Search results for ""Queen's University""

The first comprehensive history of feminist performance art in North America highlighting the important contributions of women artists.

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Arguing that Jewish North American writing is too commonly discussed as part of the mainstream, neglecting the Jewish aspects of the works, Ravvin places the writing of Bellow, Richler, Cohen, West, Mandel, Roth, and Rosenfarb within the Jewish context that the works demand. Ravvin depicts a Jewish cultural landscape within which postwar writers contend with community and identity, continuity and loss, and highlights the way this particular landscape is entangled with broader literary and cultural traditions. He considers Bellow and West alongside apocalyptic narratives, discusses Cohen in relation to the counterculture, examines Mandel's postmodern view of history, and looks at autobiography and ethics in Roth and Rosenfarb. At once scholarly and poetic, A House of Words will appeal to the general reader of Canadian, American, and Jewish literature and history, as well as to specialists in these fields.

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Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions. Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives.

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Using a wide array of published and unpublished sources, McLean examines in detail nine group emigrations that left western Inverness between 1785 and 1802 for Glengarry County in Upper Canada (now Ontario). She describes how, once in North America, they built a new Highland community in an attempt to ensure each family's access to the land. By revealing the pattern of Highland emigration to Glengarry County - families and friends leaving and/or settling together - McLean confirms Bernard Bailyn's notion of a "provincial emigrant stream," and offers a convincing explanation for the development of one of Canada's "limited identities."

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Friends are at the centre of novels by everyone from George Eliot to Elena Ferrante. It is nearly impossible to name a work of fiction that is not enriched by the tensions and magnetisms of friendship.Friendship and the Novel focuses on the affective and narrative possibilities created by friendship in fiction. Friendship enables plots about rivalry, education, compassion, pity, deceit, betrayal, animosity, and breakup. It crosses boundaries of gender, class, nationality, disposition, race, age, and experience. Some novels offer lessons about distinguishing good friends from bad. In a Bildungsroman, friends contribute to the development of the protagonist through example or advice, as if novels were manuals for making and keeping friends. Sometimes sparks fly between friends and friendship swerves into sexual intimacy. Sally Rooney and other contemporary writers take friendship online.The essays in Friendship and the Novel illustrate how friendship, in its many forms – short or lifelong, intense or circumstantial – is a central problem and an abiding mystery in fiction as in life, a subject that continues to shape the novel as a literary form and, in turn, its readers.Contributors include Robert L. Caserio (Penn State), Maria DiBattista (Princeton), Jay Dickson (Reed), Brian Gingrich (Texas), Jonathan Greenberg (Montclair State), Barry McCrea (Notre Dame), Deborah Epstein Nord (Princeton), Erwin Rosinberg (Emory), Jacqueline Shin (Towson), Lisa Sternlieb (Penn State), and Emily Wittman (Alabama).

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We all age. But how we understand age and aging depends on cultural context. The early followers of Jesus experienced growing up and growing old in a world where more than a third of children never reached adulthood, married women could expect to become widows, and, above all, elders were to be honoured. In the ancient Mediterranean, expectations associated with one’s age could be a source of social power, as well as a source of tension within families and communities, and between generations.Honouring Age positions age as an essential aspect of communal identity and familial roles in the early Christian experience by examining one of the most contentious and perplexing texts in the New Testament: the first letter to Timothy. First Timothy reflects a one-sided conversation between an older Paul and a younger Timothy, in which the author hopes to influence both the old and young in fulfilling their traditional roles in the “household of God.” It was a time of tumult, and relations were fraught, with potential consequences for the reputation of the nascent Christian community: some children were neglecting their aging parents, which was culturally unacceptable behaviour; older women who should have been encouraging young widows to remarry were discouraging them, exposing them to ridicule; young men who should have been respectful to their elders were shamefully turning on them. In recognizing the responsibilities of young and old to each other, and the reputational damage they otherwise risked, this study demonstrates that age is integral to understanding the complexities of 1 Timothy.Drawing on modern ethnographies corroborated by ancient evidence to interpret social aspects of 1 Timothy, Honouring Age shows convincingly that, in emerging Christian communities in the ancient Mediterranean world, age mattered.

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In eighteenth-century Britain the worlds of literature and medicine were closely intertwined, and a diverse group of people participated in the circulation of medical knowledge. In this pre-professionalized milieu, several women writers made important contributions by describing a range of common yet often devastating illnesses.In Reimagining Illness Heather Meek reads works by six major eighteenth-century women writers – Jane Barker, Anne Finch, Lady Mary Wortley Montagu, Hester Lynch Thrale Piozzi, Mary Wollstonecraft, and Frances Burney – alongside contemporaneous medical texts to explore conditions such as hysteria, melancholy, smallpox, maternity, consumption, and breast cancer. In novels, poems, letters, and journals, these writers drew on their learning and literary skill as they engaged with and revised male-dominated medical discourse. Their works provide insight into the experience of suffering and interrogate accepted theories of women’s bodies and minds. In ways relevant both then and now, these women demonstrate how illness might be at once a bodily condition and a malleable construct full of ideological meaning and imaginative possibility.Reimagining Illness offers a new account of the vital period in medico-literary history between 1660 and 1815, revealing how the works of women writers not only represented the medicine of their time but also contributed meaningfully to its developments.

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A tiny organism called pollen pulls off one of nature’s key tasks: plant reproduction. Pollination involves a complex network of different species interacting with one another and mutually adapting to their ecosystems, which are constantly changing.Some pollen grains require just a puff of wind to set them in motion, but most plants depend on creatures gifted with mobility. These might be birds, bats, reptiles, or insects including butterflies, beetles, flies, wasps, and over twenty thousand species of bee. In Paths of Pollen Stephen Humphrey asks readers to imagine a tipping point where plants and pollinators can no longer adapt to stressors such as urbanization, modern agriculture, and global climate change. Illuminating the science of pollination ecology through evocative encounters with biologists, conservationists, and beekeepers, Humphrey illustrates the significance of pollination to such diverse concerns as food supply, biodiversity, rising global temperatures, and the resilience of landscapes.As human actions erase habitats and raise the planet’s temperature, plant diversity is dropping and a growing list of pollinators faces decline or even extinction. Paths of Pollen chronicles pollen’s vital mission to spread plant genes, from the prehistoric past to the present, while looking towards an ecologically uncertain future.

