Search results for ""Author Francis"

Continuing with the study of the lesser known Air Forces that fought in the skies of Europe during World War II, in this book we want to remember the Spanish Air Force and how it defended the Spanish skies from several Air Forces that took part in the war. Besides we can read about the Blue Squadrons that fought against the Soviet Air Force in the Eastern Front in spite of the Spanish neutrality. We have written a text that will show us the bravery and courage of these men, in a difficult balance between the Allies and the Axis that allowed to General Franco continue in his position as chief of the Spanish state after the World War 2. We want to compile in a didactic way but without academic intention, the information about this topic from various main sources such as Juan Arráez Cerdá, José Luis González Serrano, Carlos Caballero, Francisco Martínez Canales or Jorge Fernández-Coppel, trying to focus on the Spanish Air Force actions during the world conflict defending the Spanish neutrality and in the Blue Squadrons actions against the USSR. Finally as is required we use this work to pay tribute to all the members of the Spanish Air Force that fought for their country during the difficult years of World War II.

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Strange with Age, by prize-winning poet Sharon Cumberland, explores the gains and losses of the ageing process through the prism of her 95-year-old father, as well as other, wide-ranging subjects concerned with the vagaries and challenges of living. Built around the sonnet cycle "My Father Has Grown Strange with Age," the poems reflect the poet's travels to Rome, Glasgow, Seattle, and San Francisco, and an array of nursing homes, fantasies, and dreams. Cumberland's poems are known for the clarity and accessibility of her voice. They can be understood and appreciated by adolescent and college readers, while mature readers will find a treasure trove of meaning in the clever use of imagery and metaphor. Cumberland is also known for her spirituality in the tradition of Mary Oliver, Wendell Berry, and Denise Levertov. Her poems explore the mysteries of faith, both in contemporary and biblical settings, without being off-putting to secular readers. Her work is a magic mirror in which the reader can see the extraordinary through the mundanity of daily life. Sandra Cisneros calls Cumberland's poetry "truer than x-ray or photo." Kathleen Flenniken says the Strange with Age offers "truth, consolation, and a lovely sense of humor."

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Anarchy in High Heels is not a state of dress; it’s a state of mind.A San Francisco porno theater might be the last place you’d expect to plant the seed of a feminist troupe, but truth is stranger than fiction.In 1972, access to birth control and a burn-your-bra ethos were leading young women to repudiate their 1950s conservative upbringing and embrace a new liberation. Denise Larson was a timid twenty-four-year-old actress wannabe when, at an after-hours countercultural event, The People’s Nickelodeon, she accidentally created Les Nickelettes. This banding together of ¬¬like-minded women with an anything-goes spirit unlocked a deeply hidden female humor. For the first time, Denise allowed the suppressed satirical thoughts dancing through her head to come out in the open. Together with Les Nickelettes, which quickly became a brazen women’s lib troupe, she presented a series of feminist skits, stunts, and musical comedy plays. In 1980, The Bay Guardian described the group as “nutty, messy, flashy, trashy, and very funny.”With sisterhood providing the moxie, Denise took on leadership positions not common for women at the time: playwright, stage director, producer, and administrative/artistic director. But, in the end, the most important thing she learned was the power of female friendship.

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• A fascinating true tale: When city girl Shreve Stockton set out to ride her Vespa from San Francisco to New York, she never imagined she’d end up staying in Wyoming, falling in love with a trapper, and working as a ranch hand. Nor could she have forseen meeting Charlie, the orphaned coyote pup who made Stockton’s log cabin his home. In a world where coyotes are hunted as killers, Stockton and Charlie faced challenges—as well as joys—throughout their first year, each of which came with revelations about life, love, and the bond between humans and nature. .• Based on an award-winning blog: The Daily Coyote was inspired by Stockton’s blog of the same name. Wildly popular and hailed by Rosie O’Donnell, Vanity Fair , and the L.A. Times , the site receives over a million hits per month and was the winner of the 2007 Weblog of the Year Award only a month after its inception. .• A moving visual memoir: Stockton documents Charlie’s first year in stunning full-color photography. Each month’s entry is accompanied by rich images of Charlie as he grows from adorable pup to wily adult, alongside Stockton’s tomcat, Eli, and set against the wide-open landscapes of Wyoming. .

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After living in San Francisco for 15 years, journalist Gordon Young found himself yearning for his Rust Belt hometown: Flint, Michigan, the birthplace of General Motors and "star" of the Michael Moore documentary Roger & Me. Hoping to rediscover and help a place that once boasted one of the world's highest per capita income levels, but is now one of the country's most impoverished and dangerous cities, he returned to Flint with the intention of buying a house. What he found was a place of stark contrasts and dramatic stories, where an exotic dancer can afford a lavish mansion, speculators scoop up cheap houses by the dozen on eBay, and arson is often the quickest route to neighborhood beautification. Skillfully blending personal memoir, historical inquiry, and interviews with Flint residents, Young constructs a vibrant tale of a once-thriving city still fighting - despite overwhelming odds - to rise from the ashes. He befriends a rag-tag collection of urban homesteaders and die-hard locals who refuse to give up as they try to transform Flint into a smaller, greener town that offers lessons for cities all over the world. Hard-hitting, insightful, and often painfully funny, "Teardown" reminds us that cities are ultimately defined by people, not politics or economics.

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We love the local. From the cherries we buy, to the grocer who sells them, to the school where our child unpacks them for lunch, we express resurgent faith in decentralizing the institutions and businesses that arrange our daily lives. But huge, bureaucratic organizations often still shape the character of our jobs, schools, the groceries where we shop-even the hospitals we entrust with our lives. So how, exactly, can we work small, when everything around us is so big? In Organizing Locally, Bruce Fuller shows us, taking stock of America's rekindled commitment to localism across an illuminating range of sectors, unearthing the crucial values and practices of decentralized firms that work. Traveling from a charter school in San Francisco to a veterans service network in Iowa, from a Pennsylvania health-care firm to the Manhattan branch of a Swedish bank, he explores how creative managers have turned local staff loose to craft inventive practices, untethered from central rules and plain-vanilla routines. By holding their successes and failures up to the same analytical light, he vividly reveals the key cornerstones of social organization on which effective decentralization depends. Ultimately, he brings order and evidence to the often strident debates about who has the power - and on what scale - to structure how we work and live locally.

