Search results for ""public space""

Manufacturing a green future Industrial production is considered one of the biggest sources of pollution in the world. In 2020, Norwegian furniture manufacturer Vestre decided to prove that a different future is possible. Together with architects from the Danish Bjarke Ingels Group (BIG), Vestre drew up plans for a green factory deep in the Norwegian forests: Making The Plus not only takes you through the construction process of the world's most sustainable furniture factory, documented by renowned photographer Einar Aslaksen. It also broadens our view on how architecture, industry, nature, and the public space have to be completely intertwined moving toward a sustainable future.

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The city of Birmingham offers a particularly rich case study on urban regeneration as it strives to build a new city image. Positioned between decline and regeneration, the landscape of the city and its environs collages old and new, producing dramatic contrasts - of industrial and post-industrial urbanisms of crumbling brutalism and spectacular flagship developments, of Victorian housing and diverse cultural lifestyles - that compound the aesthetic and socio-economic means of regeneration. This visually exciting book also reflects upon and extends current debates about public space, cultural zoning and the futures of cities.

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In Finding the Movement, Anne Enke reveals that diverse women’s engagement with public spaces gave rise to and profoundly shaped second-wave feminism. Focusing on women’s activism in Detroit, Chicago, and Minneapolis-St. Paul during the 1960s and 1970s, Enke describes how women across race and class created a massive groundswell of feminist activism by directly intervening in the urban landscape. They secured illicit meeting spaces and gained access to public athletic fields. They fought to open bars to women and abolish gendered dress codes and prohibitions against lesbian congregation. They created alternative spaces, such as coffeehouses, where women could socialize and organize. They opened women-oriented bookstores, restaurants, cafes, and clubs, and they took it upon themselves to establish women’s shelters, health clinics, and credit unions in order to support women’s bodily autonomy.By considering the development of feminism through an analysis of public space, Enke expands and revises the historiography of second-wave feminism. She suggests that the movement was so widespread because it was built by people who did not identify themselves as feminists as well as by those who did. Her focus on claims to public space helps to explain why sexuality, lesbianism, and gender expression were so central to feminist activism. Her spatial analysis also sheds light on hierarchies within the movement. As women turned commercial, civic, and institutional spaces into sites of activism, they produced, as well as resisted, exclusionary dynamics.

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Former runways, abandoned buildings, disused railways and more: discover the urban spaces worldwide that have been transformed into green havens. Showcasing the transformative power of nature in today’s cities, Urban Oasis is a journey through the innovative and inspiring green city spaces rising around the world to meet the challenges of the climate crisis and social inequality. From Berlin‘s Tempelhof Airport, now a thriving public space, to the former landfill site transformed into Cairo’s Al-Azhar Park,to Bangkok’s Thammasat University Urban Farm, the largest organic rooftop farm in Asia, the forward-thinking green projects featured in this stunning book offer abundant glimpses of a greener future. Text in English and German.

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RESCALING URBAN POVERTY “In this path-breaking book, Mahito Hayashi explores the rescaled geographies of homelessness that have been produced in contemporary Japanese cities. Through an original synthesis of regulationist political economy and immersive place-based research, Hayashi situates urban homelessness in Japan in comparative-international contexts. The book offers new theoretical perspectives from which to decipher emergent forms of urban marginality and their contestation.” —Neil Brenner, Lucy Flower Professor of Urban Sociology, University of Chicago “Mahito Hayashi traces the shifting spatial strategies of unhoused people as they create spaces of emancipation within Japanese cities. Attending to the complexities of contentious class politics and livelihoods barely sustained by the survival economies, Rescaling Urban Poverty is a unique and valuable contribution to the study of the geographies of urban social movements.” —Nik Theodore, Head of the Department of Urban Planning and Policy, University of Illinois Chicago Rescaling Urban Poverty discloses the hidden dynamics of state rescaling that ensnares homeless people at the fringes of mainstream society and its housing regimes/classes. Explains the oppressive effects of rescaling and its limits in the interplay of the state, domiciled society, public space, urban class relations, social movements, and capitalism Uses ethnography as a re-ontologising medium of critical theorisation in Lefebvrian, Gramscian, Harveyan, and other Marxian strands Develops rich context-based and field-based arguments about social movements, poverty and housing policy, and public space formation in Japan Uncovers the radical geographies of placemaking, commoning, and translation that can create prohomeless urban environments under rescaling Refines the method of abstraction to broaden the international scope of critical literatures and links different scholarly standpoints without obscuring disagreements By advancing a broad research program for homelessness and poverty, Rescaling Urban Poverty provides the essential understanding of how state rescaling ensnares homeless and impoverished people in the interplay of the state, domiciled society, public space, urban class relations, social movements, and capitalism. Its three angles – national states, public and private spaces, and urban social movements – uncover the hidden dynamics of rescaling that emerge, and are resisted, at the fringes of mainstream society and its housing regimes/classes. Evidence is drawn from Japanese cities where the author has conducted long-term fieldwork and develops robust urban narratives by mobilising spatial regulation theory, metabolism theory, state theory, and critical housing theory. The book cross-fertilises these Lefebvrian, Gramscian, Harveyan, and other Marxian strands through meticulous efforts to reinterpret both old and new texts. By building bridges between classical and contemporary interests, and between the theories and Japanese cities, this book attracts various audiences in geography, sociology, urban studies, and political economy.

