Search results for ""Author Gold"

For fans of Minecraft and graphic novels, an epic, full-color adventure—Phoenix must save her village from the ghost of Herobrine.This full-color, graphic novel adventure, with over 750 color images, is created especially for readers who love the fight of good vs. evil, magical academies like Hogwarts in the Harry Potter saga, and games like Minecraft, Terraria, and Pokemon GO.The redstone dust has barely settled after Phoenix’s epic battle against the Defender when word of a new threat arises: the legendary ghost of Herobrine has been sighted in Phoenix’s village, and under cover of darkness, he’s terrorizing a new family each night.Phoenix and T.H. rush to the village, where they discover a tangled string of clues. Just as the friends-turned-sleuths are sure they’ve unraveled the mystery of Herobrine’s griefing, they uncover a secret that makes them question everything they’ve learned.And when a new, stronger enemy appears, their hunt for Herobrine is turned on its end once again. Can a ghost be in danger? And could Herobrine cease to be their enemy and instead become . . . their ally?Fans of Minecraft won’t want to miss this gripping, mysterious addition to the series that began with Quest for the Golden Apple!

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Medieval Kashmir in its golden age saw the development of some of the most sophisticated theories of language, literature, and emotion articulated in the pre-modern world. These theories, enormously influential on the later intellectual history of South Asia, were written at a time when religious education was ubiquitous among intellectuals, and when religious philosophies were hotly and publicly debated. It was also a time of deep interreligious influence and borrowing, when traditions intermixed and intellectuals pushed the boundaries of their own inheritance by borrowing ideas from many different places-even from their rivals. To Savor the Meaning examines the overlap of literary theory and religious philosophy in this period by looking at debates about how poetry communicates emotions to its readers, what it is readers do when they savor these emotions, and why this might be valuable. Focusing on the work of three influential figures-Anandavardhana [ca. 850 AD], Abhinavagupta [ca. 1000 AD], and the somewhat lesser known theorist Mahimabhatta [ca. 1050 AD]-this book gives a broad introduction to their ideas and reveals new, important, and previously overlooked aspects of their work and their debates. James D. Reich places these pre-modern intellectuals within the wider context of the religious philosophies current in Kashmir at the time, and shows that their ideas cannot be fully understood in isolation from this broader context.

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The phenomenal New York Times Number One bestseller about the unbreakable bond between a dog and their human. Now a major film starring Dennis Quaid.This is the remarkable story of one endearing dog's search for his purpose over the course of several lives. More than just another charming dog story, A Dog's Purpose touches on the universal quest for an answer to life's most basic question: Why are we here?Surprised to find himself reborn as a rambunctious golden-haired puppy after a tragically short life as a stray mutt, Bailey's search for his new life's meaning leads him into the loving arms of eight-year-old Ethan. During their countless adventures, Bailey joyously discovers how to be a good dog.But this life as a family pet is not the end of Bailey's journey. Reborn as a puppy yet again, Bailey wonders – will he ever find his purpose?Heartwarming, insightful, and often laugh-out-loud funny, W. Bruce Cameron's A Dog's Purpose is not only the emotional and hilarious story of a dog's many lives, but also a dog's-eye commentary on human relationships and the unbreakable bonds between man and man's best friend. This moving and beautifully crafted story teaches us that love never dies, and that every creature on earth is born with a purpose.

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In Perfect Wives, Other Women Georgina Dopico Black examines the role played by women’s bodies—specifically the bodies of wives—in Spain and Spanish America during the Inquisition. In her quest to show how both the body and soul of the married woman became the site of anxious inquiry, Dopico Black mines a variety of Golden Age texts for instances in which the era’s persistent preoccupation with racial, religious, and cultural otherness was reflected in the depiction of women. Subject to the scrutiny of a remarkable array of gazes—inquisitors, theologians, religious reformers, confessors, poets, playwrights, and, not least among them, husbands—the bodies of perfect and imperfect wives elicited diverse readings. Dopico Black reveals how imperialism, the Inquisition, inflation, and economic decline each contributed to a correspondence between the meanings of these human bodies and “other” bodies, such as those of the Jew, the Moor, the Lutheran, the degenerate, and whoever else departed from a recognized norm. The body of the wife, in other words, became associated with categories separate from anatomy, reflecting the particular hermeneutics employed during the Inquisition regarding the surveillance of otherness. Dopico Black’s compelling argument will engage students of Spanish and Spanish American history and literature, gender studies, women’s studies, social psychology and cultural studies.

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Reza Zia-Ebrahimi revisits the work of Fath?ali Akhundzadeh and Mirza Aqa Khan Kermani, two Qajar-era intellectuals who founded modern Iranian nationalism. In their efforts to make sense of a difficult historical situation, these thinkers advanced an appealing ideology Zia-Ebrahimi calls "dislocative nationalism," in which pre-Islamic Iran is cast as a golden age, Islam is reinterpreted as an alien religion, and Arabs become implacable others. Dislodging Iran from its empirical reality and tying it to Europe and the Aryan race, this ideology remains the most politically potent form of identity in Iran. Akhundzadeh and Kermani's nationalist reading of Iranian history has been drilled into the minds of Iranians since its adoption by the Pahlavi state in the early twentieth century. Spread through mass schooling, historical narratives, and official statements of support, their ideological perspective has come to define Iranian culture and domestic and foreign policy. Zia-Ebrahimi follows the development of dislocative nationalism through a range of cultural and historical materials, and he captures its incorporation of European ideas about Iranian history, the Aryan race, and a primordial nation. His work emphasizes the agency of Iranian intellectuals in translating European ideas for Iranian audiences, impressing Western conceptions of race onto Iranian identity.

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Reading a range of Italian works, Rubini considers the active transmittal of traditions through generations of writers and thinkers. Rocco Rubini studies the motives and literary forms in the making of a “tradition,” not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but instead as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at prominent humanists in between—including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce—Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an expanse of writings to uncover deeper transhistorical continuities that span six hundred years. Whether reading work from the fourteenth century, or from the 1930s, Rubini elucidates the interplay of creation and the reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions that connect thinkers across time. Building on his award-winning book, The Other Renaissance, this will prove a valuable contribution for intellectual historians, literary scholars, and those invested in the continuing humanist legacy.

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ContentsSpecial Section: Russia`s Annexation of Crimea IIIGergana Dimova and Andreas Umland: Introduction. Perspectives on Russia's 2014 Annexation of Crimea: Empirical and Theoretical ExplorationsGreta Lynn Uehling: The Personal Stakes of Political Crisis: The 2014 Attempted Annexation of CrimeaKerstin S. Jobst: "Dark" and "Golden" Times: The Crimean Tatar Population under Tsarist and Soviet Rule (1783–1941)Jan Zofka: Agents of Separatism: Social Background to the Pro-Russian Movements in Crimea and the Moldovan Dniester Valley in Comparison (1989–95)A Debate on Prospect Theory and Explaining Russia's Annexation of CrimeaIon Marandici: Loss Aversion, Neo-Imperial Frames, and Territorial Expansion: Using Prospect Theory to Examine the Annexation of CrimeaDiscussionFeaturing contributions by Peter Rutland, Tor Bukkvoll, Mykola Kapitonenko, Rumena Filipova, Martin Malek, Ion MarandiciArticlesChris Monday: Mikhail Putin (1894–1969) and Socialist Competition: Exploring a Neglected Branch of the Putin Family TreeReviews:Inna Chuvychkina on Elizabeth Buchanan; Brendan M. McElmeel on Juliane Fürst; Olga Khabibulina on Hubertus Jahn; Elise Westin on Natalia Knoblock; Manne Wängborg on Andrei Kozyrev; Giulia Prelz Oltramonti on Anna Matveeva; Kimberly St. Julian-Varnon on David Rainbow; John (Ivan) Jaworsky on Josephine von Zitzewitz; Yana Ostapenko on Jessica Zychowicz; Dima Kortukov on Vladislav M. Zubok

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In 1951 the Festival of Britain marks a new golden age of hope and prosperity for the country. Things are certainly looking up for the criminal elite who run the East End. For Jack, a draft-dodger with aspirations to be a champion boxer, there's easy money to be made for providing a bit of muscle. Meanwhile his sister Kath must keep secret the fact that she killed their father to protect her son, Brian, from the abuse she experienced as a child. Brian is so traumatised by witnessing this event that the complex union of violence and sexuality will shape his character for life. As the years go by and disillusion sets in, successive Labour and Tory governments aren't able to stop the rot. Younger, nastier criminals like the Kray twins and the Richardson brothers begin to carve out their own criminal empires and crush all resistance. Brutalised and embittered by years of failure and imprisonment, Jack decides to make a stand. The stage is set for one big war. Crime and Punishment is the first volume in a two-part epic, and follows the characters' lives up until the accession of Thatcher. The second volume will trace the dramatic changes in criminal society that reflected the wider social upheaval of the times, right up until the present day.

