Search results for ""le th"

In Creating Community-Led and Self-Build Homes, Martin Field explores the ways in which people and communities across the UK have been striving to create the homes and neighbourhood communities they want. Giving context to contemporary practices in the UK, the book examines ‘self-build housing’ and ‘community-led housing’, discussing the commonalities and distinctions between these in practice, and what could be learned from other initiatives across Europe. Individual methods and models of local practice are explored - including cohousing, cooperatives, community land trusts, empty homes and other intentional communities - and an examination is made of what has constrained such initiatives to date and how future policies and practice might be shaped.

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Nicky Cruz is known by millions through Run Baby Run, the dramatic book and film of his early life, which told of his transformation from New York's most feared gang leader into one of the world's most famous and effective evangelists.Soul Obsession presents a fascinating new insight into the Nicky Cruz of today. It tells stories of his family background and the people and experiences that have fundamentally shaped his faith and thinking, and explains how and why he is still totally devoted to God's calling.Nicky then asks whether YOU have what it takes to make a difference. Having a Soul Obsession requires: PASSION, for Jesus; MERCY, to see people through Jesus' eyes; and VISION, to know the purpose God has for your life.Soul Obsession is packed with miracles, passion, challenge and drama. It will excite and inspire all with a heart for Spirit-led evangelism.

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** THE NEW YORK TIMES BESTSELLER** The never-before-told, inside story of the Steele Dossier and the Trump-Russia investigation'The best procedural yet written about the discovery of Trump's Russia ties' New York TimesThe founders of the Washington-based intelligence firm Fusion GPS Glenn Simpson and Peter Fritsch were the first to uncover Trump's disturbing ties to the Kremlin and the crimes that have since plagued his presidency. Working with British former MI6 agent and Russia expert Christopher Steele, they produced the notorious dossier which disclosed that the Trump team was deeply compromised by a hostile foreign power bent on disrupting the West and influencing the US presidential election.In Crime in Progress, the authors chronicle their high-stakes investigation and desperate efforts to warn both the American and British governments, the FBI and the media - no matter the cost. When the dossier finally exploded onto the world stage after a leak, it led to the Mueller report and disrupted Trump's secret planned rapprochement with Putin's Russia. After years on his trail, the authors' inescapable conclusion is that Trump is an asset of the Russian government, whether he knows it or not.A real-life political thriller with the makings of a modern classic, Crime in Progress is the definitive story of the pursuit of the truth about Trump and one of the greatest betrayals in American history.'I've read all the books on this subject - this is the one you want to read . . . I feel fairly steeped in this matter and I learned something on every page' Rachel Maddow, MSNBC'You don't need to read John le Carré or Tom Clancy to find espionage thrills in Washington these days, turn over any stone in the Beltway's secret world and you'll observe the seething mass of conspiracy and subterfuge beneath . . . Take Glenn Simpson and Peter Fritsch, who have become central characters in a quite terrifying international spy thriller' Josh Glancy, Sunday Times

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Winner, Canadian Museums Association Award for Outstanding Achievement (Research) and APMA Best Atlantic-Published Book AwardLonglisted, First Nation Communities READ AwardThe story of an overlooked group of cultural visionariesThe “Micmac Indian Craftsmen” of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions — including at Expo 67 — and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain.Primarily self-taught and deeply rooted in their community, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent.By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this groundbreaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art.Wla atukuaqn na ujit ta'nik mu ewi'tamuki'k tetuji kelulkɨpp ta'n teli amaliteka'tijik Wla “Mi'kmewaqq L'nue'k amaliteka'tijik” tlo'ltijik Elsipogtog (amskweseweyekk i'tlui'tasikɨpp Big Cove) poqji wuli nenupnikk wla amaliteka'tijik 1960ekk. Je wekaw wutlukowaqnmuwow ika'tasikɨpp wikatikniktuk aqq ne'yo'tasikɨpp ta'n pukwelk ta'n wen nmitew — je wekaw Expo 67 — aqq ta'n koqoey kisi napui'kmi'tipp tampasɨk koqoey eweketu'tij stike' l'taqnewi'kasik, napui'kn misekn, wi'katikne'ji'jk, meko'tikl kuntal, kaqapitkl l'taqa'teke'l, aqq wekaw akalasie'we'k eptaqnk. Nekmow na kekina'masultijik aqq melki knukwi'tij ta'n tett telayawultijik, nekmow na amskewsewa'jewaqq l'nu'k tel nenujik ujit ta'n teli amaliteka'tijik ujit Atlantic Canada. Pema'lkwi'titl a'tukuaqnn ta'n sa'qewe'l, ta'n wejiaqel a'tukuaqnn Wabanaki, l'tu'tipp kaqasi milamu'k koqowey toqo eweketu'titl wutpitnual tetuji moqɨtekl, ma'muntekl, aqq weltekl.Wekaw 1966ekk, kpno'l pun apoqnmuapni wla amaliteka'tikete'jɨk jel kaqnma'tijik ta'n koqoey nuta'tipp, amuj pana pun lukutipnikk, aqq tel awantasuwalutki'k. Nike', amskwesewey, wla a'tukuaqn tetuji msɨki'kɨpp wla wut lukewaqnmuwow etel kaqi a'tukwasikk. Wije'tew meski'k neya'tmk Beaverbrook Art Gallery pana'siktetew 2022al, Wabanaki Modern na pema'toql wikikaqnn ujit ta'n pemiaqɨpp wla tetuji wulamu'kɨpp kisitaqnne'l telukutijik, maskutekl sa'qewe'l napuikasikl toqo nemu'jik etl-lukutijik wla lukewinu'k, aqq sikte wultek aqq welamu'k ta'n koqoey kisitu'tij.L'histoire d'un groupe de visionnaires culturels ignorésUn groupe d'artisans mi'kmaw d'Elsipogtog (autrefois Big Cove) au Nouveau-Brunswick se fit connaître à travers le Canada au début des années 1960. À l'apogée de leur renommée, les Micmac Indian Craftsmen firent l'objet d'articles dans des publications d'un océan à l'autre. Leur travail figura dans des livres et des expositions — dont Expo 67 à Montréal — et leurs œuvres graphiques furent reproduites sous forme de gravures et de sérigraphies, et elles ornèrent de la papeterie, des bijoux, des tapisseries et même de la porcelaine anglaise.En grande partie autodidactes et solidement enracinés dans leur communauté, les Micmac Indian Craftsmen furent parmi les premiers artistes autochtones modernes au Canada atlantique. En s'inspirant de récits traditionnels wabanakis, ils fabriquaient à la main une gamme variée d'objets raffinés, évocateurs et porteurs d'un sens profond.En 1966, toutefois, le gouvernement retira son soutien. Les Craftsmen perdirent leur financement, la production cessa peu après et leur œuvre finit par être oubliée. Une nouvelle publication relate maintenant, pour la première fois, l'histoire complète de cette coopérative innovatrice et de ses réalisations. Publié dans le cadre d'une grande exposition qui a lieu à la Galerie d'art Beaverbrook en 2022, Wabanaki Moderne comprend des textes sur l'histoire de cet atelier dynamique, des photographies d'archives des artisans et de superbes illustrations couleur de leurs œuvres.