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Public reading programs are flourishing in many Latin American cities in the new millennium. They defy the conception of reading as solitary and private by literally taking literature to the streets to create new communities of readers. From institutional and official to informal and spontaneous, the reading programs all use public space, distribute creative writing to a mass public, foster collective rather than individual reading, and provide access to literature in unconventional arenas.The first international study of contemporary print culture in the Americas, Public Pages reveals how recent cultural policy and collective literary reading intervene in public space to promote social integration in cities in Colombia, Argentina, Brazil, Mexico, and Chile. Marcy Schwartz looks at broad institutional programs such as UNESCO World Book Capital campaigns and the distribution of free books on public transportation, as well as local initiatives that produce handmade books out of recycled materials (known as cartoneras) and display banned books at former military detention centers. She maps the connection between literary reading and the development of cultural citizenship in Latin America, with municipalities, cultural centers, and groups of ordinary citizens harnessing reading as an activity both social and literary. Along with other strategies for reclaiming democracy after decades of authoritarian regimes and political violence, as well as responding to neoliberal economic policies, these acts of reading collectively in public settings invite civic participation and affirm local belonging.

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The Book of Optics, written by the Arab scholar Ibn al Haytham in 1021 AD, formed the conceptual framework of the Public Art Program of EXPO 2020 in Dubai. Eleven renowned artists were invited to create newly commissioned, permanent artworks in public space to explore this central work of medieval science. The publication presents the works together with numerous text contributions. They explore the philosophical definitions of vision, cognition, and the importance of imagination in constructing a coherent picture of reality. With over 190 countries participating, EXPO 2020 in Dubai brought together numerous cultural and artistic initiatives to build bridges between people, communities and nations.

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The Book of Optics, written by the Arab scholar Ibn al Haytham in 1021 AD, formed the conceptual framework of the Public Art Program of EXPO 2020 in Dubai. Eleven renowned artists were invited to create newly commissioned, permanent artworks in public space to explore this central work of medieval science. The publication presents the works together with numerous text contributions. They explore the philosophical definitions of vision, cognition, and the importance of imagination in constructing a coherent picture of reality. With over 190 countries participating, EXPO 2020 in Dubai brought together numerous cultural and artistic initiatives to build bridges between people, communities and nations.

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This book questions whether the best way to deal with religious diversity is to equalise upwards or downwards, what the obstacles to a more egalitarian religious pluralism are, and what we can learn from policies and practices in the Middle East and Asia where religious plurality and the integration of religion in the public space is the norm rather than the exception. The first part of the book discusses the type and degree of secularism that is fit for addressing the challenges of religious diversity that contemporary western societies face at a theoretical or normative level, The second part engages with the experiences of countries in Europe, the Middle East, Asia and Oceania in their governance and accommodation of diverse religious communities within a single state.

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"A good city is like a good-party," you stay for longer than you plan," says Danish architect Jan Gehl. He believes that good architecture is not about form, but about the interaction between-form and life. Over-the last 50 years, Gehl has changed the way that we think about architecture and city planning, moving from the Modernist separation of uses to a human-scale approach inviting people to use their cities. At a time when growing numbers are populating cities, planning urban spaces to be humane, safe, and open to 'all' is ever-more critical. With the help of Jan Gehl, we can all become advocates for human scale design. Jan's research, theories, and strategies have been helping cities to reclaim their public space and recover from the great post-WWII car invasion. His work has influenced public space improvements in over 50 global cities, including New York, London, Moscow, Copenhagen, Melbourne, Sydney, and the authors' hometown of Perth. While much has been written by Jan Gehl about his approach and by others about his influence, this book tells the inside story of how he learned to Study urban spaces and implement his people-centred approach.People Cities discusses the work, theory, life, and influence of Jan Gehl from the perspective of those who have worked with him across the globe. Authors Matan and Newman celebrate Jan's role in changing the urban planning paradigm from an abstract, ideological modernism to a people-focused movement. It is organised around the creation of that movement, using key periods in Jan's working life as a structure. People Cities will inspire anyone who wants to create vibrant, human-scale cities and understand the ideas and work of an architect who has most influenced how we should and can design cities for people.