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Afrodiasporic Forms explores the epistemological possibilities of the "Black world" paradigm and traces a literary and cultural cartography of the monde noir and its constitutive African diasporas across multiple poetic, visual, and cultural permutations. Examining the transatlantic slave trade and modern racial slavery, Raquel Kennon challenges the US-centric focus of slavery studies and draws on a transnational, eclectic archive of materials from Lusophone, Hispanophone, and Anglophone sources in the Americas to inspect evolving, multitudinous, and disparate forms of Afrodiasporic cultural expression.Spanning the 1830s to the twenty-first century, Afrodiasporic Forms traverses national, linguistic, and disciplinary boundaries as it investigates how cultural products of slavery's afterlife—including poetry, prose, painting, television, sculpture, and song—shape understandings of the African diaspora. Each chapter uncovers multidirectional pathways for exploring representations of slavery, considering works such as a Brazilian telenovela based on Bernardo Guimarães's novel A Escrava Isaura, Robert Hayden's poem "Middle Passage," Kara Walker's sculpture A Subtlety, and Juan Francisco Manzano's Autobiografía de un esclavo. Kennon's expansive method of comparative reading across the diaspora uses eclectic pairings of canonical and popular textual and artistic sources to stretch beyond disciplinary and national borders, promoting expansive diasporic literacies.

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Gail Mallatratt says, ‘I’m a colour person and the longer I live the more I love it and am motivated by it. Colour and stories are best. Colour gives me energy.’ The vitality of Gail’s colour printmaking is often startling and even surreal, making the familiar seem new. ‘I hold a dialogue with the print coming off the woodcut’, and there is always an element of surprise for her in the result, causing her to adapt colour and process as the work proceeds. ‘One important thing about colour and living with it’, Gail reflects, ‘is that it is relative. It changes depending on what it is next to – a muddy ochre can zing out next to a blue or a black. Burnt Sienna can look bright next to a polished medium-tone oak wood. Water can be grey or brown or blue depending on how the light hits it.’ ‘I need to wear colour, lots of different ones, to feel right for the day. There is no underestimating its importance to the spirit.’ Born in San Francisco, Gail came to London in 1972 with an English husband and her first child. She has an MA degree from Stanford University in teaching English, and Graphic Design and Information Design degrees from the University of the Arts. She studied printmaking at Camberwell and was awarded an MA degree. Before taking up printmaking full-time Gail worked in Corporate Identity design.

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“What’s going on in this picture?” With this one question and a carefully chosen work of art, teachers can start their students down a path toward deeper learning and other skills now encouraged by the Common Core State Standards. The Visual Thinking Strategies (VTS) teaching method has been successfully implemented in schools, districts, and cultural institutions nationwide, including bilingual schools in California, West Orange Public Schools in New Jersey, and the San Francisco Museum of Modern Art. It provides for open-ended yet highly structured discussions of visual art, and significantly increases students’ critical thinking, language, and literacy skills along the way. Philip Yenawine, former education director of New York’s Museum of Modern Art and cocreator of the VTS curriculum, writes engagingly about his years of experience with elementary school students in the classroom. He reveals how VTS was developed and demonstrates how teachers are using art—as well as poems, primary documents, and other visual artefacts—to increase a variety of skills, including writing, listening, and speaking, across a range of subjects. The book shows how VTS can be easily and effectively integrated into elementary classroom lessons in just ten hours of a school year to create learner-centred environments where students at all levels are involved in rich, absorbing discussions.

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An engaging, solutions-oriented look at how cities and nations can better foster innovation and equality. From San Francisco to Shanghai, many of the world's most innovative places are highly unequal, with the benefits going to a small few. Rather than simply asking how we can create more high-tech cities and nations, Innovation for the Masses focuses on what we can learn from places that foster innovation while also delivering the benefits more widely and equally. In this book, economist Neil Lee draws on case studies of Taiwan, Sweden, Austria, and Switzerland to set out how innovation can be successfully balanced toward equity. As high-tech economies around the world suffer from polarized labor markets and political realities that lock in these problems, this book looks beyond the United States to other models of distributing a leading-edge economy. Lee emphasizes the active role of the state in creating frameworks to ensure that benefits are broadly shared, revealing that strong policies for innovation and mutual prosperity reinforce each other. Ultimately, Innovation for the Masses provides a vital window into alternative models that prioritize equity, the roadblocks these models present, and what other countries can learn from them going forward.

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Over their 30-year career as one of the most influential and successful bands in the world, the Grateful Dead released just a handful of studio albums and a small number of live albums. With a reputation built on their stellar live performances, it was only in their later years and after the death of their iconic frontman Jerry Garcia, that they began the release of over 100 recordings from their vaults that documented the magic they produced on stage. This book charts the history of the band through these hundreds of releases, as well as their studio recordings and their key solo albums, that show what made this pioneering band unique. From the heady days of the San Francisco underground in the 60s to the stadiums of the 90s, via Woodstock, Altamont, Europe and Egypt, the recorded history of the Grateful Dead covers their constantly evolving music as they changed the way that music was played, recorded and experienced. With former members of the band continuing to attract new audiences both live and online, the magic created by the Grateful Dead remains a vital ingredient in contemporary rock, and this book uncovers and celebrates the recordings that capture the band at their best.

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This battle for an office might just become a battle for their hearts . . .A recommended read from Buzzfeed, PopSugar, Teen Vogue, Oprah Magazine, and Bustle!After her life falls apart, recruitment consultant Layla Patel returns home to her family in San Francisco. Layla's dad would do anything to see her smile again. With the best intentions in mind, he offers her the office upstairs to start her new business and creates a profile on an online dating site to find her a man. She doesn't know he's arranged a series of blind dates until the first one comes knocking on her door . . .As CEO of a corporate downsizing company Sam Mehta is more used to conflict than calm. In search of a quiet new office, he finds the perfect space above a cosy Indian restaurant that smells like home. But when communication goes awry, he's forced to share his space with the owner's beautiful yet infuriating daughter Layla, her crazy family, and a parade of hopeful suitors, all of whom threaten to disrupt his carefully ordered life.As they face off in close quarters, the sarcasm and sparks fly. But when the battle for the office becomes a battle of the heart, Sam and Layla have to decide if this is love or just a game.

