Search results for ""Author Francis"

An uplifting and magical debut about food, coming together and finding family in the most unexpected places. For fans of Jenny Colgan! At the news of her mother’s death, Natalie Tan returns home to San Francisco – it’s time to confront some ghosts from the past. She is shocked to discover that the vibrant Chinatown neighbourhood of her childhood is fading. And she’s even more surprised to learn she has inherited her grandmother’s restaurant. Before Natalie can continue her legacy, she must follow the path laid out by the neighbourhood seer, cooking up three recipes from her grandmother’s cookbook to bring luck, courage and love to her struggling neighbours. Natalie has no desire to help the community that abandoned her to look after her mother all those years ago. But with the support of a surprising new friend and a budding romance, she starts to realise that maybe her neighbours have been there for her all along . . . Readers are loving Natalie Tan’s Book of Luck and Fortune: ‘Lovely, quirky, original book, lots of magic, lots of love, lots of heart, lots of fun, lots of yummy food’ Karen Whittard, Netgalley ‘I devoured this book’ Niamh Dunne, Netgalley ‘The food descriptions were so deliciously mouth-watering that I had to order take out dumplings to eat while I was reading!’ Eleanor Leese, Goodreads ‘If you're looking for a light, airy read that you'll want to finish within a day (because I did and I loved it)’ Lissanne, Netgalley ‘What a delightful story! This feel-good story adds in just a touch of magic, to go along with family and friends, a sprinkle of light romance, and tons of great food and recipes’ Subtle Bookish ‘This book is delicious…a joy’ Gem Fletcher, Netgalley

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Beth Hoffman was living the good life: she had a successful career as a journalist and professor, a comfortable home in San Francisco, and plenty of close friends and family. Yet in her late 40s, she and her husband decided to leave the big city and move to his family ranch in Iowa—all for the dream of becoming a farmer, to put into practice everything she had learned over decades of reporting on food and agriculture. There was just one problem: money. Half of America's two million farms made less than $300 in 2019. Between rising land costs, ever-more expensive equipment, the growing uncertainty of the climate, and few options for health care, farming today is a risky business. For many, simply staying afloat is a constant struggle. Bet the Farm chronicles this struggle through Beth’s eyes as a beginning farmer. She must contend with her father-in-law, who is reluctant to hand over control of the land. Growing oats is good for the environment but ends up being very bad for the wallet. And finding somewhere, in the midst of COVID-19, to slaughter grass-finished beef is a nightmare. The couple also must balance the books, hoping that farming isn’t a romantic fantasy that takes every cent of their savings. Even with a decent nest egg and access to land, making ends meet at times seems impossible. And Beth knows full well that she is among the privileged. If Beth can’t make it, how can farmers who confront racism, lack access to land, or don’t have other jobs to fall back on? Bet the Farm is a first-hand account of the perils of farming today and a personal exploration of more just and sustainable ways of producing food.

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'A true testimonial and epic love letter to the soul saving power of rock & roll . . . Read it and be inspired, as I was' Bobby Gillespie'Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective. He draws from a lifetime of inspiration and experience. A youth plugging in his first electric guitar, a fan taking the dance floor, a propelling player, a humble guardian of history, and the writer I have always known him to be' Patti SmithMemphis, 1954. New Orleans 1957. Philadelphia 1959. Liverpool, 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991.Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters and visionaries, how each generation came to be, how it was discovered by the world. Whether Elvis Presley's Memphis, the Beatles' Liverpool, Patti Smith's New York or Kurt Cobain's Seattle, LIGHTNING STRIKING reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who's on stage, along with the movers and shakers, the hustlers and hangers-on, and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye's acclaimed knowledge and experience as a working musician, LIGHTNING STRIKING is an ear-opening insight into our shared musical and cultural history, a carpet ride of rock and roll's most influential movements and moments.

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In the medieval period preparations with hallucinogenic herbs were part of the practice of veneficium, or poison magic. This collection of magical arts used poisons, herbs, and rituals to bewitch, heal, prophesy, infect, and murder. In the form of psyche-magical ointments, poison magic could trigger powerful hallucinations and surrealistic dreams that enabled direct experience of the Divine. Smeared on the skin, these entheogenic ointments were said to enable witches to commune with various local goddesses, bastardized by the Church as trips to the Sabbat--clandestine meetings with Satan to learn magic and participate in demonic orgies. Examining trial records and the pharmacopoeia of witches, alchemists, folk healers, and heretics of the 15th century, Thomas Hatsis details how a range of ideas from folk drugs to ecclesiastical fears over medicine women merged to form the classical "witch" stereotype and what history has called the "witches' ointment." He shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections from all over the world as well as the practices and magical incantations necessary for their preparation. He explores the connections between witches' ointments and spells for shape shifting, spirit travel, and bewitching magic. He examines the practices of some Renaissance magicians, who inhaled powerful drugs to communicate with spirits, and of Italian folk-witches, such as Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations, and Finicella, who used drug ointments to imagine herself transformed into a cat. Exploring the untold history of the witches' ointment and medieval hallucinogen use, Hatsis reveals how the Church transformed folk drug practices, specifically entheogenic ones, into satanic experiences.

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'Engrossing ... Big Brother meets Big Business - that pretty much nails it' Stephen King'A gripping read, a literary blockbuster with brains. Horribly compelling' The Observer'A triumph' The Guardian___________________In a world ravaged by bankruptcy and unemployment, Cloud is the only company left worth working for. But what will it cost you?Amidst the wreckage of America, Cloud reigns supreme. Cloud brands itself not just as an online storefront, but as a global saviour. Yet, beneath the sunny exterior, lurks something far more sinister.Paxton never thought he’d be working Security for the company that ruined his life, much less that he’d be moving into one of their sprawling live-work facilities. But compared to what’s left outside, perhaps Cloud isn’t so bad. Better still, through his work he meets Zinnia, who fills him with hope for their shared future.Except that Zinnia is not what she seems. And Paxton, with his all-access security credentials, might just be her meal ticket.As Paxton and Zinnia’s agendas place them on a collision course, they’re about to learn just how far the Cloud will go to make the world a better place. To beat the system, you have to be inside it.What people are saying about The Warehouse:'Literary blockbuster’ Observer‘A triumph’ Guardian‘Brilliantly imagined’ BBC Culture‘Inventive, addictive’ Paul Tremblay‘Thrilling’ Blake Crouch‘An Orwellian thriller’ Publisher’s Weekly‘Wildly imaginative yet terrifyingly real’ Riley Sager‘Taut, tense and masterful’ Chuck Wendig'One of the breakout books of the year' Barnes & Noble'Holds up a dark mirror to our times' San Francisco Chronicle'A jet black satire of modern consumerism' Waterstones'A thriller of ideas ... taut action, incisive cultural commentary ... shades of Fahrenheit 451 and Jurassic Park.' USA Today

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***OVER A MILLION COPIES OF THE IRON DRUID BOOKS SOLD***'American Gods meets Jim Butcher's Harry Dresden' SFF WorldDiscover this action-packed collection of short stories featuring Atticus O'Sullivan - the two-thousand-year-old tattooed Irishman with extraordinary powers from Kevin Hearne's New York Times bestselling Iron Druid Chronicles.- In ancient Egypt, Atticus raids a secret chamber underneath the library of Alexandria, dodging deadly traps, only to learn that on-site security includes two members of the Egyptian pantheon . . .- During the Gold Rush, the avatar of greed himself turns the streets of San Francisco red with blood and upsets the elemental Sequoia. Atticus may have to fight fire with fire if he's going to restore balance . . . - In olde England, striking up a friendship with William Shakespeare lands both Atticus and the Bard in boiling hot water with a trio of infamous witches . . . Prepare to be besieged by these and other tantalizing tales of magic and adventure featuring bogeymen, vampire hordes, wrathful wraiths, and even a journey to the realm of the dead. Praise for the Iron Druid Chronicles:'Atticus and his crew are a breath of fresh air! . . . I love, love, love this series' My Bookish Ways'Entertaining, steeped in a ton of mythology, populated by awesome characters' Civilian Reader'This is one series no fantasy fan should miss. Mystery, suspense, magic and mayhem' SciFiChickThe Iron Druid ChroniclesHounded Hexed HammeredTrickedTrappedHuntedShatteredStakedScourgedBesieged (short stories)HAVE YOU TRIED...Kevin Hearne's epic fantasy novel A PLAGUE OF GIANTS - described by Delilah S. Dawson as 'a rare masterpiece that's both current and timeless . . . merging the fantasy bones of Tolkien and Rothfuss with a wide cast of characters who'll break your heart'. Out now!

