Search results for ""author "demi"""

Being among bees is a full-body experience, Mark Winston writes—from the low hum of tens of thousands of insects and the pungent smell of honey and beeswax, to the sight of workers flying back and forth between flowers and the hive. The experience of an apiary slows our sense of time, heightens our awareness, and inspires awe. Bee Time presents Winston’s reflections on three decades spent studying these creatures, and on the lessons they can teach about how humans might better interact with one another and the natural world.Like us, honeybees represent a pinnacle of animal sociality. How they submerge individual needs into the colony collective provides a lens through which to ponder human societies. Winston explains how bees process information, structure work, and communicate, and examines how corporate boardrooms are using bee societies as a model to improve collaboration. He investigates how bees have altered our understanding of agricultural ecosystems and how urban planners are looking to bees in designing more nature-friendly cities.The relationship between bees and people has not always been benign. Bee populations are diminishing due to human impact, and we cannot afford to ignore what the demise of bees tells us about our own tenuous affiliation with nature. Toxic interactions between pesticides and bee diseases have been particularly harmful, foreshadowing similar effects of pesticides on human health. There is much to learn from bees in how they respond to these challenges. In sustaining their societies, bees teach us ways to sustain our own.

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Winner of the John Phillip Reed Book Award, American Society for Legal HistoryA legal historian opens a window on the monumental postwar effort to remake fascist Germany and Japan into liberal rule-of-law nations, shedding new light on the limits of America’s ability to impose democracy on defeated countries.Following victory in WWII, American leaders devised an extraordinarily bold policy for the occupations of Nazi Germany and Imperial Japan: to achieve their permanent demilitarization by compelled democratization. A quintessentially American feature of this policy was the replacement of fascist legal orders with liberal rule-of-law regimes.In his comparative investigation of these epic reform projects, noted legal historian R. W. Kostal shows that Americans found it easier to initiate the reconstruction of foreign legal orders than to complete the process. While American agencies made significant inroads in the elimination of fascist public law in Germany and Japan, they were markedly less successful in generating allegiance to liberal legal ideas and institutions.Drawing on rich archival sources, Kostal probes how legal-reconstructive successes were impeded by German and Japanese resistance on one side, and by the glaring deficiencies of American theory, planning, and administration on the other. Kostal argues that the manifest failings of America’s own rule-of-law democracy weakened US credibility and resolve in bringing liberal democracy to occupied Germany and Japan.In Laying Down the Law, Kostal tells a dramatic story of the United States as an ambiguous force for moral authority in the Cold War international system, making a major contribution to American and global history of the rule of law.

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The Restoration represents an exhilarating period of English history. With Charles II, the Merry Monarch' restored to the throne, the country saw artistic and literary talent flourish. Charles was an enthusiastic patron of the theatre and helped breathe new life into British drama, reopening the playhouses after the grey years of closure under Puritanical rule. One of the most significant innovations in Restoration theatre was the introduction of actresses on the English stage. This exciting new history is dedicated to the life and times of two of the Restoration's most celebrated actresses: Mrs Elizabeth Barry and Mrs Anne Bracegirdle. It details their family roots, the beginnings and progression of their London stage careers, their retirement from the limelight, and their eventual demise. Their lives and work are set against the lively and often dangerous atmosphere that epitomised seventeenth-century London and its theatres, and the places where Mrs Barry and Mrs Bracegirdle lived and worked alongside their fellow players, dramatists and others of their times. There are references to the actresses' admirers and lovers within and without the world of theatre. Along with more favourable critical appraisals, there are explicit and derogatory lines, satirically written, regarding their supposed reputations. This insightful biography places Elizabeth and Anne back in the limelight, and includes transcriptions taken from contemporary works, letters, poems and wills, all adding depth and colour to this fascinating subject.

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Esta obra, publicada originalmente en 1936, constituye uno de los trabajos académicos más influyentes de C. S. Lewis en el campo de la literatura medieval. En ella se desarrolla un profundo estudio sobre la poesía amorosa alegórica de la Edad Media, cuyo origen se sitúa en los poemas de «amor cortés» de los trovadores del Languedoc desde el siglo XI, a través de su transformación y fin a finales del siglo XVI.Esta poesía de los trovadores, que constituiría el primer modo de expresión del amor «romántico», supuso tal cambio respecto de la literatura precedente que, como el propio Lewis señala, «no dejó intocado rincón alguno en nuestra ética, nuestra imaginación y nuestra vida diaria, erigiendo barreras infranqueables entre nosotros y el pasado clásico o el presente oriental. Comparado con esta revolución, el Renacimiento es un simple remolino en la superficie de la literatura».Resulta particularmente relevante dentro del presente ensayo el estudio que Lewis realiza de El libro de la rosa, obra cumbre del género dentro de la literatura tardo medieval.The Allegory of LoveThis work, originally published in 1936, constitutes one of the most influential academic works of C.S. Lewis in the field of medieval literature. It develops an in-depth study of the allegorical love poetry of the Middle Ages, whose origins lie in the "courtly love" poems of the Languedoc troubadours in eleventh century, through its transformation and gradual demise at the end of the sixteenth century.This poetry of the troubadours, which would constitute the first mode of expression of «romantic» love, supposed such a change with respect to the preceding literature that, as Lewis himself points out, "it left no corner untouched in our ethics, our imagination and our lives. daily, erecting insurmountable barriers between us and the classical past or the Eastern present. Compared with this revolution, the Renaissance is a mere whirlpool on the surface of literature."Lewis's study of The Book of the Rose, the masterpiece of the genre within late medieval literature, is particularly relevant in this essay.

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A unique burden was inherited by the children of President John Fitzgerald Kennedy and his celebrated siblings, Senators Robert and Ted Kennedy. Raised in a world of enormous privilege against the backdrop of American history, this third generation of Kennedys often veered between towering accomplishment and devastating defeat. In his revelatory new book, acclaimed Kennedy historian J. Randy Taraborrelli draws back the curtain on the next generation of America’s most famous family. John Kennedy, Jr.’s life in the public eye is explored, following the Kennedy scion as he faced the challenges posed by marrying his great love, Carolyn Bessette. Riveting new details are shared about the couple’s tragic demise - and why Ethel Kennedy advised Carolyn not to take the trip that would ultimately end her life. John’s sister, Caroline Kennedy, had her own complicated relationships, including a marriage to Ed Schlossberg that surprised her mother, Jacqueline Kennedy Onassis, and an unexpected bond with her mother-in-law, Mae Schlossberg. Additional stories, many shared here for the first time, illuminate the rest of the Kennedy dynasty: Kara Kennedy, Ted’s daughter, and her valiant battle against lung cancer; how Ted’s wife, Vicki, introduced a new era of feminism to the Kennedy family; the lifelong struggles with addiction faced by Bobby Kennedy Jr. and Patrick Kennedy; the unexpected way pop star Taylor Swift helped Conor Kennedy heal after the death of his mother, Bobby’s wife Mary; and Congressman Joe Kennedy III’s rise to prominence. At the center of it all is the family’s indomitable matriarch, Ethel Kennedy - a formidable presence with her maddening eccentricities and inspiring courage. Based on hundreds of exclusive first-hand interviews and cultivated over twenty years of research - including numerous oral histories from the JFK Library and the Edward M. Kennedy Institute - The Kennedy Heirs is an epic drama of ambition, scandal, pride and power.

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The story of a small healthcare startup and its fight for survival against the very federal agencies responsible for its launch as part of the ACA.In the contentious run-up to the passage of the Affordable Care Act, Congress passed a law to make nonprofit health insurance CO-OPs (formally known as Consumer Operated and Oriented Plans) a viable alternative to the public option. The idea was to create new competition in order to lower health insurance premiums and encourage innovation. Nearly two dozen such low-cost CO-OPs were launched in the wake of the ACA's passage; only four are in operation today.In Death by Regulation, Dr. Peter L. Beilenson tells the story of a group of Maryland-based public health professionals who launched the Evergreen Health Cooperative, only to discover that the ACA law encouraging CO-OPs was a "plastic plant"—a piece of legislation created for optics but never intended to be functional. Over most of its four years of existence, Evergreen succeeded against all odds, prevailing over naysayers, big insurance companies, Congress, and its founders' naïveté. But in an ironic twist, it was bureaucratic hostility from the Centers for Medicare and Medicaid Services—the very Obama administration agency responsible for the CO-OPs—that led to their collective demise.Beilenson traces the huge impact of seemingly small policy decisions on the work of his team and the people their CO-OP was built to serve. He recounts the excitement and satisfaction of launching such a valuable healthcare company, as well as the damage done to scores of employees and tens of thousands of satisfied healthcare customers when bureaucrats ran amok. The only book about these idealistic Obamacare CO-OPs and the obstacles they all faced, Death by Regulation offers an insider view of health policy and the reality of starting an insurance company from scratch.

