed account of the life of the musical from 1969–1973.

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Addicted to Noise collects the best interviews, profiles, and essays Michael Goldberg has written during his forty-plus years as a journalist. From combative interviews with Frank Zappa and Tom Waits to essays on how Jack Kerouac influenced Bob Dylan and the lasting importance of San Francisco’s first punk rock club, Goldberg, as novelist Dana Spiotta wrote, “shows us how consequential music can be.”Contained within these pages: interviews with Sleater-Kinney, Sonic Youth, Patti Smith, Lou Reed, Flipper, John Fogerty, Neil Young, and Rick James, along with profiles of Robbie Robertson, John Lee Hooker, James Brown, the Clash, Prince, Michael Jackson, the Flamin’ Groovies, Ramblin’ Jack Elliott, X, Laurie Anderson, Stevie Wonder, George Clinton, Devo, San Francisco punks Crime, and more. Plus short takes on Muddy Waters, Townes Van Zandt, Captain Beefheart, Professor Longhair, and others. As Greil Marcus writes in the Foreword, “You can feel the atmosphere: someone has walked into a room with a pencil in his hand—as the words go in perhaps the first song about a music critic, not counting Chuck Berry’s aside about the writers at the rhythm reviews—and suddenly people are relaxed . . . He isn’t after your secrets. He doesn’t want to ruin your career to make his. He doesn’t care what you think you need to hide. He actually is interested in why and how you make your music and what you think of it. So people open up, very quickly, and, very quickly, as a reader, you’re not reading something you’ve read before.”

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The creator of Story Theater, the original director of Second City, and one of the greatest popularizers of improvisational theater, Paul Sills has assembled some of his favorite adaptations from world literature. Includes: The Blue Light and Other Stories, A Christmas Carol (Dickens), Stories of God, and Rumi.

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The story of Rent is a theatrical legend, but one that has not been properly told: the story of Jonathan Larson, the young composer working in a diner when Rent became his big off-Broadway break; the composer who was mentored by Sondheim but struggling to break through; and the young man who tragically died the night of its final dress rehearsal. Seasons of Love: Why Rent Matters is an ode to the small Off-Broadway musical that swiftly moved uptown without its composer and broke box office records and won every award in the book. Alongside that legendary romantic story is a musical that changed musical theatre. The importance of Rent is often overlooked, sometimes reduced to parody and pulled apart for its narrative in ways other classics have not been. Emily Garside has serious questions to ask about why Rent is taken less seriously than other musicals of its caliber. It may have had a "romantic" and "media friendly" subplot, but musicals do not win the Pulitzer Prize for column inches. Rent is a robust work, and one whose history and significance should be recorded.Seasons of Love concludes with a celebration of the twenty-fifth anniversary of Rent, which falls in 2021. Garside considers that as we look to older works for inspiration, and to fill our theatres, we may well be returning to Larson's work as a reflection of our times.

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Fugitive Billy Houston, keen to bring about a Nazi-run Britain, needs money. Intent on burglary, his victim has in his possession the entire anti-invasion plans for Southern Britain. Billy must get the plans to the German delegation. Will he succeed? If he does, Hitler will lead Britain to a German invasion.

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This is the seventh novel in the Nathan Peake series of nautical historical fiction set during the wars with Revolutionary and Napoleonic France. The war moves to the Americas as Captain Nathan Peake, freed from service in the Royal Navy, is secretly commissioned by President Thomas Jefferson to command a naval operation in the Caribbean Sea and frustrate plans to establish a new French Empire on the North American mainland which would pose an existential threat to the infant United States.With Europe temporarily at peace, Napoleon Bonaparte has dispatched his victorious army with a vast fleet to the Caribbean. Its aim is to re-impose French authority in the region, and then occupy a vastswathe of territory stretching from New Orleans to the Canada border and westward from the Mississippi to the Rocky Mountains. But first they must re-conquer Saint-Domingue (now Haiti) where they are opposed by rebel slaves led by the African general Toussaint L'Ouverture. Nathan is sent from England with a small squadron crewed by British and American sailors tasked with disrupting French supply lines at sea and running guns to the rebel forces. But if they are caught they will be disowned by the British and US governments and very likely hanged by the French as pirates.This adventure will lead Nathan into a running battle with the French Navy in the troubled waters off Saint-Domingue, an increasingly desperate involvement in one of the most brutal colonial conflicts in history, a dangerous liaison with Pauline Bonaparte, sister of Napoleon and wife of the French commander, and a battle of ideas and ideologies that persists to the present-day.