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'A true testimonial and epic love letter to the soul saving power of rock & roll . . . Read it and be inspired, as I was' Bobby Gillespie'Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective. He draws from a lifetime of inspiration and experience. A youth plugging in his first electric guitar, a fan taking the dance floor, a propelling player, a humble guardian of history, and the writer I have always known him to be' Patti SmithMemphis, 1954. New Orleans 1957. Philadelphia 1959. Liverpool, 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991.Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters and visionaries, how each generation came to be, how it was discovered by the world. Whether Elvis Presley's Memphis, the Beatles' Liverpool, Patti Smith's New York or Kurt Cobain's Seattle, LIGHTNING STRIKING reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who's on stage, along with the movers and shakers, the hustlers and hangers-on, and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye's acclaimed knowledge and experience as a working musician, LIGHTNING STRIKING is an ear-opening insight into our shared musical and cultural history, a carpet ride of rock and roll's most influential movements and moments.

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The important contributions of the Irish in winning the struggle against Mexico and establishing a new republic are noticeably absent from the Alamo and Texas Revolutionary historiography. Phillip Thomas Tucker breaks new ground by rectifying the oversight with The Alamo’s Forgotten Defenders: The Remarkable Story of the Irish During the Texas Revolution, now available in paperback.The Irish embraced a lengthy and distinguished Emerald Isle revolutionary tradition—a distinctive cultural, political, and military heritage reborn during the Texas uprising of 1835-1836. Unbeknownst to most readers, the Irish comprised the largest single immigrant group in Texas during that time, and were among the most vocal and passionate of liberty-loving revolutionaries in all Texas. The largely Ireland-born garrison of Goliad raised the first flag of Texas Independence months before the Alamo’s fall. More than a dozen natives of the Old Country fought and died at the Alamo, and the old Franciscan mission’s garrison primarily consisted of soldiers of Scotch-Irish descent. Irish Protestants and Catholics made invaluable and disproportionate contributions in the struggle for Texas Independence.Dr. Tucker utilized primary sources, including rare newspaper articles, journals, and diaries, together with quality secondary accounts, to paint the dramatic saga of the Irish in Texas. The result is a broad-based cultural, economic, social, political, and military history of the Texas Revolution from the perspective of its Irish participants. The Alamo’s Forgotten Defenders will stand as a long-overdue corrective to the outdated “standard” views of the story of the Alamo and the Texas Revolution that ignore the distinguished contributions of the Emerald Isle natives, or mention them only in passing.When read together with the many other outstanding histories available, The Alamo’s Forgotten Defenders fills the vacuum in the Alamo and Texas Revolutionary historiography.

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Mark Antonelli, a failed young writer looking down the barrel at thirty, is planning a cross-country road trip. He buys a beat-up old tour bus. He hires a young army vet to drive it. He puts out an ad for others to join him along the way. But this will be a road trip like no other: His passengers are all fellow disheartened souls who have decided that this will be their final journey-upon arrival in San Francisco, they will find a cliff with an amazing view of the ocean at sunset, hit the gas, and drive out of this world. The unlikely companions include a young woman with a chronic pain sensory disorder and another who was relentlessly bullied at school for her size; a bipolar, party-loving neo-hippie; a gentle coder with a literal hole in his heart and blue skin; and a poet dreaming of a better world beyond this one. We get to know them through access to their texts, emails, voicemails, and the daily journal entries they write as the price of admission for this trip. By turns tragic, funny, quirky, charming, and deeply moving, Together We Will Go explores the decisions that brings these characters together, and the relationships that grow between them, with some discovering love and affection for the first time. But as they cross state lines and complications to the initial plan arise, it becomes clear that this is a novel as much about the will to live as the choice to end it. The final, unforgettable moments as they hurtle toward the decisions awaiting them will be remembered for a lifetime.

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"The first volume of Perle's magnificent study focused on Wozuck ...Its successor, equally painstaking and perceptive, is if anything more invaluable, for the clouds of mystery around Berg's second opera are only now beginning to disperse, and the work is coming to be regarded properly as the climax of the composer's achievement." (Andrew Clements, Opera). "Perle's books have laid the groundwork for a thorough exploration of the remarkably successful ways in which Berg was able to marry a powerful intellectual grasp of a richly developing language to an instinctive feel for dramatic shape, a process that marks him out as one of the few genuine opera composers this century." (Michael Taylor, Music and Letters). "The first volume, Wozzeck ...was universally recognized as being a work of outstanding scholarship. The Lulu volume is an even more impressive achievement. In its analytical sophistication, its critical insights and in the implications which it has for our understanding not only of Berg but of a whole body of post-diatonic music, Perle's Lulu is one of the most exciting and important books on music to appear for many years." (Douglas Jarman, Times Literary Supplement). "With the second of his books on The Operas of Alban Berg, this American musicologist and composer has now taken advantage of all this new material to consolidate his own research and present us with the most sophisticated musical analysis yet made of the composer ...As Perle shows, Lulu represents the highest point of development in Berg's music from the point of view of ambiguity of fabrication." (Stephen Reeve, Classical Music). "Nothing I've read in the past year makes as important a contribution to this literature as The Operas of Alban Berg: Volume Two: Lulu ...Perle's saga of the opera's release from partial captivity reads like one of the great intellectual detective stories of our era ...What emerges most flavorfully is Perle's portrait of a haunted artist who imbued his later works with concealed autobiographical gestures, including his longtime love affair with a Prague matron." (Ailan Ulrich, San Francisco Focus). "The goal of the two-volume work is not merely to dwell in detail on the operas themselves, but to give some account of Berg's other music, in order to set the operas in the context of his complete output. With a composer like Berg, whose music is intimately bound up with his own personal life, such an approach is particularly appropriate ...George Perle has given the world two volumes which will remain at the top of their field for many years to come." (Douglass M. Green, Journal of the American Musicological Society).

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Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, “What does it mean to be fulfilled?” This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture’s unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljački – Boston, MA; Ang Li – Boston, MA; Ashley Bigham – Columbus, OH; Cristina Goberna Pesudo – Madrid, Spain; Curtis Roth – Columbus, OH; Jesse LeCavalier – Toronto, Canada; John McMorrough – Ann Arbor, MI; Keith Krumwiede – San Francisco, CA; Laida Aguirre – Ann Arbor, MI; Leigha Dennis – New York, NY; Lluís Alexandre Casanovas Blanco – Barcelona, Spain; Michelle Chang – Boston, MA; Miles Gertler – Toronto, Canada; Mira Henry & Matthew Au (Current Interests) – Los Angeles, CA