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We often think of sleep as mere stasis, a pause button we press at the end of each day. Yet sleep is full of untold mysteries--eluding us when we seek it too fervently, throwing us into surreal dream worlds when we don't, sometimes even possessing our bodies so that they walk and talk without our conscious volition. Delving into the mysteries of his own sleep patterns, Bill Hayes marvels, "I have come to see that sleep itself tells a story." An acclaimed journalist and memoirist--and partner of the late neurologist Oliver Sacks--Hayes has been plagued by insomnia his entire life. The science and mythology of sleep and sleeplessness form the backbone to Hayes's narrative of his personal battles with sleep and how they colored his waking life, as he threads stories of fugitive sleep through memories of growing up in the closet, coming out to his Irish Catholic family, watching his friends fall ill during the early years of the AIDS crisis in San Francisco, and finding a lover. An erudite blend of science and personal narrative, Sleep Demons offers a poignant introduction to the topics for which Hayes has since become famous, including art, eros, and city life, the history of medical science, and queer identity.

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Any serious consideration of Asian American life forces us to reframe the way we talk about racism and antiracism. There are two contemporary approaches to antiracist theory and practice. The first emphasizes racial identity to the exclusion of political economy, making racialized life in America illegible. This approach's prevalence, in the academy and beyond, now rises to the level of established doctrine. The second approach views racial identity as the function of a particular political economy--what is called "racial capitalism--and therefore analytically subordinates racial identity to political economy. Jonathan Tran develops arguments in favor of this second approach. He does so by means of an extended analysis of two case studies: a Chinese migrant settlement in the Mississippi Delta (1868-1969) and the Redeemer Community Church in the Bayview/Hunters Point section of San Francisco (1969-present). While his analysis is focused on particular groups and persons, he uses it to examine more broadly racial capitalism's processes and commitments at the sites of their structural and systemic unfolding. In pursuing a research agenda that pushes beyond the narrow confines of racial identity, Tran reaches back to trusted modes of analysis that have been obscured by the prevailing antiracist orthodoxy and proposes reframing antiracism in terms of a theologically salient account of political economy.

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1528. A young Franciscan monk travels to Norway to collect a set of scalpels from a barber surgeon with whom he shares a dark and mysterious obsession with the dissection of human corpses. He travels north and settles in a remote village. His deadly legacy is a mysterious manuscript, the Book of John, bound in human skin.Nearly five hundred years later, it seems that the ancient practice is experiencing a revival.2010. Trondheim, Norway. Inspector Odd Singsaker leads the investigation into the flaying of the University librarian, Gunn Brita Dahle, and the theft of the priceless Book of John. The prime suspect is a security guard at the library who was once an academic high-flier, and now lives an isolated, almost twilight, existence following the unexplained disappearance of his wife and son some years back.2010. Richmond, Virginia. When the curator of the Edgar Allan Poe museum suffers the same fate as Dahle, US Detective Felicia Stone flies to Norway to join Singsaker in the hunt for a serial killer. The more they delve into the past, the more sinister their discoveries become. The key to the psychopath's next move is held in the manuscript. Can they work out the clue before another person has to die.

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Throughout his 13-year professional and collegiate career, Braylon Edwards has heard all the talk—that he's only out for himself, only about the money; he’s a bust, a bad guy, a troublemaker, a typical wide receiver who doesn’t get it. He's also heard the cheering fans singing "The Victors" after victories in the Big House and cherished the smiles he saw in the crowd. Now, for the first time, the misunderstood receiver, who so often got in trouble for speaking the truth, is telling his own personal history—through the ups of athletic honors, success, and fame and the downs of injury, addiction, and arrests—in his own words. The son of start Michigan player and NFL running back Stan Edwards, Braylon emerged from the shadows of his father, with who, he has a complicated relationship, to create his own All-American legacy at Michigan—but no without clashes with his eventual mentor, head coach Lloyd Carr. Braylon takes readers inside his decorated four-year career at Michigan, the intense rivalry games against Ohio State and Michigan State, and the back-to-back Rose Bowls. Drafted third overall by a struggling Browns franchise, he endured a turbulent time in Cleveland, which included a misreported fight at a club with a member of LeBron James inner circle. Braylon resuscitated his career in The Big Apple, belting out Frank Sinatra tunes while reaching to AFC Championships Games with the New York Jets before playing under Jim Harbaugh with the San Francisco 49ers, catching passes from Seattle Seahawks quarterback Russell Wilson, and delving into a broadcasting career. In this frank, unflinching autobiography, Braylon shares how football helped him find his place and gave him a voice. He lays bare all the bumps, bruises, and unexpected turns along the way.

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An in-depth look at the life of Oakland, California native, Barclay Simpson, Strong Ties focuses on the set of convictions and leadership qualities that allowed Simpson to build a successful business from nothing and to become one of the major philanthropists in the San Francisco Bay Area. A Navy pilot during World War II, he didn’t graduate from college until over 20 years after he dropped out of UC Berkeley in 1946 to help save his father’s Emeryville-based window screens business from bankruptcy. Largely self-taught, he went on in 1956 to found Simpson Manufacturing Co, Inc., which he grew from a small, artisan business that fabricated metal connectors into a world-wide, publicly-traded company, known throughout the construction industry as a manufacturer of over 4000 distinct, highly engineered products for tying one structural element to another in residential and commercial projects.In building the company, he developed a set of company principles—revolutionary for their times—that placed employees at the center of his business. Central to these principles was a compensation system that included broad-based, quarterly profit-sharing along with employee development and education programs that promoted hiring from within the ranks of the company, thereby allowing employees to build life-long careers in which many were able to go from hourly production line labor to management.As US companies increasingly grapple with the role of capitalism in giving back to their employees and the communities in which they are based, Barclay Simpson’s philosophy makes for a particularly unusual and relevant American business story. Equally pertinent in these volatile times is the story of how he successfully transferred his core business principles to his philanthropic work, providing major financial and in-kind support to such East Bay non-profit organizations as UC Berkeley, Girls Inc of Alameda County, the California College of the Arts, the Oakland Museum, the California Shakespeare Theater and many others, with a special focus on the arts and the education of low income kids.A story of Barclay Simpson’s leadership style as both a business man and a philanthropist, Strong Ties chronicles the astounding continuity between his views on making money, and giving it away.

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Steve Jobs nació en San Francisco, California, en 1955. A los doce años, en un campamento de verano, vio por primera vez un ordenador que ocupaba toda una habitación y quedó impresionado. Más tarde se hizo amigo de Steve Wozniak, al que le propuso montar una empresa juntos; ambos compartían la idea de que todo el mundo debía tener un ordenador personal en su casa. Construyeron el Apple 1 en el garaje de Jobs. Fue el primer ordenador personal de su tipo y con él comenzó la carrera de una de las empresas de tecnología más exitosas de todos los tiempos, creadora de dispositivos tan revolucionarios como el iPhone, el iPad, el iWatch, etcétera. Jobs enfermó de cáncer y murió a los cincuenta y seis años. La increíble visión y el coraje de Steve Jobs para seguir su intuición siguen vivos hoy en día.