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Dedicated to that ominous strain of horror that sends a shiver down your spine, this selection of masterful tales gathers the weird and wonderful from a rich tradition of genre writing. The sound of a sinister tread in an apparently abandoned house; mysterious crimes committed in the dead of night; a glimpse of a monstrous apparition through the murky gloom: all find their home here. This latest anthology in the popular series of Gothic Fantasy collections features new stories by contemporary authors alongside classic tales by E.T.A. Hoffmann, Robert Louis Stevenson, Edith Nesbit, Sheridan Le Fanu, Edith Wharton, M.R. James and more. The modern writers included are: Ramsey Campbell, P.G. Galalis, Kevin J.J. Gallivan, Ali Habashi, Maria Haskins, S.R. Masters, Damien Mckeating, John Moralee, Aeryn Rudel, David Schmidt, Cody Schroeder, Shana Scott, Anna Taborska, D.A. Watson, Nemma Wollenfang, and Anna Ziegelhof.

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Foreword by His Royal Highness Charles, Prince of Wales Hospital ships filled the harbour of Le Havre as the 75th Mississauga Battalion arrived on 13 August 1916. Those soldiers who survived would spend almost three years in a tiny corner of northeastern France and northwestern Belgium (Flanders), where many of their comrades still lie. And they would serve in many of the most horrific battles of that long, bloody conflict - Saint Eloi, the Somme, Arras, Vimy, Hill 70, Lens, Passchendaele, Amiens, Drocourt-Quéant, Canal du Nord, Cambrai, and Valenciennes. This book tells the story of the 75th Battalion (later the Toronto Scottish Regiment) and the five thousand men who formed it - most from Toronto - from all walks of life. They included professionals, university graduates, white- and blue-collar workers, labourers, and the unemployed, some illiterate. They left a comfortable existence in the prosperous, strongly pro-British provincial capital for life in the trenches of France and Flanders. Tommy Church, mayor of Toronto from 1915 to 1921, sought to include his city's name in the unit's name because of the many city officials and local residents who served in it. Three years later Church accepted the 75th's now heavily emblazoned colours for safekeeping at City Hall from Lieutenant-Colonel Colin Harbottle, who returned with his bloodied but successful survivors. The author pulls no punches in recounting their labours, triumphs, and travails. Timothy J. Stewart undertook exhaustive research for this first-ever history of the 75th, drawing from archival sources (focusing on critical decisions by Brigadier Victor Oldum, General Officer Commanding 11th Brigade), diaries, letters, newspaper accounts, and interviews.

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What do you do when a bug just won’t buzz off?! A beautiful new picture book about sticking up for your friends, from the author/illustrator of Marshall Armstrong is New to Our School. When a little bug looks for safety on a little girl’s arm and won’t let go, she moves from annoyance to affection in this stylishly atmospheric and quietly unforgettable tale from the author of ‘Marshall Armstrong is New to Our School’ and ‘The Frank Show’. A modern-day fable about being a friend and the contentment that can come your way when you choose to be kind makes this an important book for today’s new generation. Perfect anyone who’s ever needed a friend, and for boys and girls ages four and up.

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Postmodern realist fiction uses realism-disrupting literary techniques to make interventions into the real social conditions of our time. It seeks to capture the complex, fragmented nature of contemporary experience while addressing crucial issues like income inequality, immigration, the climate crisis, terrorism, ever-changing technologies, shifting racial, sex and gender roles, and the rise of new forms of authoritarianism. A lucid, comprehensive introduction to the genre as well as to a wide variety of voices, this book discusses more than forty writers from a diverse range of backgrounds, and over several decades, with special attention to 21st-century novels. Writers covered include: Kathy Acker, Chimamanda Ngozi Adiche, Julia Alvarez, Sherman Alexie, Gloria Anzaldua, Margaret Atwood, Toni Cade Bambara, A.S. Byatt, Octavia Butler, Angela Carter, Ana Castillo, Don DeLillo, Junot Diaz, Jennifer Egan, Awaeki Emezi, Mohsin Hamid, Jessica Hagedorn, Maxine Hong Kingston, Ursula K. Le Guin, Daisy Johnson, Bharati Mukherjee, Toni Morrison, Vladimir Nabokov, Tommy Orange, Ruth Ozeki, Ishmael Reed, Eden Robinson, Salman Rushdie, Jean Rhys, Leslie Marmon Silko, Art Spiegelman, Kurt Vonnegut, and Jeannette Winterson, among others.

