Search results for ""city lights books""

"This is a must-read book for anyone ready to transcend fear and imagine a new reality."--Tikkun Disposable Futures makes the case that we have not just become desensitized to violence, but rather, that we are being taught to desire it. From movies and other commercial entertainment to "extreme" weather and acts of terror, authors Brad Evans and Henry Giroux examine how a contemporary politics of spectacle--and disposability--curates what is seen and what is not, what is represented and what is ignored, and ultimately, whose lives matter and whose do not. Disposable Futures explores the connections between a range of contemporary phenomena: mass surveillance, the militarization of police, the impact of violence in film and video games, increasing disparities in wealth, and representations of ISIS and the ongoing terror wars. Throughout, Evans and Giroux champion the significance of public education, social movements and ideas that rebel against the status quo in order render violence intolerable. "Disposable Futures poses, and answers, the pressing question of our times: How is it that in this post-Fascist, post-Cold War era of peace and prosperity we are saddled with more war, violence, inequality and poverty than ever? The neoliberal era, Evans and Giroux brilliantly reveal, is defined by violence, by drone strikes, 'smart' bombs, militarized police, Black lives taken, prison expansion, corporatized education, surveillance, the raw violence of racism, patriarchy, starvation and want. The authors show how the neoliberal regime normalizes violence, renders its victims disposable, commodifies the spectacle of relentless violence and sells it to us as entertainment, and tries to contain cultures of resistance. If you're not afraid of the truth in these dark times, then read this book. It is a beacon of light."--Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination "Disposable Futures confronts a key conundrum of our times: How is it that, given the capacity and abundance of resources to address the critical needs of all, so many are having their futures radically discounted while the privileged few dramatically increase their wealth and power? Brad Evans and Henry Giroux have written a trenchant analysis of the logic of late capitalism that has rendered it normal to dispose of any who do not service the powerful. A searing indictment of the socio-technics of destruction and the decisions of their deployability. Anyone concerned with trying to comprehend these driving dynamics of our time would be well served by taking up this compelling book."--David Theo Goldberg, author of The Threat of Race: Reflections on Racial Neoliberalism "Disposable Futures is an utterly spellbinding analysis of violence in the later 20th and early 21st centuries. It strikes me as a new breed of street-smart intellectualism moving through broad ranging theoretical influences of Adorno, Arendt, Bauman, Deleuze, Foucault, Zizek, Marcuse, and Reich. I especially appreciated a number of things, including: the discussion of representation and how it functions within a broader logics of power; the descriptions and analyses of violence mediating the social field and fracturing it through paralyzing fear and anxiety; the colonization of bodies and pleasures; and the nuanced discussion of how state violence, surveillance, and disposability connect. Big ideas explained using a fresh straightforward voice."--Adrian Parr, author of The Wrath of Capital: Neoliberalism and Climate Change Politics Brad Evans and Henry A. Giroux are internationally renowned educators, authors, and intellectuals. Together, they curate a forum for Truthout.com that explores the theme of "Disposable Futures." Evans is director of histories of violence project at the University of Bristol, United Kingdom. Giroux holds McMaster University Chair for Scholarship in the Public Interest, and is the Paulo Freire Distinguished Scholar in Critical Pedagogy.

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Beautiful hardcover edition of the beloved Ferlinghetti collection restored to the original version as it was originally conceived 60th anniversary of book's publication Ferlinghetti's travel journals, Writing Across the Landscape: Travel Journals (1950-2013), are expected to be published in September 2015 by Liveright/Norton. We'll collaborate on PR. 60th anniversary of City Lights Publishers -- this is the first book Lawrence Ferlinghetti ever published

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While much has been written about the sociological significance of the blues, this is a unique inquiry into the blues and the mind, a study of the blues as thought. Here, the subconscious power of the blues is examined from a poetic and psychological perspective, illuminating the blues' deepest creative sources and exploring its far-reaching influence and appeal. Like Surrealist poetry in particular, blues communicate through highly charged symbols of aggression and desire--eros, crime, magic, night, and drugs, among others. A close analysis of classic blues lyrics, along with a wealth of source material from Freud and James Frazer, to Breton and Marcuse, conveys the blues' major poetic function of spiritual revolt against repression. First published in 1975, Blues and the Poetic Spirit is a blues literature classic. This long-awaited new edition assesses developments in the blues since that time and outlines the social and political forces that continue to shape its evolution. "Paul Garon's study of the blues represents a new and important approach to the analysis of the blues as a psychopoetic phenomenon...this work is an important starting place for researchers who want to investigate the essence of the blues. "-Samuel Floyd "Absolutely the best book on the blues."-Robin D.G. Kelley Paul Garon has written about the blues for nearly fifty years. A co-founder of Living Blues, he is also the author of The Devil's Son-in-Law: The Story of Peetie Wheatstraw and His Songs, Blues and the Poetic Spirit and What's the Use of Walking if a Freight Train's Going Your Way, as well as a small collection of prose poems, Rana Mozelle. He and his wife, co-author Beth Garon, own and operate Beasley Books, a used and rare book business in Chicago.

