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In the tradition of Anthony Bourdain's Kitchen Confidential comes an insider's look into the cloistered world of classical music. Now a major Amazon.com TV series starring Gabriel Garcia Bernal.From her debut recital at Carnegie Hall to performing with the orchestras of Les Miserables and Miss Saigon, oboist Blair Tindall has been playing classical music professionally for over twenty-five years. She's also lived the secret life of musicians who survive hand to mouth, trading sex and drugs for low-paying gigs and the promise of winning a rare symphony position or a lucrative solo recording contract. In Mozart in the Jungle, Tindall describes her graduation from the North Carolina School of the Arts to the backbiting New York classical music scene, a world where Tindall and her fellow classical musicians often play drunk, high, or hopelessly hung-over, live in decrepit apartments, and perform in hazardous conditions. (In the cramped confines of a Broadway pit, the decibel level of one instrument is equal to the sound of a chain saw.)Mozart in the Jungle offers a stark contrast between the rarefied experiences of overpaid classical musician superstars and those of the working-class musicians. For lovers of classical music, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the Broadway pit.

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In 2009, the writer-narrator finds a Box. Within it lie the pages of her very first manuscript, pages she thought she had long since thrown away. Le Prénom de Dieu was the text that marked the start of her prodigious career, and yet for the narrator it is also the Nameless Book, the-Book-that-could-never-be-read, the book written by someone other than her. Now, once again, it heralds a beginning, as its discovery is the start of a journey into the past. The title, with its reference to the murderous Ourang-Outang of Edgar Allan Poe’s The Murders in the Rue Morgue, sets the scene: this is a detective story haunted by literary ghosts. At the very heart of literature lies the fascination with the enigma, the search for something that has been lost. Cixous illustrates this as she leads her reader on a hunt for the ultimate hidden treasure, in the company of an array of venerable predecessors from Saint-Simon, Proust and Stendhal to Shackleton, Poe and Jacques Derrida. Double Oblivion of the Ourang-Outang is a text about literature. It speaks of the books you read and the books you write, those you remember and those you forget, those you fear and those you revere. It is also a powerful, evocative tale of beginnings and endings, of remembering and forgetting, of things and their doubles. In a densely woven narrative, Cixous’s latest text focuses on the extraordinary voyage that is literary creation, and in doing so also explores the themes of memory, loss and subjectivity.

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"In David Hidalgo Les Cowan has a unique take on the crime busting religious protagonist and in Sins of the Father he has crafted a clever, twisted game of cat and mouse - where you're never quite sure who is the cat and who is the mouse." Gordon Brown, author of Darkest Thoughts A gripping read in the sensational David Hidalgo series.David Hidalgo continues to pastor his church. This work includes overseeing an English chat group for young people leaving Spain and looking for work in Edinburgh. At the chat group, David meets Andrea who can't shake her past and a particular priest, Father Ramón, who abused her. Father Ramón is recently released from prison and set on taking out his revenge on Andrea. Can David stop Father Ramón and save Andrea or will there be further casualties?

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THE ONLY COUNTY STREET ATLAS WITH ALL THE NAMED STREETS OF DERBYSHIRE.The UK's best-selling county street atlasesMore than 24,000 named streets, roads, lanes and alleysThe essential map book for residents and visitors - and if you're moving to DerbyshireIncludes all the streets in BUXTON, CHESTERFIELD, DERBY, LONG EATON, MATLOCK, SWADLINCOTE, Alfreton, Ashbourne, Bakewell, Belper, Bolsover, Brimington, Chapel-en-le-Frith, Clay Cross, Clowne, Dronfield, Eckington, Glossop, Heanor, Ilkeston, New Mills, Pinxton, Ripley, Shirebrook, South Normanton, Staveley, Whaley Bridge, Wirksworth- New edition in practical spiral-bound format- Street maps show car parks, schools, hospitals and many other places of interest, even ones off the beaten path- 4-page practical route-planning section showing all A and B roads- Super-clear mapping- Easy-to-use index- Scales: 1¾ inches to 1 mile (1:36,000) and 3½ inches to 1 mile (1:18,000). Major towns: 7 inches to 1 mile (1:9,000).Other information on the maps includes postcode boundaries, car parks, railway and bus stations, post offices, schools, colleges, hospitals, police and fire stations, places of worship, leisure centres, footpaths and bridleways, camping and caravan sites, golf courses, and many other places of interest.

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Clare loves climbing! But when she falls from the climbing frame in the park, she is scared to climb again. Will a trip to the climbing wall help Clare overcome her fears? (Letter-sounds featured: /ul/ -le /d/ /t/ -ed /m/ -mb /n/ kn-) Clare the Climber is part of the Rocket Phonics teaching and learning programme from Reading Planet. Rocket Phonics ensures that every child achieves phonics success. This fully-decodable Target Practice reading book provides focused practice of a small group of letter-sounds. The book also includes useful notes and activities to support reading in school and at home as well as comprehension questions to check understanding.Reading age: 5-6.

