Search results for ""Author Christo"

Uncovering the hidden love triangle between novelist Elizabeth Bowen and the author's grandparents – the critically acclaimed biography with never-before-seen letters detailing the affair. For readers who were swept up in Laura Cumming’s On Chapel Sands, Daniel Mendelsohn’s An Odyssey and Francesca Wade’s Square Haunting. A death in the family delivers Julia Parry a box of letters. Dusty with age, they reveal a secret love affair between the celebrated novelist Elizabeth Bowen and the academic Humphry House – Julia’s grandfather. So begins a life-changing quest to understand the affair, which had profound repercussions for Julia’s family, not least her grandmother, Madeline. Julia traces these three very different characters through 1930s Oxford and Ireland, Texas, Calcutta in the last days of Empire, and on into World War II. With a supporting cast that includes Isaiah Berlin and Virginia Woolf, The Shadowy Third opens up a world with complex attitudes to love and sex, duty and ambition, and to writing itself.

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Christopher Columbus sailed the seas in search of the perfect trade route - find out how his life and explorations helped to change the world!Discover the stories of people who have helped to shape history, ranging from early explorers such as Christopher Columbus to more modern figures like Tim Berners-Lee, inventor of the World Wide Web.These chapter books combine historical fact with engaging narrative and humourous illustration, perfect for the newly independent reader.

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The First Epistle of John has long been noted for its consistent interchange of Christology and ethics. Kenney's study of this phenomenon is illuminated by an analysis of the historical situation and by a detailed exegesis of the text. The Epistle is best understood as a corrective to the docetic tendencies, both Christological and ethical, of the Gospel of John. It seems to have been written by someone other than the author of the Gospel, yet faithful to his formulations of truth. The Epistle teaches that Christology determines ethics. Those who deny the expiatory death of Jesus are deprived of true spiritual life. Those who affirm this teaching are gifted with regeneration and empowered to grow in the imitation of Christ. The love of God first manifested in Christ is finally fulfilled in one's ethical transformation.

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Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) At around 119 meters, Zoofenster is one of the tallest buildings in Berlin. However, it is not a typical skyscraper, but rather a complexly tiered structure that interacts with its urban surroundings on a number of levels. The complexity of the location and of its function within the city is also reflected in its layout. The ground floor, with its hotel, gastronomy, and storefront usages, is accessible to the public, extending street life into the building. Contrary to the original plans for a glass high-rise building, Zoofenster was revetted with natural stone. The design is in the tradition of the proverbial “Stone Berlin” of prominent new buildings in recent years, which have created powerful contours and sculptural surfaces using natural stone and have given the city center, in particular, a distinctive character. The glass façade at the top of Zoofenster enhances the impact of the building from a distance, especially at night.

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In this revised introduction, an internationally respected scholar explores biblical, historical, and contemporary developments in Christology. The book focuses on the global and contextual diversity of contemporary theology, including views of Christ found in the Global South and North and in the Abrahamic and Asian faith traditions. It is ideal for readers who desire to know how the global Christian community understands the person and work of Jesus Christ. This new edition accounts for the significant developments in theology over the past decade.

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Kai Akagi considers the christological significance of Jesus' role in judgement in the speeches in Acts 10:34-43 and 17:22-31. Reading these speeches as part of the narrative of Luke-Acts with attention to scriptural use and influence, along with extended analysis of judgment figures in Jewish pseudepigraphal and Qumran literature, reveals that the scope of Jesus' judgment and the use of scriptural patterns in the speeches suggest his divine authority by associating him with God's final judgment at the resurrection. At the same time, his judgment identifies him as the appointed human messiah whom the speeches proclaim. While further tracing the contours and characteristics of messianism and mediatorial figures in Judaism contemporary with the beginnings of Christianity and the New Testament texts, this volume integrates study of the speeches in Acts, Lukan theology, early christology, and scriptural use and influence, whether direct and through the shaping of collective cultural knowledge.