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This volume comprises fifteen new essays on the Apostolic Fathers with a focus on the letters of Clement. An introductory essay investigates the role of seventeenth-century librarians in the origination of the collection's title. Five essays concern 1 Clement, exploring its relationship to 1 Corinthians, its generic classification, the discussion of "Christian education" (1 Clem. 21:8), the golden calf tradition, and the well-known legend of the regeneration of the phoenix. Three essays treat aspects of 2 Clement, including problems with recent translations of chapter 1, the motif of the barren woman in chapter 2, and the analogy of faith as a race in chapter 7. One study probes the Quintus incident in Martyrdom of Polycarp 4 as emblematic of the literary and cultural conventions of second-century sophism. Another study considers protection against exploitation of Christian generosity by visitors in Didache 12. Another contribution investigates the precise nature of allegory in the Epistle of Barnabas. A short piece on the Epistle of Diognetus argues that the ancient moral-philosophical topos of the invisible God is at work in this text; and, a final essay explores the popular second-century medical theory behind Hermas's presentation of ὀξυχολία ("irascibility") in Mand. 5.1.3 (33.3). The volume ranges widely within and beyond early Christian literature - from the streets of ancient Achaean and Asian πόλεις to the early modern libraries of Europe.

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Economic and stock market cycles affect companies in every industry. Unfortunately, a confusing array of anecdotal and conflicting indicators often renders it impossible for managers and investors to see where the economy is heading in time to take corrective action. Now, a 35-year Wall Street veteran unveils a new forecasting method to help managers and investors understand and predict the economic cycles that control their businesses and financial fates. In Ahead of the Curve, Joseph H. Ellis argues that the problem with current forecasting models lies not in the data, but rather in the lack of a clear framework for putting the data in context and reading it correctly. The book explains critical economic indicators in nontechnical language, identifies and documents the recurring cause-and-effect relationships that consistently predict turning points in the economy, and provides the tools managers and investors need to position themselves ahead of cyclical upturns and downturns. Economic events are not as random and unpredictable as they seem. This book helps readers recognize and react to signs of change that their rivals don't see--and win a sizeable competitive advantage. Joseph H. Ellis was a partner at Goldman Sachs and was ranked for 18 consecutive years by Institutional Investor magazine as Wall Street's No.1 retail industry analyst.

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A magisterial history of the astounding rise - and unimaginable fall - of America's most iconic corporationPerhaps no company reflects American ingenuity, innovation, and industrial fortunes as well as the iconic General Electric Company. Producing storied leaders and almost every product imaginable, GE built a cult of success that hid cracks in its foundation. In this masterful history, William D. Cohan, one of America's most pre-eminent financial journalists, argues that GE's legacy is both a paragon and a cautionary tale through which to understand twentieth-century America. Power Failure limns the eventful 130-year history of GE, bringing fresh analysis drawn from rare interviews with key figures of the company's golden era, including Jack Welch himself. As Cohan recounts, Welch traded on a sterling legacy to make GE the most valuable and respected company in the world, while cloaking its vulnerabilities. What he handed to his successor Jeffrey Immelt was, Cohan argues, both an impossible standard and a more troubled reality. Tracing the company's leaps and stumbles through the personalities that defined it, Power Failure offers a surprising retelling of the GE story, puncturing the myth we think we know for a fresh look at its legacy - and what it tells us about the state of the financial world.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper. THE ARTIST. Renowned Austrian artist Gustav Klimt is well-known for his golden masterpieces full of sumptuous ornamentation, as well as his incredible depictions of the female form and vibrant landscapes. HE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Who gets diabetes and why? An in‑depth examination of diabetes in the context of race, public health, class, and heredity “[An] unsettling but insightful social history.”—Kirkus Reviews “The important lessons of Diabetes: A History of Race and Disease may strengthen organized medicine’s commitment to addressing social determinants of health and equity.”—David Goldberg, Health Affairs Who is considered most at risk for diabetes, and why? In this thorough, engaging book, historian Arleen Tuchman examines and critiques how these questions have been answered by both the public and medical communities for over a century in the United States. Beginning in the late nineteenth century, Tuchman describes how at different times Jews, middle‑class whites, American Indians, African Americans, and Hispanic Americans have been labeled most at risk for developing diabetes, and that such claims have reflected and perpetuated troubling assumptions about race, ethnicity, and class. She describes how diabetes underwent a mid-century transformation in the public’s eye from being a disease of wealth and “civilization” to one of poverty and “primitive” populations. In tracing this cultural history, Tuchman argues that shifting understandings of diabetes reveal just as much about scientific and medical beliefs as they do about the cultural, racial, and economic milieus of their time.

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A comprehensive study of the connection between Calvinist missions and Dutch imperial expansion during the early modern period “A tour de force offering the reader the best study of global Calvinism in the realms of the Dutch East India Company.”—Ronnie Po-Chia Hsia, editor, Calvinism and Religious Toleration in the Dutch Golden Age Calvinism went global in the seventeenth and eighteenth centuries, as close to a thousand Dutch Reformed ministers, along with hundreds of lay chaplains, attached themselves to the Dutch East India and West India companies. Across Asia, Africa, and the Americas where the trading companies set up operation, Dutch ministers sought to convert “pagans,” “Moors,” Jews, and Catholics and to spread the cultural influence of Protestant Christianity. As Dutch ministers labored under the auspices of the trading companies, the missionary project coalesced, sometimes grudgingly but often readily, with empire building and mercantile capitalism. Simultaneously, Calvinism became entangled with societies around the world as encounters with Indigenous peoples shaped the development of European religious and intellectual history. Though historians have traditionally treated the Protestant and European expansion as unrelated developments, Charles H. Parker the explores the global reach of Dutch Calvinism as an intermingling of a Protestant faith, commerce, and empire.

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If, as Buddhism claims, the potential for awakening exists in all human beings, we should be able to map the phenomenon with the same science we apply to other forms of consciousness. A student of cognitive social science and a Zen practitioner for more than forty years, Richard P. Boyle brings his sophisticated perspective to bear on the development of a theoretical model for both ordinary and awakened consciousness. Boyle conducts probing interviews with eleven prominent Western Buddhist teachers (Shinzen Young, John Tarrant, Ken McLeod, Ajahn Amaro, Martine Batchelor, Shaila Catherine, Gil Fronsdal, Stephen Batchelor, Pat Enkyo O'Hara, Bernie Glassman, and Joseph Goldstein) and one scientist (James Austin) who have experienced awakening. From the paths they traveled to enlightenment and their descriptions of the experience, he derives three fundamental properties of awakened consciousness. He then constructs an overarching model that explains how Buddhist practices help free the mind from attachments to reality and the self and make possible the three properties of awakening. Specifically, these teachers describe how they worked to control attention and quiet the mind, detach from ideas and habits, and open themselves to compassion. Boyle's account incorporates current theories of consciousness, sociological insights, and research in neuroscience to advance the study of awakened consciousness and help an even greater number of people to realize it.

