Search results for ""author "george"""

From the author of the million-copy selling Shout!: The Beatles in Their Generation and the bestselling John Lennon: The Life comes a revealing portrait of George Harrison, the most undervalued and mysterious Beatle. Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as ‘While My Guitar Gently Weeps’ and ‘Here Comes the Sun’, and his solo debut album ‘All Things Must Pass’ achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of Sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python’s Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her.Unprecedented in scope and filled with numerous colour photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar-player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian and, ultimately, iconic artist and man beloved by millions.

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From the author of the million-copy selling Shout!: The Beatles in Their Generation and the bestselling John Lennon: The Life comes a revealing portrait of George Harrison, the most undervalued and mysterious Beatle. Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as ‘While My Guitar Gently Weeps’ and ‘Here Comes the Sun’, and his solo debut album ‘All Things Must Pass’ achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of Sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python’s Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her.Unprecedented in scope and filled with numerous colour photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar-player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian and, ultimately, iconic artist and man beloved by millions.

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In George Washington Williams, John Hope Franklin reconstructs the life of the controversial, self-made black intellectual who wrote the first history of African Americans in the United States. Awarded the Clarence L. Holte Literary Prize, this book traces Franklin’s forty-year quest for Williams’s story, a story largely lost to history until this volume was first published in 1985. The result, part biography and part social history, is a unique consideration of a pioneering historian by his most distinguished successor. Williams, who lived from 1849 to 1891, had a remarkable career as soldier, minister, journalist, lawyer, politician, freelance diplomat, and African traveler, as well as a historian. While Franklin reveals the accomplishments of this neglected figure and emphasizes the racism that curtailed Williams’s many talents, he also highlights the personal weaknesses that damaged Williams’s relationships and career. Williams led the way in presenting African American history accurately through the use of oral history and archival research, sought to legitimize it as a field of historical study, and spoke out in support of an American Negro Historical Society and as a critic of European imperialism in Africa. He also became erratic and faithless to his family and creditors and died at the age of forty-one, destitute and alienated from family and friends. George Washington Williams is nothing less than a classic biography of a brilliant though flawed individual whose History of the Negro Race in America remains a landmark in African American history and American intellectual history.

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The late George B. Dantzig , widely known as the father of linear programming, was a major influence in mathematics, operations research, and economics. As Professor Emeritus at Stanford University, he continued his decades of research on linear programming and related subjects. Dantzig was awarded eight honorary doctorates, the National Medal of Science, and the John von Neumann Theory Prize from the Institute for Operations Research and the Management Sciences. The 24 chapters of this volume highlight the amazing breadth and enduring influence of Dantzig's research. Short, non-technical summaries at the opening of each major section introduce a specific research area and discuss the current significance of Dantzig's work in that field. Among the topics covered are mathematical statistics, the Simplex Method of linear programming, economic modeling, network optimization, and nonlinear programming. The book also includes a complete bibliography of Dantzig's writings.

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It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew -- a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state -- this well before the founders of Zionism had conceived of that mission. Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda. And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions -- above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

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It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew -- a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state -- this well before the founders of Zionism had conceived of that mission. Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda. And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions -- above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

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Get the jet! What could go wrong when cautious, scientific, singlet-wearing George Parker and reckless rich-kid Chase Landon-Bond take off on a global rescue mission? Just about everything! There are private jets, troublesome pets, crazed criminals, treacherous trips, chaos, too much coffee, and two hundred million missing dollars. There are close calls, ridiculous disguises, accidental haircuts, and that's just the first bit! Are George and Chase doomed? Will friendship and silly ideas save the day? Does wearing a cape make you brave? Get in planes, trains and automobiles with George and Chase...and HOLD on tight!

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When George sees his friend Gracie playing soccer in the park, he’s eager to join in—so eager that he grabs the ball with his hands and throws it in the net! Lucky for George, there’s a soccer camp starting at the rec centre where he can learn the basic rules of the game and all about dribbling, passing, and what it means to be a team player. George has fun—and gets into a little mischief—at camp, but it’s not until the final game that he finds the perfect position for himself. When he does, he proves to his teammates, coach, and himself that he’s their MVM—Most Valuable Monkey!

