Search results for ""author jacob"

Colour is architecture’s sharpest tool in the box. It has indexed everything from the feminine, cosmetic and vulgar to the pure, intrinsic and embodied. Attitudes to colour are constantly shifting. They have played a central role in the history of architecture: from the polychromy of the ancients to the great white interiors of high modernism; the figurative flourishes of postmodernism to the embodied sublime of contemporary building systems and facades. In contemporary architecture, colour has emerged as a powerful mode of working and an impactful political proposition. The second digital age has ushered paradigmatic shifts in how architects engage it. Employing the full spectrum of colour requires a projective mode of action – one that anticipates nascent futures. It aids in the democratisation of visual culture, opening the field to enable a multiplicity of identities by introducing new references and embracing new voices. This book explores the operative role of colour in current practice by proffering visions not of idealised other worlds, but rather radical reimaginings of our present one. Features: 100 Architects, Maya Alam, David Batchelor, Galo Canizares, Courtney Coffman, Fala Atelier, Marcelyn Gow, Louisa Hutton, Sam Jacob, Carolyn Kane, Guto Requena, Javier González Rivero, Paulette Singley, Amanda Williams and Mimi Zeiger.

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Exploring the influence of other media on contemporary photography. ‘Heterogeneous Objects’ provides various essays that explore the encounter of photography with other media since the 1960s. The essays offer new ways of thinking about photography beyond modernist notions of medium specificity and autonomy based upon the idea that a photograph does not rely on a coherent system of codes but is almost always encountered as a fragmented, partial object. Addressing recent debates in art history and photography theory, film studies, and media theory, the contributions cover a broad array of approaches, relating photography to issues of the panorama, surveillance, sculpture, transformation and processuality, and the development of new media categories. Rather than conceiving of photography as a medium, the aim is to reconsider the photograph as a historically, theoretically, and culturally embedded heterogeneous object that is always related to, in contact with, or shaped by other media. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Diarmuid Costello (University of Warwick), Steven Jacobs (University of Gent), Joanna Lowry (University of Brighton), Marcel Marburger (Universität der Künste, Berlin), Raphaël Pirenne (Université catholique de Louvain), Yvonne Spielmann (University of the West of Scotland), Alexander Streitberger (Université catholique de Louvain), Hilde Van Gelder (University of Leuven)

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Exploring the impact and influence of global trade networks on 17th-century Dutch life and art The 17th century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic’s growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a rich context in which to make their art, but also directly influenced the art itself—in its subject matter, materials, meaning and interpretation. The genre scenes and still lifes that today seem quintessentially Dutch actually project a global vision, and often address the positive and negative aspects of economic and global expansion. Drawing on the world-renowned collection of Dutch paintings, works on paper, decorative arts and illustrated books at the Museum of Fine Arts, Boston, this book offers a fresh look at 17th-century Dutch art, accompanied by authoritative essays that ask readers to consider the global context in which this work was made. Artists include: Rembrandt van Rijn, Jacob van Ruisdael, Rachel Ruysch, Frans Hals, Judith Leyster, Gerrit van Honthorst, Maria Schalcken, Pieter Claesz, Nicolaes Maes, Jan van Huysum and Johannes Vermeer.

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The Renaissance in the 19th Century examines the Italian Renaissance revival as a Pan-European critique: a commentary on and reshaping of a nineteenth-century present that is perceived as deeply problematic. The revival, located between historical nostalgia and critique of the contemporary world, swept the humanistic disciplines—history, literature, music, art, architecture, collecting.The Italian Renaissance revival marked the oeuvre of a group of figures as diverse as J.-D. Ingres and E. M. Forster, Heinrich Geymüller and Adolf von Hildebrand, Jules Michelet and Jacob Burckhardt, H. H. Richardson and R. M. Rilke, Giosuè Carducci and De Sanctis. Though some perceived the Italian Renaissance as a Golden Age, a model for the present, others cast it as a negative example, contrasting the resurgence of the arts with the decadence of society and the loss of an ethical and political conscience. The triumphalist model had its detractors, and the reaction to the Renaissance was more complex than it may at first have appeared.Through a series of essays by a group of international scholars, volume editors Lina Bolzoni and Alina Payne recover the multidimensionality of the reaction to, transformation of, and commentary on the connections between the Italian Renaissance and nineteenth-century modernity. The essays look from within (by Italians) and from without (by foreigners, expatriates, travelers, and scholars), comparing different visions and interpretations.

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Examines the central role of learners as producers of information, a foundational idea for the metaliteracy framework and one that's more important than ever. The authors emphasize the active role today's learners play as individual and collaborative metaliterate producers of information in various forms.

