Search results for ""author "demi"""

The U.S. Supreme Court decision in Roe v. Wade stands as a historic victory for abortion-rights activists. But rather than serving as the coda to what had been a comparatively low-profile social conflict, the decision mobilized a wave of anti-abortion protests and ignited a heated struggle that continues to this day. Picking up the story in the contentious decades that followed Roe, The Street Politics of Abortion is the first book to consider the rise and fall of clinic-front protests through the 1980s and 1990s, the most visible and contentious period in U.S. reproductive politics. Joshua Wilson considers how street level protests lead to three seminal Court decisions—Planned Parenthood v. Williams, Schenck v. Pro-Choice Network of Western N.Y., and Hill v. Colorado. The eventual demise of street protests via these cases taught anti-abortion activists the value of incremental institutional strategies that could produce concrete policy gains without drawing the public's attention. Activists on both sides ultimately moved—often literally—from the streets to fight in state legislative halls and courtrooms. At its core, the story of clinic-front protests is the story of the Christian Right's mercurial assent as a force in American politics. As the conflict moved from the street, to the courts, and eventually to legislative halls, the competing sides came to rely on a network of lawyers and professionals to champion their causes. New Christian Right institutions—including Pat Robertson's American Center for Law and Justice and the Regent University Law School, and Jerry Falwell's Liberty University School of Law—trained elite activists for their "front line" battles in government. Wilson demonstrates how the abortion-rights movement, despite its initial success with Roe, has since faced continuous challenges and difficulties, while the anti-abortion movement continues to gain strength in spite of its losses.

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After prospering in the nineteenth and early twentieth centuries, America's great urban centers faced economic, demographic, and political decline during the depression of the 1930s. When the Second World War brought economic recovery, politicians and planners of the 1940s confidently anticipated a new golden age for big cities. But the postwar boom never came, and urban America has been waiting for the "renaissance" ever since. In"The Rough Road to Renaissance", Jon C. Teaford describes efforts in twelve older central cities in the Northeast and Midwest to achieve revitalization during the period from 1940 to 1985. Focusing on the "view from City Hall" rather than on state or federal perspectives, Teaford explores the changing trends in city politics and municipal finance as well as the policies that pursued the elusive goal of urban renaissance. He also considers the environmental, transportation, rehabilitation, and reconstruction programs undertaken to create better cities and to close the widening competitive gap with suburbia. In the early fifties, Teaford explains, big cities were planning for a bright future. Crosstown highways, low-income highrises, and vigorous demolition drastically altered the urban landscape and confidently anticipated new development. But the automobile culture was already derailing urban renewal as city dwellers sought the good life in the suburbs. By the late sixties, rising crime, racial tension, labor militancy, and a wave of abandonment seemed to offer further evidence of impending urban demise. Yet in the 1980s, "messiah mayors" and visionary planners boosted the hopes and morale of urban residents. Once again there was talk of renaissance, but beneath the facade of revival serious problems persisted. In "The Rough Road to Renaissance", Jon Teaford tells a story that residents of Boston, Minneapolis, Chicago, New York, St. Louis, and other famous urban centers will recognize-- a story that is still being written

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Alaska pollock is everywhere. If you’re eating fish but you don’t know what kind it is, it’s almost certainly pollock. Prized for its generic fish taste, pollock masquerades as crab meat in california rolls and seafood salads, and it feeds millions as fish sticks in school cafeterias and Filet-O-Fish sandwiches at McDonald’s. That ubiquity has made pollock the most lucrative fish harvest in America—the fishery in the United States alone has an annual value of over one billion dollars. But even as the money rolls in, pollock is in trouble: in the last few years, the pollock population has declined by more than half, and some scientists are predicting the fishery’s eventual collapse. In Billion-Dollar Fish, Kevin M. Bailey combines his years of firsthand pollock research with a remarkable talent for storytelling to offer the first natural history of Alaska pollock. Crucial to understanding the pollock fishery, he shows, is recognizing what aspects of its natural history make pollock so very desirable to fish, while at the same time making it resilient, yet highly vulnerable to overfishing. Bailey delves into the science, politics, and economics surrounding Alaska pollock in the Bering Sea, detailing the development of the fishery, the various political machinations that have led to its current management, and, perhaps most important, its impending demise. He approaches his subject from multiple angles, bringing in the perspectives of fishermen, politicians, environmentalists, and biologists, and drawing on revealing interviews with players who range from Greenpeace activists to fishing industry lawyers. Seamlessly weaving the biology and ecology of pollock with the history and politics of the fishery, as well as Bailey’s own often raucous tales about life at sea, Billion-Dollar Fish is a book for every person interested in the troubled relationship between fish and humans, from the depths of the sea to the dinner plate.

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This is the first comprehensive biography in any language of Russia’s leading statesman in the period following the Revolution of 1905. Prime Minister and Minister of Internal Affairs from 1906 to 1911 (when he was assassinated), P. A. Stolypin aroused deep passions among his contemporaries as well as subsequent historians. In the twilight of Nicholas II’s reign he was virtually the only man who seemed to have a clear notion of how to reform the socioeconomic and political system of the empire. His efforts in that direction—in agriculture, local administration, religious freedom, social legislation, the legal system—were radically new departures for the Russian state. His detractors disdained him as a power-hungry, coldhearted politician who was unscrupulous in pursuing his own career and would use any means to restore the tsarist autocracy following the frightening turbulence of 1905. Stolypin’s admirers, however, argued that he was a man of vision who pursued policies that would have transformed the country into a modern state with social and political institutions comparable to those of the West. Lenin’s celebrated denunciation of Stolypin as “hangman-in-chief” set the tone for official Soviet work on his career. In the West, some historians and émigré writers, most notably Aleksandr Solzhenitsyn, erred in the opposite direction. By contrast, this book—on the basis of extensive Russian archival documentation only recently available to historians—seeks to provide a balanced portrait of Stolypin that encompasses the complex, even divergent, impulses that motivated him. Although Stolypin did not shrink from the use of force to stamp out unrest, he lamented the shedding of blood and much preferred nonviolent means to curb the opposition. In foreign affairs, he was uncompromising in his insistence that Russia should avoid entanglements that could lead to military conflict. To be sure, he was deeply committed to monarchical rule, but he did not consider it advisable to abolish the elected legislature or to deprive it of its authority. Stolypin’s program, a blend of reformism, authoritarianism, and nationalism, was more likely than any other to lead Russia toward social and political stability. But Tsar Nicholas II, his entourage, and ultra-conservatives could not bring themselves to yield a portion of their privileges and prerogatives in return for a reduced, though still significant, role in a changed Russia. They succeeded in undermining the Prime Minister’s attempts at fundamental reform and thus scuttled Imperial Russia’s last such attempt before its demise.

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The Drum Tower is Farnoosh Moshiri's fourth work of fiction concerned with the deleterious effects of the Iranian Revolution of 1979. This novel, told by a mentally ill, 16-year-old girl, depicts the fall of Drum Tower, the house of a family descended from generations of War Ministers. Rich in characters-Talkhoon, who struggles to control the winds she hears inside her head and who tells the story; Assad, a man made evil by his love for her; Anvar Angha, Talkhoon's grandfather who has devoted his life to writing a book about the Simorgh (the mythical bird of knowledge; the Persian Phoenix) but never completes it; Soraya, Talkhoon's mother, whom we never meet but about whom myriad and contradictory stories abound-and rich in family secrets, this novel chronicles the early days of the revolution, the ruthlessness and opportunism of the competing factions, the rise of the Revolutionary Guard, the chaos and murder in the streets of Tehran, the arrests and executions, as experienced by the members of this family. The Drum Tower may be compared, favorably, to Gone with the Wind. It has already won two Barbara Deming Memorial Fund Fiction Awards and a Black Heron Press Award for Social Fiction. It has been licensed to the United Kingdom's Sandstone Press which will publish the British Commonwealth edition simultaneous with the Black Heron Press edition.