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Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet, Mary Ellen Snodgrass surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema. Entries in this volume reveal the nature and purpose of ballet, detailing specifics about leaders in classic design and style, influential costumers and companies, and trends in technique, partnering, variation, and liturgical execution. This reference covers: ·Choreographers ·Composers ·Costumers ·Dance companies ·Dancers ·Productions ·Set designers ·Techniques ·Terminology Among the principal figures included here are Alvin Ailey, Afrasiyab Badalbeyli, George Balanchine, Mikhail Baryshnikov, Pierre Beauchamp, Sergei Diaghilev, Agnes DeMille, Nacho Duato, Isadora Duncan, Boris Eifman, Mats Ek, Erté, Martha Graham, Inigo Jones, Louis XIV, Amalia Hernández Navarro, Rudolf Nureyev, Marius Petipa, Jerome Robbins, Twyla Tharp, and Agrippina Vaganova. This work also features dance companies from the Americas, Australia, China, Cuba, Egypt, Iran, Korea, New Zealand, Russia, South Africa, and Vietnam. Productions include such universal narrative favorites as Coppélia, The Nutcracker, The Sleeping Beauty, Scheherazade, Firebird, and Swan Lake. Featuring a chronology that identifies key events and figures, this volume highlights significant developments in stage presentations over the centuries. The Encyclopedia of World Ballet will serve general readers, dance instructors, and enthusiasts from middle school through college as well as professional coaches and performers, troupe directors, journalists, and historians of the arts.

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At its peak, the British Empire spanned the world and linked diverse populations in a vast network of exchange that spread people, wealth, commodities, cultures, and ideas around the globe. By the turn of the twentieth century, this empire, which made Britain one of the premier global superpowers, appeared invincible and eternal. This compelling book reveals, however, that it was actually remarkably fragile. Reconciling the humanitarian ideals of liberal British democracy with the inherent authoritarianism of imperial rule required the men and women who ran the empire to portray their non-Western subjects as backward and in need of the civilizing benefits of British rule. However, their lack of administrative manpower and financial resources meant that they had to recruit cooperative local allies to actually govern their colonies. Noted historian Timothy H. Parsons provides vivid detail of the experiences of subject peoples to explain how this became increasingly difficult and finally impossible after World War II as Africans, Asians, Arabs, and West Indians rejected the imperial notion that they were inferior and refused to be ruled by foreigners. Yet he also shows that the transformation of the British colonies into nation-states was not just a transfer of political power. The new postcolonial societies blended British political, economic, and social institutions with local norms and values in the new nations, while mass migration to Britain from the non-Western parts of the Commonwealth created a much more diverse and plural metropolitan society. This book tells the dramatic story of how the British Empire and its demise accelerated and strengthened globalization by creating webs of commerce, migration, and cultural exchange that linked Britons and their former subjects in new ways and produced blended transnational cultures that were British in origin but no longer British in character or style.

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For fans of World War Z and the Southern Reach Trilogy, a suspenseful oral history commemorating the five-year anniversary of the Pulse—the alien code that hacked the DNA of Earth’s population—and the response team who faced the world-changing phenomenon. Voyager 1 was a message in a bottle. Our way of letting the galaxy know we existed. That we were out here if anyone wanted to find us. Over the next forty years, the probe flew past Jupiter and Saturn before it drifted into the void, swallowed up by a silent universe. Or so we thought… Truth is, our message didn’t go unheard. Discovered by Dr. Dahlia Black, the mysterious Pulse was sent by a highly intelligent intergalactic species that called themselves the Ascendants. It soon becomes clear this alien race isn’t just interested in communication—they are capable of rewriting human DNA, in an astonishing process they call the Elevation. Five years after the Pulse, acclaimed journalist Keith Thomas sets out to make sense of the event that altered the world. Thomas travels across the country to interview members of the task force who grappled to decode the Pulse and later disseminated its exact nature to worried citizens. He interviews the astronomers who initially doubted Black’s discovery of the Pulse—an error that critics say led to the world’s quick demise. Thomas also hears from witnesses of the Elevation and people whose loved ones vanished in the Finality, an event that, to this day, continues to puzzle Pulse researchers, even though theories abound about the Ascendants’ motivation. Including never-before-published transcripts from task force meetings, diary entries from Black, and candid interviews with Ballard, Thomas also shows in Dahlia Black how a select few led their country in its darkest hours, toward a new level of humanity.

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As a phenomenon of history with social, political, cultural implications, the entire 'negotiated' experience makes the South African situation unique in both the African and global context. As this phenomenon unfolds, many fascinating new artistic influences are being explored to capture the diverse cultural depths and questions of identity unleashed by the demise of apartheid. This collection of plays reflects certain key trends in both subject matter and aesthetics prevalent in South Africa at this crucial moment in history. An introductory essay for the anthology will provide the reader with the artistic, cultural, and political background to the plays. Mpumelelo Paul Grootboom and Presley Chweneyagae's "Relativity: Township Stories" is about a serial killer on the loose and has been widely performed in South Africa and the UK. Martin Koboekae's "The Bush Tale" exposes the mistrust between two people from extremely different cultural backgrounds who meet through circumstance.Yael Farber's "Molora" explores the rage and pain of generations shattered by the Apartheid [A world tour of Molora will begin at the Barbican Theatre, London in April 2008]. Norman Mxosolisa's "Hallelujah!" is about the murderous, random violence engulfing the country. David Peimer's "Armed Response" is about a young German photographer who arrives to do her first assignment in Johannesburg. Presley Chweneyagae achieved international recognition for his title role in the Oscar-winning film "Tsotsi" and Mpumelelo Paul Grootboom received the National Standard Bank 'Young Artist Award' for theatre in 2005. Martin Koboekae is an award-winning playwright, novelist and director.Yael Farber is an acclaimed writer and director. Norman Mxosolisa is a playwright, composer, TV writer and director and teaches at Wits University, Johannesburg and won the Schreiner South African Young Artist Award in 2002 for "Hallelujah!". David Peimer is an award-winning playwright and director and a Professor of Theatre at New York University (Prague Division).

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This book is a profoundly moving and analytically incisive attempt to shift the terms of discussion in American politics. It speaks to the intellectual and political weaknesses within the liberal tradition that have put the United States at the mercy of libertarian, authoritarian populist, nakedly racist, and traditionalist elitist versions of the right-wing; and it seeks to identify resources that can move the left away from the stunned intellectual incoherence with which it has met the death of Bolshevism. In Ira Katznelson's view, Americans are squandering a tremendous ethical and political opportunity to redefine and reorient the liberal tradition. In an opening essay and two remarkable letters addressed to Adam Michnik, who is arguably East Europe's emblematic democratic intellectual, Katznelson seeks to recover this possibility. By examining issues that once occupied Michnik's fellow dissidents in the Warsaw group known as the Crooked Circle, Katznelson brings a fresh realism to old ideals and posits a liberalism that "stares hard" at cruelty, suffering, coercion, and tyrannical abuses of state power. Like the members of Michnik's club, he recognizes that the circumference of liberalism's circle never runs smooth and that tolerance requires extremely difficult judgments. Katznelson's first letter explores how the virtues of socialism, including its moral stand on social justice, can be related to liberalism while overcoming debilitating aspects of the socialist inheritance. The second asks whether liberalism can recognize, appreciate, and manage human difference. Situated in the lineage of efforts by Richard Hofstadter, C. Wright Mills, and Lionel Trilling to "thicken" liberalism, these letters also draw on personal experience in the radical politics of the 1960s and in the dissident culture of East and Central Europe in the years immediately preceding communism's demise. Liberalism's Crooked Circle could help foster a substantive debate in the American elections of 1996 and determine the contents of that desperately needed discussion.

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Rose Hartman is a legend. An omnipresent force on the New York City social scene, Rose stands as one of the most prolific photographers of our age. As a woman photographer, Rose has jumped over every hurdle in a male-dominated world to create a huge body of work, documenting the demimonde of fame and glamour in the centre of world culture. If you are famous, she has most likely photographed you, whether you know her well or not at all. Her groundbreaking photography straddles the boundaries between street photography, portraiture and documentary photography. The images included in this book are prime selections of couples - artists and muses; designers and muses; family; mothers and children; pets; friendships; models and friends; lovers; marriages - photographed by Rose over the years, and yet they are far more than pictures of two people. In each and every photograph, Rose is the third and most critical component. She is the director of the final cut. Thanks to her impeccable timing and placement, Rose opts to trip the shutter at just the right moment, capturing a critical instant in a conversation - a pose, a gesture - so as to present a story about two people from the world of popular culture. Couples featured include: Jerry Hall and Annie Leibovitz, Bob Mackie and Cher, Claudia Schiffer and Valentino, Jean Paul Gautier and Lauren Bacall, Donatella Versace and Naomi Campbell, Peter and Jane Fonda, Bianca and Jade Jagger, Lily and Kate Moss, Sean Lennon and Yoko Ono, Liz Taylor and her dog, Andy Warhol and Lou Reed, Hugh Grant and Elizabeth Hurley, Robert Wolders and Audrey Hepburn, Iman and David Bowie, Antonio Banderas and Melanie Griffith, Kelly and Calvin Klein, Tim Robbins and Susan Sarandon, Whitney Houston and Bobby Brown.