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AftŸer a long period of comparative neglect, starting almost immediately upon his death in 1900, John Ruskin began to attract, from the 1960s onwards, a remarkable degree of critical interest. Although the formidably ample Library Edition of Ruskin’s works will always constitute the primary basis for interpretation, there is also newly available source material, in the form of letters and (in part) diaries, as well as a scintillating body of modern comment to which the present study seeks to contribute.Ruskin had an extraordinary ability to bring together aesthetics, religion, ecology, and social issues in a unitary, overarching vision, all expressed in a prose style worthy of comparison with any in the English language. All Great Art is Praise focuses especially on the themes of art and religion, for Aidan Nichols takes the view that Ruskin’s writings on art cannot be appreciated without taking into account at many points his approach to religion. This volume offers an analytic account of Ruskin’s principal writings on art, viewed through the lens of Ruskin’s religious claims.For readers new to Ruskin, an opening chapter provides an overview of his work in the context of a life that combined public celebrity with private sorrow. Succeeding chapters consider his comments on art andreligion in broadly chronological order, ending with the highly innovative open letters to working men, and his moving autobiography which was leŸ unfinished at the time of his descent into madness and death.Ruskin’s evaluations of (among others) Turner and the Pre-Raphaelites, the Italian Primitives, and the artists of the high Renaissance, gave the Victorians eyes to see. But his writings call for comment not only from literary scholars and art historians but also from students of ideas since they address a wide range of issues in both theology and philosophy.The volume looks especially closely at Ruskin’s changing attitudes to Catholicism. The son of a stoutly Bible-Protestant mother and a father politically opposed to the civil emancipation of Catholics, Ruskinfound it increasingly difficult to combine his inherited anti-Catholicism with his appreciation of Byzantine-Venetian, Renaissance-humanist, and Franciscan-evangelical art and the program for living these contained or implied. The rumors in late life of his immanent conversion to Rome proved unfounded, but they were not implausible. All Great Art is Praise seeks to show why.

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Condensing centuries of history into one volume, "Cities of the World" traces the historic form and special character of the world's greatest cities through a breathtaking collection of maps and panoramic views. Peter Whitfield focuses on more than sixty cities - from Athens to Brasilia, Washington to Moscow, San Francisco to Saigon, and Venice to Lhasa. He presents an extremely wide range of maps, historic prints, and photographs from many periods that show how the architectural form and the social life of our cities have been shaped--not only by their geographical setting, but also by religion, royal power, commerce, social ideals, and occasionally artistic vision. These images illustrate the historic heart of the cities: the ancient harbors, the hilltop fortresses, the encircling walls, and the houses, churches, and palaces that have been added over the centuries. For the armchair traveler or anyone passionate about the history of human civilization, this beautiful, unique book captures the richness of the urban fabric and reflects the collective memory of each metropolis. Cities of the World demonstrates how the city was linked to the birth and progress of civilization itself, how it has acted as a focus for ideas and technologies, arts and sciences, and even religious devotion. It shows the ways that some cities grew slowly into haphazard, unplanned beauties, while others were shaped by the will of masterful individuals. Whitfield chose the cities featured here not only because they are richly and beautifully illustrated, but also because they demonstrate a notion of spirit--an outward and inward uniqueness. Many of these historic maps have a pictorial quality that vanished long ago from the functional town-plan. Depicting the classical city-state, the medieval fortress, the baroque capital, and the industrial metropolis, the sumptuous illustrations in this book chronicle how simple outlines found on Babylonian clay tablets evolved into the stylized pictures of medieval times and spectacular bird's-eye panoramic views, finally culminating in the highly functional mass-produced maps of the nineteenth and twentieth centuries. Wonderfully evocative of the places they depict and the artistic tastes of their time, these maps shed new light on civilization itself, with all of its contradictions, shortcomings, energy, and aspirations.

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Gasoline & Vestal Lady on Brattle is volume number 8 in the City Lights Pocket Series. "Open this book as you would a box of crazy toys, take in your hands a refinement of beauty out of a destructive atmosphere. These combinations are imaginary and pure, in accordance with Corso's individual (therefore universal) desire." --Allen Ginsberg "Gregory is a gambler. He suffers reverses, like every man who takes chances. But his vitality and resilience always shine through, with a light that is more than human: The immortal light of his muse." --William S. Burroughs "...A touch young kid from the Lower East Side who rose like an angel over the rooftops and sang Italian songs as sweet as Caruso and Sinatra, but in words...Amazing and Beautiful Gregory Corso, The one and only Gregory the Herald. Read slowly and see."--Jack Kerouac "[M]ore than fifty years on from when it was first published in 1958, Gasoline (City Lights, 1958) by Beat poet Gregory Corso is a seminal book in the birth of that particular literary generation." --Paul Stubbs, 3AM Magazine Gregory Corso's first book of poetry, The Vestal Lady on Brattle, was published by City Lights Press in 1955. Born in New York City and raised in Little Italy, Gregory Corso was an American Poet and the youngest of the iconic Beat Generation writers. Homeless and family-less, Corso was arrested at 13 for petty theft and larcenry and spent some time in New York's infamous jail "The Tombs." He was arrested again, but was admitted to Bellevue Hospital Center. On the night of his 18th birthday, he was arrested again and convicted as an adult, resulting in being detained in Clinton State Prison. Gasoline is dedicated to "the Angels of Clinton Prison..." Corso met Allen Ginsberg in 1951 and Ginsberg recognized Corso as "spiritually gifted." Together they traveled from New York to San Francisco to Paris where Corso wrote some of his most famous poems Bombs and Marriage. His journey to, in, and around Paris resulted in his third book of poetry which included poems The Happy Birthday of Death, Minutes to Go, The American Express, and Long LIve Man. He returned to New York in 1958 only to discover he and the other Beat writers had become famous literary figures. Corso and Ginsberg traveled to college campuses and read their famous works Howl and Bomb and Marriage. On January 17, 2001, Corso died from prostate cancer.

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'Generous but unflinching, sweeping but intimate, fictional but true' KAREN JOY FOWLER. 'A brilliant requiem for our generation and all our dreams' GEORGE R.R. MARTIN. What happened to the idealism of the 1960s? This question has haunted a generation. Outside the Gates of Eden follows two men from their first meeting in high school to their final destination in the 21st century. Alex is torn between his father's business empire and his own artistic yearnings. Cole, constantly uprooted in his childhood, finds his calling at a Bob Dylan concert in 1965. From the Summer of Love in San Francisco to the Woodstock festival in upstate New York, from campus protests to the Soho art scene, from a communal farm in Virginia to the mariachis of Guanajuato, Mexico, the novel charts the rise and fall of the counterculture – and what came after. Using the music business as a window into the history of half a century, Outside the Gates of Eden is both epic and intimate, starkly realistic and ultimately hopeful, a War and Peace for the Woodstock generation. 'Shiner displays the panoramic historical consciousness of a Pynchon or DeLillo, and yet every page is suffused with a humble and scrupulous humanity... You simply live with his people and know them and love them' JONATHAN LETHEM. 'A page-turning tour de force. Anyone with a passion for rock and roll storytelling at its very best must not deny themselves the opportunity to read this tale. A masterpiece' IAIN MATTHEWS. 'A history of a generation seen through the lens of music' JOHN KESSEL.

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Since its initial publication, Loft Living has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of “creative city” policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists’ districts—trailing the success of SoHo in New York—have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home.Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular “scene,” how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city’s factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market. Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market.From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.

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DIVINE ILLUMINATION “An important and ground-breaking study which links growing interest in Augustine and medieval philosophy with cutting-edge questions in contemporary philosophy of religion, particularly concerning epistemology and the ‘rationality’ of religion.” Janet Soskice, University of Cambridge “In this lucidly argued and solidly documented study, Schumacher uncovers the roots of problems notoriously besetting modern theories of knowledge in conflicting medieval interpretations of Augustine’s assumptions about knowledge as divine illumination: an intriguing thesis, which she handles with delicacy and flair.” Fergus Kerr, O.P. University of Edinburgh “Challenges the traditional history of theories of knowledge. A bold and provocative reading.” Olivier Boulnois, École Pratique des Hautes Études (University of Paris, Sorbonne) Divine Illumination offers an original interpretation of Augustine’s theory of knowledge, tracing its development in the work of medieval thinkers such as Anselm, Bonaventure, Thomas Aquinas, and John Duns Scotus. Although Scotus is often deemed responsible for finally pronouncing Augustine’s longstanding illumination account untenable, Schumacher shows that he only rejected a version that was the byproduct of a shift in the understanding of illumination and knowledge more generally within the thirteenth-century Franciscan school of thought. To reckon with the challenges in contemporary thought on knowledge that were partly made possible by this shift, Schumacher recommends relearning a way of thinking about knowledge that was familiar to Augustine and those who worked in continuity with him. Her book thus anticipates a new approach to dealing with debates in contemporary epistemology, philosophy of religion, and theology, even while correcting some longstanding assumptions about Augustine and his most significant medieval readers.