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Wilfrid Sellars tackled the difficult problems of reconciling Pittsburgh school–style analytic thought, Husserlian phenomenology, and the Myth of the Given. This collection of essays brings into dialogue the analytic philosophy of Wilfrid Sellars—founder of the Pittsburgh school of thought—and phenomenology, with a special focus on the work of Edmund Husserl. The book’s wide-ranging discussions include the famous Myth of the Given but also more traditional problems in the philosophy of mind and phenomenology such as the status of perception and imagination nature of intentionality concept of motivation relationship between linguistic and nonlinguistic experiences relationship between conceptual and preconceptual experiences Moreover, the volume addresses the conflicts between Sellars’s manifest and scientific images of the world and Husserl’s ontology of the life-world. The volume takes as a point of departure Sellars’s criticism of the Myth of the Given, but only to show the many problems that label obscures. Contributors explain aspects of Sellars’s philosophy vis-à-vis Husserl’s phenomenology, articulating the central problems and solutions of each. The book is a must-read for scholars and students interested in learning more about Sellars and for those comparing Continental and analytic philosophical thought. Contributors Walter Hopp Wolfgang Huemer Roberta Lanfredini Danilo Manca Karl Mertens Antonio Nunziante Jacob Rump Daniele De Santis Michela Summa

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En esta obra, John Shirley nos ofrece una viva y profunda exploración de la personalidad e ideas de Gurdjieff. Aporta gran cantidad de información sobre su biografía y examina sus métodos de enseñanza y la vida de sus principales discípulos. Constituye una magnífica introducción a la vida de un maestro tan enigmático como incomparable.?Shirley nos habla con una voz fresca y honesta de una de las más importantes y poderosas enseñanzas espirituales de nuestra era.??Jacob NeedlemanNacido en la frontera entre Turquía y Rusia en 1866, G. I. Gurdjieff llevó a Occidente una enseñanza espiritual de extraordinaria fuerza y profundidad. El hombre, explicaba Gurdjieff, vive en estado parecido al de un sonámbulo, pero mediante un riguroso trabajo consigo mismo existe la esperanza de que un individuo, y finalmente la humanidad, consiga despertar de este camino ilusorio de ensueño que podría llevarle a la destrucción.

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Jacob Robert Kantor ha sido un iconoclasta del discurso psicológico vigente, basado en creencias pero también en los discursos dualistas que dividen el mundo y al mismo hombre como especie en dos: el discurso que separa el mundo natural del sobrenatural y el que separa la realidad corporal de la realidad mental o espiritual. Este es su primer valor epistemológico. Sus escritos están aquí recogidos como criterio para ejercer la crítica y para organizar luego el discurso psicológico, con el objetivo de describir el comportamiento humano y explicar su funcionamiento.Este es un libro que, casi cincuenta años después de su publicación, recupera su vigor, hasta el punto de estar presente en numerosos debates dentro del conductismo y ser una referencia en grandes obras de la psicología moderna basadas en las terapias conductuales y de tercera generación.

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When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso. From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.

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When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso. From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.

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Copper Nickel Issue 22 will feature three essays on contemporary publishing by Dalkey Archive Press founder John O'Brien, Bookslut founder Jessa Crispin, and Virginia Quarterly Review digital editor and Publishers Weekly columnist Jane Friedman. It will also include poetry, fiction, and nonfiction by Norma Farber First Book Award winner Cathy Linh Che, Alice Fay Di Castagnola winner G. C. Waldrep, Soros Foundation Fellow David Keplinger, California Book Award winner Alexandra Teague, Thom Gunn Award winner Charlie Bondhus, Hopwood fellow Rachel Richardson, and numerous emerging and established writers including Jaswinder Bolina, Elyse Fenton, and Bernard Farai Matambo. Additionally, the issue will include three "Translation Folios" introducing and contextualizing for an American audience work by renowned Turkish poet Haydar Ergulen, Georg Buchner Prize winner Karl Krolow, and Prix Max-Jacob winner Emmanuel Moses in translations by (respectively) Derick Mattern, Stuart Friebert, and National Book Award and Lenore Marshall Prize winner Marilyn Hacker. The cover of Issue 22 features work by Los Angeles-based artist Christina Stormberg.

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Anticorruption reforms provide political cover for public officials, but do they really work? This text seeks to show how the proliferating regulations and oversight mechanisms designed to prevent or root out corruption seriously undermine the ability to govern. Over the last century, the authors argue, society has become enmeshed in alternating cycles of corruption and reform. Governments attribute the absence of scandal to existing regulations, and see their reoccurrence as proof of the need of additional laws. Using the anti-corruption efforts in New York City to illustrate their argument, the authors seeks to deomonstrate the costly inefficiencies of pursuing absolute integrity. They assert that by constraining decision makers' discretion, shaping priorities, and causing delays, corruption control - no less than corruption itself - has contributed to the contemporary crisis in public administration.

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The Covid-19 crisis has been a defining moment for the maker movement. Groups and individuals are designing and producing personal protective equipment like face shields and masks, forming grassroots organizations to deliver equipment to medical professionals, and engaging with doctors and nurses to improve the designs and materials they're producing. We’re calling this civic response from makers all over the world “Plan C,” the backup plan for the backup plan. In this issue we highlight the Plan C people and projects that have driven the maker response and saved lives, and show the DIY PPE you can make to help your community too We also showcase projects and tips to get you through shelter-in-place orders, like building a 20-second musical hand soap dispenser, transitioning to homeschooling, and delving into webcasting tech. And there are a few kid-friendly projects to help you parents keep your sanity Plus, over 39 projects including: Build a mini jacob’s ladder Make a fully functional cell phone with a rotary dial Construct a simple boomerang that flies indoors and out Tell time with a unique “rewrite” clock using sequins and much more!