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Here are all of Ferlinghetti's poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city's history as a poetic center and suggestions for keeping it that way. Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

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One of The Millions Most Anticipated Books for Spring!Featured in Alta Magazine''s New Books for May!Short stories from 25 emerging and established writers of Middle Eastern and North African origins, a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world."Provocative and subtle, nuanced and surprising, these stories demonstrate how this complicated and rich region might best be approached—through the power of literature."—Viet Thanh Nguyen, author of The CommittedStories from the Center of the World gathers new writing from the greater Middle East (or SWANA), a vast region that stretches from Southwest Asia, through the Middle East and Turkey, and across Northern Africa. The 25 authors included here come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco, t

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A monumental event in American poetry, Get the Money! brings together the essential prose writings of iconic New York School poet Ted Berrigan.“Ted Berrigan was a leader of the New York School; his crazy energy embodied that movement and the city itself.”—John Ashbery, author of Self-Portrait in a Convex Mirror“Get the Money!” was Ted Berrigan’s mantra for the paid writing gigs he took on in support of his career as a poet. This long-awaited collection of his essential prose draws upon the many essays, reviews, introductions, and other texts he produced for hire, as well as material from his journals, travelogues, and assorted, unclassifiable creative texts. Get the Money! documents Berrigan’s innovative poetics and techniques, as well as the creative milieu of poets—centered around New York’s Poetry Project—for whom he served as both nurturer and catalyst. Highlights include his journals from the ’60s, depicting his early poetic discoveries and bohemian activities in New York; the previously unpublished “Some Notes About ‘C,’” an account of his mimeo magazine that serves as a de facto memoir of the early days of the second-generation New York School; a moving and prescient obituary, “Frank O’Hara Dead at 40”; book “reviews” consisting of poems entirely collaged from lines in the book; art reviews of friends and collaborators like Joe Brainard, George Schneeman, and Jane Freilicher; and his notorious “Interviews” with John Cage and John Ashbery, both of which were completely fabricated. Get the Money! provides a view into the development of Berrigan’s aesthetics in real time, as he captures the heady excitement of the era and champions the poets and artists he loves.Praise for Get the Money!:"Get the Money! captures the esprit de corps of the particular community close to Ted’s door on St Mark’s Place. This book of prose with its nimble lift, tinged with intimacy, wit, and perception is a welcome addition to the second generation NY School canon. Ted often went hungry but could make a few dollars with the short reviews. One walks the rounds with Ted on his 'beat': Love, poetry, gossip, art. Telling it like it is. Strolling into artist studios, galleries, poets’ modest digs, and into our hearts."—Anne Waldman, author of Trickster Feminism"Ted was my mentor, my teacher of America and its poetry, and I often quote him. He was an oral genius and I have regretted not writing down everything he said to me. Now I have this collection of journals, critical writing on art, aphorisms, and correspondence. It makes for a grand portrait of the poet who charmed my whole generation. Ted Berrigan is alive in this book in ways that no one could guess."—Andrei Codrescu, author of Too Late for Nightmares"It’s always a significant occasion when we have an edition of a poets prose. Get the Money! offers us an important window into Ted Berrigan’s laboratory, his no bullshit attitude, his class awareness, his gorgeous sentimentality, and his disarming anarchic humor. This book is what anyone could hope it would be: funny, tender, brilliant, intimate, original, alive."—Peter Gizzi, author of Now It's Dark"Ted Berrigan's voice has always been instantly familiar to me so Get the Money! feels less like a reading experience and more like taking a long walk with my favorite poet, then buying him a drink someplace and letting him talk. The pieces collected here offer a superhuman range of formal invention. … Berrigan's prose is often loose and lyrical, hovering somewhere between blogging, letter writing, texting, and transcription. His deadpan bravura and sudden dismissiveness are consistently hilarious. Decades after his death Berrigan remains way ahead of his time. I think Robert Creeley said it best, 'The Bell rings / Ted is ready'."—Cedar Sigo, author of All This Time