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The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).

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Taking its name from a line in the Wallace Stevens’ poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. By a process of intimate and often extended engagement, Soth’s portraits and images of his subject’s surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer. “After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped traveling and photographing people. I barely took any pictures at all. When I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life. In order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” – Alec Soth Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Includes interview with Alec Soth by Hanya Yanagihara.

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Award-winning journalist Simran Sethi explores the history and cultural importance of our most beloved tastes, paying homage to the ingredients that give us daily pleasure, while providing a thoughtful wake-up call to the homogenization that is threatening the diversity of our food supply. Food is one of the greatest pleasures of human life. Our response to sweet, salty, bitter, or sour is deeply personal, combining our individual biological characteristics, personal preferences, and emotional connections. Bread, Wine, Chocolate illuminates not only what it means to recognize the importance of the foods we love, but also what it means to lose them. Award-winning journalist Simran Sethi reveals how the foods we enjoy are endangered by genetic erosion-a slow and steady loss of diversity in what we grow and eat. In America today, food often looks and tastes the same, whether at a San Francisco farmers market or at a Midwestern potluck. Shockingly, 95% of the world's calories now come from only thirty species. Though supermarkets seem to be stocked with endless options, the differences between products are superficial, primarily in flavor and brand. Sethi draws on interviews with scientists, farmers, chefs, vintners, beer brewers, coffee roasters and others with firsthand knowledge of our food to reveal the multiple and interconnected reasons for this loss, and its consequences for our health, traditions, and culture. She travels to Ethiopian coffee forests, British yeast culture labs, and Ecuadoran cocoa plantations collecting fascinating stories that will inspire readers to eat more consciously and purposefully, better understand familiar and new foods, and learn what it takes to save the tastes that connect us with the world around us.

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How do we represent the experience of being a gender and sexual outlaw? In Queer Forms, Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation—including consciousness-raising, separatism, and coming out of the closet—were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called “normal” gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments—from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth—and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms, including the sequential format of comic strip serials, the stock figures or character-types of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist film, literature, and visual culture including Mart Crowley’s The Boys in the Band (1970), Armistead Maupin’s Tales of the City (1976–1983), Lizzy Borden’s Born in Flames (1983), and Tony Kushner’s Angels in America (1989–1991), Fawaz shows how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern United States. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions.

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Reese Witherspoon, Oprah and Roxane Gay LOVE her! Readers love her!Have you discovered New York Times bestseller and Reese's Book Club pick Jasmine Guillory yet?'The queen of contemporary romance' OprahMag.com'She writes the sexiest and smartest romances' Red Magazine'Just as essential to a good summer holiday as SPF' GraziaA feel-good romance to warm your heart! A groomsman and his last-minute guest are about to discover if a fake date can go the distance.'A sweet, funny, realistic, grown up . . . romantic tale' ⭐ ⭐ ⭐ ⭐ ⭐'Love love loved this book!!! The tension and build made had me turning the pages not wanting it to end' ⭐ ⭐ ⭐ ⭐ ⭐'A perfect romantic comedy!' ⭐ ⭐ ⭐ ⭐ ⭐'The Wedding Date has everything one would look for in a romance novel - and more' ⭐ ⭐ ⭐ ⭐ ⭐...........................................................Love wasn't part of the deal . . .On the eve of his ex's wedding festivities, Drew Nichols is minus a plus one. Until a power outage strands him with the perfect candidate for a fake girlfriend . . . Agreeing to go to a wedding with a guy she gets stuck with in an elevator is not something Alexa Monroe would normally do. But Drew's proposal proves hard to resist. After their wedding date turns into a whole weekend of fun in San Francisco, Drew and Alexa return to their all-consuming careers - his in LA and hers in Berkeley. Too bad they can't stop thinking about each other . . . It could be the long-distance dating disaster of the century - or Drew and Alexa could be just a flight away from what each of them truly wants............................................................PERFECT FOR FANS OF EMILY HENRY, CHRISTINA LAUREN AND TESSA BAILEY!'A charming, warm, sexy gem' ROXANE GAY'The undisputed queen of the modern-day romance' Vogue'Juicy yet meaningful, like every Guillory classic' Elle'Steamy and swoonworthy' PopSugar'When Jasmine Guillory comes out with a book, buy it' Refinery29If you love this, be sure to check out all of Jasmine's smart and sexy rom-coms:The Wedding DateThe ProposalThe Wedding PartyRoyal HolidayParty of TwoWhile We Were DatingDrunk on Love

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From court portraits for the Spanish royals to horrific scenes of conflict and suffering, Francisco José de Goya y Lucientes (1746–1828) made a mark as one of Spain’s most revered and controversial artists. A master of form and light, his influence reverberates down the centuries, inspiring and fascinating artists from the Romantic Eugène Delacroix to Britart enfants terribles, the Chapman brothers. Born in Fuendetodos, Spain, in 1746, Goya was apprenticed to the Spanish royal family in 1774, where he produced etchings and tapestry cartoons for grand palaces and royal residences across the country. He was also patronized by the aristocracy, painting commissioned portraits of the rich and powerful with his increasingly fluid and expressive style. Later, after a bout of illness, the artist moved towards darker etchings and drawings, introducing a nightmarish realm of witches, ghosts, and fantastical creatures. It was, however, with his horrific depictions of conflict that Goya achieved enduring impact. Executed between 1810 and 1820, The Disasters of War was inspired by atrocities committed during the Spanish struggle for independence from the French and penetrated the very heart of human cruelty and sadism. The bleak tones, agitated brushstrokes, and aggressive use of Baroque-like light and dark contrasts recalled Velázquez and Rembrandt, but Goya’s subject matter was unprecedented in its brutality and honesty. In this introductory book from TASCHEN Basic Art 2.0 we set out to explore the full arc of Goya’s remarkable career, from elegant court painter to deathly seer of suffering and grotesquerie. Along the way, we encounter such famed portraits as Don Manuel Osorio Manrique de Zúñiga, the dazzling Naked Maja, and The 3rd of May 1808 in Madrid, one of the most heart-stopping images of war in the history of art.

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"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

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Forever immortalized in the television series Mad Men, the mid-twentieth century marketing world influenced nearly every aspect of American culture--music, literature, politics, economics, consumerism, race relations, gender, and more. In Engineered to Sell, Jan Logemann traces the transnational careers of consumer engineers in advertising, market research and commercial design who transformed capitalism, from the 1930s through the 1960s. He argues that the history of marketing consumer goods is not a story of American exceptionalism. Instead, the careers of immigrants point to the limits of the "Americanization" paradigm. First, Logemann explains the rise of a dynamic world of goods by emphasizing changes in marketing approaches increasingly tailored to consumers. Second, he looks at how and why consumer engineering was shaped by transatlantic exchanges. From Austrian psychologists and little-known social scientists to the illustrious Bauhaus artists, the migr s at the center of this story illustrate the vibrant cultural and commercial connections between metropolitan centers: Vienna and New York; Paris and Chicago; Berlin and San Francisco. These mid-century consumer engineers crossed national and disciplinary boundaries not only within arts and academia but also between governments, corporate actors, and social reform movements. By focusing on the transnational lives of migr consumer researchers, marketers, and designers, Engineered to Sell details the processes of cultural translation and adaptation that mark both the mid-century transformation of American marketing and the subsequent European shift to "American" consumer capitalism.