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How to encapsulate a life in all its messiness, epiphanies, misunderstandings, disappointments, and joys? Seth, cartoonist of Clyde Fans, the first graphic novel nominated for the Scotiabank Giller Prize, offers his tragicomic answer with George Sprott: 1894 1975. Page by page, we learn about George outmoded television host, creature of habit, charming if pompous old man, selfish lover, man about to die and though this is ultimately the story of one man s death, Seth leavens it with humour and restraint. The book s omniscient narrator offers a patchwork tale: a series of interviews with the people who cared about George, flashbacks, and personal reminiscences. The thwarted love of his life, Olive Mott, and the woman he marries, Helen. His trips to the Arctic and the exoticized portrait his documentaries painted of a Great White North. His habit of falling asleep on-air. His humdrum demise. What emerges is a story about memory, loss, time, and the stories we tell (and retell) to get through the day. George s romanticizing and repeating of his adventures up North, adventures that are revealed to be entirely fictional, holds a mirror to the ways we each historicize our own lives. Originally serialised in The New York Times Magazine before being published in an expanded, large-format hardcover by Drawn & Quarterly, this new edition is the definitive George Sprott.

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Part of a series presenting critical appraisals of influential economists from the age of Aristotle to the present. The individuals examined have shaped both the theory and practice of modern economics. Each volume combines classic statements by economists with the most recent research.

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Follow that hat! The man's yellow hat has run away . . . all by itself. But how? Hats don't have legs! Or do they? Join Curious George and his friend on a hilariously fun adventure as they head out to chase the man's mysterious yellow hat.

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You are invited to travel by horse with the General, stay in his quarters, hear what he thinks, weigh upon his decisions, listen to his prayers, and fight by his side. Sometimes he will sound redundant. You will realize this is because many of the problems he faced were repetitive. Sometimes there will be little action. This will bother you. Please keep in mind, it bothered him more. You will see him in anguish and distress. You will experience his frustrations. You will grieve because of those who betrayed him. You will be a fly on the wall as he strategizes with his men. You will see some of those strategies carried out, while others were not executed. Even knowing the glorious outcome beforehand, you will see no possible way for victory to be had - until finally it is. You will be surprised to learn that this stoic figure had an inner turmoil few have ever faced. In the end, because of his own writings, you will know General George Washington more for who he was, above and beyond wh

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This book is the first full biography of George Szell, one of the greatest orchestra and opera conductors of the twentieth century. From child prodigy pianist and composer to world-renowned conductor, Szell's career spanned seven decades, and he led most of the great orchestras and opera companies of the world, including the New York Philharmonic, the NBC and Chicago Symphonies, the Berlin Philharmonic, the Vienna Philharmonic and Opera, and the Concertgebouw Orchestra. A protégé of composer-conductor Richard Strauss at the Berlin State Opera, his crowning achievement was his twenty-four-year tenure as musical director of the Cleveland Orchestra, transforming it into one of the world's greatest ensembles, touring triumphantly in the United States, Europe, the Soviet Union, South Korea, and Japan. Michael Charry, a conductor who worked with Szell and interviewed him, his family, and his associates over several decades, draws on this first-hand material and correspondence, orchestra records, reviews, and other archival sources to construct a lively and balanced portrait of Szell's life and work from his birth in 1897 in Budapest to his death in 1970 in Cleveland. Readers will follow Szell from his career in Europe, Great Britain, and Australia to his guest conducting at the New York Philharmonic and his distinguished tenure at the Metropolitan Opera and Cleveland Orchestra. Charry details Szell's personal and musical qualities, his recordings and broadcast concerts, his approach to the great works of the orchestral repertoire, and his famous orchestrational changes and interpretation of the symphonies of Robert Schumann. The book also lists Szell's conducting repertoire and includes a comprehensive discography. In highlighting Szell's legacy as a teacher and mentor as well as his contributions to orchestral and opera history, this biography will be of lasting interest to concert-goers, music lovers, conductors, musicians inspired by Szell's many great performances, and new generations who will come to know those performances through Szell's recorded legacy.

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From the bestselling author of Fancy Nancy comes a book about George, a little boy who is always eager to help!From the bestselling duo Jane O'Connor and Andrew Joyner comes a story about George, who is a very helpful boy. He feeds his dog, Pogo, and helps around the house. It's no surprise everyone's always saying, "Good job, George!" When his parents decide to paint a room in their house, he knows it is the perfect job for him. But the painting doesn't go as planned for George, when a very hungry Pogo has different plans.Good Job, George is perfect for little helpers; whether they're in the classroom or in the house, children and adults alike will find George endearing and relatable.

