Search results for ""Author MANUS"

Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period. Created in London c. 1340, the Auchinleck manuscript (Edinburgh, National Library of Scotland Advocates MS 19.2.1) is of crucial importance as the first book designed to convey in the English language an ambitious range ofsecular romance and chronicle. Evidently made in London by professional scribes for a secular patron, this tantalizing volume embodies a massive amount of material evidence as to London commercial book production and the demand for vernacular texts in the early fourteenth century. But its origins are mysterious: who were its makers? its users? how was it made? what end did it serve? The essays in this collection define the parameters of present-day Auchinleck studies. They scrutinize the manuscript's rich and varied contents; reopen theories and controversies regarding the book's making; trace the operations and interworkings of the scribes, compiler, and illuminators; teaseout matters of patron and audience; interpret the contested signs of linguistic and national identity; and assess Auchinleck's implied literary values beside those of Chaucer. Geography, politics, international relations and multilingualism become pressing subjects, too, alongside critical analyses of literary substance. Susanna Fein is Professor of English at Kent State University and editor of The Chaucer Review. Contributors: Venetia Bridges, Patrick Butler, Siobhain Bly Calkin, A. S. G. Edwards, Ralph Hanna, Ann Higgins, Cathy Hume, Marisa Libbon, Derek Pearsall, Helen Phillips, Emily Runde, Timothy A. Shonk, Míceál F. Vaughan.

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Researchers faced with using documentary sources for the first time, such as correspondence, diaries, and literary manuscripts, are plunged into a world far different from the familiar library setting, with its card or computer catalogs, bibliographies, and other resource-finding tools. Over and over, studies of research methodology among scholars reveal that they learn by some sort of collegial osmosis and general fumbling about until they figure things out. There is an easier way. Burke explains the professional techniques employed by archivists and manuscript curators, describing what they do and why, so the beginning researcher has a foundation for understanding how to search and access personal papers. Burke surveys problems of organization, access, alternative sources, and legal issues with amusing anecdotes and examples. Research and the Manuscript Tradition is a reflection on using manuscripts for research, administering manuscript and archival collections and institutions, and the lessons learned from teaching a manuscripts administration course for more than twenty years. It provides a solid theoretical base as well as practical advice and a glimpse of the satisfaction that can come from working with personal papers. Contents: Yuan Shih-Kai, Harriet Monroe, and the Manuscript Tradition; The Recovery of Reality; Opening the Doors to Scholarship; Gathering the Evidence; Mapping the Roads to the Past; Tradition Confronts Technology; Organizing a Life; Good Deeds Do Not Go Unrewarded; The Cultural Crypt; Not by Vaults and Locks...; Law, Curatorial Ethics, and the Researcher; Personal Communication in the Electronic Age.

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A helpful, engaging guide to the revision of scholarly writing by an editor and award-winning author “Pamela Haag has been called ‘the tenure whisperer’ for good reason. Any scholar who hopes to attract a wider audience of readers will benefit from the brilliant, step-by-step guidance shared here. It’s pure gold for all aspiring nonfiction writers.”—Nancy MacLean, author of Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America Writing and revision are two different skills. Many scholar-writers have learned something about how to write, but fewer know how to read and revise their own writing, spot editorial issues, and transform a draft from passable to great. Drawing on before and after examples from more than a decade as a developmental editor of scholarly works, Pamela Haag tackles the most common challenges of scholarly writing. This book is packed with practical, user-friendly advice and is written with warmth, humor, sympathy, and flair. With an inspiring passion for natural language, Haag demonstrates how to reconcile clarity with intellectual complexity. Designed to be an in-the-trenches desktop reference, this indispensable resource can help scholars develop a productive self-editing habit, advise their graduate and other students on style, and, ultimately, get their work published and praised.

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This catalogue contains descriptions of Persian medical manuscripts in the collection at UCLA; Persian texts in predominantly Arabic MSS are also listed, without descriptions. “Numerically, UCLA’s collection of Persian medical manuscripts ranks among the first in Western countries. In this catalogue, 135 Persian and two Arabic titles are discussed [ . . . ] Nearly the whole period during which the Persian language has been used for writing on medical subjects is covered by the collection [ . . . ] The earliest author represented is the oculist ‘Zarrindast’ of the late fifth/eleventh century, approximately 100 years after the first appearance of medical writing in Neo-Persian.” [from the Preface]

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Llega una nueva aventura de la mariquita Antoñita, la protagonista de esta colección para lectores a partir de 5 años. En esta ocasión, Antoñita se meterá en un buen lío y, sin darse cuenta, irá a parar a un lugar desconocido para ella. Encontrará la ayu

