Search results for ""NOVA""

In 1839, Samuel Cunard travelled from his native Nova Scotia to Britain to raise capital to found his fledgling steamship company, which was to be named the British & North American Royal Mail Steam Packet Company. Quickly shortened to the Cunard Line, the first ship set sail for Canada and America in July 1840 and opened the steamship trade to the Americas. The fleet rapidly expanded to become the dominant force on the transatlantic route, with feeder services from the Mediterranean too. Never having lost a passenger's life at sea, Cunard was also one of the safest of the steamship lines and operating comfortable ships. By the 1900s, few lines could match the company's vessels for speed or luxury and the advent of the four-funnelled Mauretania, Lusitania and Aquitania just confirmed the pre-eminence of the line. During the inter-war years came the Queen Mary and Queen Elizabeth and the line could boast the fastest and largest ships in the world. Never a line to stand still, in 1969 came Queen Elizabeth 2 and in the 2000s came the world's largest liner, RMS Queen Mary 2.

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'Trust me. I know where I'm going.' Angus MacGrath, artist, sailor and navigator, is lost ― caught between a remote wife, a disapproving father and a son seeking guidance. Far from his coastal village in Nova Scotia, war rages in Europe, and among the missing is Angus's adventurous brother-in-law whose unknown fate sets Angus on an uncharted course, with profound consequences for those he loves and those he comes to love. Angus defies his pacifist upbringing and enlists to find his wife's brother. Though assured a safe job as a military cartographer in London, he is assigned instead to the infantry to the blood-soaked mud of France, where his search begins. At home his young son, once wide-eyed about the war, must navigate uncertain loyalties in a village succumbing to war fever. Separated by the ocean they once sailed together, Angus and his son search for what it takes to survive, each trying in his own way to return to the other. Every character in this exquisitely told story seeks to protect what matters most in the face of war's upheaval.

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Starting weeks after Hitler declared war on the United States in mid-December 1941 and lasting until the war with Germany was all but over, 73 German U-Boats sustainably attacked New England waters, from Montauk New York to the tip of Nova Scotia at Cape Sable. Fifteen percent of these boats were sunk by Allied counter-attacks, five surrendered in the region, and three were sunk off New England--Block Island, Massachusetts Bay, and off Nantucket. These have proven appealing to divers, with a result that at least three German naval officers or ratings are buried in New England, one having killed himself in the Boston jail cell. There were 34 Allied merchant or naval ships sunk by these subs, one of them, the 'Eagle', was not admitted to have been sunk by the Germans until decades later. Over 1,100 men were thrown in the water and 545 of them made it ashore in New England ports; 428 were killed. Importantly, saboteurs were landed three places: Long Island, Frenchman's Bay Maine and New Brunswick Canada, and Boston was mined. Very little was known about this.

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Publishers Weekly BEST Books for Summer 2016. "Sea Change is like a dip in cold Canadian waters: just step inside, and soon you're completely swept away, finding yourself overwhelmed and breathless, entranced by this whirlwind of a book. Bravo, Frank Viva. And glub, glub, glub." - Lemony Snicket, author of A Series of Unfortunate Events. "Truly heartbreaking! Viva ingeniously weaves words and pictures to evoke that strange, wonderful moment - when the very worst experience of your life somehow becomes the very best." - Chip Kidd, author of Only What's Necessary: Charles M. Schulz and the Art of Peanuts. One summer can change your whole life. As soon as school lets out, Eliot's parents send him to the very edge of the world: a fishing village in a remote part of Nova Scotia. And what does the small town of Point Aconi have to offer? Maggots, bullies and grumpy old men. But along the way, Eliot discovers much more�a hidden library, starry nights and a mysterious girl named Mary Beth. See Point Aconi through Eliot's eyes, as he finds that this place he never wanted to visit is becoming a home he doesn't want to leave.

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Challenging the widely-held assumption that Slavoj Žižek's work is far more germane to film and cultural studies than to literary studies, this volume demonstrates the importance of Žižek to literary criticism and theory. The contributors show how Žižek's practice of reading theory and literature through one another allows him to critique, complicate, and advance the understanding of Lacanian psychoanalysis and German Idealism, thereby urging a rethinking of historicity and universality. His methodology has implications for analyzing literature across historical periods, nationalities, and genres and can enrich theoretical frameworks ranging from aesthetics, semiotics, and psychoanalysis to feminism, historicism, postcolonialism, and ecocriticism. The contributors also offer Žižekian interpretations of a wide variety of texts, including Geoffrey Chaucer's Troilus and Criseyde, Shakespeare's The Merchant of Venice, Samuel Beckett's Not I, and William Burroughs's Nova Trilogy. The collection includes an essay by Žižek on subjectivity in Shakespeare and Beckett. Everything You Always Wanted to Know about Literature but Were Afraid to Ask Žižek affirms Žižek's value to literary studies while offering a rigorous model of Žižekian criticism. Contributors. Shawn Alfrey, Daniel Beaumont, Geoff Boucher, Andrew Hageman, Jamil Khader, Anna Kornbluh, Todd McGowan, Paul Megna, Russell Sbriglia, Louis-Paul Willis, Slavoj Žižek

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Scorpia is finally back among the stars, far away from the memories of the war she and her family started-and ended-on Nibiru. Her first order as captain of the Memoria is to keep her crew safe, and she is all too happy not to get involved in dangerous political games for once.Corvus is haunted by what he experienced at the hands of the Titan attack, and he's just as eager for a new beginning. He knows that not all Titans are built for war, and that the system can find peace, even as Deva and Pax begin to rattle their sabers.Though the Kaisers may be responsible for diverting a multi-planet war, the planetary leaders are wary of the knowledge they hold. Better to lock them up and keep their dark secrets hidden. But the Kaisers are the only ones who know the truth about the threat of the ancient world-ending alien weapons rooted in each planet-and they may be the only ones who can save the system from total annihilation. "Merbeth is a voice to watch in space opera!" -K. B. WagersThe Nova Vita Protocol:FortunaMemoriaDiscordia

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Particle Physics and High Energy Physics have stagnated since the early 1970s. Now, the underlying principle of reductionism — so sacred to twentieth-century physics — is itself being questioned. This book examines these tumultuous developments that are leading to a paradigm shift and a new horizon for Physics.Presenting the new paradigm in fuzzy spacetime, this book is based on some 100 papers published in peer-reviewed journals including Foundations of Physics, Nuovo Cimento and The International Journal of Modern Physics (A&E), as well as two recently published books, The Chaotic Universe (Nova Science, New York) and The Universe of Fluctuations (Springer). The work had predicted correctly in advance epoch-turning observations, for example, that the Universe is accelerating with a small cosmological constant driven by dark energy when the prevalent line of thinking was the exact opposite. Similarly, the prediction of a minimum thermodynamic residual energy in the Universe has also been realized more recently. Further to a unified description of gravitation and electromagnetism via fluctuations, several other features are presented in complete agreement with experiments, in sharp contrast to the present ideas which are neither verifiable nor disprovable.