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The gripping stories of the most colourful and formidable characters to challenge the might of Rome. Until recently, it was assumed that Rome carried the torch of civilization into the barbarian darkness, bringing law, architecture, and literature to conquered peoples. The alternative view now suggests that many of Rome's enemies - the Celts, Hebrews, and Phoenicians, for example - were developing civilizations in their own right before obliteration at the Roman sword. Indeed, as Philip Matyszak argues, had Rome not crushed rivals so completely, the drop into the Dark Ages might not have occurred; at Rome's collapse, no other powerful civilizations remained to absorb the impact. This engrossing book looks at the growth and eventual demise of Rome from the viewpoint of those vanquished by Rome. They varied from the highly cultivated Greeks and Egyptians to wild and rebellious Britons and Germans, to the Asiatic empires of the Persians and Parthians. Their leaders were driven by ambition, vindictive hatred, fear, political calculation, or naked greed. Some fought to preserve their heritage, some for personal survival, and others from a warrior's love of battle. Defying the might of Rome was a dangerous business, and few of the men and women described here died in their beds. Some, like Vercingetorix and Jugurtha, were captured, exhibited in triumph, and then, while their conquerors sat down to a festive dinner, killed in the dungeons below. Rather than face such an end, some of Rome's greatest adversaries, including Hannibal, Boudicca, and Cleopatra, killed themselves. Here is the reality behind legends such as Spartacus the gladiator, and the stories of Shapur the conqueror and Mithridates the connoisseur of poisons. Some enemies of Rome were noble heroes, others were murdering villains, but each has a unique and fascinating story.

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Just 28,000 years ago, the blink of an eye in geological time, the last of Neanderthals died out in their last outpost, in caves near Gibraltar. Thanks to cartoons and folk accounts we have a distorted view of these other humans - for that is what they were. We think of them as crude and clumsy and not very bright, easily driven to extinction by the lithe, smart modern humans that came out of Africa some 100,000 years ago. But was it really as simple as that? Clive Finlayson reminds us that the Neanderthals were another kind of human, and their culture was not so very different from that of our own ancestors. In this book, he presents a wider view of the events that led to the migration of the moderns into Europe, what might have happened during the contact of the two populations, and what finally drove the Neanderthals to extinction. It is a view that considers climate, ecology, and migrations of populations, as well as culture and interaction. His conclusion is that the destiny of the Neanderthals and the Moderns was sealed by ecological factors and contingencies. It was a matter of luck that we survived and spread while the Neanderthals dwindled and perished. Had the climate not changed in our favour some 50 million years ago, things would have been very different. There is much current research interest in Neanderthals, much of it driven by attempts to map some of their DNA. But it's not just a question of studying the DNA. The rise and fall of populations is profoundly moulded by the larger scale forces of climate and ecology. And it is only by taking this wider view that we can fully understand the course of events that led to our survival and their demise. The fact that Neanderthals survived until virtually yesterday makes our relationship with them and their tragedy even more poignant. They almost made it, after all.

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A new global history of the Soviet invasion of Afghanistan - an invasion whose consequences are still felt in Afghanistan and across the wider world. On 24 December 1979, Soviet armed forces entered Afghanistan, beginning an occupation that would last almost a decade and creating a political crisis that shook the world. To many observers, the Soviet invasion showed the lengths to which one of the world's superpowers would go to vie for supremacy in the global Cold War. The Soviet war, and parallel covert American aid to Afghan resistance fighters, would come to be a defining event of international politics in the final years of the Cold War, lingering far beyond the Soviet Union's own demise. Yet Cold War competition is only a small part of the story. Soviet troops entered a country already at war with itself. A century of debates within Afghanistan over the nature of modern nationhood culminated in a 1978 coup in which self-described Afghan communists pledged to fundamentally reshape Afghanistan. Instead what broke out was a civil war in which Afghans asserted competing models of Afghan statehood. Afghan socialists and Islamists came to the fore of this conflict in the 1980s, thanks in part to Soviet and American involvement, but they represented a broader movement for local articulations of social and political modernity that did not derive from foreign models. Afghans, in conversation with foreigners, set many of the parameters of the conflict. This sweeping history moves between centres of state in Kabul, Moscow, Islamabad, and Washington, the halls of global governance in Geneva and New York, resistance hubs in Peshawar and Panjshir, and refugee camps scattered across Pakistan's borderlands to tell a story that is much more expansive than the Soviet invasion of Afghanistan - a global history of a moment of crisis not just for Afghanistan or the Cold War but international relations and the postcolonial state.

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'Daniel Rachel imagines what the next Beatles album might have been like, with painstaking detail and great stories' - David Hepworth, The Guardian'A fantastical journey through what might have been... Exciting and compelling.' - Chris Hawkins, BBC 6 Music'Daniel Rachel's forensic investigation makes a strong case for looking afresh at the evidence... a fascinating detailed read' - Mojo'In this meticulously crafted book, Rachel offers an extraordinary peek behind the curtain of one of the most celebrated music groups in history...a must-read for any music aficionado' - Music Devotee'A detailed researcher and writer... Ingenious.' - Record Collector'Full of enthralling details about the highs and lows of the band's last year... it's like the DNA in a crime scene.' - David Hepworth, Word in Your Ear'A book that is religiously detailed and yet manages to create tantalising glimpses of what might have been' - Louder Than War***This is the story of the great lost Beatles album.The end of the Beatles wasn't inevitable. It came through miscommunication, misunderstandings and missed opportunities to reconcile.But what if it didn't end? What if just one of those chances was taken, and the Beatles carried on? What if they made one last, great album?In The Lost Album of The Beatles, Daniel Rachel - winner of the prestigious Penderyn Music Book Prize - looks at what could have been. Drawing on impeccable research, Rachel examines the the Fab Four's untimely demise - and from the ashes compiles a track list for an imagined final album, pulling together unfinished demos, forgotten B-sides, hit solo songs, and arguing that together they form the basis of a lost Beatles masterpiece.Compelling and convincing, The Lost Album of The Beatles is a daring re-write of the group's history, and a tantalising glimpse of what might have been.

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The Germany between the two world wars, which produced some of the greatest literary lights of the century, also produced a forum worthy of them: the brilliantly edited, crusading, lef-oriented (but not party-affiliated) Weltbühne. The present book tells the history of this weekly Berlin journal, discusses the men that ran it and wrote it, and outlines the causes for which it fought. The Weltbühne had three editors--the uncompromising style-conscious Siegfried Jacobsohn, the sharp-tongued, satirical Kurt Tucholsky, and the enigmatic, aristocratic Carl von Ossietzky, martyred by the Nazis. The radical, intellectual elite of Germany (and to come extent outside Germany) contributed to the journal -- Heinrich Mann, Alfred Polgar, Erich Kästner, Alfred Doblin, Bertolt Brecht, Leonhard Frank, Theodor Plievier, Rene Schickele, Lion Feuchtwanger, Ernst Toller, Arnold Zweig; also Arthur Koestler, Romain Rolland, Henry Barbusse, and Leon Trotsky. These men stood for the demilitarization of Germany, the purge of the reactionary administration and judiciary, the end of all restraints on human rights (including the restraints on abortion and homosexuality), complete equality of women, pacifist educational policies, the intellectualization of politics and politicization of the intellectuals, unity of the working-class parties, and socialism. When, on May 11, 1933, on Opera Square in Berlin, the stormtroopers burned books of fifteen authors sinning against the German Volk, thirteen of them had made contribution to the Weltbühne; and since many of them were Jews, the auto-da-fé gave special pleasure to the mob. Mr. Deak recreates with unusual empathy the atmosphere of the era, characterized by terrific social and political issues, which eventually lead to the disaster of the Thirties. The campaigns of the Weltbühne failed, and the contributors were killed or went into exile, with the journal itself moving from Berlin to Vienna to Prague to Paris before it died. Mr. Deak makes a lasting contribution to history by opening to a broader public the records preserved in the pages of this important but largely ignored journal, by selecting and interpreting the issues, and by brining to life the personalities that gave the era its intellectual profile. And understanding of the Weltbühne campaigns is indispensable for an appraisal of Central European politics in the first half of our century. Mr. Deak, in this readable book written with the passionate interest of a person who seems to have been a participant rather than a chronicler, makes this understanding possible by a lucid exposition and a searching analysis of the events. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