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The concept of «non-lyric» calls attention to the functional instability of poetry as a genre and of lyric as a discursive category today. This volume reflects on new discursive and cultural practices in contemporary poetry: the constitution of new subjects and new subjectivities, the function of the poetic in public space, enunciative hybridizations and the incorporation of intermediality. Its main purposes are to question the conventional identification of poetic with lyric and to analyze the defining elements of the non-lyric. This volume combines discussion of theoretical and methodological aspects with case studies of various poetic and cultural spheres: the Austrian, Brazilian, Spanish, Galician, Latin American, Polish and Portuguese spheres, oral traditions, and experimental and interartistic poetry, among others.

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RESCALING URBAN POVERTY “In this path-breaking book, Mahito Hayashi explores the rescaled geographies of homelessness that have been produced in contemporary Japanese cities. Through an original synthesis of regulationist political economy and immersive place-based research, Hayashi situates urban homelessness in Japan in comparative-international contexts. The book offers new theoretical perspectives from which to decipher emergent forms of urban marginality and their contestation.” —Neil Brenner, Lucy Flower Professor of Urban Sociology, University of Chicago “Mahito Hayashi traces the shifting spatial strategies of unhoused people as they create spaces of emancipation within Japanese cities. Attending to the complexities of contentious class politics and livelihoods barely sustained by the survival economies, Rescaling Urban Poverty is a unique and valuable contribution to the study of the geographies of urban social movements.” —Nik Theodore, Head of the Department of Urban Planning and Policy, University of Illinois Chicago Rescaling Urban Poverty discloses the hidden dynamics of state rescaling that ensnares homeless people at the fringes of mainstream society and its housing regimes/classes. Explains the oppressive effects of rescaling and its limits in the interplay of the state, domiciled society, public space, urban class relations, social movements, and capitalism Uses ethnography as a re-ontologising medium of critical theorisation in Lefebvrian, Gramscian, Harveyan, and other Marxian strands Develops rich context-based and field-based arguments about social movements, poverty and housing policy, and public space formation in Japan Uncovers the radical geographies of placemaking, commoning, and translation that can create prohomeless urban environments under rescaling Refines the method of abstraction to broaden the international scope of critical literatures and links different scholarly standpoints without obscuring disagreements By advancing a broad research program for homelessness and poverty, Rescaling Urban Poverty provides the essential understanding of how state rescaling ensnares homeless and impoverished people in the interplay of the state, domiciled society, public space, urban class relations, social movements, and capitalism. Its three angles – national states, public and private spaces, and urban social movements – uncover the hidden dynamics of rescaling that emerge, and are resisted, at the fringes of mainstream society and its housing regimes/classes. Evidence is drawn from Japanese cities where the author has conducted long-term fieldwork and develops robust urban narratives by mobilising spatial regulation theory, metabolism theory, state theory, and critical housing theory. The book cross-fertilises these Lefebvrian, Gramscian, Harveyan, and other Marxian strands through meticulous efforts to reinterpret both old and new texts. By building bridges between classical and contemporary interests, and between the theories and Japanese cities, this book attracts various audiences in geography, sociology, urban studies, and political economy.

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From the first utopian impulse of Plato's Republic to today's global border controls and public space surveillance systems, there has always been a tyrannical aspect to the organisation of society and the regulation of its spaces. Tyranny takes many forms, from the rigid barriers of military zones to the subtle ways in which landscape is used to 'naturalise' power. What are these forms and how do they function at different scales, in different cultures, and at different times in history? How are designers and other disciplines complicit in the manifestation of these varying forms of tyranny and how have they been able to subvert such political and ideological structures?