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Twenty Dollars and Change places Harriet Tubman’s life and legacy in a long tradition of resistance, illuminating the ongoing struggle to realize a democracy in which her emancipatory vision prevails.America is in the throes of a historic reckoning with racism, with the battle for control over official narratives at ground zero. Across the country, politicians, city councils, and school boards are engaged in a highly polarized debate about whose accomplishments should be recognized, and whose point of view should be included in the telling of America’s history.In Twenty Dollars and Change, political scientist Clarence Lusane, author of the acclaimed The Black History of the White House, writes from a basic premise: Racist historical narratives and pervasive social inequities are inextricably linked—changing one can transform the other. Taking up the debate over the future of the twenty-dollar bill, Lusane uses the question of Harriet Tubman vs. Andrew Jackson as a lens through which to view the current state of our nation's ongoing reckoning with the legacies of slavery and foundational white supremacy. He places the struggle to confront unjust social conditions in direct connection with the push to transform our public symbols, making it plain that any choice of whose life deserves to be remembered and honored is a direct reflection of whose basic rights are deemed worthy of protection, and whose are not."Engaging and insightful, Twenty Dollars and Change illuminates the grassroots effort to have our national currency reflect the diversity of America and all of its citizens—those ordinary and extraordinary people who have stood up and demanded freedom, equality and justice. A must read!"—Kate Clifford Larson, author of Bound for the Promised Land: Harriet Tubman, Portrait of an American Hero

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The hidden history of a vulnerable gay man whose life and death were turned into tabloid fodder.In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David's gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.With a poet's eulogistic and psychological intensity, Steven Reigns recovers the life and death of this man who also stands in for so many lives destroyed not only by HIV, but a diseased society that used stigma against the most vulnerable. It's impossible not to make connections between this story and how the twenty-first century pandemic has also been defined by medical misinformation and cultural bias.Inspired by years of investigative research into the lives of David and those who denounced him, Reigns has stitched together a hauntingly poetic narrative that retraces an American history, questioning the fervor of his accusers, and recuperating a gay life previously shrouded in secrecy and shame."Much too long, suffering has been part of our collective queer legacy. We weather the storm of insult to character and seemingly irreconcilable injustice in tandem with the hope that the arc of time will bend towards justice; our time is now. A Quilt for David is a posthumous journal of vindication."—Brontez Purnell, author of 100 Boyfriends"A stunning homage to people with AIDS."—Sarah Schulman, author of Let the Record Show: A Political History of ACT UP New York, 1987-1993"I found this an incredibly moving book. Reigns deals in hard truths, revisioning one man's life and death, and our collective queer history."—Justin Torres, author of We the Animals"A Quilt for David is amazing and so powerful, filled with anger and frustration . . . It's an unforgettable book."—Marie Cloutier, Greenlight Bookstore, Brooklyn, NY"Told in short, occasionally haiku-like entries, Reigns has done what literature should: put the reader into the mind, the suffering, of another human being."—Andrew Holleran, author of Chronicle of a Plague, Revisited"Steven Reigns lifts David Acer thirty years after his death to show the naked cost of violent, unexamined public opinion around the catastrophe of AIDS. This poetry masterfully documents the tangle of hatred and lies haunting a generation of survivors. I am often grateful for what poems give to me, most especially the ones in this book."—CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration"This writing is energetic, alive, and uncensored. Through poetry and prose we glean a deep understanding of a life misunderstood and mischaracterized. Reigns goes to the mat to find out what really happened, and with his expert pacing we're right there with him."—Natalie Goldberg, author of Writing Down the Bones"One of the most important roles a poet can assume is that of emotional historian. Reigns certainly understands that notion in this necessary and genre-bending book."—Richard Blanco, 2013 Presidential Inaugural Poet, author of How to Love a Country