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C. Douglas Dillon – heir to a vast investment banking fortune, and one of the richest men in America during his political career – was a Republican who served in a Democratic administration and became one of the greatest modern treasury secretaries. He believed in bipartisanship and public duty, a sensibility that has all but faded from the current political climate.With exclusive access to the family’s archive, in The Dillon Era Richard Aldous sets fresh eyes on a well-documented period in recent American history, unfolding a deeply influential but somewhat overlooked political career. In 1953 President Eisenhower appointed Dillon as ambassador to Paris, and he promoted him to second in command in the State Department in 1958. Tapped by Presidents Kennedy and Johnson for treasury secretary to reassure Wall Street that the nation’s finances were in safe hands, Dillon would become one of President Kennedy’s closest advisors, and perhaps the only cabinet member who was a personal friend. His impact on the Kennedy and Johnson administrations was immense, not least in delivering the most comprehensive income tax cuts the nation had ever seen. Overseas he worked to sustain political cooperation as the Bretton Woods system threatened to unravel. By the time he left office in 1965, the Washington Post recognized Dillon as “by far the best Secretary of the Treasury of the postwar period,” and European Economic Community president Walter Hallstein hailed a new “Dillon era.”Dillon advocated for evolution and reform over radicalism, and he placed the national interest above party interest. The Dillon Era throws new light on the postwar period, identifying Dillon as a pivotal figure in American policymaking during these crucial years of the Cold War.

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Variable Conditions recovers and explores early Canadian encounters between computational media and contemporary art in the late twentieth century, charting a network of developments linking meteorology, computation, and the arts that arose long before the age of cloud computing.Essays uncover the material conditions that shaped the emergence of computational arts in Canada, from projects executed by mainframe to digital paintings and analog synthesizer performances. A surprising number of institutional circumstances granted access to early computer hardware – government nuclear and hydroelectric infrastructure, agencies as diverse as the National Film Board and the National Research Council, and a myriad of university settings across the country – and creative conditions varied from benign administrative neglect to the artistic exploration of randomness or a distinct emphasis on thematizing transformation as a motor for graphic visualization and auditory exploration. Interviews featuring leading artists give first-hand insight into artistic practices and the historical moment in which they occurred. The book provides valuable new perspectives on computer art pioneers such as Leslie Mezei, Robert Adrian X, Suzanne Duquet, Roger Vilder, and Vera Frenkel, as well as new contexts for understanding Michael Snow and IAIN BAXTER&. Not limiting their explorations to art generated using computers, contributors outline the integration of computational techniques and concepts into artistic methods across disciplines and trace computation’s emergence as a matter of interest and concern for a range of contemporary cultural producers.Combining historical analyses with theoretical approaches to computation and its entanglement with contemporary cultural discourses and social movements, Variable Conditions excavates the origins of computational arts and, in the process, sketches a new landscape of interdisciplinary creation and surprising connections between scientific and artistic institutions.

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take the harp, take / the Fitbit and the Band-Aid box. Fold the whole / grey sheet of sky, lumpy and unalluring / into your rucksack.A strong theme of journeys is threaded through Take the Compass. In a sense, every poem is itself a journey – into the past or the present, or toward what we hope and fear for the future. Poems can be journeys of repair and recovery, adventure and discovery. However, even in pandemic times when our journeying is curtailed, or at least confined, when we are abiding in one physical location with chafing and restiveness, we are still travelling. One of those journeys is discovering where language can take us.Maureen Hynes’s poems travel through cities and their outskirts to rivers, forests, and graveyards. They travel in time into the troubled present, across decades into early childhood, and into our perilous collective futures, seeking guides for these explorations. The title poem addresses the search for tools and instruments that will “ward off adversity” – tools to help us move forward to our chosen destinations. Take the Compass calls on art and nature as invisible helpers, and on uncountable things – personal values and traits such as courage – to “break the bad news into nine living petals.”As with all her collections, Hynes shows a commitment to social justice, to acknowledging historical and contemporary inequities, to the search for sources of remedy, repair, and renewal, and to the sustaining power of love. The variety of poetic forms she has chosen lets this search carry the complexity and seriousness of its themes.

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Since Israel conquered the West Bank, formerly held by Jordan, in 1967, over 400,000 settlers have moved into the territory. In recent years, Israeli settler organizations and allied American-Jewish lobbyists have responded to international condemnation of the occupation by mobilizing narratives of indigeneity, claiming sovereign and divine rights to the land.Settler-Indigeneity in the West Bank asks what Israeli settlers mean when they say they are indigenous; how settler indigeneity is felt, performed, and mediated; and what the implications of indigeneity claims are on the international stage. Building on foundational scholarship that has come out of post-colonial and indigeneity studies, the volume theorizes settler-indigeneity as a cultural phenomenon and product of transnational settler-colonial histories, while also interrogating the dialectic of “settler” and “indigenous” to illustrate their co-constitution. Considering agriculture, clothing, food, language, and religious practices, the chapters explore how feelings of indigeneity are fashioned and how these feelings continue to transform the landscape of the West Bank.Offering a series of original ethnographic accounts of these cultures and communities, Settler-Indigeneity in the West Bank intimately documents and discusses the processes of settler-nativization in conversation with a variety of related literature in anthropology, cultural studies, Israel studies, religious studies, and settler-colonial studies.