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Since the Modern Movement began to be challenge in the late 1960s, architecture has followed a number of widely divergent paths. In this thoughtful and eloquent book, Diane Ghirardo examines the architectural world of the late twentieth century and its theories in the crucial context of social and political issues. Within a survey of a broad range of buildings, she focuses on specific 'megaprojects' as paradigms for discussion. In the realm of public space, she argues, the key questions are raised by the Disney empire and its amusement parks; in domestic space, by the IBA in Berlin, with projects ranging from new structures to rehabilitation and residents' self-build. Her text ranges world-wide, and she considers the work of lesser-known designers and women architects as well as famous international stars.

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The term "market" originally portrayed a public space for economic transactions but the term has since evolved into an abstract and disputed idea. Despite modern markets seemingly omnipresent nature, their specific geographies have undergone relatively little analysis. This collection of new essays rediscovers the physical space that markets inhabit and explore how the impact of political, social and economic factors determine the shape of a particular market space. The essays present new research from the fields of geography, economics, political economy and planning and provide valuable case study material to show how markets are contested, constructed and placed. Rather than separate markets from the surrounding society and state, these essays connect markets to their wider context and showcase how economic geography can combine with other disciplines to throw new light on spaces of exchange.

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Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable.Working memories brings together some of current theatre scholarship’s fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

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In Shaping Place, founding principals Turan Duda, FAIA and Jeffrey Paine, FAIA, are joined by the firm’s four studio leaders to discuss the evolution of their work and thematic underpinnings since publication of their previous volume, Individual to Collective, in 2013. This compilation of buildings spans diverse typologies to illustrate how the firm’s ideas on public space, outdoor environments, evolving working and learning models, and contextual sensitivity are universal to creating meaningful architecture. With chapters focusing on design for wellness, academia, the workplace and urban development, the volume presents the realisation of the thematic roots discussed in Individual to Collective across a diverse range of scales, material qualities, structural systems and architectural palettes. Steve Dumez, FAIA, of Eskew Dumez Ripple, provides perspective on the firm’s work within the larger lens of architectural practice.

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What should a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment. Through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. She maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and care-full cities together.

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This unique collection of 12 research projects carried out by experienced practitioners in the play sector in the UK and USA puts forward a range of perspectives on children's play and adults' relationships with it. Drawing on a diverse range of research methodologies, the studies consider adults' memories of play; the co-production of spaces where children can play (in adventure playgrounds, out of school clubs, children’s zoos, children's museums and public space); therapeutic approaches to playwork; playwork and wellbeing; supporting the play of severely disabled children and young people; play and contemporary art practice; and children's use of technology in a playground. Offering a fresh look beyond the dominant singular voice of developmental psychology, this book is essential reading for anyone studying or working with children at play.

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The essays in More than One examine sequentiality and serialism in the practice of photography from the medium’s earliest years to the present. Contributors explore nuances of syntax and sense raised by works like photographic albums, books, thematic portfolios, journalistic photo features, and documentations of performance art. Fully illustrated essays discuss, among other topics, the little-known volume Beyond This Point (1929), a collaborative experiment by American photographer Francis Bruguiere and London radio producer Lance Sieveking; the evolving relationship between public space and sexual self-definition in the early work of Minor White; and an important performance work by artist Ana Mendieta. The title essay surveys the social conditions and expressive motives that have given rise to serial and sequential forms throughout the history of photography.Distributed for the Princeton University Art Museum

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"Building the South Side" explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago's public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction.Bachin highlights how the creation of a local terrain of civic culture was a contested process, with the battle for cultural authority transforming urban politics and blurring the line between private and public space. In the process, universities, parks and playgrounds, and commercial entertainment districts emerged as alternative arenas of civic engagement.

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This volume in the series on contemporary landscape architecture is concerned with how life quality can be increased by improving our living environment through planning and raising the quality of public space. How green do we want our housing to be? What are the essential criteria of a successful planning of open space in residential architecture? Will the changed relationship between city and country contribute to that, perhaps in the form of urban agriculture? This book was published on the occasion of the German Landscape Architecture Award 2011, the Special Housing Environment Award, and the largest competition for ideas from students and young professionals in landscape architecture and open space planning: the Peter Joseph Lenné Award. With a revised design and reworked structure, the essays and project descriptions in the book reveal the strategies with which the profession is meeting new challenges.

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A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.

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This trailblazing book outlines a tested interdisciplinary "process model" for urban design. Its goal is not to explain how to design a specific city precinct or public space, but to describe useful steps to approach the transformation of urban spaces. "Urban Ecological Design" illustrates the different stages in which the process is organized, using theories, techniques, images, and case studies. The authors believe that environmental concerns demand that ecological and sustainability issues are addressed in urban design. It is, after all, the urban designer who helps to orchestrate human relationships with other living organisms in the built environment. The overall objective of the book is to reinforce the role of the urban designer as an honest broker and promoter of design processes and as an active agent of social creativity in the production of the public realm.