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A NEW YORKER & GLOBE AND MAIL BEST BOOK OF THE YEARA love letter to the verbal artistry of hip-hop, What's Good is a work of passionate lyrical analysis"What's Good is, among a great many other things, a byproduct of joyful obsession and immersion into both language and sound, an intersection that offers a rich and expansive land upon which to play." —Hanif Abdurraqib, author of A Little Devil in America: Notes in Praise of Black Performance " . . . an often hilarious, surprisingly moving and always joyful paean to rap’s relationship to words."—Jayson Greene, The New York Times"Rap, he is not afraid to say, is as close to a universal tongue as we have."—Adam Gopnik, The New YorkerWhat's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies.Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between."For those of us who love rap, What's Good is a gift. The book offers a new set of eyes and ears through which to see and to hear the language of rap. Its brief and brilliant chapters are like the best kinds of freestyles: spontaneous and structured, startling and profound. A remarkable achievement." —Adam Bradley, author of Book of Rhymes: The Poetics of Hip Hop"Could this be the rap equivalent of Lewis Hyde's The Gift or Marina Warner's Once Upon A Time? Anyhow, it's an electrifying book, full of wild epiphanies and provocations, an exhibition of a critical mind in full and open contact with their subject at the highest level, with a winning streak of confessional intimacy as well." —Jonathan Lethem, author of The Arrest: A Novel "What's Good is a feat of critical precision and personal obsession: Daniel Levin Becker's deep appreciation for rap is rangy and illuminating, and his delight in language is infectious. What a thrill to swing so gracefully from Lil Wayne to Mary Ruefle to the lyrical evolution of 'tilapia'; pure pleasure. A generous, joyful exegesis."—Anna Wiener, author of Uncanny Valley: A Memoir

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Investigating the essential role that the postal system plays in American democracy and how the corporate sector has attempted to destroy it."With First Class: The U.S. Postal Service, Democracy, and the Corporate Threat, Christopher Shaw makes a brilliant case for polishing the USPS up and letting it shine in the 21st century."—John Nichols, national affairs correspondent for The Nation and author of Coronavirus Criminals and Pandemic Profiteers: Accountability for Those Who Caused the Crisis"First Class is essential reading for all postal workers and for our allies who seek to defend and strengthen our public Postal Service."—Mark Dimondstein, President, American Postal Workers Union, AFL-CIOThe fight over the future of the U.S. Postal Service is on. For years, corporate interests and political ideologues have pushed to remake the USPS, turning it from a public institution into a private business—and now, with mail-in voting playing a key role in local, state, and federal elections, the attacks have escalated. Leadership at the USPS has been handed over to special interests whose plan for the future includes higher postage costs, slower delivery times, and fewer post offices, policies that will inevitably weaken this invaluable public service and source of employment.Despite the general shift to digital communication, the vast majority of the American people—and small businesses—still rely heavily on the U.S. postal system, and many are rallying to defend it. First Class brings readers to the front lines of the struggle, explaining the various forces at work for and against a strong postal system, and presenting reasonable ideas for strengthening and expanding its capacity, services, and workforce. Emphasizing the essential role the USPS has played ever since Benjamin Franklin served as our first Postmaster General, author Christopher Shaw warns of the consequences for the country—and for our democracy—if we don’t win this fight.Praise for First Class:"Piece by piece, an essential national infrastructure is being dismantled without our consent. Shaw makes an eloquent case for why the post office is worth saving and why, for the sake of American democracy, it must be saved."—Steve Hutkins, founder/editor of Save the Post Office and Professor of English at New York University"The USPS is essential for a democratic American society; thank goodness we have this new book from Christopher W. Shaw explaining why."—Danny Caine, author of Save the USPS and owner of the Raven Book Store, Lawrence, KS"Shaw's excellent analysis of the Postal Service and its vital role in American Democracy couldn't be more timely. … First Class should serve as a clarion call for Americans to halt the dismantling and to, instead, preserve and enhance the institution that can bind the nation together."—Ruth Y. Goldway, Retired Chair and Commissioner, U.S. Postal Regulatory Commission, responsible for the Forever Stamps"In a time of community fracture and corporate predation, Shaw argues, a first-class post office of the future can bring communities together and offer exploitation-free banking and other services."—Robert Weissman, president of Public Citizen