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The English historian of culture Christopher Dawson (1889-1970) was an independent scholar and the author of more than twenty books. He served as assistant lecturer in the History of Culture, University College, Exeter (1925), Forwood Lecturer in the Philosophy of Religion, University of Liverpool (1934), Gifford Lecturer at the University of Edinburgh (1947-1949), and as Professor of Catholic Studies at Harvard University (1958-1962). He was elected Fellow of the British Academy in 1943 and edited the Dublin Review during the Second World War. This biography by Christina Scott, Dawson's daughter, is a sensitive portrait of a complex and fascinating scholar.Unlike other English Christian converts of the twentieth century who excelled in literature, like G. K. Chesterton or C. S. Lewis, Dawson turned to the social sciences. He drew from the new idea of culture as a common way of life emerging from anthropology at the time of the Great War to shape a new approach to history. His study of the intimate relationship between religion and culture throughout world history shaped his trenchant criticisms of his own times. He wrote in 1955 that, "the first step in the transformation of culture is a change in the pattern of culture within the mind, for this is the seed out of which there spring new forms of life which ultimately change the social way of life and thus create a new culture." Dawson's engagement with anthropology and the idea of culture marked an important moment of development in the Catholic intellectual tradition.Christina Scott shows that Dawson is best understood as he himself interpretedhis historical subjects—in the context of "the spiritual world in which he lived, the ideas that moved him, and the faith that inspired his action." Dawson was not a historian of ideas for their own sake; he had a passionate belief in their liberating power. A Historian and His World will be of interest to intellectual historians, historians of religion and culture, and students of modern Catholic thought. The Introduction is written by Dawson scholar Joseph T. Stuart and the book is graced by a postscript by Christopher Dawson reflecting upon the meaning of his work.

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Die Problemanforderungen für die Ausgestaltung der Christologie haben sich unter den Bedingungen der Moderne grundlegend verschärft. Der vorliegende Band nimmt sich der durch die Moderne an die Christologie gestellten Problemanforderungen an und lotet Perspektiven für eine konstruktive Weiterführung der christologischen Debatte im Spannungsfeld von historischer Forschung und dogmatischer Rekonstruktion aus.Aus einer Rezension zur 1. Auflage:"Der Band enthält hochinteressante und diskussionswürdige Beiträge, die Vorschläge unterbreiten, wie nämlich der Geltungsanspruch des christlichen Glaubens unter den spezifischen Herausforderungen der Moderne entfaltet werden kann."Gerson Raabe in Nachrichten der Evangelisch-Lutherischen Kirche in Bayern Jg. 65 (8/2010), S. 271

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Dr Christopher Dresser is best remembered for his pioneering advances in design and associated technology. In the new industrial world of the nineteenth century, Dresser was the first designer to understand that machinery was a good servant but a poor master; he made it his business to understand how machines worked. His success gained him credibility. Dresser became a sought-after consultant to several textile manufacturers, most notably Barlow & Jones, Tootal, Warner & Sons, Turnbull & Stockdale, and Wardle, which allowed him to establish the largest design practice in Britain by 1870. Equally, it was his success in promoting textiles at affordable prices that attracted his popular following in the press. Unlike his contemporaries, he was interested in making designs available to everyone. However, Dresser is less celebrated in comparison to other designers of the era, such as William Morris, because Dresser was obliged to abandon this campaign to improve British taste due to an unexplained illness in the early 1880s. At the same time, Morris was expanding his business just as the Arts and Crafts movement was beginning to gain momentum. Despite being the first Victorian to address the decorative needs of all the population, there is a severe lack of appreciation for Dresser's work - whose influence can be found in many textiles that we take for granted today. This book redresses that balance, giving Dresser the monograph he deserves.