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MinaLima, the award-winning design studio behind the graphics for the Harry Potter film franchise and the creators of the illustrated Jungle Book and Peter Pan, reimagine the beloved French fairy tale The Beauty and the Beast in this deluxe unabridged edition illustrated with stunning full-color artwork and nine 3-D interactive features-published to coincide with the release of the blockbuster Disney live-action musical film starring Emma Watson, Ian McKellen, Josh Gad, Ewan McGregor, and Emma Thompson. Generations of readers have been bewitched by the epic love story of a beautiful young girl imprisoned in the magical castle of a monstrous beast. Now, the classic fairy tale is brought to life in this spectacular illustrated edition as originally envisioned by Gabrielle-Suzanne Barbot de Villeneuve in 1740. The Beauty and the Beast is packed with specially commissioned, full-color artwork and nine exclusive interactive features, including: * a fold-out map of the rich French city where the Merchant (Beauty's father) and his family reside;* a fold out that reveals the interior of the Beast's enchanted palace;* a series of flaps (similar to an Advent calendar) that open to reveal different entertainments; available to Beauty in the Beast's palace;* a dial of the ring Beauty turns on her finger to return to the Beast. This unique gift edition takes readers on a captivating journey through a mystical land filled with enchanting inhabitants. MiniLima's imaginative artwork, exquisite detail, and engaging design recreate this timeless romantic adventure as never before in a lush unabridged gift edition sure to be cherished for years to come. Disney's live-action movie musical version of Beauty and the Beast, directed by Bill Condon (Twilight: Breaking Dawn, Dreamgirls), stars Harry Potter alumna Emma Watson as Belle, Dan Stevens as the Beast, Ewan McGregor as Lumiere, Luke Evans as Gaston, Emma Thompson as Mrs. Potts, Ian McKellen as Cogsworth, Josh Gad as Le Fou, Kevin Kline as Maurice, Stanley Tucci as Cadenza, and Audra McDonald as Garderobe.

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The Mediterranean is surrounded by three continents – Europe, Africa and Asia – and even though the cultures around this sea are highly diverse, they harmoniously share a pleasant climate, distinctive flora and fauna, and not least the intense blue of the water. Angelika Taschen set out in search of the most beautiful hotels on a great variety of coasts, islands and beaches, taking you on a journey to the luxurious Hotel du Cap-Eden-Roc and the ultra-chic Les Roches Rouges on the Côte d’Azur, to the little-known Pardini’s Hermitage on the Italian island of Giglio, which is only accessible by boat or on foot, and to Bodrum in Turkey, where the elegant Amanruya resort lies hidden in one of the most stunning bays in the Mediterranean. She also presents new hotel concepts, great architecture and creative design – such as the finca Menorca Experimental on the Balearic Islands, the modernist Villa Dubrovnik in Croatia and Dexamenes on the Peloponnese, where new life was breathed into decommissioned wine tanks. Further highlights are the brand-new, stylishly designed Mezzatorre on Ischia and the Torre di Cala Piccola with its enchanting private beach on the Argentario peninsula in Tuscany, an almost unknown location that possesses the aura of 1960s Italy. Another gem is La Locanda del Barbablù, with just five rooms in the shadow of the mythical volcano on Stromboli. Look forward to staying at the Nord-Pinus in Tangier with its fantastic view of the Strait of Gibraltar, and the charming Coco-Mat Eco Residences on Serifos, or experiencing the originality of Ammos on Crete, where the art and design are as essential as the sun and the beach.

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‘Living with the idea of bearing a death-force fundamentally directed at oneself is hardly easy to admit. It is less so in any case than the idea that we are all murderers, that we are ever ready to plead legitimate defence or the need to survive so as to strike out at another.’ André Green, from the Foreword What drives men to kill and self-destruct? On the Death and Destruction Drives traces the introduction and development of the controversial concept of the “death drive”, from the work of Freud (1920–1938) to the main contributions of classical and post-Freudian authors, including Ferenczi, Klein, Bion, Winnicott, and Lacan. Shedding light on non-neurotic phenomena and structures, such as anorexia, bulimia, depression, suicide, criminal behaviour, André Green offers a new perspective on the relationship between the life drive (Eros) and the death drive (Thanatos). André Green was a key figure in contemporary psychoanalysis, who embraced philosophy and an international outlook to enhance psychoanalytic theory. This book was one of his last works, originally published in French as Pourquoi les pulsions de destruction ou de mort? in 2012. Green’s defence of one of Freud’s most daring revisions of his drive theory remains relevant to psychoanalytic work today, and it is an honour to bring this excellent translation to the English-speaking world. To enhance its worth, the book includes an introduction from translator Steven Jaron to clarify certain technical terms and situate the book within Green’s oeuvre. This book is an important contribution to the development of psychoanalytic theory and essential reading for all trainee and practising psychoanalysts.