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El calor de esa apretada noche de mayo había desvelado a la señora de Bastidas. Algunas contrariedades de su intensa vida social generaban ese enojoso malestar con más perturbaciones de lo que la elegancia aconsejaba. Por estar atravesando una etapa particularmente prolífica de su insomnio, había adquirido, desde hace algunas semanas, el inusual hábito de sentarse frente a la ventana para ver su pedacito de mundo mantener un orden secreto. Gustaba de contemplar la escena palpitante y misteriosa que deparaba la calle. El perro vagabundo, el viento atropellando bolsas, el vehículo sonámbulo, adquirían a esa hora dimensiones extraordinarias.El corazón le dio un tirón en el pecho ante un suceso que, por lejano a su cotidianidad, le resultó casi inverosímil. Con el sibilino sigilo de los gatos, una misteriosa sombra acababa de atravesar la verja de la casa. Su reacción natural fue -por supuesto- despertar a su esposo; pero no lograba articular palabra. Presionó con fuerza su boca

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Deir al-Surian, the famous Monastery of the Syrians in Egypt, has long been known for its unique collection of Syriac, Coptic, Arabic, and Ethiopian manuscripts. This catalogue provides detailed descriptions of the 48 Syriac manuscripts (many of them composite) and the more than 180 fragments that are preserved in the Monastery today. Ranging in date from the 5th to the 18th century and with a majority of them being earlier than the 10th century, the manuscripts present us with major authors and works of the Syriac literary tradition. They include biblical texts (among them the earliest dated Gospel manuscript in any language), original Syriac compositions, and translations from Greek and (occasionally) Coptic. Several works were previously unattested. Connections with manuscripts from Deir al-Surian that are preserved in European collections (primarily the British Library) are indicated wherever relevant. Colophons and various kinds of notes by scribes, readers, owners, and occasional visitors also receive attention, thus allowing interesting glimpses into the history not only of individual manuscripts, but also of the Monastery and its library. Accompanying the catalogue is an album containing more than 300 pages of images.

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The manuscripts of Corpus Christi College, Oxford present an extraordinary variety of items, from humanist texts associated with Erasmus to John Dee's alchemical books and many vernacular MSS. This is the first full catalogue, with a large number of illustrations. The College of Corpus Christi, Oxford, was a 'Renaissance' institution both as to its foundation date (1517) and the intention of its founder, Richard Fox, bishop of Winchester. Both Fox himself and his choice as the College's first President, John Claymond, were friends of Erasmus, who approved of the foundation and especially of its library. Fox intended his foundation to be a conduit of Italian humanism to Oxford and to the English clergy. In itsextraordinary variety, this collection is a challenge to the cataloguer. Some manuscripts relate to the programme of the College's founder and first President, but most of the manuscripts reflect the particular interests of collectors from the late sixteenth century onwards. John Dee's books for example, mostly small, unpretentious and often fragmentary or made up of fragments, constitute a gold-mine for the historian of medieval chemistry and alchemy.These are supplemented by an important group of astronomical, arithmetical and medical texts. There is a substantial clutch of twelfth- and thirteenth-century manuscripts from Lanthony Priory. Noteworthy, too, is the large number of manuscripts in several vernaculars: Old and Middle English and French, Old Irish, Catalan, and even a few words of fifteenth-century Czech. The bindings of the Corpus manuscripts have been wholly neglected. Many books retain important medieval bindings, some as early as the twelfth century, and a substantial number of beautiful blind-stamped bindings of the late fifteenth and sixteenth centuries. A special place in the collection is occupied by the approximately 1, 200 manuscript fragments, taken from bindings of books in the library in the late nineteenth century.

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Two themes uniting the essays in this collection are the provenance and history of medieval manuscripts during the Middle Ages, and the fates that befell them in England in the period after the invention of printing and the 16th-century dissolution of the religious houses and visitations of the universities. The section 'Libraries and collectors' includes papers on seven major English collectors of the 16th and 17th centuries, and the section 'Manuscripts' concerns the fates of five manuscripts or groups of manuscripts from England, Belgium and Italy. Of the other chapters one is concerned with the post-medieval history of the library of All Souls College, Oxford, and another with the provenance of hundreds of manuscripts in the Harleian collection in the British Library. For this volume Andrew Watson has provided extensive additional notes and indexes.