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First survey of Copland's entire output for some 30 years - a period seeing some of his most important works. Aaron Copland was one of the twentieth century's most popular and distinguished composers. Copland was born in 1900 in Brooklyn, where he began his musical career, before moving to the Paris in the 1920s, where Stravinsky, Prokofiev and Les Six were the centre of attention. On his return to the United States at the end of the decade he began to produce a series of works which could leave no one in any doubt that American composers were capable of writing music equal to the best of their European contemporaries. This chronological survey of Copland's work discusses ever one of his compositions and examines his influential writings on music. Profusely illustrated with musicexamples and photographs, it includes a conversation on the piano music with Aaron Copland and Leo Smit and also features sketches of Copland in rehearsal by Milein Cosman. NEIL BUTTERWORTH was formerly Head of Music atNapier College, Edinburgh.

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Smart kitty. Mucky pup. Here comes trouble... Jasper and Scruff’s latest venture, Paws Diner, is a big success. Customers come from far and wide to sample their Salted Caramel Cake and the place is always packed. Until, that is, The Sophisticafé opens across the street. Determined not to be outdone by their old enemies, The Sophisticats, Jasper sets to work on a fancy new menu. But while Jasper hopes to gain a coveted three paw rating from the great restaurant critic Gaspard le Skunk, Scruff worries that his friend is forgetting about their loyal regulars. Worse still, The Sophisticats have heard that Gaspard is paying the diner a visit and have cooked up a fiendish plan… A laugh-out-loud tale of friendship, with colour illustrations, perfect for new readers moving on from picture books, and fans of CLAUDE, RABBIT AND BEAR, SQUISHY MCFLUFF and HOTEL FLAMINGO. “Adorable illustrations, snappy dialogue and outrageous puns make it the cat’s pyjamas” – Guardian

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** THE NEW YORK TIMES BESTSELLER** The never-before-told, inside story of the Steele Dossier and the Trump-Russia investigation'The best procedural yet written about the discovery of Trump's Russia ties' New York TimesThe founders of the Washington-based intelligence firm Fusion GPS Glenn Simpson and Peter Fritsch were the first to uncover Trump's disturbing ties to the Kremlin and the crimes that have since plagued his presidency. Working with British former MI6 agent and Russia expert Christopher Steele, they produced the notorious dossier which disclosed that the Trump team was deeply compromised by a hostile foreign power bent on disrupting the West and influencing the US presidential election.In Crime in Progress, the authors chronicle their high-stakes investigation and desperate efforts to warn both the American and British governments, the FBI and the media - no matter the cost. When the dossier finally exploded onto the world stage after a leak, it led to the Mueller report and disrupted Trump's secret planned rapprochement with Putin's Russia. After years on his trail, the authors' inescapable conclusion is that Trump is an asset of the Russian government, whether he knows it or not.A real-life political thriller with the makings of a modern classic, Crime in Progress is the definitive story of the pursuit of the truth about Trump and one of the greatest betrayals in American history.'I've read all the books on this subject - this is the one you want to read . . . I feel fairly steeped in this matter and I learned something on every page' Rachel Maddow, MSNBC'You don't need to read John le Carré or Tom Clancy to find espionage thrills in Washington these days, turn over any stone in the Beltway's secret world and you'll observe the seething mass of conspiracy and subterfuge beneath . . . Take Glenn Simpson and Peter Fritsch, who have become central characters in a quite terrifying international spy thriller' Josh Glancy, Sunday Times

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A gripping page-turner set in occupied France from international multi-million copy seller Joanne Harris. With the sensuous writing we come to expect from her, this book has a darker core. Perfect for fans of Victoria Hislop, Fiona Valpy, Maggie O'Farrell and Rachel Joyce, this fascinating and vivid journey through human cruelty and kindness is a gripping and compelling read.'Her strongest writing yet: as tangy and sometimes bitter as Chocolat was smooth' -- Independent'Harris indulges her love of rich and mouthwatering descriptive passages, appealing to the senses... Thoroughly enjoyable' -- Observer'Outstanding...beautifully written' -- Daily Mail'Very thought provoking. I read the book in two days and am still thinking about it a few days down the line' -- ***** Reader review'Absolutely gripping from the very first page' -- ***** Reader review'Joanne Harris at her very best!'-- ***** Reader review'Superb' -- ***** Reader review'I just couldn't put this one down'-- ***** Reader review 2*********************************************************THE PAST WILL ALWAYS CATCH UP WITH YOU...Beyond the main street of Les Laveuses runs the Loire: smooth and brown as a sunning snake - but hiding a deadly undertow beneath its moving surface. This is where Framboise, a secretive widow, plies her culinary trade at the crêperie - and lets her memory play strange games.As her nephew attempts to exploit the growing success of the country recipes Framboise has inherited from her mother - a woman remembered with contempt by the villagers - memories of a disturbed childhood during the German Occupation flood back, and expose a past full of betrayal, blackmail and lies...

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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986-the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler's tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects-from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden-Drexler's boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department's public and educational programs projected a culture of popular accessibility, offsetting MoMA's reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyses how MoMA became a touchstone for the practice and study of midcentury architecture.