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Be a fly on the wall of sound: get the inside history and behind-the-scenes events in the making of a masterpiece. In this refreshing book ä which focuses solely on Amy Winehouse's musical artistry stylistic influences and creative collaborations with great producers and musicians instead of her personal problems ä Donald Brackett explores pertinent questions about the importance of pop music in contemporary culture.ÞIn this incisive and fascinating study of Amy Winehouse's second and last album (released in 2006) ÊBack to BlackÊ he opens the door not only to the full experience of this great record but also explores the seductive sonic hook that pop artists always strive for and unearths what makes the record unique influential and unforgettable. He reveals the creative steps in its inception and production the technical virtuosity that makes it special and why it deserves to be considered a pop classic.ÞIn an album that continually strips down the branches of popular music to draw from its muscular trunk Amy Winehouse (with significant help from producers Mark Ronson and Salaam Remi) used the deep longing of '60s girl-group pop such as the Ronettes to fuel the torch sound she perfected in her debut. Brackett fully considers Winehouse's legacy ten years after her multi-Grammy winning album ä exploring the origins of a global cultural phenomenon by examining her roots as a storyteller; studying her swift arrival as a demonic pop diva; the crucially important creative role played by her gifted producers in the studio; the historical musical influences on her style; the soul magic of her superb backup band the Dap-Kings; ; her live performance style onstage; and her magnetic public image as a video star. ÊBack to BlackÊ is also explored song by song in an appreciation of its status as a true pop-art artifact.ÞIn the end it's the songs that make up Back to Black which go far beyond our potentially prurient fascination with the unique singer's early demise five years ago and instead bring vibrantly to life the surprising pop majesty she personified.

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Buddy Holly occupies an enigmatic position in pop and rock music history, partly because of his premature death at the age of 22 in a plane crash in February 1959. Designated in Don MacLean's hit "American Pie" as 'the day the music died', this enabled him to be included in the trope 'the death of rock 'n roll', alongside the less drastic musical demises of Elvis Presley (joined army), Chuck Berry (imprisoned), Jerry Lee Lewis (disgraced) and Little Richard (joined priesthood). The view that Holly belongs only to the 1950s has often obscured the originality of his music. In an era when the music world was divided into hard rockers, soft pop balladeers and hardcore Nashville country & western singers, his songs transcended the boundaries. Equally innovatory was his use of the recording studio as a laboratory, a place to experiment with sounds. In addition, the two guitars, bass and drums line-up of his group the Crickets was the major contributor to the small group template for generations of rock musicians down to the present day. As well as becoming an influence on other musicians in a conventional sense, Buddy Holly has had his own lengthy musical and cultural afterlife.From the vantage point of 2009, a half century after 'the day the music died', Holly has been the longest-serving member of the rock immortals club, those singers and musicians for whom death seemed to inaugurate a new phase of their career. He has been re-embodied in a biopic, a stage show, in iconic images and numerous reissues of his recordings. While he cannot rival Elvis Presley in terms of sightings (nobody, I think, believes Buddy is still alive) or in terms of 'virtual' performance with his old band, he has been re-embodied in a biopic, a stage show, in iconic images and numerous reissues of his recordings. This book is partly based on the author's 1970 study in the "Rockbooks" series. But it aims to provide a new perspective on Buddy Holly by discussing his career and art in the context of his unique contribution to the swiftly-evolving music scene of the late 1950s and his posthumous 50 year multi-media career through films, stage-shows and copious reissues of his oeuvre.

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*** PRE-ORDER THE BONE HACKER, COMING IN PAPERBACK IN SPRING 2024! *** 'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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Presents a history of the Roman Republic within the wider Mediterranean world, focusing on 330 to 30 BCE Broad in scope, this book uniquely considers the history of the Roman Republic in tandem with the rich histories of the Hellenistic kingdoms and city-states that endured after the death of Alexander the Great. It provides students with a full picture of life in the ancient Mediterranean world and its multitude of interconnections—not only between Rome and the Greek East, but also among other major players, such as Carthage, Judaea, and the Celts. Taking a mostly chronological approach, it incorporates cultural change alongside political developments so that readers get a well-balanced introduction to the era. The Roman Republic and the Hellenistic Mediterranean: From Alexander to Caesar offers great insight into a momentous era with chapters on Alexanders in Asia and Italy; Mediterranean Cosmopolitanism; The Path of Pyrrhus; The Three Corners of Sicily; The Expanding Roman Horizon; Hercules and the Muses; The Corinth-Carthage Coincidence; The Movements of the Gracchi; The New Men of Rome and Africa; The Conspiracies of Cicero and Catiline; The World According to Pompey; Roman Alexanders; and more. It also looks at the phenomenon of excessive violence, particularly in the cases of Marius, Sulla, and Mithridates. The final chapter covers the demise of Cleopatra and examines how the seeds planted by Octavian, Octavia, and Antony sprouted into full Hellenistic trappings of power for the centuries that followed. Situates the development of Rome, after the death of Alexander the Great, in the context of significant contemporaneous regimes in Asia Minor, the Levant, and Egypt Provides students with insight into how various societies respond to contact and how that contact can shape and create larger communities Highlights the interconnectedness of Mediterranean cultures Strikes a balance between political, geopolitical, and cultural inquiries Considers how modes of international diplomacy affect civilizations Includes helpful pedagogical features, such as sources in translation, illustrations, and further readings Roman Republic and the Hellenistic Mediterranean is an excellent book for undergraduate courses on the Roman Republic, the Hellenistic World, and the ancient Mediterranean.

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Habit rules our lives. And yet climate change and the catastrophic future it portends, makes it clear that we cannot go on like this. Our habits are integral to narratives of the good life, to social norms and expectations, as well as to economic reality. Such shared shapes are vital. Yet while many of our individual habits seem perfectly reasonable, when aggregated together they spell disaster. Beyond consumerism, other forms of life and patterns of dwelling are clearly possible. But how can we get there from here? Who precisely is the ‘we’ that our habits have created, and who else might we be? Philosophy is about emancipation—from illusions, myths, and oppression. In Reoccupy Earth, the noted philosopher David Wood shows how an approach to philosophy attuned to our ecological existence can suspend the taken-for-granted and open up alternative forms of earthly dwelling. Sharing the earth, as we do, raises fundamental questions about space and time, place and history, territory and embodiment—questions that philosophy cannot directly answer but can help us to frame and to work out for ourselves. Deconstruction exposes all manner of exclusion, violence to the other, and silent subordination. Phenomenology and Whitehead’s process philosophy offer further resources for an ecological imagination. Bringing an uncommon lucidity, directness, and even practicality to sophisticated philosophical questions, Wood plots experiential pathways that disrupt our habitual existence and challenge our everyday complacency. In walking us through a range of reversals, transformations, and estrangements that thinking ecologically demands of us, Wood shows how living responsibly with the earth means affirming the ways in which we are vulnerable, receptive, and dependent, and the need for solidarity all round. If we take seriously values like truth, justice, and compassion we must be willing to contemplate that the threat we pose to the earth might demand our own species’ demise. Yet we have the capacity to live responsibly. In an unfashionable but spirited defense of an enlightened anthropocentrism, Wood argues that to deserve the privileges of Reason we must demonstrably deploy it through collective sustainable agency. Only in this way can we reinhabit the earth.

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Winner of a 2006 Choice Magazine Outstanding Academic Title Award As medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced, thereby affecting readers' impressions of the author's intent. In Tao Yuanming and Manuscript Culture, Xiaofei Tian shows how readers not only experience authors but produce them by shaping texts to their interpretation. Tian examines the mechanics and history of textual transmission in China by focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature. Considered emblematic of the national character, Tao Yuanming (also known as Tao Qian, 365?-427 c.e.) is admired for having turned his back on active government service and city life to live a simple rural life of voluntary poverty. The artlessness of his poetic style is held as the highest literary and moral ideal, and literary critics have taken great pains to demonstrate perfect consistency between Tao Yuanming's life and poetry. Earlier work on Tao Yuanming has tended to accept this image, interpreting the poems to confirm the image. Tao Yuanming and Manuscript Culture is a study of how this cultural icon was produced and of the elusive traces of another, historical Tao Yuanming behind the icon. By comparing four early biographies of the poet, Tian shows how these are in large measure constructed out of Tao Yuanming's self-image as projected in his poetry and prose. Drawing on work in European medieval literature, she demonstrates the fluidity of the Chinese medieval textual world and how its materials were historically reconfigured for later purposes. Tian finds in Tao's poetic corpus not one essentialized Tao Yuanming, but multiple texts continuously produced long after the author's physical demise. Her provocative look at the influence of manuscript culture on literary perceptions transcends its immediate subject and has special resonance today, when the transition from print to electronic media is shaking the literary world in a way not unlike the transition from handwritten to print media in medieval China.

