Search results for ""Copper Canyon Press""

An essential collection of poetry and prose from an award-winning poet who faced some of the greatest dramas of his time in American history.John Balaban is an extraordinary writer and storyteller whose prize-winning poetry and prose are informed by a love of languages, deep scholarship, hard travel, and a willingness to confront the violence and sufferings of the world. In this essential collection of his work, the best of his prize-winning poems since 1970 are collected in one place, threaded through with essays that link poetry to Balaban’s extensive travels, whether hitchhiking throughout the United States or wandering the countryside of Vietnam—during wartime—to record and translate folk poetry. The result is a remarkable story about a life in poetry. Empathetic, truth-telling, and fiercely perceptive, Passing through a Gate is a literary

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First English-language collection of award winning Misty poet Authoritative selection of work from the last 20 years Work included in the recent anthologies Push Open the Door (Copper Canyon Press, 2011) and Twentieth Century Chinese Women’s Poetry (M.E. Sharpe, 2009) Next title in the seminal Jintian series

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Gladys Cardiff is an enrolled member of the Eastern Band of Cherokee, and a member of the Native Writers' Circle of the Americas. Her small book, To Frighten a Storm, from Copper Canyon Press, won the Washington State Governor's First Book Award in 1976. These are poems from a mature and wise consciousness that understands loss, grief, and the value of the unassailable "solaces we yearn for." One emerges from Cardiff’s intense, complex meditations with a renewed sense of both the durability of the human spirit and its potential.

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Gladys Cardiff is an enrolled member of the Eastern Band of Cherokee, and a member of the Native Writers' Circle of the Americas. Her small book, To Frighten a Storm, from Copper Canyon Press, won the Washington State Governor's First Book Award in 1976. These are poems from a mature and wise consciousness that understands loss, grief, and the value of the unassailable "solaces we yearn for." One emerges from Cardiff’s intense, complex meditations with a renewed sense of both the durability of the human spirit and its potential.

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Deborah Landau’s fourth book of poetry, Soft Targets, draws a bull’s-eye on humanity’s vulnerable flesh and corrupted world. In this ambitious lyric sequence, fear of annihilation expands beyond the self to an endangered planet on which all inhabitants are “soft targets”. Her melancholic examinations recall life’s uncanny ability to transform ordinary places – subways, cafés, street corners – into sites of intense significance that weigh heavily on the modern mind. ‘O you who want to slaughter us, we’ll be dead soon / enough what’s the rush,’ Landau writes, contemplating a world beset by political tumult, random violence, terror attacks and climate change. Still there are the ordinary and abundant pleasures of day-to-day living, though the tender exchanges of friendship and love play out against a backdrop of 21st-century threats with historical echoes, as neo-Nazis marching in the US recall her grandmother’s flight from Nazi Germany. Deborah Landau is director of the Creative Writing Program at New York University. She has published three previous collections in the US, most recently The Uses of the Body (2015) and The Last Usable Hour (2011) with Copper Canyon Press. CNN commissioned an opinion piece from her, ‘We are all soft targets’, in the light of US inaction on gun control following the latest shootings in August 2019.

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“A fascinating, totally seductive read!” —Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation“A book built of brain and nerve and blood and heart. . . . Irreverent and astute. . . . Pain Studies will change how you think about living with a body.” —Elizabeth McCracken, author of Thunderstruck and Bowlaway“A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called ‘the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.” —Leni Zumas, author of The Listeners and Red ClocksIn this extended lyric essay, a poet mines her lifelong experience with migraine to deliver a marvelously idiosyncratic cultural history of pain—how we experience, express, treat, and mistreat it. Her sources range from the trial of Joan of Arc to the essays of Virginia Woolf and Elaine Scarry to Hugh Laurie’s portrayal of Gregory House on House M.D. As she engages with science, philosophy, visual art, rock lyrics, and field notes from her own medical adventures (both mainstream and alternative), she finds a way to express the often-indescribable experience of living with pain. Eschewing simple epiphanies, Olstein instead gives us a new language to contemplate and empathize with a fundamental aspect of the human condition.Lisa Olstein teaches at the University of Texas at Austin and is the author of four poetry collections published by Copper Canyon Press. Pain Studies is her first book of creative nonfiction.

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