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Part literary history, part feminist historiography And Wrote My Story Anyway: Novels by Black South African Women critically examines influential novels in English by eminent black female writers. Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society. This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects. Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

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The essays in Indigenous Women and Work create a transnational and comparative dialogue on the history of the productive and reproductive lives and circumstances of Indigenous women from the late nineteenth century to the present in the United States, Australia, New Zealand/Aotearoa, and Canada. Surveying the spectrum of Indigenous women's lives and circumstances as workers, both waged and unwaged, the contributors offer varied perspectives on the ways women's work has contributed to the survival of communities in the face of ongoing tensions between assimilation and colonization. They also interpret how individual nations have conceived of Indigenous women as workers and, in turn, convert these assumptions and definitions into policy and practice. The essays address the intersection of Indigenous, women's, and labor history, but will also be useful to contemporary policy makers, tribal activists, and Native American women's advocacy associations. Contributors are Tracey Banivanua Mar, Marlene Brant Castellano, Cathleen D. Cahill, Brenda J. Child, Sherry Farrell Racette, Chris Friday, Aroha Harris, Faye HeavyShield, Heather A. Howard, Margaret D. Jacobs, Alice Littlefield, Cybèle Locke, Mary Jane Logan McCallum, Kathy M'Closkey, Colleen O'Neill, Beth H. Piatote, Susan Roy, Lynette Russell, Joan Sangster, Ruth Taylor, and Carol Williams.

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Proposes a revolutionary approach to the interpretation of art, film, and the digital. In Touch, Laura U. Marks develops a critical approach more tactile than visual, an intensely physical and sensuous engagement with works of media art that enriches our understanding and experience of these works and of art itself. These critical, theoretical, and personal essays serve as a guide to developments in nonmainstream media art during the past ten years—sexual representation debates, documentary ethics, the shift from analog to digital media, a new social obsession with smell. Marks takes up well-known artists like experimental filmmaker Ken Jacobs and mysterious animators the Brothers Quay, and introduces groundbreaking, lesser-known film, video, and digital artists. From this emerges a materialist theory—an embodied, erotic relationship to art and to the world. Marks’s approach leads to an appreciation of the works’ mortal bodies: film’s volatile emulsion, video’s fragile magnetic base, crash-prone Net art; it also offers a productive alternative to the popular understanding of digital media as "virtual" and immaterial. Weaving a continuous fabric from philosophy, fiction, science, dreams, and intimate experience, Touch opens a new world of art media to readers.

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'The kind of book you will find yourself saying urgently, over and over, to friends: 'Have you read it?' CAITLIN MORAN'Gripping, funny and always honest' DAVID NICHOLLS'I honestly couldn't put it down' MARINA HYDEAn ordinary day.The end of ordinary life.One morning in June, Abi had her to-do list - drop the kids to school, get coffee and go to work. Jacob had a bad headache so she added 'pick up steroids'. She returned home and found the man she loved and fought and laughed with for twenty years lying on the bathroom floor. And nothing would ever be the same again. But this is not a pity memoir. It's about meeting your person. And crazed late night Google trawls. It's about the things you wished you'd said to the person that matters then wildly over-sharing with the barista who doesn't know you at all. It's about sushi and the wrong shoes and the moments you want to shout 'cut'. It's about the silence when you are lost in space and the importance of family and parties and noise. It's the difference between surviving and living. It's a reminder that, even in the worst times, there is light ahead. It's a love story.

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Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times. Transdisciplinary in approach, this volume’s 14 essays explore art, technology and nature’s shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal epistemologies in the followers of Leonardo, to Surrealism and its precursors in Mannerist grotesques and the Wunderkammer, eighteenth-century plant printing, the climate and its artistic presentations from Constable to Olafur Eliasson, and the hermeneutics of bioart. In their comprehensive introduction, editors Camilla Skovbjerg Paldam and Jacob Wamberg trace the Kantian heritage of radically separating art and technology, and inserting both at a distance to nature, suggesting this was a transient chapter in history. Thus, they argue, the present renegotiation between art, technology and nature is reminiscent of the ancient and medieval periods, in which art and technology were categorized as aspects of a common area of cultivated products and their methods (the Latin ars, the Greek techne), an area moreover supposed to imitate the creative forces of nature.

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“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History, an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

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“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History, an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

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In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world--the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "Grimm" aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.

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In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world--the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "Grimm" aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.