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Over three generations, the Sobey family of Nova Scotia has demonstrated their discerning and enthusiastic commitment to Canadian art. Accompanying a major exhibition at the McMichael Canadian Art Collection and timed to coincide with the 20th anniversary of the prestigious Sobey Art Award, Generations tells the story of a visionary family and their engagement with Canadian and Indigenous art.This sweeping survey encompasses works by the beloved leaders of Canadian 20th-century art — the Group of Seven, Tom Thomson, David Milne, and Emily Carr — as well as offering a rich display of works by Cornelius Krieghoff, the Quebec Impressionists, Automatiste painters Jean Paul Riopelle and Paul-Émile Borduas, and Ukrainian Canadian artist William Kurelek, before moving onward to showcase leading contemporary artists. Among them are international artist Peter Doig, whose works draw on the legacies of Canadian art, and Indigenous artists Brenda Draney, Ursula Johnson, Kent Monkman, and Brian Jungen.Featuring more than 200 full-colour images, Generations includes an introduction by McMichael Chief Curator Sarah Milroy, essays by McMichael Executive Director Ian A.C. Dejardin, art historians Jocelyn Anderson, John Geoghegan, and Michèle Grandbois, and an interview with contemporary artist Kent Monkman.

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In her highly anticipated second novel, Rachael Preston tells a vibrant, compelling story of 20th century piracy. Exploring the complex struggle for freedom against a backdrop of passion and repression, The Wind Seller is the story of two vulnerable, shellshocked people and the "wind seller" who captivates them both. Life in 1924 Kenomee, Nova Scotia, seems simple enough. Until, that is, a mysterious schooner blows into town under the cover of darkness, in desperate need of repair. Waking up to the giant black ship moored near their wharf, the villagers gather to take a gander at the Esmeralda and her crew. To everyone's surprise, there's a woman on board, and she shares the schooner's name. Claiming to be the captain's daughter, she wears men's clothing -- young and beautiful, she is as fit and as strong as the men. She is also an enigma and starts a chain of events that will change everyone's life, except perhaps her own. The Wind Seller is a moving story about choices and consequences, but it is also about imprisonment by, and release from, the personal demons unleashed by terrible experience.

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Una novella sobre els inicis del Barça i el seu fundador, Joan Gamper.Barcelona, tardor del 1898. Un jove suís, Hans Gamper, arriba en tren a l?estació de França. La ciutat bull d?activitat i ell, per primera vegada en molt de temps, se sent feliç. Només troba a faltar una cosa: el futbol. N?era campió a Suïssa, però aquesta nova pràctica anglesa no acaba de quallar a Barcelona.Però la illusió i la determinació d?en Gamper no tenen límits. Un anunci al setmanari Los Deportes i, el novembre del 1899, el Foot-Ball Club Barcelona queda constituït. Més que un club, un espai de llibertat i democràcia, d?esperit cívic, on gent de tot arreu se senti barcelonina.El camí dels pioners, però, no és mai fàcil, i encara menys en una ciutat en plena transformació, on sovint els esdeveniments socials i polítics ?des de la Gran Guerra, fins a l?auge de la Lliga, la dictadura de Primo de Rivera o el crac del 29? corren en parallel als inicis del club i trastoquen el seu dia a dia

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Ramon Gener és un apassionat de la música. De fet, només hi ha una cosa que l?apassioni més: compartir aquesta dèria, fer-nos còmplices d?aquesta manera de viure i de sentir. Perquè, com ens explica en aquest llibre, si s?aprèn a escoltar-la, a conèixer-la, a estimar-la, la música ens pot donar les claus per entendre el valor de l?amistat, la necessitat de la imaginació o la importància de ser sempre curiós i valent.Aquestes són algunes de les coses que la música ha ensenyat a Ramon Gener al llarg de la vida, i que comparteix amb tots nosaltres en un llibre ple d?història i anècdotes curioses, pinzellades biogràfiques, sentit de l?humor, passió i molta, moltíssima música.La música és la millor companya de viatge que mai hauria pogut somiar. Una companya que no ha deixat mai d?ensenyar-me alguna cosa nova cada dia. He arribat fins aquí gràcies a ella i seguint sempre el dictat del cor. Moltes vegades m?he equivocat. Moltes. Moltes vegades no me n?he sortit. Però no importa quant

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Distinguished by their lavish sculpture, metalwork or tile facades, Art Nouveau buildings certainly stand out. Art Nouveau buildings are unique, audacious and inspirational. Rejecting historic styles, considered inappropriate for an era driven by progress, architects and designers sought a new vocabulary of architectural forms. Their vision was shaped by modern materials and innovative technologies, including iron, glass and ceramics. A truly democratic style, Art Nouveau transformed life on the eve of the twentieth century and still captivates our imaginations today. Beautifully illustrated, this book explains how the new style came into being, its rationale and why it is known by so many different names: French Art Nouveau, German Jugendstil, Viennese Secession, Catalan Modernisme, Italian Liberty and Portuguese Arte Nova. It covers the key architects and designers associated with the style; Victor Horta in Brussels, Hector Guimard in Paris, Antoni Gaudi on Barcelona, Otto Wagner in Vienna, Odon Lechner in Budapest and Charles Rennie Mackintosh in Glasgow. There are detailed descriptions and stunning photographs of buildings to be found in Brussels, Paris, Nancy, Darmstadt, Vienna, Budapest, Barcelona, Milan, Turin and Aveiro. Finally, it covers the decorative arts, stained glass, tiles and metalwork that make Art Nouveau buildings so distinctive.