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Environmental horticulture - also referred to as landscape horticulture and amenity horticulture - is the umbrella term for the horticulture that we encounter in our daily lives. This includes parks, botanic gardens, sports facilities, landscape gardens, roundabouts, cemeteries, and shopping centres - any public space which has grass, planting and trees. A complete and comprehensive guide to an area most of us take for granted, Environmental Horticulture: - Comments and critiques contemporary thinking on the subject - Explores the role, value and application of horticulture in different landscapes - Reviews the importance and impact of horticulture on the wider environment - Covers practical management advice for categories of environmental horticulture such as turf grass, bedding plants, trees, grasslands and green roofs A vital resource for undergraduate and postgraduate students, this book is also a valuable addition to academic departments with an interest in green space management and wider environmental issues.

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This volume analyses cultural perceptions of safety and security that have shaped modern European societies. The articles present a wide range of topics, from feelings of unsafety generated by early modern fake news to safety issues related to twentieth-century drug use in public space. The volume demonstrates how ‘safety’ is not just a social or biological condition to pursue but also a historical and cultural construct. In philosophical terms, safety can be interpreted in different ways, referring to security, certainty or trust. What does feeling safe and thinking about a safe society mean to various groups of people over time? The articles in this volume are bound by their joint effort to take a constructionist approach to emotional expressions, artistic representations, literary narratives and political discourses of (un)safety and their impact on modern European society.

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This fascinating book analyzes the socialist past as represented in the national history museums of the majority of the former Yugoslav states. While traveling to Croatia, Bosnia and Herzegovina, Montenegro, Kosovo, and Macedonia, the study elucidates the strategies of constructing the national narratives that maintain and legitimize the particular vision of the common past. The cross-national comparison allows to extract the main tendencies in visual interpretation of the socialist past. The existence of the diverse opinions with the further possibility of displaying them in the public space has tremendous importance for the democratic development of the state and, consequently, the analysis of the exhibitions representing the socialist past in multiparadigmatic ways is the promising tool for the identification of both the memory politics in the region and the extent to which political actors are interfering in the given field.

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The terms “Front-Row Kids” and “Back-Row Kids,” coined by the photographer Chris Arnade, describe the divide between the educated upper middle class, who are staying ahead in today’s economy, and the less educated working class, who are doing poorly. The differences in education—and the values associated with elite schooling—have produced a divide in America that is on a par with that of race. The judiciary, requiring a postgraduate degree, is the one branch of government that is reserved for the Front-Row Kids. Correspondingly, since the Warren era, the Supreme Court has basically served as an engine for vindicating Front-Row preferences, from allowing birth control and abortion, to marginalizing religion in the public space, to legislative apportionment and libel law, and beyond. Professor Glenn Reynolds describes this problem in detail and offers some suggestions for making things better.

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This book analyzes the changes and tendencies expressed in the relation between army and society in Israel.Since its inception, Israel has been defined as a nation in arms, a public space in which the security needs became central and, to a great extent, dictated the agenda and functioning of all the public arenas operating in it. The theoretical investigation is accompanied by case study illustrations of special instances related to the nexus between: security and society security and politics the army and the media the army and public relations security and culture bereavement and commemoration social motivation to serve in the army the army and foreign policy. Lebel explores the connection between the military and culture in Israel against the backdrop of globalization, individualism, liberalism, and social burn-out in the face of survival and change.

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This book provides a forum for theoretical, methodological and empirical contributions to research on language(s), multimodality and public space, which will advance new ways of understanding the sociocultural, ideological and historical role of communication practices and experienced lives in a globalised world. Linguistic Landscape is viewed as a metaphor and expanded to include a wide variety of discursive modalities: imagery, non-verbal communication, silence, tactile and aural communication, graffiti, smell, etc. The chapters in this book cover a range of geographical locations, and capture the history, motives, uses, causes, ideologies, communication practices and conflicts of diverse forms of languages as they may be observed in public spaces of the physical environment. The book is anchored in a variety of theories, methodologies and frameworks, from economics, politics and sociology to linguistics and applied linguistics, literacy and education, cultural geography and human rights.