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Anne Boleyn’s unconventional beauty inspired poets - and she so entranced Henry VIII with her wit, allure and style that he was prepared to set aside his wife of over twenty years and risk his immortal soul. Her sister had already been the king’s mistress, but the other Boleyn girl followed a different path. For years the lovers waited; did they really remain chaste? Did Anne love Henry, or was she a calculating femme fatale? Eventually replacing the long-suffering Catherine of Aragon, Anne enjoyed a magnificent coronation and gave birth to the future Queen Elizabeth, but her triumph was short-lived. Why did she go from beloved consort to adulteress and traitor within a matter of weeks? What role did Thomas Cromwell and Jane Seymour of Wolf Hall play in Anne’s demise? Was her fall one of the biggest sex scandals of her era, or the result of a political coup? With her usual eye for the telling detail, Amy Licence explores the nuances of this explosive and ultimately deadly relationship to answer an often neglected question: what choice did Anne really have? When she writes to Henry during their protracted courtship, is she addressing a suitor, or her divinely ordained king? This book follows Anne from cradle to grave and beyond. Anne is vividly brought to life amid the colour, drama and unforgiving politics of the Tudor court.

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'Rich and rewarding' Wall Street JournalIt is impossible to understand the last 75 years of British and American history without understanding the Anglo-American relationship, and specifically the bonds between presidents and prime ministers. FDR of course had Churchill; JFK famously had Macmillan, his consigliere during the Cuban Missile Crisis. Reagan found his ideological soul mate in Thatcher, and George W. Bush found his fellow believer, in religion and in war, in Tony Blair. In a series of shrewd and absorbing character studies, Ian Buruma takes the reader on a journey through the special relationship via the fateful bonds between president and prime minister. It's never been a relationship of equals: from Churchill's desperate cajoling and conniving to keep FDR on side, British prime ministers have put much more stock in the relationship than their US counterparts did. For Britain, resigned to the loss of its once-great empire, its close kinship to the world's greatest superpower would give it continued relevance, and serve as leverage to keep continental Europe in its place. As Buruma shows, this was almost always fool's gold. And now, as the links between the Brexit vote and the 2016 US election are coming into sharper focus, it is impossible to understand the populist uprising in either country without reference to Trump and Boris Johnson, though ironically, they are also the key, Buruma argues, to understanding the special relationship's demise.

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The intrigue began with a triple homicide in a luxury apartment building just steps from the Champs-Elyseés, in March 1887. A high-class prostitute and two others, one of them a child, had been stabbed to death—the latest in a string of unsolved murders targeting women of the Parisian demimonde. Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation. As the case descended into scandal and papers fanned the flames of anti-immigrant politics, the investigation became thoroughly enmeshed with the crisis-driven political climate of the French Third Republic and the rise of xenophobic right-wing movements. Aaron Freundschuh's account of the "Pranzini Affair" recreates not just the intricacies of the investigation and the raucous courtroom trial, but also the jockeying for status among rival players—reporters, police detectives, doctors, and magistrates—who all stood to gain professional advantage and prestige. Freundschuh deftly weaves together the sensational details of the case with the social and political undercurrents of the time, arguing that the racially charged portrayal of Pranzini reflects a mounting anxiety about the colonial "Other" within France's own borders. Pranzini's case provides a window into a transformational decade for the history of immigration, nationalism, and empire in France.

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Why Stories Matter is a powerful critique of the stories that feminists tell about the past four decades of Western feminist theory. Clare Hemmings examines the narratives that make up feminist accounts of recent feminist history, highlights the ethical and political dilemmas raised by these narratives, and offers innovative strategies for transforming them. Drawing on her in-depth analysis of feminist journals, such as Signs, Feminist Review, and Feminist Theory, Hemmings argues that feminists portray the development of Western feminism through narratives of progress, loss, and return. Whether celebrating the move beyond unity or identity, lamenting the demise of a feminist political agenda, or proposing a return to a feminist vision from the past, by advancing these narratives feminists construct a mobile “political grammar” too easily adapted for postfeminist agendas. Hemmings insists that it is not enough for feminist theorists to lament what is most often perceived as the co-optation of feminism in global arenas. They must pay attention to the amenability of their own stories, narrative constructs, and grammatical forms to broader discursive uses of gender and feminism if history is not simply to repeat itself. Since citation practices and the mobilization of affect are central to how the narratives of progress, loss, and return persuade readers to suspend disbelief, they are also potential keys to telling the story of feminism’s past, present, and future differently.

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The Southampton Speedway team was one of the founder members of the first speedway league in 1929. Indeed, it was the Southampton promoter at the time, George 'Jimmy' Baxter, who had the idea that dirt-track racing - as it was then called - needed competitive league racing, consisting of teams with which fans could identify, to remain popular. This collection of team groups, action photographs, portraits and other memorabilia compiled by Paul Eustace, charts the history of speedway at Banister Court Stadium from the pioneer days of 1928 to its sad demise in 1963. Special mention is made of Charlie Knott, the 'Guv'nor' as he was fondly known, who was the man behind Southampton Speedway. With his fellow directors and loyal workforce, he brought the best of speedway entertainment to the Hampshire Public. Many of speedway's biggest names wore the Saints' race jacket and are included in the book. Rider such as 'Sprouts' Elder, Jack and Norman Parker, Phil Bishop, Alec Stratham, Cordy Milne, Gus Kuhn, Dicky Smythe, Les Wotton, Dick Bradley, Brian Crutcher, 'Split' Waterman, Geoff Mardon, Bjorn Knutsson, Olle Nygren, Cyril Roger and Barry Briggs brought the thrills to thousands at Banister Court, as did many local favourites who are also featured. This book, with over two hundred illustrations and accompanying text, is sure to revive memories for Saints fans and will also be of great interest to all speedway enthusiasts.

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A CHOICE OUTSTANDING ACADEMIC TITLE The White Lotus War (1796–1804) in central China marked the end of the Qing dynasty’s golden age and the fatal weakening of the imperial system itself. What started as a local rebellion grew into a serious political crisis, as the central government was no longer able to operate its military machine. Yingcong Dai’s comprehensive investigation reveals that the White Lotus rebels would have remained a relatively minor threat, if not for the Qing’s ill-managed response. Dai shows that the officials in charge of the suppression campaign were half-hearted about the fight and took advantage of the campaign to pursue personal gains. She challenges assumptions that the Qing relied upon local militias to exterminate the rebels, showing instead that the hiring of civilians became a pretext for misappropriation of war funds, resulting in the devastatingly high cost of the war. The mishandled demilitarization of the militiamen prolonged the hostilities when many of the dismissed troops turned into rebels themselves. The war’s long-term impact presaged the beginning of the disintegration of the Qing in the mid-nineteenth century and eruptions of the Taiping Rebellion and other uprisings. The White Lotus War will interest students and scholars of late imperial and modern Chinese history, as well as history buffs interested in the warfare of the early modern world.

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Billy Wilder's Sunset Boulevard was a critical and commercial success on its release in 1950 and remains a classic of film noir and one of the best-known Hollywood films about Hollywood. Both its opening, with William Holden as the screenwriter Joe Gillis floating facedown in ageing star Norma Desmond's (Gloria Swanson) pool, and lines such as 'I am big, it's the pictures that got small' are some of the most memorable in Classical Hollywood cinema. Steven Cohan's study of the film draws on original archival research to shed new light on the film's production history, and the contribution to the film's success and meanings of director Wilder, stars Holden and Swanson but also supporting actors Erich von Stroheim, Nancy Olson (who plays Betty Schaefer), Cecil B. DeMille, and Hedda Hopper, as well as costumier Edith Head, and composer Franz Waxman. Cohan considers the film both as a 'backstudio' picture (a movie about Hollywood) and as a film noir, and in the context of McCarthyism, blacklisting and the Hollywood Ten. Cohan explores how the film was marketed, its reception and afterlife, tracing how the film is at once a product of its own particular historical moment as the movie industry was transitioning out of the studio era, yet one that still speaks powerfully to contemporary audiences, and speculates on the reasons for its enduring appeal.

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Among early Hollywood's most renowned film makers, Lois Weber was considered one of the era's three great minds" alongside D W Griffith and Cecil B DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber's remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture. Weber made films on capital punishment, contraception, poverty, and addiction, establishing cinema's power to engage topical issues for popular audiences. Her work grappled with the profound changes in women's lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on-screen and in the 1920s protesting the growing climate of hostility toward female directors. Stamp demonstrates how female film makers who had played a part in early Hollywood's bid for respectability were in the end written out of that industry's history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early film making in Los Angeles, and women's contributions to American culture.

