Search results for ""public space""

POLITICS OF DISINFORMATION Discover a comprehensive exploration of the underlying theories of disinformation, and their impact, from leading voices in the field Politics of Disinformation delivers a thorough discussion of the overwhelming problem of modern fake news in the political arena. The book reviews fundamental theoretical concepts of disinformation and analyzes the impact of new techniques of misinformation and the dissemination of false information in the public space. A group of distinguished authors provide case studies throughout the text to illustrate the effect of disinformation all around the world; including, but not limited to Europe, the Middle East, and South America. The chapters include examination of topics such as the rise of populism, the increasing political influence of social networks, the use of fact checking to combat fake news and echo chambers, and comparative analyses of how disinformation affects conservatives and liberals. A final case study examines all of these factors as they relate to the recent Spanish election of 2019 and how they affected the results. This book also includes: A thorough introduction to the politics of disinformation and the relationship between disinformation and populism An exploration of the democratic implications of networked persona construction and the likely reaction to disinformation by future journalists Discussions of the third person effect and fake news in Spain, as well as perceptions, views, and definitions of fake news among Israeli conservatives and liberals A treatment of disinformation in campaigns in France, Brazil, and Spain Perfect for use as a reference book for students and scholars of political communication and political science, Politics of Disinformation will also earn a place in the libraries of practicing journalists and students of journalism and media studies, as well as those studying or working in communications.

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This title shows how to strengthen and revitalize our historic commercial districts and suburban centers, too. Public space and street design in commercial districts can dictate the success or failure of walkable community centers. Instead of focusing our efforts on designing new 'compact town centers,' many of which are located in the suburbs, we should instead be revitalizing existing authentic town centers. This informative, practical book describes methods for restoring the health and vibrancy of the streets and public spaces of our existing commercial districts in ways that will make them positive alternatives to suburban sprawl while respecting their historic character.Clearly written and with numerous photos to enhance the text, "Creating Vibrant Public Spaces" uses examples from communities across the United States to illustrate the potential for restoring the balance provided by older urban centers between automobile access and 'walkability.' In advice that can be applied to a variety of settings and scales, Crankshaw describes the tenets of contemporary design theory, how to understand the physical evolution of towns, how to analyze existing conditions, and how to evaluate the feasibility of design recommendations.Good design in commercial centers, Crankshaw contends, facilitates movement and access, creates dynamic social spaces, and contributes to the sense of a 'center' - a place where social, commercial, and institutional interaction is more vibrant than in surrounding districts. For all the talk of creating new 'green' urban spaces, the ingredients of environmentally aware design, he points out, can often be found in the deteriorating cores and neighborhoods of towns and cities across the United States. With creativity, planning, and commitment, these centers can thrive again, adding to the quality of local life and contributing to the local economy, too.

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At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation.Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.

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Canada has a rich heritage of English-language communication thought. For the first time "Canadian Communication Thought" assembles much of this erudition by introducing and examining the writings of ten foundational scholars: Graham Spry, Harold Innis, John Grierson, Dallas Smythe, C.B. Macpherson, Irene Spry, George Grant, Gertrude Robinson, Northrop Frye, and Marshall McLuhan. The author compares and critiques the thought of these ten sages, relates their writings to their biographies and to the Canadian physical and cultural environment, and compares their work to foundational American communication scholars. He finds that there is indeed a mode of theorizing that is 'quintessentially Canadian.' Compared with the work of foundational American writers, for instance, the Canadian literature is significantly more dialectical, ontological, holistic, and critical; it emphasizes to a much greater extent the impact of communication on social change; and it is more concerned with mediation and the formation and sustenance of culture and community. The Canadian writers are also much more engaged than their American counterparts with the question of power in communication - with what can generally be regarded as matters of political economy. Moreover, the wisdom of these ten experts is invaluable for understanding important issues of our day, for example: globalization, environmental deterioration, rapid technological change in the communication sphere, the erosion of privacy, the diminution of public space, the commodification of information and culture, growing disparities between rich and poor, identity and representation in the media, virtual realities, and the waning of democracy. The communication thought of these ten acclaimed scholars increases awareness of questions we should continually ask, provides important insight into how we can resolve current dilemmas, and invites us to consider possibilities for pursuing freedom, equality, justice, and peace in the early twenty-first century.

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Language policy and usage in the post-communist region have continually attracted wide political, media, and expert attention since the disintegration of the USSR in 1991. How are these issues politicised in contemporary Estonia, Latvia, and Ukraine? This study presents a cross-cultural qualitative and quantitative analysis of publications in leading Russian-language blogs and news websites of these three post-Soviet states in the period from 2004 to 2017. The most notable difference observed between Ukraine, on the one side, and the two Baltic countries, on the other, is that many Russian-writing users in Ukraines internet tend to support the position that the state language, i.e. Ukrainian, is discriminated against and needs special protection by the state, whereas the majority of Russian-speaking commentators on selected Estonian and Latvian news websites advocate the establishment of Russian as a second state language. Despite attempts of Ukraines government to ukrainianise the public space, the position of Ukrainian is still perceived, even by many Russian-writing commentators and bloggers, as being precarious and vulnerable. This became especially visible in debates after the 20132014 Revolution of Dignity, when the number of supporters of an introduction of Russian as a second state language significantly decreased. In the Russian-language segments of Estonian and Latvian news websites and blogs, in contrast, the majority of online users continue to reproduce the image of being victims of their countries nation-building. They often claim that their political, as well as economic rights are significantly limited in comparison to ethnic Estonians and Latvians. This book illustrates thatnotwithstanding variations between the Estonian as well as Latvian cases, on the one hand, and Ukraine, on the otherthere is an ongoing process of convergence within Ukrainian debates if compared to those held in the other two countries in terms of an increasing degree of discursive decommunisation and derussification.

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**An Economist Book of the Year**** A Critic Book of the Year**A trail-blazing book about women's fights to access the great outdoors - and a very personal book about how running through the landscape helped the author in her journey from bereavement back to a sense of belonging'Heartfelt, passionate, infuriating and often devastating, this book will inspire you to fight for your right to tread your own path' CAROLINE CRIADO PEREZ, author of Invisible WomenWhen Rachel loses five family members in five months, grief magnifies other absences. Running used to help her feel at home, but now she becomes painfully aware of her inability to run without being cat-called or followed. She sees injustices facing women in sport, and male bias in competition regulations and media coverage. Running outdoors sharpens her sense of the grief women experience - every day, everywhere - for lack of freedom.Rachel goes in search of a new family: foremothers at the dawn of outdoor sport. She discovers Lizzie Le Blond, who scaled the Alps in woollen skirts, photographed fearless women skating and tobogganing at breakneck speeds, and founded the Ladies' Alpine Club, defying men who wanted the mountains to themselves. Yet after such groundbreaking progress in the late 1800s, a backlash drove women out of sports and public space.Are we now living through a similar reversal in women's rights or an era of unprecedented liberty? Telling Lizzie's story alongside her own, Rachel runs her way from bereavement to belonging, in a world that feels hostile to women. On the way she's inspired by the tenacious women, past and present, who insist that breaking boundaries outdoors is, and always has been, in her nature.