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Since the mid-1960s, new religious movements—some exotic, some homegrown—have burgeoned all over the United States. A sense of self-awareness and spiritual sensitivity have found expression in the lives of large numbers of people, especially among youth. Why would this happen? What do these movements teach, and what effect do they have on the future? How does religious consciousness relate to other manifestations of social change, such as communal living, group therapy, and radical politics? Beginning in 1971, an extensive research project was undertaken by a team of sociologists, historians, and theologians seeking answers to these questions. Through a combination of interviews and participant observations, they studied new religious and quasi-religious groups in the San Francisco Bay Area, a spawning ground for upwards of one hundred such movements. The New Religious Consciousness opens with reports on three Eastern-based movements: the Healthy, Happy, Holy Organization, Hare Krishna, and Divine Light (more popularly known by the name of its leader, Maharaj Ji). Three quasi-religious movements are then considered: the New Left, the Human Potential Movement (Esalen, EST, Scientology, etc.), and Synanon. Next, three movements having their roots in Western religious traditions are examined: the Christian World Liberation Front (an offshoot of the Jesus Movement), Catholic Charismatic Renewal, and the Church of Satan (whose members believe in witchcraft). Succeeding chapters are devoted to estimating the impact of these movements on established religions and the population at large and to the history of earlier periods of religious ferment in the United States. The book concludes with provocative essays by the editors in which they present separate and differing analyses of the sources, nature, and meaning of the new religious consciousness. A variety of perspectives are represented here: phenomenological, theological, experiential, sociological, and social psychological. The result is a book rich in insight about the nature of new religions. Taken together with a companion volume, Robert Wuthnow's The Consciousness Reformation, also published by University of California Press, The New Religious Consciousness provides the first comprehensive study of American countercultural belief systems. With contributions by: Randall H. Alfred Robert N. Bellah Charles Y. Glock Barbara Hargrove Donald Heinz Gregory Johnson Ralph Lane, Jr. Jeanne Messer Richard Ofshe Thomas Piazza Linda K. Pritchard Donald Stone Alan Tobey James Wolfe Robert Wuthnow This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

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Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.The narrative ranges over the decade from 1954—the year di Prima and Herko first met—to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.One of The Millions' Most Anticipated Books of 2021.Praise for Spring and Autumn Annals:"The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives."—Chris Kraus"Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness."—Thurston Moore"Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'"—Ana Božičević"A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima’s poetic memoir of the artist journey is a triumph. A must read and reread for years to come."—Karen Finley

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A contributor to Donald Allen's seminal New American Poetry anthology, John Wieners was on the periphery of many of the twentieth century's most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the SF Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet's imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described "would-be poet" dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalization (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he's left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners' sense of glamour. Praise for Stars Seen in Person: "Like Rimbaud in Season in Hell, or Baudelaire with Intimate Journals, there's an unguarded spark and trust in John Wieners because impulse and imagination reign supreme. In 1955 he writes, "I shall try the only true thing I want to do. I shall go to my poems." Predating The Hotel Wentley Poems, moving through Ace of Pentacles, and ushering us into his life before Nerves, Stars Seen in Person further illuminates John as our future/former best unkept secret."--Micah Ballard "Thanks to Michael Seth Stewart's editorial legerdemain, at long last we have the magnificent John Wieners here before us, in his full undressed splendor: poet, stargazer, philosopher, shaman, flaneur, survivor. His journals----an inspiring monument, filled with taut provocations and purple illuminations----are valuable as cultural history, as lyric performance, as uninhibited autobiography, and as a motley, genre-defying epitome of gesamtkunstwerk aesthetic possibilities that seem as fresh and enticing as anything being dreamt up today." --Wayne Koestenbaum "These pages of notebooks and poetry--so exhaustively exhumed and returned to light and breath--are equivalent to Rilke's Letters to a Young Poet, but in reverse. John Wieners (forever young) evolved through his prose notes towards a sustained poetics of adolescence, holding that tormented phase on a long unyielding band-wave, resisting the sop of adult living with all his might and undergoing the inevitable punishments that such persistence brings."--Fanny Howe "John Wieners remains one of the best poets of my generation. His work & life continue to influence younger poets. These journals reveal his deep commitment to poetry & the poem; they contextualize his constant questing & devotion to the art. I knew John during many of the periods his journals cover &, as always, remain amazed & moved by his deeply examined honesty & purity."--David Meltzer John Wieners studied with Charles Olson at Black Mountain College, and later edited the small magazine Measure. He lived for a year and a half in San Francisco, where he wrote his breakthrough book, Hotel Wentley Poems (1958). In the early seventies he settled into an apartment on Boston's Beacon Hill, where he lived and wrote until his death in 2002.

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THE TOP TEN BESTSELLER'Candid, brilliant and bizarre' Guardian'Stories about the frontman and his bandmates are legion ... [like] Peter Kay with menaces' The Sunday TimesAs lead singer of Happy Mondays and Black Grape, Shaun Ryder was the Keith Richards and Mick Jagger of his generation. A true rebel, who formed and led not one but two seminal bands, he's had number-one albums, headlined Glastonbury, toured the world numerous times, taken every drug under the sun, been through rehab - and come out the other side as a national treasure.Now, for the first time, Shaun lifts the lid on the real inside story of how to be a rock star. With insights from three decades touring the world, which took him from Salford to San Francisco, from playing working men's clubs to headlining Glastonbury and playing in front of the biggest festival crowd the world has ever seen, in Brazil, in the middle of thunderstorm. From recording your first demo tape to having a number-one album, Shaun gives a fly-on-the-wall look at the rock 'n' roll lifestyle - warts and all: how to be a rock star - and also how not to be a rock star. From numerous Top of the Pops appearances to being banned from live TV, from being a figurehead of the acid-house scene to hanging out backstage with the Rolling Stones, Shaun has seen it all. In this book he pulls the curtain back on the debauchery of the tour bus, ridiculous riders, run-ins with record companies, drug dealers and the mafia, and how he forged the most remarkable comeback of all time.'There are enough stories about Happy Mondays to keep people talking about them forever. Bands live on through the myth really, myth and legend' (Steve Lamacq)

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Change is a constant, and leaders must do more than keep up—they must innovate and accelerate to succeed. Yet people are often unnerved by change. As a leader during a time of transformation, you may stand up before teams that are indifferent, or even hostile, and need to convince them that change is necessary and urgent. More than money, time, or resources, the ability to lead these people determines your ultimate success or failure. What does it take to be an effective change leader and increase the odds of success? Stacking the Deck offers a proven, practical approach for inspiring meaningful, lasting change across an organization. Stacking the Deck presents a nine-step course of action leaders can follow from the first realization that change is needed through all the steps of implementation, including assembling the right team of close advisors and getting the word out to the wider group. Based on Dave Pottruck's experiences leading change as CEO of Charles Schwab and later as chairman of CorpU and HighTower Advisors, these steps provide a guide to ensure that your change initiative and your team have the best possible shot at success. In addition, established business leaders who have led extraordinary change initiatives demonstrate the steps in action. These executives include eBay CEO John Donahoe, Wells Fargo former CEO Dick Kovacevich, Starbucks chief executive officer Howard Schultz, San Francisco Giants CEO Larry Baer, JetBlue CEO Dave Barger, Asurion CEO Steve Ellis, Pinkberry CEO Ron Graves, and Intel's President Renee James, among others. Leading an organization through major change—whether it's the introduction of a new product, an expansion to a new territory, or a difficult downsizing—is not for the faint of heart. While success is never guaranteed, the right leadership, process, and team make all the difference. For all leaders facing major change in their organizations, Stacking the Deck is an indispensable resource for putting the odds in your favor.

