Search results for ""author jacob"

Based on the viral, heart-melting song 'Dinosaurs in Love', comes a sweet and deceptively simple story about love, longing, and loss by three-year-old Fenn Rosenthal.Dinosaurs eating peopleDinosaurs in loveDinosaurs having a partyThey eat fruit and cucumberWhen singer-songwriter Tom Rosenthal and his daughter Fenn posted their original song, 'Dinosaurs in Love', it became an instant classic. Just as Fenn's dinosaurs fell in love, so did the world.Now readers of all ages can enjoy Fenn's heartfelt, poignant lyrics again and again in this irresistible, sing-aloud picture book, featuring charming illustrations from Hannah Jacobs (animator of the viral music video).Check out the original song here: https://www.youtube.com/watch?v=ujby_E-5obQPraise for the 'Dinosaurs in Love' song:'[This song is] breaking everyone's hearts.' Buzzfeed News'A surprise hit. Honestly, we were not prepared to be devastated by this song' The Today Show''Dinosaurs in Love' [leaves] adults reaching for tissues across the globe' People'Giving us all the feels' BBC News'[...] tapping into the universal experience of longing and loss in a few simple phrases' Rolling Stone'Why am I crying?!' Popsugar

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A major new history of how the Enlightenment transformed people’s everyday livesThe Secular Enlightenment is a panoramic account of the radical ways that life began to change for ordinary people in the age of Locke, Voltaire, and Rousseau. In this landmark book, familiar Enlightenment figures share places with voices that have remained largely unheard until now, from freethinkers and freemasons to French materialists, anticlerical Catholics, pantheists, pornographers, readers, and travelers.Margaret Jacob, one of our most esteemed historians of the Enlightenment, reveals how this newly secular outlook was not a wholesale rejection of Christianity but rather a new mental space in which to encounter the world on its own terms. She takes readers from London and Amsterdam to Berlin, Vienna, Turin, and Naples, drawing on rare archival materials to show how ideas central to the emergence of secular democracy touched all facets of daily life. Human frailties once attributed to sin were now viewed through the lens of the newly conceived social sciences. People entered churches not to pray but to admire the architecture, and spent their Sunday mornings reading a newspaper or even a risqué book. The secular-minded pursued their own temporal and commercial well-being without concern for the life hereafter, regarding their successes as the rewards for their actions, their failures as the result of blind economic forces.A majestic work of intellectual and cultural history, The Secular Enlightenment demonstrates how secular values and pursuits took hold of eighteenth-century Europe, spilled into the American colonies, and left their lasting imprint on the Western world for generations to come.

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Bella?'Edward's soft voice came from behind me. I turned to see him spring lightly up the porch steps, his hair windblown from running. He pulled me into his arms at once, and kissed me again. His kiss frightened me. There was too much tension, too strong an edge to the way his lips crushed mine - like he was afraid we had only so much time left to us.As Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge, Bella once again finds herself surrounded by danger. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob - knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation approaching, Bella has one more decision to make: life or death. But which is which?Following the international bestsellers Twilight and New Moon, Eclipse is the much-anticipated third book in Stephenie Meyer's captivating saga of vampire romance.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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Long an associate of the Royal Shakespeare Company, American playwright Richard Nelson has been praised by critics on both sides of the Atlantic, and has been awarded the Olivier Award for his play Goodnight Children Everywhere and a Tony Award for his adaptation of James Joyce's "The Dead." Included in this volume are his latest play, Madame Melville, which received rave reviews during its London run starring Macaulay Culkin and Irene Jacob, and The General from America, which ponders the emotional conflicts that Benedict Arnold faced before deciding to hand over George Washington to the British. Madame Melville, set in Paris in 1966, before that city exploded in protest, presents the story of a fifteen-year-old American, Carl, and his beautiful teacher, Claudie Melville. The Daily Telegraph praised Madame Melville as "a play about art, music, friendship and the irrecoverable, unforgettable moment when an adolescent realizes that the world is full of wonder." The General from America provides a rich portrait of Benedict Arnold. Nelson's account of Arnold's search for love and country, and his discovery of only compromise and despair, will haunt readers and audiences.

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Throughout the twentieth century, German writers, philosophers, theologians, and historians turned to Gnosticism to make sense of the modern condition. While some saw this ancient Christian heresy as a way to rethink modernity, most German intellectuals questioned Gnosticism's return in a contemporary setting. In No Spiritual Investment in the World, Willem Styfhals explores the Gnostic worldview's enigmatic place in these discourses on modernity, presenting a comprehensive intellectual history of Gnosticism's role in postwar German thought. Establishing the German-Jewish philosopher Jacob Taubes at the nexus of the debate, Styfhals traces how such figures as Hans Blumenberg, Hans Jonas, Eric Voegelin, Odo Marquard, and Gershom Scholem contended with Gnosticism and its tenets on evil and divine absence as metaphorical detours to address issues of cultural crisis, nihilism, and the legitimacy of the modern world. These concerns, he argues, centered on the difficulty of spiritual engagement in a world from which the divine has withdrawn. Reading Gnosticism against the backdrop of postwar German debates about secularization, political theology, and post-secularism, No Spiritual Investment in the World sheds new light on the historical contours of postwar German philosophy.

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Fitting Sentences is an analysis of writings by prisoners from the nineteenth and twentieth centuries in North America, South Africa, and Europe. Jason Haslam examines the ways in which these writers reconfigure subjectivity and its relation to social power structures, especially the prison structure itself, while also detailing the relationship between prison and slave narratives. Specifically, Haslam reads texts by Henry David Thoreau, Harriet Jacobs, Oscar Wilde, Martin Luther King, Jr., Constance Lytton, and Breyten Breytenbach to find the commonalities and divergences in their stories. While the relationship between prison and subjectivity has been mapped by Michel Foucault and defined as "a strategic distribution of elements" that act "to exercise a power of normalization", Haslam demonstrates some of the complex connections and dissonances between these elements and the resistances to them. Each work shows how carceral practices can be used to attack a variety of identifications, be they sexual, racial, economic, or any of a variety of social categories. By analysing the works of specific prison writers but not being limited to a single locale or narrow time span, Fitting Sentences offers a significant historical and global overview of a unique genre in literature.