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The presentation, the use, and the possible reception of the book of Genesis to lay audience largely unable to read the original texts. What was meant by the medieval popular Bible - what was presented as biblical narrative to an audience largely unable to read the original biblical texts? Presentations in the vernacular languages of Europe of supposedly biblicalepisodes were more often than not expanded and interpreted, sometimes very considerably. This book looks at the presentation, the use, and the possible lay reception of the book of Genesis, using as wide a range of medieval genresand vernaculars as possible on a comparative basis down to the Reformation. Literatures taken into consideration include Irish, Cornish, English, French, High and Low German, Spanish, Italian and others. Genesis was an importantbook, and the focus is on those narrative high points which lend themselves most particularly (it is never exclusive) to literal expansion, even though allegory can also work backwards into the literal narrative. Starting with thedevil in paradise (who is not biblical), the book examines what Adam and Eve did afterwards, who killed Cain, what happened in the flood or at the tower of Babel, and ends with a consideration of the careers of Jacob and Joseph.The book is based on the Speaker's Lectures, given in 2002 in the University of Oxford. BRIAN MURDOCH is Professor of German at the University of Stirling.

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An instant New York Times and Sunday Times bestseller SHORTLISTED FOR THE 2021 DYLAN THOMAS AWARD 'A package of dynamite' Stephen King ‘Powerful, compulsive, brilliant’ Marian Keyes An era-defining novel about the relationship between a fifteen-year-old girl and her teacher ALL HE DID WAS FALL IN LOVE WITH ME AND THE WORLD TURNED HIM INTO A MONSTER Vanessa Wye was fifteen-years-old when she first had sex with her English teacher. She is now thirty-two and in the storm of allegations against powerful men in 2017, the teacher, Jacob Strane, has just been accused of sexual abuse by another former student. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn't abuse. It was love. She's sure of that. Forced to rethink her past, to revisit everything that happened, Vanessa has to redefine the great love story of her life – her great sexual awakening – as rape. Now she must deal with the possibility that she might be a victim, and just one of many. Nuanced, uncomfortable, bold and powerful, My Dark Vanessa goes straight to the heart of some of the most complex issues of our age.

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In 1812 the French emperor Napoleon decided to invade Russia. For this purpose, he gathered an army of half a million men and women, consisting of soldiers from all nationalities, including French, German and Italian. Serving in this army was Carel Jacob Wagevier, an officer in the 125th Regiment of the Line, which was staffed by mostly Dutch soldiers. Full of confidence, they went to war and began the long journey to the East. What followed was a horrific expedition deep into the Russian interior, a chaotic retreat, and captivity. Just like his fellow soldiers, Wagevier endured the cold, the stresses of combat, and the hunger that besieged the army. After fighting at the battle of Berezina in November 1812, he was taken prisoner and transported all the way to the Russian interior. In 1814 he and his remaining fellow officers were released, and together they started the journey back home. During his travels across Russia, he made notes of events that occurred or meetings that seemed memorable, including ones of unexpected generosity as well as sudden cruelty. These notes were later expanded into his memoir and published in 1820. Now, for the first time ever, they have been translated into English, providing a unique and fascinating insight into the life of a solider in Napoleon's army.

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The RF 1475–1556 Louvre Album is universally regarded as a corpus of drawings that was executed by the Venetian painter Jacopo Bellini. The album’s trajectory prior to coming into the possession of the Bellini family is elucidated in the present book. Based on Norberto Gramaccini’s interpretation, it was the Paduan painter Francesco Squarcione who was the mastermind and financier behind the drawings. The preparatory work had actually been delegated to his most gifted pupils, among them Andrea Mantegna, Jacopo Bellini´s future son-in-law. The drawing’s topics —anatomy, perspective, archeology, mythology, contemporary chronicles, and zoology —were part of the teaching program of an art academy established by Squarcione in the 1440s, famous in its day, which provided crucial impulses for the training of artists in the modern era.

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This is the third of three new Main Range adventures which reunite the Seventh Doctor and his friend, Mags, the punk werewolf circus performer first seen in 1988's Doctor Who television story The Greatest Show in the Galaxy. In this adventure, a space-time summons brings the TARDIS to the strangest place Mags has yet visited. A space-time summons brings the TARDIS to the strangest place Mags has yet visited. A haven for the freakiest freaks and the weirdest weirdoes: Camden Lock, London, in the early 1990s. But there's a reason why former TARDIS traveller Ace has brought the old gang back together. She's on a mission to rescue an alien being, held prisoner in a massive mansion. A mission that can't possibly go wrong. Can it? CAST: Sylvester McCoy (The Doctor), Jessica Martin (Mags / Eater-Mags), Sophie Aldred (Ace), Jacob Collins Levy (Rufus / Voice of Head Office), Lara Lemon (Rohesia / Jinty), Gideon Turner (Raymond / Greg), Shiloh Coke (Janet / Sin Eater), Rex Duis (Vinewood / Lex). Other parts played by members of the cast.