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Constructing Gardens, Cultivating the City is the first cultural history of major new parks developed in Paris in the late twentieth century, as part of the city’s program of adaptive reuse of industrial spaces. Thanks to laws that gave the city more political autonomy, Paris’s local government launched a campaign of park creation in the late 1970s that continued to the turn of the millennium. The parks in this book represent this campaign and illustrate different facets of their cultural and historical context. Archival research, interviews, and analyses of the parks reveal how postmodern debates about urban planning, the historic city, public space, and nature’s presence in an urban setting influenced their designs. In sum, the city adopted the garden as a model for public parks, investing in complex, richly symbolic and representational spaces. These parks were intended to represent contemporary twists on traditional designs and serve local residents as much as they would contribute to Paris’s role as a world city. The parks’ development process often included points of conflict, pointing to differing views on what Parisian space should represent and fundamental contradictions between the characteristics of public space and the garden as it is traditionally defined. These parks demonstrate the ongoing cultivation of the city over time, in which transformed sites not only fulfil new functions but also engage with history and their surroundings to create new meaning. They stand for landscape as a form of signifying cultural production that directly engages with other art forms and ways of knowing. Just as the Luxembourg Gardens, the Tuileries, and the Buttes-Chaumont parks exemplify their eras’ cultural dynamics, such parks as the Jardin Atlantique, Parc André-Citroën, and the Jardin des Halles express contemporary French culture within the archetypal space of their era, the city. Finally, they point the way to current trends in landscape architecture, such as citizen gardening and ecological initiatives.

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Brazil has long been called the "country of the future." This book documents an exhibition that examines Brazil from the perspective of blindness as a critical category, a metaphor for the way in which the obstruction of perception can illuminate alternate modes of knowledge and experience. It features twenty emerging and mid-career artists working in Brazil who offer a critical perspective on processes of transition within contemporary society, be it from the public space of the street to the virtual zone of the computer screen, or the scale of local communities to the structure of large-scale political action. These works speak to the complexity and heterogeneity of an art milieu that is both tied to the local and manifestly global in reach.

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Artists increasingly address the issues of legacies of previous planning, neo-liberal development processes, and spectacular new designs as well as the plurality, globalisation and virtuality of our cities in their work. They initiate artistic processes in urban space and allow realms of experience, which interrupt everyday life and open up gridlocked horizons of expectation, to emerge. This volume documents the art and exhibition projects, which are exemplary of that, realised by the Academy of Another City as an artistic platform of the International Building Exhibition IBA Hamburg 2009 and 2010. It furthermore discusses topics such as development and expectations of public space, freedom, responsibility, urban development, gentrification and cultural education from the perspectives of art and urban planning, cultural science, philosophy, and pedagogy.

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Nilbar Güres (born 1977) is a Turkish multidisciplinary artist whose work explores the politics and construction of female identity in relation to geography and religion. The launch of her first monograph, Nilbar Güres: Who Is the Subject?, published by OSMOS Books, coincides with an intimate first exhibition in New York, entitled, Pink Is the New Black at OSMOS Address including photography, collage, video and drawing. In the series Unknown Sports, Güres depicts women in their private spaces transforming them, as the artist remarks: high jumpers instead of window cleaners, sprinters instead of shop keepers, shot-putting instead of holding our siblings in their arms. The artist leads the viewer to reevaluate and reconsider the conventional relationship between women, their domestic environments and public space, sexual politics and the perception of Muslim women in Europe.

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EVA & ADELE’s work finds its raison d’être in their permanent, lifelong performance which takes place worldwide throughout the public space. The work group CUM (lat. WITH) is the essence of the interactive process. It was acknowledged as early as 1997 in the Sprengel Museum with the solo exhibition CUM, and is continued to this day in a variety of media. EVA & ADELE requested one of two Polaroids taken by the public – co-performers – including a signature. Based on this they created a group of important drawings and paintings which they developed in the subsequent artistic process and have continued until today. The publication forms the work complex CUM in its entirety; the volume is completed by valuable text contributions by Robert Fleck, Lisa Schmidt-Herzog and Marcus Steinweg.