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In recent surveys, one in four Canadians say they have no religion. A century ago Canada was widely considered to be a Christian nation, and the vast majority of Canadians claimed they were devoutly religious. But some were determined to resist. In the 1920s and ’30s, groups of militant unbelievers formed across Canada to push back against the dominance of religion.Towards a Godless Dominion explores both anti-religious activism and the organized opposition unbelievers faced from Christian Canada during the interwar period. Despite Christianity’s prominence, anti-religious ideas were propagated by lectures in theatres, through newspapers, and out on the streets. Secularist groups in Montreal, Toronto, Winnipeg, and Vancouver actively tried to win people away from religious belief. In the first two cities, they were met with stiff repression by the state, which convicted unbelievers of blasphemous libel, broke up their meetings, and banned atheistic literature from circulating. In the latter two cities unbelievers met social disapproval rather than official persecution. Looking at interwar controversies around religion, such as arguments about faith healing and fundamentalist campaigns against teaching evolution, Elliot Hanowski shows how unbelievers were able to use these conflicts to get their skeptical message across to the public.Challenging the stereotype of Canada as a tolerant, secular nation, Towards a Godless Dominion returns to a time when intolerant forms of Christianity ruled a country that was considered more religious than the United States.

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More than a century ago, a prospector discovered gold at Ontario’s Kirkland Lake and a son was born to British immigrants in Saskatchewan. The boy – Norman Bell Keevil – went on to become a renowned scientist, teacher, and prospector, discovering a small but high-grade copper mine in Ontario. Parlaying that into control of the Kirkland Lake gold mine fifty years later, he formed the fledgling mining company Teck Corporation. In Never Rest on Your Ores Keevil’s son Norman, also a geoscientist, recounts how over the next fifty years, a growing team of like-minded engineers and entrepreneurs built Canada’s largest diversified mining company. In candid detail he tells the story of a company and its makers, of the discovery and creation of mines, of the mechanics of industry financing, and of the role that mergers and acquisitions play in a volatile environment. Along the way he meets fascinating captains of industry and politicians not only in Canada, but in the United States and around the world. Finding an ore body – rock that holds valuable metals and minerals – and promoting its development in order to finance and create a mine, most often in hard-to-access wilderness, is complicated work, comparable to locating and extracting a needle in a very messy haystack. Underlying this history is a constant need to replenish the ore, and this need drives the people involved. Drawing new lessons from the turbulent period between 2005 and 2023, this new edition of Never Rest on Your Ores is both entertaining and instructive, a rare insider’s account of an industry that has been crucial to the building of this country.

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No two nations have exchanged natural resources, produced transborder environmental agreements, or cooperatively altered ecosystems on the same scale as Canada and the United States. Environmental and energy diplomacy have profoundly shaped both countries’ economies, politics, and landscapes for over 150 years.Natural Allies looks at the history of US-Canada relations through an environmental lens. From fisheries in the late nineteenth century to oil pipelines in the twenty-first century, Daniel Macfarlane recounts the scores of transborder environmental and energy arrangements made between the two nations. Many became global precedents that influenced international environmental law, governance, and politics, including the Boundary Waters Treaty, the Trail Smelter case, hydroelectric megaprojects, and the Great Lakes Water Quality Agreements. In addition to water, fish, wood, minerals, and myriad other resources, Natural Allies details the history of the continental energy relationship – from electricity to uranium to fossil fuels –showing how Canada became vital to American strategic interests and, along with the United States, a major international energy power and petro-state. Environmental and energy relations facilitated the integration and prosperity of Canada and the United States but also made these countries responsible for the current climate crisis and other unsustainable forms of ecological degradation. Looking to the future, Natural Allies argues that the concept of national security must be widened to include natural security – a commitment to public, national, and international safety from environmental harms, especially those caused by human actions.

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At present India is a leading producer, distributor, and consumer of generic medicines globally. Disparate Remedies traces the genealogy of this development and examines the public cultures of medicine in the country between 1870 and 1960.The book begins by discussing the expansion of medical consumerism in late nineteenth-century India when British-owned firms extended their sales into remote towns. As a result, laboratory-produced drugs competed with traditional remedies through side-by-side production of Western and Indian drugs by pharmaceutical companies. The emergent middle classes, the creation of a public sphere, and nationalist politics transformed the medical culture of modern India and generated conflict between Western and Indigenous medical systems and their practitioners. Nandini Bhattacharya demonstrates that these disparate therapies were sustained through the tropes of purity or adulteration, potency or lack of it, and epistemic heritage, even when their material configuration often differed little.Uniquely engaging with the cultures of both consumption and production in the country, Disparate Remedies follows the evolution of medicine in colonial India as it confronted Indian modernity and changing public attitudes surrounding health and drugs.

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When the Canadian Electronic Ensemble (CEE) began as a group of students at the University of Toronto in 1972, they performed with cumbersome, finicky analog instruments and DIY logistics, never sure if everything would work as intended. Today’s CEE sound comes from a sophisticated mixture of digital and analog hardware, laptops, and acoustic instruments. Across a long and ongoing history of tours, recordings, and performances, countless listeners have heard and appreciated the innovations at the heart of the CEE’s music. An Orchestra at My Fingertips is the first detailed study of the history, music, and legacy of the CEE. Covering the ensemble since its inception and drawing on extensive interviews with group members, Alexa Woloshyn provides unique insight into the musicians that make up the group as well as analyses of the CEE’s compositions, commissions, and improvisation and performance practice. Woloshyn’s account traces the evolution of electronic music technology across the decades-long history of the group, paying close attention to how audiences have perceived the CEE’s artistry as effortless rather than as the careful employment of technologically generated sounds. To foster appreciation and understanding of the CEE’s legacies, Woloshyn presents several listening methodologies and includes numerous listening guides to engage all readers. An Orchestra at My Fingertips speaks to the global development and transformation of live electronic music through the history of a group that has been a consistently innovative voice in Canada and beyond.