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Riley Fitzhugh is recruited by the OSS for temporary duty as a naval spy in Morocco. Riley’s assignment is to kidnap a French river pilot and extract him from Casablanca. Riley meets an old flame from his days in Hollywood and these two have some surprises waiting for them.

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Pulitzer Prize–winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of 'this is who we are," the one-act plays in this latest edition of the Best American Short Plays series (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today. The selected plays reflect how we perform our identities (private and public) and how we negotiate who we are with others who often have different perspectives, perspectives that make us uncomfortable. The theme of this collection is topical and apt—as our country continues to shore up its borders along party lines, from pride parades to strict abortion laws, from inclusivity in education curricula to children in detention centers at the US–Mexico border. Each of the plays presents a clear reflection of who we are (and who we aspire to be) as individuals and as a nation. The styles of the plays also reflect different approaches to storytelling: two characters, four characters, a single setting, multiple settings, or a utopian "nowhere." The rich and compelling characters try to work out their differences and overcome obstacles using humor and a sense of magic that comes with simple moments of human connection. This is who we are: people who are grappling with the desire to be understood, the hope to be loved and accepted, and to allow that hope to shape a larger sense of who we could be if we continue to work and listen.

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Renowned editor Larry Harbison brings together approximately one-hundred never-before-published women’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Michael Ross Albert, Don Nigro, Daniel Damiano, Molly Goforth, Seth Svi Rosenfeld, Brian Dykstra, Michael A. Jones, Sam Graber, Penny Jackson, Christi Stewart-Brown, George Sapio, Sarah M. Chichester, Constance Congdon, Steven Hayet, and Ashlin Halfnight. There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.

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In this behind-the-scenes look at the making of Fleetwood Mac s epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Following their massive success, the band continued its infamous soap opera when its musical leader and guitarist, Lindsey Buckingham, threatened to quit if he didn t get things his way, resulting in clashes not only with his band but especially Caillat, who had been essential to the band s Grammy-winning sound. Hernan Rojas s story recounts a young man who leaves Chile after General Pinochet s coup to seek his future in the music industry of Los Angeles, where he finds success at one of the hottest studios in town. When Fleetwood Mac arrives, Rojas falls in love with its star singer, Stevie Nicks, and the two of them become romantically involved. Throughout the book, both Caillat and Rojas d.

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In the 1840s and 50s, the Jicarilla Apache were the terror of the Santa Fe Trail and the Rio Arriba. They repeatedly clashed with the cavalry and raided wagon trains, and there was bad blood between the band and the Army after the Battle of San Pasqual, when they were on opposite sides during the Mexican American War. In 1854, as traffic was on the increase along the historic trade route, the Jicarilla soundly defeated the 1st United States Dragoons in the Battle of Cieneguilla. Cieneguilla was the worst defeat of the US Army in the West up to that time, and it was just one of the first major battles between the US Army and Apache forces during the Ute Wars. According to one version of events, the 60 dragoons, under the direction of a Lt. Davidson, had engaged in an unauthorized attack on theJicarilla while they were out on patrol. Others claimed that the Jicarilla either ambushed the Army or taunted them into attack. Kit Carson, who was agent for the Jicarilla, would defend Davidson’s actions—and after this fight, he served as a scout against the Jicarilla. Much like the Sioux defeat of Custer at Little Big Horn, the Jicarilla’s victory over the Army led to retribution and disaster. The Jicarilla were defeated and faded from memory before the Civil War. These are the events that brought them to ruin.

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In this series, private investigators pick up where the historians left off, taking on a series of major cold cases in history, starting with the mishandling of evidence relating to the life and times of Billy the Kid. Cold Case: Billy the Kid tackles the myths and legends about the misadventures and eventual killing of the notorious outlaw one by one, considering the evidence surrounding his life, death, and crimes from contemporary sources and looking at the physical evidence still extant today to consider the veracity of historical claims and considering the evidence through the lens of a legal investigation. In this first book, the writers tackle the evolution of an outlaw in myth and lore, claiming that Billy the Kid as a notorious outlaw is a manufactured concept. They offer evidence that the Kid was little more than one of several small time cattle and horse thieves whose rustling netted him only a small amount of intermittent income. He killed no fewer, and probably no more, than four or five men. For the most part he worked on ranches, notably those of John Chisum and John Henry Tunstall. The Kid, as a cattle thief, was known to many in southern New Mexico and the Texas Panhandle, along with a number of other troublesome rustlers.