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A New York music journalist goes on a quest to uncover the truth behind the mysterious disappearance of the young Brazilian piano virtuoso (and pioneer of samba-jazz), Tenório Jr.An investigation and celebration of the origins of the world-renowned Latino musical samba-jazz movement Bossa Nova, They Shot The Piano Player captures a fleeting time bursting with creative freedom at a turning-point in Latin American history in the ’60s and ’70s, before the continent was riven by totalitarian regimes. Francisco Tenório Cerqueira Júnior, born in Rio de Janeiro, was one of the most recognized musicians of the samba-jazz movement. At 3 a.m. on March 18, 1976, after giving a concert at the Gran Rex in Buenos Aires, the 34-year-old pianist went out to get some cigarettes. He was never seen again. What happened that night? This is the question that moves the narrator of this documentary graphic novel to initiate an investigation into the fateful events that l

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Celebrating the pop culture phenomenon that redefined what it meant to be Asian-American with tributes from Margaret Cho, Randall Park, Jia Tolentino, and more.Los Angeles, 1994. Two Asian-American punk rockers staple together the zine of their dreams featuring Sumo, Hong Kong Cinema and Osamu Tezuka. From the very margins of the DIY press and alternative culture, Giant Robot burst into the mainstream with over 60,000 copies in circulation annually at its peak. Giant Robot even popped right off the page, setting up a restaurant, gallery, and storefronts in LA, as well as galleries and stores in New York and San Francisco. As their influence grew in the 90s and 00s, Giant Robot was eventually invited to the White House by Barack Obama, to speak at Harvard University's Graduate School of Design, and to curate the GR Biennale at the Japanese American National Museum.Home to a host of unapologetically authentic perspectives bridging th

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PBS''s Religion & Ethics NewsWeekly, which Bob Abernethy conceived and anchors, has been described as the best spot on the television landscape to take in the broad view of the spiritual dimension of American life . . . by the Christian Science Monitor. Finally, wrote the San Francisco Chronicle, something intelligent on TV about religion. Now, together with his coauthor William Bole, Abernethy has turned his attention to making a book that asks all the big questions—and elicits the most surprising answers from a who’s-who of today’s serious religious and spiritual thinkers from across the spectrum of faiths and denominations.In this thoughtful collection, extraordinary people give their personal and private accounts of their own spiritual struggle. Their insights on community, prayer, suffering, religious observance, the choice to live with or without a god, and the meanings that are gleaned from everyday life form an elegant meditation on the desire for somethin

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Generation Priced Out is a call to action on one of the most talked-about issues of our time: how skyrocketing rents and home values are pricing the working and middle classes out of urban America. Randy Shaw tells the powerful stories of tenants, politicians, homeowner groups, developers, and activists in over a dozen cities impacted by the national housing crisis. From San Francisco to New York, Seattle to Denver, and Los Angeles to Austin, Generation Priced Out challenges progressive cities to reverse rising economic and racial inequality. Shaw exposes how boomer homeowners restrict millennials’ access to housing in big cities, a generational divide that increasingly dominates city politics. Shaw also demonstrates that neighborhood gentrification is not inevitable and presents proven measures for cities to preserve and expand their working- and middle-class populations and achieve more equitable and inclusive outcomes. Generation Priced Out is a must-read for anyone concerned about the future of urban America.

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In Becoming a New Self, Moshe Sluhovsky examines the diffusion of spiritual practices among lay Catholics in early modern Europe. By offering a close examination of early modern Catholic penitential and meditative techniques, Sluhovsky makes the case that these practices promoted the idea of achieving a new self through the knowing of oneself. Practices such as the examination of conscience, general confession, and spiritual exercises, which until the 1400s had been restricted to monastic elites, breached the walls of monasteries in the period that followed. Thanks in large part to Franciscans and Jesuits, lay urban elites—both men and women—gained access to spiritual practices whose goal was to enhance belief and create new selves. Using Michel Foucault’s writing on the hermeneutics of the self, and the French philosopher’s intuition that the early modern period was a moment of transition in the configurations of the self, Sluhovsky offers a broad panorama of spiritual and devotional techniques of self-formation and subjectivation.

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“Exciting, funny, and occasionally heart-stopping … readers can stay home and dry, but feel like they are on the high seas.”—BOOKLISTA man and his chicken sail 45,000 nautical miles in this powerful story of following your dreams no matter what stands in your way.When Guirec Soudée was 21 years old, he bought a 30-foot sailboat and set out across the Atlantic, despite having only sailed a dinghy before.His only companion? His plucky pet hen, Monique.Guirec never intended to sail the world with a chicken, but after reaching the Caribbean, he and Monique made for Greenland—and emerged from the pack ice 100 days later.Their next goal? San Francisco. Then, Antarctica. But first, could they navigate the treacherous Northwest Passage? One thing was for sure: Monique would help her trusty skipper by laying an egg! Heart-stopping adventure story: navigating treacherous icebergs

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WHAT IF THE FAMILY YOU WANT......ISN'T THE FAMILY YOU NEED?'It was up to her now; everything was up to her;she needed only to make a choice and step towards it, out from the shadows and into the light.' At forty-three, Christina Lennox thought her future was settled: marriage to Ed, children, a house of their own. But this is not that future: her marriage has ended, fractured by the stress of five rounds of IVF and two miscarriages. Overwhelmed by grief and disappointment, Ed has relocated to San Francisco and Christina's dream of becoming a mother rests on persuading him to let her go ahead with one final round of IVF, using the last frozen embryo they have stored at the clinic.But when Ed drops a bombshell that threatens to undo everything Christina has strived for, she is forced, once again, to realign her plans.Is this the end of her dream, or an opportunity to consider a different - perhaps happier - version of her future?