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A clear and urgent call for the national, social, and individual changes required to prevent catastrophic climate change.“An iconoclast of the best kind, Stan Cox has an all-too-rare commitment to following arguments wherever they lead, however politically dangerous that turns out to be.”—Naomi Klein, author of On Fire: The (Burning) Case for the New Green Deal"Moving to zero net carbon emissions, and fast, is the point of Stan Cox’s important new study, The Green New Deal and Beyond. Cox advocates on behalf of the GND as one step of several we need to take to stabilize the planet."—Noam Chomsky, from the book's forewordThe prospect of a Green New Deal is providing millions of people with a sense of hope, but scientists warn there is little time left to take the actions needed. We are at a critical point, and while the Green New Deal will be a step in the right direction, we need to do more—right now—to avoid catastrophe. In The Green New Deal and Beyond, author and plant scientist Stan Cox explains why we must abolish the use of fossil fuels as soon as possible, and how it can be done. He addresses a host of glaring issues not mentioned in the GND and guides us through visionary, achievable ideas for working toward a solution to the deepening crisis. It’s up to each of us, Cox writes, to play key roles in catalyzing the necessary transformation."A strictly science-based plan for effectively addressing the dire realities of climate change. . . . Convincing, painful, and a long shot—but better than the alternative."—Kirkus Reviews "His is a warning well worth heeding."—Raj Patel, co-author of A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet"In The Green New Deal and Beyond, Stan Cox presents a smart, sane, and plausibly optimistic alternative to abandoning all hope."—David Owen, author of Volume Control: Hearing in a Deafening World "The teachings of Indigenous Peoples are still here, and it's up to the present generation to muster the courage and resources to follow those instructions. Stan Cox reminds us of this historic dialogue and development of the Green New Deal, and helps us find the path back to those instructions."—Winona LaDuke (Anishinaabe), author of All Our Relations: Native Struggles for Land and Life and LaDuke Chronicles"Stan Cox suggests remedies that should ignite lively discussion and intense debate, which is sorely needed. A must-read for those who care about our shared planetary future."—Mary Evelyn Tucker, Yale School of Forestry and Environmental Studies, co-author, Journey of the Universe"An invaluable contribution to what must become an unprecedented international revolution."—Will Potter, author of Green Is the New Red: An Insider’s Account of a Social Movement Under Siege"Cox argues that this is not idealism, but necessity. By 2030 or 2040, if our aims and policies turn out to have been insufficient, as he points out, it will have been too late."—Natalie Suzelis, Uneven Earth"In this important and readable book, Stan Cox moves the Overton window away from false hope and toward a more realistic path for avoiding climate catastrophe."—Dr. Peter Kalmus, NASA climate scientist and author of Being the Change

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A powerful critique of how manipulation of media gives rise to disinformation, intolerance, and divisiveness, and what can be done to change direction."Mickey Huff and Nolan Higdon emphasize what we can do today to restore the power of facts, truth, and fair, inclusive journalism as tools for people to keep political and corporate power subordinate to the engaged citizenry and the common good."—Ralph NaderThe role of news media in a free society is to investigate, inform, and provide a crucial check on political power. But does it?It's no secret that the goal of corporate-owned media is to increase the profits of the few, not to empower the many. As a result, people are increasingly immersed in an information system structured to reinforce their social biases and market to their buying preferences. Journalism’s essential role has been drastically compromised, and Donald Trump’s repeated claims of "fake news" and framing of the media as “an enemy of the people” have made a bad scenario worse.Written in the spirit of resistance and hope, United States of Distraction offers a clear, concise appraisal of our current situation, and presents readers with action items for how to improve it. Praise for United States of Distraction:"A war of distraction is underway, media is the weapon, and our minds are the battlefield. Higdon and Huff have written a brilliant book of how we’ve gotten to this point, and how to educate ourselves to fight back and win."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A timely and urgent demand re-asserting the central importance of civic pursuits—not commercialism—in U.S. media and society."—Ralph Nader"Higdon and Huff have produced the best short introduction to the nature of Trump-era journalism and how the 'Post-Truth' media world is inimical to a democratic society that I have seen. The book is provocative and an entertaining read. Best of all, the analysis in United States of Distraction leads to concrete and do-able recommendations for how we can rectify this deplorable situation."—Robert W. McChesney, author of Rich Media, Poor Democracy: Communication Politics in Dubious Times"The U.S. wouldn't be able to hide its empire in plain sight were it not for the subservient 'free' press. United States of Distraction shows, in chilling detail, America's major media dysfunction—how the gutting of the fourth estate paved the road for fascism and what tools are critical to salvage our democracy."—Abby Martin, The Empire Files"Nolan Higdon and Mickey Huff provides us with a fearless and dangerous text that refuses the post-truth proliferation of fake news, disinformation, and media that serve the interests of the few. This is a vital wake-up call for how the public can protect itself against manipulation and authoritarianism through education and public interest media.”—George Yancy, author of Backlash: What Happens When We Talk Honestly about Racism in America and Professor of Philosophy at Emory University"United States of Distraction challenges our hegemon-media’s ideological mind control and the occupation of human thought. … Huff and Higdon correctly call for mass critical resistance through truth telling by free minds. Power to the people!"—Peter Phillips, author of Giants: The Global Power Elite