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While 9/11 was understood at the time as a world-changing event in international relations, its uneven aftermath and the long-term effects for North America could not have been predicted. Twenty years later, The Legacy of 9/11 explores the political, economic, security and defence, and trade and border implications of the event. Written by a team of North American experts across many fields, the book foregrounds the fallout of 9/11 in Mexico and Canada as opposed to the more commonly discussed impact on the United States. Looking at the event and its aftermath through four lenses – ideas about North America; border, trade, and economics; security and society; and defence – contributors analyze the complex legacy of 9/11. Rather than serving as a catalyst to create an integrated, trilateral continent, 9/11 entrenched the North America we have today: three separate states with emphasis on two very different borders.From a reconsideration of internationalism, a rise in populism, and a shift in migration patterns to the interventions in Afghanistan and Iraq, The Legacy of 9/11 uncovers how successive North American governments reacted in surprising ways to the world-altering attack.

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After World War II displaced more than sixty million people, Cold War politics opened global eyes and wallets to European displaced persons. The postwar experiences of more than three million forcibly displaced Polish people illuminate the painfully long process of reckoning with war and its fallout. Drawing on rich primary material unearthed in over a dozen archives, Kingdom of Barracks depicts the texture of everyday life in refugee camps in post–World War II Europe within a panorama of the social and cultural history of the twentieth century. Western Allies and Polish social elites construed the camps as spaces for rehabilitating and “re-civilizing” refugees to prepare them for the reconstruction of war-torn countries and a rebirth of the nation. On the ground, refugees lived in close proximity, sharing bug-infested barracks with people from other regions, social classes, and wartime experiences. Taking a bottom-up perspective and exploring the formation of cultural identity in exile through the lenses of class, gender, body, and nationality, Katarzyna Nowak argues that Polish DPs’ experiences of displacement stimulated a personal and a collective revival understood in religious and national terms.In an age of intensifying forced displacement, Kingdom of Barracks sheds new light on past experiences of war and migration that are still deeply relevant in the present.

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In the nineteenth century France became fixated on infant sleep. Pictures of sleeping babies proliferated in paintings, posters, and advertisements for cradles and toys. Childcare manuals and medical writings insisted on the importance of sleep as a measure of a child’s future health and vigour. Infant sleep was transformed from an unremarkable event to a precarious stage of life that demanded monitoring, support, and, above all, the constant presence and attention of mothers. Hush Little Baby uncovers the cultural, medical, and economic forces that came to shape Western ideas about infants’ sleeping patterns, rituals, and settings. By the mid-nineteenth century doctors were advising that infant sleep should be carefully controlled by caregivers according to medical guidelines, and that to do otherwise would risk compromising a child’s development. A sleeping baby was seen as the sign of a good mother – an idea that was reinforced through countless pictures of mothers watching vigilantly over their sleeping children, even as the reality of postpartum depression was known to doctors. The medical advice literature also helped to create a commercial infant industry, encouraging the production of clothing, bedding, cradles, and accessories designed to foster sleep, and providing new ways for families to demonstrate social status. In Hush Little Baby Gal Ventura shows how these images and ideas about babies’ sleep created many of the standards and expectations that keep parents awake today.

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Western civilization is over. So begins Jan Zwicky’s trenchant exploration of the root of global cultural and ecological collapse: a way of thinking that is also linked to some of the West’s most noted achievements.The Renaissance merged imperial enterprise with Islamic algebra and recently recovered Greek mathematics to precipitate mechanized industry and resource extraction; these in turn made possible the growth of capitalism, the military-industrial complex, and Big Technology. Despite its self-image as objective, Zwicky argues, the West’s style of thought is not politically neutral, but intensely anthropocentric. It has led those who adopt it to regard the more-than-human world as nothing more than timber licences and drilling sites, where value is not recognized unless it is monetized. Oblivious to context and blind to big-picture thinking, it analyzes, mechanizes, digitizes, and systematizes, while rejecting empathy and compassion as distorting influences. Lyric comprehension, in Zwicky’s view, offers an alternative to this way of thinking, and she provides a wide range of examples. Once upon a Time in the West documents how a narrow epistemological style has left Western thought blind to critical features of reality, and how the terrifying consequences of that blinkered vision are now beginning to unfold.

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In three volumes spanning centuries, Lieutenant Colonel Roman Jarymowycz recounts the story of the Black Watch (Royal Highland Regiment) of Canada, the oldest Highland regiment in the country. He traces its history from the roots, when soldiers, settlers, and militia volunteers rallied to defend the southern borders of their adopted country against invasion from the United States. Drawing on diaries, letters, classified documents, and the regimental archive, Jarymowycz weaves the strands of a complex story into an epic narrative of a resolute collective of officers and men.Since its birth in 1862 as the 5th Battalion, Volunteer Militia Rifles of Canada, thousands of citizens have served in the unit. In addition to securing Canada’s borders, Black Watch soldiers have fought in the South African War, both world wars, and the Korean War. They have bolstered NATO operations and United Nations peacekeeping missions, and they provided aid to the civil power during the 1997 Quebec and Eastern Ontario ice storm disaster and the COVID-19 pandemic. The Montreal-based battalion continues to serve Canada in its traditional role as a reserve infantry unit, and to this day, Black Watch soldiers frequently deploy on dangerous missions abroad. In volume 1, readers will learn of the Black Watch’s origins; its first foreign enterprise, the South African War; and a detailed account of the Great War, where the regiment evolved from the 5th Royal Highlanders to become the Canadian Black Watch, as they were known throughout the empire. The Montreal regiment trained four battalions for overseas duty, three of which participated in the greatest battles of the First World War, an unprecedented accomplishment. This volume not only offers a critical analysis of campaigns, key actions, and tactical evolution, but also includes an intimate and compelling account of the sacrifices that forged this extraordinary regiment.This monumental history of Canada’s oldest Highland regiment is at once a record of Scottish heritage, a portrait of Montreal rising as an industrial giant, and an examination of the emergence of a military culture from the Western Front.