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Perfect for fans of Mick Herron and John Le Carré"The most important thing that's happened in Mexican literature in the last thirty years" Gaby Wood, Sunday Telegraph.It's Christmas in Culiacán and Detective Edgar "Lefty" Mendieta can't believe his luck. An old flame has returned with a teenage son he knew nothing about. Happiness seems to finally beckon for our careworn hero. The only snag is that Jason Mendieta wants to follow in his father's footsteps-even as Mexico's drug war descends a slippery slope toward chaos.While Lefty pursues a lunatic who has taken to bumping off dentists with a heavy-calibre pistol, a secret agent infiltrates a meeting of the drug lords and hears Pacific Cartel boss Samantha Valdés implore her underlings to stay out of the war. But an audacious murder provokes Samantha to change her mind and launch a wave of grisly killings across the country.Samantha then persuades Lefty to help her find the killer that pushed her over the edge. The truth he discovers will underline an old adage: revenge is a dish best served cold. No quiet family Christmas for our detective.

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Text in English & German. If laziness is the mother of all inventions, then the car is its masterpiece. The earliest means of locomotion was walking, followed by riding on horses or camels; finally, with the invention of the wheel, came the ability to use carriages, which not only made locomotion far more comfortable but also brought the transportation of goods to a whole new level. However, it then took millennia for carriages to go from being propelled by horses or oxen to engines, initially steam-driven, then propelled by internal combustion engines and early experiments with electric propulsion. Cars were initially the result of pure craftsmanship, and as passenger cars were based on the concept of the carriage. The assembly line had not entirely abandoned the carriage look, but already showed a typical automobile profile: equal-sized wheels, engine bonnet, passenger compartment. The predominant body colour of cars manufactured between 1910 and 1930 was black, while all makes of car had an almost uniform appearance. As manufacturers moved away from metal-panelled wooden frames to an all-steel design, they hesitantly ventured to adopt new forms. Improved undercarriages and higher engine performance were initially limited by air resistance, which above a speed of 60 kilometres per hour is the strongest of all driving resistances. This led to the development of new body shapes that offer less resistance to the airstream. Engineers still determined the form of the car, sometimes even achieving formal elegance. It was only rarely that members of other professions, such as the architects Le Corbusier or Walter Gropius, were commissioned to design a car. Between the two World Wars North America had the worlds largest fleet of cars; this also meant that their design became an increasingly important sales factor. Professsional automobile design was established. As they continued to develop technically, cars in the 1950s moved further and further away from the physically logical form of a moving body. One of the last and most outstanding examples of a form with optimum resistance to the airstream is the Citroën ID/DS of 1955. Others, indeed almost all, opted for the pure symbolism of speed and power, whose most important ingredients were tail fins and chrome. Today, with a global annual production of close to 100 million passenger cars, automotive style has come to be represented by a wide range of almost every imaginable form. Architect Hans-Ulrich von Mende has worked with partners in an independent practice since 1990. For 50 years his writings and drawings on automotive design have appeared in books, trade journals (mot, autobild) and the daily press (Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung).

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In conjunction with the Seventh International Forum on the Art of Bookbinding, organized in November 2002 by the international association Les Amis de la Reliure d'Art (ARA), the Gennadius Library organized an exhibition of rare bindings from its extensive collection, curated by well-known bookbinder Vangelio Tzanetatou. Among the items on display were a rare Renaissance Italian leather binding dating to 1464, created for a philosophical treatise written by Manuel Chryssoloras and owned by Sigismondo Malatesta, member of a leading family of the time. Also in the exhibition was an example of one of the Library's Aldine bindings for a 1504 edition of Homer's Odyssey, printed in Venice. Later Italian bindings were represented by an elaborate cover gold-tooled with the arms of Pope Pius VI, produced in 1774. In selecting the bindings, curator Tzanetatou included examples of the variety of styles represented in the Gennadeion's collection, as well as those with special or unique characteristics. The exhibition catalogue, published thanks to the generosity of EFG Eurobank Ergasias, includes her detailed observations on over 70 bindings, with color illustrations of 16 of the most exceptional pieces.

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'The most screamingly funny living writer' Barry Humphries, Mail on Sunday From the bestselling and award-winning author of Ma'am Darling and One Two Three Four, a selection of Craig Brown's finest writing collected together for the first time. What is James Bond's middle name? How does Jacob Rees-Mogg's nanny set about cleaning him up in the morning? When did Piers Morgan introduce his special guest Kim Jong-Un as “the straight-talking boy from North Korea who grew up to become a global superstar”? All these important questions, and a great many more, are answered in Craig Brown's Haywire. Featuring handy household tips from Mary Berry (‘When eating a boiled egg be careful to remove the shell first, or it can be a little crunchy’) and historic admissions from Queen Elizabeth 1st to Oprah Winfrey concerning her mother's beheading (‘Thank you for having the courage to share that with us’), Haywire presents a survival guide to the 21st century. In one chapter, Brown writes about the influence of Blackpool on Sigmund Freud and Les Dawson. In another, he unearths the Historical Online Archive and discovers that the invention of the wheel in Mesopotamia in 4000 BC drew fierce criticism on social media. “My mate tried it, says it's total rubbish” wrote Brian from Sumeria. The acclaimed biographer of Princess Margaret and The Beatles delivers essays on such diverse figures as Ronald Searle, John Stonehouse, Bruce Springsteen, Richard Dawkins, Katie Price, Stanley Spencer, Harry and Meghan, Brian Epstein, Kenneth Williams, Ronald Reagan, Simon Dee and the Marx Brothers. With the full battery of the humourist's armoury – clerihews, tongue-twisters, whimsy, parody, farce, satire, social observation, nonsense – Brown skewers the passing fads and delusions of the contemporary world. ‘Our greatest living satirist’ Sunday Times ‘Exquisitely naughty and hilarious’ Guardian ‘Craig Brown’s humour will outlive his victims … his journalism is one of the few compensations for being British now’ Sunday Telegraph