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Grand, sensational, and exotic, Art Deco design was above all modern, exemplifying the majesty and boundless potential of a newly industrialized world. From department store window dressings to the illustrations in the Sears, Roebuck & Co. catalogs to the glamorous pages of Vogue and Harper's Bazar, Lucy Fischer documents the ubiquity of Art Deco in mainstream consumerism and its connection to the emergence of the "New Woman" in American society. Fischer argues that Art Deco functioned as a trademark for popular notions of femininity during a time when women were widely considered to be the primary consumers in the average household, and as the tactics of advertisers as well as the content of new magazines such as Good Housekeeping and the Woman's Home Companion increasingly catered to female buyers. While reflecting the growing prestige of the modern woman, Art Deco-inspired consumerism helped shape the image of femininity that would dominate the American imagination for decades to come. In films of the middle and late 1920s, the Art Deco aesthetic was at its most radical. Female stars such as Greta Garbo, Joan Crawford, and Myrna Loy donned sumptuous Art Deco fashions, while the directors Cecil B. DeMille, Busby Berkeley, Jacques Feyder, and Fritz Lang created cinematic worlds that were veritable Deco extravaganzas. But the style soon fell into decline, and Fischer examines the attendant taming of the female role throughout the 1930s as a growing conservatism challenged the feminist advances of an earlier generation. Progressively muted in films, the Art Deco woman-once an object of intense desire-gradually regressed toward demeaning caricatures and pantomimes of unbridled sexuality. Exploring the vision of American womanhood as it was portrayed in a large body of films and a variety of genres, from the fashionable musicals of Josephine Baker, and Fred Astaire and Ginger Rogers to the fantastic settings of Metropolis, The Wizard of Oz, and Lost Horizon, Fischer reveals America's long standing fascination with Art Deco, the movement's iconic influence on cinematic expression, and how its familiar style left an indelible mark on American culture.

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Many of London’s Victorian buildings are built of coarse-textured yellow bricks. These are ‘London stocks’, produced in very large quantities all through the nineteenth century and notable for their ability to withstand the airborne pollutants of the Victorian city. Whether visible or, as is sometimes the case, hidden behind stonework or underground, they form a major part of the fabric of the capital. Until now, little has been written about how and where they were made and the people who made them. Peter Hounsell has written a detailed history of the industry which supplied these bricks to the London market, offering a fresh perspective on the social and economic history of the city. In it he reveals the workings of a complex network of finance and labour. From landowners who saw an opportunity to profit from the clay on their land, to entrepreneurs who sought to build a business as brick manufacturers, to those who actually made the bricks, the book considers the process in detail, placing it in the context of the supply-and-demand factors that affected the numbers of bricks produced and the costs involved in equipping and running a brickworks. Transport from the brickfields to the market was crucial and Dr Hounsell conducts a full survey of the different routes by which bricks were delivered to building sites - by road, by Thames barge or canal boat, and in the second half of the century by the new railways. The companies that made the bricks employed many thousands of men, women and children and their working lives, homes and culture are looked at here, as well as the journey towards better working conditions and wages. The decline of the handmade yellow stock was eventually brought about by the arrival of the machine-made Fletton brick that competed directly with it on price. Brickmaking in the vicinity of London finally disappeared after the Second World War. Although its demise has left little evidence in the landscape, this industry influenced the development of many parts of London and the home counties, and this book provides a valuable record of it in its heyday.

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Following the award-winning Seeds: Time Capsules of Life, Wolfgang Stuppy and Rob Kesseler explore the fascinating world of fruits through a unique presentation of extraordinary images from around the world accompanied by a lively explanatory text. Fruit. The word itself conjures up mouthwatering memories of crunchy apples, luscious strawberries, sweet bananas, succulent melons and juicy pineapples, to which we can add the splendid tropical fruits on our supermarket shelves. They are one of nature's most wonderful gifts but providing us with a healthy source of food is not the reason that plants produce such delicious fruits. It is therefore quite legitimate to ask what fruits are, and why they exist. As will be revealed, the true nature of fruits is concealed in what is buried in their core: their seeds. The key role that both play in the survival of each species explains the manifold strategies and ruses that plants have developed for the dispersal of their seeds. Whether these involve wind, water, humans, animals or the plant's own explosive triggers, they are reflected in the many colours, shapes and sizes of the fruits that protect the seeds and in the extraordinary way that some fruits have adapted to the animals that disperse their seeds, and the animals to the fruits they relish. In this pioneering collaboration, visual artist Rob Kesseler and seed morphologist Wolfgang Stuppy use scanning electronmicroscopy to obtain astonishing images of a variety of fruits and the seeds they protect. Razor-sharp cross-sections reveal intricate interiors, nuts and other examples of botanical architecture and reproductive ingenuity. The black and white microscope images have been sumptuously coloured by Rob Kesseler highlighting the structure and functioning of the minuscule fruit and seeds some almost invisible to the naked eye and in so doing creating a work of art. Larger fruits, flowers and seeds have been especially photographed. The formation, development and demise of the fruits are described, their vital role in the preservation of the biodiversity of our planet explained. Fruits are the keepers of the precious seeds that ensure our future; some are edible, others inedible and many, quite simply, incredible.

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In this magisterial work, leading cultural critic Mary Eberstadt delivers an influential new theory about the decline of religion in the Western world. The conventional wisdom is that the West first experienced religious decline, followed by the decline of the family. Eberstadt turns this standard account on its head. Marshaling an impressive array of research, from fascinating historical data on family decline in pre-Revolutionary France to contemporary popular culture both in the United States and Europe, Eberstadt shows the reverse is also true: the undermining of the family has further undermined Christianity itself. Drawing on sociology, history, demography, theology, literature, and many other sources, Eberstadt shows that family decline and religious decline have gone hand in hand in the Western world in a way that has not been understood before—that they are, as she puts it in a striking new image summarizing the book’s thesis, “the double helix of society, each dependent on the strength of the other for successful reproduction.” In sobering final chapters, Eberstadt then lays out the enormous ramifications of the mutual demise of family and faith in the West. While it is fashionable in some circles to applaud the decline of both religion and the nuclear family, there are, as Eberstadt reveals, enormous social, economic, civic, and other costs attendant on both declines. Her conclusion considers this compelling question: whether the economic and demographic crisis now roiling Europe and spreading to America will have the unintentional result of reviving the family as the most viable alternative to the failed welfare state—fallout that could also lay the groundwork for a religious revival as well.How the West Really Lost God is a startlingly original account of how secularization happens and a sweeping brief about why everyone should care. A book written for agnostics as well as believers, atheists as well as “none of the above,” it will permanently change the way every reader understands the two institutions that have hitherto undergirded Western civilization as we know it—family and faith—and the fundamental nature of the relationship between those two pillars of history.

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Oxygen has had extraordinary effects on life. Three hundred million years ago, in Carboniferous times, dragonflies grew as big as seagulls, with wingspans of nearly a metre. Researchers claim they could have flown only if the air had contained more oxygen than today - probably as much as 35 per cent. Giant spiders, tree-ferns, marine rock formations and fossil charcoals all tell the same story. High oxygen levels may also explain the global firestorm that contributed to the demise of the dinosaurs after the asteroid impact. The strange and profound effects that oxygen has had on the evolution of life pose a riddle, which this book sets out to answer. Oxygen is a toxic gas. Divers breathing pure oxygen at depth suffer from convulsions and lung injury. Fruit flies raised at twice normal atmospheric levels of oxygen live half as long as their siblings. Reactive forms of oxygen, known as free radicals, are thought to cause ageing in people. Yet if atmospheric oxygen reached 35 per cent in the Carboniferous, why did it promote exuberant growth, instead of rapid ageing and death? Oxygen takes the reader on an enthralling journey, as gripping as a thriller, as it unravels the unexpected ways in which oxygen spurred the evolution of life and death. The book explains far more than the size of ancient insects: it shows how oxygen underpins the origin of biological complexity, the birth of photosynthesis, the sudden evolution of animals, the need for two sexes, the accelerated ageing of cloned animals like Dolly the sheep, and the surprisingly long lives of bats and birds. Drawing on this grand evolutionary canvas, Oxygen offers fresh perspectives on our own lives and deaths, explaining modern killer diseases, why we age, and what we can do about it. Advancing revelatory new ideas, following chains of evidence, the book ranges through many disciplines, from environmental sciences to molecular medicine. The result is a captivating vision of contemporary science and a humane synthesis of our place in nature. This remarkable book might just redefine the way we think about the world. Oxford Landmark Science books are 'must-read' classics of modern science writing which have crystallized big ideas, and shaped the way we think.