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Paul the apostle is usually imagined as a man of prestige and power – comfortably conversing with philosophers, seeking an audience with the emperor, and composing compelling letters for Christians throughout the Mediterranean. Yet this portrait of a safe and conventional figure at the origins of Christianity airbrushes out many strange things about him. This volume repositions Paul as a man at the periphery of power. Recovering an Undomesticated Apostle explores the ways that Paul has been “domesticated” in both popular and scholarly imagination. By isolating selected crises of the apostle’s life and legacy and examining the social and material dimensions of his world, these essays collectively chip away at the received image of his strength and status. The result is a series of glimpses of Paul that frame the apostle as surprisingly marginal and weak within Roman society. Published in honour of New Testament scholar Leif E. Vaage, Recovering an Undomesticated Apostle presents Paul as a man operating from a position of desperation, making virtue out of necessity as he attempted to claw his way up in the dog-eat-dog world of the ancient Mediterranean.

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For centuries, English-language writers have borrowed words and phrases from other languages in their fictional works. Words in Collision explores this tradition of language-mixing and its consequences. Returning to Shakespeare’s Henry V, Michael Ross asks why writers employ “foreign” phrases in their English-language texts, why this practice continues, and what it means. He finds that the insertion of “foreign elements,” rather than random or arbitrary, occurs in literary works that display a self-conscious preoccupation with language in general as a dynamic determinant of social relations. Discussing nineteenth-century works by Sir Walter Scott, Charlotte Brontë, and Henry James, the book demonstrates how multilingualism connects with themes of cosmopolitanism, estrangement, and resistance to social convention. In the second half of the book, the multilingual practices of canonical Anglo-American literature are compared with postcolonial texts by Caribbean, Nigerian, and Indian authors, including Chimamanda Ngozi Adichie and Arundhati Roy, whose choice of language is fraught with complex moral and artistic implications. Ross’s readings reveal both crucial departures and surprising underlying continuities in linguistic traditions often thought to be deeply divided in time, space, and politics. The first extended treatment of language-mixing in English texts, Words in Collision is critical to understanding past practices and future prospects for multilingualism in fiction.

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With increasing urban population density, conflicts in cities erupt more frequently and violently. Cities have become hotspots for armed combat, highlighting the urgency of understanding the impact of local communities and urban factors on the development of violent conflict. Joldon Kutmanaliev presents a novel approach to analyzing communal violence and armed conflicts in urban zones. Drawing from fieldwork in cities of southern Kyrgyzstan, he explains local-level variations in violence across neighbourhoods during the most intense and violent episode of urban communal violence in Central Asia – the clashes between Kyrgyz and Uzbeks in June 2010. Kutmanaliev explains why armed violence affects some urban neighbourhoods but not others, why local communities react differently to the same existential threat, how they deal with a deteriorating security environment and interethnic fears, and how different types of urban planning and urban landscapes influence the spread of violence. Importantly, the book identifies key factors that help local communities and their leaders to negotiate non-aggression pacts and control local constituencies, and therefore successfully prevent violence.Intercommunal Warfare and Ethnic Peacemaking explains communal war and ethnic peacemaking on the level of neighbourhood communities – a perspective that is largely absent in previous studies.

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An estimated 25,000 Ukrainians served in the Fourteenth Waffen-SS “Galicia” Division. Conflicting accounts of their reasons for enlistment and continuing accusations of wartime criminality have fuelled controversial debate for decades.The first comprehensive study of the division to address both its wartime experience and its postwar fate, In the Maelstrom draws on archival research that includes interrogation records, interviews, memoirs, testimonies, and creative literature. The accounts of veterans often begin with being drafted into the force in their teenage years and continue into postwar life in Italian and British internment camps. These reminiscences are compared with wartime records and recent narratives. Myroslav Shkandrij discusses the commissions of inquiry into war crimes during the 1980s, recent debates over the issue of monuments and commemoration, and different ways in which veterans, the diaspora community, Western governments, and researchers have approached the division and its history.In the Maelstrom brings to light the underexplored Ukrainian experience in the “Galicia” Division during and after the war – an experience that resonates strongly today.

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It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet’s contemporary fate, Shakespeare in Succession asks how Shakespeare’s work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer.

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In recent decades, the economic framework of Canada’s Constitution has been a subject largely neglected by judges, scholars, and commentators. Trade and Commerce fills this gap by bringing to light a lost understanding of how the Constitution structures economic relations.As Malcolm Lavoie reveals, the Constitution includes foundational commitments to property rights, local government autonomy, and the principle of subsidiarity. At the same time, it creates a platform for integrated national markets with secure channels for interprovincial trade. This economic vision remains a vital part of Canada’s constitutional order and is relevant to a purposive interpretation of the Constitution. But contemporary legal discourse has begun to lose touch with this vision, with regrettable consequences in a number of different policy areas.Exploring the implications of the economic Constitution in the context of contemporary issues – including disputes over interprovincial trade and jurisdictional tensions between federal, provincial, and Indigenous governments with respect to the environment and the economy – Trade and Commerce restores economic ideas to the forefront of constitutional thinking in Canada.

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The ethos of poetry and its social efficacy cannot be underestimated in the quest for a fair society. The works of three contemporary Mexican poets – Abigael Bohórquez, Myriam Moscona, and Gloria Gervitz – offer models for examining important philosophical and literary questions that explore the relationship between art and the enactment of justice. Beyond Intimacy returns lyric poetry to the centre of struggles for justice within concrete historical frameworks, highlighting gender, ethnic, and cultural tensions. Through an analysis of works by these three poets, Christina Karageorgou-Bastea reveals the far-reaching social transcendence of poetry; she shows that lyric poetry invites a public dialogue where queer pariahs model citizenship, a dying language guards and transmits tradition, and the end of motherhood is the cusp in the struggle for woman’s freedom. The radicalization of intimacy, the relationship par excellence between self and other on which poetic interaction is based, has the power to dismantle deeply rooted hierarchies within art and society. Karageorgou-Bastea explores poetry’s potential for justice through different modes of intimacy including desire, filiation, and mourning.Meeting on the grounds of their aspiration to harmony, lyricism, and justice-making lead the way to social equity and fairness in Beyond Intimacy.