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'Smart characters, shocking twists' Lisa Gardner'A compelling read with great set pieces and, most of all, that charismatic cast of characters' Sun'I couldn't turn the pages quick enough' Heidi Perks'Terrific, high-octane, really pacy' Jo Spain______________The Sunday Times bestsellerDID YOU MISS ME?When two dead bodies are found inside a wrecked car on the Golden Gate Bridge, Detective Lindsay Boxer knows it's no accident.As she investigates, disturbing news reaches her ears: a former police colleague, now unmasked as a ruthless murderer, is back in San Francisco after escaping custody, bent on paying a visit to some old friends...______________More praise for the Women's Murder Club'Fast-moving, intricately plotted . . . Boxer steals the show as the tough cop with a good heart' Mirror'I have never begun a Patterson book and been able to put it down' Larry King'Patterson and Paetro at their best.... A series that shows no signs of fatigue or flagging' BookReporter.com

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The age of exploration was drawing to a close, yet the mystery of the North Pole remained. Contemporaries described the pole as the ‘unattainable object of our dreams’, and the urge to fill in this last great blank space on the map grew irresistible.In 1879 the USS Jeannette set sail from San Francisco to cheering crowds and amid a frenzy of publicity. The ship and its crew, captained by the heroic George De Long, were destined for the uncharted waters of the Arctic. But it wasn’t long before the Jeannette was trapped in crushing pack ice. Amid the rush of water and the shrieks of breaking wooden boards, the crew found themselves marooned a thousand miles north of Siberia with only the barest supplies, facing a seemingly impossible trek across endless ice. Battling everything from snow blindness and polar bears to ferocious storms and frosty labyrinths, the expedition fought madness and starvation as they desperately strove for survival.

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Before the film, César Chavez, Chavez's life was depicted in photographs by his confidant, Jon Lewis. In the winter of 1966, twenty-eight-year-old ex-marine Jon Lewis visited Delano, California, the center of the California grape strike. He thought he might stay awhile, then resume studying photography at San Francisco State University. He stayed for two years, becoming the United Farm Workers Union’s semiofficial photographer and a close confidant of farmworker leader César Chávez.Surviving on a picket’s wage of five dollars a week, Lewis photographed twenty-four hours a day and created an insider’s view of the historic and sometimes violent confrontations, mass marches, fasts, picket lines, and boycotts that forced the table-grape industry to sign the first contracts with a farm workers union. Though some of his images were published contemporaneously, most remained unseen. Historian and photographer Richard Steven Street rescues Lewis from obscurity, allowing us for the first time to see a pivotal moment in civil rights history through the lens of a passionate photographer.A masterpiece of social documentary, this work is at once the biography of a photographer, an exposé of poverty and injustice, and a celebration of the human spirit.

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The United States has seen a dramatic rise in the number of informal day labor sites in the last two decades. Typically frequented by Latin American men (mostly undocumented" immigrants), these sites constitute an important source of unskilled manual labor. Despite day laborers' ubiquitous presence in urban areas, however, their very existence is overlooked in much of the research on immigration. While standing in plain view, these jornaleros live and work in a precarious environment: as they try to make enough money to send home, they are at the mercy of unscrupulous employers, doing dangerous and underpaid work, and, ultimately, experiencing great threats to their identities and social roles as men. Juan Thomas Ordonez spent two years on an informal labor site in the San Francisco Bay Area, documenting the harsh lives led by some of these men during the worst economic crisis that the United States has seen in decades. He earned a perspective on the immigrant experience based on close relationships with a cohort of men who grappled with constant competition, stress, and loneliness. Both eye-opening and heartbreaking, the book offers a unique perspective on how the informal economy of undocumented labor truly functions in American society.

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Un viaje a través de los miedos y pecados de Augusto Pinochet.En febrero del año 2000, Augusto Pinochet cumple 17 meses detenido en Londres. El juez español Baltasar Garzón parece haber logrado lo imposible, llevar al exdictador a la justicia e iniciar un proceso en su contra por crímenes de genocidio, terrorismo y violaciones reiteradas a los derechos humanos. Encerrado en la capital inglesa, los recuerdos y miedos de Pinochet se convierten en espectros que no tardarán en llevarlo de regreso a Chile, a su muerte y más allá.Los fantasmas de Pinochet es una electrizante novela gráfica que plasma los últimos días del dictador y el enfrentamiento de esta figura con sus demonios personales y su propia historia, desde un accidente en 1919 que casi le cuesta la vida hasta su muerte. Una obra que da voz y escenario a los protagonistas y víctimas de uno de los periodos más oscuros en la historia de nuestro país.Francisco Ortega y Félix Vega nos presentan un relato audaz, que to

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Hatshepsut fue un gran personaje que se convirtió en el rey del Alto y del Bajo Egipto. Por ser mujer y faraón hizo temblar los cimientos del reino del Nilo, y sus sucesores la condenaron al olvido ?sobre todo los grandes faraones Sethy I y Ramsés II?. Atentó contra los esquemas básicos que configuraban la sociedad faraónica, algo que nunca se le perdonó, y su biografía fue enterrada entre las arenas del desierto.Como cuidadosos detectives, Teresa Bedman y Francisco J. Martín Valentín ?que excavan desde hace años en Deir el-Bahari? se han sumergido en los documentos, desvelado el hilo conductor de los acontecimientos y desentrañado las intenciones de los protagonistas de una historia viva que tambaleó las estructuras y los cimientos milenarios de Egipto. Un imperio que conoció uno de los momentos más brillantes de su historia de la mano del gran faraón que fue Hatshepsut.

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Han transcurrido cien años desde que la Virgen se apareciese a tres niños en Fátima. En este tiempo (1917-2017) el mundo ha sufrido grandes convulsiones: la Revolución Rusa, dos guerras mundiales, guerra civil en España, la caída del comunismo, ataques a la vida... La Virgen del Rosario de Fátima, que se apareció seis veces en 1917, siempre rodeada de una gran luz, se mostró cuando gran parte de estos sucesos estaban germinando. Y en estos cien años, la luz de la Virgen de Fátima no ha dejado de alumbrar ni al mundo ni a la Iglesia.Qué ocurrió realmente entre mayo y octubre de 1917 en Fátima? Quiénes eran Lucia, Jacinta y Francisco, los niños videntes, ahora en los altares? Cuál es verdaderamente el mensaje de la Virgen? Se ha desvelado por completo el "Secreto" de Fátima? Es verdad que "los milagros en Fátima son del espíritu"? Por qué la predilección de todos los Papas por Fátima?Darío Chimeno, director de Mundo Cristiano. Doctor (Universidad de Valladolid) y Licenciado en CC.