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Text in English & German. If laziness is the mother of all inventions, then the car is its masterpiece. The earliest means of locomotion was walking, followed by riding on horses or camels; finally, with the invention of the wheel, came the ability to use carriages, which not only made locomotion far more comfortable but also brought the transportation of goods to a whole new level. However, it then took millennia for carriages to go from being propelled by horses or oxen to engines, initially steam-driven, then propelled by internal combustion engines and early experiments with electric propulsion. Cars were initially the result of pure craftsmanship, and as passenger cars were based on the concept of the carriage. The assembly line had not entirely abandoned the carriage look, but already showed a typical automobile profile: equal-sized wheels, engine bonnet, passenger compartment. The predominant body colour of cars manufactured between 1910 and 1930 was black, while all makes of car had an almost uniform appearance. As manufacturers moved away from metal-panelled wooden frames to an all-steel design, they hesitantly ventured to adopt new forms. Improved undercarriages and higher engine performance were initially limited by air resistance, which above a speed of 60 kilometres per hour is the strongest of all driving resistances. This led to the development of new body shapes that offer less resistance to the airstream. Engineers still determined the form of the car, sometimes even achieving formal elegance. It was only rarely that members of other professions, such as the architects Le Corbusier or Walter Gropius, were commissioned to design a car. Between the two World Wars North America had the worlds largest fleet of cars; this also meant that their design became an increasingly important sales factor. Professsional automobile design was established. As they continued to develop technically, cars in the 1950s moved further and further away from the physically logical form of a moving body. One of the last and most outstanding examples of a form with optimum resistance to the airstream is the Citroën ID/DS of 1955. Others, indeed almost all, opted for the pure symbolism of speed and power, whose most important ingredients were tail fins and chrome. Today, with a global annual production of close to 100 million passenger cars, automotive style has come to be represented by a wide range of almost every imaginable form. Architect Hans-Ulrich von Mende has worked with partners in an independent practice since 1990. For 50 years his writings and drawings on automotive design have appeared in books, trade journals (mot, autobild) and the daily press (Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung).

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The growth of Blockchain technology presents a number of legal questions for lawyers, regulators and industry participants alike. This book identifies the legal challenges posed by cryptocurrencies, smart contracts and other applications of Blockchain, questioning whether these challenges can be addressed within the current legal system, or whether significant changes are required.Chapters assess how Blockchain's many applications will affect different areas of law, including contract, criminal, financial and private international law. Contributors analyse how these fields of law may need to adapt to accommodate Blockchain technology, proposing possible solutions and ways forward. Several chapters are based on the Swiss legal framework as it allows market participants the widest freedom to operate in Blockchains and cryptocurrencies. Overall, this illuminating work highlights the importance of creating a regulatory structure that will allow Blockchain technologies to develop, whilst also ensuring they are not abused. The conclusions of this book are however quite reassuring, with contributing authors suggesting that although disruptive, the challenges brought about by the 'Blockchain revolution' can, for the most part, be effectively addressed within the law as we know it.This book will be a valuable resource for practising lawyers and academic researchers who are interested in understanding more about how legal and regulatory systems will be affected by the implementation of Blockchain technologies.Contributors include: A. Alberini, V. Botteron, C. Boulay, N. Capus, B. Carron, P. Delimatsis, F. Guillaume, O. Hari, B. Homsy, D. Kraus, M. Le Boudec, V. Mignon, T. Obrist, V. Pfammatter, R.A. Pfister, V. Salomon, P. Witzig

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Robert le Page flew with the Fleet Air Arm from 1940 to 1945, mostly in 816 Squadron flying carrier-based Fairey Swordfish. He saw action mine-laying off Cherbourg, hunting U-boats, escorting convoys in North Atlantic and in the Arctic seas and covering D-Day. Much of his early war years were aboard HMS Dasher and he was lucky to be ashore when the carrier mysteriously blew and sank in the Clyde. This decimated 816 Squadron which was eventually re-equipped and then worked up to operational readiness to fly from HMS Tracker. His story is full of insights into wartime naval flying. When they were tasked with finding and attacking German E Boats they found that in a headwind these powerful boats could outdistance the 'Stringbag'. They devised a plan which was to glide as quietly as possible on their approach to the quarry and power up the engine only seconds before they attacked - however they never managed to sink one. Once when landing in rough weather his aircraft was waved to go round again. With throttle wide open the Swordfish struggled back into the air, but alas the tailhook snagged the top wire of the barrier protecting other parked aircraft. The author remembered staring down from the stalling aircraft to see a terror stricken fitter gazing up at him. Fortunately all survived.

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In light of the tremendous growth of frugal product and process innovations in both emerging markets and economies in the Global North, this book offers a clear understanding of this new direction of technological change within a Schumpeterian analytical framework. Characterising frugal innovation as a new technological paradigm, it illuminates the relationship between frugality and sustainability.Using important case studies from around the globe, Christian Le Bas explores the key characteristics of frugal innovations: products with fewer artefacts, decreasing technological complexity and design simplification. Chapters systematically synthesise economic knowledge on the topic, mapping the environmentally positive consequences of frugal innovation and identifying the crucial socio-economic and ecological contemporary issues that frugal innovation can help resolve.Concise and timely, this book will be a useful resource for economics and management scholars and students. The tools for understanding the nature and scope of frugal innovation, as well as insights on sustainable innovation, also make this an important read for managers, decision-makers and stakeholders.

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The hardback of this first and authorised biography received very good reviews and immediately reprinted. It tells the story of one of the heroines of post-war British comedy, on radio, film and TV. Hattie Jacques is known as the billowing, imposing Matron in the Carry On films, as the star of such BBC radio classics as ITMA, Educating Archie and Hancock’ s Half Hour, and as the fictional sister of Eric Sykes in his long-running TV sitcom. But the formidable, frumpy galleon-in-full-sail screen persona could not have been more at odds with the real-life woman, as this biography reveals for the first time. She had a tempestuous wartime affair with an American officer, and then a strange marriage to the actor John le Mesurier (Corporal Wilson in Dad’ s Army) whose dissatisfactions she circumnavigated by moving her lover, a flashy Cockney car dealer, into the matrimonial home. But as well as being warm and sexy and generous she was also, owing to her lifelong struggle with her weight, needy and melancholic, and rueful that her size persistently typecast her and excluded her from many roles. This biography has been written with full co-operation from Hattie’ s son, and show business friends like Barbara Windsor, Clive Dunn, Galton and Simpson and Ian Carmichael.