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This book examines different forms of ritual activities performed in houses of Graeco- Roman Egypt. It draws on the rich archaeological record of rural housing and evidence from literature or papyrological references to both urban and rural housing. The introduction critically considers the literature relevant to the topic in order to identify the research gap. Chapter I attempts to reconstruct the structure of urban and rural houses in Graeco- Roman Egypt in the light of papyri and archaeology. This aims to establish the physical and spatial framework for the rituals considered in the following chapters. In line with this reconstruction of domestic properties is the reconstruction of the architectural layout and use of the domestic pylon in Chapter II. Chapter III deals with two rituals enacted before the front door of the house, namely the sacrifice of fish on the 9th of Thoth and the sacrifice of pigs on the 15th of Pachon. Chapter IV considers the ritual of the illumination of lamps for the goddess Athena-Neith within and around houses on the 13th of Epeiph. Chapter V highlights the use of the house as an arena for social types of rituals associated with dining, birthdays, the mallokouria, the epikrisis, and marriage. Chapter VI explores the religious sphere of houses, which is obvious from domestic shrines, wall paintings with religious themes, and figurines of Egyptian and Graeco-Roman deities uncovered from houses. The last chapter deals with mourning rituals, which the house occupants performed after the demise of their beloved animals, such as dogs, and their family members. In the conclusion, I summarize my work and draw out its implications, suggesting that the house was the locus of social, religious, and funerary rituals in Graeco-Roman Egypt.

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Alejandro Lerroux (18641949) was one of the most polemical figures of early twentieth century Spanish politics. As leader of the Radical Republican Party and six-time prime minister between 1933 and 1935, his admirers saw him as a patriot determined to create a Republic for all citizens, while his critics denounced him as an opportunistic demagogue willing to sacrifice the Republic to its enemies. Like his French republican contemporary Georges Clemenceau, Lerrouxs long political journey took him from the fiery radical leftism of his youth to centrist consensual politics. Thus while Lerroux was the most significant advocate of a revolutionary break with Spains monarchical and authoritarian past before 1931, after the proclamation of the Second Republic he wished to build an inclusive and tolerant democracy. This book is the first scholarly biography in any language of this titan of modern Spanish politics. Nigel Townsons The Crisis of Democracy in Spain (2000) is the only book in English to discuss Lerrouxs career in any detail, but his study is restricted to the Second Republic. Utilising neglected primary material, Villa Garcia argues that Lerroux embodies the transition from the elitist liberal politics of the nineteenth century to the modern mass politics of the twentieth. Like the Second Republic itself, Lerrouxs political career ended in failure. The work is a timely reminder to students of modern Spain that the demise of Republican democracy was not inevitable. Nevertheless, after the abrupt end to Lerrouxs effort to sustain a broadly based moderate and democratic government, Spain would never again achieve stable and constitutional rule until 1977. The political defeat of Lerroux was a major turning point in the countrys history, a fateful step in the failure of democracy and the coming of civil war.

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Batchelder Honor Winner, 2020 ALA Youth Media AwardsHonorable Mention, 2019 Freeman Awards (National Consortium for Teaching about Asia)Korea’s demilitarized zone (DMZ) has become an amazing accidental nature preserve that gives hope for a brighter future for a divided land.This unique picture book invites young readers into the natural beauty of the DMZ, where salmon, spotted seals, and mountain goats freely follow the seasons and raise their families in this 2.5-mile-wide, 150-mile-long corridor where no human may tread. But the vivid seasonal flora and fauna are framed by ever-present rusty razor wire, warning signs, and locked gates—and regularly interrupted by military exercises that continue decades after a 1953 ceasefire in the Korean War established the DMZ.Creator Uk-Bae Lee’s lively paintings juxtapose these realities, planting in children the dream of a peaceful world without war and barriers, where separated families meet again and live together happily in harmony with their environment. Lee shows the DMZ through the eyes of a grandfather who returns each year to look out over his beloved former lands, waiting for the day when he can return. In a surprise foldout panorama at the end of the book the grandfather, tired of waiting, dreams of taking his grandson by the hand, flinging back the locked gates, and walking again on the land he loves to find his long-lost friends.When Spring Comes to the DMZ helps introduce children to the unfinished history of the Korean Peninsula playing out on the nightly news, and may well spark discussions about other walls, from Texas to Gaza.

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WINNER, HELEN AND HOWARD R. MARRARO PRIZE IN ITALIAN HISTORY Discloses the richness of ideas and sheds light on the controversy that characterized the transition from fascism to democracy, examining authors, works and memories that were subsequently silenced by Cold War politics. How a shared memory of Fascism and its cultural heritage took shape is still today the most disputed question of modern Italy, crossing the boundaries between academic and public discourse. Against Redemption concentrates on the historical period in which disagreement was at its highest: the transition between the downfall of Mussolini in July 1943 and the victory of the Christian Democrats over the Left in the 1948 general elections. By dispelling the silence around the range of opinion in the years before the ideological struggle fossilized into Cold War oppositions, this book points to early postwar literary practices as the main vehicle for intellectual dissent, shedding new light on the role of cultural policies in institutionalizing collective memory. During Italy’s transition to democracy, competing narratives over the recent traumatic past emerged and crystallized, depicting the country’s break with Mussolini’s regime as a political and personal redemption from its politics of exclusion and unrestrained use of violence. Conversely, outstanding authors such as Elsa Morante, Carlo Levi, Alberto Moravia, and Curzio Malaparte, in close dialogue with remarkable but now-neglected figures, stressed the cultural continuity between the new democracy and Fascism, igniting heated debates from opposite political standpoints. Their works addressed questions such as the working through of national defeat, Italian responsibility in World War II, and the Holocaust, revealing how the social, racial, and gender biases that characterized Fascism survived after its demise and haunted the newborn democracy.

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WINNER, HELEN AND HOWARD R. MARRARO PRIZE IN ITALIAN HISTORY Discloses the richness of ideas and sheds light on the controversy that characterized the transition from fascism to democracy, examining authors, works and memories that were subsequently silenced by Cold War politics. How a shared memory of Fascism and its cultural heritage took shape is still today the most disputed question of modern Italy, crossing the boundaries between academic and public discourse. Against Redemption concentrates on the historical period in which disagreement was at its highest: the transition between the downfall of Mussolini in July 1943 and the victory of the Christian Democrats over the Left in the 1948 general elections. By dispelling the silence around the range of opinion in the years before the ideological struggle fossilized into Cold War oppositions, this book points to early postwar literary practices as the main vehicle for intellectual dissent, shedding new light on the role of cultural policies in institutionalizing collective memory. During Italy’s transition to democracy, competing narratives over the recent traumatic past emerged and crystallized, depicting the country’s break with Mussolini’s regime as a political and personal redemption from its politics of exclusion and unrestrained use of violence. Conversely, outstanding authors such as Elsa Morante, Carlo Levi, Alberto Moravia, and Curzio Malaparte, in close dialogue with remarkable but now-neglected figures, stressed the cultural continuity between the new democracy and Fascism, igniting heated debates from opposite political standpoints. Their works addressed questions such as the working through of national defeat, Italian responsibility in World War II, and the Holocaust, revealing how the social, racial, and gender biases that characterized Fascism survived after its demise and haunted the newborn democracy.

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Among the various kinds of occultism popular during the Russian Silver Age (1890-1914), modern Theosophy was by far the most intellectually significant. This contemporary gnostic gospel was invented and disseminated by Helena Blavatsky, an expatriate Russian with an enthusiasm for Buddhist thought and a genius for self-promotion. What distinguished Theosophy from the other kinds of "mysticism"--the spiritualism, table turning, fortune-telling, and magic--that fascinated the Russian intelligentsia of the period? In answering this question, Maria Carlson offers the first scholarly study of a controversial but important movement in its Russian context. Carlson's is the only work on this topic written by an intellectual historian not ideologically committed to Theosophy. Placing Mme Blavatsky and her "secret doctrine" in a Russian setting, the book also discusses independent Russian Theosophical circles and the impact of the Theosophical-Anthroposophical schism in Russia. It surveys the vigorous polemics of the Theosophists and their critics, demonstrates Theosophy's role in the philosophical dialogues of the Russian creative intelligentsia, and chronicles the demise of the movement after 1917. By exploring this long neglected aspect of the Silver Age, Carlson greatly enriches our knowledge of fin-de-sicle Russian culture. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna. Saddam Hussein chooses Frank Sinatra's "My Way" as the theme song for his fifty-fourth birthday. It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this strikingly original treatment of a fiercely debated issue, Tyler Cowen makes a bold new case for a more sympathetic understanding of cross-cultural trade. Creative Destruction brings not stale suppositions but an economist's eye to bear on an age-old question: Are market exchange and aesthetic quality friends or foes? On the whole, argues Cowen in clear and vigorous prose, they are friends. Cultural "destruction" breeds not artistic demise but diversity. Through an array of colorful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why (and whether) Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever--thanks largely to cross-cultural trade. For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other. Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance. Not all readers will agree, but all will want a say in the debate this exceptional book will stir.