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Hong Kong was a key battlefield in Asia's cultural cold war. After 1948-1949, an influx of filmmakers, writers, and intellectuals from mainland China transformed British Hong Kong into a hub for mass entertainment and popular publications. While there was no organized movement for independence, largely because of its location directly next to Mao's China, Hong Kong was central in the cultural contest between Communist China, Nationalist Taiwan, and the United States. Hong Kong Media and Asia's Cold War discusses how China, Taiwan, and the U.S. fought to mobilize Hong Kong cinema and print media to sway ethnic Chinese in Southeast Asia and across the world. Central to this propaganda and psychological warfare was the emigre media industry. This period was the "golden age" of Mandarin cinema and popular culture. Throughout the 1967 Riots and the 1970s, the emergence of a new, local-born generation challenged and reshaped the Cold War networks of émigré cultural production, contributing to the gradual decline of Hong Kong's cultural Cold War. Through untapped archival materials, contemporary sources, and numerous interviews with filmmakers, magazine editors, and student activists, Po-Shek Fu explores how global conflicts were localized and intertwined with myriad local historical experiences and cultural formation.

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The Han dynasty was the first to forge a stable empire governing all of China. It ruled during a golden age that shaped much of the nation's cultural history and development. In an effort to preserve their legacy of beauty and power, the Han created elaborate tombs containing exquisite artistic treasures intended for use in the afterlife. The finest of these treasures to have survived include exquisite jades, bronzes, and ceramics, found in the tombs of the Han imperial family and of a rival "emperor" of Nanyue.Many of the items, including warrior statues, dancing figures, and priceless jewels—intended to ensure protection, entertainment, and continued wealth and status, respectively—are brought together for the first time in this stunning publication. Featuring newly commissioned photography and essays by leading scholars, this sumptuously illustrated catalogue presents a ground-breaking account of the finest treasures from the Han dynasty.Published in association with The Fitzwilliam Museum, CambridgeExhibition Schedule:The Fitzwilliam Museum, Cambridge(05/05/12–11/11/12)

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For the completist, The Ultimate Binge Guide is a challenge: a bingeable bucket list of all the shows you need to see before you die (or just to be super-informed at your next dinner party). For all readers, it's a fascinating look at the evolution of TV.The guide is broken down into several sections that speak to each series' place in TV history, including:** Classics That Made the Molds (And Those That Broke Them):? The Jeffersons, All in the Family, Sanford and Son, The Mary Tyler Moore Show, Get Smart, Cheers, Golden Girls, Happy Days...* Tony, Walt, Don, and the Antiheroes We Loved and Hated?: Oz, Mad Men, The Sopranos, Breaking Bad, The Americans, Peaky Blinders, Ozark, The Shield, Boardwalk Empire, How To Get Away With Murder...*Game-Changing Sitcoms and the Kings and Queens of Cringe: Insecure, Community, 30 Rock, Curb Your Enthusiasm, Fleabag, Black-ish, Party Down, Veep, Catastrophe, Fresh Off the Boat, Tim and Eric, Schitt's Creek, Better Things, It's Always Sunny In Philadelphia, Pen15, Freaks and Geeks, Broad City, Black Lady Sketch Show...* Grown-Up Genre: Buffy The Vampire Slayer, The X-Files, Battlestar Galactica, The Expanse, Supernatural, The Walking Dead, American Horror Story, Star Trek, Watchmen, The Witcher, Stranger Things, Game of Thrones, Westworld, Doctor Who..* Mysteries and Mindf--ks: Twin Peaks, Lost, Sense8, Mr. Robot, Broadchurch, The Leftovers, Fargo, Top of the Lake, Killing Eve, Wilfred, True Detective, Hannibal, Mindhunter...* Reality TV and Docuseries That Captured the Zeitgeist: The Last Dance, Making A Murderer, Cheer, Tiger King, Planet Earth, RuPaul's Drag Race, Wild Wild Country, Queer Eye, The Jinx, Anthony Bourdain: Parts Unknown...In this punchy full-color guide, the editors of Rotten Tomatoes complement series write-ups with engaging infographics; fun sidebars (like a battle between the US and UK editions of The Office); and deep-dive essays on the streaming wars, superproducers to know, and the evolution of our collective viewing habits.

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Nobody has seen or done it all, but Jon Sundra has come as close as anyone. He wrote his first article in 1966, and by the early 1970s had risen to prominence at a time when the Golden Era of American outdoor writers was in full swing. The next thirty-plus years was a time he and his colleagues were routinely invited by Remington, Winchester, Weatherby, and Ruger—and by many foreign gun manufacturers as well—to all-expense-paid jaunts to hunt and visit factories all over the world. It was a time long before the Internet, cable TV, and blogging drastically diluted what had been a very exclusive world, a time when a select handful of men—characters, actually—gathered in venues where little business was accomplished but a helluva lot of good food was consumed and adult beverages quaffed. Sometimes even a few gun-related things were discussed! During this period Jon met all the greats of the shooting and hunting world, and this book gives us an unvarnished look at some of the characters of that regrettably gone era. Jon is still active today, after having undertaken over a hundred hunting trips on five continents, not counting those in the States. This book is primarily not a description of those hunts, but rather a funny, very descriptive picture of an era in which gunwriters were kings of their domain and had egos to match. Jon cavorted with Elmer Keith, Jack O'Connor, Warren Page, Slim Pickens, Charlie Askins, Bill Jordan, Skeeter Skelton, Bob Milek, John Wooters, George Nonte, Jack Lewis, and others, and he has amusing stories to tell of these giants of the gunwriting world. Many of these men got to see Europe, South America, or Africa for the first time because Jon invited them on behalf of his consulting clients. Some of Jon's exploits found him in South America where he discovered some long-forgotten bottles of priceless French wine in an out-of-the-way cantina. He even reveals his criminal past, and how, along with Bob Milek, was almost thrown off a train in Finland. Jon is surely the only gunwriter who owns and drives Lamborghinis, and there's even a chapter on his sporting cars and his sports car races. He travels to Europe two or three times a year on his own nickel on trips having nothing to do with guns or hunting. Today he still writes as field editor for Safari magazine, and is a regular contributor to Rifle Shooter, Gun Digest, and Ballistic magazines. If anyone has ever had a colorful life, surely it's Jon Sundra.

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A beautifully designed, full-color collection of paper dolls created by Zelda Fitzgerald, lovingly compiled by her granddaughter, Eleanor Lanahan.Born in Montgomery, Alabama, Zelda Sayre Fitzgerald has long been an American cultural icon. A Southern belle turned flapper, Zelda was talented in dance, painting, and writing but lived in the shadow of her writer husband F. Scott Fitzgerald’s success. The golden couple of the Jazz Age, Zelda and her husband moved around—from hotels to rented villas to apartments in Paris—and Zelda always brought along her paints. Few people know she painted at all, and fewer still know she made paper dolls. But throughout her life, Zelda created dolls, whenever she could, in private. By design, paper dolls are delicate, fragile, and destined for destruction at the hands of children. Zelda’s dolls began as playthings for her daughter, Scottie, born in 1921. Fortunately, Zelda continued to make figures after Scottie outgrew them, first of their family and then of storybook characters—lavish, graceful, bold figures. These unique characters were a portable troupe, a colorful paper caravan that travelled inside her luggage. Zelda chose subjects she relished: society figures of the French Court, or Red Riding Hood’s predatory wolf, as vivacious as the girl. Whether they are cardinals, kings, or bears, the dolls are fashionably attired in ball gowns, armor, and capes. A gorgeous and unique keepsake and a perfect gift for book and art lovers, this delightful collection of Zelda’s paper dolls offers an intimate peek into the life of one of the Lost Generation’s most fascinating creative artists.