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Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.

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Mary Robinson’s A Letter to the Women of England (1799) is a radical response to the rampant anti-feminist sentiment of the late 1790s. In this work, Robinson encourages her female contemporaries to throw off the “glittering shackles” of custom and to claim their rightful places as the social and intellectual equals of men.Separately published in the same year, Robinson’s novel The Natural Daughter follows the story of Martha Morley, who defies her husband’s authority, adopts a found infant, is barred from her husband’s estate and is driven to seek work as an actress and author. The novel implicitly links and critiques domestic tyrants in England and Jacobin tyrants in France.This edition also includes: other writings by Mary Robinson (tributes, and an excerpt from The Progress of Liberty); writings by contemporaries on women, society, and revolution; and contemporary reviews of both works.

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This is a rich harvest from a renowned translator, an elegant survivor. In 1996, in his eightieth year, David Gascoyne was awarded the Chevalier dans l'Ordre des Arts et Lettres in recognition of his profound contribution to French literature and art. This collection includes some of his best work - early translations, recent unpublished translations, and a substantial section of translations printed in journals over the past twenty-five years.Translations by David Gascoyne of: Guillaume Apollinaire, Andre Breton, Blaise Cendrars, Rene Char, Xie Chuang, Rene Daumal, Yves de Bayser, Robert Desnos, Andre du Bouchet, Paul Eluard, Pierre Emmanuel, Jean Follain, Benjamin Fondane, Andre Frenaud, Eugene Guillevic, Maurice Henry, Friedrich Holderlin, Georges Hugent, Edmond Jabes, Max Jacob, Pierre Jean Jouve, Valery Larbaud, Giacomo Leopardi, Stephane Mallarme, Loys Masson, O. V. de L. Milosz, Benjamin Peret, Francis Ponge, Gisele Prassinos, Raymond Queneau, Pierre Reverdy, Georges Ribemont-Dessaignes, Arthur Rimbaud, Gui Rosey, Philippe Soupault, Jules Supervielle, Jean Tardieu, Georg Trakl and Tristan Tzara.

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Blaise Cendrars was a pioneer of modernist literature. The full range of his poetry--from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor--offers a challenge no translator has accepted until now. Here, for the first time in English translation, is the complete poetry of a legendary twentieth-century French writer. Cendrars, born Frederick Louis Sauser in 1887, invented his life as well as his art. His adventures took him to Russia during the revolution of 1905 (where he traveled on the Trans-Siberian Railway), to New York in 1911, to the trenches of World War I (where he lost his right arm), to Brazil in the 1920s, to Hollywood in the 1930s, and back and forth across Europe. With Guillaume Apollinaire and Max Jacob he was a pioneer of modernist literature, working alongside artist friends such as Chagall, Delaunay, Modigliani, and Leger, composers Eric Satie and Darius Milhaud, and filmmaker Abel Gance. The range of Cendrars's poetry--from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor--offers a challenge no translator has accepted until now.

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“Resplendent.... A masterwork of history.”—Ron Jacobs, CounterpunchIn eyewitness testimonies and hundreds of remarkable photographs, The Battle for People's Park, Berkeley 1969 commemorates the fiftieth anniversary of one of the most searing conflicts that closed out the tumultuous 1960s: the Battle for People's Park. In April 1969, a few Berkeley activists planted the first tree on a University of California-owned, abandoned city block on Telegraph Avenue. Hundreds of people from all over the city helped build the park as an expression of a politics of joy. The University was appalled, and warned that unauthorized use of the land would not be tolerated; and on May 15, which would soon be known as Bloody Thursday, a violent struggle erupted, involving thousands of people. Hundreds were arrested, martial law was declared, and the National Guard was ordered by then-Governor Ronald Reagan to crush the uprising and to occupy the entire city. The police fired shotguns against unarmed students. A military helicopter gassed the campus indiscriminately, causing schoolchildren miles away to vomit. One man died from his wounds. Another was blinded. The vicious overreaction by Reagan helped catapult him into national prominence. Fifty years on, the question still lingers: Who owns the Park?

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Fragmented and hybrid in style, On Comics and Grief examines a year in comic book publishing and the author's grief surrounding his mother's death. The book connects grief, memory, nostalgia, personal history, theory, and multiple lines of comics studies inquiry in relation to the comic books of 1976.

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The French is one of Black's soundest defences to 1 e4 and is very popular at all levels of chess. Club players enjoy its super-solid structure, while at the top it's played by famous grandmasters such as Vishy Anand and the young Russian star Alexander Morozevich. With his first two moves Black obtains a substantial foothold in the centre, and a structure that is incredibly difficult to break down. In this user-friendly book, International Master Byron Jacobs revisits the basic principles behind the French Defence and all of its variations. Throughout the reader is helped along by a wealth of notes, tips, warnings and exercises. This book is ideal for the improving player. The Caro-Kann Defence has a well-deserved and established reputation as an incredibly solid and, at the same time, dynamic defence to 1 e4. The Caro-Kann appeals to all types of players, but is especially useful to black players who prefer a sound platform on which to build and who are resourceful in both defence and counter-attack. Star players who enjoy using the Caro-Kann include Vishy Anand, Michael Adams and the legendary Anatoly Karpov. In this easy-to-read guide, Grandmaster Joe Gallagher goes back to the basics of the Caro-Kann, studying the key principles of its many variations. Throughout the book there is an abundance of notes, tips, warnings and exercises to help the improving player, while important strategies, ideas and tactics for both sides are clearly illustrated.