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Streets make up more than 80 percent of all public space in cities, yet street space is often underutilised or disproportionately allocated to the movement of private motor vehicles. Excess impervious surface contributes to stormwater runoff, posing a threat to the environment and human health, and often overwhelming sewer systems. This excess asphalt also poses a threat to public safety, encouraging faster speeds and dangerous conditions for people walking and biking. The Urban Street Stormwater Guide begins from the principle that street design can support, or degrade, the urban area's overall environmental health. By incorporating Green Stormwater Infrastructure (GSI) into the right-of-way, cities can manage stormwater and reap the public health, environmental, and aesthetic benefits of street trees, planters, and greenery in the public realm. With thoughtful design, GSI can bolster strategies to provide a safe and pleasant walking and cycling experience, efficient and reliable transit service, and safer streets for all users.Building on the successful NACTO urban street guides, the Urban Street Stormwater Guide provides the best practices for the design of GSI along transportation corridors. The authors consider context-sensitive design elements related to street design, character and use, zoning, posted speed, traffic volumes, and impacts to non-motorised and vehicular access. The Guide documents and synthesizes current practices being developed by individual agencies and recommends design guidance for implementation, as well as explores innovative new strategies being tested in cities nationwide. The guidance will focus on providing safe, functioning and maintainable infrastructure that meets the unique needs and requirements of the transportation corridors and its various uses and users. The state-of-the-art solutions in this guide will assist urban planners and designers, transportation engineers, city officials, ecologists, public works officials, and others interested in the role of the built urban landscape in protecting the climate, water quality, and natural environment.

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New York Rising is an illustrated history of real estate development in Manhattan, a story of speculation and innovation - of the big ideas, big personalities, and big risks that collectively shaped a city like no other. From the first European settlement in the seventeenth century through the skyscrapers and large-scale urban planning schemes of the late twentieth century, this book presents a broad historical survey, illustrated with images drawn largely from the rich archival resources of the Durst Collection at Avery Architectural & Fine Arts Library, Columbia University. The patriarch of one of New York City's most prominent real estate families, Seymour B. Durst, was a bibliophile and an avid collector of New York memorabilia. His archival holdings - once known as the Old York Library and now the Durst Collection - reflect his fascination with the city's street grid, mass transit, port, parks and open spaces, as well as its monumental buildings and signature skyline. Ten leading scholars - the late Hilary Ballon, Ann Buttenwieser, Andrew Dolkart, David King, Reinhold Martin, Richard Plunz, Lynne B. Sagalyn, Hilary Sample, Russell Shorto, and Carol Willis - delved into the collection to select objects that reflect their own areas of interest and expertise. Using these materials, they have created visual narratives on specific topics, focusing on the Dutch and English governance of Manhattan, the growth of the city according to the Commissioners' Plan of 1811, the emergence of the public transit system, the "race for height," the rise of multi-family and affordable housing, the transformation of Midtown into a commercial center, urban renewal in the Moses era, the revival of Times Square, and the reclaiming of the waterfront as public space. Essays by Kate Ascher and Thomas Mellins provide a framework for exploring these topics. New York Rising is published in association with The Graduate School of Architecture, Planning and Preservation and Avery Architectural & Fine Arts Library, Columbia University.

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Inside the complex and misunderstood world of professional street skateboarding On a sunny Sunday in Los Angeles, a crew of skaters and videographers watch as one of them attempts to land a “heel flip” over a fire hydrant on a sidewalk in front of the Biltmore Hotel. A staff member of the hotel demands they leave and picks up his phone to call the police.Not only does the skater land the trick, but he does so quickly, and spares everyone the unwanted stress of having to deal with the cops. This is not an uncommon occurrence in skateboarding, which is illegal in most American cities and this interaction is just part of the process of being a professional street skater. This is just one of Gregory Snyder’s experiences from eight years inside the world of professional street skateboarding: a highly refined, athletic and aesthetic pursuit, from which a large number of people profit. Skateboarding LA details the history of skateboarding, describes basic and complex tricks, tours some of LA's most famous spots, and provides an enthusiastic appreciation of this dangerous and creative practice. Particularly concerned with public spaces, Snyder shows that skateboarding offers cities much more than petty vandalism and exaggerated claims of destruction. Rather, skateboarding draws highly talented young people from around the globe to skateboarding cities, building a diverse and wide-reaching community of skateboarders, filmmakers, photographers, writers, and entrepreneurs. Snyder also argues that as stewards of public plazas and parks, skateboarders deter homeless encampments and drug dealers. In one stunning case, skateboarders transformed the West LA Courthouse, with Nike’s assistance, into a skateable public space. Through interviews with current and former professional skateboarders, Snyder vividly expresses their passion, dedication and creativity. Especially in relation to the city's architectural features—ledges, banks, gaps, stairs and handrails—they are constantly re-imagining and repurposing these urban spaces in order to perform their ever-increasingly difficult tricks. For anyone interested in this dynamic and daunting activity, Skateboarding LA is an amazing ride.

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Cities are where solutions to the twenty-first century’s key challenges - addressing inequality, fostering political participation, responding to climate change - will be tested. And as cities adapt to new developments in technology, infrastructure, public space, transportation, and housing, so too must urban practices and our understanding of how to effect positive change evolve. In Citymakers, Cassim Shepard - 2019 Guggenheim Fellow for Architecture, Planning, and Design - offers a vivid survey of how urbanism today is no longer the domain of just planners, politicians, and power brokers removed from the effects of their decisions, but an array of citizens working at the vanguard of increasingly diverse practices, from community gardeners to architects to housing advocates. Drawing on six years as the editor of Urban Omnibus, one of the leading publications charting innovations in urban practice (launched in 2009 by The Architectural League of New York), Shepard explores a broad variety of projects in New York, a city at the forefront of experimental and practical research: a constructed wetland in Staten Island, a workforce development and technology program in Red Hook, Brooklyn, a public art installation in a Bronx housing project, a housing advocacy initiative in Jackson Heights, Queens. These and a wide variety of other examples in Citymakers comprise a cross-disciplinary, from-the-ground-up approach that encourage better choices for cities of the future. By blending intimate portraits of individuals and projects with incisive social analysis, Citymakers reports from the front lines of urban practice with up-to-the-minute examples and arguments that reframe our understanding of urbanism. With original photography by Alex Fradkin, the book fuses the rich visual and graphic sensibility of architectural publishing with the informative readability of sophisticated, long-format journalism. Revising traditional notions of urban intervention and providing new directions for the next generation of citizen-practitioners, Citymakers is a lasting document of the perspectives driving cities today, and tomorrow.