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While almost all universal health coverage in Canada is provided under the Canada Health Act, there is Medicare coverage that is provided outside of the act. This is the first book to explain the nature of these boundary health services, why they exist, and how to navigate them in practice. The Boundaries of Medicare examines the complex range of public health care services and coverage arrangements that predate or have developed alongside the Canada Health Act. These provisions – including for workers’ compensation, military personnel and veterans, incarcerated persons, migrants, and Indigenous Peoples – are often not well understood, even by those working at policy and delivery levels. Katherine Fierlbeck and Gregory Marchildon aim to improve understanding of these boundary services: why they were established, who is eligible for them, how services are provided, how they are paid for, and how they are managed within a multilevel governance system. They also look at the dramatic increase in virtual health care services since the onset of the COVID-19 pandemic and their relationship to the Canada Health Act.Explaining the origins, operations, and tensions of government-funded health care outside the Canada Health Act, The Boundaries of Medicare is an essential resource for policymakers, providers, administrators, and patients seeking to navigate Medicare in Canada.

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At a time when too many of the world’s political leaders are consolidating power by playing on divisions and stoking fear, Unlikely Insider, a memoir by former federal cabinet minister and senator Jack Austin, comes as a welcome reminder of the value of public service as a force for economic progress, social justice, and nation-building.With both historical perspective and an eye to the future, Austin reflects on events and people whose impacts are still felt, and on the enduring challenges of Canadian life. Moving away from colonial domination of Indigenous Peoples, navigating our pivotal relationship with the United States and engagement with China, the nature and purpose of the Senate: these remain timely concerns, to which Austin has made significant contributions. Sharing insights into policy as well as into the personalities of colleagues and friends, Unlikely Insider paints vignettes of figures from Premier Zhou Enlai to Queen Elizabeth and recounts the author’s travels with Pierre Trudeau after the prime minister’s retirement. As a British Columbian, Austin worked to ensure that his province’s perspectives and interests mattered in Ottawa; as someone who came from a disadvantaged background, he is sensitive to the need to make the country a place of fairness and opportunity for all. Unlikely Insider reminds Canadians that inclusion – regional, social, and demographic – makes our nation both stronger and more just.

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The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life’s mystery might reveal itself in some way.Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions.Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

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The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life’s mystery might reveal itself in some way.Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions.Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

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The modern world was not created by the civilization of Renaissance Italy, the advent of the printing press, or the marriage restrictions imposed by the medieval church. Rather, it was widespread reading that brought about most of the cognitive, psychological, and social changes that we recognize as peculiarly modern.David Williams combines book and communications history with readings of major works by Petrarch, Bruni, Valla, Reuchlin, Erasmus, Foxe, and Milton to argue that expanding literacy in the Renaissance was the impetus for modern civilization, turning a culture of arid logic and religious ceremonialism into a world of individual readers who discovered a new form of communion in the act of reading. It was not the theologians Luther and Calvin who first taught readers to become what they read, but the biblical philologist Erasmus, who encountered the divine presence on every page of the gospels. From this sacramental form of reading came other modes of humanist reading, particularly in law, history, and classics, leading to the birth of the nation-state. As literacy rates rose, readers of all backgrounds gained and embodied the distinctly modern values of liberty, free speech, toleration, individualism, self-determination, and democratic institutions. Communion and community were linked, performed in novel ways through revolutionary forms of reading. In this conclusion to a quartet of books on media change, Williams makes a compelling case for readers and acts of reading as the true drivers of social, political, and cultural modernity – and for digital media as its looming nemesis.

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The last two decades have ushered in what has become known as a participatory revolution, with consultants, advisors, and non-profits called into communities, classrooms, and corporations alike to listen to ordinary people. With exclusively bureaucratic approaches no longer en vogue, authorities now opt for “open” forums for engagement. In The Participation Paradox Luke Sinwell argues that amplifying the voices of the poor and dispossessed is often a quick fix incapable of delivering concrete and lasting change. The ideology of public consultation and grassroots democracy can be a smokescreen for a cost-effective means by which to implement top-down decisions. As participation has become mainstreamed by governments around the world, so have its radical roots become tamed by neoliberal forces that reinforce existing relationships of power. Drawing from oral testimonies and ethnographic research, Sinwell presents a case study of one of the poorest and most defiant Black informal settlements in Johannesburg, South Africa – Thembelihle, which consists of more than twenty thousand residents – highlighting the promises and pitfalls of participatory approaches to development.Providing a critical lens for understanding grassroots democracy, The Participation Paradox foregrounds alternatives capable of reclaiming participation’s emancipatory potential.

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The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases.No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of this vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation. The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations.

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A film that transcends time, Sally Potter’s Orlando follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Plot, production, and performance have all contributed to the film becoming a touchstone for Tilda Swinton’s ethereal and gender-bending mode.A Russian-French-Dutch-American-Italian-British co-production, Orlando was hailed as a monumental work of international art house cinema upon its release in 1992. Some understood Potter’s film, a work of ruthless and ingenious adaptation, as moving away from the lesbian content of Virginia Woolf’s novel. Russell Sheaffer uses a detailed analysis of screenplay drafts and more than three decades of reception to argue that while the film moves away from a direct investment in same-sex relationships, Orlando’s articulations of embodiment, desire, and time have made the film continually more queer in the years since its release.Taking cues from adaptation theory and gender studies, this book meticulously charts the distinct shift from lesbian feminist text to queer film classic, arguing that the film is as much an adaptation of Woolf’s A Room of One’s Own as it is of its eponymous novel.

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Leading architect E.J. Lennox designed Casa Loma for the flamboyant Sir Henry Pellatt and Mary, Lady Pellatt as an enormous castellated mansion that overlooked the booming metropolis of Toronto. The first scholarly book dedicated to this Canadian landmark, Casa Loma situates the famous “house on the hill” within Toronto’s architectural, urban, and cultural history.Casa Loma was not only an outsized home for the self-appointed “Lord Toronto” but a statement of Canada’s association with empire, an assertion of the country’s British legacy. During and after the Pellatts’ occupation, Casa Loma was a major landmark, and it has since infiltrated the iconography and collective memory of the metropolis. The reception of Casa Loma, variously loved and abhorred by Torontonians, reflects many of Toronto’s major aspirations and anxieties about itself as a modern city. Across ten chapters, this book charts the history of Casa Loma from the purchase of the estate atop Davenport Ridge in 1903 and its construction from 1906, through to its sale and the dispersal of its contents in 1924, its subsequent life as a hotel, and finally its transformation into one of the city’s major entertainment venues.Casa Loma brings to light a wealth of hitherto unpublished archival images and documentation of the house’s visual and material culture, weaving together a textured account of the design, use, and life of this unique building over the course of the twentieth century.