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Gendered Agents, edited by Silvestra Mariniello andPaul A. Bové, presents essays by influential feminist theorists who challenge traditional Western epistemology and suggest new directions for feminism. By examining both literary and historical discourses, such critics as Gayatri Spivak, Hortense Spillers, and Lauren Berlant assess questions of sexuality, ethics, race, psychoanalysis, subjectivity, and identity.Gathered from various issues of the journal boundary 2, the essays in Gendered Agents seek to transform the model of Western academic knowledge by restructuring its priorities and values. In the introduction, Mariniello urges feminists to begin anew but take as their starting place the achievements of feminism and feminist theory: an understanding of language that considers the implications of silence, the motivation to decompartmentalize experience, and the acknowledgement that everything is political. Challenging both a canonical organization of knowledge and the persistently self-referential "ghettoization" of feminism, contributors subsequently tackle subjects as diverse as pre-Marxist France, the American fetus, black intellectuals, queer nationality, and the art of literary interpretation.Contributors. Lauren Berlant, Karen Brennan, Margaret Cohen, Nancy Fraser, Elizabeth Freeman, Carol Jacobs, Silvestra Mariniello, Larysa Mykyta, Laura Rice, Ivy Schweitzer, Doris Sommer, Hortense J. Spillers, Gayatri Chakravorty Spivak, Judith Wilt

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The Testaments of the Twelve Patriarchs (T12P), one of the longest texts of the so-called Old Testament Pseudepigrapha, presents the fictitious farewell speeches that the twelve sons of Jacob held on their respective deathbeds. Tom de Bruin examines these twelve monologues as literary products in order to understand the function of the text for the setting in which it was composed. He approaches T12P from three directions: an analysis of the paraenetic parts, a discussion of the anthropology, and a comparative examination of other contemporaneous works documenting a world-view similar to T12P.These three approaches merge into a detailed discussion about the reasoning behind the admonition in T12P, and identifies the fundamental message of the text, namely that each person stands between the forces of good and evil and that this person is called to constantly decide which way to follow. Though T12P is still familiar with the apocalyptic origin and plays with the cosmological implications of this 'great controversy', the text clearly puts the emphasis on the battle inside each individual. It is thereby an important witness for reinterpreting and reapplying apocalyptic traditions through ethicizing them and focusing on the individual. Such an individualistic application of the 'great controversy' theme can be found in a number of other (mostly Christian) works, revealing a similar understanding of mankinds existence and development as in T12P. The analysis of the ethical reappropriation of apocalyptic traditions in T12P provides important insights into the foundations of early Christian ethics, ancient anthropology, and the Jewish and Christian understanding of the struggle between good and evil. The Testaments of the Twelve Patriarchs (T12P), one of the longest texts of the so-called Old Testament Pseudepigrapha, presents the fictitious farewell speeches that the twelve sons of Jacob held on their respective deathbeds. Tom de Bruin examines these twelve monologues as literary products in order to understand the function of the text for the setting in which it was composed. He approaches T12P from three directions: an analysis of the paraenetic parts, a discussion of the anthropology, and a comparative examination of other contemporaneous works documenting a world-view similar to T12P.These three approaches merge into a detailed discussion about the reasoning behind the admonition in T12P, and identifies the fundamental message of the text, namely that each person stands between the forces of good and evil and that this person is called to constantly decide which way to follow. Though T12P is still familiar with the apocalyptic origin and plays with the cosmological implications of this 'great controversy', the text clearly puts the emphasis on the battle inside each individual. It is thereby an important witness for reinterpreting and reapplying apocalyptic traditions through ethicizing them and focusing on the individual. Such an individualistic application of the 'great controversy' theme can be found in a number of other (mostly Christian) works, revealing a similar understanding of mankinds existence and development as in T12P. The analysis of the ethical reappropriation of apocalyptic traditions in T12P provides important insights into the foundations of early Christian ethics, ancient anthropology, and the Jewish and Christian understanding of the struggle between good and evil.

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Why Hebrew, here and now? What is its value for contemporary Americans? In What We Talk about When We Talk about Hebrew (and What It Means to Americans) scholars, writers, and translators tackle a series of urgent questions that arise from the changing status of Hebrew in the United States. To what extent is that status affected by evolving Jewish identities and shifting attitudes toward Israel and Zionism? Will Hebrew programs survive the current crisis in the humanities on university campuses? How can the vibrancy of Hebrew literature be conveyed to a larger audience? The volume features a diverse group of distinguished contributors, including Sarah Bunin Benor, Dara Horn, Adriana Jacobs, Alan Mintz, Hannah Pressman, Adam Rovner, Ilan Stavans, Michael Weingrad, Robert Whitehill-Bashan, and Wendy Zierler. With lively personal insights, their essays give fellow Americans a glimpse into the richness of an exceptional language. Celebrating the vitality of modern Hebrew, this book addresses the challenges and joys of being a Hebraist in America in the twenty-first century. Together these essays explore ways to rekindle an interest in Hebrew studies, focusing not just on what Hebrew means—as a global phenomenon and long-lived tradition—but on what it can mean to Americans.

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Relato de fantasmas que ha gozado del favor del público desde el mismo momento de su aparición, ? " Canción de Navidad? " (1843) narra la inquietante noche que en la víspera de esta festividad, y de resultas de la visita del espectro de su antiguo socio Jacob Marley, pasa Ebenezer Scrooge, anciano miserable y tacaño que, además de ser una de las más acabadas representaciones del avaro en la Literatura, es otro de los inolvidables personajes de la amplia galería dickensiana. Marley hace desfilar ante él la visión de los espíritus de la Navidades pasadas, presentes y futuras, imprimiendo así en su existencia una feliz transformación. La afortunada mezcla de lo sobrenatural, la caricatura, la inquietud social y el sentimiento conseguida en esta obra por Charles Dickens (1812-1870) hace que mantenga intacta aún hoy su capacidad para conmover y hacer disfrutar.

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'Another riveting book from Anna Jacobs' - 5-star reader reviewSeventeen-year-old Liza is happy working as a lady's maid - until her employers decide to emigrate and her father makes up his mind that she is to wed an older widower whom she detests. Determined to avoid a loveless marriage, Liza plans to run away. But when the widower rapes her to force her to marry him, she flees back to the family for whom she worked. She feels she has no choice but to go with them to Australia, and they all set out on the long voyage.On board ship, Liza discovers to her horror that she has fallen pregnant. Even if she can survive the journey, the demanding life of a settler in 1850s Western Australia will be made even harder by an illegitimate child. But Liza is to find that in addition to deprivation of the worst sort, Australia will offer her opportunities she could never have dreamt of back home in Lancashire.*******************What readers are saying about LANCASHIRE LASS'As ever, great!' - 5 stars'A lovely book' - 5 stars'Great from start to finish' - 5 stars'Brilliant again!' - 5 stars'I just love these books - once you start you will find it hard to put down' - 5 stars