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Iconic cars such as the 356's and the immortal 911's, extraordinary success stories in the classic endurance races, great champions and remarkable engineers. These are the principal ingredients of Porsche. The Golden Years, a book examining the full history of the legendary Stuttgart firm, with spectacular and previously unpublished images by the photographer Franco Villani. The Porsche 356 with both closed and open bodywork was the model that in 1948 officially inaugurated the catalogue of the celebrated Stuttgart firm. In that difficult period of reconstruction the Dr. Ferdinand Porsche, artificer of the car and founder of the marque, was already an undisputed authority in the automotive field for having designed the Volkswagen Beetle, the people's car. The Porsche 356's were "legitimate offspring" of the Beetle and soon found favour with the public: they were sporting cars that were easy to use in everyday life. This is the true Porsche "DNA", confirmed with the launch of the 901, or rather the 911 that first saw the light of day in 1963, a model that soon became a planetary success story, a car capable of traversing the decades while maintaining intact its appeal. The Porsche name also evokes the innumerable victories obtained in legendary endurance races such as the Le Mans 24 Hours and the Targa Florio, in the World Rally Championship and in the great African raids such as the Paris-Dakar, as well as in Formula 1 as an engine supplier to McLaren in the early `80s.

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The Victorians excelled at telling ghost stories. In an age of rapid scientific progress the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of them still retain their original power to surprise and unsettle. The editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection also emphasizes the key role played by women writers - Elizabeth Gaskell, Mrs Craik, Rhoda Broughton, and Charlotte Riddell, among many others - and offers one or two genuine rarities for the supernatural fiction enthusiast to savour. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. The editors also provide a fascinating introduction, detailed source notes, and a chronological list of ghost stories collections from 1850 to 1910.

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Without Nancy Tennant, Humphrey Waterfield's exquisite horticultural creations might never have existed. The two of them were life-long partners and together created 'the most beautiful small garden in England' at Hill Pasture in Essex and collaborated on the restoration of the gardens at Le Clos du Peyronnet, Menton, France. It was Nancy who kept Hill Pasture going during the Second World War, and this garden and subsequently Le Clos became their earthly paradise, publicly acclaimed works of art and a consolation for the loss and trauma of their pasts. The gardens were a smokescreen for their deepest feelings, but one day, the smoke would begin to clear and the truth of who and how they really loved would be plain to see. It wasn't what it appeared to be, at all. This challenging love story of paradise lost, found and lost again is set against the backdrop of the 20th century, the traumas of two world wars, polarised British politics, the changing position of women in society, and the transformative power of nature's beauty on the human heart.

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Essays discussing the concept of globalisation as present in works of art and literature. Like Freud's `civilisation', globalisation is both cause and consequence of its own discontents, visible at times only in the resistances it generates. Study of the phenomenon has until recently been confined largely to economists and political and social scientists. The present volume brings a range of literary and cultural analyses to bear to demonstrate both its actual time-depth and the all-encompassing nature of its influences on culture and consciousness. The English language and English literature have been major elements in its forging, underwriting first British and then American cultural hegemony. Unlike most readings of globalisation, these essays depict notan irresistible juggernaut but a process that, in generating its own resistances, opens up the possibility of an alternative world order founded not on the inequities of power and capital, but on shared commitment to a fragile planet and a common and universal culture. Ranging from Homer to Michael Crichton, Shakespeare to Suleyman Al-Bassam, John Donne to Les Murray, John Keats to Derek Walcott, Conrad, Gissing and Edward Lear to V. S. Naipauland Salman Rushdie, and addressing, among many others, writers as diverse as Paul Valéry and Edouard Glissant, Gertrude Stein and Wallace Stevens, George Orwell, Martha Gellhorn and Storm Jameson, Eliot, Yeats and Auden, Seamus Heaney and Paul Muldoon, these essays explore a remarkable range of responses to the process of globalisation from earliest times to the present day. Contributors: STAN SMITH, GRAHAM HOLDERNESS, BRYAN LOUGHREY, JENNIFER BIRKETT, PHYLLIS LASSNER, SHARON OUDITT, TONY SHARPE, EDWARD LARRISSY, MICHAEL MURPHY, LIAM CONNELL

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The celebrated author offers her thoughts on a broad range of subjects, including literary criticism, the state of science fiction writing today, and government and governmental policies.

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The Magickal Herb Oracle brings the precious secrets and ancient wisdoms of herbs for you to explore while immersing your soul, body and spirit in real nature magick. You will learn how to create powerful magick and rituals for everyday purposes, or you can consult the herbs within this deck to construct traditional oracle readings that will help you find divine answers, support and guidance. Thirty-six of the world’s most loved herbs, meticulously researched for their magickal, botanical, traditional and oracle uses by botanical expert and artist Cheralyn Darcey, are brought to you in stunningly beautiful botanical collages by artist Deer Dandy (Céline Le Nezet).

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Set largely in locations near the French Riviera, these eleven short stories depict the harsh realities of life for the less-privileged inhabitants of this very privileged region. Distinguished French writer J. M. G. Le Clézio lends his voice to the dispossessed and explores his familiar themes of alienation, immigration, poverty, violence, indifference, the loss of beauty, and the betrayal of innocence.In one story an adolescent girl encounters the violence of a gang of masked bikers in a hostile and desolate housing project. In others a man stands by helplessly as a place of great beauty and deep childhood memory is slowly consumed and destroyed by a quickly developing city, an illegal immigrant desperate for work finds himself the prisoner of a ring trafficking in human beings, and two girls risk everything by running away from home and their dead-end factory jobs in search of a more meaningful life. At once tragic and evocative, these engrossing and beautifully crafted stories touch upon the loss of human values in a rapidly changing world.