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Known today chiefly for his surrender to the American forces at Saratoga, New York, in 1777, General John Burgoyne was one of the most interesting – and extraordinary – figures of the eighteenth century.In From the Battlefield to the Stage Norman Poser provides a rounded biography, covering not only the Saratoga campaign but also elements of Burgoyne’s eventful life that have never been adequately explored. At the age of twenty-eight, Burgoyne eloped with Charlotte Stanley, the daughter of the immensely wealthy and influential Earl of Derby. Though initially furious, the earl, convinced of the young officer’s good character, eventually forgave the couple, and the Stanley family became a major influence in Burgoyne’s life and career. He was a socialite, welcome in London’s fashionable drawing rooms, a high-stakes gambler in its elite clubs, and a playwright whose social comedies were successfully performed on the London stage. As a member of Parliament for thirty years, Burgoyne supported the rule of law, fought the corruption of the East India Company, and advocated religious tolerance.From the Battlefield to the Stage paints a vivid portrait of General John Burgoyne, remembering him not only for his role in one of Britain’s worst military disasters but also as a brave, talented, humane man.

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The 1978 publication of Edward Said's Orientalism unsettled the world. Over two decades earlier Aimé Césaire had famously spoken of the boomerang effect of colonization, which dehumanized both the colonizer and the colonized. Over time, Said and his 1978 book took Césaire’s anti-imperial critique one step further by enabling the boomerang effect of decolonization.Inspired by that intellectual trajectory, The Boomerang Effect of Decolonization redefines post-Orientalism in a relational and integrative way. This volume draws on the reception and critique of Said’s ideas as well as his own attempts to appropriate the boomerang’s recursive nature and empower decolonial processes that aimed to transform everyone, regardless of differences both imagined and real, for the betterment of all. Reflecting upon Orientalism, its legacies, and the myriad conversations it has generated, scholars from various disciplines examine acts of anti-racism and liberation through the lens of critical race theory. Covering topics including Said’s anti-Orientalist world, Métis/Michif consciousness, writing by the French scholar Jacques Berque, the politics of allyship in the Israeli-Palestinian conflict, and the convergence between healthcare and settler-colonialism in Northwestern Ontario, contributors explore the different paths critiques of imperial cultures and their politics of difference have travelled in Canada and abroad. Said’s Orientalism reoriented both decolonization itself and his readers’ imaginations. By redefining post-Orientalism as a relational and inclusive mode of liberation, this volume offers tools to think about difference differently, centring its anti-racist framework on the relationship between misrepresented people and their rewritten histories. Contributors include Yasmeen Abu-Laban (Alberta), Rachad Antonius (UQAM), Sung Eun Choi (Bentley), Mary-Ellen Kelm (Simon Fraser), Allyson Stevenson (Saskatchewan), Mira Sucharov (Carleton), and Lorenzo Veracini (Swinborne).

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Not long ago it seemed flood control experts were close to mastering the unruly flows funnelling toward Hudson Bay and the Prairie city of Winnipeg. But as more intense and out-of-synch flood events occur, wary cities like Winnipeg continue to depend on systems and specifications that will soon be out of date. Rivers have impulses that defy many of the basic human assumptions underpinning otherwise sophisticated technologies. This is the river-city expression of climate change.In Just One Rain Away Stephanie Kane shows how geoscience, engineering, and law converge to affect flood control in Winnipeg. She questions technicalities produced and maintained in tandem with settler folkways at the expense of the plural legal cultures of Indigenous nations. The dynamics of this experimental ethnography feel familiar yet strange: here, many of the starring actors are not human. Ice and water – materializing as bodies, elements, and digital signals – act with diatoms, diversions, sensors, sandbags, and satellites, looping theories about glacial erratics and feminist science studies into scenes from neighbourhood parks, conferences, survey maps, plays, archival photos, a novel, an emergency press conference, LiDAR images, and a lab experiment in a bathtub. Through storytelling and environmental analytics, Just One Rain Away provides a starting point for cross-cultural discussions about how expert knowledge and practice should inform egalitarian decision-making about flood control and, more broadly, decolonize current ways of thinking, being, and becoming with rivers.

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Not long ago it seemed flood control experts were close to mastering the unruly flows funnelling toward Hudson Bay and the Prairie city of Winnipeg. But as more intense and out-of-synch flood events occur, wary cities like Winnipeg continue to depend on systems and specifications that will soon be out of date. Rivers have impulses that defy many of the basic human assumptions underpinning otherwise sophisticated technologies. This is the river-city expression of climate change.In Just One Rain Away Stephanie Kane shows how geoscience, engineering, and law converge to affect flood control in Winnipeg. She questions technicalities produced and maintained in tandem with settler folkways at the expense of the plural legal cultures of Indigenous nations. The dynamics of this experimental ethnography feel familiar yet strange: here, many of the starring actors are not human. Ice and water – materializing as bodies, elements, and digital signals – act with diatoms, diversions, sensors, sandbags, and satellites, looping theories about glacial erratics and feminist science studies into scenes from neighbourhood parks, conferences, survey maps, plays, archival photos, a novel, an emergency press conference, LiDAR images, and a lab experiment in a bathtub. Through storytelling and environmental analytics, Just One Rain Away provides a starting point for cross-cultural discussions about how expert knowledge and practice should inform egalitarian decision-making about flood control and, more broadly, decolonize current ways of thinking, being, and becoming with rivers.