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The Lightning Thief: the first book in Rick Riordan's Percy Jackson series.Look, I didn't want to be a half-blood. I never asked to be the son of a Greek god. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends and generally trying to stay alive. This is the one where Zeus, God of the Sky, thinks I've stolen his lightning bolt - and making Zeus angry is a very bad idea . . .Rick Riordan has now sold an incredible 55 million copies of his books worldwidePraise for the Percy Jackson series:'Witty and inspired. Gripping, touching and deliciously satirical...This is most likely to succeed Rowling. Puffin is on to a winner' - Amanda Craig, The Times'Puns, jokes and subtle wit, alongside a gripping storyline' - Telegraph'Perfectly paced, with electrifying moments chasing each other like heartbeats' - New York TimesRick Riordan is an award-winning mystery writer. For the past fifteen years he has taught at middle schools in the San Francisco Bay area and in Texas. Rick lives in San Antonio, Texas, with his wife and two sons. Percy Jackson and the Lightning Thief, the overall winner of the Red House Children's Book Award, was Rick's first novel featuring the heroic young demigod.The Percy Jackson series:The Lightning Thief; The Sea of Monsters; The Battle of the Labyrinth; The Titan's Curse; The Last Olympian Heroes of Olympus:The Lost Hero; The Son of Neptune; The Mark of AthenaThe Kane Chronicles:The Red Pyramid; The Throne of Fire; The Serpent's Shadow

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The first biography of rapper Mac Miller, the Pittsburgh cult favorite–turned–rap superstar who touched the lives of millions before tragically passing away at the age of 26—now in paperbackMalcolm James McCormick was born on January 19, 1992. He began making music at a young age and by 15 was already releasing mixtapes. One of the first true viral superstars, his early records earned him a rabid legion of die-hard fans—as well as a few noteworthy detractors. But despite his undeniable success, Miller was plagued by struggles with substance abuse and depression, both of which fueled his raw and genre-defying music, yet ultimately led to his demise. Through detailed reporting and interviews with dozens of Miller’s confidants, Paul Cantor brings you to leafy Pittsburgh, seductive Los Angeles, and frenzied New York, where you will meet Miller’s collaborators, producers, business partners, best friends, and even his roommates. Traveling deep into Miller’s inner circle, behind the curtain, the velvet ropes, and studio doors, Most Dope tells the story of a passionate, gifted young man who achieved his life’s ambition, only to be undone by his personal demons.Most Dope is part love letter, part cautionary tale, never shying away from the raw, visceral way Mac Miller lived his life. Praise for Most Dope"A tender, studious remembrance." —The New York Times"An insightful exploration of his life . . . painstakingly reported by Cantor, who interviewed more than 100 people during a three-year process." —USA Today "An inside look at Miller's life through the eyes of his friends and industry peers, tracking the musician's life journey as he quickly ascended the ranks." —Daily Beast

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This wonderful publication provides a unique visual and historical record of the West Cork Railway as rail enthusiast and historian Chris Larkin warmly remembers the lifetime of the rail system in a travelogue which allows readers to hop onto a West Cork train and savour the journey of a bygone era. Highly illustrated with 188 images, while on board, you might even meet a celebrity! Fully illustrated throughout, material from Irish Railway Records is complemented by unique and rare images from private collections and the London Illustrated News. Photographs, vintage posters, postcards, colour slides, tickets, advertisements and images of railway paraphernalia fill the pages. West Cork Railways takes the reader time travelling from the famine right through to the rocking 1960s. Sit on a seat and be whisked from your West Cork home to villages and towns carrying along the dreams, needs and aspirations of bygone travellers. Observe railway life and the harmonious existence of dogs, cats, hens, ducks and geese at the level crossings. Railway enthusiasts will savour detailed accounts of railway stations, length of lines together with steam locomotives and wagons, while those interested in social history will enjoy accounts of halt-keeper’s houses and lists of people including those that worked on the Cork - Beara line. The railway brought much prosperity to the region; however, decades have passed since its 1961 demise and the rapid physical decay of the line. West Cork life continued, albeit in a different way. While today connectivity is measured in speed, this railway is fondly remembered for linking its people. Heartbreakingly, if it had held its ground for a further 12 years until EEC entry (1973), the railway right of way for future generations would have been preserved.

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Ready to go beyond the basics? Expand the limits of what’s possible with the Pathfinder Advanced Player’s Guide Pocket Edition! This 272-page Pathfinder Second Edition rulebook contains exciting new rules options for player characters, adding even more depth of choice to your Pathfinder game! Inside you will find brand new ancestries, heritages, and four new classes: the shrewd investigator, the mysterious oracle, the daring swashbuckler, and the hex-slinging witch! The must-have Advanced Player’s Guide also includes exciting new options for all your favorite Core Rulebook classes and tons of new backgrounds, general feats, spells, items, and 40 flexible archetypes to customize your play experience even further! The Pathfinder Advanced Player’s Guide includes: • Four new classes: the investigator, oracle, swashbuckler, and witch! • Five new ancestries and five heritages for any ancestry: celestial aasimars, curious catfolk, hagspawned changelings, vampiric dhampirs, fate-touched duskwalkers, scaled kobolds, fierce orcs, fiendish tieflings, industrious ratfolk, and feathered tengu! • 40 new archetypes including multiclass archetypes for the four new classes, Pathfinder favorites like the cavalier, dragon disciple, shadowdancer, and vigilante, and brand-new archetypes like the familiar master and the shield-bearing iron wall! • New class options for all twelve classes from the Pathfinder Core Rulebook including champions of evil, genie and shadow sorcerers, zen archer monks, rogue masterminds, spellcasting rangers, and more! • Even more exciting new rules, from rare and unique backgrounds to investigative skill feats, from spells and rituals like reincarnate and create demiplane to new items including special wands with unusual effects and exciting potions worthy of a witch’s cauldron.

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For centuries, the priest John Ball was one of the most infamous or famous figures in the history of English rebels, best known for his saying 'When Adam delved and Eve Span, Who was then the gentleman'. But over the past hundred years his memory has faded dramatically. Along with Wat Tyler, Ball was one of the leaders of the Peasants' Revolt of 1381, a historically remarkable event in that leading figures of the realm were beheaded by the rebels. For a few days in June 1381, the rebels dominated London but soon met their demise, with Ball executed. Ball provided the theological justification for the uprising which he saw in apocalyptic terms. After the revolt, he was soon vilified and received an overwhelmingly hostile press for 400 years as an archetypal enemy of the state and a religious zealot. His reputation was rescued from the end of the eighteenth century onward and for over one hundred years he rivalled Robin Hood and Wat Tyler as a great English folk (and even abolitionist) hero. But his 640-year reception involves much more, of course, and is tied up with the story of what England is or could be. Overall, the book explains how we get from an apocalyptic priest who promoted a theocracy favouring the lower orders and the decapitation of the leading church and secular authorities to someone who promoted democracy and vague notions about love and tolerance. The book also explains why he has gone out of fashion and whether he can make another comeback.

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If material bodies have inherent, animating powers—or virtues, in the premodern sense—then those bodies typically and most insistently associated in the premodern period with matter—namely, women—cannot be inert and therefore incapable of ethical action, Holly Crocker contends. In The Matter of Virtue, Crocker argues that one idea of what it means to be human—a conception of humanity that includes vulnerability, endurance, and openness to others—emerges when we consider virtue in relation to modes of ethical action available to premodern women. While a misogynistic tradition of virtue ethics, from antiquity to the early modern period, largely cast a skeptical or dismissive eye on women, Crocker seeks to explore what happened when poets thought about the material body not as a tool of an empowered agent whose cultural supremacy was guaranteed by prevailing social structures but rather as something fragile and open, subject but also connected to others. After an introduction that analyzes Hamlet to establish a premodern tradition of material virtue, Part I investigates how retellings of the demise of the title female character in Chaucer's Troilus and Criseyde, Henryson's Testament of Cresseid, and Shakespeare's Troilus and Cressida among other texts structure a poetic debate over the potential for women's ethical action in a world dominated by masculine violence. Part II turns to narratives of female sanctity and feminine perfection, including ones by Chaucer, Bokenham, and Capgrave, to investigate grace, beauty, and intelligence as sources of women's ethical action. In Part III, Crocker examines a tension between women's virtues and household structures, paying particular attention to English Griselda- and shrew-literatures, including Shakespeare's Taming of the Shrew. She concludes by looking at Chaucer's Legend of Good Women to consider alternative forms of virtuous behavior for women as well as men.