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“Frenchmen were far ahead of Englishmen in the early Far West, not only prior in time but greater in numbers and in historical importance,” writes Janet Lecompte in her introduction to French Fur Traders and Voyageurs in the American West. They were the first to navigate the Mississippi and its tributaries, and they founded St. Louis and New Orleans. Though France lost her North American possessions in 1763, thousands of her natives remained on the continent. Many of them were voyageurs for Hudson’s Bay Company, whose descendants would join American fur trade companies plying the trans-Mississippi West. This volume documents the fact that in the nineteenth century Frenchmen dominated the fur trade in the United States. Twenty-two biographies, collected from LeRoy R. Hafen’s classic ten-volume The Mountain Men and the Fur Trade of the Far West, represent a variety of origins and social classes, types of work, and trading areas. Here are trappers who joined John Jacob Astor’s ill-fated fur venture on the Pacific, St. Louis traders who hauled goods to Spanish New Mexico along the Santa Fe Trail, and those who traded with Indians in the western plains and mountains.

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Dan Starkey reads this brand new novelisation of the 1996 TV Movie featuring the Eighth Doctor.'Who am I...? WHO AM I?'It's December 1999, and strange things are happening as the new millennium nears. A British police box appears from nowhere in San Francisco's Chinatown, and the mysterious man inside it is shot down in the street. Despite the best efforts of Dr Grace Holloway, the man dies and another stranger appears, claiming to be the same person in a different body: a wanderer in time and space known only as the Doctor.But the Doctor is not the only alien in San Francisco. His deadly adversary, the Master, is murdering his way through the city and has taken control of the TARDIS. The Master is desperate to take the Doctor's newly regenerated body for himself, and if the Doctor does not capitulate, it will literally cost him the Earth... and every last life on it.Dan Starkey, who played the Sontaran Strax in the BBC TV series, reads Gary Russell's novelisation of a TV script by Matthew Jacobs. (P) 2021 BBC Studios Distribution Ltd Reading produced by Neil Gardner Sound design by David Darlington Executive producer: Michael Stevens

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An exploration of Stoicism’s central role in British and American writing of the Romantic periodStoic philosophers and Romantic writers might seem to have nothing in common: the ancient Stoics championed the elimination of emotion, and Romantic writers made a bold new case for expression, adopting “powerful feeling” as the bedrock of poetry. Stoic Romanticism and the Ethics of Emotion refutes this notion by demonstrating that Romantic-era writers devoted a surprising amount of attention to Stoicism and its dispassionate mandate. Jacob Risinger explores the subterranean but vital life of Stoic philosophy in British and American Romanticism, from William Wordsworth to Ralph Waldo Emerson. He shows that the Romantic era—the period most polemically invested in emotion as art’s mainspring—was also captivated by the Stoic idea that aesthetic and ethical judgment demanded the transcendence of emotion.Risinger argues that Stoicism was a central preoccupation in a world destabilized by the French Revolution. Creating a space for the skeptical evaluation of feeling and affect, Stoicism became the subject of poetic reflection, ethical inquiry, and political debate. Risinger examines Wordsworth’s affinity with William Godwin’s evolving philosophy, Samuel Taylor Coleridge’s attempt to embed Stoic reflection within the lyric itself, Lord Byron’s depiction of Stoicism at the level of character, visions of a Stoic future in novels by Mary Shelley and Sarah Scott, and the Stoic foundations of Emerson’s arguments for self-reliance and social reform.Stoic Romanticism and the Ethics of Emotion illustrates how the austerity of ancient philosophy was not inimical to Romantic creativity, but vital to its realization.

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Based on the viral, heart-melting song 'Dinosaurs in Love', comes a sweet and deceptively simple story about love, longing, and loss by three-year-old Fenn Rosenthal.Dinosaurs eating peopleDinosaurs in loveDinosaurs having a partyThey eat fruit and cucumberWhen singer-songwriter Tom Rosenthal and his daughter Fenn posted their original song, 'Dinosaurs in Love', it became an instant classic. Just as Fenn's dinosaurs fell in love, so did the world.Now readers of all ages can enjoy Fenn's heartfelt, poignant lyrics again and again in this irresistible, sing-aloud picture book, featuring charming illustrations from Hannah Jacobs (animator of the viral music video).Check out the original song here: https://www.youtube.com/watch?v=ujby_E-5obQPraise for the 'Dinosaurs in Love' song:'[This song is] breaking everyone's hearts.' Buzzfeed News'A surprise hit. Honestly, we were not prepared to be devastated by this song' The Today Show''Dinosaurs in Love' [leaves] adults reaching for tissues across the globe' People'Giving us all the feels' BBC News'[...] tapping into the universal experience of longing and loss in a few simple phrases' Rolling Stone'Why am I crying?!' Popsugar