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What are the suburbs? The popular vision of monotonous streets curving into culs-de-sac and emerald lawns unfurling from nearly identical houses would have us believe that suburbia is a boring, homogeneous, and alienating place. But this stereotypical portrayal of the suburbs tells us very little about the lives of the people who actually live there. Making Suburbia offers a diverse collection of essays that examine how the history and landscape of the American suburb is constructed through the everyday actions and experiences of its inhabitants.From home decor and garage rock to modernist shopping malls and holiday parades, contributors explore how suburbanites actively created the spaces of suburbia. The volume is divided into four parts, each of which addresses a distinct aspect of the ways in which suburbia is lived in and made. More than twenty essays range from Becky Nicolaides’s chronicle of cross-racial alliances in Pasadena, to Jodi Rios’s investigation of St. Louis residents’ debates over public space and behavior, to Andrew Friedman’s story of Cold War double agents who used the suburban milieu as a cover for their espionage.Presenting a wide variety of voices, Making Suburbia reveals that suburbs are a constantly evolving landscape for the articulation of American society and are ultimately defined not by planners but by their inhabitants.Contributors: Anna Vemer Andrzejewski, U of Wisconsin–Madison; Heather Bailey, History Colorado State Historical Fund; Gretchen Buggeln, Valparaiso U; Charity R. Carney, Western Governors U; Martin Dines, Kingston U London; Andrew Friedman, Haverford College; Beverly K. Grindstaff, San José State U; Dianne Harris, U of Illinois, Urbana–Champaign; Ursula Lang, U of Minnesota; Matthew Gordon Lasner, Hunter College; Willow Lung-Amam, U of Maryland, College Park; Becky Nicolaides, U of California, Los Angeles; Trecia Pottinger, Oberlin College; Tim Retzloff, Michigan State U; Jodi Rios, U of California, Berkeley; Christopher Sellers, Stony Brook U; David Smiley, Columbia U; Stacie Taranto, Ramapo College of New Jersey; Steve Waksman, Smith College; Holley Wlodarczyk, U of Minnesota.

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Inside the complex and misunderstood world of professional street skateboarding On a sunny Sunday in Los Angeles, a crew of skaters and videographers watch as one of them attempts to land a “heel flip” over a fire hydrant on a sidewalk in front of the Biltmore Hotel. A staff member of the hotel demands they leave and picks up his phone to call the police.Not only does the skater land the trick, but he does so quickly, and spares everyone the unwanted stress of having to deal with the cops. This is not an uncommon occurrence in skateboarding, which is illegal in most American cities and this interaction is just part of the process of being a professional street skater. This is just one of Gregory Snyder’s experiences from eight years inside the world of professional street skateboarding: a highly refined, athletic and aesthetic pursuit, from which a large number of people profit. Skateboarding LA details the history of skateboarding, describes basic and complex tricks, tours some of LA's most famous spots, and provides an enthusiastic appreciation of this dangerous and creative practice. Particularly concerned with public spaces, Snyder shows that skateboarding offers cities much more than petty vandalism and exaggerated claims of destruction. Rather, skateboarding draws highly talented young people from around the globe to skateboarding cities, building a diverse and wide-reaching community of skateboarders, filmmakers, photographers, writers, and entrepreneurs. Snyder also argues that as stewards of public plazas and parks, skateboarders deter homeless encampments and drug dealers. In one stunning case, skateboarders transformed the West LA Courthouse, with Nike’s assistance, into a skateable public space. Through interviews with current and former professional skateboarders, Snyder vividly expresses their passion, dedication and creativity. Especially in relation to the city's architectural features—ledges, banks, gaps, stairs and handrails—they are constantly re-imagining and repurposing these urban spaces in order to perform their ever-increasingly difficult tricks. For anyone interested in this dynamic and daunting activity, Skateboarding LA is an amazing ride.

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One of the Top Urban Planning Books of 2022, PlanetizenThe full and fascinating guidebook that Orange County deserves.A People’s Guide to Orange County is an alternative tour guide that documents sites of oppression, resistance, struggle, and transformation in Orange County, California. Orange County is more than the well-known images on orange crate labels, the high-profile amusement parks of Disneyland and Knott’s Berry Farm, or the beaches. It is also a unique site of agricultural and suburban history, political conservatism in a liberal state, and more diversity and discordance than its pop-cultural images show. It is a space of important agricultural labor disputes, segregation and resistance to segregation, privatization and the struggle for public space, politicized religions, Cold War global migrations, vibrant youth cultures, and efforts for environmental justice. Memorably, Ronald Reagan called Orange County the place “where all the good Republicans go to die,” but it is also the place where many working-class immigrants have come to live and work in its agricultural, military-industrial, and tourist service economies. Orange County is the fifth-most populous county in America. If it were a city, it would be the nation’s third-largest city; if it were a state, its population would make it larger than twenty-one other states. It attracts 42 million tourists annually. Yet Orange County tends to be a chapter or two squeezed into guidebooks to Los Angeles or Disneyland. Mainstream guidebooks focus on Orange County’s amusement parks and wealthy coastal communities, with side trips to palatial shopping malls. These guides skip over Orange County’s most heterogeneous half—the inland space, where most of its oranges were grown alongside oil derricks that kept the orange groves heated. Existing guidebooks render invisible the diverse people who have labored there. A People’s Guide to Orange County questions who gets to claim Orange County’s image, exposing the extraordinary stories embedded in the ordinary landscape.

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This book sheds light on the most philosophically interesting of contemporary objects: the cell phone. “Where are you?”—a question asked over cell phones myriad times each day—is arguably the most philosophical question of our age, given the transformation of presence the cell phone has wrought in contemporary social life and public space. Throughout all public spaces, cell phones are now a ubiquitous prosthesis of what Descartes and Hegel once considered the absolute tool: the hand. Their power comes in part from their ability to move about with us—they are like a computer, but we can carry them with us at all times—in part from what they attach to us (and how), as all that computational and connective power becomes both handy and hand-sized. Quite surprisingly, despite their name, one might argue, as Ferraris does, that cell phones are not really all that good for sound and speaking. Instead, the main philosophical point of this book is that mobile phones have come into their own as writing machines—they function best for text messages, e-mail, and archives of all kinds. Their philosophical urgency lies in the manner in which they carry us from the effects of voice over into reliance upon the written traces that are, Ferraris argues, the basic stuff of human culture. Ontology is the study of what there is, and what there is in our age is a huge network of documents, papers, and texts of all kinds. Social reality is not constructed by collective intentionality; rather, it is made up of inscribed acts. As Derrida already prophesized, our world revolves around writing. Cell phones have attached writing to our fingers and dragged it into public spaces in a new way. This is why, with their power to obliterate or morph presence and replace voice with writing, the cell phone is such a philosophically interesting object.