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'A lovely, very different 5* read from Lucy Knott, full of her trademark cosiness' Sam Tonge, author of Summer Secrets at Streamside Cottage, on The Little Barn of Dreams With the recent breakdown of both her ten-year relationship and her parents' marriage, thirty-five-year-old Marnie Barnes no longer believes in love. To give her life the shake-up it so clearly needs, she books a ticket to Canada. Thousands of miles away from her home and her twin sister, she struggles to have the life-changing experience she dreamt of – until she meets Nova, a dinosaur-loving space nerd with a penchant for living in the moment. After a wonderful day together in Vancouver, they part ways. Though gutted, Marnie thinks it's proof that she's not meant to find love and tries to move on with her life. But a few months later, back in England, she bumps into someone achingly familiar. As Marnie navigates her new feelings, takes chances and makes the first move for the first time in her life, can she regain her faith in love – and find it for herself?

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At 2:21 am on September 8, 1896, authorities in Nova Scotia killed an innocent man. Peter Wheeler — a "coloured" man accused of murdering a white girl — was strung up with a slipknot noose. The hanging was state-sanctioned but it was a lynching all the same. Now, a re-examination of his case using modern forensic science reveals one of the greatest miscarriages of justice in Canadian history. On the night of January 27, 1896, 14-year-old Annie Kempton found herself home alone in the picturesque village of Bear River, Nova Scotia. She did not live to see the morning. Shortly after midnight, Annie was assaulted and bludgeoned with a piece of firewood. Her killer slit her throat three times with a kitchen knife then coldly sat and ate a jar of homemade jam before fleeing into the night. The senseless and brutal slaying devastated the town and plunged her parents into a near-suicidal abyss of guilt and grief. At trial, the prosecution's case focused on the inconsistencies in Wheeler's statements, the testimony of two children who placed Peter near the house on the night in question, and the detective's novel analysis of the physical evidence. It was one of the first trials in Canada to use forensic science, albeit poorly. Wheeler's defense team called no witnesses and did little to challenge the evidence presented. The jury deliberated less than two hours before declaring Peter Wheeler guilty of murder. The trial itself was a media sensation; every word was front page news. Several papers each ran their own version of "Wheeler's confession," an admission of guilt supposedly authored by the condemned man. Each rendition tried and failed to make sense of the conflicting timeline. With every new iteration, it became clearer that the case against Wheeler was not as airtight as the detective in charge, Nick Power, and the media had proclaimed. The Lynching of Peter Wheeler is a story of one town's rush to judgment. It is a tale of bigotry and incompetence, arrogance and pseudoscience, fear and misguided vengeance. It is a case study in media distortion, illustrating how the print media can manipulate the truth, destroy reputations, and so thoroughly taint a jury pool, that the notion of a fair trial becomes a statistical impossibility. At the height of the Victorian era, the media created a super villain in the mold of Jack the Ripper, the perfect foil for its other creation, super-sleuth Nick Power. The masterfully constructed narrative was perfect, save for one glaring detail: Peter Wheeler did not kill Annie Kempton.

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Using a rich variety of historical sources, Suzanne Morton traces the history of gambling regulation in five Canadian provinces - Nova Scotia, Quebec, Ontario, Manitoba, and B.C. - from the First World War to the federal legalization in 1969. This regulatory legislation, designed to control gambling, ended a long period of paradox and pretence during which gambling was common, but still illegal. Morton skilfully shows the relationship between gambling and the wider social mores of the time, as evinced by labour, governance, and the regulation of 'vice.' Her focus on the ways in which race, class, and gender structured the meaning of gambling underpins and illuminates the historical data she presents. She shows, for example, as "Old Canada" (the Protestant, Anglo-Celtic establishment) declined in influence, gambling took on a less deviant connotation - a process that continued as charity became secularized and gambling became a lucrative fundraising activity eventually linked to the welfare state. At Odds is the first Canadian historical examination of gambling, a complex topic which is still met by moral ambivalence, legal proscription, and volatile opinion. This highly original study will be of interest to the undergraduate history or social science student, but will also hold the attention of a more general reader.

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The Enlightenment Atlantic was awash in deep feelings. People expressed the ardour of patriots, the homesickness of migrants, the fear of slave revolts, the ecstasy of revivals, the anger of mobs, the grief of wartime, the disorientation of refugees, and the joys of victory. Yet passions and affections were not merely private responses to the events of the period – emotions were also central to the era’s most consequential public events, and even defined them. In Enthusiasms and Loyalties Keith Grant shows that British North Americans participated in a transatlantic swirl of debates over emotions as they attempted to cultivate and make sense of their own feelings in turbulent times. Examining the emotional communities that overlapped in Cornwallis Township, Nova Scotia, between 1770 and 1850, Grant explores the diversity of public feelings, from disaffected loyalists to passionate patriots and ecstatic revivalists. He shows how certain emotions – especially enthusiasm and loyalty – could be embraced or weaponized by political and religious factions, and how their use and meaning changed over time. Feelings could be the glue that made loyalties stick, or a solvent that weakened community bonds. Taking a history of emotions approach, Enthusiasms and Loyalties aims to recover and understand the wide range of political and religious emotions that were possible – feelable – in the Enlightenment Atlantic.

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Els darrers anys, immers en la transformació educativa, m?he imbuït del missatge poderós de John Dewey: l?escola no ha de ser preparació per a la vida, sinó vida mateixa. I per dins, pensava: si volem que l?escola sigui vida, no ens hauríem de preguntar abans nosaltres per la vida?, per la vida que tenim com a adults, per la que ja hem viscut i la que ens imaginem que viurem? Just després dels mesos angoixants del confinament, va arribar la proposta d?escriure un llibre diferent, on m?atrevís a parlar des dels meus sentiments i el que els ha generat. No era conscient que duien molt temps remorejant-me al cap com si fossin abelles, i els he acabat escrivint gairebé mentre els pensava. Portava tota la vida amagant-los discretament: potser ja era hora d?oxigenar-los.L?Eduard Vallory és conegut, entre altres coses, per haver liderat la iniciativa de canvi educatiu Escola Nova 21. El que gairebé ningú no sap és que va ser un nen amb moltes dificultats a l?escola, on va patir la rigidesa

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Colpits per la pandèmia, tancats a casa, espantats, l?Évole i la seva gent van trobar al març la manera de tirar endavant. Per què no fer entrevistes des del confinament? A través d?una webcam, des de la cuina de l?Évole, vam veure gent de tota condició parlar, no tan sols del confinament, sinó també de política, de la por, de valors, de la malaltia, dels seus somnis... En definitiva, de la vida.Aquest és el llibre d?aquell programa, però també de tot el que no va veure l?espectador: el papa que no va voler mostrar luxe ni riquesa, Joaquín Sabina renunciant a fumar, la saviesa del sorneguer president Pepe Mújica, el sentiment de la Rosalia, la pena de Rosa Maria Sardà, el record d?Emilio Aragón pel seu pare, la nostàlgia de Ricardo Darín, l?angoixa de Baltasar Garzón... i la intensa emoció dels sanitaris, que mai no oblidaran el que ha passat. L?Ana, la cuidadora de gent gran; la Belén, la metgessa del Gregorio Marañón; el Jorge, el ginecòleg valencià; la Paula, la nova resident a l