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Dedicated to that ominous strain of horror that sends a shiver down your spine, this selection of masterful tales gathers the weird and wonderful from a rich tradition of genre writing. The sound of a sinister tread in an apparently abandoned house; mysterious crimes committed in the dead of night; a glimpse of a monstrous apparition through the murky gloom: all find their home here. This latest anthology in the popular series of Gothic Fantasy collections features new stories by contemporary authors alongside classic tales by E.T.A. Hoffmann, Robert Louis Stevenson, Edith Nesbit, Sheridan Le Fanu, Edith Wharton, M.R. James and more. The modern writers included are: Ramsey Campbell, P.G. Galalis, Kevin J.J. Gallivan, Ali Habashi, Maria Haskins, S.R. Masters, Damien Mckeating, John Moralee, Aeryn Rudel, David Schmidt, Cody Schroeder, Shana Scott, Anna Taborska, D.A. Watson, Nemma Wollenfang, and Anna Ziegelhof.

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Everyone has an X Perhaps you've had an unfaithful lover, an ex-friend, or a horrible boss. In this book, we call that person X," because asinine, egotistical imbecile" would take up too much space. Every page in Draw with a Vengeance includes a drawing prompt or activity so you can doodle, cut out, tear, or otherwise destroy the object of your aversion. The message here is simple: Don't do bad things to bad people. Draw bad things,and let karma handle the rest.

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You are a Leo. You are the creative expert and shining light of the zodiac.The signs of the zodiac can give us great insight into our day-to-day living as well as the many talents and qualities we possess. But in an increasingly unpredictable world, how can we make sense of them? And what do they mean? This insightful and introductory guide delves deep into your star sign, revealing unique traits and meanings which you didn't know. Along the way, you will discover how your sign defies your compatibility, how to improve your health and what your gifts are. ***The Pocket Astrology series will teach you how to live well and enhance every aspect of your life. From friendship to compatibility, careers to finance, you will discover new elements to your sign and learn about the ancient art of astrology. Other books in the series include: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius,Capricorn, Aquarius, Pisces

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The issue of idolatry has been with the human race for thousands of years; the subtle temptation is always to take what is good and turn it into the ultimate good, elevating it above all other things in the search for security and meaning. In this timely and challenging book, New York pastor Timothy Keller uses classic Bible stories to look at the issue of idolatry - from the worship of actual idols in the Old Testament, to the idolatry of money by the rich young ruler when he was challenged by Jesus to give up all his wealth. Keller cuts through our dependence on the glittering false idols of money, sex and power to uncover the path towards trust in the real ultimate - God. Today's idols may look different from those of the Old Testament, but Keller argues that they are no less damaging. Culturally transforming as well as biblically based, COUNTERFEIT GODS is a powerful look at the temptation to worship what can only disappoint, and is a vital message in today's current climate of financial and social difficulty.

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Set largely in locations near the French Riviera, these eleven short stories depict the harsh realities of life for the less-privileged inhabitants of this very privileged region. Distinguished French writer J. M. G. Le Clézio lends his voice to the dispossessed and explores his familiar themes of alienation, immigration, poverty, violence, indifference, the loss of beauty, and the betrayal of innocence.In one story an adolescent girl encounters the violence of a gang of masked bikers in a hostile and desolate housing project. In others a man stands by helplessly as a place of great beauty and deep childhood memory is slowly consumed and destroyed by a quickly developing city, an illegal immigrant desperate for work finds himself the prisoner of a ring trafficking in human beings, and two girls risk everything by running away from home and their dead-end factory jobs in search of a more meaningful life. At once tragic and evocative, these engrossing and beautifully crafted stories touch upon the loss of human values in a rapidly changing world.

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The Adventures of Asterix, our series in partnership with Les Editions Albert Rene, channels the spirit of Asterix the Gaul from the celebrated comic book series. In these stories, Asterix, along with his friend Obelix and canine companion Dogmatix, ventures to lands near and far with unwavering ingenuity and just a little bit of magic potion. This series is a chance to share the joy of these classic stories with a new audience.