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Ismay Deagan has one wish in the world - to leave Ireland and join her brother, Bram, in Australia. But her father has other ideas and orders her to marry their vicious neighbour Rory Flynn - a man she loathes. One day, Rory brutally attacks her and Ismay realises she has no choice but to run away.Disguising herself as an impoverished young widow, she sets sail for Australia, hoping to be reunited with her brother. When she meets Adam Treagar on the ship, she finally starts to believe her dreams of future happiness may come true. But before they even reach their destination they are flung into adventures in Suez, Ceylon and Singapore . . .Can Ismay tell Adam the truth about who she really is? What secrets is Adam himself hiding? And will Ismay's past catch up with her and threaten her new life in Australia, before it has even begun?**************What readers are saying about THE TRADER'S SISTER'I was hooked on this story right from the first page to the very end' - 5 stars'The Trader series are some of the best books I have read in many a year' - 5 stars'Another enthralling book . . . Fantastic!' - 5 stars'Can't put these books down' - 5 stars'Excellent as always from Anna Jacobs' - 5 stars

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Preface par Francois Bovon, cet ouvrage defend la these que Lc 22,43-44 a ete omis d'une partie de la tradition manuscrite egyptienne, au deuxieme siecle. La premiere partie propose de considerer le genre litteraire de Luc-Actes comme une categorie evolutive de la reception, et souligne les connivences entre histoire et poetique. La seconde partie demontre que le Jesus lucanien n'est pas sans emotion, apporte des elements nouveaux quant aux attestations externes, et prouve l'existence au debut de notre ere de la polysemie d'agonia, comprise comme angoisse ou lutte. En Egypte, des chretiens minoritaires ont appele Jesus "le grand combattant", s'inspirant de la memoire de Jacob et de l'ange et de la sueur de sang. A substantial English summary at the end of the volume allows a wider readership to see the main line of argument. Claire Clivaz is assistant professor of New Testament and Early Christian Literature at the University of Lausanne (CH).

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During the quarter century between 1945 and 1970, Americans crafted a new manner of living that shaped and reshaped how residential builders designed and marketed millions of detached single-family suburban houses. The modest two- and three-bedroom houses built immediately following the war gave way to larger and more sophisticated houses shaped by casual living, which stressed a family's easy sociability and material comfort and were a major element in the cohesion of a greatly expanded middle class. These dwellings became the basic building blocks of explosive suburban growth during the postwar period, luring families to the metropolitan periphery from both crowded urban centers and the rural hinterlands. Detached America is the first book with a national scope to explore the design and marketing of postwar houses. James A. Jacobs shows how these houses physically document national trends in domestic space and record a remarkably uniform spatial evolution that can be traced throughout the country. Favorable government policies, along with such widely available print media as trade journals, home design magazines, and newspapers, permitted builders to establish a strong national presence and to make a more standardized product available to prospective buyers everywhere. This vast and long-lived collaboration between government and business?fueled by millions of homeowners?established the financial mechanisms, consumer framework, domestic ideologies, and architectural precedents that permanently altered the geographic and demographic landscape of the nation.

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In 1950, three years after Jackie Robinson first walked onto the diamond at Ebbets Field, the lily white, upper-crust National Lawn Tennis Association opened its door just a crack to receive the powerhouse player who would integrate 'the game of kings': Althea Gibson. A street-savvy young woman from Harlem, Gibson was about as alien in that rarefied white world as an aspiring tennis champion could be. In her tattered jeans and short-cropped hair, Gibson drew stares from both sides of the colour fence. But her astonishing skill on the court soon eclipsed all of that, as she eventually became one of the greatest tennis champions the United States has ever produced. Gibson had a stunning career: She won top honors at Wimbledon and Forest Hills time and time again. As her star rose, the underestimated high school dropout shook hands with the Queen of England, was driven up Broadway in a snowstorm of ticker tape, was on the front of Time and Sports Illustrated - the first Black woman to appear on the covers of both magazines - and was named the number one female tennis player in the world. In Althea, prize-winning former Boston Globe reporter Sally H. Jacobs tells the heart-rending story of this pioneer. This first full biography of a remarkable woman reminds the world that Althea Gibson was a trailblazer, a champion, and one of the most remarkable Americans of the twentieth century.

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Over the last 50 years, W has been the unparalleled laboratory for the world s top-tier photographers and writers, providing a platform for publishing their most ambitious and creative works. The photos and essays presented here will cover all categories including fashion, design, art, celebrity, film, and interiors. Historic and ground-breaking stories include the controversial shoot by Steven Meisel, 'A Sexual Revolution' featuring male and female models (including Jessica Stam and Karen Elson) depicted in gender-bending styles and provocative poses; photographer Steven Klein s notorious Angelina Jolie and Brad Pitt photos entitled 'Domestic Bliss.' Tom Ford s racy shoot and accompanying article on sexuality in fashion; Bruce Weber s tribute to New Orleans; Hallucinatory photographs of Tilda Swinton by photographer Tim Walker; artist Alex de Corta photos of interiors by Jacques Grange. Many have allowed W into their homes for the magazine s 'W House Tours' feature and include Marc Jacobs, Sir Evelyn Rothschild, Imelda Marcos, and Dua Lipa. This book will appeal to the culturally-curious with a great appreciation for photography, design, art, architecture, the stories behind things, and the people that make them unique.

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In Motel of the Opposable Thumbs, Stuart Ross continues to ignore trends in Canadian poetry, and further follow the journey he began over four decades ago with his discoveries of the works of Stephen Crane, E. E. Cummings, Nelson Ball, Ron Padgett, Victor Coleman, Tom Clark, Nicanor Parra, Joe Rosenblatt, and David McFadden. Over the years, his influences have snowballed: Lisa Jarnot, Alice Burdick, Richard Huttel, Opal Louis Nations, Joanne Kyger, Bill Knott, Max Jacob, Larry Fagin, Heather Christle, Charles North, Emily Petit, Paul Guest, James Tate, Valéry Larbaud, Joe Brainard, Matthew Zapruder, Harryette Mullen, Dara Wier, Dag T. Straumsvåg, Mark Strand, Wislawa Szymborska, Mary Ruefle, John Ashbery, Sommer Browning, Jim Smith, Benjamin Peret, Renee Gladman, and more. In this eclectic, pleasurable gathering of poems and sequences, Mr. Ross unapologetically leaps from howls of grief and despair to zany incursions into surrealism and the absurd. He embraces this panoply of approaches to respond to our cantankerous existential dilemma. All that, and it's structured after Bela Bartók's String Quartet No. 4! Get a room and enjoy.