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A critical look at the political economy of urban bicycle infrastructure in the United StatesNot long ago, bicycling in the city was considered a radical statement or a last resort, and few cyclists braved the inhospitable streets of most American cities. Today, however, the urban cyclist represents progress and the urban “renaissance.” City leaders now undertake ambitious new bicycle infrastructure plans and bike share schemes to promote the environmental, social, and economic health of the city and its residents. Cyclescapes of the Unequal City contextualizes and critically examines this new wave of bicycling in American cities, exploring how bicycle infrastructure planning has become a key symbol of—and site of conflict over—uneven urban development. John G. Stehlin traces bicycling’s rise in popularity as a key policy solution for American cities facing the environmental, economic, and social contradictions of the previous century of sprawl. Using in-depth case studies from San Francisco, Philadelphia, and Detroit, he argues that the mission of bicycle advocacy has converged with, and reshaped, the urban growth machine around a model of livable, environmentally friendly, and innovation-based urban capitalism. While advocates envision a more sustainable city for all, the deployment of bicycle infrastructure within the framework of the neoliberal city in many ways intensifies divisions along lines of race, class, and space.Cyclescapes of the Unequal City speaks to a growing interest in bicycling as an urban economic and environmental strategy, its role in the politics of gentrification, and efforts to build more diverse coalitions of bicycle advocates. Grounding its analysis in both regional political economy and neighborhood-based ethnography, this book ultimately uses the bicycle as a lens to view major shifts in today’s American city.

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Most Native Americans in the United States live in cities, where many find themselves caught in a bind, neither afforded the full rights granted U.S. citizens nor allowed full access to the tribal programs and resources—particularly health care services—provided to Native Americans living on reservations. A scholar and a member of the Winnebago Tribe of Nebraska, Renya K. Ramirez investigates how urban Native Americans negotiate what she argues is, in effect, a transnational existence. Through an ethnographic account of the Native American community in California’s Silicon Valley and beyond, Ramirez explores the ways that urban Indians have pressed their tribes, local institutions, and the federal government to expand conventional notions of citizenship.Ramirez’s ethnography revolves around the Paiute American activist Laverne Roberts’s notion of the “hub,” a space that allows for the creation of a sense of belonging away from a geographic center. Ramirez describes “hub-making” activities in Silicon Valley, including sweat lodge ceremonies, powwows, and American Indian Alliance meetings, gatherings at which urban Indians reinforce bonds of social belonging and forge intertribal alliances. She examines the struggle of the Muwekma Ohlone, a tribe aboriginal to the San Francisco Bay area, to maintain a sense of community without a land base and to be recognized as a tribe by the federal government. She considers the crucial role of Native women within urban indigenous communities; a 2004 meeting in which Native Americans from Mexico and the United States discussed cross-border indigenous rights activism; and the ways that young Native Americans in Silicon Valley experience race and ethnicity, especially in relation to the area’s large Chicano community. A unique and important exploration of diaspora, transnationalism, identity, belonging, and community, Native Hubs is intended for scholars and activists alike.

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A lavishly illustrated account of the buildings of the friars in the Middle Ages, bringing them vividly to life. with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer. Nominated for the Current Archaeology Book of the Year Award 2019 The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars. This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary. NICK HOLDER is a historian and archaeologist atEnglish Heritage and the University of Exeter. He has written extensively on medieval and early modern London. IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturerin Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

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The Lightning Thief: the first book in Rick Riordan's Percy Jackson series.Look, I didn't want to be a half-blood. I never asked to be the son of a Greek god. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends and generally trying to stay alive. This is the one where Zeus, God of the Sky, thinks I've stolen his lightning bolt - and making Zeus angry is a very bad idea . . .Rick Riordan has now sold an incredible 55 million copies of his books worldwidePraise for the Percy Jackson series:'Witty and inspired. Gripping, touching and deliciously satirical...This is most likely to succeed Rowling. Puffin is on to a winner' - Amanda Craig, The Times'Puns, jokes and subtle wit, alongside a gripping storyline' - Telegraph'Perfectly paced, with electrifying moments chasing each other like heartbeats' - New York TimesRick Riordan is an award-winning mystery writer. For the past fifteen years he has taught at middle schools in the San Francisco Bay area and in Texas. Rick lives in San Antonio, Texas, with his wife and two sons. Percy Jackson and the Lightning Thief, the overall winner of the Red House Children's Book Award, was Rick's first novel featuring the heroic young demigod.The Percy Jackson series:The Lightning Thief; The Sea of Monsters; The Battle of the Labyrinth; The Titan's Curse; The Last Olympian Heroes of Olympus:The Lost Hero; The Son of Neptune; The Mark of AthenaThe Kane Chronicles:The Red Pyramid; The Throne of Fire; The Serpent's Shadow

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2023 Hagley Prize for Best Book in Business HistoryBuying into Change examines how the development of a mass consumer society under the dictatorship of General Francisco Franco (1939–1975) inserted Spain into transnational consumer networks and set the stage for Spain’s transition to democracy during the late 1970s. This transition is broadly significant to both a Spanish public still struggling to redefine their society after Franco and to scholars who have long debated the origins of Spain’s current democracy, yet many aspects of it remain largely unexamined.Buying into Change incorporates mass consumption into our understanding of Spain’s democratic transition by tracing the spread and social impact of new foreign-influenced department stores, of imported innovations such as modern mass advertising, and of consumer magazines that promoted foreign products. Initially, these enterprises backed Franco’s conservative policies, and the regime in turn encouraged consumption in order to improve its image both domestically and abroad. Spain’s new globally oriented commerce ultimately sold retailers and shoppers not just foreign ways of buying and selling but also subversive ideas. Imported 1960s fashions brought along countercultural notions on issues such as gender equality. And as Spaniards consumed more like their foreign neighbors, they increasingly viewed themselves as cosmopolitan and European and identified with liberal political conditions abroad, undermining Francoism’s doctrine of national exceptionalism, thus laying the social foundations for democratization and European integration in Franco’s wake.

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If Harvard can be said to have a literature all its own, then few universities can equal it in scope. Here lies the reason for this anthology—a collection of what Harvard men (teachers, students, graduates) have written about Harvard in the more than three centuries of its history. The emphasis is upon entertainment, upon readability; and the selections have been arranged to show something of the many variations of Harvard life.For all Harvard men—and that part of the general public which is interested in American college life—here is a rich treasury. In such a Harvard collection one may expect to find the giants of Harvard’s last 75 years—Eliot, Lowell, and Conant—attempting a definition of what Harvard means. But there are many other familiar names—Henry Dunster, Oliver Wendell Holmes, James Russell Lowell, Henry Adams, Charles M. Flandrau, William and Henry James, Owen Wister, Thomas Wolfe, John P. Marquaud. Here is Mistress Eaton’s confession about the bad fish served to the wretched students of Harvard’s early years; here too is President Holyoke’s account of the burning of Harvard Hall; a student’s description of his trip to Portsmouth with that aged and Johnsonian character, Tutor Henry Flynt; Cleveland Amory’s retelling of the murder of Dr. George Parkman; Mayor Quiney’s story of what happened in Cambridge when Andrew Jackson came to get an honorary degree; Alistair Cooke’s commentary on the great Harvard–Yale cricket match of 1951. There are many sorts of Harvard men in this book—popular fellows like Hammersmith, snobs like Bertie and Billy, the sensitive and the lonely like Edwin Arlington Robinson and Thomas Wolfe, and independent thinkers like John Reed. Teachers and pupils, scholars and sports, heroes and rogues pass across the Harvard stage through the struggles and the tragedies to the moments of triumph like the Bicentennial or the visit of Winston Churchill.And speaking of visits, there are the visitors too—the first impressions of Harvard set down by an assortment of travelers as various as Dickens, Trollope, Rupert Brooke, Harriet Martineau, and Francisco de Miranda, the “precursor of Latin American independence.”For the Harvard addict this volume is indispensable. For the general reader it is the sort of book that goes with a good living-room fire or the blissful moments of early to bed.