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The Magickal Herb Oracle brings the precious secrets and ancient wisdoms of herbs for you to explore while immersing your soul, body and spirit in real nature magick. You will learn how to create powerful magick and rituals for everyday purposes, or you can consult the herbs within this deck to construct traditional oracle readings that will help you find divine answers, support and guidance. Thirty-six of the world’s most loved herbs, meticulously researched for their magickal, botanical, traditional and oracle uses by botanical expert and artist Cheralyn Darcey, are brought to you in stunningly beautiful botanical collages by artist Deer Dandy (Céline Le Nezet).

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'One of the sparest, most elegant spy novels I have come across in a long time . . . Written in glistening prose - with not a word wasted - it proves Steinhauer truly is John le Carré's rightful heir.' – Daily MailNow a major film on Prime Video starring Chris Pine, Thandiwe Newton and Jonathan Pryce.Celia used to lie for a living. Henry still does. Can they ever trust each other?Six years ago, Henry and Celia were lovers and colleagues, working for the CIA station in Vienna, until terrorists hijacked a plane at the airport. A rescue attempt, staged from the inside, went terribly wrong. Everyone on board was killed.That night has continued to haunt all of those involved; for Henry and Celia, it brought to an end their relationship. Celia decided she'd had enough; she left the agency, married and had children, and is now living an ordinary life in the Californian suburbs. Henry is still a CIA analyst, and has travelled to the US to see her one more time, to relive the past, maybe, or to put it behind him once and for all.But neither of them can forget that question: had their agent been compromised, and how? And each of them also wonders what role their lunch companion might have played in the way things unfolded . . .All the Old Knives is Olen Steinhauer's most intense, most thrilling and most unsettling novel to date - from the New York Times bestselling author deemed by many to be John le Carré's heir apparent.

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In Roland Barthes's eyes, Philippe Sollers embodied the figure of the contemporary writer forever seeking something new. Thirty-six years after Barthes produced his study Sollers Writer, Sollers has written a book on the man who was his friend and who shared with him a total faith in literature as a force of invention and discovery, as a resource and an encyclopaedia.They met regularly, exchanged many letters and fought many battles together, against every kind of academicism, every political and ideological regression. Barthes shed light on Sollers's work in a series of articles that are still of great relevance today. Sollers, in turn, assumed the role of Barthes's publisher at Le Seuil from the publication of his Critical Essays in 1964, and was left deeply shocked and saddened by Barthes's death in 1980. In short, they were very close to each other, despite their differences, and Sollers expresses here what this meant at the time and what it continues to represent, highlighting the themes that sustained their friendship.The book also contains some thirty letters from Barthes to Sollers, completing our image of one of the most extraordinary partnerships in French literary life.

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Coinciding with the 75th anniversary of the signing of the United Nations charter, this visually driven book tells the story of the special relationship between the UN and New York City through the interrelated lenses of architecture, real estate, and urban planning. It is fully illustrated with rare archival photographs and architectural drawings, as well as newly commissioned photographs. The book also includes written contributions from UN-affiliated individuals of note, including current and former UN secretaries-general, ambassadors to the UN, mayors, governors, historians, architecture critics, and other luminaries. The book begins by chronicling how New York came to be the permanent home of the UN, including the individuals, institutions, and other forces that helped the city secure the headquarters of the UN - among them the Rockefeller family, William Zeckendorf, and Robert Moses. The book then presents the architectural and urban design journey to create the iconic UN campus by a global team of architectural giants such as Wallace K. Harrison, Le Corbusier, and Oscar Niemeyer, with archival photos and architectural drawings and renderings. It also charts how the real estate needs of the UN evolved over time, leading to the creation of the United Nations Development Corporation (UNDC) and its commissioning of three architecturally significant buildings at UN Plaza that have helped keep the UN in New York City. Also included are sections on the $2 billion renovation and restoration of the UN campus and proposals past and present for additional architectural commissions. Additional sections document how New York City and the UN have helped shape each other over the years; and how both continue to change and evolve. Unique for its architectural and urbanistic focus, A Home to the World: The United Nations and New York City celebrates this important global organisation's many accomplishments past, present, and future.

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It had never been attempted before, and might never be done again. One man watching another man write a novel from beginning to end. On September 1, 2014, in an 11th floor apartment in New York, Lee Child embarked on the twentieth book in his globally successful Jack Reacher series. Andy Martin was there to see him do it, sitting a couple of yards behind him, peering over his shoulder as the writer took another drag of a Camel cigarette and tapped out the first sentence: “Moving a guy as big as Keever wasn’t easy.” Miraculously, Child and Martin stuck with it, in tandem, for the next 8 months, right through to the bitter-sweet end and the last word, “needle”. Reacher Said Nothing is a one-of-a-kind meta-book, an uncompromising account in real time of the genesis, evolution and completion of a single work, Make Me. While unveiling the art of writing a thriller Martin also gives us a unique insight into the everyday life of an exemplary writer. From beginning to end, Martin captures all the sublime confidence, stumbling uncertainty, omniscience, cluelessness, ecstasy, despair, and heart-thumping suspense that go into writing a number-one bestseller.