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"Boelsums’ interplay of sky and light and land, her overwhelming and yet intimate photos add a magnificent touch to what might initially appear nondescript."– Manon Uphoff Quotes from the jury who selected Saskia Boelsums as the Dutch Artist of the Year in 2020: "Vivid photography worthy of the old Dutch masters!" "Exceptionally beautiful landscape photos: Saskia introduces a completely new style to this discipline." "Her work moves me and repeatedly renders me speechless." "Then I see Saskia Boelsums’ landscape photos on display. A shiver of pleasure runs through me." Joyce Roodnat - NRC Handelsblad Saskia Boelsums dramatic photographs of Dutch landscapes reflect on the atmospheric paintings of the Golden Age painters such as Jacob van Ruisdael and Jan van Goyen, but her work is clearly seeped in her own experience of nature. Lashing rain over the sea, sun breaking through storm clouds, and fields of flowers bathed in an otherworldly light: these images are the result of hours and days of waiting to capture the perfect moment. In this, her second book of landscape photographs, she presents not only Dutch landscapes and seascapes, but also landscapes photographed on visits to Germany, Switzerland, and New York.

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This study is a groundbreaking investigation into the formative influence of music on Virginia Woolf's writing. In this unique study Emma Sutton discusses all of Woolf's novels as well as selected essays and short fiction, offering detailed commentaries on Woolf's numerous allusions to classical repertoire and to composers including Bach, Mozart, Beethoven and Wagner. Sutton explores Woolf's interest in the contested relationship between politics and music, placing her work in a matrix of ideas about music and national identity, class, anti Semitism, pacifism, sexuality and gender. The study also considers the formal influence of music - from fugue to Romantic opera - on Woolf's prose and narrative techniques. The analysis of music's role in Woolf's aesthetics and fiction is contextualized in accounts of her musical education, activities as a listener, and friendships with musicians; and the study outlines the relationship between her 'musicalized' work and that of contemporaries including Joyce, Lawrence, Forster, Mansfield and Eliot. It analysis of music, national identity and war in The Voyage Out, Jacobs Room and Mrs Dalloway. It offers a close reading of Wagner's influence on the plot and narrative techniques of The Voyage Out. It analysis of music and philo and anti Semitism in The Years. It offers innovative reading of the 'fugal' structure of Mrs Dalloway.

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THE INTERNATIONAL BESTSELLER'Heart-breaking, heart-warming, and hilarious: a glorious debut' Ruth Hogan'Strong and taut' Anne Griffin 'Fresh, thoughtful and original' Irish Times'I really enjoyed this, Eleanor is a lovely writer' Sheila O'FlanaganMeet the Augustts: Ma and Da, Jenny and Jacob, and their no-nonsense Granny Mae-Anne. Complicated as only families can be, they are bound together by their love for one another, and for a piping hot bag of chips. When misfortune strikes and Granny moves in, they learn to understand each other anew through new stories and old memories. Sometimes, in a family as complicated as the Augustts, it's not always what is spoken that makes the most sense.M for Mammy is an uplifting story about the unique comfort of home, the language we can find when the words aren't there, and the power of a family to heal itself.'A heartfelt debut about love, understanding and the complicated ties of family' Prima'Lovely, sharp, compassionate, well-observed writing' Felicity Hayes-McCoy'Channelling the warm heart and good cheer of Marian Keyes . . . very amusing' Irish Independent'Exuberant. A brilliant, bubbly new voice' Irish Examiner'A gloriously funny, bittersweet debut' Ireland of the Welcomes

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Envisioning the first book of the Bible like no one before him, R. Crumb, the legendary illustrator, retells the story of Genesis in a profoundly honest and deeply moving way. Now, readers of every persuasion can gain astonishing new insights from these stories. Crumb's Book of Genesis reintroduces us to the bountiful tree-lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire, and the Egypt of the Pharaoh. Using clues from the text and peeling away the theological and scholarly interpretations that have often obscured the Bible's most dramatic stories, Crumb fleshes out a parade of biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a 'kind of depressed guy who doesn't strike you as physically courageous', and his bother, Esau, 'a rough and kick-ass guy', to God himself, 'a standard Charlton Heston-like figure with long white hair and a flowing beard'.Crumb's Book of Genesis, the culmination of five years of painstaking work, is a tapestry of masterly detail and storytelling that celebrates the astonishing diversity of one of our greatest artistic geniuses.

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A little girl is smuggled out of a Jewish ghetto. Two courageous women. And an inspirational story of survival. In 1941 at the height of World War II, in a Polish ghetto, a baby girl named Rachel is born. Her parents, Jacob and Zippa, are willing to do anything to keep her alive. They nickname her Lalechka. Just before Lalechka’s first birthday, the Nazis begin to systematically murder everyone in the ghetto. Her father understands that staying in the ghetto will mean certain death for his child. In both desperation and hope, Lalechka’s parents decide to save their daughter, no matter the cost. Zippa smuggles her outside the boundaries of the ghetto where her Polish friends, Irena and Sophia, are waiting. She entrusts their beloved Lalechka to them and returns to the ghetto to remain with her husband and parents – unaware of the fate that awaits her. Irena and Sophia take on the burden of caring for Lalechka during the war, pretending she is part of their family despite the grave danger of being discovered and executed. Holocaust Child is based on the unique journal written by Zippa during the annihilation of the ghetto, as well as on interviews with key figures in the story, rare documents, and authentic letters. It is a story of hope in the face of terror.