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Introduction.- Part 1: Cyber Crime, Cyber Terrorism and Cyber Security.- Cybercrime and terrorism.- Cyber Security.- AI and Cyber.- Part 2: Effective management and security of EU external borders.- Border Security Technologies.- Methodological approaches to border security.- Integrated platforms for border security management.- Part 3 Serious and Organized Crime (SOC).- Multimodal Data Fusion for combating SOC.- Big Data Processing and Analytics in context of SOC.- Data Visualisation and Decision Support.- Artificial Intelligence for combating SOC.- Part 4: Critical Infrastructures (CI) Resilience and Public Space Protection.- Cyber and System security for protection of CI.- Physical security of CI.- Case studies in protection of CI.- Protection of Public Spaces.- Part 5: Civil Protection and Disaster-Resilient Societies.- Crisis management.- Disaster management and Resilience strengthening technologies.- First responders technology.- Part 6: Strengthened Security Research and Inno

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A History of Interior Design tells the story of 6,000 years of domestic and public space. Itâs an essential resource for students, professionals, and anyone interested in interior design, the decorative arts, architecture, and art history. It explores a broad range of styles and movements, weaving together a fascinating narrative from cave dwellings and temple architecture, through Gothic cathedrals and Islamic palaces, to modern skyscrapers and the retail spaces of the 21st-century. This fully updated fifth edition includes: More on the contributions of women designers and architectsAdditional coverage of furniture, product design, and decorationNumerous new examples of diverse modern styles from around the worldOver 700 images, more than 300 of which are new or color replacements for black and white photosAn extra final chapter focusing on the influence of the latest technology and current thinking on the importance of conservation and ethical sourcing

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Unraveling the syntax of text fragments found in literature, conversations, and public space, Daniel Rode fractures words into letters deliberately preventing easy readability by disregarding spaces and line breaks. Throwing our habits for a loop, they retain their indeterminacy a little longer before we can interpret by reading. Detached from their original contexts, they find their way into both large-scale installations and drawings, often created in series. By moving between these polar opposites—a sober, reserved aesthetic on the one hand, and a sensitive, almost tender devotion to artistic execution on the other—the artist pays homage to the singular by endlessly reproducing words, photos or splashes of paint by hand, which despite all efforts will naturally deviate from the original. Again and Again offers a comprehensive insight into Rode's oeuvre, enriched by perceptive texts by 13 contributors providing an often surprisingly personal perspective on the artist and his work.

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In a practice spanning nearly two decades, Jose Dávila has created an expressive body of work that explores the visual tropes and iconic symbols of art, architecture, and urban design. Initially trained as an architect and self-educated as a visual artist, Dávila creates sculptures, installations and photographic works that simultaneously emulate, critique, and pay homage to 20th-century avant-garde art and architecture, referencing artists and architects from Luis Barragán to Josef Albers and Donald Judd. Humor and melancholy co-mingle in works that often explore the tension between industrial and organic materials and the forces of compression and balance. This monograph assesses the full scope of Dávila’s practice in all media for the first time, and includes texts attesting to the historical and social dimensions of Dávila’s art. Essays address the artist’s early pieces, his exercises on balance, sculpture, graphics and paintings, and his works in public space.

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The first major historical account of gender politics during the Nasser era, Revolutionary Womanhood analyzes feminism as a system of ideas and political practices, international in origin but local in iteration. Drawing connections between the secular nationalist projects that emerged in the 1950s and the gender politics of Islamism today, Laura Bier reveals how discussions about education, companionate marriage, and enlightened motherhood, as well as veiling, work, and other means of claiming public space created opportunities to reconsider the relationship between modernity, state feminism, and postcolonial state-building. Bier highlights attempts by political elites under Nasser to transform Egyptian women into national subjects. These attempts to fashion a "new" yet authentically Egyptian woman both enabled and constrained women's notions of gender, liberation, and agency. Ultimately, Bier challenges the common assumption that these emerging feminisms were somehow not culturally or religiously authentic, and details their lasting impact on Egyptian womanhood today.

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The first major historical account of gender politics during the Nasser era, Revolutionary Womanhood analyzes feminism as a system of ideas and political practices, international in origin but local in iteration. Drawing connections between the secular nationalist projects that emerged in the 1950s and the gender politics of Islamism today, Laura Bier reveals how discussions about education, companionate marriage, and enlightened motherhood, as well as veiling, work, and other means of claiming public space created opportunities to reconsider the relationship between modernity, state feminism, and postcolonial state-building. Bier highlights attempts by political elites under Nasser to transform Egyptian women into national subjects. These attempts to fashion a "new" yet authentically Egyptian woman both enabled and constrained women's notions of gender, liberation, and agency. Ultimately, Bier challenges the common assumption that these emerging feminisms were somehow not culturally or religiously authentic, and details their lasting impact on Egyptian womanhood today.