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In 1955, Ngo Dinh Diem organized an election to depose chief-of-state Bao Dai, after which he proclaimed himself the first president of the newly created Republic of Vietnam. The United States sanctioned the results of this election, which was widely condemned as fraudulent, and provided substantial economic aid and advice to the RVN. Because of this, Diem is often viewed as a mere puppet of the United States, in service of its Cold War geopolitical strategy. That narrative, Jessica M. Chapman contends in Cauldron of Resistance, grossly oversimplifies the complexity of South Vietnam's domestic politics and, indeed, Diem's own political savvy. Based on extensive work in Vietnamese, French, and American archives, Chapman offers a detailed account of three crucial years, 1953–1956, during which a new Vietnamese political order was established in the south. It is, in large part, a history of Diem's political ascent as he managed to subdue the former Emperor Bao Dai, the armed Hoa Hao and Cao Dai religious organizations, and the Binh Xuyen crime organization. It is also an unparalleled account of these same outcast political powers, forces that would reemerge as destabilizing political and military actors in the late 1950s and early 1960s. Chapman shows Diem to be an engaged leader whose personalist ideology influenced his vision for the new South Vietnamese state, but also shaped the policies that would spell his demise. Washington's support for Diem because of his staunch anticommunism encouraged him to employ oppressive measures to suppress dissent, thereby contributing to the alienation of his constituency, and helped inspire the organized opposition to his government that would emerge by the late 1950s and eventually lead to the Vietnam War.

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The tantric Buddhist traditions emerged in India beginning in the seventh century CE and flourished there until the demise of Buddhism in India circa the fifteenth century. These traditions were disseminated to Central, East, and Southeast Asia, and continue to be practiced, most notably in Nepal, Tibet and Japan, as well as in the numerous Tibetan traditions disseminated around the world by Tibetan masters living in diaspora. The central scriptures for these traditions were generally designated by the term tantra. Tantras are works that purport to relate secret teachings of the buddhas that enable awakening in as short as one lifetime. As such they are understood by their advocates to be the inspired speech of a buddha, and hence worthy of inclusion in the canons of Buddhist traditions. Over the past twenty years there has been considerable growth in the study of tantras as well as translations of these works into Western languages. This volume provides a detailed introduction to the Buddhist tantras. It addresses their development in India, their dissemination to Central, East and Southeast Asia, and their reception in these contexts. It introduces the key teachings in the tantras, as well as the history of their interpretation, and their connection to traditions of ritual, and contemplative practices. It also introduces the classification of the tantras and their place in Buddhist scriptural canons. It concludes with a look at the transgressive rhetoric that characterizes many of the tantras, the impact this had on their dissemination and translation, and the ways in which Buddhists explained this. It suggests that transgressive rhetoric and practices served an important role in Buddhist tantric traditions, which may be why they persist despite the challenges they have presented to the dissemination of these traditions.

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.The industry-standard resource for maintenance planning and scheduling—thoroughly revised for the latest advancesWritten by a Certified Maintenance and Reliability Professional (CMRP) with more than three decades of experience, this resource provides proven planning and scheduling strategies that will take any maintenance organization to the next level of performance. The book resolves common industry frustration with planning and reduces the complexity of scheduling in addition to dealing with reactive maintenance. You will find coverage of estimating labor hours, setting the level of plan detail, creating practical weekly and daily schedules, kitting parts, and more, all designed to increase your workforce without hiring. Much of the text applies the timeless management principles of Dr. W. Edwards Deming and Dr. Peter F. Drucker. You will learn how you can do more proactive work when your hands are full of reactive work. Maintenance Planning and Scheduling Handbook, Fourth Edition, features more new case studies showing real world successes, a new chapter on getting better storeroom support, major revisions that describe the best KPIs for planning, major additions to the issue of “selling” planning to gain support, revisions to make work order codes more useful, a new appendix on numerically auditing planning success, and a new appendix devoted entirely to selecting a great maintenance planner.Maintenance Planning and Scheduling Handbook, Fourth Edition covers:•The business case for the benefit of planning •Planning principles •Scheduling principles •Handling reactive maintenance •Planning a work order •Creating a weekly schedule•Daily scheduling and supervision •Parts and planners•The computer CMMS in maintenance•How planning works with PM, PdM, and projects •Controlling planning: the best KPIs KPIs for planning and overall maintenance •Shutdown, turnaround, overhaul, and outage management •Selling, organizing, analyzing, and auditing planning

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In Every Step a Lotus, Dorothy Ko embarks on a fascinating exploration of the practice of footbinding in China, explaining its origins, purpose, and spread before the nineteenth century. She uses women's own voices to reconstruct the inner chambers of a Chinese house where women with bound feet lived and worked. Focusing on the material aspects of footbinding and shoemaking--the tools needed, the procedures, the wealth of symbolism in the shoes, and the amazing regional variations in style--she contends that footbinding was a reasonable course of action for a woman who lived in a Confucian culture that placed the highest moral value on domesticity, motherhood, and handwork. Her absorbing, superbly detailed, and beautifully written book demonstrates that in the women's eyes, footbinding had less to do with the exotic or the sublime than with the mundane business of having to live in a woman's body in a man's world. Footbinding was likely to have started in the tenth century among palace dancers. Ironically, it was meant not to cripple but to enhance their grace. Its meaning shifted dramatically as it became domesticated in the subsequent centuries, though the original hint of sensuality did not entirely disappear. This contradictory image of footbinding as at once degenerate and virtuous, grotesque and refined, is embodied in the key symbol for the practice--the lotus blossom, being both a Buddhist sign of piety and a poetic allusion to sensory pleasures. Every Step a Lotus includes almost one hundred illustrations of shoes from different regions of China, material paraphernalia associated with the customs and rituals of footbinding, and historical images that contextualize the narrative. Most of the shoes, from the collection of the Bata Shoe Museum in Toronto, have not been exhibited before. Readers will come away from the book with a richer understanding of why footbinding carries such force as a symbol and why, long after its demise, it continues to exercise a powerful grip on our imaginations. A Copublication with the Bata Shoe Museum

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Ready to go beyond the basics? Expand the limits of what’s possible with the Pathfinder Advanced Player’s Guide! This 272-page Pathfinder Second Edition rulebook contains exciting new rules options for player characters, adding even more depth of choice to your Pathfinder game! Inside you will find brand new ancestries, heritages, and four new classes: the shrewd investigator, the mysterious oracle, the daring swashbuckler, and the hex-slinging witch! The must-have Advanced Player’s Guide also includes exciting new options for all your favorite Core Rulebook classes and tons of new backgrounds, general feats, spells, items, and 40 flexible archetypes to customize your play experience even further! This deluxe special edition is bound in faux leather with metallic deboss cover elements and a bound-in ribbon bookmark. The perfect way to commemorate Pathfinder's new edition! (Cover color and design subject to change.) The Pathfinder Advanced Player’s Guide includes: • Four new classes: the investigator, oracle, swashbuckler, and witch! • Five new ancestries and five heritages for any ancestry: celestial aasimars, curious catfolk, hagspawned changelings, vampiric dhampirs, fate-touched duskwalkers, scaled kobolds, fierce orcs, fiendish tieflings, industrious ratfolk, and feathered tengu! • 40 new archetypes including multiclass archetypes for the four new classes, Pathfinder favorites like the cavalier, dragon disciple, shadowdancer, and vigilante, and brand-new archetypes like the familiar master and the shield-bearing iron wall! • New class options for all twelve classes from the Pathfinder Core Rulebook including champions of evil, genie and shadow sorcerers, zen archer monks, rogue masterminds, spellcasting rangers, and more! • Even more exciting new rules, from rare and unique backgrounds to investigative skill feats, from spells and rituals like reincarnate and create demiplane to new items including special wands with unusual effects and exciting potions worthy of a witch’s cauldron.

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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In this sweeping and richly illustrated history, S. Frederick Starr tells the fascinating but largely unknown story of Central Asia's medieval enlightenment through the eventful lives and astonishing accomplishments of its greatest minds--remarkable figures who built a bridge to the modern world. Because nearly all of these figures wrote in Arabic, they were long assumed to have been Arabs. In fact, they were from Central Asia--drawn from the Persianate and Turkic peoples of a region that today extends from Kazakhstan southward through Afghanistan, and from the easternmost province of Iran through Xinjiang, China. Lost Enlightenment recounts how, between the years 800 and 1200, Central Asia led the world in trade and economic development, the size and sophistication of its cities, the refinement of its arts, and, above all, in the advancement of knowledge in many fields. Central Asians achieved signal breakthroughs in astronomy, mathematics, geology, medicine, chemistry, music, social science, philosophy, and theology, among other subjects. They gave algebra its name, calculated the earth's diameter with unprecedented precision, wrote the books that later defined European medicine, and penned some of the world's greatest poetry. One scholar, working in Afghanistan, even predicted the existence of North and South America--five centuries before Columbus. Rarely in history has a more impressive group of polymaths appeared at one place and time. No wonder that their writings influenced European culture from the time of St. Thomas Aquinas down to the scientific revolution, and had a similarly deep impact in India and much of Asia. Lost Enlightenment chronicles this forgotten age of achievement, seeks to explain its rise, and explores the competing theories about the cause of its eventual demise. Informed by the latest scholarship yet written in a lively and accessible style, this is a book that will surprise general readers and specialists alike.

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