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In this touching, “snappy…[, and] well-paced” (Kirkus Reviews, starred review) debut middle grade novel, a girl with hearing loss and a boy adjusting to life in a new country connect through their love of comics and get entangled in their own fantastical adventure.Twelve-year-old Etta Johnson has Loud Days where she can hear just fine and Quiet Days where sounds come from far away and she gets to retreat into her thoughts. Etta spends most of her time alone, working on her comic book about Invincible Girl, the superhero who takes down super villain Petra Fide. Invincible Girl is brave, daring, and bold—everything Etta wishes she could be. But when Louisa May Alcott, a friendly Goldendoodle from across the street, disappears, Etta and the dog’s boy, Eleazar, must find their inner heroes to save her. The catch? Louisa May has run onto a magical train that mysteriously arrived at the station near Etta and Eleazar’s houses. Onboard, they discover each train car is its own magical world with individual riddles and challenges that must be solved before they can reach the engine room and rescue Louisa May. Only, the stakes are even higher than they thought. The train’s magic is malfunctioning and spreading a purple smoke called The Fear through the streets of Chicago. Etta and Eleazar are the only ones who can save the city, save Louisa May Alcott—and save each other.

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Exotic chicken breeds are not only a staple of farm life but also a unique backyard pet for bird enthusiasts to watch and keep. The many beautiful varieties of fowl, with their distinctive crests and colorful plumes, have provided inspiration for artists for centuries. And now, you can share in that tradition with this easy-to-use coloring book that will spark your imagination and help you de-stress.Exotic Chickens: Coloring for Everyone offers forty-six fully colored images that will inspire you as you color the forty-six black-and-white templates that are perforated so that each one can be removed to be displayed. The designs have been created specifically for you with stunning varieties such as the Golden Laced Wyandotte, Polish Hen, Crèvecoeur, and the Houdan all illustrated in this book. Whether you’re an artist looking to improve your craft, or simply just an average joe who finds coloring enjoyable and relaxing, this book is a must-have guaranteed to bring hours of artistic fun. Whether your style is realistic or whimsical, you can color these illustrations however you like.This vibrant compilation includes: An introduction to exotic breeds Forty-six original black-and-white designs for your coloring pleasure on single-sided perforated pages Forty-six full-color versions of the designs to inspire and guide you while coloringIf you find yourself intrigued by the beauty and diversity of these fine fowl, this book is a must-have, guaranteed to provide hours of creative entertainment. Gather your colored pencils, get comfortable, and start coloring your vision for these unique designs!

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Beautiful, independent Jana strikes out on her own to build a homestead with her sister in the rugged Dakota wilderness—but instead falls in love with a widowed lawman in this evocative, romantic tale.On the golden plains of a new frontier, a smart young schoolteacher teaches a single father a lesson—in the power of love. A scandalous newcomer . . . Only the boldest of women would set off for the Dakota Territory without a man by her side. But schoolteacher Jana Hartmann is determined to build a new life for herself and her frail sister, Greta. True to her courageous spirit, Jana takes the only job she can find in the town of Bismarck—modeling dresses in a shop window—which has every man staring and every woman gossiping. Adding fuel to the fire, she’s agreed to help raise money in the annual kissing booth, where one handsome cowboy wants to buy every kiss for himself. A scorching attraction . . . Drew Malone is a lawyer, rancher, and father of two little boys. Although Jana is immediately attracted to the handsome and helpful Drew, she fights it, torn between a budding romance and her responsibility to Greta. But Drew persists and sweeps her away for a romantic Christmas at Rimfire Ranch in the Badlands, where Jana finds herself having to win over the toughest critics of all— Drew’s young sons. As Greta becomes more independent, Jana lets down her guard and opens her heart to the three Malone men. But when the boys are kidnapped on her watch, Jana blames herself and flees to the frontier. Drew must race against the clock to get back his sons . . . and to make Jana his Rimfire bride.

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This title features over 30 inspiring projects for decorating your Christmas tree with innovative eye-catching ornaments. It offers inspirational craft ideas to help you to create innovative and exciting decorations for your Christmas tree. It features more than 30 projects that include baubles, pomanders, tassels, edible ornaments, gilded stars, festive figures, glittering cones, and many more. Techniques and projects are shown in more than 160 close-up step-by-step photographs and diagrams, making the stages absolutely clear and easy to follow. Templates are provided for many of the basic shapes. Ornaments in every style will appeal to both traditional and modern tastes. A choice of projects is available, including decorations with papier mache, salt dough, embroidery and gilding. Decorating the tree is an opportunity to gather with family, children and friends to adorn the branches with dazzling decorations. These small, yet significant details provide the backdrop to the approaching festivities and set the style and feel of your Christmas, whether traditional or modern. And what decorations can better sum up the individual spirit of Christmas than those you have made yourself? Whether you want sparkling baubles glistening on every branch, or a country-style angel to top the tree, this book shows you how to make original adornments to personalize your tree with style. Packed with practical projects, there is something here for everyone's taste and budget: delicate silver snowflakes cut from shiny paper, edible gingerbread figures, gilded baubles and a classic golden star are just a few of the ideas for seasonal decorations the whole family will enjoy.

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Court painter to King Philip IV of Spain, Diego Rodríguez de Silva y Velázquez (June 1599 – August 6, 1660) is not only a leading light of the Spanish Golden Age, but among the most celebrated masters in all Western art history. Monet and Renoir, Corot and Courbet, Degas and Dalí all hailed his influence. Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it. Velázquez’s importance is found particularly in his naturalist approach, in contrast to the more ubiquitous idealized manner of his age. Early works included numerous “bodegones”, genre scenes of everyday life in early 17th century Spain, in which warm, rich tones and textures set off the most ordinary of subjects and humble of faces, such as Old Woman Frying Eggs. Later, his portraiture for the Royal Court brought the same naturalism to the highest echelons of society, marking a profound shift in the depiction of royalty with softer, more relaxed poses that offered his subjects a human warmth and character as much as a sense of grandeur. Velázquez’s most famous work, Las Meninas, was also painted in the royal court, but in its enigmatic composition raises many broader questions about reality and illusion and the relationship between the painter, painting, and viewer. This fresh TASCHEN Basic Art 2.0 edition introduces Velázquez through key works from throughout his career. From humble genre scenes to the royal portraits, the exquisite Rokeby Venus nude, and the ever-mysterious Las Meninas, we explore his exceptional attention to composition, masterful handling of tone, and his remarkable influence as, in Manet’s words, “the greatest painter of all.”