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'Superior crime fiction set in Iceland' The Times'As chilling as an Icelandic winter' S. J. BoltonWhen a shipowner is found dead, tied to a bed in one of Reykjavik's smartest hotels, Sergeant Gunnhildur sees no evidence of foul play. However, she still suspects things are not as cut and dried as they seem and, as she investigates the shipowner's untimely demise, she stumbles across a discreet bondage society whose members are being systematically exploited and blackmailed.But how does all this connect to a local gangster recently returned to Iceland after many years abroad, and the unfortunate loss of a government laptop containing sensitive data about various members of the ruling party? What begins as a straightforward case for Gunnhildur soon explodes into a dangerous investigation, uncovering secrets that ruthless men are ready to go to violent extremes to keep.The third dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates:'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir'A perfect book to curl up with in front of the fire' The Bookbag'Well written and absorbing' Woman's Way'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist'[A] crackling fiction debut ... palpable authenticity' Publishers Weekly'A superb new series' Eurocrime

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The railway lines of the heavily industrialised Black Country were of considerable commercial importance to the fortunes of the Great Western Railway and its successor, the Western Region of British Railways. Nevertheless, they received little attention from both photographers of the railway scene and contemporary railway publishers alike. Perhaps understandably, photographers, particularly in the post-war austerity years, chose to eschew the grimy industrial landscape of North West Worcestershire and South East Staffordshire and save their expensive film stock for more idyllic scenery elsewhere. The book seeks to redress that previous lack of attention, by presenting a significant selection of hitherto unpublished photographs, principally by locally based enthusiasts, accompanied by informative captions. Throughout the period from nationalisation to the ultimate demise of steam it follows the respective former GW routes through the region in a logical manner, depicting the wide variety of the locomotive power employed to haul the diverse traffic generated by the local industry, and the sidings and yards that served it. Coverage is also given to local locomotive running sheds and maintenance facilities. Most of the featured lines have now closed, as is also true of much of the heavy industry. A resident from the immediate post-war years would find the area unrecognisable, but it is to be hoped that the book will rekindle memories of a landscape now lost forever.

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Tempus Rerum Imperator: Time, Emperor of All Things1758. England is embroiled in a globe-spanning conflict that stretches from her North American colonies to Europe and beyond. Across the Channel, the French prepare for an invasion — an invasion rumored to be led by none other than Bonnie Prince Charlie. It seems the map of Europe is about to be redrawn. Yet behind these dramatic scenes, another war is raging - a war that will determine not just the fate of nations but of humanity itself...Daniel Quare is a journeyman in an ancient guild, The Worshipful Company of Clockmakers. He is also a Regulator, part of an elite network within the guild devoted to searching out and claiming for England's exclusive use any horological innovation that could give them an upperhand, whether in business or in war. Just such a mission has brought Quare to the London townhouse of eccentric collector, Lord Wichcote. He seeks a pocket watch rumoured to possess seemingly impossible properties that are more to do with magic than with any science familiar to Quare or to his superiors. And the strange timepiece has attracted the attention of others as well: the mysterious masked thief known only as Grimalkin, and a deadly French spy who stop at nothing to bring the prize back to his masters. Soon Quare finds himself on a dangerous trail of intrigue and murder that leads far from the world he knows into an otherwhere of dragons and demigods, in which nothing is as it seems . . . time least of all.

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Soundings was first published in 1969. It was intended as an ‘interim’ anthology of poetry for the Leaving Certificate until such time as a more permanent volume could be devised. Twenty six years later it was replaced. In the meantime it had passed through the hands of hundreds of thousands of students in Ireland. Soundings might have been replaced but it was never fully forgotten. Old copies ended up with an individual personality honed out of manual annotations and thoughts, not all of them provided by the teacher. Scrawls in biro or pencil testified to the thoughts and daydreams many users. A surprising number of copies ended up in attics only to be rediscovered with delight many years later and to be given treasured status in new homes. One former student recalled how Soundings was the first school book to treat her as an adult. It made no concessions to the ‘teenager’. It didn’t patronise. Its imagery was entirely in the poetry. The typography was appalling but the cover design still resonates. A decade after its demise, second hand copies of Soundings were fetching surprising prices. It was widely discussed in chat-rooms on the web. There were increasing demands for a reprint. So here is Soundings, in its original form just as you remember it. The same stony grey soil of Patrick Kavanagh’s Monaghan; T.S.Eliot’s same women who come and go talking of Michaelangelo. Please enjoy once more!

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The idea of the sword-wielding samurai, beholden to a strict ethical code and trained in deadly martial arts, dominates popular conceptions of the samurai. As early as the late seventeenth century, they were heavily featured in literature, art, theater, and even comedy, from the Tale of the Heike to the kabuki retellings of the 47 Ronin. This legacy remains with us today in the legendary Akira Kurosawa films, the shoguns of HBO's Westworld, and countless renditions of samurai history in anime, manga, and video games. Acknowledging these common depictions, this book gives readers access to the real samurai as they lived, fought, and served. Much as they capture the modern imagination, the samurai commanded influence over the politics, arts, philosophy and religion of their own time, and ultimately controlled Japan from the fourteenth century until their demise in the mid-nineteenth century. On and off the battlefield, whether charging an enemy on horseback or currying favor at the imperial court, their story is one of adventures and intrigues, heroics and misdeeds, unlikely victories and devastating defeats. This book traces the samurai throughout this history, exploring their roles in watershed events such as Japan's invasions of Korea at the close of the sixteenth century and the Satsuma Rebellion of 1877. Coming alive in these accounts are the samurai, both famed and ordinary, who shaped Japanese history.

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The Schuylkill River flows more than 100 miles from the mountains of the Pennsylvania Coal Region to the Delaware River. It passes through five counties - Schuylkill, Berks, Chester, Montgomery, and Philadelphia - and its valley is home to more than three million people, yet few are aware of the hidden ruins and traces left by a pioneering 200-year-old inland waterway: the Schuylkill Navigation. Some of it is literally buried in their own backyards.Often called the Schuylkill Canal, this complex Navigation system actually boasted twenty-seven canals. The first of the anthracite-carrying routes in America, the 108-mile Navigation shadowed the Schuylkill River for nearly all its length. It once had more than thirty dams and slackwater pools, more than 100 stone locks, numerous aqueducts, and the first transportation tunnel in the nation. They were all built by hand starting in 1816.In the 1940s, as part of a massive environmental cleanup of the river, this important and influential infrastructure was largely dismantled - but not entirely. Two short sections of the watered canal get plenty of attention: the Oakes Reach at Schuylkill Canal Park near Phoenixville and the Manayunk Canal in Philadelphia. Both are popular recreational destinations. What happened to the rest of it?Photographer Sandy Sorlien resolved to find out. Over the course of seven years, she traveled upriver repeatedly to bushwhack along the riverbanks and to row and paddle in the river itself. Armed with camera and binoculars, loppers and trekking poles, nineteenth-century maps and modern satellite imagery, and abetted by local historians and an archaeologist, she found all sixty-one lock sites and explored most of the canal beds. Her photographs reveal a mysterious remnant landscape, evidence of a bold industrial innovation that spelled its own demise. The water pollution created by the coal industry and obstructive dams meant the end of a way of life for the towns that boomed along the canals, from Pottsville to Reading, Birdsboro to Phoenixville, Bridgeport to Philadelphia.Along with Sorlien's full-color plates and explanatory essays, Inland features a selection of historic images, rare historic Schuylkill Navigation Company maps, and early Philadelphia Watering Committee plans. The book also includes a foreword by renowned landscape scholar John R. Stilgoe, an essay on regional transportation history by Mike Szilagyi, Trails Project Manager for the Schuylkill River Greenways Natural Heritage Area, and an afterword by Karen Young, Director of the Fairmount Water Works Interpretive Center. A sweeping new Schuylkill River map by Morgan Pfaelzer connects it all. Inland is the first to present contemporary photographs from a survey of the entire Schuylkill Navigation, becoming an essential resource for future historians and a resonant visual history all its own.