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This volume commemorates the opening of the Lee H. Hamilton Congressional Papers at Indiana University. The papers are a selection made by his staff from the approximately 3,500 cartons of records generated from 1965 to 1999 during Hamiltons 34-year tenure in the House of Representatives. The collection richly documents Hamiltons emphasis on constituent relations, his continuous concern for the constitutional role of Congress and its proper functioning, and the development of his leadership in U.S. foreign policy. The Hamilton collections document not only his distinguished congressional career but his commitment to, and work in support of, the belief that the most pressing national and international problems can be successfully addressed through the nonpartisan work of people of good faith within the context of the American form of representative democracy.

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Known for his entertaining investigations into culinary practice, Massimo Montanari turns his hungry eye to the phenomenon of food culture, food lore, cooking methods, and eating habits throughout history. An irresistible buffet of one hundred concise and engaging essays, this collection provides stimulating food for thought for those curious about one of life's most fundamental pleasures. Focusing on the selection, preparation, and mythology of food, Montanari traverses such subjects as the status of the pantry over the centuries, the various strategies of cooking over time, the gastronomy of famine, the science of flavors, the changing characteristics of convivial rituals, the customs of the table, and the ever-evolving identity of food. He shows that cooking not only is a decisive part of our cultural heritage but also communicates essential information about our material and intellectual well-being. From the invention of basic bread making to chocolate's reputation for decadence, Montanari positions food culture as a lens through which we can plot changes in historical values and social and economic trends. Even the biblical tale of Jacob buying Esau's birthright for a bowl of lentils is a text full of essential meaning, representing civilization's important shift from a hunting to an agrarian society. Readers of all backgrounds will enjoy these delectable insights and their easy consumption in one companionable volume.

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The sixth installment in the wildly popular Ava Lee series from Arthur Ellis Award winner Ian Hamilton.Ava has been in Hong Kong looking after Uncle. She has also set up an investment company with May Ling Wong and her sister-in-law, Amanda Yee. One of their first investments — a furniture company owned by two sisters in Kota Kinabalu, Borneo — runs into immediate problems with a Dutch customer. Ava goes to the Netherlands to investigate, but her life is threatened when she is confronted by a gang of local thugs in Borneo. Out of the shadows comes a mysterious man from Shanghai…

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Without Nancy Tennant, Humphrey Waterfield's exquisite horticultural creations might never have existed. The two of them were life-long partners and together created 'the most beautiful small garden in England' at Hill Pasture in Essex and collaborated on the restoration of the gardens at Le Clos du Peyronnet, Menton, France. It was Nancy who kept Hill Pasture going during the Second World War, and this garden and subsequently Le Clos became their earthly paradise, publicly acclaimed works of art and a consolation for the loss and trauma of their pasts. The gardens were a smokescreen for their deepest feelings, but one day, the smoke would begin to clear and the truth of who and how they really loved would be plain to see. It wasn't what it appeared to be, at all. This challenging love story of paradise lost, found and lost again is set against the backdrop of the 20th century, the traumas of two world wars, polarised British politics, the changing position of women in society, and the transformative power of nature's beauty on the human heart.

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DISCOVER THE POWER of Silver Whether you’re naturally graying, weaning yourself off the dye, or coveting the chic #grannyhair trend, your hair will shine with this empowering guide. Here are step-by-step tips on letting nature take its course—or using lowlights, highlights, blending, and toning to transition with minimal drama (and avoid a skunk line). Tips on haircuts, tricks for the best care (conditioning is crucial). Products, including the DIY variety. Plus, the most flattering clothing and makeup to accentuate any shade of gray. With unique treatments and techniques from hair guru Lorraine Massey, Silver Hair is a call for celebrating and enhancing your natural radiance, with thrilling results. Welcome to the inspiring guide for every woman who’s ready to find her true colors. Written by the authors of the national bestseller Curly Girl, here is everything you need to know, from going gray stylishly to living silver gorgeously, including Silver Lining Stories and before-and-after photos of real women. Going silver is not just about a certain look, or saving time and money at the stylist—it’s about fulfilling a deeper desire for authenticity, empowerment, and the freedom to be oneself at any age. So let’s get started.Featuring: ·The many perks of naturally silver hair ·Style and beauty to play up the silver ·Toners and color blending ·Avoiding the skunk line ·Hair care routines ·DIY recipes, including Lavender and Verbena Herbal Hair Tonic ·Face-framing silver streaks

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Build your child’s reading confidence at home with books at the right level When William Caxton brought the printing press to England in 1475 he changed the lives of thousands of people, putting reading and education within their reach for the first time. When Tim Berners-Lee invented the Internet over five hundred years later, he changed the world all over again. Lime/Band 11 books have longer sentence structures and a greater use of literary language. Text type – A dual biography. Curriculum links – History: ‘the lives of significant individuals in the past who have contributed to national and international achievements. Some should be used to compare aspects of life in different periods [for example, … William Caxton and Tim Berners-Lee]. Place the two lives in context with a visual timeline on pages 22–23.