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In Roland Barthes's eyes, Philippe Sollers embodied the figure of the contemporary writer forever seeking something new. Thirty-six years after Barthes produced his study Sollers Writer, Sollers has written a book on the man who was his friend and who shared with him a total faith in literature as a force of invention and discovery, as a resource and an encyclopaedia.They met regularly, exchanged many letters and fought many battles together, against every kind of academicism, every political and ideological regression. Barthes shed light on Sollers's work in a series of articles that are still of great relevance today. Sollers, in turn, assumed the role of Barthes's publisher at Le Seuil from the publication of his Critical Essays in 1964, and was left deeply shocked and saddened by Barthes's death in 1980. In short, they were very close to each other, despite their differences, and Sollers expresses here what this meant at the time and what it continues to represent, highlighting the themes that sustained their friendship.The book also contains some thirty letters from Barthes to Sollers, completing our image of one of the most extraordinary partnerships in French literary life.

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This book presents how Building Information Modeling (BIM) and the use of shared representation of built assets facilitate design, construction and operation processes (ISO 19650). The modeling of public works data disrupts the art of construction. Written by both academics and engineers who are heavily involved in the French research project Modélisation des INformations INteropérables pour les INfrastructues Durables (MINnD) as well as in international standardization projects, this book presents the challenges of BIM from theoretical and practical perspectives. It provides knowledge for evolving in an ecosystem of federated models and common data environments, which are the basis of the platforms and data spaces. BIM makes it possible to handle interoperability very concretely, using open standards, which lead to openBIM. The use of a platform allows for the merging of business software and for approaches such as a Geographic Information System (GIS) to be added to the processes. In organizations, BIM meets the life cycles of structures and circular economy. It is not only a technique that reshapes cooperation and trades around a digital twin but can also disrupt organizations and business models.

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Coinciding with the 75th anniversary of the signing of the United Nations charter, this visually driven book tells the story of the special relationship between the UN and New York City through the interrelated lenses of architecture, real estate, and urban planning. It is fully illustrated with rare archival photographs and architectural drawings, as well as newly commissioned photographs. The book also includes written contributions from UN-affiliated individuals of note, including current and former UN secretaries-general, ambassadors to the UN, mayors, governors, historians, architecture critics, and other luminaries. The book begins by chronicling how New York came to be the permanent home of the UN, including the individuals, institutions, and other forces that helped the city secure the headquarters of the UN - among them the Rockefeller family, William Zeckendorf, and Robert Moses. The book then presents the architectural and urban design journey to create the iconic UN campus by a global team of architectural giants such as Wallace K. Harrison, Le Corbusier, and Oscar Niemeyer, with archival photos and architectural drawings and renderings. It also charts how the real estate needs of the UN evolved over time, leading to the creation of the United Nations Development Corporation (UNDC) and its commissioning of three architecturally significant buildings at UN Plaza that have helped keep the UN in New York City. Also included are sections on the $2 billion renovation and restoration of the UN campus and proposals past and present for additional architectural commissions. Additional sections document how New York City and the UN have helped shape each other over the years; and how both continue to change and evolve. Unique for its architectural and urbanistic focus, A Home to the World: The United Nations and New York City celebrates this important global organisation's many accomplishments past, present, and future.

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Nichts ist so umstritten im Denken von Leo Strauss und nichts ist so zentral für sein Verständnis wie das theologisch-politische Problem. Da es im Zentrum von Strauss' Politischer Philosophie steht, findet der Streit seinen Niederschlag in allen großen Kontroversen, die sein uvre umgeben. Heinrich Meiers theologisch-politisches Traktat ist die erste Schrift zu Strauss, die das Problem, von dem Strauss sagte, es sei das Thema seiner Untersuchungen gewesen, zu ihrem Thema macht. Neben dem programmatischen Vortrag "Das theologisch-politische Problem", der auf dem internationalen Leo Strauss Symposium in München im Juni 2002 große Beachtung fand, enthält sie den Kommentar "Zur Genealogie des Offenbarungsglaubens", der eine kühne genealogische Skizze von Strauss aus dem Nachlass zugänglich macht und argumentativ entfaltet, sowie den Text "Der Tod als Gott. Eine Anmerkung zu Martin Heidegger", der den Blick auf einen Philosophen richtet, auf dessen Denken das theologisch-politische Problem seinen langen Schatten geworfen hat, ohne dass es bei ihm jemals ein Thema von Gewicht war.

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Archaeological investigations were carried out by Oxford Archaeology between 2008 and 2016 within DP World London Gateway Port and Logistics Park near Stanford-le-Hope in Essex and on the site of a compensatory wildlife habitat on the Hoo Peninsula in Kent. Some 40 sites were the subject of some form of archaeological assessment, and of these, 16 contained significant archaeological remains or were otherwise important to the understanding of the area. The combined evidence paints a picture of life on the edge of the Thames Estuary from early prehistory to the 20th century.The discoveries show how the area has attracted settlers, farmers and traders since prehistory. People came to the marshes in Mesolithic and Neolithic times, perhaps on a seasonal basis, to hunt, and gather plants and seafood. In the late Bronze Age, Iron Age and Roman periods, people trapped seawater to extract salt, a valuable commodity used for food preservation. In the medieval period, the marshland offered unrivalled pasture for the sheep and cattle belonging to upland farms on the gravel terraces. Over time, the marshes were drained to increase the pasture and the value of the farming estates. The creeks that snaked through the marshes were a means of communication and trade. A timber wharf, built in the 16th century, was recorded on the edge of one such creek. In modern times, the sparsely populated area proved an ideal location for the establishment of oil refineries and other industries, positioning London Gateway at the heart of British trade. The area has also inspired artists, writers and filmmakers.This volume joins two others - London Gateway: Maritime Archaeology in the Thames Estuary and London Gateway: Iron Age and Roman Salt Making in the Thames Estuary - that explore the archaeology and heritage of the London Gateway site.