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An authoritative and comprehensive intellectual biography of the author of the Divine ComedyFor all that has been written about the author of the Divine Comedy, Dante Alighieri (1265–1321) remains the best guide to his own life and work. Dante's writings are therefore never far away in this authoritative and comprehensive intellectual biography, which offers a fresh account of the medieval Florentine poet's life and thought before and after his exile in 1302.Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity. Describing as it does a journey of the mind, the book confirms the nature of Dante's undertaking as an exploration of what he himself speaks of as "maturity in the flame of love."The result is an original synthesis of Dante's life and work.

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If This Is Freedom continues the story of struggle for Loyalist settlers in Nova Scotia after the American Revolutionary War. In the black settlement of Birchtown, times are especially hard for the former slaves. They face the difficulties of a hardscrabble existence and continued discrimination from their white counterparts.Like many desperate Birchtowners, Sarah Redmond has signed an indenture agreement, a work contract meant to protect her rights and ensure a living wage. Sarah’s employers, the Blyes, do not honour the agreement, and Sarah and her family are all but shattered when Sarah takes a wrong step – one she will come to regret as it sets off a chain of unusual events that put her under further pressure. With her faith in the settlement running dry and the Birchtowners abandoning the settlement, Sarah is perplexed and soon faces the taxing option of whether to hold on to the only real life she has ever known or let go.At once a stand-alone story and a companion to Gloria Ann Wesley’s previous novel, Chasing Freedom, this story about moral courage and the enduring strength of dreams shares history with us in a way that is both honest and emotional.

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Spring House, New Orleans: a plantation manor of money and influence. But something sinister lurks beneath the glamour of the old estate, awoken by blood and looking for revenge . . . After Caitlin Chaisson tries to take her own life in her mansion's cherished gazebo, it becomes apparent that Spring House's malevolent history won't stay hidden for long. By morning her husband has vanished without a trace and his mistress has gone mad.Nova, daughter to the groundskeeper, is determined to get to the bottom of the horrors. But she soon realises that the vengeance enacted by this sinister and otherworldly force comes at a terrible price. Some secrets are better left sleeping soundly . . . The Vines is a creepy, addictive, supernatural read for fans of Stephen King, Anne Rice and Peter Straub Praise for Christopher Rice:'Christopher Rice never disappoints with his vivid people and places and masterful prose.' Patricia Cornwell'Christopher Rice is casting his own shadows now, setting new standards for other authors. [He] has added a new wing to the Rice literary legacy' Huffington Post'You'll think you know your destination . . . but you'll be wrong' Charlaine Harris

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This innovative book, assembled by the editors of the renowned periodical Terra Nova, is the first anthology published on the subject of music and nature. Lush and evocative, yoking together the simplicities and complexities of the world of natural sound and the music inspired by it, this collection includes essays, illustrations, and plenty of sounds and music. The Book of Music and Nature celebrates our relationship with natural soundscapes while posing stimulating questions about that very relationship. The book ranges widely, with the interplay of the texts and sounds creating a conversation that readers from all walks of life will find provocative and accessible.The anthology includes classic texts on music and nature by 20th century masters including John Cage, Hazrat Inrayat Khan, Pierre Schaeffer, Rainer Maria Rilke, and Toru Takemitsu. Innovative essays by Brian Eno, Pauline Oliveros, David Toop, Hildegard Westerkamp and Evan Eisenberg also appear. Interspersed throughout are short fictional excerpts by authors Rafi Zabor, Alejo Carpentier, and Junichiro Tanazaki.The audio material for the book, available online at http://www.wesleyan.edu/wespress/musicandnaturecd/, includes fifteen tracks of music made out of, or reflective of, natural sounds, ranging from Babenzele Pygmy music to Australian butcherbirds, and from Pauline Oliveros to Brian Eno.

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John Took provides an entirely original view of one of the most important poets and thinkers in all of Western literature, Dante Alighieri. The year 2021 marks the 700th anniversary of the death of Dante Alighieri, a poet who, as T. S. Eliot put it, ‘divides the world with Shakespeare, there being no third’. His, like ours, was a world of moral uncertainty and political violence, all of which made not only for the agony of exile but for an ever deeper meditation on the nature of human happiness. In Why Dante Matters, John Took offers by way of three in particular of Dante’s works – the Vita Nova as the great work of his youth, the Convivio as the great work of his middle years and the Commedia as the great work of his maturity – an account, not merely of Dante’s development as a poet and philosopher, but of his continuing presence to us as a guide to man’s wellbeing as man. Committed as he was to the welfare not only of his contemporaries but of those ‘who will deem this time ancient’, Dante’s is in this sense a discourse overarching the centuries, a discourse confirming him in his status, not merely as a cultural icon, but as a fellow traveller.

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Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological neutrality and the modes of interfacing and reading. Manuscript Poetics investigates the correspondences between textuality and materiality, content and medium, and visual-verbal messages and their physical support through readings of Dante Alighieri’s Vita nova, Giovanni Boccaccio’s Teseida, and Francesco Petrarca’s canzoniere (Rerum vulgarium fragmenta). Aresu shows that Dante, Boccaccio, and Petrarca evaluated and deployed the tools of scribal culture to shape, signal, or layer meanings beyond those they conveyed in their written texts. Medieval texts, Aresu argues, are uniquely positioned to provide this perspective, and they are foundational to the theoretical understanding of new forms and materials in our media-saturated contemporary world.