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Sous l’aspect rassurant d’un recueil érudit, cet album est un permis de chasse aux trésors. Non pour les perceurs de murailles, mais pour les perceurs de mystères. Nul besoin de forcer les secrets des Pyramides ou des palais de Maharajas! Restons ‘Rive gauche’, où la Société Asiatique, libéralement ouverte, ne cesse d’enrichir sa bibliothèque, marquée par la mémoire de Jeanne-Marie Allier, fille du sinologue Paul Demiéville. Quand elle fut fondée, le 1er avril 1822, Paris était la capitale européenne de l’orientalisme. Jusqu’alors l’Asie était le domaine réservé des missionnaires et des marchands, dont le zèle n’était pas désintéressé. Anquetil-Duperron (1731-1805), traducteur de l’Avesta, fut le premier orientaliste au sens savant du mot. Depuis l’expédition d’Égypte, les orientalistes découvraient un monde encore plus captivant que les utopies des Voyages de Gulliver. À la Société Asiatique affluaient livres, chartes et rouleaux, tablettes d’argile, moulages d’inscriptions lapidaires, papyri, xylographies chinoises, feuilles de latanier couvertes de textes bouddhiques. Plus tard, avec les langues non écrites, arrivèrent des transcriptions sur sacs de ciment, notées à la hâte par les ethnologues. Présents dès 1822, Abel-Rémusat et Champollion affrontaient le même défi: déchiffrer des idéogrammes à l’aide de textes bilingues, sino-mandchou d’un côté, gréco-égyptien de l’autre. La quête des caractères spéciaux nécessaires à l’impression du Journal Asiatique fut un roman d’aventures, où se croisent marchands arméniens partant pour l’Égypte, ambassadeurs du Tsar en Mandchourie, graveurs méritants, et même la générosité du roi de Prusse, donateur des lettres dévanagari. Par l’extension de son champ géographique et disciplinaire, la Société Asiatique reflète la ferveur de milliers d’orientalistes, qui partagent depuis deux siècles le même projet humaniste et universaliste. Chaque livre porte la mémoire d’un savant. L’herbier chinois traduit l’insatiable curiosité du fondateur, le Comte de Lasteyrie. Le manuscrit du Lalita Vistara, est lié aux travaux d’Eugène Burnouf. Les charmantes images chinoises populaires sont un don d’Édouard Chavannes. À l’heure des spécialisations étroites et des cloisonnements excessifs, la présente collection ouvre un espace de réflexion et de citoyenneté universelles. Under the comforting aspect of a lavishly illustrated erudite collection, this album is a treasure hunting license. Not for breaking through walls, but for breaking enigmas. No need to break into the secret corridors of the Pyramids, to enter the mazes of the Maharajas' palaces! We can stay on the 'Left Bank', where the Société Asiatique, open to those who ask, has not ceased, for two centuries, to enrich its library, durably marked by the memory of Jeanne-Marie Allier, daughter of the great sinologist Paul Demiéville. When the Société Asiatique was founded on April 1st 1822, Paris was the European capital of research on the Orient. Until then, the Near East and Asia had been the exclusive domain of missionaries and merchants, whose zeal was not entirely disinterested. Anquetil-Duperron (1731-1805) was the first orientalist in the scholarly sense of the word, that is to say 'a true traveler, loving all men as his brothers, sailing all over the world, above wealth and poverty'. Since the Egyptian expedition, the horizon had opened on the depths of Asia. Orientalists discovered a world even more captivating than the amusing utopias of Gulliver's Travels. Certainly, no Asian people wrote diagonally, like Lilliputians or the English ladies. But how can one not marvel at the variety of media? Books, charters and scrolls, clay tablets, casts of lapidary inscriptions, papyri, Chinese xylographs, and leaves of exotic trees covered with Buddhist texts, all flowed in to the Société Asiatique,. Later, when ethnologists began collecting unwritten languages, they sent their transcriptions, hastily noted down on bags of cement. Both present at the first session of the Société Asiatique, Abel-Rémusat and Champollion faced the same challenge at the opposite ends of Asia: to decipher ideograms with the help of bilingual texts, Sino-Manchu on the one hand, Greco-Egyptian on the other. Printing the Journal Asiatique required special characters. The quest for these new fonts is a kind of adventure novel, in which we meet Armenian merchants leaving for Egypt, Tsar's ambassadors in Manchuria, skilled engravers, and even the generosity of the King of Prussia, donor of the Devanagari letters. The Imprimerie Nationale took over under the Second Empire. The library of the Société Asiatique mirrors the fervor of thousands of Orientalists who have shared the same humanist and universalist project for two centuries. Each work bears the memory of a scholar. The Chinese Herbarium reflects the insatiable curiosity of the founder, Count de Lasteyrie. The Lalita Vistara manuscript is linked to the work of Eugene Burnouf. The charming popular Chinese images are a gift from Edouard Chavannes. 'Truth is in the whole', wrote Hegel. At a time of narrow specialization and excessive compartmentalization, the present collection opens up a space for universal reflection and citizenship.

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Understanding associations in the Greco-Roman world enhances the study of the rise of early Christianity—whether at the micro-level of interpreting particular texts or at the macro-level of assessing the spread of Christ-devotion in the pre-Constantinian era. The twenty-five contributions contained within Greco-Roman Associations, Deities, and Early Christianity enlarge our perspectives on the extent to which Greco-Roman associations bring features of Christian origins into relief.Thematic studies include associational social reputation; women in associations; deities and devotion; financial strategies of group maintenance; care for the poor; varieties of group identity; refinements of terminological and conceptual apparatus; funerary practices; occupational groups; and the alleged role of Christianity in the demise of associations. Studies of particular phenomena include 1 Thessalonians, 1 Corinthians, Paul's Collection, Hebrews, a late first-century Christian family, 1 Clement, and Clement of Alexandria.While the essays cover a wide spectrum of topics, they retain a clear focus on aspects of corporate life within ancient associations as comparanda for the study of early Christ-groups within their social milieu. These essays, all kept to a disciplined length, represent the work of impressive scholars from a range of interdisciplinary, intergenerational, and international contexts. The volume's symposium of voices and lively scholarly exchange productively expand current conversations about Greco-Roman associations, deities, and early Christianity.

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The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001 - the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the ""platter,"" which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience.

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In the reign of Edward I, when asked Quo Warranto - by what warrant he held his lands - John de Warenne, the 6th earl of Surrey, is said to have drawn a rusty sword, claiming 'My ancestors came with William the Bastard, and conquered their lands with the sword, and I will defend them with the sword against anyone wishing to seize them'. John's ancestor, William de Warenne, 1st Earl of Surrey, fought for William the Conqueror at the Battle of Hastings in 1066. He was rewarded with enough land to make him one of the richest men of all time. In his search for a royal bride, the 2nd earl kidnapped the wife of a fellow baron. The 3rd earl died on crusade, fighting for his royal cousin, Louis VII of France... For three centuries, the Warennes were at the heart of English politics at the highest level, until one unhappy marriage brought an end to the dynasty. The family moved in the highest circles, married into royalty and were not immune to scandal. Defenders of the Norman Crown tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.

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Following the fall of the Berlin Wall and demise of the Soviet Union, prominent Western thinkers began to suggest that liberal democracy had triumphed decisively on the world stage. Having banished fascism in World War II, liberalism had now buried communism, and the result would be an end of major ideological conflicts, as liberal norms and institutions spread to every corner of the globe. With the Brexit vote in Great Britain, the resurgence of right-wing populist parties across the European continent, and the surprising ascent of Donald Trump to the American presidency, such hopes have begun to seem hopelessly naïve. The far right is back, and serious rethinking is in order. In Dangerous Minds, Ronald Beiner traces the deepest philosophical roots of such right-wing ideologues as Richard Spencer, Aleksandr Dugin, and Steve Bannon to the writings of Nietzsche and Heidegger—and specifically to the aspects of their thought that express revulsion for the liberal-democratic view of life. Beiner contends that Nietzsche's hatred and critique of bourgeois, egalitarian societies has engendered new disciples on the populist right who threaten to overturn the modern liberal consensus. Heidegger, no less than Nietzsche, thoroughly rejected the moral and political values that arose during the Enlightenment and came to power in the wake of the French Revolution. Understanding Heideggerian dissatisfaction with modernity, and how it functions as a philosophical magnet for those most profoundly alienated from the reigning liberal-democratic order, Beiner argues, will give us insight into the recent and unexpected return of the far right. Beiner does not deny that Nietzsche and Heidegger are important thinkers; nor does he seek to expel them from the history of philosophy. But he does advocate that we rigorously engage with their influential thought in light of current events—and he suggests that we place their severe critique of modern liberal ideals at the center of this engagement.