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One of the functions of Louis XIV's Versailles was to provide a setting for the receptions of ambassadors, heads of state, and other visiting dignitaries who conducted diplomatic and political business with France. These activities became particularly important after Versailles was proclaimed the new seat of the monarchy and government in 1682. Diplomatic Tours in the Gardens of Versailles Under Louis XIV is the first book to examine how the vast gardens of Versailles were used for these diplomatic receptions during the reign of the Sun King (1661-1715). The gardens were the final mise en scène of an elaborate ritual, which included the housing of the foreigners in Paris, their journey to Versailles, and their official audience with the king in the palace. A showcase for the achievements of royal artists, landscape architects, and hydraulic engineers, the gardens were soon regarded as one of the wonders of the modern world, proclaiming the wealth, power, and artistic taste of France and the French monarchy. The diplomatic tours were programmed every step of the way, with trained guides leading their guests on prescribed itineraries. Beginning in 1689, the king himself drafted a series of comprehensive itineraries, collectively called the Manière de montrer les jardins de Versailles, for the use of his guides (a newly discovered version of the Manière appears for the first time in this book). These itineraries changed over the years in concert with modifications and additions to the gardens, attesting to a constant search for an ideal itinerary—a subtheme of Diplomatic Tours.

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"This new edition ensures that the book will continue to be internationally acknowledged as the standard work on the development of modern architecture." -Walter Gropius"A remarkable accomplishment. . . one of the most valuable reference books for students and professionals concerned with the reshaping of our environment. " -José Luis SertA milestone in modern thought, Space, Time and Architecture has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Sigfried Giedion’s classic work, major sections have been added and there are 81 new illustrations.The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier’s only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death), which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jørn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post–World War II architectural concepts.A new essay, “Changing Notions of the City,” traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as José Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert’s Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.

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VOLUME 1 IN THE UNFORGETTABLE STORY OF AN EXTRAORDINARY CHILDHOODThe Arab of the Future tells the unforgettable story of Riad Sattouf's childhood, spent in the shadows of three dictators - Muammar Gaddafi, Hafez al-Assad, and his father.A GUARDIAN BOOK OF THE YEAR | AN OBSERVER GRAPHIC BOOK OF THE YEAR | A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR'I tore through it... The most enjoyable graphic novel I've read in a while' Zadie Smith'I joyously recommend this book to you' Mark Haddon'Riad Sattouf is one of the great creators of our time' Alain De Botton'Beautifully-written and drawn, witty, sad, fascinating... Brilliant' Simon Sebag MontefioreIn a striking, virtuoso graphic style that captures both the immediacy of childhood and the fervour of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria - but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation.Riad, delicate and wide-eyed, follows in the trail of his mismatched parents: his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult... Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.Brimming with life and dark humour, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.Translated by Sam Taylor.'ENGROSSING' New York Times'A PAGE TURNER' Guardian'MARVELLOUS... BEGS TO BE READ IN ONE LONG SITTING' Herald'AN OBJECT OF CONSENSUAL RAPTURE' New Yorker'ONE OF THE GREATEST CARTOONISTS OF HIS GENERATION' Le Monde

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Anyone who has ever experienced a sporting event in a large stadium knows the energy that emanates from stands full of fans cheering on their teams. Although "the masses" have long held a thoroughly bad reputation in politics and culture, literary critic and avid sports fan Hans Ulrich Gumbrecht finds powerful, as yet unexplored reasons to sing the praises of crowds. Drawing on his experiences as a spectator in the stadiums of South America, Germany, and the US, Gumbrecht presents the stadium as "a ritual of intensity," thereby offering a different lens through which we might capture and even appreciate the dynamic of the masses. In presenting this alternate view, Gumbrecht enters into conversation with thinkers who were more critical of the potential of the masses, such as Gustave Le Bon, Friedrich Nietzsche, Sigmund Freud, José Ortega y Gasset, Elias Canetti, Siegfried Kracauer, T. W. Adorno, or Max Horkheimer. A preface explores college crowds as a uniquely specific phenomenon of American culture. Pairing philosophical rigor with the enthusiasm of a true fan, Gumbrecht writes from the inside and suggests that being part of a crowd opens us up to an experience beyond ourselves.

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A Certain Age is an unconventional, evocative work of history and a moving reflection on memory, modernity, space, time, and the limitations of traditional historical narratives. Rudolf Mrázek visited Indonesia throughout the 1990s, recording lengthy interviews with elderly intellectuals in and around Jakarta. With few exceptions, they were part of an urban elite born under colonial rule and educated at Dutch schools. From the early twentieth century, through the late colonial era, the national revolution, and well into independence after 1945, these intellectuals injected their ideas of modernity, progress, and freedom into local and national discussion. When Mrázek began his interviews, he expected to discuss phenomena such as the transition from colonialism to postcolonialism. His interviewees, however, wanted to share more personal recollections. Mrázek illuminates their stories of the past with evocative depictions of their late-twentieth-century surroundings. He brings to bear insights from thinkers including Walter Benjamin, Bertold Brecht, Le Corbusier, and Marcel Proust, and from his youth in Prague, another metropolis with its own experience of passages and revolution. Architectural and spatial tropes organize the book. Thresholds, windowsills, and sidewalks come to seem more apt as descriptors of historical transitions than colonial and postcolonial, or modern and postmodern. Asphalt roads, homes, classrooms, fences, and windows organize movement, perceptions, and selves in relation to others. A Certain Age is a portal into questions about how the past informs the present and how historical accounts are inevitably partial and incomplete.