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Before Herzog and Kinski, before Simon and Garfunkel, there was Charles Brackett and Billy Wilder. Despite their shared nickname, writer-producer Charles Brackett and writer-director Billy Wilder were not, in fact, the “happiest couple in Hollywood.” Actually, they disliked each other intensely, even as they collaborated on some of the most iconic films of Hollywood’s Golden Age, including Sunset Boulevard, Double Indemnity, The Lost Weekend, and A Foreign Affair.Just how two men who found each other so irritating could together make such enduring contributions to cinematic history is the subject of Double Solitaire, a joint biography of a fascinating and explosive creative collaboration. In the course of making their mark on genres ranging from film noir to the screwball comedy, they achieved an almost inexplicable alchemy that highlights the paradoxical nature of shared genius. Author Donald Brackett—whose grandfather was Charles Brackett’s cousin—delves into family lore, correspondence, contemporary media reports, and all other manner of historical records to reconstruct the strange magic of Brackett & Wilder’s combustible partnership, showing how their creative tensions yielded one classic film after another, and how their entrepreneurial drive pushed against the constraints of the studio system, anticipating the independent-producer models of today.

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In an age of ubiquitous music and countless new songs releasing every minute, the Great American Songbook endures. After all, the Songbook—that sprawling canon of popular songs, standards, and show tunes from roughly the 1920s through the 1950s—is a foundational text of American pop music. Rare indeed is the song that doesn’t in some way draw on this magnificent corpus, and rare is the person who hasn’t heard at least a few of its most enduring melodies.Nonetheless, the Songbook is broader and deeper than most listeners can imagine, and on the margins, the question of whether this or that song should be included is the source of regular arguments among scholars and buffs alike. Attempting to plumb its depths can be a daunting prospect.Enter Steven Suskin, who has been writing about music since the days that Rodgers, Arlen, and Berlin still roamed the streets of Manhattan. In this carefully curated and cheerfully opinionated guidebook, Suskin surveys 201 of the most significant selections from the Songbook, ranging from celebrated masterpieces to forgotten gems. Year by year, he puts songwriters and their contributions in their context, and explains what makes each song such a distinctive treat—whether felicitous melody, colorful harmony, compositional originality, or merely the sheer, irreducible joy of listening to it. Old and new favorites await all readers of this painstakingly compiled, enthusiastically written catalog.

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A Young Actor Prepares provides a constructive form for young people to create with their own life experiences, imagination, and emotions through acting. It provides a step-by-step approach to help kids tackle emotionally challenging roles and portray complex characters at a very young age. For over thirty years, author Jeff Alan-Lee has worked with thousands of young people, teaching the work presented in this book. It has been the springboard for award-winning artists in acting, directing, playwriting, screenwriting, and music.Artistic director of the Young Actor's Studio in Los Angeles, Alan-Lee shares his experience training many top young actors. A Young Actor Prepares is written for teachers and students alike. Presented in play form, the book gives teachers the insight to help work with a multitude of personalities and provides a fun and easy way to help children and teens learn to apply Stanislavski-based exercises. Inspired by Stanislavski's An Actor Prepares, Alan-Lee has developed engaging and exciting ways to create great acting using this unique version of the Stanislavski system, reworked for the young actor. Discover the incredible journey that can take both teachers and young actors to the next level.

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Includes a code for free CD download of many of the bands featured in this book!Nirvana, the White Stripes, Hole, the Hives – all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and hard luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988-2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll and '60s garage rock while creating their own wave of gut-busting riffs and rhythm.The majority of bands that populate this book – the Dwarves, the Gories, the Supersuckers, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, the Muffs, and the Donnas among them – gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, good drugs, guilt-free sex, and a crazy good time, all the while building a dedicated fan base that extends across America, Europe, and Japan. Truly, this is the last great wave of down-and-dirty rock 'n' roll.