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This Handbook presents state-of-the-art methodological guidance and discussion of international practice related to the integration of biodiversity and ecosystem services in impact assessment, featuring contributions from leading researchers and practitioners the world over. Its multidisciplinary approach covers contributions across five continents to broaden the scope of the field both thematically and geographically. A multifaceted variety of case studies provide examples of the use of information on biodiversity and ecosystem services in different types of impact assessment to improve decisions at all levels, from strategic choices to individual projects. In addition to its discussion of how biodiversity and ecosystem services can improve the salience and effectiveness of impact assessment, this Handbook presents a range of applications and possible solutions to challenges in key policy and planning sectors, including urban development, land use, energy, marine areas, infrastructure, agriculture, forestry, health and tourism. This Handbook's combination of cutting-edge literature and methodological guidance supports researchers, practitioners and students in developing and implementing biodiversity and ecosystem services-inclusive impact assessment processes, which can contribute to better decisions about the use of our lands and waters. As such it will appeal not only to scholars of impact assessment but of environmental sciences, environmental engineering, natural sciences, planning and economics as well.Contributors include: C. Albert, A. Antón, M. Ashley, J. Azcarate, B. Balfors, S. Brownlie, L. Bulling, C. Cortinovis, R.T.T. Forman, S. Frank, C. Fürst, D. Geneletti, J. Goldstein, T. Hooper, P. Horwitz, M. Hughes, P. Itkonen, M. Jimenez, M. Karlson, L. Karrasch, C.M. Kennedy, J.M. Kiesecker, J. Köppel, L. Kopperoinen, O. Langmead, D. Maia de Souza, L. Mandle, L. Milà i Canals, U. Mörtberg, D. Newsome, S. Odelius Gordon, M.W. Parkes, K. Pietzsch, F. Pietzsch, A. Rajvanshi, D. Roe, D.A. Rozas Vásquez, M. Ruckelshaus, H. Tallis, L. Tardieu, F. Teillard, J. Treweek, J. Wu, L. Zardo

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An overview of the history of yachting in its social, cultural, political and economic contexts. Shortlisted for the Maritime Foundation's Mountbatten Award 2018 This book, by a leading expert in the field, is the first major history of yachting for over a quarter of a century. Setting developments within political,social and economic changes, the book tells the story of yachting from Elizabethan times to the present day: the first uses of yachts, by monarchs, especially Charles II; yacht clubs and yacht racing in the eighteenth century; the early years of the Royal Yacht Squadron at Cowes and an analysis of the America Cup challenges; the pioneering developments in Ireland and the exporting of yachting to the colonies and trading outposts of the Empire; the expansion of yachting in Victorian times; the Golden Age of Yachting in the years before the First World War, when it was the sport of the crowned heads of Europe; the invention of the dinghy and the keelboat classes and, after the Second World War, the massive numbers of home-built dinghies; the breaking of new boundaries by risk-taking single-handers from the mid-1960s; the expansion of leisure sailing that came in the 1980s with the use of moulded plastic yachts; and current trends and pressures within the sport. Well-referenced yet highly readable, this book will be of interest both to the scholar and the sailing enthusiast. MIKE BENDER is an experienced yachtsman and qualified Ocean Yachtmaster, with some forty thousand miles, mostly singlehanded, under the keel. He is an Honorary Research Fellow in History at the University of Exeter.

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'Jackie Higgins’s lyrical, literate style will charm you while her book stuns your imagination with strange, other-worldly truths' Richard DawkinsSentient assembles a menagerie of zoological creatures – from land, air, sea and all four corners of the globe – to understand what it means to be human. Through their eyes, ears, skins, tongues and noses, the furred, finned and feathered reveal how we sense and make sense of the world, as well as the untold scientific revolution stirring in the field of human perception. The harlequin mantis shrimp can throw a punch that can fracture aquarium walls but, more importantly, it has the ability to see a vast range of colours. The ears of the great grey owl have such unparalleled range and sensitivity that they can hear twenty decibels lower than the human ear. The star-nosed mole barely fills a human hand, seldom ventures above ground and poses little threat unless you are an earthworm, but its miraculous nose allows it to catch those worms at astonishing speed – as little as one hundred and twenty milliseconds. Here, too, we meet the four-eyed spookfish and its dark vision; the vampire bat and its remarkable powers of touch; the bloodhound and its hundreds of millions of scent receptors, as well as the bar-tailed godwit, the common octopus, giant peacocks, cheetahs and golden orb-weaving spiders. Each of these extraordinary creatures illustrates the sensory powers that lie dormant within us. In this captivating book, Jackie Higgins explores this evolutionary heritage and, in doing so, enables us to subconsciously engage with the world in ways we never knew possible.

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Comics have conquered America. From our cinemas, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize-winning titles and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s, before turning finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels and more.

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This book studies the nature of Venetian rule over the Slavs of Dalmatia during the eighteenth century, focusing on the cultural elaboration of an ideology of empire that was based on a civilizing mission toward the Slavs. The book argues that the Enlightenment within the “Adriatic Empire” of Venice was deeply concerned with exploring the economic and social dimensions of backwardness in Dalmatia, in accordance with the evolving distinction between “Western Europe” and “Eastern Europe” across the continent. It further argues that the primitivism attributed to Dalmatians by the Venetian Enlightenment was fundamental to the European intellectual discovery of the Slavs. The book begins by discussing Venetian literary perspectives on Dalmatia, notably the drama of Carlo Goldoni and the memoirs of Carlo Gozzi. It then studies the work that brought the subject of Dalmatia to the attention of the European Enlightenment: the travel account of the Paduan philosopher Alberto Fortis, which was translated from Italian into English, French, and German. The next two chapters focus on the Dalmatian inland mountain people called the Morlacchi, famous as “savages” throughout Europe in the eighteenth century. The Morlacchi are considered first as a concern of Venetian administration and then in relation to the problem of the “noble savage,” anthropologically studied and poetically celebrated. The book then describes the meeting of these administrative and philosophical discourses concerning Dalmatia during the final decades of the Venetian Republic. It concludes by assessing the legacy of the Venetian Enlightenment for later perspectives on Dalmatia and the South Slavs from Napoleonic Illyria to twentieth-century Yugoslavia.

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The first English translation of a Kalmyk epic nearly lost to history. This is the first English translation of Jangar, the heroic epic of the Kalmyk nomads, who are the Western Mongols of Genghis Khan’s medieval empire in Europe. Today, Kalmykia is situated in the territory that was once the Golden Horde, founded by the son of Genghis Khan, Juchi. Although their famed khanates and cities have long since disappeared under the sands of the Great Eurasian Steppe, the Kalmyks have witnessed, memorized, and orally transmitted some of the most transformative developments, both victorious and tragic, in the history of civilizations. A tribute to the protectors of the mythical country Bumba, Jangar reflects the hopes and aspirations of the Kalmyk people as well as their centuries-long struggle for their cultural existence. This new English translation is more than a tribute to the artistic creativity and imagination of the Kalmyk people—it is also an important step in their struggle for cultural survival. It was only after centuries of oral transmission that the songs and stories surrounding Jangar were written down. When the first translation, into Russian, finally appeared, Stalin had the entire Kalmyk population deported to Siberia and ordered that their national literature be eliminated from the published world. This Soviet repression has had enormous consequences for world literature, silencing nomadic voices and keeping hidden their distinctive contributions. Making Jangar available in English is a landmark event, bringing a lost classic to the world’s attention and restoring the voices of an almost-erased tradition at the heart of the history of Eurasia.

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We all live our daily lives surrounded by the products of technology that make what we do simpler, faster, and more efficient. These are benefits we often just take for granted. But at the same time, as these products disburden us of unwanted tasks that consumed much time and effort in earlier eras, many of them also leave us more disengaged from our natural and even human surroundings. It is the task of what Gene Moriarty calls focal engineering to create products that will achieve a balance between disburdenment and engagement: “How much disburdenment will be appropriate while still permitting an engagement that enriches one’s life, elevates the spirit, and calls forth a good life in a convivial society?”One of his examples of a focally engineered structure is the Golden Gate Bridge, which “draws people to it, enlivens and elevates the human spirit, and resonates with the world of its congenial setting. Humans, bridge, and world are in tune.” These values of engagement, enlivenment, and resonance are key to the normative approach Moriarty brings to the profession of engineering, which traditionally has focused mainly on technical measures of evaluation such as efficiency, productivity, objectivity, and precision. These measures, while important, look at the engineered product in a local and limited sense. But “from a broader perspective, what is locally benign may present serious moral problems,” undermining “social justice, environmental sustainability, and health and safety of affected parties.” It is this broader perspective that is championed by focal engineering, the subject of Part III of the book, which Moriarty contrasts with “modern” engineering in Part I and “pre-modern” engineering in Part II.