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En el inicio del siglo XVIII, el joven Francisco Barranco llega a Madrid para trabajar en el taller de José de Flores, con el que aprenderá el oficio del hierro y los secretos de los cerrajeros reales, las únicas personas que guardaban las llaves de todas las puertas del Alcázar real. El muchacho pronto demuestra su extraordinaria habilidad y sus ganas de llegar al ser el mejor dentro del gremio, lo que le granjeará el total apoyo de su maestro y la terrible inquina de otro aprendiz.Francisco entabla amistad con un actor de comedias que le abre las puertas del palacio de los Goyeneche, donde descubre el amor prohibido por la condesa de Valdeparaíso y se mete de cabeza en los oscuros politiqueos de la corte en una época convulsa en la que Isabel de Farnesio lucha por mantener su poder frente a su hijo, el futuro Fernando VI y su nuera Bárbara de Braganza. Sin saberlo, el cerrajero se convertirá en el centro de una intriga cortesana que busca descubrir una nueva manera de fundir el acero

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Fernando Paz: ?La sistemática deformación que se ha venido produciendo de la historia de España en las últimas décadas, ha encontrado en la figura de Francisco Franco el paradigma de tergivesación.A manos de leyes ideológicas y sectarias que no regatean mecanismo represivo alguno, Franco está escapando a la historia para convertirse en un objeto más allá de todo debate. Por eso, el historiador debe, ante todo, comprender. Evitando, justamente, la tentación de situarse por encima del pasado; debe sumergirse en él, aunque quizá sin pasar del cuello, manteniendo la cabeza fuera del agua.Es necesario, ante todo, contextualizar las decisiones que en su día se tomaron y los hechos que acaecieron durante los cuarenta años que duró el régimen. La comprensión de la España de nuestros padres y abuelos exige un análisis riguroso que supere toda condena y trate, en su lugar, de explicar.Desde esa perspectiva se trata la represión de las lenguas regionales durante el franquismo, la rela

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The first of Titan's new series of original Marvel novels, starring Spider-Man's arch foe Venom in his anti-hero role as the Lethal Protector. EDDIE BROCK AND HIS ALIEN SYMBIOTE SHARE A COMMON GOAL. They want to kill Spider-Man. After numerous attempts to squash the web-spinner, however, they reach an uneasy truce with him and head west, eager to leave trouble behind. But trouble has different ideas. In San Francisco, Brock becomes a secret defender of the innocent. But at six-feet-three inches, with bulging muscles and fangs, he quickly draws attention - first from a furious Spider-Man, certain Eddie has broken his word - then from a cadre of enemies eager to kill the "Lethal Protector". THESE ARE THE SPAWN OF VENOM, AND THEY'RE OUT FOR BLOOD!

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The Meadows Museum, founded by Algur H. Meadows, boasts one of the finest collections of Spanish art outside Spain. This impressive handbook presents the breadth of the museum's holdings, which ranges from early Renaissance examples to modern works by Pablo Picasso, Joan Miró, and Juan Gris. Most of the art was created during the Spanish Golden Age by Baroque artists such as Diego Velázquez, Bartolomé Esteban Murillo, and Jusepe de Ribera. Francisco de Goya is represented by several notable paintings, as are a number of late 19th and early 20th century Spanish artists working both within and beyond their native country's borders, such as Mariano Fortuny y Marsal, Raimundo de Madrazo, Joaquín Sorolla y Bastida, and Ignacio Zuloaga. Featuring beautiful illustrations and accessible text, this handbook offers an informative and engaging introduction to a truly remarkable collection.

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How gallows humor can bolster us to confront global warming We’ve all seen the headlines: oceans rising, historic heat waves, mass extinctions, climate refugees. It feels overwhelming, like nothing can make a difference in combating this ongoing global catastrophe. How can we mobilize to save the world when we feel this depressed? Stay Cool enjoins us to laugh our way forward. Human beings have used comedy to cope with difficult realities since the beginning of recorded time—the more dismal the news, the darker the humor. Using this rich tradition of dark comedy to investigate climate change, Aaron Sachs makes the case that gallows humor, a mainstay of African Americans and Jews facing extraordinary oppression, can cultivate endurance, persistence, and solidarity in the face of calamity. Sachs surveys the macabre tradition of laughing during great suffering, from the Black Plague to the San Francisco earthquake of 1906—and offers some of the earliest examples of superlative dark comedy. He also explores how a new generation of activists and comedians are deploying dark humor to great effect, by poking fun at older people’s apathy about climate catastrophes, lambasting oil corporations’ “eco” rebranding, and even producing an off-Broadway dystopian comedy called “Sea Level Rise.” Sachs offers suggestions for how environmentalists can use dark comedy first to boost their own morale, and then to reframe their activism in more energizing and relatable ways. Environmentalism is probably the least funny social movement that’s ever existed. Stay Cool seeks to change that. Will comedy save the world? Not by itself, no. But it can put people in a decent enough mood to get them started on a rescue mission.

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Hold On to Your Dreams is the first biography of the musician and composer Arthur Russell, one of the most important but least known contributors to New York's downtown music scene during the 1970s and 1980s. With the exception of a few dance recordings, including "Is It All Over My Face?" and "Go Bang! #5", Russell's pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene. Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.

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The fascinating untold story of digital cash and its creators—from experiments in the 1970s to the mania over Bitcoin and other cryptocurrenciesBitcoin may appear to be a revolutionary form of digital cash without precedent or prehistory. In fact, it is only the best-known recent experiment in a long line of similar efforts going back to the 1970s. But the story behind cryptocurrencies like Bitcoin and its blockchain technology has largely been untold—until now. In Digital Cash, Finn Brunton reveals how technological utopians and political radicals created experimental money to bring about their visions of the future: protecting privacy or bringing down governments, preparing for apocalypse or launching a civilization of innovation and abundance that would make its creators immortal.The incredible story of the pioneers of cryptocurrency takes us from autonomous zones on the high seas to the world’s most valuable dump, from bank runs to idea coupons, from time travelers in a San Francisco bar to the pattern securing every twenty-dollar bill, and from marketplaces for dangerous secrets to a tank of frozen heads awaiting revival in the far future. Along the way, Digital Cash explores the hard questions and challenges that these innovators faced: How do we learn to trust and use different kinds of money? What makes digital objects valuable? How does currency prove itself as real to us? What would it take to make a digital equivalent to cash, something that could be created but not forged, exchanged but not copied, and which reveals nothing about its users?Filled with marvelous characters, stories, and ideas, Digital Cash is an engaging and accessible account of the strange origins and remarkable technologies behind today’s cryptocurrency explosion.