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THE ICONIC CLASSIC, WINNER OF THE PULITZER PRIZEONE OF THE BBC '100 NOVELS THAT SHAPED OUR WORLD''A lush celebration of all that it means to be a black female. I love that The Color Purple doesn't try to soften its blows but is also courageous enough to hold on to a wonderfully affirming faith in possibility, in forgiveness and kindness and hope' Chimamanda Ngozi Adichie'The Color Purple is my go-to comfort novel. Every single time I read this book, I walk away as a slightly better person than I was when I picked it up' Tayari Jones'I think that The Color Purple was the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South' Jesmyn Ward 'I got the book and read it, in one day, when it came out. And then I went back, the next day, and bought every copy they had' Oprah Winfrey A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown.Abused repeatedly by the man she calls 'father', Celie has two children taken away from her and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery, singer and magic-maker - a woman who has taken charge of her own destiny. And gradually Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.Beloved by generations of readers, The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love.'One of the most haunting books you could ever wish to read. It is stunning - moving, exciting and wonderful' Lenny Henry'The Color Purple needs no category other than the fact that it is superb' Rita Mae Brown'The great irony about The Color Purple is that it transcends colour. One of the greatest books of all time' Benjamin Zephaniah 'A unique blend of serenity and immediacy that makes your senses ache' Helen Dunmore'A genuinely mind-expanding book' Patrick Ness'Indelibly affecting... Alice Walker is a lavishly gifted writer' New York Times'One of the great books of our time' Essence Magazine'A work to stand beside literature of any time and place' San Francisco Chronicle

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Spain’s American empire began as the serendipitous outgrowth of the search for a shortcut to China. That search derived from two mid-fifteenth-century developments: the Ming Dynasty’s decision to adopt a silver standard for its medium of exchange and the Ottoman Turks’ capture of Constantinople in 1453. China’s great demand for silver and the disruption of the Silk Road drove the need to find alternative access to China. King John II of Portugal sent explorers southward along the coast of Africa and thence to the Orient, but Ferdinand and Isabella sent Christopher Columbus westward, believing he would find a shorter route.A persistent if disorderly push by Spanish conquistadors led to the discovery of previously unknown civilizations, including the empires of the Aztecs and the Incas. The search for a short-cut to China became bound up with the seizure of the riches held by native populations. Although the conquistadors were vastly outnumbered, their superior technology—steel swords, armor, war horses, and firearms—concomitant with diseases that accompanied them, enabled them to subdue native American peoples and confiscate their wealth.The aftermath was fraught with complications and strife. Crown- appointed governors came into conflict with the conquistadors. Distances were great, and the governors tended to place their interests over those of the King. Cortez conquered the Aztecs despite the governor’s attempts to prevent his campaign. Bureaucratic interference bedeviled Francisco Pizzaro’s campaign against the Incas, which, nonetheless, contributed more to the wealth of his country than any other conquistador’s exploits. Ultimately, the vast wealth of the Americas would fuel Spain and its Empire for nearly two centuries.

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Ranging from fatherhood to machismo and from public health to housework, Changing Men and Masculinities in Latin America is a collection of pioneering studies of what it means to be a man in Latin America. Matthew C. Gutmann brings together essays by well-known U.S. Latin Americanists and newly translated essays by noted Latin American scholars. Historically grounded and attuned to global political and economic changes, this collection investigates what, if anything, is distinctive about and common to masculinity across Latin America at the same time that it considers the relative benefits and drawbacks of studies focusing on men there. Demonstrating that attention to masculinities does not thwart feminism, the contributors illuminate the changing relationships between men and women and among men of different ethnic groups, sexual orientations, and classes.The contributors look at Mexico, Argentina, Ecuador, Brazil, Colombia, Peru, Venezuela, Chile, and the United States. They bring to bear a number of disciplines—anthropology, history, literature, public health, and sociology—and a variety of methodologies including ethnography, literary criticism, and statistical analysis. Whether analyzing rape legislation in Argentina, the unique space for candid discussions of masculinity created in an Alcoholics Anonymous group in Mexico, the role of shame in shaping Chicana and Chicano identities and gender relations, or homosexuality in Brazil, Changing Men and Masculinities highlights the complex distinctions between normative conceptions of masculinity in Latin America and the actual experiences and thoughts of particular men and women.Contributors. Xavier Andrade, Daniel Balderston, Peter Beattie, Stanley Brandes, Héctor Carrillo, Miguel Díaz Barriga, Agustín Escobar, Francisco Ferrándiz, Claudia Fonseca, Norma Fuller, Matthew C. Gutmann, Donna Guy, Florencia Mallon, José Olavarría, Richard Parker, Mara Viveros

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In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA’s mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the “American exceptionalism” of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors’ own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

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Pedro de Alvarado is best known as the right-hand man of Hernando Cortés in the conquest of Mexico (1519–21) and the ruthless conqueror of Guatemala some years later. Far less known is his intent to intrude in the conquest of Peru and lay claim to Quito, a wealthy domain in the far north of the Inca Empire. To this end, Alvarado constructed a massive fleet, which sailed south from Central America to what is now Ecuador, making landfall on 25 February 1534.Engaging both the European and Indigenous contexts in which Alvarado operated, George Lovell illuminates this gap in the record, narrating a dramatic story of greed and hubris. Upon reaching Ecuador, Alvarado’s formidable entourage – some five hundred Spanish combatants and two thousand Indigenous conscripts – marched from the Pacific coast to the Andean sierra. Though Quito was his intended destination, he never made it. During a treacherous transit across the mountains, Alvarado’s party was engulfed by heavy snowfall and numbing cold, which proved the expedition’s undoing. Those who survived the ordeal discovered that other Spaniards – Diego de Almagro and Sebastián de BeLalcázar, acting in allegiance with Francisco Pizarro – had reached Quito before them, thereby claiming first right of conquest. Believing he had no option, if strife between rival sides was to be avoided, Alvarado sold his costly machinery of war – men, horses, weaponry, and ships – to those who had beaten him to the prize. All but ruined, he returned humiliated to Central America.Death in the Snow brings to light the delusions of one headstrong conquistador and mourns the loss of untold Indigenous lives, casualties of Alvarado’s lust for fame and fortune.

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One of the most prolific and influential landscape architects of the twentieth century, Lawrence Halprin (1916–2009) was best known for the FDR Memorial in Washington, D.C., and Sea Ranch, the iconic planned community in California. These projects, as well as vibrant public spaces throughout the country—from Ghirardelli Square and Market Street in San Francisco to Lovejoy Fountain Park in Portland and Nicollet Mall in Minneapolis—grew out of a participatory design process that was central to Halprin’s work and is proving ever more relevant to urban design today. In City Choreographer, urban designer and historian Alison Bick Hirsch explains and interprets this creative process, called the RSVP Cycles, referring to the four components: resources, score, valuation, and performance. With access to a vast archive of drawings and documents, Hirsch provides the first close-up look at how Halprin changed our ideas about urban landscapes. As an urban pioneer, he found his frontier in the nation’s densely settled metropolitan areas during the 1960s. Blurring the line between observer and participant, he sought a way to bring openness to the rigidly controlled worlds of architectural modernism and urban renewal. With his wife, Anna, a renowned avant-garde dancer and choreographer, Halprin organized workshops involving artists, dancers, and interested citizens that produced “scores,” which then informed his designs. City Choreographer situates Halprin within the larger social, artistic, and environmental ferment of the 1960s and 1970s. In doing so, it demonstrates his profound impact on the shape of landscape architecture and his work’s widening reach into urban and regional development and contemporary concerns of sustainability.