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Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.

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'This book is unsettling, in the most enjoyable way. ''Home'' has long been a scholarly obsession, but where others try to pin down its ''meaning'', this collection revels in its multiplicity. By viewing home-making as practiced and mobile, these essays emphasise the 'interactional achievement' of people, spaces and things. It examines its scale - from man-caves to nations - its spatiality - on public transport as much as in residences - and its temporality - as constant re-creation. This approach flags the contradictory and ambivalent nature of home-making as individual and collective projects of identity. In a world marked by a ''crisis of home'', this collection examines the relation between agency and power as we struggle for coherence and continuity.'Greg Noble, University of Western Sydney, Australia Asking us to think differently about the home, this book challenges the notion of a closed-off and self-sufficient place and reimagines home to be where we find our connections to others and the world. By exploring home in relation to the figure of the stranger and public space, as well as with a focus on practices of dwelling and materialities, the authors demonstrate that thinking differently about home advances our understanding of belonging as a social process in which we are all implicated.Interrelated chapters challenge traditional, convenient and stereotypical notions of 'home'. Specifically, the book provides a state-of-the-art cross-disciplinary conceptual framework; contributes to national and international discussions on the changing economic and social meanings of home; and provides analysis of areas and locations that are rarely thought of as involved in 'home-making', e.g. man caves; mobile homes; the home in public; senses of home; the migrant citizen/stranger. This book is an essential resource for those involved in housing policy, issues around migration policies and to researchers working in other arenas such as cultural heritage. It is of particular interest to academics of sociology, anthropology and cultural studies, and those whose research investigates questions of domestic space and the politics of home.Contributors include: A. Ålund, J. Browitt, A. Deslandes, N. Ebert, M. Giuffre, O. Hamilton, E. Honeywill, J. Humphry, L. Kings, J. Lloyd, Y. Musharbash, S. Redshaw, C.-U. Schierup, A. Stebbing, S. Supski, I. Vanni Accarigi, E. Vasta

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Innovation districts and anchor institutions, like hospitals, universities, and technology hubs, are celebrated for their ability to drive economic growth and employment opportunities. But the benefits often fail to reach the very neighbourhoods they are built in. As CEO of the Buffalo Niagara Medical Campus (BNMC), Matt Enstice took a different approach. Under Matt’s leadership, BNMC has supported entrepreneurship training programmes and mentorship for community members, creation of a community garden, bringing together diverse groups to explore transportation solutions, and more. Fostering participation and collaboration among neighbourhood leaders, foundations, and other organisations ensures that the interests of Buffalo residents are represented. Together, these groups are creating a new model for reenergising Buffalo, a model that has applications across the United States, and around the world. City Forward explains how BNMC works to promote a shared goal of equity among companies and institutions with often opposing motivations and intentions. When money or time is scarce, how can equitable community building remain a common priority? When interests conflict, and an institution’s expansion depends upon parking or development that would infringe upon public space, how can the decision-making process maintain trust and collaboration? Offering a candid look at BNMC’s setbacks and successes, along with efforts from other institutions nationwide, Enstice shares twelve strategies that innovation districts can harness to weave equity into their core work. From actively creating opportunities to listen to the community, to navigating compromise, to recruiting new partners, the book reveals unique opportunities available to create decisive large-scale change. Critically, Enstice also offers insight about how innovation districts can speak about equity in an inclusive manner and keep underrepresented and historically excluded voices at the decision-making table. Accessible, engaging, and packed with fresh ideas that are applicable to any city, this book is an invaluable resource. Institutional leadership, business owners, and professionals hoping to make equitable change within their companies and organisations will find experienced direction here. City Forward is a refreshing look at the brighter, more equitable futures that we can create through thoughtful and strategic collaboration—moving forward, together.

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Socrates banished poetry from the ideal republic, adopting the philosophical position that poetic language operates outside the conventions of public discourse and is private in expression. But what does the banished language of poetry say about its relation to public space? Is it possible to draw a line severing the language of beauty from the language of truth? Derrida asks whether the line ought rather to pass between Western metaphysics, with its logic of polar opposites, and another way that does not organize everything in oppositional terms. The verbal economy organized around the poem as inscription, for instance, fits awkwardly with a division between a public discourse under the aegis of truth and a private one regulated by aesthetic pleasure. Poetry's Appeal takes the reemergence of a viable poetry in the politicized culture of revolutionary and post-revolutionary France as a signal that poetry's sentence of exile from the public arena is unresolved. It finds that poetry addresses history and the political through a disjunction between its illusory status as a song of private, lyrical intent and its actual state as a material inscription, inevitably public in character. The book confronts several issues raised by the gap between poetry's aesthetic status and its material state. It shows that this gap allows poetry to make a strong critique of symbols as weapons for waging ideological warfare. As lyric, a poem naturalizes linguistic structures whose artificiality, as inscription, it makes manifest. Inscription thus enables the poem to act subversively against the ideology it supposedly supports. Furthermore, the chances and economies of the letter, the mark, and the page can have productive, positing power in poetry. The author argues that the zones and pockets that emerge thanks to nonsignifying elements of language have analogies for reading the city space. In chapters on Chénier, Hugo, Baudelaire, Mallarmé, and Valéry, the book details some of the struggles between the ideological and material sides of poetry with the nineteenth-century remappings of political space: memory and the archive, the censorship of material history, the propping of founding performatives, the legibility of founding texts, the need to redefine action where technique is productive, and the recognition and assimilation of zones owed to technique.

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Socrates banished poetry from the ideal republic, adopting the philosophical position that poetic language operates outside the conventions of public discourse and is private in expression. But what does the banished language of poetry say about its relation to public space? Is it possible to draw a line severing the language of beauty from the language of truth? Derrida asks whether the line ought rather to pass between Western metaphysics, with its logic of polar opposites, and another way that does not organize everything in oppositional terms. The verbal economy organized around the poem as inscription, for instance, fits awkwardly with a division between a public discourse under the aegis of truth and a private one regulated by aesthetic pleasure. Poetry's Appeal takes the reemergence of a viable poetry in the politicized culture of revolutionary and post-revolutionary France as a signal that poetry's sentence of exile from the public arena is unresolved. It finds that poetry addresses history and the political through a disjunction between its illusory status as a song of private, lyrical intent and its actual state as a material inscription, inevitably public in character. The book confronts several issues raised by the gap between poetry's aesthetic status and its material state. It shows that this gap allows poetry to make a strong critique of symbols as weapons for waging ideological warfare. As lyric, a poem naturalizes linguistic structures whose artificiality, as inscription, it makes manifest. Inscription thus enables the poem to act subversively against the ideology it supposedly supports. Furthermore, the chances and economies of the letter, the mark, and the page can have productive, positing power in poetry. The author argues that the zones and pockets that emerge thanks to nonsignifying elements of language have analogies for reading the city space. In chapters on Chénier, Hugo, Baudelaire, Mallarmé, and Valéry, the book details some of the struggles between the ideological and material sides of poetry with the nineteenth-century remappings of political space: memory and the archive, the censorship of material history, the propping of founding performatives, the legibility of founding texts, the need to redefine action where technique is productive, and the recognition and assimilation of zones owed to technique.