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A Welsh adaptation of Roald Dahl's George's Marvellous Medicine. When George's parents are away for the day, he's tempted to do something about his tyrannical grandmother. So he collects all kinds of horrible ingredients around the house to create a magic potion to make her disappear! Suitable for children aged 7 years+, Key Stage 2.

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In the late 1960s, George Segal began “double-casting” his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, “Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.”

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Ranging over all George Eliot's fiction and drawing as well on her letters, essays, and translations, in this book the distinguished critic Neil Hertz documents Eliot's lifelong questioning of the nature of authorship and of what it might mean, in the language of one of her early letters, for her "not simply to be, but to utter." Pursuing oddities of diction and figuration, of plotting and characterization, Hertz finds everywhere in Eliot's works passages of high mimetic realism that ask to be read as allegories of writing or as characters whose actions and destinies can only be understood if they are seen as disguised surrogates of their author. Each essay begins with an intriguing or problematic bit of language, then moves about within a particular work of fiction or criss-cross to other writings of Eliot's as well as to works by philosophers, psychoanalysts, and literary theorists.

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A fresh look at this pioneering American innovator. Shampoo from peanuts? Wallpaper from clay? Ink from sweet potatoes? Discover Carver’s imagination and inspiration in this one-of-a-kind biography. With imagination and intellect, George Washington Carver (1864–1934) developed hundreds of unexpected products from everyday plants. This book reveals what an exceptionally uncommon man Carver was: trailblasing scholar, innovative scientist, pioneering conservationist, and impassioned educator. This book follows his life from slave and orphan to his college days as the first African American to attend Iowa State College (where he later taught), and on to his life and work in the field of agriculture. Illustrated with historical artifacts and photographs, the book traces Carver’s life, discoveries, and legacy.

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After repeatedly disastrous efforts to get himself out of trouble, George ends up being the first monkey in space. AUTHOR: Hans Augusto Rey was born in Hamburg, Germany in 1898. As a child, he spent much of his free time in that city's famous Hagenbeck Zoo drawing animals. After serving in the army during World War I, he studied philology and natural science at the University of Hamburg. He then married Margret Rey and they moved to Montmartre for four years. The manuscript for the first Curious George books was one of the few items the Reys carried with them on their bicycles when they escaped from Paris in 1940. Eventually, they made their way to the United States, and Curious George was published in 1941. Curious George has been published in many languages, including French, German, Japanese, Afrikaans, and Norwegian. Additional Curious George books followed, as well as such other favorites as Cecily G. and the Nine Monkeys and Find the Constellations. ILLUSTRATIONS: Colour throughout

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Curious George’s chaotic adventures continue when the inquisitive monkey visits the library in this young, fun picture book.The man in the yellow hat takes George for his very first visit to the library. George can't believe how many books there are and loads up a trolley with his favourites, but the trolley picks up speed and crashes – what a mess! With the help of the librarian and the other children, the books are all picked up and sorted out, and George is left with a small pile of his favourites. He is even given a new library card so that he can borrow some more when he visits again.

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George loves summer nights in the country—that's where he does his best stargazing. When his friend Bill says that nobody knows how many stars there are, George is determined to count! But how will he keep track? Come along as George learns all about stars, constellations, and the night sky. Based on the Emmy-winning PBS show, this story is filled to the brim with additional facts, real photos, experiments, activities, and more. Learning about science has never been so much fun!

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Despite a long and eventful reign, Britain's George II is a largely forgotten monarch, his achievements overlooked and his abilities misunderstood. This landmark biography uncovers extensive new evidence in British and German archives, making possible the most complete and accurate assessment of this thirty-three-year reign. Andrew C. Thompson paints a richly detailed portrait of the many-faceted monarch in his public as well as his private life. Born in Hanover in 1683, George Augustus first came to London in 1714 as the new Prince of Wales. He assumed the throne in 1727, held it until his death in 1760, and has the distinction of being Britain's last foreign-born king and the last king to lead an army in battle. With George's story at its heart, the book reconstructs his thoughts and actions through a careful reading of the letters and papers of those around him. Thompson explores the previously underappreciated roles George played in the political processes of Britain, especially in foreign policy, and also charts the intricacies of the king's complicated relationships and reassesses the lasting impact of his frequent return trips to Hanover. George II emerges from these pages as an independent and cosmopolitan figure of undeniable historical fascination.

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