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The manuscript translated here contains one of the most important texts for understanding the development of early Ottoman historiography in the fifteenth century. The so-called Oxford Anonymous chronicle is a comprehensive history of the Ottoman dynasty in Turkish, compiled from various sources to tell the story of the dynasty from its rise to the year 1484 (AH 889). Like several other histories produced around the same time, some of which it influenced, it presents the Ottomans in the context of wider Islamic history and contains a coherent argument for their superiority over other dynasties. The manuscript had previously belonged to the Dutch orientalist Jacob Golius (d. 1667). Although its history is largely unknown, it was probably a presentation copy made for Sultan Bayezid II (r. 1481–1512). The work itself is a product of Bayezid’s patronage, and shows a strong preoccupation with the perennial Ottoman problem of dynastic succession. Fully one third of the manuscript contains an older text recounting in epic terms the struggles of Mehmed I against his brothers (1402–13). The obvious explanation is that when Oxford Anonymous was compiled, Bayezid II was also facing a rival claimant to the throne, his brother Cem Sultan (d. 1495).

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From a beautiful antique that gives its owner a show he'd rather forget, to 'ghost detective' whose exorcism goes horribly wrong and a sinister masked ball which seems to have one too many guests, these ghost stories of supernatural terror are guaranteed to make you shiver, thrill and look under the bed tonight. From rural England to colonial India, in murky haunted mansions and under modern electric lighting, these master storytellers - some of the best writers in the English language - unfold spinetinglers which pull back the veil of everyday life to reveal the nightmares which lurk just out of sight. They are lessons in ingenuity and surprise, sometimes building slowly to a chilling climax, sometimes springing horror on you from the utterly banal. And as you'd expect from these writers, the stories are more than simply frightening - they're also disquieting exposures of mortality, loneliness and the human capacity for both evil and remorse. We wish you pleasant dreams. Contains ghost stories by: Ruth Rendell, M. R. James, Rudyard Kipling, Edith Wharton, E. F. Benson, E. Nesbit, Saki, W. W. Jacobs, W. F. Harvey, Hugh Walpole, Chico Kidd and LP Hartley.

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Inventive, enigmatic, and supremely creative, Stephen Sprouse made art and clothing that captured the mood of the eighties. One of the first American designers to mix graffiti and a punk aesthetic with fashion, Sprouse manipulated conventional notions of style, and his unique sensibility has inspired designers from John Galliano to Raf Simmons to Marc Jacobs. Sprouse’s career started in the late seventies, when, after working for Halston, he migrated to a warehouse on the Bowery and started making outfits for his neighbor, Debbie Harry. The fashion world quickly embraced his innovative, culturally relevant sensibility and downtown edge. But Sprouse’s inability to compromise his artistic vision for the rigid fashion business compromised his commercial success. The Padilhas possess the largest private collection of Sprouse’s work, and were given exclusive access to his archives by his family for this project. They also obtained never-before-published images from photographers such as Steven Meisel, Bob Gruen, and Mert and Marcus. The book features a foreword by the novelist Tama Janowitz, one of Sprouse’s closest friends. The release of this book coincides with a retrospective at Deitch Projects. The book will be available with four different jackets, each featuring a different Day-Glo color, an homage to Sprouse’s iconic album cover for Debbie Harry’s Rockbird.

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From the team’s inception in 1903, the New York Yankees were a floundering group that played as second-class citizens to the New York Giants. The team was purchased in 1915 by Jacob Ruppert and his partner, Til Huston. Three years later, when Ruppert hired Miller Huggins as manager, the unlikely partnership of the two figures began, one that set into motion the Yankees’ run as the dominant baseball franchise of the 1920s and the rest of the twentieth century, capturing six American League pennants with Huggins at the helm and four more during Ruppert’s lifetime. The Yankees’ success was driven by Ruppert’s executive style and enduring financial commitment, combined with Huggins’s philosophy of continual improvement and personnel development. The Colonel and Hug tells the story of how these two men transformed the Yankees in their rise to dominance. It also tells the larger story of America’s gradual move from neutrality to entry into World War I and the emergence and impact of Prohibition on American society. This story tells of the end of the Deadball Era and the rise of the Lively Ball Era, a gambling scandal, and the collapse of baseball’s governing structure—and the significant role the Yankees played in it all. While the hitting of Babe Ruth and Lou Gehrig won many games for New York, Ruppert and Huggins institutionalized winning for the Yankees.

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An authoritative history of art history from its medieval origins to its modern predicamentsIn this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.The book shows that the pioneering chroniclers of the Italian Renaissance—Lorenzo Ghiberti and Giorgio Vasari—measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however—Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich—struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.

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The seventh in our series of Derrida's seminars, Life Death provides interdisciplinary reflections on the relationship of life and death—now in paperback. One of Jacques Derrida’s most provocative works, Life Death deconstructs a deeply rooted dichotomy of Western thought: life and death. In rethinking the relationship between life and death, Derrida undertakes a multi-disciplinary analysis of a range of topics across philosophy, linguistics, and the life sciences. Derrida gave this seminar over fourteen sessions between 1975 and 1976 at the École normale supérieure in Paris to prepare students for the agrégation, a notoriously competitive exam. The theme for the exam that year was “Life and Death,” but Derrida made a critical modification to the title by dropping the coordinating conjunction. The resulting title of Life Death poses a philosophical question about the close relationship between life and death. Through close readings of Freudian psychoanalysis, the philosophy of Nietzsche and Heidegger, French geneticist François Jacob, and epistemologist Georges Canguilhem, Derrida argues that death must be considered neither as the opposite of life nor as the truth or fulfillment of it, but rather as that which both limits life and makes it possible. Derrida thus not only questions traditional understandings of the relationship between life and death but also ultimately develops a new way of thinking about what he calls “life death.”

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This volume is an unprecedented history of Louis Vuitton’s women’s bags, the most coveted line of accessories in women’s fashion. At the heart of Louis Vuitton are its City Bags, a range of women’s bags that dates back to the turn of the twentieth century. Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today’s most sought-after collectibles, including Vuitton’s collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andrée Putman, and of course, Marc Jacobs. Louis Vuitton: City Bags is an ambitious volume on the creation and cultivation of a cultural phenomenon.