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Mary Mattingly is a visual artist. She founded Swale, an edible landscape on a barge in New York City. Docked at public piers but following waterways common laws, Swale circumnavigates New York's public land laws, allowing anyone to pick free fresh food. Swale instigated and co-created the "foodway" in Concrete Plant Park, the Bronx in 2017. The "foodway" is the first time New York City Parks is allowing people to publicly forage in over 100 years. It's currently considered a pilot project. Mattingly recently launched Public Water with More Art and completed a two-part sculpture “Pull” for the International Havana Biennial with the Museo Nacional de Bellas Artes de la Habana and the Bronx Museum of the Arts, two spherical ecosystems that were pulled across Habana to Parque Central and the museum. In 2018 she received a commission from BRIC Arts Media to build "What Happens After" which involved dismantling a military vehicle (LMTV) that had been to Afghanistan and deconstructing its mineral supply chain. A group of artists including performance artists, veterans, and public space activists re-envisioned the vehicle for BRIC. In 2016 Mattingly led a similar project at the Museum of Modern Art. In 2014, an artist residency on the water called WetLand launched in Philadelphia and traveled to the Parrish Museum. It was employed by the University of Pennsylvania’s Environmental Humanities program until 2017. Mary Mattingly’s work has also been exhibited at Storm King, the International Center of Photography, the Seoul Art Center, the Brooklyn Museum, the New York Public Library, deCordova Museum and Sculpture Park, and the Palais de Tokyo. Her work has been featured in Aperture Magazine, Art in America, Artforum, Art News, Sculpture Magazine, The New York Times, New York Magazine, Financial Times, Le Monde Magazine, Metropolis Magazine, New Yorker, The Wall Street Journal, the Brooklyn Rail, and on BBC News, MSNBC, NPR, WNBC, and on Art21. Her work has been included in books such as the Whitechapel/MIT Press Documents of Contemporary Art series titled “Nature” and edited by Jeffrey Kastner, Triple Canopy’s Speculations, the Future Is... published by Artbook, and Henry Sayre’s A World of Art, 8th edition, published by Pearson Education Inc.

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For decades Frederick Law Olmsted (1822-1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post-Civil War America. Historians, landscape architects, conservationists, city planners, and citizens' groups continue to turn to Olmsted for inspiration in their planning and protection of public open space in our cities. This latest and seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, "The Spoils of the Park." In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system-the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted's commentary on issues of the times including federal Reconstruction policy and civil-service reform. The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.

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"The park throughout is a single work of art, and as such, subject to the primary law of every work of art, namely, that it shall be framed upon a single, noble motive, to which the design of all its parts, in some more or less subtle way, shall be confluent and helpful."-Frederick Law Olmsted For decades Frederick Law Olmsted (1822-1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. Olmsted's plans and professional correspondence are a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. His writings also provide a unique record of society and politics in post-Civil War America. Historians, landscape architects, conservationists, city planners and citizens' groups continue to turn to Olmsted for inspiration in their planning and protection of public open space in our cities. This latest volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, "The Spoils of the Park." In addition, the volume contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years prior to his dismissal from the New York parks department in 1878. Later chapters chronicle the early stages of his planning of the Boston park system-the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U. S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, N. Y. The volume also presents Olmsted's commentary on issues of the times including Reconstruction policy and Civil Service reform. The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.

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'The authors set out to develop a framework that explains if and how co-creation can be used as ''strategy-as-practice.'' In doing so, they have produced a wonderful case study on co-creating a city's living and public space, the next movement and cultural turn following the ''creative class'' studies in urban design. There are innovative uses of narrative analysis to provide multiple perspectives of the co-creative process. It contains valuable insights for anyone interested in urban design.'- Hans Hansen, Texas Tech University'The book makes a very important contribution to the strategy-as-practice field as it proposes a thorough ethnography about how governments, academia, business, non-profits and citizens engage themselves in the strategic and collaborative process of planning. Drawing on a comprehensive and compelling notion of ''action nets'', the book provides a fascinating interpretive explanation that will be inspiring as well as for academics and practitioners. This timely volume raises a host of fascinating issues related to organizing and strategizing as ''co-creative practices'' and will be an invaluable resource across multiple domains and organizational research areas. Moreover, the book will convince you that ''small is beautiful''!'- Linda Rouleau, HEC Montreal, CanadaOver the past three decades, the European Capital of Culture has grown into one of the most ambitious cultural programs in the world. Through the promotion of cultural diversity across the continent, the program fosters mutual understanding and intercultural dialogue among citizens, thereby increasing their sense of belonging to a community. This insightful book outlines potential avenues through which culture and creativity can raise the imaginative capability of citizens and harness opportunities tied to what the book calls 'culture-driven growth'.Building on three years of observations, interviews and research the authors argue that a 'strategy-as-practice' perspective can reveal how strategy making is enabled or constrained by organizational and social practices. The authors reveal how the 'sweet-spot' of city regeneration occurs where urban and cultural planning are aligned. They then evaluate the practice of 'co-creation' within organizing bodies and investigate the extent to which its success depends on a fusion of top-down rules and bottom-up action. Urban Strategies for Culture-Driven Growth will appeal to international scholars and students in organization studies, geography, city governance and planning, urban design, and urban and regional development. Policymakers and planners will also find it to be a valuable resource.