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Dennis Hale reached the dock just in time to see the Daniel J. Morrell heading out to open waters, a 600-foot freighter that had plied the waters for sixty years, carrying ore from Minnesota’s Iron Range to steel firms around the Great Lakes. The twenty-six-year-old watchman had, quite literally, missed the boat—which meant scrambling to rejoin the Morrell at its next stop or forfeiting a good chunk of his pay package. Seventy-two hours later, Hale would find himself clinging to a life raft alongside the frozen bodies of his crewmates in the violent waves of Lake Huron. The boat would not be reported missing for another twenty-seven hours and by the time the life raft was found, Dennis Hale would remain as the sole survivor of the wreck of the Daniel J. Morrell.This is life-and-death drama on the inland sea as only Michael Schumacher can tell it. In Torn in Two the great Lakes historian recreates the circumstances surrounding the terrible storm of November 29, 1966, that broke the mighty freighter in half, sending twenty-five of the Morrell’s twenty-nine-man crew to their deaths and consigning the surviving four to the freezing raft where all but Hale would perish. At the heart of Torn in Two are the terrible hours spent by Hale on the life raft with his crewmen, clinging to life for thirty-eight hours in freezing temperatures and wearing only a peacoat, life jacket, and boxer shorts. The fight to save Hale and find the others, the Coast Guard hearings into what happened, the discovery of the wreckage—Schumacher’s vivid narrative captures every harrowing detail and curious fact of the Morrell’s demise, finally doing justice to this epic shipwreck fifty years past.

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A Romantic Comedy about Death and Second Chances 30-year-old Nashvillian, Julia Holmes is just weeks away from becoming Mrs. Aaron DeMinthe. For as long as she can remember she’s dreamed of getting married at Whitfield Chapel and now her dreams are about to be realized. Julia has meticulously planned every detail of her big day from the flowers to her gown but the one thing she didn’t plan for is Aaron’s announcement: he needs to tick something off his bucket list before they tie the knot and that something is to hike the last leg of the Appalachian Trail; a project several years in the making. Julia is appalled by this idea and tries to dissuade him from going but his mind is made up and so, she reluctantly gives him her blessing. Less than 48 hours later, as he summits Mt, Katahdin, the last mountain of the trek, he’s struck by lightning and killed, effectively kicking the bucket while ticking something off his bucket list. Julia is grief stricken and inconsolable and despite the fact that she’s surrounded by her best gal pals, her parents and Lincoln Douglas, who was on Mt, Katahdin with Aaron when he died, she loses her grip on reality and quickly starts unravelling at the seams. Returning to Whitfield in search of closure she happens upon the Chapel’s Wedding Director who offhandedly mentions that they’re looking for a Weekend Wedding Assistant and before she can even think about it she takes the job. As she ushers four brides a weekend down the aisle she was supposed to walk down herself, Julia tries to understand why she said “I Do” to a job she never set out to get, in a place she’d only meant to occupy for an afternoon and wonders if she’ll ever find true love again.

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On Christmas Day, 1991, President George H. W. Bush addressed the nation to declare an American victory in the Cold War: earlier that day Mikhail Gorbachev had resigned as the first and last Soviet president. The enshrining of that narrative, one in which the end of the Cold War was linked to the disintegration of the Soviet Union and the triumph of democratic values over communism, took centre stage in American public discourse immediately after Bush's speech and has persisted for decades,with disastrous consequences for American standing in the world.As Prize-winning historian Serhii Plokhy reveals in The Last Empire , the collapse of the Soviet Union was anything but the handiwork of the United States. On the contrary, American leaders dreaded the possibility that the Soviet Union,weakened by infighting and economic turmoil,might suddenly crumble, throwing all of Eurasia into chaos. Bush was firmly committed to supporting his ally and personal friend Gorbachev, and remained wary of nationalist or radical leaders such as recently elected Russian President Boris Yeltsin. Fearing what might happen to the large Soviet nuclear arsenal in the event of the union's collapse, Bush stood by Gorbachev as he resisted the growing independence movements in Ukraine, mouldova, and the Caucasus. Plokhy's detailed, authoritative account shows that it was only after the movement for independence of the republics had gained undeniable momentum on the eve of the Ukrainian vote for independence that fall that Bush finally abandoned Gorbachev to his fate.Drawing on recently declassified documents and original interviews with key participants, Plokhy presents a bold new interpretation of the Soviet Union's final months and argues that the key to the Soviet collapse was the inability of the two largest Soviet republics, Russia and Ukraine, to agree on the continuing existence of a unified state. By attributing the Soviet collapse to the impact of American actions, US policy makers overrated their own capacities in toppling and rebuilding foreign regimes. Not only was the key American role in the demise of the Soviet Union a myth, but this misplaced belief has guided,and haunted,American foreign policy ever since.

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'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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Habit rules our lives. And yet climate change and the catastrophic future it portends, makes it clear that we cannot go on like this. Our habits are integral to narratives of the good life, to social norms and expectations, as well as to economic reality. Such shared shapes are vital. Yet while many of our individual habits seem perfectly reasonable, when aggregated together they spell disaster. Beyond consumerism, other forms of life and patterns of dwelling are clearly possible. But how can we get there from here? Who precisely is the ‘we’ that our habits have created, and who else might we be? Philosophy is about emancipation—from illusions, myths, and oppression. In Reoccupy Earth, the noted philosopher David Wood shows how an approach to philosophy attuned to our ecological existence can suspend the taken-for-granted and open up alternative forms of earthly dwelling. Sharing the earth, as we do, raises fundamental questions about space and time, place and history, territory and embodiment—questions that philosophy cannot directly answer but can help us to frame and to work out for ourselves. Deconstruction exposes all manner of exclusion, violence to the other, and silent subordination. Phenomenology and Whitehead’s process philosophy offer further resources for an ecological imagination. Bringing an uncommon lucidity, directness, and even practicality to sophisticated philosophical questions, Wood plots experiential pathways that disrupt our habitual existence and challenge our everyday complacency. In walking us through a range of reversals, transformations, and estrangements that thinking ecologically demands of us, Wood shows how living responsibly with the earth means affirming the ways in which we are vulnerable, receptive, and dependent, and the need for solidarity all round. If we take seriously values like truth, justice, and compassion we must be willing to contemplate that the threat we pose to the earth might demand our own species’ demise. Yet we have the capacity to live responsibly. In an unfashionable but spirited defense of an enlightened anthropocentrism, Wood argues that to deserve the privileges of Reason we must demonstrably deploy it through collective sustainable agency. Only in this way can we reinhabit the earth.