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Paisajes, espacios y materialidades: arqueología rural altomedieval en la península ibérica reúne una selección de los trabajos presentados tras la primera edición del EMCAM - Early Medieval Countryside Archaeological Meetings (Castelo de Vide, mayo 2019), organizado por el Instituto de Estudios Medievales (IEM – NOVA FCSH) y la Cámara Municipal de Castelo de Vide (Portugal). Las últimas décadas de trabajo de campo e investigación arqueológicas han demostrado la relevancia de los paisajes rurales para el análisis de los procesos de cambio tras la desarticulación de la estructura imperial romana. En este volumen, se reúnen las contribuciones de investigadores clave en la arqueología campesina altomedieval, especialmente en los territorios del cuadrante noroccidental de la Península, ofreciendo una imagen multiescalar de las principales líneas de investigación en curso. Los diferentes capítulos recogen reflexiones teóricas, enfoques metodológicos, estudios de colecciones cerámicas y aproximaciones a la bioantropología, antracología y carpología de diferentes yacimientos, ofreciendo contextos inéditos, revisiones críticas y síntesis regionales. Avanzar en la reconstrucción de los procesos históricos de las comunidades campesinas altomedievales requiere, simultáneamente, generar conocimiento detallado sobre yacimientos y territorios concretos y promover espacios de debate y reflexión que permitan dar continuidad a esas lecturas. Este libro tiene como objetivo hacer precisamente eso.

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Joshsua Slocum spent a lifetime at sea. He ran away from his Nova Scotia home at the age of 14 and for the next 35 years he sailed the world holding every shipboard rank. When a ship under his command was wrecked on the coast of Brazil in 1887, it seemed that his maritime career had ended in disgrace. Not one for retiring to earthly pastures, Slocum rebuilt a hundred- year-old sloop and set off for Boston in 1895 on the first single-handed circumnavigation of the globe. For more than three years Slocum battled stormy seas, attacks from raiders and pirates and, of course, loneliness. He crossed the Atlantic no fewer than three times, spent weeks thrashing against the elements around Cape Horn, and found shelter in numerous exotic harbours. Sailing Alone around the World is the extraordinary story of one man's courage and resourcefulness, and has an enduring and universal appeal as a landmark of world adventure. Stanfords Travel Classics feature some of the finest historical travel writing in the English language, with authors hailing from both sides of the Atlantic. Every title has been reset in a contemporary typeface to create a series that every lover of fine travel literature will want to collect and keep.

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Insight Guides Explore Maritimes and NewfoundlandTravel made easy. Ask local experts.Focused travel guide featuring the very best routes and itineraries, now with free eBook.Discover the best of Maritimes and Newfoundland with this unique travel guide, packed full of insider information and stunning images. From making sure you don't miss out on must-see, top attractions like the Art Gallery of Nova Scotia in Halifax, Johnson Geo Centre in St John's or Cape Spear Lighthouse in the Avalon Peninsula, to discovering cultural gems, including munching our way around the Halifax Seaport Farmers' Market, hiking the rugged trails of Gros Morne National Park or taking in the multi-coloured mansions of Lunenburg in Nova Scotia, the easy-to-follow, ready-made walking routes will save you time, and help you plan and enhance your visit to Maritimes and Newfoundland.Features of this travel guide to Maritimes and Newfoundland:- 15 walks and tours: detailed itineraries feature all the best places to visit, including where to eat and drink along the way- Local highlights: discover the area's top attractions and unique sights, and be inspired by stunning imagery- Historical and cultural insights: immerse yourself in Maritimes and Newfoundland's rich history and culture, and learn all about its people, art and traditions- Insider recommendations: discover the best hotels, restaurants and nightlife using our comprehensive listings- Practical full-colour maps: with every major sight and listing highlighted, the full-colour maps make on-the-ground navigation easy- The ultimate travel tool: download the free app and eBook to access all this and more from your phone or tablet- Covers: St John's Walk, The Irish Loop, The Baccalieu Trail, The Bonavista Peninsula, The Kittiwake Coast, Gros Morne National Park, Viking Trail, Trans-Labrador Highway, Halifax Walk, Cape Breton Island: The Cabot Trail, South Shore and the Annapolis Valley, Charlottetown Walk, Pei Road-Trip, Saint John Walk, The Fundy Coastal Drive.Looking for a comprehensive guide to Canada? Check out Insight Guides Explore Canada for a detailed and entertaining look at all the country has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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The phrase "music history" likely summons up images of long-dead composers, smug men in wigs and waistcoats, and people dancing without touching. In Music: A Subversive History, Gioia responds to the false notions that undergird this tedium. Traditional histories of music, Gioia contents, downplay those elements of music that are considered disreputable or irrational-its deep connections to sexuality, magic, trance and alternative mind states, healing, social control, generational conflict, political unrest, even violence and murder. They suppress the stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. Here, Gioia attempts to reclaim music history for the riffraff, the insurgents, and provocateurs-the real drivers of change and innovation. In Music, Gioia tells the four-thousand-year history of music as a source of power, change, upheaval, and enchantment. He shows how social outcasts have repeatedly become the great trailblazers of musical expression: slaves and their descendants, for instance, have repeatedly reinvented music in America and elsewhere, from ragtime, blues, jazz, R&B, to bossa nova, soul, and hip hop. A revolutionary and revisionist account, Music: A Subversive History is essential reading for anyone interested in the meaning of music.

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The Enlightenment Atlantic was awash in deep feelings. People expressed the ardour of patriots, the homesickness of migrants, the fear of slave revolts, the ecstasy of revivals, the anger of mobs, the grief of wartime, the disorientation of refugees, and the joys of victory. Yet passions and affections were not merely private responses to the events of the period – emotions were also central to the era’s most consequential public events, and even defined them. In Enthusiasms and Loyalties Keith Grant shows that British North Americans participated in a transatlantic swirl of debates over emotions as they attempted to cultivate and make sense of their own feelings in turbulent times. Examining the emotional communities that overlapped in Cornwallis Township, Nova Scotia, between 1770 and 1850, Grant explores the diversity of public feelings, from disaffected loyalists to passionate patriots and ecstatic revivalists. He shows how certain emotions – especially enthusiasm and loyalty – could be embraced or weaponized by political and religious factions, and how their use and meaning changed over time. Feelings could be the glue that made loyalties stick, or a solvent that weakened community bonds. Taking a history of emotions approach, Enthusiasms and Loyalties aims to recover and understand the wide range of political and religious emotions that were possible – feelable – in the Enlightenment Atlantic.

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Thoroughly revised, expanded and updated throughout, this new edition of Astrophysics of GaseousNebulae and Active Galactic Nuclei is a graduate-level text and reference book on gaseous nebulae, nova and supernova remnants, and the emission-line regions in Seyfert galaxies, radio galaxies, quasars, and other types of active galactic nuclei. Much of the new data and many of the new images are from the Hubble Space Telescope and some of the largest ground-based telescopes in the world. Two wholly new chapters have been added, one on infrared astronomy and the other on X-ray astronomy, reflecting the great advances in these fields. This new edition also contains two completely new appendices, one a long primer on the quantum-mechanical concepts used in the analysis of nebular emission-line spectra, and the other a briefer description of molecular spectra. Large amounts of new data on dust in nebulae and quasars, and the photo-dissociated regions containing neutral atoms, molecules, and dust within and around them, have also been added to the book. Thus, the previous edition of this classic text, which has been tried, tested, and widely used for thirty years, has now been succeeded by a new, revised, updated, larger edition, which will be valuable to anyone seriously interested in astrophysics.