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The “Middle East” has long been an indispensable and ubiquitous term in discussing world affairs, yet its history remains curiously underexplored. Few question the origin of the term or the boundaries of the region, commonly understood to have emerged in the twentieth century after World War I.Guillemette Crouzet offers a new account in Inventing the Middle East. The book traces the idea of the Middle East to a century-long British imperial zenith in the Indian subcontinent and its violent overspill into the Persian Gulf and its hinterlands. Encroachment into the Gulf region began under the expansionist East India Company. It was catalyzed by Napoleon’s invasion of Egypt and heightened by gunboat attacks conducted in the name of pacifying Arab “pirates.” Throughout the 1800s the British secured this crucial geopolitical arena, transforming it into both a crossroads of land and sea and a borderland guarding British India’s western flank. Establishing this informal imperial system involved a triangle of actors in London, the subcontinent, and the Gulf region itself. By the nineteenth century’s end, amid renewed waves of inter-imperial competition, this nexus of British interests and narratives in the Gulf region would occasion the appearance of a new name: the Middle East.Charting the spatial, political, and cultural emergence of the Middle East, Inventing the Middle East reveals the deep roots of the twentieth century’s geographic upheavals.

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In the late nineteenth and early twentieth centuries, European settlers from diverse backgrounds transformed Ontario. By 1881, German speakers made up almost ten per cent of the province’s population and the German language was spoken in businesses, public schools, churches, and homes. German speakers in Ontario – children, parents, teachers, and religious groups – used their everyday practices and community institutions to claim a space for bilingualism and religious diversity within Canadian society. In The Boundaries of Ethnicity Benjamin Bryce considers what it meant to be German in Ontario between 1880 and 1930. He explores how the children of immigrants acquired and negotiated the German language and how religious communities relied on language to reinforce social networks. For the Germans who make up the core of this study, the distinction between insiders and outsiders was often unclear. Boundaries were crossed as often as they were respected. German ethnicity in this period was fluid, and increasingly interventionist government policies and the dynamics of generational change also shaped the boundaries of ethnicity.German speakers, together with immigrants from other countries and Canadians of different ethnic backgrounds, created a framework that defined relationships between the state, the public sphere, ethnic spaces, family, and religion in Canada that would persist through the twentieth century. The Boundaries of Ethnicity uncovers some of the origins of Canadian multiculturalism and government attempts to manage this diversity.

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When cannabis tincture was withdrawn from the medical establishment in the UK in 1973, cannabis became regulated solely as an illicit drug. Within a decade cannabis-based drugs were back in the clinic. The UK is one of the biggest producers of medicinal cannabis, but few patients have access to these medicines. High-profile cases of parents campaigning for access to cannabis oil for severe and rare forms of epilepsy in their children are the most recent in a long line of controversies over cannabis and cannabis-based medicines.With mounting questions about patient access, the effectiveness of international drug control systems, and the role of expert advice, it is crucial to understand how we have arrived at this situation. While the historical literature has focused on cannabis as an illicit substance, Remedicalizing Cannabis considers the botanical product and its potential to yield medical applications. Investigating the remedicalization of cannabis, Taylor explores the process whereby boundaries shift between illicit drug and licit medicine. Basing her arguments on archival material from expert committees, researchers, and activists and in-depth interviews with key players, Suzanne Taylor traces the issues and interests involved in this process, demonstrating the important roles of changing scientific knowledge, expert advice, industry, clinical trials, and patient activism.Remedicalizing Cannabis investigates the evolving tensions that have brought us to the current situation and demonstrates the role of history in understanding today’s debates about cannabis.

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By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture.Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these “sweet girls’” childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women.Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women’s history and to our understanding of Canada in a transnational world.

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From the Cambridge Analytica scandal to overloaded internet voting servers to faulty voting machines, the growing relationship between democracy and technology has brought to light the challenges associated with integrating new digital tools into the electoral system. Canadian politics has also felt the impact of this migration online.This timely book presents the first comprehensive study of the various cyber-threats to election integrity across Canadian jurisdictions. Scrutinizing the events of the 2019 federal election, Cyber-Threats to Canadian Democracy examines how new technologies have affected the practice of electoral politics and what we can do to strengthen future Canadian elections. Through the disciplines of political science, law, computer science, engineering, communications, and others, chapters shed light on some of the most contentious issues around technology and electoral integrity. The contributors address current domestic and foreign threats to Canadian elections, evaluate the behaviour of actors ranging from political parties and interest groups to policymakers and election administrators, and assess emerging legal and regulatory responses while anticipating future challenges to the quality of elections in Canada and around the globe.Cyber-Threats to Canadian Democracy helps seed the study of digital technology’s security risks, providing insight into what reforms are needed and evaluating existing legal and policy frameworks in light of these threats.

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From the expansionist fervour of the late nineteenth century through both world wars and the Cold War, a varied and ever-changing group of dreamers campaigned for Canada’s union with the British Caribbean colonies. They hoped to diversify Canada’s climate and agricultural capabilities, spur economic development, boost the nation’s autonomy and stature in the Empire-Commonwealth and the world, temper American power, and secure a tourist paradise. Dominion over Palm and Pine traces the transnational ebb and flow of these union campaigns, situating them in the global history of colonialism and white supremacy, Black activism, and decolonization. Paula Hastings centres the British Caribbean in historical narratives that rarely take account of the region, challenging us to rethink the history of Canadian expansionism and its entangled relationship with nation building, the struggle for sovereignty at home and abroad, and Canada’s evolving role and reputation on the world stage. Widely conceived, the brokers of Canada’s international histories included a multiplicity of actors who shaped the evolving contours and outcomes of the debate: Canadian legislators, civil servants, businessmen, and social justice activists; Caribbean migrants, intellectuals, and anti-colonial nationalists; and British colonial officials, absentee planters, and politicians.Canada’s lack of an overseas empire is often vaunted as a national characteristic that sets Canada apart from the United States and the old European powers. In excavating the dogged resilience of Canadian designs on the Caribbean, Dominion over Palm and Pine unsettles notions of Canadian goodness that rest on this self-righteous observation.

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