Search results for ""Copper Canyon Press""

Delightfully universal, Raft by Pulitzer Prize-winner Ted Kooser travels the Midwest landscape, attuned to life’s shared experiences and emotions—illness, aging, beauty, and love.Raft is our fourth collection of poetry from Pulitzer Prize-winner and former U.S. Poet Laureate, Ted Kooser. Open in his desire to write for the everyday reader, these poems maintain the open-handed and accessible style that thousands have come to love. Yet, deeply imagistic and metaphorically rich, Raft shows us that even the simplest of objects, the simplest of actions, can become a portal. A boy feeding a goldfish becomes a meditation on loneliness. Scraps of gauze open the door to a study on happiness. Both local and delightfully universal, Raft travels the Midwest landscape, attuned to the shared experiences and emotions of life&

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Through invention and remembrance, a little bump in the earth creates a black town on a hill—its land, its losses, its living and ancestral dead.Tyree Daye’s a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye''s family has lived for the last 200 years, is reclaimed as “Ritual House.” Here, “every cousin   aunt   uncle    ghost” is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the here & after,” where collaged images appear besides documents from Daye’s ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection

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Inverting the pastoral, Sophie Cabot Black uses the keeping of animals and tending of land to interrogate the self and in turn reveal new truths about the social, economic, and political realities of contemporary America.In Geometry of the Restless Herd, Sophie Cabot Black stages a powerful allegory for the social and political realities of our human world. Through hauntingly metaphysical poems set within a sheepherder’s domain, Black conjures fields of harvest and resurrection, of wagers and outcomes—animals to keep, and those destined for slaughter. Here, both singular voices and polyvocal choruses argue through discourse, asking who has the real power, and how are we to survive the violence we do to each other?Black’s scenes are at once oneiric and raw: a squeaking gate wails against neglect; a field receives a runt body; a rac

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Woven from dreamlike and echoing images, After Image travels between life and death, between a living body and its absence. A house, an orchard, “a shudder of blossoms.” A fountain, a bed, a sudden spring snow. Carefully woven from a dreamlike set of images which echo and reconfigure throughout the collection, the poems in Jenny George’s After Image hug the cusp between life and death, between a living body and its absence. “And in the space / left behind—” Time slips. Eurydice muses on the gestures of the living, and we look out from inside the removed head of Orpheus. The laughing gods and the furies make appearances too, and the poet’s persona appears as its own character—the observing self, navigating the strangenesses of grief’s terrain. Unsentimental yet pulsing with love, each cutting and transcendent poem

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