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From the team’s inception in 1903, the New York Yankees were a floundering group that played as second-class citizens to the New York Giants. The team was purchased in 1915 by Jacob Ruppert and his partner, Til Huston. Three years later, when Ruppert hired Miller Huggins as manager, the unlikely partnership of the two figures began, one that set into motion the Yankees’ run as the dominant baseball franchise of the 1920s and the rest of the twentieth century, capturing six American League pennants with Huggins at the helm and four more during Ruppert’s lifetime. The Yankees’ success was driven by Ruppert’s executive style and enduring financial commitment, combined with Huggins’s philosophy of continual improvement and personnel development. The Colonel and Hug tells the story of how these two men transformed the Yankees in their rise to dominance. It also tells the larger story of America’s gradual move from neutrality to entry into World War I and the emergence and impact of Prohibition on American society. This story tells of the end of the Deadball Era and the rise of the Lively Ball Era, a gambling scandal, and the collapse of baseball’s governing structure—and the significant role the Yankees played in it all. While the hitting of Babe Ruth and Lou Gehrig won many games for New York, Ruppert and Huggins institutionalized winning for the Yankees.

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The contributors to Embodying Black Religions in Africa and Its Diasporas investigate the complex intersections between the body, religious expression, and the construction and transformation of social relationships and political and economic power. Among other topics, the essays examine the dynamics of religious and racial identity among Brazilian Neo-Pentecostals; the significance of cloth coverings in Islamic practice in northern Nigeria; the ethics of socially engaged hip-hop lyrics by Black Muslim artists in Britain; ritual dance performances among Mama Tchamba devotees in Togo; and how Ifá practitioners from Mexico, Colombia, Venezuela, Trinidad, and the United States join together in a shared spiritual ethnicity. From possession and spirit-induced trembling to dance, the contributors outline how embodied religious practices are central to expressing and shaping interiority and spiritual lives, national and ethnic belonging, ways of knowing and techniques of healing, and sexual and gender politics. In this way, the body is a crucial site of religiously motivated social action for people of African descent. Contributors. Rachel Cantave, Youssef Carter, N. Fadeke Castor, Yolanda Covington-Ward, Casey Golomski, Elyan Jeanine Hill, Nathanael J. Homewood, Jeanette S. Jouili, Bertin M. Louis Jr., Camee Maddox-Wingfield, Aaron Montoya, Jacob K. Olupona, Elisha P. Renne

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Por su constitución física, sus aptitudes para la imitación y su relativa disposición al adiestramiento, el mono siempre ha estado presente en las sociedades humanas, visto como una curiosidad o un adorno, casi un chiste. Pero, desde que a mediados del siglo XIX las teorías de Darwin fundamentaron científicamente nuestro parentesco, adquirió una dimensión inesperada, dramática, objeto de todo tipo de fabulaciones, ironías y pesadillas. Marta Salís ha reunido en esta antología diecisiete cuentos que ilustran perfectamente esta evolución de mascota graciosa y presentable a símbolo muchas veces oscuro de nuestra animalidad. De monos y hombres plantea interesantes interrogantes, a través de una serie de excelentes narraciones, sobre cómo nos vemos y cómo concebimos la humanidad.Autores incluidos en esta antología: E.T.A. Hoffmann, Wilhelm Hauff, Gustave Flaubert, Edgar Allan Poe, Vicente Barrantes, Joseph Sheridan Le Fanu, Leopoldo Lugones, W. W. Jacobs, Horacio Quiroga, M. P. Shiel, F

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In a previously-unavailable series of talks to the general public, Rudolf Steiner builds systematically, lecture by lecture, on the fundamentals of spiritual science - from the nature of spiritual knowledge and its relationship to conventional science, the path of personal development and the task of metaphysical research, to specific questions on the mystery of death, the meaning of fairy-tales, the significance of morality and the roles of individual figures in human evolution, such as Leonardo da Vinci, Raphael and Jacob Boehme. At the time of these presentations, Steiner had already worked in Berlin for many years, and thus, '...could reckon with a regularly returning audience to whom what mattered was to enter ever more deeply into the areas of knowledge that were newly opening up to them' (Marie Steiner). As a consequence - and through 'a series of inter-connecting lectures whose themes are entwined with one another' - he was able to communicate a coherent and challenging spiritual perception of reality, based on his personal research. Presented here with notes, an index and an introduction by Simon Blaxland-de Lange, the 14 lectures include: 'How is Spiritual Science Refuted?'; 'On What Foundation is Spiritual Science Based'; 'The Tasks of Spiritual Research for both Present and Future'; 'Errors of Spiritual Research'; 'Results of Spiritual Research for Vital Questions and the Riddle of Death'; The World-Conception of a Cultural Researcher of the Present, Herman Grimm' and 'The Legacy of the Nineteenth Century'.

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A fresh English translation of five Alberti works that illuminate new aspects of the literary aims and development of the first “Renaissance man.”Leon Battista Alberti (1404–1472) was one of the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and even athlete earned him the controversial title of the first “Renaissance man.”The works collected in Biographical and Autobiographical Writings reflect Alberti’s lived experiences and his interests in the genre. This volume includes On the Advantages and Disadvantages of Literature, which partly reflects his experiences as a student in Bologna; The Life of St. Potitus, the biography of a Christian martyr, which also contains autobiographical projections and was to have been the first in a series of lives of saints; My Dog, a mock funeral oration for his dead dog; My Life, one of the first autobiographies of the early modern period and the main source for Jacob Burckhardt’s portrait of Alberti; and a comic encomium, The Fly. In particular, the last three works—My Dog, My Life, and The Fly—constitute a kind of trilogy, as the humanist finds one of his main themes, the portrait of the ideal life, with a strong emphasis on humor.This edition presents the first collected English translations of these works alongside an authoritative Latin text.