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Through the eyes of publishing icon Michael Denneny, this cultural autobiography traces the evolution of the US’s queer community in the three decades post-Stonewall. The Stonewall Riots of 1969 and the AIDS crisis of the 1980s have been captured in minute detail, and rightly memorialized in books, on tv, and in film as pivotal and powerful moments in queer history. Yet what about the moments in between—the tumultuous decade post-Stonewall when the queer community’s vitality and creativity exploded across the country, even as the AIDS crisis emerged? Michael Denneny was there for it all. As a founder and editor of the wildly influential magazine Christopher Street and later as the first openly gay editor at a major publishing house, Denneny critically shaped publishing around gay subjects in the 1970s and beyond. At St. Martin’s Press, he acquired a slew of landmark titles by gay authors—many for his groundbreaking Stonewall Inn Editions—propelling queer voices into the mainstream cultural conversation. On Christopher Street is Denneny’s time machine, going back to that heady period to lay out the unfolding geographies and storylines of gay lives and capturing the raw immediacy of his and his contemporaries’ daily lives as gay people in America. Through forty-one micro-chapters, he uses his journal writings, articles, interviews, and more from the 1970s and ‘80s to illuminate the twists and turns of a period of incomparable cultural ferment. One of the few surviving voices of his generation, Denneny transports us back in time to share those vibrant in-between moments in gay lives—the joy, sorrow, ecstasy, and energy—across three decades of queer history.

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Matthias Reinhard Hoffmann identifies an angelomorphic portrait of Christ in certain passages of Revelation and provides possible reasons for the inclusion of an angelomorphic Christology: Angelomorphic Christology is not regarded as an isolated christological concept. In turn, the author compares angelomorphic Christology with the prominent Lamb Christology of Revelation. A comparison of these concepts reveals that both Lamb and angelomorphic Christology serve the purpose of contrasting different functions of Christ. The functions correspond with the implied perception of Christ by his followers on the one hand and his opponents on the other. Accordingly, Christ appears to be an eschatological juridical figure (described in angelomorphic patterns) to his opposition, while he is perceived as salvific redeemer (in form of the Lamb) by those who believe in him. Such a christological perspective draws on traditions from the Exodus narrative, namely the features of the Passover Lamb and the Destroying Angel. Further, equality between God and Christ is established despite an angelomorphic portrait of Christ: especially those passages describing Christ as the Lamb put him on par with God. But also within visions with an angelomorphic description of Christ, his status as superior to angels and as an equal to God is displayed.

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In November 1929, Christopher Isherwood - determined to become a 'permanent foreigner' - packed a rucksack and two suitcases and left England on a one-way ticket for Berlin. With incredible candour and wit, Isherwood recalls the decadence of Berlin's night scene and his route to sexual liberation. As the Nazis rise to power, Isherwood describes his dramatic struggle to save his partner Heinz from persecution.

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Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society. This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan’s oeuvre, Robbie Goh examines how the director’s postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a ‘reluctant postmodernist’. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.

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The New Testament writings do not offer systematic Christology in the usual sense. In a certain way, however, they present more than just one systematic Christology and tell stories about and develop images of Jesus Christ. This is implicitly the case in texts like Paul's letters or the Book of Revelation. The present volume presents contributions dealing with Christ Stories in various New Testament and some non-canonical Christian texts, and others which raise the question of whether it is possible to describe (from a distinctly Christian perspective) Christ Stories present in Old Testament writings such as Isaiah or the Psalms. Contributions written from the perspective of Orthodox scholars are to be read in dialogue with the articles from Western authors - and vice versa. The book honors two important exegetes, Bishop Dr. Irinej Bulović and Prof. Dr. Ulrich Luz.