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Analyses contemporary Turkish social and political transformation from 2010 to 2020 through the urban landscape of Istanbul Analyses contemporary Turkey through the series of these key events, especially as they relate to the recent history of Istanbul Uses an interdisciplinary perspective that incorporates the intersection of religion, politics and space through attention to architecture and the urban landscape Adopts an accessible but rich interpretive method that covers a wide range of political and religious issues crucial to understanding Turkey's most recent history Provides an original analysis of the decade of 2010-2020 in contemporary Turkish history through a series of case studies of the decade's key events Uses an interdisciplinary perspective that incorporates the intersection of religion, politics and space through attention to architecture and the urban landscape Utilises an accessible but rich interpretive method that covers a wide range of political and religious issues crucial to understanding Turkey's most recent history Over the past decade, the AKP, under the leadership of Recep Tayyip Erdogan, has decisively turned Turkish politics in the direction of conservative Turkish Islamic national identity. Through an analysis of four case studies - the 2010 designation of Istanbul as the European Capital of Culture, the 2013 Gezi Park protests, the association of the first Bosphorus bridge with the 2016 coup attempt, and the transition of Hagia Sophia from museum to mosque in 2020 - the book identifies key moments of change and describes how the AKP has restructured public spaces in Istanbul to reflect its values. This book explores the momentous shifts in power during a crucial decade in Turkish history, 2010-2020, by analyzing how these events have produced shifts in the physical landscape of Istanbul. Through an analysis of four case studies, the book focuses on the role of the Turkish state under the AKP in the restoration of conservative Islamic and Neo-Ottoman imagery and iconography in public space through the intentional transformation of architecture and the built environment. A specific ideological framework undergirded the AKP's conception of the built environment, the plans it implemented to transform it, and the forms of resistance that these plans generated. This specific ideological framework is here termed Erdo?anian Neo-Ottomanism, which describes AKP's use of the power of the state to shape the urban landscape in their social and ideological image. This phenomenon is the subject of this book's analysis.

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A recognition of graffiti and street art by women from around the world. This book brings together the personal experiences, dreams, purposes, cultural tastes, struggles and samples of the work of more than 50 female graffiti artists, street artists and female muralists dedicated to reclaiming the public space and enriching our urban environments. This thoroughly illustrated book will inspire the reader to seek out street art in our cities, pointing towards a fairer world in terms of female equality within street art and graffiti. The book shows how these women fight to break free of the inequalities that linger in our society today and continue to affect women's status in many sectors, including art. PARTICIPANTS. Argentina: Agus Rucula, Hola Pum Pum, K2man, Milu Correch. Australia: Danielle Weber, Vexta. Belarus: Julia Yu Baba. Brazil: Magrela. Canada: Emily Read, Priscilla Yu. Chile: Anis88. Colombia: Ledania, Mugre Diamante. Equador: Mo Vasquez. France: Claire Prouvost, Emyart, Mademoiselle Kat, Wuna (+Canada), Zabou (+UK), Zoia. Finland: Camilla Siren, Anetta Lukjanova (+Spain). Germany: Minas. Italy: Alice Pasquini, Rame13, Vera Bugatti. Mexico: Lourdes Villagomez, Paola Delfin, Tahnee Flor, Triana Parera, Adry del Rocio, Alina Kiliwa, Alegria del Prado (+Spain:). Norway: Missprinted. Peru: Niz (+USA). Poland: Natalia Rak, Nespoon. Portugal: Tamara Alves. Spain: Btoy, Didi Leona, Elisa Capdevila, Julieta xlf, Lily Brik. The Netherlands: JDL. UK: Helen Bur, Rosie Woods (+Australia). USA: Emily Eldridge (+Germany), Kaz Williams/KAZILLA (Miami, FL), Kee Romano, Nico Cathcart (Richmond, VA), Toofly (+Equador). Venezuela: Sandra Betancort. AUTHOR: Diego Lopez has a degree in Documentation from the University of Valencia. He later furthered his training in the documentation centers of the Valencia Museum of Fine Arts and the newspaper Las Provincias. He has also contri-buted to such publications as Cultivar Salud and Hello Valencia and is a blogger on social networks with thousands of followers. Passionate about graffiti and street art, he is dedicated to delving into this fascinating world within cities and collecting photos of the works and pieces created on the street and meeting their creators. He has published a book on regional Spanish street art. SELLING POINTS: . The book honours the contribution to graffiti and street art by women around the world . More than 50 female graffiti artists, urban artists and muralists who contribute to creating an open-air art museum

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Delves into a royal tomb in order to expand our understanding of Ottoman palace culture Presents the first book to explore the Sultan Abd lhamid I Tomb in Istanbul also known as the Hamidiye Tomb Complex Unveils the lives of the 86 men, women and children of the Ottoman palace buried there Draws on a range of primary sources translated from Ottoman Turkish for the first time, from archival documents and contemporary chronicles to epitaphs Interprets for readers the wide range of Ottoman art, architecture, language, poetry and cultural customs encountered at this tomb complex Provides an overview of the Islamic calendar system, the Ottoman culture of death and funerals, the Ottoman attitude toward smallpox vaccination and titles at court This book reveals multiple aspects of life in the Ottoman palace, in both its public space (the chancery) and private space (the royal household and the harem). It does so by exploring the Sultan Abd lhamid I Tomb in Istanbul, investigating the paths that open to us through the graves of the royalty in the mausoleum and those of the courtiers, eunuchs, concubines and female harem managers in the garden graveyard around it. The treasure of information at this graveyard allows us to piece together a wide spectrum of details that illuminate the court funerary culture of the era, from architecture and calligraphy to funerals and epitaphs to turbans and fezzes and poetry, as we come to an understanding of the role of royal cemeteries in strengthening the bonds between the reigning House and the populace and enhancing the legitimacy of the dynasty's rule. The book first introduces the tomb complex to the reader, interpreting its architecture, art and poetry, before exploring the lives and careers of 65 of the 86 people interred here between the first burial, in 1780, and the last, in 1863. Along the way, it reveals intriguing stories from that of Sultan Abdulhamid's daughter Zeyneb, born (against the dynasty's rules) when he was a prince and raised in secrecy outside the palace until he came to the throne, to that of Prince Murad, exhumed and reburied late one night in 1812. By exploring the history revealed through these life stories, the book sheds light on Ottoman palace life and culture in an era that witnessed the most wrenching changes of modern Ottoman history seen until then the reforms forcibly introduced by Sultan Mahmud II after 1826 and uncovers manifestations of these changes in this graveyard.