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This book traces the dynamic relationship between film and the city. How do film and urban space work together to challenge and forge our changing ideas of modern urban life? How does film intervene with what is erased or retained from the existing urban fabric? What are the possibilities and limits of contemporary utopic visions built into urban form? How does film itself work as a utopic space? How has the space of the cinema created a vibrant public space over the course of last century, and what is its future? These are some of the questions tackled in this book. Drawing on films as diverse as Man with a Movie Camera, Bicycle Thieves, Dogville, Safe, Los Angeles Plays Itself, Chungking Express and The Circle, the book identifies and analyses the major debates about the crucial historical relationship between film and the city to consider existing and future possibilities.

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On the pioneering ecological urban strategies of a Spanish public consortium BCNecologia (the Urban Ecology Agency of Barcelona) is a public consortium consisting of the City Council of Barcelona, the Municipal Council and Metropolitan Area of Barcelona and the Barcelona Provincial Council. BCNecologia has played a key role in defining a new urban model for Barcelona—a model that has placed the city at the forefront of worldwide urban transformations—by designing a superblock and orthogonal bus network strategy for the Catalan capital. BCNecologia: 20 years of the Urban Ecology Agency of Barcelona looks back at over 100 projects carried out by the Agency in cities across the world. These studies are presented through a tree with five themed branches that describe various sustainability indicators, superblock-based urban regeneration plans, new mobility and public space planning models, and environmental and circular economy-oriented proposals.

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Richard Rogers, founder of Rogers Stirk Harbour + Partners, is a pre-eminent architect of his generation, whose approach to buildings is infused with his enthusiasm for modernism, love of life and strong sense of social justice.From the Pompidou Centre in Paris to the Lloyds Building in the City of London, and from airports, to cancer care centres to low-cost homes, the buildings he and his partners have designed blend private use, public space and civic value.In part inspired by his 2013 Royal Academy exhibition, A place for all people is a mosaic of life, projects and ideas for a better society. Ranging backwards and forwards over a long and creative life, and integrating relationships, projects, stories, collaborations and polemics, with case studies, drawings and photographs A place for all people is a dazzling and inspiring book as original as its author.

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A collection of gorgeously written and timely pieces in which prize-winning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life's inevitable hardships.In "We Kin" he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in "Share Your Bucket" he explores skate-boarding's reclamation of public space; he considers the costs of masculinity in "Grief Suite"; and in "Through My Tears I Saw," he recognizes what was healed in caring for his father as he was dying.In an era when divisive voices take up so much air space, Inciting Joy offers a vital alternative: what might be possible if we turn our attention to what brings us together? Full of energy, curiosity, and compassion, it is essential reading from one of our most brilliant writers.

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The spread of new information and communications technologies during the past two decades has helped reshape civic associations, political communities, and global relations. In the midst of the information revolution, we find that the speed of this technology-driven change has outpaced our understanding of its social and ethical effects. The moral dimensions of this new technology and its effects on social bonds need to be questioned and scrutinized: Should the Internet be understood as a new form of public space and a source of public good? What are we to make of hackers? Does the Internet strengthen or weaken community? In The Internet in Public Life, essayists confront these and other important questions. This timely and necessary volume makes clear the need for a broader conversation about the effects of the Internet, and the questions raised by these seven essays highlight some of the most pressing issues at hand.

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This unique collection of 12 research projects carried out by experienced practitioners in the play sector in the UK and USA puts forward a range of perspectives on children's play and adults' relationships with it. Drawing on a diverse range of research methodologies, the studies consider adults' memories of play; the co-production of spaces where children can play (in adventure playgrounds, out of school clubs, children’s zoos, children's museums and public space); therapeutic approaches to playwork; playwork and wellbeing; supporting the play of severely disabled children and young people; play and contemporary art practice; and children's use of technology in a playground. Offering a fresh look beyond the dominant singular voice of developmental psychology, this book is essential reading for anyone studying or working with children at play.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. When the Sony Walkman debuted in 1979, people were enthralled by the novel experience it offered: immersion in the music of their choice, anytime, anywhere. But the Walkman was also denounced as self-indulgent and antisocial—the quintessential accessory for the “me” generation. In Personal Stereo, Rebecca Tuhus-Dubrow takes us back to the birth of the device, exploring legal battles over credit for its invention, its ambivalent reception in 1980s America, and its lasting effects on social norms and public space. Ranging from postwar Japan to the present, Tuhus-Dubrow tells an illuminating story about our emotional responses to technological change. Object Lessons is published in partnership with an essay series in The Atlantic.

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