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Ann Christopher RA is a non-figurative sculptor who works primarily in cast bronze, stainless steel, silver and fabricated Corten steel; her output comprises both large and small sculptures and site-specific commissions. Christopher's elegant and understated works reveal connections with a vast spectrum of sources from across the globe, such as rock formations in Israel, fossils from the Cretaceous chalks of Hertfordshire, prehistoric standing stones in Avebury and early Aegean figurines. The marks Christopher makes on her works are suggestive both of natural processes, such as weathering, and the forms and tools of mechanised industry. Christopher has been exhibiting sculpture for over 45 years. During that period she has won many awards and prizes, including the Silver Medal for Sculpture of Outstanding Merit by the Royal Society of British Sculptors and the Otto Beit Medal of Sculpture of Outstanding Merit. She is a fellow of the Royal Society of British Sculptors and was elected a Royal Academician in 1989. She lives and works near Bath.

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This publication accompanied a 2018 exhibition by the British painter and printmaker Christopher Le Brun. The body of work explored here develops his long-standing interest in the ‘double’ – conceptual and embodied duality. The arresting diptychs and single paintings provide a direct continuation of his series of prints Composer (2017), which explores the musical form of distinct yet related movements and the essentially layered structure of both painting and music. Working directly on the woodcut proofs, these new oil paintings extend Le Brun’s lifelong preoccupation with colour – in his words, ‘experiencing rather than seeing a property of the world we delight in for itself’ – and represent radical experiments in the juxtaposition of colour, tone, transparency and form. The book features an essay by exhibition curator Anna Dempster exploring dualities across a number of disciplines.

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The first fully illustrated account of the life and work of English painter Christopher Wood (1901-30), this authoritative work, which includes over 150 images, provides extensive visual analysis of individual paintings, set designs and drawings created by Wood in both Britain and France so bringing fresh perspective to his unique artistic development on both sides of the Channel.Wood's short career drew on a multitude of influences, all of which contributed to the development of his faux-naive style. His oscillation between diverse artistic reference points is borne out in Katy Norris' fascinating narrative that analyses Wood's engagement with the Parisian avant-garde on the one hand, and the attraction of the simpler life he encountered in Cornwall, Cumbria and Brittany on the other. The emotional turmoil of his final years underlines the tensions between the two worlds that Wood inhabited and which he was ultimately was unable to reconcile.Filling a surprising gap in the published literature about this early 20th-century painter, Christopher Wood will appeal to readers who are yet to encounter Wood's work, as well as collectors and enthusiasts.

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This book offers a comprehensive and accessible introduction to all of the plays of Christopher Marlowe. Marlowe is a playwright whose work taps into the central concerns of his age, many of which are still important to us - religious uncertainty, the clash between Islam and Christianity, the discovery of America, ideas of sexuality and gender identity, and the role of the marginalised inidividual in society. The book contains six chapters, each on a specific aspect of Marlowe's work and its cultural contexts: Marlowe's life and death; the Marlowe canon; the theatrical contexts and stage history of the plays; Marlowe's distinctive interest in old and new branches of knowledge; the ways in which he transgresses against established norms and values; and the major issues which have been raised in critical discussions of his plays. Each chapter allows students to see the significance, scope and distinctive contribution made by Marlowe in all his plays, and his place in the development of Renaissance drama. Key Features *Covers all of Marlowe's plays, including Tamburlaine the Great, Doctor Faustus, Edward II and The Jew of Malta *Emphasises how daring Marlowe's ideas were at the time as well as their relevance to readers today *Covers the theatrical contexts of Marlowe's plays and their performance history *Reassesses Marlowe's achievement as well as his relationship to Shakespeare

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Acknowledged as one of the leading contemporary Catholic Christologists, Thomas G. Weinandy has collected in one volume his most important contributions to our understanding of Jesus as the incarnate Son of God and Saviour of the world. In four distinct sections he examines some of the biblical revelation concerning Jesus, historical and systematic issues in Christology, contemporary Christological questions and concerns, and the importance of Jesus within our Christian life.These essays manifest Weinandy's considerable biblical knowledge, extensive understanding of the historical and doctrinal Christological tradition, judicious discernment of current Christological debates, and fresh, innovative analysis of today's pressing Christological concerns. All of this is achieved within, and so advances, the beauty and truth of the Catholic faith. Jesus: Essays in Christology confirms Weinandy's prominent place in the Catholic academic community.