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A major new history of how the Enlightenment transformed people’s everyday livesThe Secular Enlightenment is a panoramic account of the radical ways that life began to change for ordinary people in the age of Locke, Voltaire, and Rousseau. In this landmark book, familiar Enlightenment figures share places with voices that have remained largely unheard until now, from freethinkers and freemasons to French materialists, anticlerical Catholics, pantheists, pornographers, readers, and travelers.Margaret Jacob, one of our most esteemed historians of the Enlightenment, reveals how this newly secular outlook was not a wholesale rejection of Christianity but rather a new mental space in which to encounter the world on its own terms. She takes readers from London and Amsterdam to Berlin, Vienna, Turin, and Naples, drawing on rare archival materials to show how ideas central to the emergence of secular democracy touched all facets of daily life. Human frailties once attributed to sin were now viewed through the lens of the newly conceived social sciences. People entered churches not to pray but to admire the architecture, and spent their Sunday mornings reading a newspaper or even a risqué book. The secular-minded pursued their own temporal and commercial well-being without concern for the life hereafter, regarding their successes as the rewards for their actions, their failures as the result of blind economic forces.A majestic work of intellectual and cultural history, The Secular Enlightenment demonstrates how secular values and pursuits took hold of eighteenth-century Europe, spilled into the American colonies, and left their lasting imprint on the Western world for generations to come.

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Step up to the plate with baseball’s top players, from mainstays like Mookie Betts and Gerrit Cole to rising stars like Shohei Ohtani and Vladimir Guerrero Jr. Young fans will enjoy these lively profiles of the game’s biggest stars, which explore their life stories, their playing styles, and their greatest baseball moments. Stars of Major League Baseball is illustrated with colourful photos and includes key statistics for each player. Athletes included: José Abreu (White Sox); Ronald Acuña Jr. (Braves); Sandy Alcantara (Marlins); Pete Alonso (Mets); Yordan Álvarez (Astros); Tim Anderson (White Sox); Nolan Arenado (Cardinals); Mookie Betts (Dodgers); Gerrit Cole (Yankees); Jacob deGrom (Mets); Edwin Díaz (Mets); Freddie Freeman (Dodgers); Paul Goldschmidt (Cardinals); Vladimir Guerrero Jr. (Blue Jays); Bryce Harper (Phillies); Aaron Judge (Yankees); Manny Machado (Padres); Shohei Ohtani (Angels); José Ramírez (Guardians); Austin Riley (Braves); Julio Rodríguez (Mariners); Max Scherzer (Mets); Corey Seager (Rangers); Juan Soto (Padres); Fernando Tatís Jr. (Padres); Mike Trout (Angels); Trea Turner (Dodgers); Justin Verlander (Astros).

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The ACA at 10 marks the tenth anniversary of the Affordable Care Act with essays from prominent analysts of US health policy and politics. Its contributors, an interdisciplinary roster of scholars, policymakers, and health policy researchers, explore critical issues and themes in the ACA's evolution. Topics include the role of race in US health politics, the ACA's surprising economic impacts, the history of ACA litigation and its implications for future health reform, the paradoxes of post-ACA Medicaid, shifting directions in public opinion, and much more. Offering a comprehensive accounting of the signal event in US health policy of the last half-century, this issue constitute a landmark contribution to the health politics literature. Contributors. Daniel Béland, Linda Blumberg, Andrea Louise Campbell, Sherry Glied, Sarah Gordon, Scott Greer, Colleen Grogan, Michael Gusmano, Allison Hoffman, Jon Holahan, Nicole Huberfeld, Lawrence Jacobs, Holly Jarman, David Jones, Timothy Stolzfus Jost, Katie Keith, Aryana Khalid, Larry Levitt, John McDonough, Stacey McMorrow, Suzanne Mettler, Jamila Michener, Jonathan Oberlander, Mark Peterson, Philip Rocco, Marilyn Tavenner, Frank Thompson, Carolyn Hughes Tuohy, Alex Waddan

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'Bah,'said Scrooge, 'Humbug.'But that was before he was presented with visions of Christmas Past, Christmas Present and Christmas Yet to Come, which gave him a whole new lease of life:'I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the World!'Old Ebenezer Scrooge is too mean to spend money on coals for the fire in his counting-house, where his clerk Bob Cratchit shivers in the winter cold. Declining an invitation to his nephew Fred's Christmas party, and refusing to give money to charity, he is ready for his usual miserly Christmas in his cold, dingy apartment. But that night, the ghost of his dead partner Jacob Marley appears and tells him to expect a visit from three spirits over the next three nights . . .Liberty of London and Faber & Faber both offer peerless quality and unrivalled originality. Liberty of London's patterned, print and floral fabrics are world famous. This partnership brings together the best writers with one of the foremost design teams to create books that will be coveted by artistic shoppers and book lovers the world over.

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A critically-acclaimed New York Times bestseller when it was published in the 90s, THE INTRUDER returns to print with urgency of today’s headlines. Can a good man go too far to protect his family? That is the question underlying this gripping tale, which pulls the reader into its stranglehold of terror in the tradition of Dennis Lehane, Thomas Harris, and James Patterson, who called it “ the best novel I’ve read in years.” Jacob Schiff is a product of a tough city neighborhood who’s managed to carve out a successful life with a loving family and a thriving law practice. But all of that is threatened when his wife, Dana, a psychiatric social worker, offers help and hope to a mentally disturbed homeless man named John Gates. When the patient decides Dana’s family has somehow stolen the life he was meant to have, Gates begins to stalk them, generating violent confrontations and threats. The police offer no real solutions and so Schiff makes the mistake of his life: he recruits a day-laborer/street enforcer, Philip Cardi, to warn the homeless man off. That sets off a series of violent confrontations and escalating consequences that upend the lives of all the characters.