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When private investigator Leo Street is sent to County Kildare to spy on the wife of a loathsome client, she's delighted to be getting away from rainy Dublin and her hopeless, permanently resting actor boyfriend Barry. The one catch is she has to masquerade as a member of a cookery course and the only piece of culinary equipment Leo can handle is a tin opener - Weekend Entertaining Part 1 is daunting to say the least. As she strips away layers of marital infidelity - not to mention several other scandalous secrets - she battles with bread-making and brûlée. But where will it all end - in triumph or tragedy?

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Forty years after their first ground breaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism’s second wave. From its stirrings in the midcentury—when Sylvia Plath, Betty Friedan and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry and Audre Lorde discovered community in rebellion—to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement. As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.

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Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.

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Archaeological investigations were carried out by Oxford Archaeology between 2008 and 2016 within DP World London Gateway Port and Logistics Park near Stanford-le-Hope in Essex and on the site of a compensatory wildlife habitat on the Hoo Peninsula in Kent. Some 40 sites were the subject of some form of archaeological assessment, and of these, 16 contained significant archaeological remains or were otherwise important to the understanding of the area. The combined evidence paints a picture of life on the edge of the Thames Estuary from early prehistory to the 20th century.The discoveries show how the area has attracted settlers, farmers and traders since prehistory. People came to the marshes in Mesolithic and Neolithic times, perhaps on a seasonal basis, to hunt, and gather plants and seafood. In the late Bronze Age, Iron Age and Roman periods, people trapped seawater to extract salt, a valuable commodity used for food preservation. In the medieval period, the marshland offered unrivalled pasture for the sheep and cattle belonging to upland farms on the gravel terraces. Over time, the marshes were drained to increase the pasture and the value of the farming estates. The creeks that snaked through the marshes were a means of communication and trade. A timber wharf, built in the 16th century, was recorded on the edge of one such creek. In modern times, the sparsely populated area proved an ideal location for the establishment of oil refineries and other industries, positioning London Gateway at the heart of British trade. The area has also inspired artists, writers and filmmakers.This volume joins two others - London Gateway: Maritime Archaeology in the Thames Estuary and London Gateway: Iron Age and Roman Salt Making in the Thames Estuary - that explore the archaeology and heritage of the London Gateway site.

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Winner, Canadian Museums Association Award for Outstanding Achievement (Research) and APMA Best Atlantic-Published Book AwardLonglisted, First Nation Communities READ AwardThe story of an overlooked group of cultural visionariesThe “Micmac Indian Craftsmen” of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions — including at Expo 67 — and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain.Primarily self-taught and deeply rooted in their community, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent.By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this groundbreaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art.Wla atukuaqn na ujit ta'nik mu ewi'tamuki'k tetuji kelulkɨpp ta'n teli amaliteka'tijik Wla “Mi'kmewaqq L'nue'k amaliteka'tijik” tlo'ltijik Elsipogtog (amskweseweyekk i'tlui'tasikɨpp Big Cove) poqji wuli nenupnikk wla amaliteka'tijik 1960ekk. Je wekaw wutlukowaqnmuwow ika'tasikɨpp wikatikniktuk aqq ne'yo'tasikɨpp ta'n pukwelk ta'n wen nmitew — je wekaw Expo 67 — aqq ta'n koqoey kisi napui'kmi'tipp tampasɨk koqoey eweketu'tij stike' l'taqnewi'kasik, napui'kn misekn, wi'katikne'ji'jk, meko'tikl kuntal, kaqapitkl l'taqa'teke'l, aqq wekaw akalasie'we'k eptaqnk. Nekmow na kekina'masultijik aqq melki knukwi'tij ta'n tett telayawultijik, nekmow na amskewsewa'jewaqq l'nu'k tel nenujik ujit ta'n teli amaliteka'tijik ujit Atlantic Canada. Pema'lkwi'titl a'tukuaqnn ta'n sa'qewe'l, ta'n wejiaqel a'tukuaqnn Wabanaki, l'tu'tipp kaqasi milamu'k koqowey toqo eweketu'titl wutpitnual tetuji moqɨtekl, ma'muntekl, aqq weltekl.Wekaw 1966ekk, kpno'l pun apoqnmuapni wla amaliteka'tikete'jɨk jel kaqnma'tijik ta'n koqoey nuta'tipp, amuj pana pun lukutipnikk, aqq tel awantasuwalutki'k. Nike', amskwesewey, wla a'tukuaqn tetuji msɨki'kɨpp wla wut lukewaqnmuwow etel kaqi a'tukwasikk. Wije'tew meski'k neya'tmk Beaverbrook Art Gallery pana'siktetew 2022al, Wabanaki Modern na pema'toql wikikaqnn ujit ta'n pemiaqɨpp wla tetuji wulamu'kɨpp kisitaqnne'l telukutijik, maskutekl sa'qewe'l napuikasikl toqo nemu'jik etl-lukutijik wla lukewinu'k, aqq sikte wultek aqq welamu'k ta'n koqoey kisitu'tij.L'histoire d'un groupe de visionnaires culturels ignorésUn groupe d'artisans mi'kmaw d'Elsipogtog (autrefois Big Cove) au Nouveau-Brunswick se fit connaître à travers le Canada au début des années 1960. À l'apogée de leur renommée, les Micmac Indian Craftsmen firent l'objet d'articles dans des publications d'un océan à l'autre. Leur travail figura dans des livres et des expositions — dont Expo 67 à Montréal — et leurs œuvres graphiques furent reproduites sous forme de gravures et de sérigraphies, et elles ornèrent de la papeterie, des bijoux, des tapisseries et même de la porcelaine anglaise.En grande partie autodidactes et solidement enracinés dans leur communauté, les Micmac Indian Craftsmen furent parmi les premiers artistes autochtones modernes au Canada atlantique. En s'inspirant de récits traditionnels wabanakis, ils fabriquaient à la main une gamme variée d'objets raffinés, évocateurs et porteurs d'un sens profond.En 1966, toutefois, le gouvernement retira son soutien. Les Craftsmen perdirent leur financement, la production cessa peu après et leur œuvre finit par être oubliée. Une nouvelle publication relate maintenant, pour la première fois, l'histoire complète de cette coopérative innovatrice et de ses réalisations. Publié dans le cadre d'une grande exposition qui a lieu à la Galerie d'art Beaverbrook en 2022, Wabanaki Moderne comprend des textes sur l'histoire de cet atelier dynamique, des photographies d'archives des artisans et de superbes illustrations couleur de leurs œuvres.