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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogues between 1992 and 2010. Far from your ordinary dealer catalog, Leiber's catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman's Semina journal and the exhibition catalog for Documenta V (1972). Leiber's reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more. Across 252 pages, this book documents the full set of 52 dealer catalogs produced by Steven Leiber between 1992 and 2010. Inspired by Leiber's often humorous borrowing for his catalog designs, the book's format references Sol Lewitt's Autobiography and includes an essay and contextual notes by SFMOMA Head Librarian David Senior. Additional contributors include Ann Butler, Christophe Cherix, Marc Fischer, Tom Patchett, David Platzker, Marcia Reed, Lawrence Rinder and Robin Wright. Steven Leiber (1957 2012) began to buy and sell ephemera while working as a private dealer selling prints, drawings and multiples in the early 1980s. Scrupulously organized and cataloged, Leiber's collection housed in his grandmother's basement became an important resource for scholars, curators and other enthusiasts. The collection included the work of some 1,000 artists and represented basically every major movement within late 20th-century avant-garde practice, including Fluxus, conceptual art, land art, mail art, performance and video.

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The Garden in the Machine explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualizes his discussion with a wide-ranging and deeply informed analysis of the depiction of place in nineteenth- and twentieth-century literature, painting, and photography. Accessible and engaging, this book examines the manner in which these films represent nature and landscape in particular, and location in general. It offers us both new readings of the films under consideration and an expanded sense of modern film history. Among the many antecedents to the films and videos discussed here are Thomas Cole's landscape painting, Thoreau's Walden, Olmsted and Vaux's Central Park, and Eadweard Muybridge's panoramic photographs of San Francisco. MacDonald analyzes the work of many accomplished avant-garde filmmakers: Kenneth Anger, Bruce Baillie, James Benning, Stan Brakhage, Nathaniel Dorsky, Hollis Frampton, Ernie Gehr, Larry Gottheim, Robert Huot, Peter Hutton, Marjorie Keller, Rose Lowder, Marie Menken, J.J. Murphy, Andrew Noren, Pat O'Neill, Leighton Pierce, Carolee Schneemann, and Chick Strand. He also examines a variety of recent commercial feature films, as well as independent experiments in documentary and such contributions to independent video history as George Kuchar's Weather Diaries and Ellen Spiro's Roam Sweet Home. MacDonald reveals the spiritual underpinnings of these works and shows how issues of race, ethnicity, gender, and class are conveyed as filmmakers attempt to discover forms of Edenic serenity within the Machine of modern society. Both personal and scholarly, The Garden in the Machine will be an invaluable resource for those interested in investigating and experiencing a broader spectrum of cinema in their teaching, in their research, and in their lives.

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Mark Antonelli, a failed young writer looking down the barrel at thirty, is planning a cross-country road trip. He buys a beat-up old tour bus. He hires a young army vet to drive it. He puts out an ad for others to join him along the way. But this will be a road trip like no other: His passengers are all fellow disheartened souls who have decided that this will be their final journey-upon arrival in San Francisco, they will find a cliff with an amazing view of the ocean at sunset, hit the gas, and drive out of this world. The unlikely companions include a young woman with a chronic pain sensory disorder and another who was relentlessly bullied at school for her size; a bipolar, party-loving neo-hippie; a gentle coder with a literal hole in his heart and blue skin; and a poet dreaming of a better world beyond this one. We get to know them through access to their texts, emails, voicemails, and the daily journal entries they write as the price of admission for this trip. By turns tragic, funny, quirky, charming, and deeply moving, Together We Will Go explores the decisions that brings these characters together, and the relationships that grow between them, with some discovering love and affection for the first time. But as they cross state lines and complications to the initial plan arise, it becomes clear that this is a novel as much about the will to live as the choice to end it. The final, unforgettable moments as they hurtle toward the decisions awaiting them will be remembered for a lifetime.

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This sweeping history explores the growing Latino presence in the United States over the past two hundred years. It also debunks common myths about Silicon Valley, one of the world's most influential but least-understood places. Far more than any label of the moment, the devil of racism has long been Silicon Valley's defining force, and Stephen Pitti argues that ethnic Mexicans--rather than computer programmers--should take center stage in any contemporary discussion of the "new West." Pitti weaves together the experiences of disparate residents--early Spanish-Mexican settlers, Gold Rush miners, farmworkers transplanted from Texas, Chicano movement activists, and late-twentieth-century musicians--to offer a broad reevaluation of the American West. Based on dozens of oral histories as well as unprecedented archival research, The Devil in Silicon Valley shows how San Jose, Santa Clara, and other northern California locales played a critical role in the ongoing development of Latino politics. This is a transnational history. In addition to considering the past efforts of immigrant and U.S.-born miners, fruit cannery workers, and janitors at high-tech firms--many of whom retained strong ties to Mexico--Pitti describes the work of such well-known Valley residents as Cesar Chavez. He also chronicles the violent opposition ethnic Mexicans have faced in Santa Clara Valley. In the process, he reinterprets not only California history but the Latino political tradition and the story of American labor. This book follows California race relations from the Franciscan missions to the Gold Rush, from the New Almaden mine standoff to the Apple janitorial strike. As the first sustained account of Northern California's Mexican American history, it challenges conventional thinking and tells a fascinating story. Bringing the past to bear on the present, The Devil in Silicon Valley is counter-history at its best.

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In 1938 Random House published The Selected Poetry of Robinson Jeffers, a volume that would remain in print for more than fifty years. For decades it drew enough poets, students, and general readers to keep Jeffers—in spite of the almost total academic neglect that followed his fame in the 1920s and 1930s—a force in American poetry. Now scholars are at last beginning to recognize that he created a significant alternative to the High Modernism of Pound, Eliot, and Stevens. Similarly, contemporary poets who have returned to the narrative poem acknowledge Jeffers to be a major poet, while those exploring California and the American West as literary regions have found in him a foundational figure. Moreover, Jeffers stands as a crucial precursor to contemporary attempts to rethink our practical, ethical, and spiritual obligations to the natural world and the environment. These developments underscore the need for a new selected edition that would, like the 1938 volume, include the long narratives that were to Jeffers his major work, along with the more easily anthologized shorter poems. This new selected edition differs from its predecessor in several ways. When Jeffers shaped the 1938 Selected Poetry, he drew from his most productive period (1917-37), but his career was not over yet. In the quarter century that followed, four more volumes of his poetry were published. This new selected edition draws from these later volumes, and it includes a sampling of the poems Jeffers left unpublished, along with several prose pieces in which he reflects on his poetry and poetics. This edition also adopts the texts of the recently completed The Collected Poetry of Robinson Jeffers (five volumes, Stanford, 1988-2000). When the poems were originally published, copy editors and typesetters adjusted Jeffers's punctuation, often obscuring the rhythm and pacing of what he actually wrote, and at points even obscuring meaning and nuance. This new selected edition, then, is a much broader, more accurate representation of Jeffers's career than the previous Selected Poetry. Reviews of volumes in The Collected Poetry of Robinson Jeffers "A masterful job of contemporary scholarly editing, this book begins an edition intended to clarify a 'Jeffers canon,' establishing for times to come the verse legacy of a poet who looked on all things with the eyes of eternity."—San Francisco Chronicle "This edition will be standard . . . a tribute and justice to a poet whose independent strength has survived to challenge personal and public canons."—Virginia Quarterly Review "Jeffers is the last of the major poets of his generation—Frost, Stevens, Williams, Pound, Moore, Eliot—to get his collected poems. Now that the job is at hand, it is done very well. . . . Tim Hunt has been painstaking in his editorial preparation and judicious in his presentation. . . . A great poet is ready for his due."—Philadelphia Inquirer "Few American poets are treated as well by publishers as Jeffers is by Stanford University Press. . . . These poems represent a distinctive voice in the American canon, and it is good to have them so wonderfully set forth."—Christian Century