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In uncovering the origin of the designation 'University Wits', Bob Logan examines the characteristics of the Wits and their influence on the course of Elizabethan drama. For the first time, Christopher Marlowe is placed in the context of the six University Wits, where his reputation stands out as the most prominent, and the impact of his university education on his works is clarified. The essays selected for reprinting assess the most significant scholarship written about Marlowe, including biographical studies, challenges to familiar assumptions about the poet/playwright and his works, compositions on groupings of his works, on individual works, and on subjects particular to Marlowe. Unique in its perspective and in the collection of essays, this book will interest all students and scholars of Renaissance poetry, drama, and specialized cultural contexts.

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In this exciting new WHO WAS...? Biography, children will learn of Christopher Columbus' early life at sea, which led him to seek fortune by sailing west in hopes of creating new trade routes with the Indies. Readers will learn why he called himself the "Great Admiral of the Seas" and learn of his struggles to find financial support for his voyage. The book includes over 80 black and white illustrations.

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Ein kurzer Forschungsüberblick leitet Hanna Stettlers eingehende Analyse aller christologisch relevanten Passagen der Pastoralbriefe ein. Im Verlauf ihrer Studien entdeckt sie, daß der Verfasser dieser Passagen keineswegs wahl- und planlos Überlieferungen tradiert. Vielmehr ist in ihm ein Lehrer der Gemeinde zu erkennen, der das von Paulus überkommene Erbe gerade dadurch bewahrt, daß er es in der Sprache seiner Zeit neu formuliert. Dabei ist er - ein hellenistischer Judenchrist - in der Lage, eine Brücke zwischen alttestamentlich-jüdischem und hiervon geprägtem christlichem Denken einerseits und hellenistischem Denken andererseits zu schlagen. Durch die Aufnahme synoptischer und johanneischer Überlieferung gelingt es ihm, den Reichtum christologischer Überlieferung zusammenzufassen und der Gemeinde in gut tradierbaren Formen weiterzugeben.Hanna Stettler erarbeitet eine zusammenfassende Sicht von der Intention, Arbeitsweise und den Quellen des Verfassers der Pastoralbriefe. Sie bestimmt inhaltlich präzise die Christologie der Briefe, die unter Zuhilfenahme des Schemas der doppelten Epiphanie Christi eine Präexistenz- und Inkarnationschristologie bieten. Jesus Christus wird ganz an die Seite Gottes gestellt und als der präexistente, von Gott in die Welt gesandte Retter aller Menschen verstanden, zwischen dessen erster und zweiter Epiphanie sich die Gemeinde bewegt.

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From Memento and Insomnia to the Batman films, The Prestige, and Inception, lies play a central role in every Christopher Nolan film. Characters in the films constantly find themselves deceived by others and are often caught up in a vast web of deceit that transcends any individual lies. The formal structure of a typical Nolan film deceives spectators about the events that occur and the motivations of the characters. While Nolan’s films do not abandon the idea of truth altogether, they show us how truth must emerge out of the lie if it is not to lead us entirely astray.The Fictional Christopher Nolan discovers in Nolan’s films an exploration of the role that fiction plays in leading to truth. Through close readings of all the films through Inception, Todd McGowan demonstrates that the fiction or the lie comes before the truth, and this priority forces us to reassess our ways of thinking about the nature of truth. Indeed, McGowan argues that Nolan’s films reveal the ethical and political importance of creating fictions and even of lying. While other filmmakers have tried to discover truth through the cinema, Nolan is the first filmmaker to devote himself entirely to the fictionality of the medium, and McGowan discloses how Nolan uses its tendency to deceive as the basis for a new kind of philosophical filmmaking. He shows how Nolan’s insistence on the priority of the fiction aligns his films with Hegel’s philosophy and understands Nolan as a thoroughly Hegelian filmmaker.

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