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While critics have long disparaged commercial television as a vast wasteland, TV has surprising links to the urbane world of modern art that stretch back to the 1950s and '60s. During that era, the rapid rise of commercial television coincided with dynamic new movements in the visual arts - a potent combination that precipitated a major shift in the way Americans experienced the world visually. "TV by Design" uncovers this captivating story of how modernism and network television converged and intertwined in their mutual ascent during the decades of the cold war.Whereas most histories of television focus on the way older forms of entertainment were recycled for the new medium, Lynn Spigel shows how TV was instrumental in introducing the public to the latest trends in art and design. Abstract expressionism, pop art, art cinema, modern architecture, and cutting-edge graphics were all mined for staging techniques, scenic designs, and an ever-growing number of commercials. As a result, TV helped fuel the public craze for trendily modern products, such as tailfin cars and boomerang coffee tables, that was vital to the burgeoning postwar economy. And along with influencing the look of television, many artists - including Eero Saarinen, Ben Shahn, Saul Bass, William Golden, and Richard Avedon - also participated in its creation as the networks put them to work designing everything from their corporate headquarters to their company cufflinks.Dizzy Gillespie, Ernie Kovacs, Duke Ellington, and Andy Warhol all stop by in this imaginative and winning account of the ways in which art, television, and commerce merged in the first decades of the TV age.

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This is the indispensable cook's guide to potatoes, featuring a variety list and over 150 delicious recipes. It is a feast of over 150 recipes including traditional, classic and popular potato dishes from around the world. It includes an extensive introduction that covers potato preparation and cooking techniques - from golden potato chips and dreamy piles of fluffy mashed potato to hasselbacks and fanned potatoes. A comprehensive directory contains photographs of the world's most popular potato varieties with information on appearance, taste, texture and cooking methods. It is beautifully photographed, with 800 pictures in total, including step-by-step sequences for all the recipes. It shows you how to create the best-ever fish pie, crispy hash browns, perfect creamed potatoes and wonderful potato bread. This definitive guide covers everything the cook needs to know about this universally loved vegetable, from selecting the right potato to enjoying the perfect dish. There is a directory of the best potatoes around the world, from the nutty little Anya to Jersey Royal and Kerr's Pink. The heart of the book is a recipe section with 150 ideas for adding vibrant taste to this simple vegetable. Potatoes make an excellent base for soups, appetizers and snacks, salads, side dishes, scones, breads and wonderful main dishes from Irish stew to turkey croquettes. Leek and potato soup, potato latkes, roast potatoes and classic fish pie are just a few of the great dishes the book has to offer. This indispensable reference and source of culinary inspiration celebrates the amazing versatility of the potato.

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‘I adored this book. It’s so Geena and so inspiring and such a wonderful read’ Emma Thompson A Times Film and Theatre Book of the Year 2022 From two-time Academy Award winner and screen icon Geena Davis, Dying of Politeness is the candid, surprising tale of her journey from her epically polite childhood to the roles that put her in the spotlight and gave her the strength to become a powerhouse in Hollywood. At three years old, Geena announced she was going to be in movies. Now, with a slew of iconic roles and awards under her belt, she has surpassed her childhood dream, but her journey has been one of fits and starts, with a pothole or two along the way. In this hilarious memoir, Geena regales us with tales of a career playing everything from an amnesiac assassin to the parent of a rodent in Stuart Little; a soap star in her underwear to a housewife turned road warrior in Thelma & Louise; a baseball phenomenon in A League of Their Own to the first female President of the United States in Commander in Chief, and more. She is frank about her eccentric childhood; her many relationships, including her spontaneous Las Vegas wedding to Jeff Goldblum; her archery exploits which led her to the Olympic trials; and how she became a tireless advocate for women and girls, founding her own institute which engages film and TV creators to better represent women and actors from diverse backgrounds. Dying of Politeness is a touching account of one woman’s journey to fight for herself, and ultimately fighting for women all around the globe.

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Little Wonder is the story of Brian Flynn, the stylish yet tenacious midfielder from Port Talbot who, in the 1970s and '80s, enjoyed a successful top flight playing career with Burnley and Leeds United - where is still held in great affection by fans of both clubs - before moving on to Cardiff City, Doncaster Rovers, Bury, Limerick and finally to Wrexham as player manager. Flynn also won 66 caps for Wales and played a pivotal role when the rejuvenated national team reached the quarter-finals of the 1976 European Championships and were denied a place at the 1978 World Cup by Joe Jordan's infamous 'hand of god' at Anfield. Lovingly crafted by Leon Barton, Little Wonder is also the story of Flynn's 12 years as a club manager with Wrexham where, with solid team-building and cup heroics, he left a legacy that was subsequently squandered, and his two-year spell at Swansea City when he saved the club from relegation from the Football League and whose immense contribution was subsequently built upon to stunning effect. It is Brian Flynn's managerial legacy to Welsh international football, however, that has won him the plaudits of fellow managers, former teammates, the players themselves, and the Welsh nation when, as intermediate team manager under John Toshack, Flynn identified, nurtured and developed the 'golden generation', a group of talented teenagers and Welsh 'Anglos' who went on to become, at Euro 2016, most successful Welsh team in 140 years. Brian Flynn may only stand at 5 foot and 4 inches, but this small man from the town of steel has made a giant contribution to football and Little Wonder is his story.

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Before she knew she was Ukranian, Soviet, or Jewish, Inna Faliks knew she was a musician. Growing up in the city of Odessa, the piano became her best friend, and she explored the brilliant, intricate puzzles of Bach’s Goldberg Variations and learned to compose under her mother’s watchful eye. At ten, Faliks and her parents moved to Chicago as part of the tide of Jewish refugees who fled the USSR for the West in the 1980s. During the months-long immigration process, she would silently practice on kitchen tables while imagining a full set of piano keys beneath her fingertips. In Weight in the Fingertips, Faliks gives a globe-trotting account of her upbringing as a child prodigy in a Soviet state, the perils of immigration, the struggle of assimilating as an American, years of training with teachers, and her slow and steady rise in the world of classical music. With a warm and playful style, she helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, the poems she memorized as a child all connect to her sound at the piano, and the way she hears and shapes a musical phrase illuminate classical music and elite performance. She also explores how a person’s humanity makes their art honest and their voice unique, and how the life-long challenge of retaining that voice is fueled by a balance between being a great musician and being a human being. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow.

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After the Japanese attacked Pearl Harbor on December 7, 1941, Asia became an important theater of World War II—and because the Japanese had boxed in China, a key U.S. ally, and blocked the Burma Road out of India, the United States began looking for other ways to supply the war effort in China. In April 1942, the first American flights out of India launched in order to supply gasoline and other materiel to Allied fighting forces over the Himalayas and into China. Mountains over ten thousand feet. Unpredictable weather. Devasting crashes. Long odds. Perhaps the worst assignment for American pilots during World War II. For the next forty-two months, pilots—men including Gene Autry and Barry Goldwater—flew The Hump despite the difficulty of the terrain, the conditions, and the weather, throwing an important lifeline to the war in China, which helped bog down more than a million Japanese soldiers in China and kept them from the Pacific islands where the main American war effort was focused. By war’s end, some 5,000 American airmen delivered more than 650,000 tons of materiel to Chiang Kai-Shek’s Chinese forces and to the U.S. forces in China. This is the story of how a group of inexperienced pilots flew through some of the most challenging conditions in the world—and helped win World War II.Aluminum Alley is based on interviews with the last survivors of The Hump, oral histories, photos, reports, and other firsthand resources. It is a narrative with the immediacy and intimacy of memoir but the big-picture analysis of the best military history.