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An illustrated manual showing how a medieval tournament was organised, here presented in three volumes with essays on various aspects of the manuscript. This 3 volume set contains the full text of René d'Anjou's Livre des tournois. This is famous as the most substantial account of the organisation of a medieval tournament that has come down to us. It survives in eight manuscripts, most of which have an almost identical layout; the best of these is a magnificent work of art in its own right. But these manuscripts have a further interest to the historian of culture, because they represent in effect the evidence for one of the first illustrated manuals, in which text and image are complementary, and form a single whole. The copyists understood this, and followed the original because the mise en page was an essential part of the whole. Justin Sturgeon's interdisciplinary study reveals the patterns and relationships which give the manual its very specific character. The study begins by exploring the relationship between the work's images and text, and brings into focus the author's identity as an authority on the subject matter. Next, the use and depiction of heraldry as essential to the construction of an embedded visual narrative within the work is explored. We then turn to the subject matter and to René's sources for the work and the form of tournament he describes, are examined and the author shows that René was drawing on specific precedents to construct his idealized version of such an event. Analysis of the visual presentation uses spatial and ritual theory to engage with a series of spectacles surrounding the punishment and review of the noble tourneyers. The last section of the book concentrates on the physical manuscripts.The codicological, textual and visual evidence from all eight known medieval manuscript copies is used to construct a new understanding of the provenance and transmission of the work, before turning to scrutinize the reception of two copies in detail. The conclusion draws together threads of identity, authority, and the importance of the Livre des tournois as a product of the culture and circumstances of its production. A series of appendices forms the second volume and directly supports the book. These appendices include the first scholarly edition of the source manuscript to make use of all eight medieval manuscripts,with full supporting data. The third volume contains 300 images of vital comparisons in high resolution close-ups using a special technique developed by the author which highlights important details within images while showing the detail in the context of the whole picture. Three Volume set.

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Benjamin Messer se encuentra ante el reto profesional más importante de su vida: descifrar unos manuscritos en arameo.El paleógrafo Benjamin Messer se encuentra ante el reto profesional más importante de su vida: descifrar unos manuscritos en arameo, datables en los inicios de la era cristiana, que han sido hallados en un lugar próximo a la Magdala bíblica. Los manuscritos parecen una autobiografía, en forma de confesión, de un tal David Ben Jonah, un hombre que vivió acontecimientos históricos bajo el peso de la culpa por las repercusiones de su flaqueza espiritual. Como ese remoto escritor, Benjamin es un escéptico. Pero un escéptico progresivamente invadido por el espíritu de David, embarcado sin quererlo en un doloroso camino de iniciación que le llevará a una nueva plenitud.

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The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence.This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club.This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been.In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.

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This work explores the emergence of modern Greek language, thought, and sensibility reflected in Harvard’s 80,000-item-strong collection of Greek books and manuscripts, ranging from fifteenth-century liturgical manuals to Renaissance translations into modern Greek of Homer and other classical authors to the works and papers of such twentieth-century Greek literary figures as Nikos Kazantzakis, George Seferis, and C. P. Cavafy. With copious illustrations of Greek writing, design, and typography, Evro Layton’s catalogue is a visual and intellectual treat for philhellenes.

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In Medieval English Manuscripts and Literary Forms, Jessica Brantley offers an innovative introduction to manuscript culture that uses the artifacts themselves to open some of the most vital theoretical questions in medieval literary studies. With nearly 200 illustrations, many of them in color, the book offers both a broad survey of the physical forms and cultural histories of manuscripts and a dozen case studies of particularly significant literary witnesses, including the Beowulf manuscript, the St. Albans Psalter, the Ellesmere manuscript of the Canterbury Tales, and The Book of Margery Kempe. Practical discussions of parchment, scripts, decoration, illustration, and bindings mix with consideration of such conceptual categories as ownership, authorship, language, miscellaneity, geography, writing, editing, mediation, illustration, and performance—as well as of the status of the literary itself. Each case study includes an essay orienting the reader to particularly productive categories of analysis and a selected bibliography for further research. Because a high-quality digital surrogate exists for each of the selected manuscripts, fully and freely available online, readers can gain access to the artifacts in their entirety, enabling further individual exploration and facilitating the book’s classroom use. Medieval English Manuscripts and Literary Forms aims to inspire a broad group of readers with some of the excitement of literary manuscript studies in the twenty-first century. The interpretative frameworks surrounding each object will assist everyone in thinking through the implications of manuscript culture more generally, not only for the deeper study of the literature of the Middle Ages, but also for a better understanding of book cultures of any era, including our own.