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In 2023, one hundred years have passed from the dissolution of the Great Northern Railway. Formed in the mid-1840s, the company was instrumental in connecting London with the eastern half of England, the North East and Scotland. Later, the GNR made inroads into other parts of the country, such as Nottinghamshire and West Yorkshire. The GNR successfully served the population for nearly a century and was able to innovate in several areas, with developments in locomotive design, carriage construction and services offered. The Glorious Years of the GNR presents several of these areas of the company using over 250 superb black-and-white images, coupled with interesting and informative captions. Boasting several world-renowned engineers, the locomotives of Archibald Sturrock, Patrick Stirling, H.A. Ivatt and H.N. Gresley (later Sir) are featured in various scenes from across the GNR’s network. The company’s coaching stock is also presented, ranging from E.F. Howlden’s six-wheelers to 12-wheel clerestory vehicles and Gresley’s articulated suburban and main line trains. Arguably, Doncaster was the most important place on the GNR, therefore a focus has been placed on the town’s workshops. A number of interesting scenes are included showing the workforce, construction of the Crimpsall Repair Shop, as well as women war workers during the Great War. A small section is dedicated to the GNR’s stations, which ranged from the grand terminus at King’s Cross to humble buildings serving small villages. A number of these have been lost subsequently. Often with staff posing happily for the camera, the stations recall a time when a high standard of service was expected and offered rather than the cost saving and utilitarian facilities of the present. In an era before the motor car, when the world was horse-drawn and steam powered, the GNR was part of a ‘golden age’ of British history. The centenary of the company’s demise provides a welcome opportunity to reflect on this distant, yet great period. A superb edition with over 250 outstanding photographs and thoroughly researched, informative captions. Beautifully produced in hardback with rare and previously unseen images

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Offers new insights into the struggle against Apartheid, and the poverty and inequality that instigated political resistance. On 3 September 1984 a bloody uprising set the African townships of the Vaal Triangle aflame. Triggered by dissatisfaction over rent increases and a local government that was failing to provide any meaningful political power or social transformation to the black majority, it heralded the insurrectionary period that was to profoundly challenge the administrative and coercive capacities of the apartheid state and greatly contribute towards its demise. Led by a broad coalition of civic organisations, student bodies and trade unions, nationwide protests followed demanding a new political and social order. By the mid-1980s the ideological influence of the African National Congress (ANC) had established its hegemony among township activists and was regarded as the main force in the liberation struggle. Arguing that liberation from poverty and inequality played as significant role in driving the struggle against apartheid as political rights, Rueedi shows how the enactment of the ideals of the 1955 Freedom Charter during the insurrectionary period shaped how communities understood liberation and freedom, both during and after apartheid. She explores the ways in which the establishment and subsequent failure of the model townships was intertwined with struggles for social transformation and dignity; investigates the links between underground networks of the ANC and above ground community structures; and examines how increasing state repression fuelled militancy and political violence, leading to an impasse that signalled the beginning of the end of the apartheid regime.

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SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2023WINNER OF THE CUNDILL HISTORY PRIZE 2023SHORTLISTED FOR THE BRITISH ACADEMY PRIZE FOR NON-FICTION 2023A SUNDAY TIMES BOOK OF THE YEARA BBC RADIO 4 BOOK OF THE WEEKAn indelible exploration of the Cultural Revolution and how it shapes China today, Red Memory uncovers forty years of silence through the rarely heard stories of individuals who lived through Mao's decade of madness.'Very good and very instructive.' MARGARET ATWOOD'Written with an almost painful beauty.' JONATHAN FREEDLAND'Took my breath away.' BARBARA DEMICK'Haunting.' OLIVER BURKEMAN'A masterpiece.' JULIA LOVELLA 13-year-old Red Guard revels in the great adventure, and struggles with her doubts. A silenced composer, facing death, determines to capture the turmoil. An idealistic student becomes the 'corpse master' . . .More than fifty years on, the Cultural Revolution's scar runs through the heart of Chinese society, and through the souls of its citizens. Stationed in Beijing for the Guardian, Tania Branigan came to realise that this brutal and turbulent decade continues to propel and shape China to this day. Yet official suppression and personal trauma have conspired in national amnesia: it exists, for the most part, as an absence.Red Memory explores the stories of those driven to confront the era, who fear or yearn for its return. What happens to a society when you can no longer trust those closest to you? What happens to the present when the past is buried, exploited or redrawn? And how do you live with yourself when the worst is over?

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Nothing says more about a culture than the way it responds to deeply traumatic events. The Reign of Terror, America's Civil War, the Holocaust, Hiroshima and Nagasaki, the Kennedy assassination, September 11th-watershed moments such as these can be rich sounding boards for the cultural historian patient enough to tease out the traumatic event's complex cultural resonances. This book is about one such moment in the history of modern France. The so-called Terrible Year began with the French army's crushing defeat at Sedan and the fall of the Second Empire in September of 1870, followed by the Prussian occupation of France and first siege of Paris in the fall and winter of that year. But no event of the period proved so deeply traumatic as the Paris Commune of 1871 and the bloody reprisals that attended its demise. Commemorating Trauma engages the rich body of recent scholarly work on cultural trauma to examine a curious conundrum. Why do French literary, historical and philosophical texts written in the aftermath of the Paris Commune so often employ the trope of confusion (in both the phenomenal and cognitive senses of that term) to register and work through the historical traumas of the Terrible Year? And how might these representations of confusion both reflect and inflect the confusions inherent to an ongoing process of social upheaval evident in late nineteenth-century France-a process whose benchmarks include democratization and the blurring of social classes, a persistent and evolving revolutionism, radical reconfigurations of the city as lived environment, and the development of specifically capitalist logics of commerce? These are the two principal questions addressed in this important study of cultural memory.

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When Princeton anthropologist John Borneman arrived in Syria's second-largest city in 2004 as a visiting Fulbright professor, he took up residence in what many consider a "rogue state" on the frontline of a "clash of civilizations" between the Orient and the West. Hoping to understand intimate interactions of religious, political, and familial authority in this secular republic, Borneman spent much time among different men, observing and becoming part of their everyday lives. Syrian Episodes is the striking result. Recounting his experience of living and lecturing in Aleppo, Syria's second-largest city, John Borneman offers deft, first-person stories of the longings and discontents expressed by Syrian sons and fathers, as well as a prescient analysis of the precarious power held by the regime, its relation to domestic authority, and the conditions of its demise. Combining literary imagination and anthropological insight, the book's discrete narratives converge in an unforgettable portrait of contemporary culture in Aleppo. We read of romantic seductions, rumors of spying, the play of light in rooms, the bargaining of tourists in bazaars, and an attack of wild dogs. With unflinching honesty and frequent humor, Borneman describes his encounters with students and teachers, customers and merchants, and women and families, many of whom are as intrigued with the anthropologist as he is with them. Refusing to patronize those he meets or to minimize his differences with them, Borneman provokes his interlocutors, teasing out unexpected confidences, comic responses, and mutual misunderstandings. He engages the curiosity and desire of encounter and the possibility of ethical conduct that is willing to expose cultural differences. Combining literary imagination and anthropological insight, Syrian Episodes offers an unforgettable portrait of contemporary culture in Aleppo.

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Intellectuals since the Industrial Revolution have been obsessed with whether, when, and why capitalism will collapse. This riveting account of two centuries of failed forecasts of doom reveals the key to capitalism’s durability.Prophecies about the end of capitalism are as old as capitalism itself. None have come true. Yet, whether out of hope or fear, we keep looking for harbingers of doom. In Foretelling the End of Capitalism, Francesco Boldizzoni gets to the root of the human need to imagine a different and better world and offers a compelling solution to the puzzle of why capitalism has been able to survive so many shocks and setbacks.Capitalism entered the twenty-first century triumphant, its communist rival consigned to the past. But the Great Recession and worsening inequality have undermined faith in its stability and revived questions about its long-term prospects. Is capitalism on its way out? If so, what might replace it? And if it does endure, how will it cope with future social and environmental crises and the inevitable costs of creative destruction? Boldizzoni shows that these and other questions have stood at the heart of much analysis and speculation from the early socialists and Karl Marx to the Occupy Movement. Capitalism has survived predictions of its demise not, as many think, because of its economic efficiency or any intrinsic virtues of markets but because it is ingrained in the hierarchical and individualistic structure of modern Western societies.Foretelling the End of Capitalism takes us on a fascinating journey through two centuries of unfulfilled prophecies. An intellectual tour de force and a plea for political action, it will change our understanding of the economic system that determines the fabric of our lives.

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Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment.This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.

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The United States has struggled to define its approach to what has been termed the 'information battlefield' since the dawn of the information era. Yet with the outbreak of the war on terrorism, the United States is being violently challenged to take a position and react to militants' use of emerging information technology. Ideological demigods operating against the United States now have unprecedented channels by which to disseminate their message to those uncertain, sympathetic, or actively engaged in their philosophy. From the caves of southeastern Afghanistan to the streets of Baghdad, 'the message' has dominated the thinking of those who perpetrate horrific acts of violence, whether in the name of ideology, ethnic and sectarian partisanship, or religion. This book seeks to illuminate the uses of information in armed conflict by juxtaposing the views of those who engage in manipulating information against the historic context. The anthology is divided into four sections: geopolitical, strategic, operational, and tactical. The geopolitical perspective is that dominated by world politics, diplomacy, and the elements of national power excluding military force. The strategic view examines where the violence has begun and the military element of power that has become a major contributing factor. The operational perspective handles the campaigns to accomplish a specific purpose on the world stage - for example, the Iraq campaign. Finally, the tactical level takes into account the individual and the individual clashes within the campaigns at issue. Because the nexus of information conflict is most easily viewed in the world's contemporary violent confrontations, this anthology is heavily weighted toward military personnel who have managed these difficult issues.