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Henri Gaudier-Brzeska (1891-1915) was one of the leading figures of European avant-garde sculpture. Gaudier played an important role in the development of modern sculpture in Britain, working alongside Ezra Pound, Jacob Epstein, Roger Fry, Wyndham Lewis and others. Like many artists of his generation, his career was tragically cut short by the war. Having volunteered for the French army in the summer of 1914, he was killed in action the following year, at the age of just twenty-three. In 1930 Jim Ede, who three years earlier had acquired almost all of Gaudier’s work, published a biography of the sculptor. Entitled A life of Gaudier-Brzeska, the book was re-issued a year later with the title Savage Messiah. Ede’s book played an important role in re-establishing Gaudier’s reputation at a time when he was at risk of fading into obscurity. This new edition, published in 2011 to mark the centenary of Gaudier's arrival in Britain from France, includes previously unpublished material and new essays that re-contextualise the book art historically. It draws from the 1929 manuscript version of Ede's book, now in the archive at the Henry Moore Institute in Leeds, reproducing many of the drawings and photographs first used by Ede.

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Deniers and ducats, groats and guilders, crowns and cruzados: this fun, engaging and beautifully illustrated little book explores the role of money and medals in William Shakespeare’s world and work. "A fascinating account of Shakespeare's cosmopolitan world, illustrated with breathtaking images that bring to life the rich material culture that shaped Shakespeare's writings and his age. This is a superb volume, one that will have pride of place on my bookshelf." -Professor James Shapiro, author of 1599 and Contested Will Angels & Ducats: Shakespeare's Money and Medals "Barrie Cook knows more about coins and medals in Shakespeare's world and works than anyone alive; Angels and Ducats is an invaluable guide for anyone interested in how money mattered in Elizabethan and Jacobean England." -Professor James Shapiro, author of 1599 and Contested Will

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The New Paradigm in Architecture tells the story of a movement that has changed the face of architecture over the last forty years.The book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design—more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.This book, the first to explore the broad issue of Postmodernism, has fostered its growth in other fields such as philosophy and the arts. First written at the start of an architectural movement in the mid-1970s, it has been translated into eleven languages and has gone through six editions. Now completely rewritten and with two new chapters, this edition brings the history up to date with the latest twists in the narrative and the turn to a new complexity in architecture.

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The first of the Das Sisters Mystery Series finds Inspector Dolly Das of the Singapore CID and her sister, Lily, on the trail of a cold-blooded murderer in the Singapore heartland. It is 2009.On a dark, hazy December night, Mary Jacob's dead body is found at Silver Springs Condominium in the Singapore heartland. Is it a suicide, or did someone push Mary out of her kitchen window? Forensics investigation points tomurder.Inspector Dolly Das of the Singapore CID is assigned to the case. Multiple suspects have means and motives for murdering Mary, ranging from her estranged husband to her neighbours. When two more murders occur, pressuremounts on Dolly putting her job at risk. Desperately, she turns to her sister, Lily, for help in solving the murders. Lily runs a café and minimart at Silver Springs Condominium, placing her in a good position to gain information that the police cannot access. Supported by Uma, their sharp-tongued 78-year-old mother, Lily's assistant, Vernon, his girlfriend, Angie, and Lily's domestic helper, Girlie, the Das Sisters team up to solve the murders.What will Lily do when she finds herself drawn to one of the chief suspects?

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This book explores a cultural language, the heroic, that remained consistently powerful through the social, political, and dynastic turbulence of the long eighteenth century. The heroic provided an accessible and vivid shorthand for the ongoing ideological debates over the nature of authority and power, the construction of an ideal masculinity, and the shape of a new, British—rather than English—national identity. An analysis of this cultural language and its different valence over time not only unpacks the overlap between aesthetic and political debate in the late seventeenth and early eighteenth centuries, but also firmly grounds the eighteenth-century's revolution in taste and manners in the ongoing ideological debates about dynastic politics and the foundations of authority. Specifically, the book traces the making and breaking of the Stuart mythology through the development of and attacks on the heroic mode from the Restoration through the aftermath of the 1745 Jacobite uprising.

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Bella?'Edward's soft voice came from behind me. I turned to see him spring lightly up the porch steps, his hair windblown from running. He pulled me into his arms at once, and kissed me again. His kiss frightened me. There was too much tension, too strong an edge to the way his lips crushed mine - like he was afraid we had only so much time left to us.As Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge, Bella once again finds herself surrounded by danger. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob - knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation approaching, Bella has one more decision to make: life or death. But which is which?Following the international bestsellers Twilight and New Moon, Eclipse is the much-anticipated third book in Stephenie Meyer's captivating saga of vampire romance.