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About 15,000 people live permanently afloat on canals, rivers and coasts in Great Britain alone, but thousands more enjoy holidaying on boats or own them as weekend retreats in the UK and abroad. This book will feature not only static residential boats and floating dwellings but also those used as holiday homes and funky modern businesses – houseboats can range from canal boats, riverboats, narrow and wide beam boats, barges, Dutch barges, static houseboats and even seaworthy cruisers moored in marina. The book will cover stylish boats from the UK, North America, Europe and Australia. The houseboats engage the reader through their history and owners’ stories, which are told in lively text and colourful images. People fall in love with boats and own them for a variety of reasons: out of affordability and necessity; a love of the water; closeness to nature and the environment; or just because they yearn for a different and more relaxed style of living/working space. This book shows how houseboats can offer an attractive, practical and alternative solution, as well as amazing and often idiosyncratic solutions to living successfully in a small space. My cool houseboat covers the following themes: stylish architectural, from San Francisco to Prague; thrifty and eclectic, as an affordable solution to conventional city dwelling; businesses, using houseboats as unusual workspaces, from a book barge to an allotment; modernist, from a Finnish floating office to an Amsterdam watervilla; recycled, ranging from an Ellis Island ferry houseboat to a converted minesweeper; and soulful, covering alternative ways of life, relaxation and recreation, from a New York City houseboat to a stylish Paris home. Word count: 25,000

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Do you know where in the world you can buy drinkable gold; why an 'elephant's foot' is one of the most dangerous objects in the world; or where you might have to swim to school? Discover the answers to these questions and loads more mindblowing facts in The Cities Book, where readers aged 8+ are taken on an incredible world tour through 86 of the world's greatest cities. Sister title to the bestselling The Travel Book, every page is packed with facts on city living, and gives kids a flavour of what it's like to grow up in each place featured. From food and festivals, to awesome architecture and amazing history - there's something for everyone. A mix of wow photography, beautiful illustrations and hand drawn maps bring each page to life. It's the perfect gift for curious kids everywhere. Contents: Toronto Montreal Vancouver San Francisco Los Angeles Las Vegas New Orleans Nashville Chicago New York Philadelphia Washington DC Miami Havana Kingston Mexico City Oaxaca City La Paz Cartagena Manaus Rio de Janiero Cuzco Buenos Aires Ushuaia Reykjavik Tromso Stockholm Copenhagen Edinburgh London Dublin Amsterdam Brussels Paris Berlin Munich Krakow Prague Vienna Moscow Pripyat Istanbul Athens Rome Vatican City Venice Madrid Barcelona Lisbon Marrakesh Cairo Timbuktu Dakar Addis Ababa Nairobi Zanzibar Town Cape Town Jerusalem Mecca Dubai Samarkand Mumbai Varanasi Thimphu Ulaanbaatar Beijing Chengdu Hong Kong Bangkok Singapore Hanoi Manila Tokyo Kyoto Pyongyang Seoul Darwin Perth Ballarat Melbourne Sydney Auckland Rotorua Queenstown Apia South Tarawa About Lonely Planet Kids: From the world's leading travel publisher comes Lonely Planet Kids, a children's imprint that brings the world to life for young explorers everywhere. With a range of beautiful books for children aged 5-12, we're kickstarting the travel bug and showing kids just how amazing our planet can be. From bright and bold sticker activity books, to beautiful gift titles bursting at the seams with amazing facts, we aim to inspire and delight curious kids, showing them the rich diversity of people, places and cultures that surrounds us. We pledge to share our enthusiasm and love of the world, our sense of humour and continual fascination for what it is that makes the world we live in the diverse and magnificent place it is. It's going to be a big adventure - come explore!

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California poet Jack Foley has been called “a brilliant critic and a unique poet whose work energetically records the disintegration of the patriarchy” and a writer of “genuinely avant-garde poetry.” His collaborative, multimedia poetry performances are both seminal and shamanic, evolving from the linguistic musical tradition of the original San Francisco Beat poets and extending their eye, ear and voice of penetrating clarity into a modern mythology. “A Backward Glance O’er Travel’d Roads” – a title from Walt Whitman – is a spiritual history, an attempt to show, as Wordsworth put it many years ago, “the growth of a poet’s mind.” Where did I begin? What forces moved me in what directions? What is the result of the effort to create art in a medium that is currently simultaneously respected, misunderstood, and discredited? What kind of poetry is possible in a dark time? “A Backward Glance O’er Travel’d Roads” throws light not only on Foley’s life and work, but also on the history of twentieth-century poetry, and on the efforts, successes, and failures of Modernism.

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Librarian Janet Johnson is puzzled when she is invited—and practically dragged—to her first meeting of the Rejected Writers’ Book Club. This quirky group of women would much rather celebrate one another’s rejected manuscripts over cups of tea and slices of lemon cake than actually publish a book. But good friends are exactly what Janet needs after moving to the small town of Southlea Bay, Washington. Just as the ladies are about to raise a teacup to their five hundredth rejection letter, they receive bad news that could destroy one member’s reputation—and disband the group forever. To save the club, Janet joins her fellow writers on a wild road trip to San Francisco in search of the local publisher who holds the key to a long-buried secret. As they race to the finish line, they’ll face their fears—landslides, haunted houses, handsome strangers, ungrateful children—and have the time of their lives. Revised edition: This edition of The Rejected Writers' Book Club includes editorial revisions.

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