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Looks at a young man, straight out of school, who fought in the East African campaign in 1916. It outlines the depiction of the equatorial environment and the health challenging conditions under which the war was fought. Is a gripping story of war, intrigue, romance, humour and spiritual awakening. The year is 1916, and, at age 19 Ritchie is launched into a world conflict that he doesn’t fully comprehend. It is a time when the opposing sides in World War 1 are European countries that have drawn on their colonies to assist in their continental dispute. Ritchie volunteers for service in East Africa, and, although excited by the prospects of a great adventure, soon begins to feel like a pawn in a game of chess that is being manipulated by external forces to their own advantage. The intolerable conditions of the East African campaign, where more soldiers died of dysentery and malaria than of battle wounds, revives memories of his traumatic experience as a 5-year old when he and his Irish-born mother were incarcerated in an Anglo Boer War British concentration camp. It was to be the strong bond between mother and son, along with her indomitable spirit that kept him alive in an environment of insurmountable human suffering, disease and hunger. But it was a bond that was to be sorely tested and ultimately broken by circumstances which come back to haunt him as he retreats inwards after a near-death experience during the war in German East Africa. On his return from the war, he sets out to discover the truth about his mother that leads him into a dangerous encounter with kidnappers and criminals, and a liaison with a woman who was indirectly responsible for his mother’s downfall and demise.

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Exploring the intersections of digital humanities and African diaspora studies How can scholars use digital tools to better understand the African diaspora across time, space, and disciplines? And how can African diaspora studies inform the practices of digital humanities? These questions are at the heart of this timely collection of essays about the relationship between digital humanities and Black Atlantic studies, offering critical insights into race, migration, media, and scholarly knowledge production.The Digital Black Atlantic spans the African diaspora’s range—from Africa to North America, Europe, and the Caribbean—while its essayists span academic fields—from history and literary studies to musicology, game studies, and library and information studies. This transnational and interdisciplinary breadth is complemented by essays that focus on specific sites and digital humanities projects throughout the Black Atlantic. Covering key debates, The Digital Black Atlantic asks theoretical and practical questions about the ways that researchers and teachers of the African diaspora negotiate digital methods to explore a broad range of cultural forms including social media, open access libraries, digital music production, and video games. The volume further highlights contributions of African diaspora studies to digital humanities, such as politics and representation, power and authorship, the ephemerality of memory, and the vestiges of colonialist ideologies. Grounded in contemporary theory and praxis, The Digital Black Atlantic puts the digital humanities into conversation with African diaspora studies in crucial ways that advance both. Contributors: Alexandrina Agloro, Arizona State U; Abdul Alkalimat; Suzan Alteri, U of Florida; Paul Barrett, U of Guelph; Sayan Bhattacharyya, Singapore U of Technology and Design; Agata Błoch, Institute of History of Polish Academy of Sciences; Michał Bojanowski, Kozminski U; Sonya Donaldson, New Jersey City U; Anne Donlon; Laurent Dubois, Duke U; Amy E. Earhart, Texas A&M U; Schuyler Esprit, U of the West Indies; Demival Vasques Filho, U of Auckland, New Zealand; David Kirkland Garner; Alex Gil, Columbia U; Kaiama L. Glover, Barnard College, Columbia U; D. Fox Harrell, MIT; Hélène Huet, U of Florida; Mary Caton Lingold, Virginia Commonwealth U; Angel David Nieves, San Diego State U; Danielle Olson, MIT; Tunde Opeibi (Ope-Davies), U of Lagos, Nigeria; Jamila Moore Pewu, California State U, Fullerton; Anne Rice, Lehman College, CUNY; Sercan Şengün, Northeastern U; Janneken Smucker, West Chester U; Laurie N.Taylor, U of Florida; Toniesha L. Taylor, Texas Southern U.

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From the early twentieth century until the 1960s, Maine led the nation in paper production. The state could have earned a reputation as the Detroit of paper production, however, the industry eventually slid toward failure. What happened? Shredding Paper unwraps the changing US political economy since 1960, uncovers how the paper industry defined and interacted with labor relations, and peels away the layers of history that encompassed the rise and fall of Maine's mighty paper industry. Michael G. Hillard deconstructs the paper industry's unusual technological and economic histories. For a century, the story of the nation's most widely read glossy magazines and card stock was one of capitalism, work, accommodation, and struggle. Local paper companies in Maine dominated the political landscape, controlling economic, workplace, land use, and water use policies. Hillard examines the many contributing factors surrounding how Maine became a paper powerhouse and then shows how it lost that position to changing times and foreign interests. Through a retelling of labor relations and worker experiences from the late nineteenth century up until the late 1990s, Hillard highlights how national conglomerates began absorbing family-owned companies over time, which were subject to Wall Street demands for greater short-term profits after 1980. This new political economy impacted the economy of the entire state and destroyed Maine's once-vaunted paper industry. Shredding Paper truthfully and transparently tells the great and grim story of blue-collar workers and their families and analyzes how paper workers formulated a "folk" version of capitalism's history in their industry. Ultimately, Hillard offers a telling example of the demise of big industry in the United States.

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Is Russian history one big inevitable failure? The Soviet Union's demise and Russia's ensuing troubles have led many to wonder. But this is to look through a skewed prism indeed. In this provocative and elegantly written short history of Russia, Marshall Poe takes us well beyond the Soviet haze deep into the nation's fascinating--not at all inevitable, and in key respects remarkably successful--past. Tracing Russia's course from its beginnings to the present day, Poe shows that Russia was the only non-Western power to defend itself against Western imperialism for centuries. It did so by building a powerful state that molded society to its military needs. Thus arose the only non-Western path to modern society--a unique path neither "European" nor "Asian" but, most aptly, "Russian." From the fifteenth to the eighteenth centuries, Russia prevailed despite unparalleled onslaughts by powerful Western armies. However, while Europe nurtured limited government, capitalism, and scientific and cultural revolution, early Russian society cultivated autocracy and command economics. Both Europe and Russia eventually created modern infrastructures, but the European model proved more productive and powerful. The post-World War I communist era can be seen as a natural continuation of Russia's autocratic past that, despite its tragic turns, kept Russia globally competitive for decades. The Russian moment in world history thus began with its first confrontations with Europe in the fifteenth century, and ended in 1991 with the Soviet collapse. Written with verve and great insight, The Russian Moment in World History will be widely read and vigorously debated by those who seek a clear and unequivocal understanding of the complex history that has made Russia what it is today.

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“Three hundred years ago, Lord Carpenter, I’d have had your head on a spike on Tower Hill..” It is 1938 and newspaper chief Lord Carpenter is about to publish a front-page story that will guarantee war with Russia. But before the paper can go to print, he is found stabbed in his office, and circumstances suggest the killer is one of his staff. Everyone from the editor-in-chief to the staff librarian had the opportunity. But was the motivation for the murder political or personal? Crime reporter Charles Venables finds himself both suspect and sleuth as he tries to disentangle the clues and determine which of his colleagues is the guilty party. Red herrings abound, but it soon becomes apparent that more than one person had a reason to want Carpenter dead…. Fatality in Fleet Street displays the author’s trademark wit and a plot with plenty of twists and ingenuity to please the reader. Equally interesting are the political overtones and the militaristic pretensions of the deceased newspaper baron. The novel is set in 1938 – five years later than its real publication date – and presents a Russia whose economy is growing, which makes the country ‘a real menace to the established order of things’ in Carpenter’s worldview. Although the imperious newspaper baron meets his demise early on, his outsized personality and ambition are the bedrock that propels the story. Sprigg makes his satire clear; there is more than a passing resemblance between the fictional Lord Carpenter and the real world Max Aitken, Lord Beaverbrook, owner of the Evening Standard and Daily Express. Sprigg started his career as a cub reporter and the book’s setting of a busy newspaper is well realised. Fatality also takes a sardonic view of socialist activity in Britain. When Venables goes to investigate a local chapter of the Communist Party, the situation is alternately threatening and farcical, with members parading their revolutionary credentials and loudly denouncing the ‘bourgeois’. Sprigg later became an active member of the Communist Party and published Marxist literary criticism, but his gently mocking tone in Fatality suggests this conversion was some way off in 1933.