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The contributors to Embodying Black Religions in Africa and Its Diasporas investigate the complex intersections between the body, religious expression, and the construction and transformation of social relationships and political and economic power. Among other topics, the essays examine the dynamics of religious and racial identity among Brazilian Neo-Pentecostals; the significance of cloth coverings in Islamic practice in northern Nigeria; the ethics of socially engaged hip-hop lyrics by Black Muslim artists in Britain; ritual dance performances among Mama Tchamba devotees in Togo; and how Ifá practitioners from Mexico, Colombia, Venezuela, Trinidad, and the United States join together in a shared spiritual ethnicity. From possession and spirit-induced trembling to dance, the contributors outline how embodied religious practices are central to expressing and shaping interiority and spiritual lives, national and ethnic belonging, ways of knowing and techniques of healing, and sexual and gender politics. In this way, the body is a crucial site of religiously motivated social action for people of African descent. Contributors. Rachel Cantave, Youssef Carter, N. Fadeke Castor, Yolanda Covington-Ward, Casey Golomski, Elyan Jeanine Hill, Nathanael J. Homewood, Jeanette S. Jouili, Bertin M. Louis Jr., Camee Maddox-Wingfield, Aaron Montoya, Jacob K. Olupona, Elisha P. Renne

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Charlotte Bolland is Senior Curator, Research and 16th Century Collections, at the National Portrait Gallery, London. Among other publications, she authored The Tudors: Passion, Power and Politics (National Portrait Gallery, 2022) and Tudor and Jacobean Portraits (National Portrait Gallery, 2018), and co-authored with Tarnya Cooper The Encounter: Drawings from Leonardo to Rembrandt (National Portrait Gallery, 2017). Suzannah Lipscomb is Professor Emerita of History at the University of Roehampton and Senior Member at St Cross College, Oxford. She has written and edited seven books and is an established television presenter. She hosts the History Hit podcast, 'Not Just the Tudors'. Her next book, The Six: A New History of Henry VIII's Queens will be published in Autumn 2025. Other contributors include Nicola Clark, Brett Dolman, Alden Gregory, Benjamin Hebbert, Nicola Tallis, and Valerie Schutte.

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This comprehensive volume provides a state-of-the-art overview of regulatory economics and reviews the main theories, tools, and domains of regulation. The book is divided into six parts: regulation in general; tools of regulation; social regulation; regulation of public utilities; regulation of non-natural-monopolies, and regulation of professions. Regulation and Economics begins with a valuable introductory chapter on the law and economics of regulation followed by 17 concise chapters on specific subjects in regulation including highly topical matters such as regulation of banking, finance and insurance; energy markets and telecommunications; and environmental and risk regulation. Providing an overview of the most important insights in regulatory economics and providing a useful access point to the more specialized literature in this area, this unique book will particularly benefit students of law and economics, as well as academics and government officials of regulatory agencies. Contributors: A. Arcuri, D. Black, K.J. Cseres, P.M. Danzon, A. de Hauteclocque, J. den Hertog, M.G. Faure, C. Gibson, D. Heremans, W. Jacobs, B. Kuipers, J.H. Love, C. McKean, B. Moselle, J.S. Netz, R.N. Olsen, A.M. Pacces, Y. Perez, N.J. Philipsen, H. Piffaut, D. Porrini, A. Renda, N. Rickman, P.H. Rubin, F.H. Stephen, R.J. Van den Bergh, M. White

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The 2008 crash was the worst financial crisis and the most severe economic downturn since the Great Depression. It triggered a complete overhaul of the global regulatory environment, ushering in a stream of new rules and laws to combat the perceived weakness of the financial system. While the global economy came back from the brink, the continuing effects of the crisis include increasing economic inequality and political polarization.After the Crash is an innovative analysis of the crisis and its ongoing influence on the global regulatory, financial, and political landscape, with timely discussions of the key issues for our economic future. It brings together a range of experts and practitioners, including Joseph Stiglitz, a Nobel Prize winner; former congressman Barney Frank; former treasury secretary Jacob Lew; Paul Tucker, a former deputy governor of the Bank of England; and Steve Cutler, general counsel of JP Morgan Chase during the financial crisis. Each poses crucial questions: What were the origins of the crisis? How effective were international and domestic regulatory responses? Have we addressed the roots of the crisis through reform and regulation? Are our financial systems and the global economy better able to withstand another crash? After the Crash is vital reading as both a retrospective on the last crisis and an analysis of possible sources of the next one.

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H. SANCISI-WEERDENBURG: The Problem of the Yauna; P. BRIANT: Remarques sur sources épigraphiques et domination achéménide en Asie Mineure; A. LEMAIRE: Les inscriptions araméennes de Daskyleion; G. GROPP: Sassen die Skudra wirklich in Thrakien? Ein Problem der Satrapienverteilung in Kleinasien; K. STROBEL: Phryger - Lyder - Meder: politische, ethnische und kulturelle Grössen Zentralanatoliens bei Errichtung der achaimenidischen Herrschaft; D. KAPTAN: On the satrapal center in northwestern Asia Minor. Some Evidence from the Seal Impressions of Ergili/Daskyleion; M.B. GARRISON: Anatolia in the Achaemenid Period. Glyptic Insights and Perspectives from Persepolis; B. JACOBS: Kultbilder und Gottesvorstellung bei den Persern zu Herodot; A.D.H. BIVAR: Magians and Zoroastrians. The Religions of the Iranians in Anatolia; O.P.V. L'VOV BASIROV: Achaemenian Funerary Practices in western Asia Minor; Y. TUNA-NÖRLING: Attic Pottery from Dascylium; G. POLAT: Das Grabdenkmal des Autophradates; J. BORCHHARDT and P. RUGGENDORFER: Neufunde zur reliefierten Basis des Reiterstandbildes von Zêmuri; S. ATESLIER: Observations on an Early Classical Building of the Satrapal Period at Daskyleion; T. BAKIR: Die Satrapie in Daskyleion; I. GEZGIN: Defensive Systems in Aiolis and Ionia Regions in the Achaemenid Period.

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La vasta y valiosa tarea que, inmersos en el espíritu de los tiempos románticos, acometieron los hermanos Jacob y Wilhelm Grimm, recopilando los cuentos populares de tierras alemanas, nos ha legado un acervo literario y cultural de incalculable riqueza. La edición en cuatro volúmenes de sus Cuentos infantiles y del hogar o, lo que es lo mismo, sus " Cuentos completos " permite tener a mano la integridad de lo que constituye un tesoro no sólo para el aficionado a la literatura, sino también para el estudioso de la cultura, el psicólogo y la persona interesada en el crecimiento personal. Basados los cuentos populares, en efecto, en un sustrato común antiquísimo -no en vano comparten numerosos rasgos y patrones, sea cual sea su cultura de procedencia, lo cual habla bien a las claras de su universalidad-, son susceptibles de dar a quien las busque claves y medidas ancladas en estructuras y arquetipos profundamente grabados en la naturaleza del hombre.

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