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A comprehensive, easy-to-use guide to everything you need to know about selecting, butchering, preparing, and cooking every kind of meat, including beef, pork, lamb, poultry, and wild game.In SECRETS OF THE BUTCHER, author Arthur Le Caisne takes readers step-by-step through the ever-evolving and artisanal world of meat. Much more than just a book on how to butcher meat, SECRETS OF THE BUTCHER covers every aspect of selecting, preparing, and eating meat. Organized by type of protein--beef, veal, pork, lamb, poultry, and turkey--the book categorizes and describes the origin and characteristics of the best of each type. It explains all of the cuts and how they are best prepared, and offers tips and recipes for each. With full-color illustrations, Le Caisne includes over twenty breeds of each animal from Black Angus cows to Iberico pigs to Rhode Island Red chickens. From understanding the benefit of grass-fed beef to the locavore movement to the color of the cut, choosing meat will never feel daunting again. SECRETS OF THE BUTCHER also includes state-of-the-art information on techniques such as brazing, roasting, and grilling; what types of cooking oil to use and at what temperature; recommended salts, peppers, and other spices for every type of meat; and, of course, how to butcher every type of meat.Fully illustrated throughout with clear and useful four-color illustrations, SECRETS OF THE BUTCHER will be a stand-out package against photographic books in this growing category.

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Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this ‘horror of a Broadway musical’ lived, died and was subsequently resurrected as a mainstream success story. In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King’s Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide. Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world. Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and ‘Friends of Carrie’ alike.

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One of the most enduring and pervasive myths about modernist architecture is that it was white—pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism’s most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed.

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Letters written by a clergyman during the late seventeenth century illuminate the religious turmoil of the period. This book provides an edition of the letters of George Davenport, an Anglican clergyman in the north of England whose adult career covered the period of the Interregnum and the Restoration. Many of the letters are to his former Cambridge tutor, William Sancroft, beginning from 1651 after Sancroft had been expelled from Cambridge, and continuing after the Restoration when Davenport replaced Sancroft as chaplain to John Cosin, bishop of Durham, later becoming Rector of Houghton-le Spring, Durham. They were written to keep Sancroft supplied with information about Durham, where he was a prebendary with license to be non-resident, needing to collect revenues from his living and then torebuild his prebendal house. The earlier letters reveal something about the life of an illegally (since episcopally) ordained young Anglican who, unlike many, did not go into exile but stayed largely in London supported by friends. Davenport eventually became a most conscientious resident parish priest and the letters throw considerable light on the Restoration settlement in the Durham diocese, from the `beautifying' of Houghton church to the catechisingof the people and the collection of tithes from a sometimes tardy flock. Davenport also helped Cosin to Catalogue his famous library and himself gave many manuscripts to it, of which a list is included here as an appendix. The letters are presented here with full introduction and elucidatory notes.

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How eighteenth-century writers stretched systems designed to explain social relations to their breaking point, showing the flaws in their design.The Enlightenment has long been understood—and often understood itself—as an age of systems. In 1759, Jean Le Rond d'Alembert, one of the architects of the Encyclopédie, claimed that "the true system of the world has been recognized, developed, and perfected." In Systems Failure, Andrew Franta challenges this view by exploring the fascination with failure and obsession with unpredictable social forces in a range of English authors from Samuel Johnson to Jane Austen.Franta argues that attempts to extend the Enlightenment's systematic spirit to the social world prompted many prominent authors to reject the idea that knowledge is synonymous with system. In readings of texts ranging from novels by Sterne, Smollett, Godwin, and Austen to Johnson's literary biographies and De Quincey's periodical essays, Franta shows how writers repeatedly take up civil and cultural institutions designed to rationalize society only to reveal the weaknesses that inevitably undermine their organizational and explanatory power. Diverging from influential accounts of the rise of the novel, Systems Failure audaciously reveals that, in addition to representing individual experience and social reality, the novel was also a vehicle for thinking about how the social world resists attempts to explain or comprehend it. Franta contends that to appreciate the power of systems in the literature of the long eighteenth century, we must pay attention to how often they fail—and how many of them are created for the express purpose of failing. In this unraveling, literature arrives at its most penetrating insights about the structure of social life.

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In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.

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Of the articles in this volume, eight concern a world-famous author (François Rabelais); the others are studies of little-known authors (Cortesi, Corrozet, Mercier) or genres (the joke, the apophthegm). The common theme, in all but one, is humour: how it was defined, and how used, by orators and humanists but also by court jesters, princes, peasants and housewives. Though neglected by historians, this subject was of crucial importance to writers as different as Luther, Erasmus, Thomas More and François Rabelais. The book is divided into four sections. 'Humanist Wit' concerns the large and multi-lingual corpus of Renaissance facetiae. The second and third parts focus on French humanist humour, Rabelais in particular, while the last section is titled '"Serious" Humanists' because humour is by no means absent from it. For the Renaissance, as Erasmus and Rabelais amply demonstrate, and as the 'minor' authors studied here confirm, wit, whether affectionate or bitingly satirical, can coexist with, and indeed be inseparable from, serious purpose. Rabelais, as so often, said it best: 'Rire est le propre de l'homme.'

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If I was asked to give my opinion as to the best all-round super-sports car ... I should, without hesitation whatever, say it was the 3.3 [T57] Bugatti. - Sir Malcolm Campbell, The Field, September 4th, 1937.The magnificent Type 57 was the final flowering of the genius of Ettore Bugatti and Jean Bugatti, and was the last truly new model from the Bugatti factory in Molsheim, France.Conceived as a fast, luxurious and exclusive touring car, the T57 was in production from 1934 to 1939, and was so successful that the model accounts for around 10 per cent of all Bugattis built at Molsheim.Not only a sales success, the T57 formed the basis of a Grand Prix model, a twice Le Mans-winning sports racing car and, in road-going form, wore some of the most beautiful bodies ever created by the great coachbuilders of the vintage period. See the work of Letourneur & Marchand, Graber, Gangloff, James Young, Corsica, Van Vooren & Saoutchik, Vanden Plas, Figoni & Falaschi, S

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