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'For God's sake look after our people' Captain Scott's harrowing account of his expedition to the South Pole in 1910-12 was first published in 1913. In his journals Scott records his party's optimistic departure from New Zealand, the hazardous voyage of theTerra Nova to Antarctica, and the trek with ponies and dogs across the ice to the Pole. On the way the explorers conduct scientific experiments, collect specimens, and get to know each other's characters. Their discovery that Amundsen has beaten them to their goal, and the endurance with which they face an 850-mile march to safety, have become the stuff of legend. This new edition publishes for the first time a complete list of the changes made to Scott's original text before publication. In his Introduction Max Jones illuminates the Journals' writing and publication, Scott's changing reputation, and the continued attraction of heroes in our cynical age. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'An epic tale of exploration, daring and tragedy told by a fine historian - and a wonderful writer' – Peter Frankopan, author of the bestselling The Silk Roads. 'The name of William Barents isn’t that familiar to us these days…but this enthralling, elemental and literally spine-chilling epic of courage and endurance should change all that’ – Roger Alton, Daily Mail‘Gripping … One of the great epics of human endurance’ – Mail on SundayA riveting tale of Dutch polar explorer William Barents and his three harrowing Arctic expeditions – the last of which resulted in a relentlessly challenging year-long fight for survival. The human story has always been one of perseverance – often against remarkable odds. The most astonishing survival tale of all might be that of sixteenth-century Dutch explorer William Barents and his crew, who ventured further north than any Europeans before and, on their third polar expedition, lost their ship off the frozen coast of Nova Zembla to unforgiving ice. The men would spend the next year fighting off ravenous polar bears, gnawing hunger and endless winter. In Icebound, Andrea Pitzer masterfully combines a gripping tale of survival with a sweeping history of the great Age of Exploration – a time of hope, adventure and seemingly unlimited geographic frontiers.

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"I believe in possibility. Of magic, of omens, of compasses, of love. Some of it's a little bit true."Sixteen-year-old Tal is a Wanderer—a grifter whose life is built around the sound of wheels on the road, the customs of her camp, and the artful scams that keep her fed. With her brother, Wen, by her side, it's the only life she's ever known. It's the only one she's ever needed.Then in a sleepy Southern town, the queen of cons picks the wrong mark when she meets Spencer Sway—the clean-cut Socially Secured boy who ends up hustling her instead of the other way around. For the first time, she sees a reason to stay. As her obligations to the camp begin to feel like a prison sentence, the pull to leave tradition behind has never been so strong.But the Wanderers live by signs, and all the signs all say that Tal and Spencer will end only in heartache and disaster. Is a chance at freedom worth almost certain destruction?Perfect for fans of Nova Ren Suma and Sarah Dessen, Wandering Wild introduces a stunning new YA voice, weaving magical realism and romance into a story of struggle and self-discovery.

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In this sexy, pulse-pounding new duology by New York Times bestselling author Rachel Vincent, a decadent spring break beach getaway becomes a terrifying survival story when six Miami teens are kidnapped. Maddie is beyond done with her cousin Genesis's entitled and shallow entourage. Genesis is so over Miami's predictable social scene with its velvet ropes, petty power plays, and backstabbing boyfriends. While Maddie craves family time for spring break, Genesis seeks novelty-like a last-minute getaway to an untouched beach in Colombia. And when Genesis wants something, it happens. But paradise has its price. Dragged from their tents under the cover of dark, Genesis, Maddie, and their friends are kidnapped and held for ransom deep inside the jungle-with no diva left behind. It all feels so random to everyone except Genesis. She knows they were targeted for a reason. And that reason is her. Now, as the hours count down, only one thing's for certain: If the Miami hostages can't thwart their captors' plan, no one will make it out alive. Tapping into our darkest fears while exploring issues of injustice, loss, and the courage to fight for what matters most, this thrilling read is perfect for fans of Nova Ren Suma, Becca Fitzpatrick, and Jennifer L. Armentrout.

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Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological neutrality and the modes of interfacing and reading. Manuscript Poetics investigates the correspondences between textuality and materiality, content and medium, and visual-verbal messages and their physical support through readings of Dante Alighieri’s Vita nova, Giovanni Boccaccio’s Teseida, and Francesco Petrarca’s canzoniere (Rerum vulgarium fragmenta). Aresu shows that Dante, Boccaccio, and Petrarca evaluated and deployed the tools of scribal culture to shape, signal, or layer meanings beyond those they conveyed in their written texts. Medieval texts, Aresu argues, are uniquely positioned to provide this perspective, and they are foundational to the theoretical understanding of new forms and materials in our media-saturated contemporary world.

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Humans and human mobility, including driving and flying, are entangled with the climate emergency. Fossil-fuelled mobility worsens severe weather, and in turn, severe weather disrupts human mobility. A shift to zero-emission vehicles is critical but insufficient to repair the damage or prepare communities for the coming disruptions severe weather will bring. In Under the Weather Stephanie Sodero explores the intersection between human mobility and severe weather. Anchored in two Atlantic Canadian hurricane case studies, Hurricane Juan in Mi'kma'ki/Nova Scotia in 2003 and Hurricane Igor in Ktaqmkuk/Newfoundland in 2010, the book contributes to contemporary cultural and policy discussions by offering five practical recommendations – revolutionize mobility, prioritize vital mobility of medical goods and services, embrace ecological mobilities, rebrand redundancy, and think flexibly – for how mobility can be reimagined to work with, rather than against, the climate in ways that also benefit the health, education, and economy of local communities. This ecological approach to mobilities sheds light on extreme mobility dependency and the impact of mobility disruptions on the ground in Canadian communities.Focusing on the entangled relationship between human mobility and the climate, Under the Weather examines how communities can transform their relationship with mobility to enable greater resilience.