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In 1893, after a major British bank failure, a run on U.S. gold reserves, and a late-June stock-market crash, America was in the throes of a serious economic depression. Unemployment rose, foreclosures climbed, and popular unrest mounted. By the following spring, businessman and Populist agitator Jacob S. Coxey was fed up with government inactivity in the face of the crisis. With the help of eccentric showman Carl Browne, he led a group of several hundred unemployed wage earners, small farmers, and crossroads merchants on a march from Massillon, Ohio, to Washington, D.C., to present a "petition in boots" for government-financed jobs building and repairing the nation's roads. On May 1, the Coxeyites descended on the center of government, where Coxey attempted to deliver a speech on the Capitol steps. The police attacked, a melee ensued, and Coxey and Browne spent a month in jail. Meanwhile, other Coxey-inspired contingents were on their way east from places as far away as San Francisco and Portland. Some of them even hijacked trains along the way. Who was Coxey, and what motivated him-along with the angry marchers who joined his cause? What did other Americans think of the protesters? Was there ever any chance that the protesters' demands would be met? Where did the agitators fit in with the politics of their day, and how did their actions jibe with the other labor-related protests happening that year? In this concise and gripping narrative, Benjamin F. Alexander contextualizes the march by vividly describing the misery wrought by the Panic of '93. Alexander brings both Coxey and his fellow leaders to life, along with the reporters and spies who traveled with them and the diverse group of captivated newspaper readers who followed the progress of the marches and train heists. Coxey's Army explains how the demands of the Coxeyites-far from being the wild schemes of a small group of cranks-fit into a larger history of economic theories that received serious attention long before and long after the Coxey march. Despite running a gauntlet of ridicule, the marchers laid down a rough outline of what, some forty years later, emerged as the New Deal.

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A rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern.In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern.Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.

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"So persuasive are Yoon's powers of invention that I went searching for his Solla Island somewhere off the mainland of South Korea—not realizing that it exists only in this breathtaking collection of eight interlinked stories...Yoon's writing results in a fully formed, deftly executed debut. The lost lives, while heartbreaking, prove illuminating in Yoon's made-up world, so convincing and real. To read is truly to believe."—San Francisco Chronicle “Paul Yoon writes stories the way Fabergé made eggs: with untold craftsmanship, artistry, and delicacy. Again and again another layer of intricacy is revealed, proving that something as small as a story can be as satisfying and moving as a Russian novel.”—Ann Patchett “These are lovely stories, rendered with a Chekhovian elegance. They span from post–World War II to the new millennium, with characters of different ethnicities, yet each story has a timelessness and relevance that's haunting and unforgettable. Yoon is a sparkling new writer to welcome and celebrate.”—Don Lee “These are splendid stories, at once lyrical and plain-spoken and full of unusual realities. Once the Shore is a kind of fantastic Korean gazetteer that tours us confidently through unpredictable incidents and often startling conversations—Paul Yoon’s writing is erotic, haunting, original and worldly.”—Howard Norman Spanning over half a century—from the years just before the Korean War to the present—the eight stories in this collection reveal an intricate and unforgettable portrait of a single island in the South Pacific. Novelistic in scope, daring in its varied environments, Once the Shore introduces a remarkable new voice in international fiction. Publishers Weekly starred review: "Yoon's collection of eight richly textured stories explore the themes of family, lost love, silence, alienation and the effects of the Japanese occupation and the Korean War on the poor communities of a small South Korean island. In the namesake story, a lonely young waiter connects with an American widow who has come to find the cave where her husband claimed to have carved their initials during his tour of duty in Korea. The narrator shifts between Jim coping with the loss of his big brother, a fisherman killed by a surfacing American submarine, and the sorrow of the widow. In "Among the Wreckage," aging parents Bey and Soni hope to recover the body of their son, Karo, killed in a U.S. military bombing test on what was thought to be a deserted island. The sad journey provides Bey an opportunity to examine his inability to show affection to his wife and only child. Yoon's stories are introspective and tender while also painting with bold strokes the details of the lives of the invisible."

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Blazing hot meets icy cool in a momentous year in US historyOn New Year’s Day in 1967, the 200 million Americans who lived in the United States were about to experience a fascinating, exciting, and sometimes bewildering twelve months that for many formed an iconic portion of their lives. Despite the fact that the coming year produced no Black Friday, Pearl Harbor, or 9/11 attack, the nation still underwent dramatic changes in everything from support for the Vietnam War to approval of candidates for the 1968 presidential election to attitudes toward sex with strangers and what constitutes the status quo.Almost without significant forewarning, Americans in 1967 witnessed a simultaneous cooling of Cold War tensions with the Soviet Union while the war in Vietnam exploded into a white-hot conflict that inflicted nearly two hundred American battle deaths a week. Meanwhile, young people at home were alternately listening to the “cool” sound of the Beatle’s new “Sgt. Pepper” album and Jim Morrison’s plea to get ever higher in “Light my Fire.” On television an emotional, passionate James T. Kirk shared an Enterprise bridge with the cool and logical Mr. Spock.Victor Brooks explores what happened—and in some cases, did not happen—to these two hundred million Americans in a national roller coaster ride that was the year 1967. He chronicles a society that proportionally had far more young people than was the case five decades later, with a widely publicized generation gap that produced more arguments, tension, and anguish between young and old Americans than any 21st century counterpart. 1967 is a fascinating, wide-ranging exploration including topics ranging from the first Super Bowl, the beginning of the 1968 presidential campaign, the social impact of the “Summer of Love” in San Francisco, and the American combat experience in an expanding war in Vietnam. The book represents a reunion of sorts for Baby Boomers as well as a guidebook for younger readers on how their elders coped with one of the definitive years of a pivotal decade.

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Last year, Teddy Cannon discovered she was psychic. This year, her skills will be put to the test as she investigates a secretive case that will take her far from home—and deep into the past in the thrilling follow-up to School for Psychics.With trepidation, Teddy enters her second year at The Whitfield Institute, a facility hidden off the coast of San Francisco where students master telepathy and telekinesis, investigative techniques and SWAT tactics for covert roles in government service. She has been obsessively tracking the movements of the Patriot Corps, a secret organization that seems to be behind a string of crimes on US soil—including the disappearance of her friend, Molly. She is not sure who she can trust with her findings: her friends think she is crazy and her teachers insist she focus on her schoolwork. Teddy tries to do what she is told. She tries to forget about her missing friend, her long lost birth parents, her rivalry with other students, even her forbidden romance with an instructor. She learns to be a meat shield: a Secret Service operative trained to protect whatever dummy they throw her way. She learns to disarm explosive devices. She also learn to transport herself through time, as she begins to grasp astral travel (that is, if she doesn’t get lost in the time-space continuum). But Teddy has never been good at following the rules. So when an unexpected assignment leads her to the answers she’s chased for so long, and reveal a clue about her own past, she takes a risk that puts everyone else she cares about in danger. The next book in the series that Kirkus Reviews called “Harry Potter with a cast of millennials,” K.C. Archer’s The Astral Traveler's Daughter is a heart-racing novel set in a world very much like our own—but there is more to this place than meets the eye.

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Until the late twentieth century, relatively few Americans knew that the United States government forcibly detained nearly 120,000 Japanese Americans during World War II. At war's end, the nation, including many of those who were confined to the ten Relocation Centers--which President Roosevelt initially referred to as "concentration camps"--wished to wipe this national tragedy from memory. That Damned Fence, titled after a poem written by a Japanese American held at the Minidoka camp in Idaho, draws on the creative work of the internees themselves to cast new light on this historical injustice. While in captivity, detainees produced moving poetry and fiction, compelling investigative journalism, and lasting work of arts to make sense of their hardships and to leave a record of their emotional and psychological suffering. Heather Hathaway explores the experiences of inmates in five camps--Topaz in Utah; Granada/Amache in Colorado; Rohwer and Jerome in Arkansas; and Tule Lake in northern California--each with their own literary magazines, such as TREK, All Aboard, Pulse, The Pen, Magnet, and The Tulean Dispatch. Conditions in the camps varied dramatically, as did their environments, ranging from sweltering swamplands and sun-blasted desert to frigid mountain terrain. So too did the inhabitants of each camp, with some dominated by farmers from California's Central Valley and others filled with professionals from the San Francisco Bay area. This disparity extended to the attitudes of camp administrators; some deemed the plan a mistake from the outset while others believed their captives to be a significant threat to national security. That Damned Fence reveals the anger and humor, and the deep despair and steadfast resilience with which Japanese Americans faced their wartime incarceration. By emphasizing the inner lives of the unjustly accused and the myriad ways in which they portrayed their captivity, Heather Hathaway gives voice to Americans imprisoned by their own country for their country of origin or appearance.

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