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Long an associate of the Royal Shakespeare Company, American playwright Richard Nelson has been praised by critics on both sides of the Atlantic, and has been awarded the Olivier Award for his play Goodnight Children Everywhere and a Tony Award for his adaptation of James Joyce's "The Dead." Included in this volume are his latest play, Madame Melville, which received rave reviews during its London run starring Macaulay Culkin and Irene Jacob, and The General from America, which ponders the emotional conflicts that Benedict Arnold faced before deciding to hand over George Washington to the British. Madame Melville, set in Paris in 1966, before that city exploded in protest, presents the story of a fifteen-year-old American, Carl, and his beautiful teacher, Claudie Melville. The Daily Telegraph praised Madame Melville as "a play about art, music, friendship and the irrecoverable, unforgettable moment when an adolescent realizes that the world is full of wonder." The General from America provides a rich portrait of Benedict Arnold. Nelson's account of Arnold's search for love and country, and his discovery of only compromise and despair, will haunt readers and audiences.

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Throughout the twentieth century, German writers, philosophers, theologians, and historians turned to Gnosticism to make sense of the modern condition. While some saw this ancient Christian heresy as a way to rethink modernity, most German intellectuals questioned Gnosticism's return in a contemporary setting. In No Spiritual Investment in the World, Willem Styfhals explores the Gnostic worldview's enigmatic place in these discourses on modernity, presenting a comprehensive intellectual history of Gnosticism's role in postwar German thought. Establishing the German-Jewish philosopher Jacob Taubes at the nexus of the debate, Styfhals traces how such figures as Hans Blumenberg, Hans Jonas, Eric Voegelin, Odo Marquard, and Gershom Scholem contended with Gnosticism and its tenets on evil and divine absence as metaphorical detours to address issues of cultural crisis, nihilism, and the legitimacy of the modern world. These concerns, he argues, centered on the difficulty of spiritual engagement in a world from which the divine has withdrawn. Reading Gnosticism against the backdrop of postwar German debates about secularization, political theology, and post-secularism, No Spiritual Investment in the World sheds new light on the historical contours of postwar German philosophy.

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Fitting Sentences is an analysis of writings by prisoners from the nineteenth and twentieth centuries in North America, South Africa, and Europe. Jason Haslam examines the ways in which these writers reconfigure subjectivity and its relation to social power structures, especially the prison structure itself, while also detailing the relationship between prison and slave narratives. Specifically, Haslam reads texts by Henry David Thoreau, Harriet Jacobs, Oscar Wilde, Martin Luther King, Jr., Constance Lytton, and Breyten Breytenbach to find the commonalities and divergences in their stories. While the relationship between prison and subjectivity has been mapped by Michel Foucault and defined as "a strategic distribution of elements" that act "to exercise a power of normalization", Haslam demonstrates some of the complex connections and dissonances between these elements and the resistances to them. Each work shows how carceral practices can be used to attack a variety of identifications, be they sexual, racial, economic, or any of a variety of social categories. By analysing the works of specific prison writers but not being limited to a single locale or narrow time span, Fitting Sentences offers a significant historical and global overview of a unique genre in literature.

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Mary Robinson’s A Letter to the Women of England (1799) is a radical response to the rampant anti-feminist sentiment of the late 1790s. In this work, Robinson encourages her female contemporaries to throw off the “glittering shackles” of custom and to claim their rightful places as the social and intellectual equals of men.Separately published in the same year, Robinson’s novel The Natural Daughter follows the story of Martha Morley, who defies her husband’s authority, adopts a found infant, is barred from her husband’s estate and is driven to seek work as an actress and author. The novel implicitly links and critiques domestic tyrants in England and Jacobin tyrants in France.This edition also includes: other writings by Mary Robinson (tributes, and an excerpt from The Progress of Liberty); writings by contemporaries on women, society, and revolution; and contemporary reviews of both works.

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Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.

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This is a rich harvest from a renowned translator, an elegant survivor. In 1996, in his eightieth year, David Gascoyne was awarded the Chevalier dans l'Ordre des Arts et Lettres in recognition of his profound contribution to French literature and art. This collection includes some of his best work - early translations, recent unpublished translations, and a substantial section of translations printed in journals over the past twenty-five years.Translations by David Gascoyne of: Guillaume Apollinaire, Andre Breton, Blaise Cendrars, Rene Char, Xie Chuang, Rene Daumal, Yves de Bayser, Robert Desnos, Andre du Bouchet, Paul Eluard, Pierre Emmanuel, Jean Follain, Benjamin Fondane, Andre Frenaud, Eugene Guillevic, Maurice Henry, Friedrich Holderlin, Georges Hugent, Edmond Jabes, Max Jacob, Pierre Jean Jouve, Valery Larbaud, Giacomo Leopardi, Stephane Mallarme, Loys Masson, O. V. de L. Milosz, Benjamin Peret, Francis Ponge, Gisele Prassinos, Raymond Queneau, Pierre Reverdy, Georges Ribemont-Dessaignes, Arthur Rimbaud, Gui Rosey, Philippe Soupault, Jules Supervielle, Jean Tardieu, Georg Trakl and Tristan Tzara.

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