Search results for ""author "george"""

This acclaimed autobiography by one of the twentieth century's greatest satirical artists is as much a graphic portrait of Germany in chaos after the Treaty of Versailles as it is a memoir of a remarkable artist's development. Grosz's account of a world gone mad is as acute and provocative as the art that depicts it, and this translation of a work long out of print restores the spontaneity, humor, and energy of the author's German text. It also includes a chapter on Grosz's experience in the Soviet Union - omitted from the original English-language edition - as well as more writings about his twenty-year self-imposed exile in America, and a fable written in English.

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For those living in the Soviet Union, Orwell's masterpieces, Animal Farm and Nineteen Eighty-Four, were not dystopias, but accurate depictions of reality. Here, the Orwell scholar and expert on Russian politics, Masha Karp – Russian Features Editor at the BBC World Service for over a decade – explores how Orwell's work was received in Russia, when it percolated into the country even under censorship. Suggesting a new approach to the controversial ‘Orwell’s list’ of 1949, Karp puts into context the articles and letters written by Orwell at the time. She sheds light on how the ideas of totalitarianism exposed in Orwell’s writing took root in Russia and, in doing so, helps us to understand the contemporary political reality. As Vladimir Putin's actions continue to shock the West, it is clear we are witnessing the next transformation of totalitarianism, as predicted and described by Orwell. Now, over 70 years after Orwell's death, his writing, at least as far as Russia is concerned, remains as timely and urgent as it has ever been.

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Far, far away over the high, high mountains in an old castle wall, in a tiny, tiny hole there lives a little mouse called George. He's very small and rather timid and he can be a bit clumsy too. In fact, poor George is so hopeless that he can't even make lunch without burning his cheese on toast!But when a huge and terrifying dragon attacks the castle, George springs into action! Because as fans of George and the Dragon know only too well, George has a very special talent . . .This stunning new edition is perfect for new readers, as well as fans of George and the Dragon. This is a charming children's tale from the exceptional storyteller and illustrator, Chris Wormell.

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Among successful songwriting teams a very special niche will always be reserved for the Gershwin brothers. In 1924 a fabulous series of hit shows began for George and Ira working together (and occasionally separately) including Lady Be Good, Oh, Kay!, Funny Face, Girl Crazy and Strike Up The Band to name a few. This collection brings together 10 songs arranged as piano solos by George Gershwin.

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Meet George. He's an ordinary boy with an incredible secret - the power to go on intergalactic adventures!Join him as he battles a sinister rebel-scientist, who's hell bent on sabotaging the most exciting - and dangerous - experiment of the century.A deadly bomb is ticking. The whole world is watching. Can George stop the second big bang?Featuring the latest scientific theories - plus all-new content about the Higgs boson!

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George and his best friend Annie haven't had any space adventures for a while and they're missing the excitement. But not for long . . .Seriously strange things start happening. Banks are handing out free money; supermarkets can’t charge for their produce so people are getting free food; and aircraft are refusing to fly. It looks like the world's biggest and best computers have all been hacked.George and Annie will travel further into space than ever before in order to find out who is behind it.

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George III's behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia. Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power.Alan Bennett's play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the ruler's delirium erodes his authority and status.The Madness of George III premiered at the National Theatre, London, in November 1991.

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This monograph examines the multidisciplinary practice of conceptual Irish artist George Bolster, who addresses the crises facing our species, and our willingness to live in the past through belief systems. Bolster’s ambitious immersive text and image works encompass film, installation, tapestry and photography. When Will We Recognize Us examines the practice of research-based artist George Bolster, who addresses the crises facing our species, long-term conservation of art objects as they relate to climate change, our ignorance of tangible reality, and our willingness to live in the past through outmoded belief systems. Bolster’s ambitious multidisciplinary text and image works encompassing film, and installation, conducted in concert with a range of scientists have resulted in pieces that philosophically address astronomy, and our self-appointed place in evolution.

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This volume explores the background and circumstances that brought about a milestone relationship between George Washington and the Jews. President George Washington was the first head of a modern nation to openly acknowledge the Jews as full-fledged citizens of the land in which they had chosen to settle. His personal philosophy of religious tolerance can be summed up from an address made in 1790 to the Hebrew Congregation in Newport, Rhode Island, where he said 'May the Children of the Stock of Abraham, who dwell in this land, continue to merit and enjoy the good will of the other inhabitants, while every one shall sit in safety under his own vine and fig tree, and there shall be none to make him afraid.' Was it Washington's respect for the wisdom of the ancient Prophets or the participation of the patriotic Jews in the struggle for independence that motivated Washington to direct his most significant and profound statement on religious freedom at a Jewish audience?

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'Well-researched ... I was fascinated' Roger Lewis, Daily MailFrom its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences. Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema. Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto scree

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This collection offers students and scholars of Eliot’s work a timely critical reappraisal of her corpus, including her poetry and non-fiction, reflecting the latest developments in literary criticism. It features innovative analysis ­exploring the relation between Eliot’s Victorian intellectual sensibilities and those of our own era. A comprehensive collection of essays written by leading Eliot scholars Offers a contemporary reappraisals of Eliot’s work reflecting a broad range of current academic interests, including religion, science, ethics, politics, and aesthetics Reflects the very latest developments in literary scholarship Traces the revealing links between Eliot’s Victorian intellectual ­concerns and those of today

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If you have tears, prepare to shed them now. Alan Bennett's wonderful play has finally arrived in the West End . . . and there are many moments that cut at the heart like a knife. We think of Bennett as a great comic writer, and so he is, but he can also be the most moving of dramatists.Daily Telegraph

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POETRY SELECTION IN THE POPULAR CRANES CLASSICS SERIES, WELL KNOWN POETS PRODUCED IN SMALL 64 PAGE HARDBACKS WITH ATTRACTIVE COVERS.

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This new title celebrates 50 years of the creative force of nature that is the artistic partnership of Gilbert & George. Published in cooperation with the LUMA Foundation in Arles, France, on the occasion of their retrospective exhibition on show from 2 July to 23 September 2018. The book will feature five interviews with Gilbert & George by Hans Ulrich Obrist and Daniel Birnbaum, one for each decade of their practice. This title will be heavily illustrated with examples of Gilbert & George's artworks from their early years to their most recent series. Designed by Gilbert & George themselves, The Great Exhibition will feature their trademark style and panache. Introduced by a text co-authored by Obrist and Birnbaum, this publication will also feature several extracts from Michael Bracewell's 2017 publication What is Gilbert & George?. All text will be presented in both French and English.

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George Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music. He and his siblings received little love from their mother and no direction from their father. Older brother and lyricist Ira managed to create a home when he married Leonore Strunsky, a hard-edged woman who lived for wealth and status. The closest George came to domesticity was through his longtime relationship with Kay Swift. She was his lover, musical confidante, and fellow composer. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life, when they were separated by a continent, did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) Ira, he was exiled by Leonore from the house she and the brothers shared, and he died horribly and alone at the age of thirty-eight.Nor was Gershwin able to find a satisfying musical harbor. For years his songwriting genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, the critics were unable to understand or validate it. Decades would pass before this, his most ambitious composition, was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure.In George Gershwin: An Intimate Portrait, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.

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