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Captain Scott’s expedition to the Antarctic, the most famous story of exploration in the world, played out on the great ice stage in the south. Oriana Wilson, wife of Scott’s best friend and fellow explorer Dr Edward Wilson, was watching from the wings. She is the missing link between many of the notable polar names of the time and was allowed into a man’s world at a time when the British suffragettes were marching. Oriana is the lens through which their secrets are revealed. What really happened both in the Antarctic and at home? Why did Scott’s Terra Nova expedition nearly end in mutiny before it had even begun? Were the explorers’ diaries as ‘heroic’ as they appeared to be? Only Oriana can tell. She began as a dutiful housewife but emerged as a scientist and collector in her own right, and was the first white woman to venture into the jungles of Darwin, Australia. Edward Wilson named Oriana Ridge, a little-known piece of Antarctica, after her on their tenth wedding anniversary. Oriana Wilson has been quiet for a century, but this biography gives her a voice and provides a unique insight into the early twentieth century through her clear, blue ‘iceberg eyes’.

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The study of fifteenth-century painting in France was inaugurated a century ago by the exhibition Primitifs français (1904) and has developed considerably over the past few decades, especially thanks to the work of Charles Sterling, Michel Laclotte, Nicole Reynaud, and François Avril. This research has led to the revival of several forgotten figures (Barthélemy d Eyck, André d Ypres, Antoine de Lonhy, Jean Hey, Jean Poyer, etc.) and the reassessment of many centres of artistic production. Linked together, they formed a crucial part of the trade network across Europe. It is this extremely complex artistic geography that this book's three sections attempt to recreate. The first is devoted to the interplay between the French courts and Paris, as a thriving centre of artistic production at the time of the flowering of international gothic (1380-1435). The second examines the spread of ars nova (the illusionist art of Flanders) and its selective adoption in the kingdom of France in the time of Charles VII and Louis XI (1435 1483). The third concentrates on the gradual development of a generally accepted standard form of the French language, based on the model of Jean Fouquet and evolving in parallel to the work of the grand rhetoricians under Charles VIII and Louis XII (1483-1515).

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Kay and Thea are half-sisters, separated in age by almost twenty years, but deeply attached. When their stern father dies, Thea travels to Nova Scotia for her long-promised marriage to the captain of the Morning Light. But she cannot abandon her orphaned young sister, so Kay too embarks on a life-changing journey to the other side of the world. At the heart of The Voyage of the Morning Light is a crystallizing moment in Micronesia: Thea, still mourning a miscarriage, forms a bond with a young boy from a remote island and takes him on board as her own son. Over time, the repercussions of this act force Kay, who considers the boy her brother, to examine her own assumptions—which are increasingly at odds with those of society around her—about what is forgivable and what is right. Inspired by a true story, Marina Endicott shows us a now-vanished world in all its wonder, and in its darkness, prejudice, and difficulty, too. She also brilliantly illuminates our present time through Kay’s examination of the idea of “difference”—between people, classes, continents, cultures, customs and species. The Voyage of the Morning Light is a breathtaking novel by a writer who has an astonishing ability to bring past worlds vividly to life while revealing the moral complexity of our own.

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Intestine Enemies: Catholics in Protestant America, 1605—1791, is a documentary survey of the experience of Roman Catholics in the British Atlantic world from Maryland to Barbados and Nova Scotia to Jamaica over the course of the two centuries that spanned colonization to independence. It covers the first faltering efforts of the British Catholic community to establish colonies in the late sixteenth and early seventeenth centuries; to their presence in the proprietary and royal colonies of the seventeenth century where policies of formal or practical toleration allowed Catholics some freedom for civic or religious participation; to their marginalization throughout the British Empire by the political revolution of 1688; to their transformation from aliens to citizens through their disproportionate contribution to the wars in the latter half of that century as a consequence of which half of the colonies of Britain’s American Empire gained their independence. The volume organizes representative documents from a wide array of public and private records—broadsides, newspapers, and legislative acts to correspondence, diaries, and reports—into topical chapters bridged by contextualized introductions. It affords students and readers in general the opportunity to have first-hand access to history. It serves also as a complement to Papist Devils: Catholics in British America, 1574– 1783 (The Catholic University of America Press, 2014), a narrative history of the same topic.

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Why has Canada been unable to achieve any of its climate-change targets? Part of the reason is that emissions in two provinces, Alberta and Saskatchewan – already about half the Canadian total when taken together – have been steadily increasing as a result of expanding oil and gas production. Declining emissions in other provinces, such as Ontario, Quebec, Nova Scotia, and New Brunswick, have been cancelled out by those western increases. The ultimate explanation for Canadian failure lies in the differing energy interests of the western and eastern provinces, overlaid on the confederation fault-line of western alienation. Climate, energy, and national unity form a toxic mix. How can Ottawa possibly get all the provinces moving in the same direction of decreasing emissions? To answer this question, Douglas Macdonald explores the five attempts to date to put in place coordinated national policy in the fields of energy and climate change – from Pierre Trudeau’s ill-fated National Energy Program to Justin Trudeau’s bitterly contested Pan-Canadian program – analysing and comparing them for the first time. Important new insights emerge from this analysis which, in turn, provide the basis for a new approach. Carbon Province, Hydro Province is a major contribution to the vital question of how our federal and provincial governments can effectively work together and thereby for the first time achieve a Canadian climate-change target.

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A look at how ideas of translation, migration, and displacement are embedded in the works of prominent artists, from Ovid to Tacita DeanOn Belonging and Not Belonging provides a sophisticated exploration of how themes of translation, migration, and displacement shape an astonishing range of artistic works. From the possibilities and limitations of translation addressed by Jhumpa Lahiri and David Malouf to the effects of shifting borders in the writings of Eugenio Montale, W. G. Sebald, Colm Tóibín, and many others, esteemed literary critic Mary Jacobus looks at the ways novelists, poets, photographers, and filmmakers revise narratives of language, identity, and exile. Jacobus’s attentive readings of texts and images seek to answer the question: What does it mean to identify as—or with—an outsider?Walls and border-crossings, nomadic wanderings and Alpine walking, the urge to travel and the yearning for home—Jacobus braids together such threads in disparate times and geographies. She plumbs the experiences of Ovid in exile, Frankenstein’s outcast Being, Elizabeth Bishop in Nova Scotia and Brazil, Walter Benjamin’s Berlin childhood, and Sophocles’s Antigone in the wilderness. Throughout, Jacobus trains her eye on issues of transformation and translocation; the traumas of partings, journeys, and returns; and confrontations with memory and the past.Focusing on human conditions both modern and timeless, On Belonging and Not Belonging offers a unique consideration of inclusion and exclusion in our world.