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From the very beginnings of cinema in America the Western has been a central genre. The hazardous lives of the settlers, their conflict with Native Americans ('the Indians'), the lawless frontier towns, outlaws and cattle rustlers, all found their way into the new medium of film. Folk heroes and heroines, such as Jesse and Frank James, Wild Bill Hickok, Wyatt Earp, Calamity Jane and Annie Oakley, were all eagerly seized on by filmmakers. Writers, from the very popular to the very literary, from Zane Grey to Owen Wister and James Fennimore Cooper, were plundered for storylines. The Western became popular worldwide too because it offered escape, adventure, stunning landscapes and romance; also themes that concerned people everywhere including survival, law and order, defence of family, and dreams of a new and better world. David Carter's book, The Western, starts with an introduction to the real American West and its famous historical figures, and traces the development of the genre from popular literature, through the early silent films, the sound era, the Golden Age of classic Westerns, TV and 'spaghetti westerns', to the self-reflexive and revisionist Westerns of recent decades. This book provides a basic work of reference for all the major directors and noteworthy films of the genre. The great Hollywood directors are all here, such as John Ford, Howard Hawks, Raoul Walsh, Michael Curtiz, Sam Peckinpah and Henry Hathaway, and great stars including John Wayne, James Stewart, Gary Cooper, Barbara Stanwyck, Jane Russell and Clint Eastwood.

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Ancient architects and artists had a way of striking resonant chords in the viewers of their work. This book points to a possible way of returning a sense of unity to the visual arts through a combination of theoretical ideas and practical methods, of narrative description and visual exercises.Proportion, the use of number and geometry as design tools, is seen in the context of the search for the beautiful. From the theoretic, symbolic mathematics of the Pythagoreans, Platonists, and Neo-Platonists, the book proposes an aesthetic theory, a way of approaching beauty, rooted in the idea of psyche and expressed through the ancient sciences of arithmetic, geometry, music, and astronomy. Topics treated include: an explanation of the concept of symbolic or qualitative number; an introduction to Pythagorean and Platonic numerical philosophy; the nature of beauty and its relation to number; the derivation of the ancient musical octave; the Golden Section, its mathematics, geometry, and relation to philosophy, particularly its role as a geometrical logos; and the connection of these ideas to the numerical-geometrical canons of classical architecture. These concepts are illustrated step by step as applied to the elements and archetypal compositions of classical architecture, such as the order and portico, using arithmetic, geometric, and harmonic ratio methods.The proportional idea is illustrated with reconstructions of exemplary buildings based on the methods described, following through the historical periods of Egypt, Greece, Rome, the Middle ages, the Italian Renaissance, and the Enlightenment. Though the book is focused on architecture, the methods presented may be used by artists and designers in any visual field. The book suggests several pathways on which contemporary designers might move toward creating a sane and beautiful world through a merger of art and science.

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Winner of the Lucien Stryk Asian Translation Prize 2023. Shortlisted for the National Translation Award in Poetry 2023 by the American Literary Translators Association. The Poetry Book Society Spring 2022 Translation Choice. Chinese poetry is unique in world literature in that it was written for the best part of 3,000 years by exiles, and Chinese history can be read as a matter of course in the words of poets. In this collection from the Tang Dynasty are poems of war and peace, flight and refuge but above all they are plain-spoken, everyday poems; classics that are everyday timeless, a poetry conceived "to teach the least and the most, the literacy of the heart in a barbarous world," says the translator. C.D. Wright has written of Wong May's work that it is "quirky, unaffectedly well-informed, capacious, and unpredictable in [its] concerns and procedures," qualities which are evident too in every page of her new book, a translation of Du Fu and Li Bai and Wang Wei, and many others whose work is less well known in English. In a vividly picaresque afterword, Wong May dwells on the defining characteristics of these poets, and how they lived and wrote in dark times. This translator's journal is accompanied and prompted by a further marginal voice, who is figured as the rhino: "The Rhino in Tang China held a special place," she writes, "much like the unicorn in medieval Europe - not as conventional as the phoenix or the dragon but a magical being; an original spirit", a fitting guide to China's murky, tumultuous Middle Ages, that were also its Golden Age of Poetry, and to this truly original book of encounters, whose every turn is illuminating and revelatory.

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'A treasure of recollections and reactions, talking heroes, controversies and big themes' i paper'Brearley is at his best in these quirky, delightful essays when he is exploring the human qualities of humbler players . . . Brearley's admiration for his friends' decency, craftsmanship and modesty seems to recall a golden age of country cricket' The Times'Brearley has a knack for paying respect to the past without denigrating the present and for calmly considering the future' Mail on SundayMike Brearley was arguably one of England's finest cricket captains; not just for his outstanding record leading his country but also for the way he orchestrated, during the 1981 Ashes series, one of the most extraordinary reversals in sporting history.In this collection of sparkling essays, Brearley reflects on the game he has come to know so well. He ranges from the personal - the influence of his Yorkshire father and the idols of his youth - to controversial aspects of the professional game, including cheating, corruption, and innovation, the latter often being on a borderline between genius and rebellion.Brearley also evaluates his heroes (amongst them Viv Richards, Bishan Bedi and Dennis Lillee), the game changers, the outstanding wicketkeepers, the 'Indian-ness' of four generations of Indian batsmen and the important commentators (including Harold Pinter, John Arlott and Ian Chappell). The Ashes, the most sustained love-hate relationship in the history of sport and key to Brearley's test-playing career, are raked over. Central to the book is an important section on race and cricket, and the legacy of C. L. R. James.Insightful and humorous, On Cricket is an intelligent exposition of the game's idiosyncratic culture and its enduring appeal.

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While the myth of Soviet benevolence has now largely been discredited, the idea that Stalin's Soviet Union was a peaceful power that sought to prevent the war through all kinds of means - including an ill-fated non-aggression treaty with Hitler - remains popular to this day. Indeed, this narrative is not only promoted by Putin`s propaganda but also by a host of Western intellectuals and even historians who take public declarations at face value. Drawing on a host of internal Soviet Politburo discussions, memoranda and speeches, this book shows that the Soviet Union was a heavily militarized state that incessantly planned to unleash a great, ideologically motivated war against the rest of the world. In fact, its entire political life revolved around the question of war, especially following the onset of the Great Depression in 1929, which convinced Soviet leaders of the imminent collapse of the capitalist system abroad. Thus, both the collectivization as well as the terror that followed in its wake were done with the coming war in mind - even though there was no tangible danger of war. Slowed down by countless devastating setbacks, Stalin was nevertheless able to amass a gigantic army by the late 1930s. When Hitler approached Stalin in 1939 asking for Soviet neutrality in his planned invasion of Poland, Stalin sensed a golden opportunity: by supporting Hitler, he could turn the European powers against each another, allowing him to intervene once they were sufficiently weakened. However, Stalin miscalculated: Hitler beat both Poland and France in less than a year and then turned against Moscow in 1941, long before Stalin was ready for his own attack.

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A Cocktail in Paris transports you to the elegant world of the Parisian bar scene and shows you how to create the drinks that have inspired the creativity of numerous writers, thinkers and artists. Is there any better city to drink in than Paris? Whether you're sipping a Mimosa over brunch on a terrace on the Boulevard Montparnasse, enjoying an Américano before dinner at Les Deux Magots or indulging in a late-night cognac digestif at Harry's Bar, the drinking holes of the City of Light have been working their magic for decades. A Cocktail in Paris features 50 recipes divided into chapters covering all-day cocktails; aperitifs; gin and vodka-based cocktails; rum, Cognac and whisky-based cocktails; and digestifs and late-night classics; along with 15 recipes for the most soignée small bites to serve alongside them. You'll find Belle Epoque classics from the heyday of the Moulin Rouge, like the original Champagne Cocktail, alongside the drinks beloved by Ernest Hemingway during les années folles of the 1920s. During the Prohibition era in the US, many bartenders left New York to set up bars in Europe, resulting in the now-legendary cocktail creations of Harry McElhone at Harry's New York Bar in Paris, such as the Bloody Mary and the Sidecar. Discover, too, the resurgence in popularity of cocktails in the modern-day bar scene of the Marais district. A Cocktail in Paris is also packed with tips on how to improve your cocktail-making prowess and fascinating stories from the days of decadence, helping you to capture the sophisticated spirit of golden-age Paris, that most inspiring city of cocktails.