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In this important collection, eighteen renowned writers, including David Remnick, Zadie Smith, Rebecca Skloot, Rory Stewart, and Adam Gopnik evoke the spirit and history of some of the world's most recognized and significant city squares, accompanied by illustrations from equally distinguished photographers. Over half of the world's citizens now live in cities, and this number is rapidly growing. At the heart of these municipalities is the square-the defining urban public space since the dawn of democracy in Ancient Greece. Each square stands for a larger theme in history: cultural, geopolitical, anthropological, or architectural, and each of the eighteen luminary writers has contributed his or her own innate talent, prodigious research, and local knowledge. Divided into three parts: Culture, Geopolitics, History, headlined by Michael Kimmelman, David Remnick, and George Packer, this significant anthology shows the city square in new light. Jehane Noujaim, award-winning filmmaker, takes the reader through her return to Tahrir Square during the 2011 protest; Rory Stewart, diplomat and author, chronicles a square in Kabul which has come and gone several times over five centuries; Ari Shavit describes the dramatic changes of central Tel Aviv's Rabin Square; Rick Stengel, editor, author, and journalist, recounts the power of Mandela's choice of the Grand Parade, Cape Town, a huge market square to speak to the world right after his release from twenty-seven years in prison; while award-winning journalist Gillian Tett explores the concept of the virtual square in the age of social media. This collection is an important lesson in history, a portrait of the world we live in today, as well as an exercise in thinking about the future. Evocative and compelling, City Squares will change the way you walk through a city. Contributors include: David Adjaye on Jemma e-Fnna, Marrakech * Anne Applebaum on Red Square, Moscow and Grand Market Square, Krakow * Chrystia Freeland on Euromaiden, Kiev * Adam Gopnik on Place des Vosges, Paris * Alma Guillermoprieto on Zocalo, Mexico City * Jehane Noujaim on Tahrir Square, Cairo * Evan Osnos on Tiananmen Square, Beijing * Andrew Roberts on Residential Squares, London * Elif Shafak on Taksim Square, Istanbul * Rebecca Skloot on American Town Squares * Ari Shavit on Rabin Square, Tel Aviv * Zadie Smith on the grand piazzas of Rome and Venice * Richard Stengel on Market Square, Grand Parade, Cape Town * Rory Stewart on Murad Khane, Kabul * Plus contributions by Gillian Tett, George Packer, David Remnick, and Michael Kimmelman; illustrations and photographs from renowned photographers, including: Thomas Struth, Philip Lorca di Corcia, and Josef Koudelka

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Text in English & German. The ongoing paradigm change in regard to the use of energy, its efficient usage and the consumption of resources is giving rise to new light systems and lighting appliances. This development might also lead to the use of light as a building material in its own right, comparable to traditional building materials, making it possible to create light space productions something that did not seem feasible up to now due to the high cost of energy and of light systems. The goal of this book is to develop temporary light spaces that re-interpret the existing urban environment on a seasonal basis or over a cycle of several years. As a result, the city will literally appear in a new light. Strollers in the city streets will experience their familiar environment in a new way. Illuminated planes interlacing with planes made by linear fields of light beams will create immaterial material space experiences: still lifes of light within which one can move about and light choreographies that move barely noticeably, creating still lifes in motion. Current research aims at exploring, imagining and inventing stand-alone spatial structures of light, adding on to and transforming existing spaces, creating a new spatial awareness that may enable people to experience urban space in a different way. Similar to the process of architectural design, where haptic built volumes create interspaces, the light spaces that are currently being designed make these interspaces visible and allow urban dwellers to experience unexpected spatial constellations. In addition to the presentation of light-planning examples in Paris, Shanghai, Helsinki, Mekka and Frankfurt am Main the book includes a number of essays relating to the subject, among them: "Light architecture" (Werner Oechslin), The Potemkin city (Adolf Loos), Glass architecture and letters about glass houses (Paul Scheerbart), Alpine architecture (Bruno Taut), The unvisible cities (Italo Calvino), Architecture must burn (Coop Himmelb(l)au), In search of light (Wolfgang Rang), City light. About the social power of light (Helmut Bien), Light or the loss of darkness (Manuel Cuadra), Visible and unvisible light (Andreas Danler), Light concepts for Frankfurt am Main (Michael Hootz), Light planning for cities in China (Hao Luoxi), City light. An instrument of urban planning (Roger Narboni), Light for the public space (Susanne Seitinger), Sustainable urban lighting (Mark Burton-Page), Borders, places, light (Niels Gutschow), Earth and spirit (Wolfgang Rang). With texts by Michael Batz, Niels Gutschow, Hao Luoxi, Roger Narboni, Werner Oechslin, Wolfgang Rang and others.

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The third volume of Erdmut Bramkes catalogue raisonné is devoted to "art in architecture" and temporary works in public spaces. It complements the two volumes already published with the presentations of paintings and works on paper. This makes the artists work accessible to the public in its entirety. The richly illustrated catalogue presents the artists competition entries from 1974 to 2002 in chronological order. The reconstruction of more than 20 realised and unrealised projects on the basis of unpublished material and personal notes from the artists estate provide an insight into her working methods and allow a detailed view of the process of creating the works. Both the sketches and designs and the executed works show an incredible joy for experimenting and variability in the use of materials, ranging from painted metal sheets, holes drilled in wood and stone to tiles, fabrics, canvas, graffiti, glass and paving stones. Embedded in the discourse on "art in architecture" and its genesis in the 20th century, Bramkes works are presented in the context of the design process. Characteristic of her interventions in public space is her sensitiveness to the surrounding space which does not see her work as an addition to the existing architecture, but rather uses the architectural space to evoke quiet, contemplative moments through intense colour experiences or to make the space experienceable. The "Bramke system" manifests itself even with the early, expansive work for the University of Constance. The form-giving element is a variable order structure. The arrangement of the same elements with slight changes and nuances, but following the same laws in rows, condense into a structure and become a vibrating lineament. Even 50 years after its completion, the work is considered as a successful example of how "art in archi- tecture" can have integrative and functional qualities without losing its artistic value. Between this first major work for the University of Constance from 1974 to 1976 and the expansive work for the central library of the University of Tubingen at the end of her life constants in the "Bramke system" become apparent. At the same time, the overall view clearly shows the development of an artist who helped to shape her ambience in a grand gesture. Susanne Grötz, born 1961 in Koblenz, studied art history and German and Italian literature in Marburg and Pisa. She has been working on the estate of Erdmut Bramke for many years. The author lives and works in Stuttgart and Italy as a freelance exhibition curator and tour guide.

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The ongoing paradigm change in regard to the use of energy, its efficient usage and the consumption of resources is giving rise to new light systems and lighting appliances. This development might also lead to the use of light as a building material in its own right, comparable to traditional building materials, making it possible to create light space productions something that did not seem feasible up to now due to the high cost of energy and of light systems. The goal of this book is to develop temporary light spaces that re-interpret the existing urban environment on a seasonal basis or over a cycle of several years. As a result, the city will literally appear in a new light. Strollers in the city streets will experience their familiar environment in a new way. Illuminated planes interlacing with planes made by linear fields of light beams will create immaterial material space experiences: still lifes of light within which one can move about and light choreographies that move barely noticeably, creating still lifes in motion. Current research aims at exploring, imagining and inventing stand-alone spatial structures of light, adding on to and transforming existing spaces, creating a new spatial awareness that may enable people to experience urban space in a different way. Similar to the process of architectural design, where haptic built volumes create interspaces, the light spaces that are presently being designed make these interspaces visible and allow urban dwellers to experience unexpected spatial constellations. The discourse in this book starts with essays introducing aspects of light spaces, including the following: Christian Bartenbach on the perception of light as something that creates space; Niels Gutschow on the ritual dimension of light, an element in the history of creation; Samuel Widmer on light in near-death experiences; Aldous Huxley on light as the messenger from a world we perceive on an unconscious level; Jun'ichiro Tanizaki on the world of the shadow and Tadashi Endo on movement as a relation between time and space in Butoh, the Japanese dance of darkness. The discourse concludes with documents on light spaces by Wolfgang Rang collected over a period of 30 years showing how these light spaces were regarded in the writings of con-temporaries, including Max Bächer on the dawn of a new era; Hans-Peter Schwarz on the deconstruction of space by light; Jürgen Hasse on light as a discourse fragment of public space; Manuel Cuadra on red luminescence; and Antonio de Campos on shadow as an expression of light.