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Exclusive Memory: A Perceptual History of the Future is a compendium of descriptive, speculative prose and text-images by the Governor General’s Award-winning artist, Tom Sherman. Its contents sweep across five decades, describing radically different periods and environments — from Sherman’s early experiments in Toronto in the 1970s to his recent explorations of text and image in Nova Scotia’s South Shore. At the core of this volume is “The Faraday Cage,” a text that delivers a vivid cascade of images of the art scene in Toronto at the onset of the video era in the early 1970s. This opening chapter expands into a series of essays in which Sherman pictures a vast horizon of contexts: urban, rural, social, political, economic, and in some cases, simply a beach along the coast of the Atlantic Ocean. His ongoing and rigorous investigation into the intersections of art, technology, and life itself is grounded in the converging terrains of mediaspheres and landscapes. And then, in a quick shift of perspective enter Peggy Gale and Caroline Seck Langill, who charge the book with wide-sweeping conversations about Sherman’s practice: his use of written language and dynamic, critically engaged “pictures,” the expansive reach of his text-based visual works, and the distinctive character of his voice. The result is a provocative retrospective in book form that both demonstrates and expands upon Tom Sherman’s clear, forward-looking vision.

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Shortly after graduating from Nova Scotia College of Art and Design, Vikky Alexander made her 1983 entry into the international art world while living in New York by participating in photo historian Abigail Solomon Godeau’s exhibition The Stolen Image and its Uses. For over a decade she was active in a circle of New York artists that merged the critical ideas of Minimalism and Conceptual Art with photography, and came to be known as the Pictures Generation. Since then she has continued to explore the appropriated image through her own photography, especially in relation to iconic representations of nature as well as the spaces of consumerism—two subjects that remain significant in today’s cultural discourses. This book, which accompanies an exhibition at the Vancouver Art Gallery, is a beautifully illustrated retrospective of nearly four decades of Alexander’s work. Since the 1980s, Alexander has made numerous series of photographs, montages, sculptures, collages and installations, all working to hone a vision that captures the spectacle and inherent falseness of certain public and private spaces. From the exaggerated architecture of Versailles, Disneyland and the West Edmonton Mall, to the use of idyllic “natural” settings and the skin-deep beauty of fashion models, she unravels the mechanisms of display that shape meaning and desire in our culture.

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An Amazon Charts and Washington Post bestseller. From USA Today bestselling author Julianne MacLean comes a suspenseful, emotionally charged novel that explores the secrets and hidden truths within a seemingly perfect marriage. Abbie MacIntyre is living the dream in the picturesque Nova Scotia town she calls home. She is a successful surgeon, is married to a handsome cardiologist, and has a model teenage son who is only months away from going off to college. But then one fateful night, everything changes. When a drunk driver hits her car, Abbie is rushed to the hospital. She survives, but the accident forces unimaginable secrets out into the open and plagues Abbie with nightmares so vivid that she starts to question her grip on reality. Her perfect life begins to crack, and those cracks threaten to shatter her world completely. The search for answers will test her strength in every way—as a wife, a career woman, and a mother—but it may also open the door for Abbie to move forward, beyond anger and heartbreak, to find out what she is truly made of. In learning to heal and trust again, she may just find new hope in the spaces left behind. Book club discussion questions are included in the book.

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The Bristol Channel has an incredibly rich maritime history, reaching back to when men first went to sea in ships powered by the wind. Many were built locally – the Bristol Channel pilot cutters have a legendary reputation right across the world; seventeen original vessels still exist and modern ones are still being built. John Cabot set sail from Bristol in the Matthew and reached America, while, at the other end of the scale, there are the small double-ended Somerset flatners fishing Bridgewater Bay. At least three famous Antarctic exploration vessels loaded Welsh coal before heading south. The story of Scott’s Terra Nova is well known and the Scotia, which pioneered Antarctic exploration, was later wrecked and burnt out on Sully Island. Bringing the story up to date is Challenge Wales, an around-the-world racing yacht now based in Cardiff and active in sail training and youth activity. In between are a whole host of unsung vessels of all sizes, each with their own tale to tell. Sailing Ships of the Bristol Channel brings all this salt-stained heritage, courage and tenacity into one colourful and highly readable volume; maritime history is in our blood and this book will enrich it.

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The heart of this book is the remarkable Civil War diary of the author’s great-grandfather, William Benjamin Gould, an escaped slave who served in the United States Navy from 1862 until the end of the war. The diary vividly records Gould’s activity as part of the North Atlantic Blockading Squadron off the coast of North Carolina and Virginia; his visits to New York and Boston; the pursuit to Nova Scotia of a hijacked Confederate cruiser; and service in European waters pursuing Confederate ships constructed in Great Britain and France. Gould’s diary is one of only three known diaries of African American sailors in the Civil War. It is distinguished not only by its details and eloquent tone (often deliberately understated and sardonic), but also by its reflections on war, on race, on race relations in the Navy, and on what African Americans might expect after the war. The book includes introductory chapters that establish the context of the diary narrative, an annotated version of the diary, a brief account of Gould’s life in Massachusetts after the war, and William B. Gould IV’s thoughts about the legacy of his great-grandfather and his own journey of discovery in learning about this remarkable man.

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Lightening darkness with humor, Velya Jancz-Urban and her 25-year-old daughter, Ehris, introduce readers to their offbeat Connecticut family. Motivated by an 11-year friendship with a charming Brazilian named Jose Geraldo, they spend four years preparing for their move to rural Brazil, where they will run a dairy farm and open an English school. When they follow their hearts to Ponte Nova, an explosion of betrayal leaves them dazed and grieving. Broke and broken, they are forced to return to the United States, and navigate their rebirth in a foreclosed 1770 New England farmhouse. An already strong mother/daughter relationship becomes indestructible when no one else is emotionally available for them. How to Survive a Brazilian Betrayal is written by a kooky, gregarious mother and perceptive, poised daughter. Blurbed by Christiane Northrup, M.D., author of Mother-Daughter Wisdom, this memoir takes readers along on an unconventional family's hilariously honest, yet heart-wrenching, journey. Readers will fall in love with their spunk, feel the knockout punches of betrayal along with them, and be rooting for them to get back up off the mat.Despite their setbacks, Velya (the "charismatic weirdo") and Ehris (the "sarcastic sophisticated healer") still firmly believe that there is no growth without change, and that picking up the pieces of a shattered dream is better than having no pieces to pick up at all.

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