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It is well known that many musicians, from amateurs to famous professionals, are largely and sometimes exclusively self-taught. Most of the time, these musicians tend to put music theory aside, but there comes a time when many become curious about this science and understand its utility and potential. Unfortunately, they often get discouraged and think it’s too late to learn theory, that they needed to start early, and of course, know how to read. Fortunately, this turns out to be completely untrue. Most self-taught musicians will also turn to books and realize many are written for specialists and those who can already read music. They talk about scales and how to write chords on a staff, but if you are not sure what a note is and it takes you twenty minutes to figure out where a C is, it just adds to the frustration. Yet I promise that a late start in learning theory has no impact on the quality of musician you can become and your future ability to understand it. It is not too late! I have also felt this frustration, which is why I wrote this book. It was originally written for my "former self," who not too long ago was desperate to learn theory in a way that would finally be clear, coherent, and understandable, while not having to read notes. This is the book I wish I had back then! I know there are many people who share this feeling, and my main goal is to provide help and clarity. This book is based on simple, day-to-day common sense, and if you know your alphabet and can count to seven, I promise you will understand theory. You may actually find it surprisingly easy, and I can guarantee it will considerably improve your playing and appreciation for music.

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Chairman at the Board is an intimate, funny, and absorbing look at the music business by an insider who has recorded a host of the greatest musical artists of the twentieth century. Bill Schnee takes the reader inside the studio—behind the curtain—and through the decades with a cavalcade of famous artists as he helped them to realize their vision. After his high school band was dropped by Decca Records, Schnee began his quest to learn everything he could about making records. Mentored by recording legend Richie Podolor at his American Recording Studio and mastering guru Doug Sax, he immediately began recording the top acts of the day as a freelance engineer/producer in Hollywood. Clive Davis soon hired him to work for CBS where he partnered with famed music producer Richard Perry. Schnee went on to record and/or mix most of Perry's biggest albums of the '70s and '80s, including those by Barbra Streisand, Carly Simon, Ringo Starr, Art Garfunkel, and the Pointer Sisters. With his deft personal touch with musicians, he continued to engineer and produce the likes of Marvin Gaye, Thelma Houston (the Grammy-nominated, direct-to-disc album I've Got the Music in Me), Pablo Cruise, Neil Diamond, Boz Scaggs, the Jacksons, Huey Lewis & the News, Dire Straits, and Whitney Houston. With over 125 gold and platinum records, and two Grammys for Steely Dan's Aja and Gaucho, Schnee has been called a living legend—recognized and respected in the industry as the consummate music man with an incomparable career that he lovingly shares with his readers in humorous detail.

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Hot Rats, the second solo album by Frank Zappa, is considered by his fans and critics alike to be a groundbreaking, important record, as well as one of his most innovative efforts of all time. The first recording project after the dissolution of the original Mothers of Invention, Zappa composed, arranged, and produced all of the music on Hot Rats while playing electric guitar on all tracks. The album contains the song "Peaches en Regalia," widely recognized as a modern jazz-fusion standard. This entire groundbreaking and historical record including using new sixteen-multitrack recording and overdub technics for the first time ever was captured in photos by Bill Gubbins, who shot the recording sessions and live performances of the record immediately following its release. Most of these images have never before been published in book form, appearing here for the first time. The "Hot Rats" Book: A Fifty-Year Retrospective of Frank Zappa s "Hot Rats": also contains essays by author Bill Gubbins; Ian Underwood, who was involved in working with Zappa on the recording sessions; Steve Vai; David Fricke; and Matt Groening.

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James L. Nelson's Revolution at sea saga has brought to life a never-before-seen side of America's war for independence. With the expertise of a seasoned mariner, a historian's vivid attention to detail, and a natural gift for sensational storgtelling, "the American counterpart to Patrick O'Brian" (David Brink) carries us along on his bold and stirring course through history. After ferrying General George Washington's troops across the East River and through the hell known as the Battle of Long Island, Captain Isaac Biddlecomb receives a monumental order. He is to transport to France the most powerful secret weapon in the country's arsenal -- scientist, philosopher, and spirit of the enlightenment Dr. Benjamin Franklin. With a new team of men forging through the wintry North Atlantic, and braving the cordon of the Royal Navy, Biddlecomb's seemingly simple mission is just the first volley in a grand scheme: to topple France's neutrality by gaining its vital support, and turn the colonial uprising into a full-scale world war for freedom.

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