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This collection of short stories, both poignant and skillfully crafted, bring to life the tragic demise of traditional Nubian life and culture. If the earlier dams that were built across the Nile during the first half of the twentieth century caused increasing numbers of the men-folk to migrate north to Cairo and Alexandria to work as servants, waiters, and doormen, the completion of the High Dam in 1964 sounded the death knell. While the temples of Abu Simbel were meticulously relocated at great expense, the drowning of the ancient heartland of the Nubian people along the banks of the Nile went largely unnoticed. Haggag Oddoul’s work, as well as documenting the personal tragedy of individuals caught up in massive social transformation, also casts a nostalgic light on the heritage and way of life of the Nubians: their rhythmic dancing, their beautiful women, the lively humor of their elders, and the enormous centrality of their traditions and the spirits with which they shared the environment. Two stories in this collection, ‘’Zeinab Uburty’’ and ‘’Nights of Musk,’’ offer a bucolic and dream-like insight into the world that has disappeared for ever under the water behind the dam. Meanwhile, two other stories, ‘’Adila, Grandmother’’ and ‘’The River People,’’ document the departure of the men, while the women are left behind to go fallow, and the second and third generations born in the cities of the north have only their grandmother’s tales and her pigeon Arabic to remind them of their heritage.

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Max Geller: Target of the Kremlin, MI6, and the CIA Fired for bias against the U.S. president, ex-CIA Russia expert Max Geller gets a chance to redeem his reputation and make a fortune when he is hired to investigate the president’s incriminating ties to Moscow. Jill Rucker, an undercover CIA agent, is assigned to work with him—and she does—when she’s not pursuing her own conflicting goals. The search takes them to England, Russia, Panama, and Switzerland. Along the way, Max runs afoul of British intelligence by inadvertently compromising two of its operations. He gets help from an anti-Russian underground cell in Moscow, is assisted and threatened by the Russian mafia, exposes a massive Russian-American money laundering scheme in Panama, and uncovers a plot to protect the president from mounting accusations threatening his presidency. Close behind is Zabluda, a Kremlin assassin, who means to kill them and their sources and destroy evidence incriminating the president. Max discovers that he has been betrayed by his former boss, his current employer, and his girlfriend. Seeking revenge, he takes on a powerful Washington law firm, the CIA, and the Russians. Max Geller is the spy who went out in the cold—and no one wants him to come in and tell what he knows.Perfect for fans of Daniel Silva and Nelson DeMille The Publishing Sequence for this series is:The President’s Dossier The Blood of Patriots and Traitors (coming 2023)

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A Russian Defector—A Worldwide Dragnet—A Looming Assassination—Max Geller is back in Moscow Former CIA Russia expert Max Geller is recovering from an intense mission while lying low in Australia, enjoying his sudden wealth in the company of his new girlfriend. But his beachy bliss is short-lived when Max, while relaxing by the ocean, is ambushed by the CIA. He soon learns that his girlfriend, Vanessa, is being used as blackmail by his former CIA boss, Rodney, to convince Max to go to Moscow. His mission? Smuggle out a defector with knowledge of a secret Kremlin war plan. Max is wanted by the Russians, so the defector could be bait to lure him into the hands of his old enemy, FSB Colonel Zabluda. But it’s either Max or Vanessa who must go, so Max takes the bait and heads off. When Max is spotted in Moscow, Zabluda launches a manhunt, pursuing him and the defector across country lines. Max and the defector race to evade countless attacks and attempts at capture as they escape to the United States. Will they make it in time? And what happens when the defector reveals crucial information that indicates U.S. democracy could be in peril? Max must figure out a way to avoid capture and halt imminent attacks—before it’s too late.Perfect for fans of Daniel Silva and Nelson DeMille While the novels in the Max Geller Spy Thriller Series stand on their own and can be read in any order, the publication sequence is:The President’s Dossier The Blood of Patriots and Traitors

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A remarkable history of the powerful and influential social gospel movement. The global crises of child labor, alcoholism and poverty were all brought to our attention through the social gospel movement. Its impact on American society makes it one of the most influential developments in American religious history. Christopher H. Evans traces the development of the social gospel in American Protestantism, and illustrates how the religious idealism of the movement also rose up within Judaism and Catholicism. Contrary to the works of previous historians, Evans demonstrates how the presence of the social gospel continued in American culture long after its alleged demise following World War I. Evans reveals the many aspects of the social gospel and their influence on a range of social movements during the twentieth century, culminating with the civil rights movement in the 1950s and 1960s. It also explores the relationship between the liberal social gospel of the early twentieth century and later iterations of social reform in late twentieth century evangelicalism. The Social Gospel in American Religion considers an impressive array of historical figures including Washington Gladden, Emil Hirsch, Frances Willard, Reverdy Ransom, Walter Rauschenbusch, Stephen Wise, John Ryan, Harry Emerson Fosdick, A.J. Muste, Georgia Harkness, and Benjamin Mays. It demonstrates how these figures contributed to the shape of the social gospel in America, while arguing that the movement’s legacy lies in its profound influence on broader traditions of liberal-progressive political reform in American history.

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Returning to Ashok K. Banker’s brilliant epic fantasy world of the Burnt Empire, A Dark Queen Rises features Aqreen and Krushita, a mother and daughter on a quest to protect the innocent and bring down tyrantsQueen Aqreen of Aquila leaves her husband Jarsun and flees across the Red Desert. She is determined to keep her daughter from being used by Jarsun to stake his claim to the Burning Throne of Hastinaga, seat of the all-powerful Burnt Empire. But Jarsun is vengeful and can summon legions of demoniac forces at will. The Red Desert is vast, and the journey dangerous.Aqreen and Krushita’s caravan of ten thousand wagons will take several years to reach the only safe harbor, the queendom of Reygar. Jarsun’s pursuit is relentless and his vengeance terrible, but hope shines from the growing powers of little Krushita herself, along with the four-armed, twin-bodied Vanjhani wagon train leader and their band of valiant desert militia. Fierce battles are in store.There are other players in this great game of demigods and mortals, each pursuing their own agendas. The powerful seer-mage Vessa seeks to join Krushita’s talents with that of Drishya, an avatar destined to confront and kill Tyrak, Jarsun’s diabolical son-in-law. Ladislew the assassin aligns with Tyrak for her own reasons. All paths culminate in a feverish finale on the hot sands of Reygar, as father, mother, and daughter confront each other in one ultimate showdown.

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Everything you need to start and manage a non-profit Starting and Managing a Nonprofit Organization is written to help anyone who's just getting their toes wet in the sector get up to speed on the critical information needed to protect their nonprofit's tax-exempt status—and avoid the many legal traps out there that you probably didn't know exist. Packed with checklists and step-by-step guidance, Starting and Managing a Nonprofit Organization demystifies intricate legal issues with plain-English language explanations for non-legal professionals of the statutes, regulations, court opinions, and other rules comprising nonprofit law. Nonprofits must comply with stringent federal and state laws due to their special exempt status; the government's ultimate threat is revocation of a nonprofit's tax-exempt status, which usually means the nonprofit's demise. Written in plain English, not "legalese," this all-important guide provides essential guidance for those interested in starting nonprofits, as well as valuable advice for leaders of established organizations. Covers all aspects of federal and state nonprofit law Discusses significant contemporary issues, including commerciality, private benefit, governance, and unrelated business Provides summaries of current IRS ruling policies Includes procedures and a glossary of legal terms for fail-safe compliance Written by the country's legal leading authority on tax-exempt organizations, Starting and Managing a Nonprofit Organization is the reference you'll want to keep close by as you navigate your way through the world of nonprofit and the law.

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