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Marco Polo Pocket Guide California: the Travel Guide with Insider Tips Explore California with this handy, pocket-sized, authoritative guide, packed with Insider Tips. Discover boutique hotels, authentic restaurants, the state's trendiest places, and get tips on shopping and what to do on a limited budget. There are plenty of ideas for travel with kids, and a summary of all the festivals and events that take place. Let Marco Polo show you all this iconic destination has to offer… California is a dream destination on the Pacific, an extraordinary blend of stunning nature, cool cities and unbelievably friendly people. It is a destination of extremes – the mountains in the northeast are amongst the highest on the continent, Death Valley in the southeast marks the lowest point in the US and the hottest, and the Pacific coast boasts the tallest trees and some of the sequoias in the Sierra Nevada are amongst the oldest on the planet. The Streets of San Francisco, Mickey Mouse, Hollywood, Napa Valley, Yosemite, giant redwoods and golden beaches, the list of California's attractions is endless. You might think you know it already from movies and TV, but the reality is much more colourful, flashy, quirky and above all beautiful. With Marco Polo California you can experience a holiday that mixes hip urban culture with the glamour of celebrity and a real-life road movie with awesome scenery…This is California! Your Marco Polo California Pocket Guide includes: Insider Tips – we show you the hidden gems and little-known secrets that offer a real insight into the region. Discover exquisite local wineries, savour the best Mexican snacks at LA’s Grand Central Market or step back in time at a traditional County Fair. Best of – find the best things to do for free, the best ‘only in’ California experiences, the best things to do if it rains and the best places to relax and spoil yourself. Sightseeing – all the top sights are organised by area so you can easily plan your trip. Discovery Tours – specially tailored tours will get you to the heart of California. From the surfing beaches of Southern California to the wineries in the North, you can experience all of California’s unique character with these personal tours. California in full-colour – Marco Polo Pocket Guide California includes full-colour photos throughout the guide bringing the region to life offering you a real taste of what you can see and enjoy on your trip. Touring App – download any of the Discovery Tours to your smartphone, complete with the detailed route description and map exactly as featured in the guide, free of charge. The maps can be used offline too, so no roaming charges. The perfect navigational tool with distance indicators and landmarks highlighting the correct direction to travel in as well as GPS coordinates along the way. Enjoy stress-free sightseeing and never get lost again! Road Atlas and pull-out map – we’ve included a detailed road atlas and a handy, pull-out map so you can pop the guide in your bag for a full-on sightseeing day or head out with just the map to enjoy your Discovery Tour. A small street map of San Francisco is also included. Trust Marco Polo Pocket Guide California to show you around this iconic state. The comprehensive coverage and unique insights will ensure you experience everything California has to offer and more. The special tips, personal insights and unusual experiences will help you make the most of your trip - just arrive and enjoy.

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The Scottish Highlands have a strong appeal to the public imagination. Indeed, as a result of the writings of Sir Walter Scott, they are now symbolic of Scotland as a whole: a land of mountains, glens and lochs, of golden eagles and red deer; a land with a rich cultural history of clans and clanship, of kilts and castles, of crofts, crofting, Highland cows and sheep, of music and dance. But does this imagined landscape relate to the actuality? Is it in fact a wild landscape which has escaped the pressures of the modern world, or does such untrammelled wildness only reside in the mind? The aim of this book is to answer this last question by taking an objective look at the history of the Highland landscape, how it has changed over the centuries and how it is still changing. It challenges the view that the Highlands are, to quote the famous ecologist Frank Fraser Darling, ‘a devastated landscape’ – that is a landscape damaged by centuries of overgrazing and human exploitation. Instead it points out that the evidence suggests that the traditional unwooded Highland landscape of open hill and moor is one of the most natural remaining in northwest Europe, showing only minimal signs of human impact over the millennia; apart, that is, from the areas of human settlement. The occurrence of woodland as only isolated fragments scattered across the land is in fact a key biodiversity feature of the Highlands, distinguishing the far northwest of Britain from most of western Europe, where woodland would undoubtedly be the dominant habitat. There certainly were significantly more trees in the past but the woodland declined naturally over the millennia for a complex variety of reasons. Hence the current approach of putting trees back in the landscape, nowadays termed ‘reforesting’ or ‘rewilding’ is in fact destroying the very essence of the land. Similarly, the current activity of ‘restoring’ peatland can also result in a loss of the naturalness of the landscape. Indeed, loss of natural habitat is seen as a serious global issue, with humans slowly taking over for themselves the whole planet, leaving little space available for the wildness of nature. It is not only reforesting and peatland restoration which is destroying the naturalness of the Highland landscape, but also the continuing encroachment of infrastructure, whether hill tracks, wind turbines, dams, phone masts, ski development, fences, and commercial forestry plantations. At the current rate of attrition, the wild landscape will soon remain only in the imagination, the open hills and moors having been dumped into the dustbin of history. The Highlands, sadly, will be like everywhere else in the world: developed and managed to extinction! Why can we not just let the hills be? After all, this is how they were for thousands of years until landownership entered the Highlands following the Battle of Culloden.

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Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

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Breakthrough methods to solve for the unknown on the path to innovation, creativity, and business growth, while avoiding bureaucracy and stagnationWhat sits above any person, project, function, or strategy in your organization? What impacts your company’s performance for years and decades? What shows up in nearly every interaction and decision in your organization? Like it or not, there are systems at work in your organization that standardize how people think, collaborate, and make decisions. These systems affect everything, yet they’re rarely discussed, managed, or even thought about.In Decision Sprint, innovation and growth expert Atif Rafiq argues that while talent is critically important to any company’s success, the systems through which collaboration and decision-making happen are what separate industry leaders from the rest—and that systems designed to embrace unknowns are quickest and most enduring way to foster growth, continuous innovation, and realization of strategy.This groundbreaking guide walks readers through the process of embracing unknowns from the start of a bright idea, strategic project, or new initiative through the steps of alignment and decision making with sponsors and executives. He distills his knowledge into 13 “superpowers” that rewire how people think, collaborate, and decide in order to foster fearless interaction with the unknown, constructive questioning, team-based problem solving, and a collective IQ lift for everyone involved in strategic or innovation initiatives.These superpowers include: Moving Upstream—to feed and smooth the way for downstream execution Establishing Decision Sprints—to tap into the power of questioning, gather the right input and defeat the fear of unknowns Crafting Workflows—to bring decision sprint to life and streamline meetings and collaboration Socializing Knowledge—to solidify buy-in, creating alignment and “drama” free decision-making for important initiatives Landing and Expanding to Achieve Adoption—to drive change one initiative at a time, starting at the team level Leveraging Digital Tools—to utilize game changing software to enable decision sprints and pave the way for a goldmine of data about upstream work Preparing for AI—to assist leader and management with new level of radar and signal about the momentum or lack of it when it comes to translating strategy into action Distilling years of experience working in the upper echelons of both long-established corporations and Silicon Valley organizations, Atif Rafiq has learned that when a system works to embrace the unknowns that come with new growth and market opportunities, the results can be extraordinary.Leverage Rafiq’s superpowers to make innovation and creativity part of your company’s DNA—and build your organization into an industry leader that constantly makes the leap from identification of whitespaces, innovation, and growth opportunities to taking decisive action on them.

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