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Over the nearly two decades that they have each been conducting fieldwork in the Arabian Peninsula, Ahmed Kanna, Amélie Le Renard, and Neha Vora have regularly encountered exoticizing and exceptionalist discourses about the region and its people, political systems, and prevalent cultural practices. These persistent encounters became the springboard for this book, a reflection on conducting fieldwork within a "field" that is marked by such representations. The three focus on deconstructing the exceptionalist representations that circulate about the Arabian Peninsula. They analyze what exceptionalism does, how it is used by various people, and how it helps shape power relations in the societies they study. They propose ways that this analysis of exceptionalism provides tools for rethinking the concepts that have become commonplace, structuring narratives and analytical frameworks within fieldwork in and on the Arabian Peninsula. They ask: What would not only Middle East studies, but studies of postcolonial societies and global capitalism in other parts of the world look like if the Arabian Peninsula was central rather than peripheral or exceptional to ongoing sociohistorical processes and representational practices? The authors explore how the exceptionalizing discourses that permeate Arabian Peninsula studies spring from colonialist discourses still operative in anthropology and sociology more generally, and suggest that de-exceptionalizing the region within their disciplines can offer opportunities for decolonized knowledge production.

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Over the nearly two decades that they have each been conducting fieldwork in the Arabian Peninsula, Ahmed Kanna, Amélie Le Renard, and Neha Vora have regularly encountered exoticizing and exceptionalist discourses about the region and its people, political systems, and prevalent cultural practices. These persistent encounters became the springboard for this book, a reflection on conducting fieldwork within a "field" that is marked by such representations. The three focus on deconstructing the exceptionalist representations that circulate about the Arabian Peninsula. They analyze what exceptionalism does, how it is used by various people, and how it helps shape power relations in the societies they study. They propose ways that this analysis of exceptionalism provides tools for rethinking the concepts that have become commonplace, structuring narratives and analytical frameworks within fieldwork in and on the Arabian Peninsula. They ask: What would not only Middle East studies, but studies of postcolonial societies and global capitalism in other parts of the world look like if the Arabian Peninsula was central rather than peripheral or exceptional to ongoing sociohistorical processes and representational practices? The authors explore how the exceptionalizing discourses that permeate Arabian Peninsula studies spring from colonialist discourses still operative in anthropology and sociology more generally, and suggest that de-exceptionalizing the region within their disciplines can offer opportunities for decolonized knowledge production.

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Can she find the courage to defy a king?In seventeenth-century France, Louis XIV rules with flamboyant ambition. In his domain, wealth and beauty are all; frivolity begets cruelty; science and alchemy collide. From the Hall of Mirrors to the vermin-infested attics of the Chateau at Versailles, courtiers compete to please the king, sacrificing fortune, principles, and even sacred family bonds.'A wonderful book! Adventure, love, history, magic - it's an engrossing story with magnificent characters, balanced perfectly on the edge between,' says DIANA GABALDONBy the fiftieth year of his reign, Louis XIV has made France the most powerful state in the western world, but the Sun King's appetite for glory knows no bounds. In a bold stroke, he sends his natural philosopher on an expedition to seek the source of immortality: the mythical sea monster. For the glory of his God, his country, and his king, Father Yves de la Croix returns with his treasures: one heavy shroud packed in ice . . . and in a covered basin, an imprisoned sea-creature.Marie-Josephe de la Croix has been looking forward to assisting her brother Yves in the scientific study of the sea monster, until she makes a discovery that will threaten everything her brother, the court and the King believe.'The finest alternate history ever, light-hearted and wise - a luminous, radiant novel,' said URSULA K. LE GUINBut in the decadent court of King Louis, where morality is skewed and corruption reigns, will anyone listen to a single voice? Somehow, she must find the courage to follow her heart and her convictions - even at the cost of changing her life forever.

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