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Buddhist temples in Southeast Asia are centres for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology and fortune-telling. This stunning new book illustrates over 100 examples of Buddhist art in the Library's collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic and religious contexts of their production. It is the first book in English to showcase the beauty and variety of manuscript art and reproduces many works that have never been photographed before.

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Descriptive catalogue provides a crucial guide to one of the most important repositories of medieval manuscrips. Merton College, Oxford, one of the oldest colleges in the University, was founded in 1264. Its library contains some 328 complete medieval manuscript books (plus several hundred fragments in, or extracted from, the bindings of early printed books), dating from the ninth to the late fifteenth century. Most of them came to the College before the Reformation, and are the remains of its medieval collection, part of which was chained in the library, part in circulation amongst the Fellowship. Together with the College's surviving medieval archive, which includes no fewer than twenty-three book-lists, this material provides an important window on intellectual life at the University of Oxford between the thirteenth and sixteenth centuries, and on the manufacture, acquisition and use of the books that supported it. This first catalogue of the medieval manuscripts since 1852 offers full and detailed descriptions of each item, supported by a colour frontispiece, 50 colour plates, and 107 black and white plates. Its introduction provides the first detailed history of Merton's medieval library, including an account of the building anddesign of the College's 'Old Library', built in the 1370s, western Europe's oldest library room still in use today; and the volume is completed with four appendices (including a comprehensive set of extracts from the College's medieval account rolls referring to its books and library) and two indexes. RODNEY M. THOMSON is Professor of History and Honorary Research Associate in the School of History and Classics, University of Tasmania.

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English Renaissance Manuscript Culture: The Paper Revolution traces the development of a new type of scribal culture in England that emerged early in the fourteenth century. The main medieval writing surfaces of parchment and wax tablets were augmented by a writing medium that was both lasting and cheap enough to be expendable. Writing was transformed from a near monopoly of professional scribes employed by the upper class to a practice ordinary citizens could afford. Personal correspondence, business records, notebooks on all sorts of subjects, creative writing, and much more flourished at social levels where they had previously been excluded by the high cost of parchment. Steven W. May places literary manuscripts and in particular poetic anthologies in this larger scribal context, showing how its innovative features affected both authorship and readership. As this amateur scribal culture developed, the medieval professional culture expanded as well. Classes of documents formerly restricted to parchment often shifted over to paper, while entirely new classes of documents were added to the records of church and state as these institutions took advantage of relatively inexpensive paper. Paper stimulated original composition by making it possible to draft, revise, and rewrite works in this new, affordable medium. Amateur scribes were soon producing an enormous volume of manuscript works of all kinds--works they could afford to circulate in multiple copies. England's ever-increasing literate population developed an informal network that transmitted all kinds of texts from single sheets to book-length documents efficiently throughout the kingdom. The operation of restrictive coteries had little if any role in the mass circulation of manuscripts through this network. However, paper was cheap enough that manuscripts could also be readily disposed of (unlike expensive parchment). More than 90% of the output from this scribal tradition has been lost, a fact that tends to distort our understanding and interpretation of what has survived. May illustrates these conclusions with close analysis of representative manuscripts.

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Una familia de escarabajos peloteros ha llegado al jardín. Trabajan de noche y molestan a los habitantes del jardín. Antoñita tiene la solución al problema.

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A new source for Shakespeare's plays, only recently uncovered, is investigated here with a full edition and facsimile of the text. New sources for Shakespeare do not turn up every day... This is a truly significant one that has not heretofore been studied or published. The list of passages now traced back to this source is impressive. - David Bevington, Professor Emeritus, University of Chicago "A Brief Discourse of Rebellion and Rebels" is the only uniquely existent, unpublished manuscript that can be shown to have been a source for Shakespeare's plays. George North wrote the treatise in 1576 while at Kirtling Hall, the North family estate in Cambridgeshire. His manuscript, newly uncovered by the authors at the British Library, has many implications for our understanding of Shakespeare's plays. for example, not only does it bring clarity to the Fool's mysterious reference to Merlin in King Lear, but also upsets the prevailing opinion that Shakespeare invented the final hours of Jack Cade in 2 Henry VI. Linguistic and thematic correspondences between the North manuscript and Shakespeare's plays make it clear that the playwright borrowed from this document in other plays as well, including Richard III, 3 Henry VI, Henry V, King John, Macbeth, and Coriolanus. The opening chapters of the book investigate such connections; the volume also contains both a transcript and a facsimile of "A Brief Discourse", making this previously unknown document readily available. DENNIS MCCARTHY is an independent scholar; JUNE SCHLUETER is Charles A. Dana Professor Emerita of English at Lafayette College, Easton, Pennsylvania.

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