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From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA's curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA's signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

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A rich examination of the securitization of the everyday lives of the citizens of Cairo and how to build a more equitable urban orderUntil the year 2000, Cairo had been a model megacity, relatively crime free, safe, and public facing. It featured a thriving public culture and vibrant street life. In recent decades, however, the Egyptian state has accelerated a wholesale dismantlement of public education and public sector jobs and reversed the modest land reforms of the Nasser era. As a result, the vast majority of Cairo’s people have been forcibly deprived of their social rights, social goods, and educational capital.Eschewing the traditional focus on top-down regime and state security, the contributors to this volume, who represent a wide array of academics, activists, artists, and journalists, explore how repressive policies affect the everyday lives of citizens. They show the ways in which urban security crises are politically fashioned and do not emanate from the urban social fabric on their own: city crime, violence, and fear are created by specific means of extraction, production, and control.Another kind of city can live again. But how? By tackling a range of issues, including public health, transportation, labor safety, and housing and property distribution, Cairo Securitized unsettles simplistic binaries of thug and police, public versus private, and slum versus enclave, and proposes compelling new ways in which securitizing processes can be reversed, reengineered, and replaced with a participatory and equitable urban order.Contributors:Sara Soumaya Abed African Leadership Centre, Kings College London Zeinab Abul-Magd Oberlin College, USAMohamed Ahmed Political Scientist and historian, Cairo Egypt Rania Ahmed Independent Researcher, Cairo EgyptNicholas Simcik Arese University of Cambridge, UKAhmed Awadalla University of Strathclyde, Glasgow, UKAhmad Borham The American University in Cairo, Cairo EgyptMiguel A. Fuentes Carreño University of California, Santa Barbara, USARoberta Duffield Scholar on urbanism, public space, Cairo EgyptMomen El-Husseiny The American University in Cairo, Cairo EgyptMohamed Elmeshad SOAS, London UK Ifdal Elsaket Netherlands-Flemish Institute, Cairo Egypt Mohamed Elshahed Independent Writer and Curator, Mexico CityAmy Fallas University of California Santa Barbara, USATina Guirguis University of California, Santa Barbara, USAElena Habersky The American University in Cairo, Cairo EgyptHanan Hammad Texas Christian University, USAHatem Hassan Impact Justice, Pittsburgh, USAAmira Hetaba Federal Government of Lower Austria, AustriaDeena Khalil The American University in Cairo, Cairo EgyptOmnia Khalil City University of New York, USA Sabrina Lilleby University of Texas, Austin, USA Paul Miranda Nonviolent Peaceforce, South Mosul, IraqMostafa Mohie American University in Cairo, Cairo EgyptLaura Monfleur University François-Rabelais, Tours, FranceAya Nassar Royal Holloway, University of London, UKNora Noralla human rights researcher, Berlin, GermanyAly El Reggal Scuola Normale Superiore, Florence ItalyAfsaneh Rigot Harvard University, Cambridge USA Yahia Saleh Malmö University, SwedenBassem al-Samragy political analyst at the International Criminal Court, The Hague, The NetherlandsYahia Shawkat Technische Universität Berlin, Germany Maïa Sinno Géographie Cités Lab, CNRS / Sorbonne University, Paris FranceMark Westmoreland Leiden University, The Netherlands

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In this lavishly illustrated volume, Laura Lee introduces the art of Tokyo-based digital art collective teamLab, which has soared to global fame with its electrifying immersive and interactive installations. The first of its kind, Worlds Unbound: The Art of teamLab provides a comprehensive overview of teamLab’s artistic vision and achievements from its beginnings to its twentieth anniversary in 2021, and illuminates the remarkable scope of teamLab’s groundbreaking art and its fundamental contribution to the pivotal field of new media art. This original new book, the first scholarly monograph on this popular group, unpacks the popularity and success of the digital immersive environments created worldwide by the Tokyo-based collective, teamLab, from multiple perspectives and addresses the lack of critical appreciation of their work. The book includes an extensive interview with teamLab. teamLab launched in January 2001 with five members and now comprises more than 600 individuals in a multidisciplinary collaboration of engineers, computer graphics animators, mathematicians, graphic designers, architects, artists and computer programmers. The digital art collective has attained international celebrity for its electrifying installations that transcend boundaries between gallery, public space and popular entertainment and, judging from press coverage, ticket sales and prolific production, it seems clear teamLab’s success is only on the rise. In 2018, the collective opened the MORI Building DIGITAL ART MUSEUM: teamLab Borderless, a massive technological environment in Tokyo that recorded 2.3 million visitors in its first year of operation – the world’s largest annual number of visitors of any single-artist museum. The same year saw numerous other high-profile immersive exhibitions, including teamLab: Massless in Helsinki, Au-delà des limites in Paris, and teamLab Planets TOKYO, a second exhibition in Tokyo. These were quickly followed by two new museums, teamLab Borderless Shanghai in 2019 and, in 2020, teamLab SuperNature in Macao. The vast sea of selfies that have emerged from these venues index the collective’s soaring global popularity. At the same time, teamLab’s works have found art market success and have been exhibited in major museums worldwide, including the National Gallery of Art in Washington DC and Los Angeles County Museum of Art (LACMA), and they are part of the permanent collection of The Art Gallery of New South Wales, the Asian Art Museum of San Francisco, and Amos Rex in Helsinki, among numerous others. This canonization of teamLab’s art belies the fact that the group did not have a traditional gallery start, and in fact teamLab has always engaged in software development and corporate work, in addition to creating artworks. The collective thus boasts an enigmatic status, spanning conventional categories and defying traditional art world pedigree. In so doing it has produced a tremendously rich body of work that speaks to several overlapping issues pertinent to contemporary art while advancing a unique artistic vision. Primary readership will include artists, art historians and visual studies scholars who are particularly interested in the most recent media art and Japanese contemporary art. It will be an essential resource for students and scholars working in Japanese art, global contemporary art, digital art, augmented reality, expanded cinema and installation art and related fields. It will also be of more general interest to those who have visited, or hope to visit, teamLab environments worldwide.

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