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“I believe that Marcuse’s ideas can be as valuable today as they were fifty years ago.”—Angela Y. Davis, from the forewordHerbert Marcuse was one of the twentieth century’s most unlikely pop stars: a celebrity philosopher. In the 1960s, his argument for a “principled utopianism” catalyzed the idealism of a rebellious generation, and Marcuse became an intellectual guide for activists and revolutionaries around the world.From his early studies with Martin Heidegger, to his flight from Nazi Germany with Frankfurt School colleagues, to his status as a countercultural icon, readers are introduced to the development of Marcuse's philosophical theories and the political realities that shaped his work.Marcuse's advocacy for a more humane, sustainable world was grounded in a personal knowledge of authoritarianism's violence, and the risk of its resurgence. Perennially relevant, radical, and inspiring, Marcuse’s concept of a "Great Refusal"—the protest against that which is—is a guide for our times.Praise for Herbert Marcuse, Philosopher of Utopia:"Nick Thorkelson's exploration of the ideas and personality of Herbert Marcuse is exactly the sort of comic book I have longed to read. It is engaging, artful, and explores the world of revolutionary ideas. Books like this keep the fire going inside."—Joe Sacco, author of Footnotes in Gaza"A warm, funny, richly detailed biography. Thorkelson has found a powerful graphic style and narrative voice that animate Marcuse's life and his theory of rebellion. As both personal saga and primer on radical political philosophy, it could not be more relevant to today's resistance movement."—Dan Wasserman, editorial cartoonist for The Boston Globe"Marcuse's energizing sense of critique, hope, politics, and utopian vision are more necessary than ever, especially for the emerging generations of young activists."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A riotous romp through 20th-century philosophy. The story of a man who exists at the eye of storm of ideas, of movements and of social strategies. With workers and students on the streets of Paris once more, Marcuse's life and work has never been more relevant."—Kate Evans, author of Red Rosa: A Graphic Biography"Philosopher of Utopia is art on the attack! A perfect celebration of this unique public intellectual done through a fusion of skill and imagination, Thorkelson's book provides access to the genius and the grit of this master of the dialectic."—Lowell Bergman, Winner of the Pulitzer Prize and Distinguished Chair in Investigative Reporting at UC Berkeley"[This book] confirms my belief that our medium can convey the most complex ideas while being witty and entertaining at the same time."—Sharon Rudahl, author of A Dangerous Woman: A Graphic Biography of Emma Goldman

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A landmark work of bio-romanticism, Mephistos and Other Poems is the first completely new collection in five years from legendary Beat and SF Renaissance poet Michael McClure, reflecting his interests in mammal consciousness and ecological survival. The title sequence stems from McClure's ongoing "grafting" experiment, growing new poems from fragments of previously ones. "Some Fringes" is a series of haiku-like nature poems, while the seventeen-part "Rose Breaths" derives from the poet's practice of meditation. The freestanding poems grouped under the title "Being" pay homage to many of McClure's collaborators and fellow travelers like Bruce Conner, Terry Riley, and Dave Haselwood. The book climaxes with "Song Heavy," recounting McClure's recent encounter with a beached whale in Rockport, Massachusetts, and recalling his classic "For the Death of 100 Whales," which he read at the Six Gallery in 1955--the inaugural moment of American eco-poetics. Michael McClure is an award-winning American poet, playwright, songwriter, and novelist. After moving from Kansas to San Francisco as a young man, he was one of the five poets who participated in the Six Gallery reading that featured the public debut of Allen Ginsberg's landmark poem "Howl." A key figure of the Beat Generation, McClure is immortalized as Pat McLear in Jack Kerouac's novels The Dharma Bums and Big Sur. He also participated in the sixties counterculture alongside musicians like Janis Joplin and Jim Morrison. McClure remains active as a poet, essayist, and playwright and lives with his second wife, Amy, in the San Francisco Bay Area. Michael and I have been twisting the Dharma for twenty years now. He reads his poetry like a mad lion or a hummingbird or a soft evening tidal pool or a wild California thunderstorm...His words are of a new realm of love and joy and terror. What a pleasure to play with such a perceptive artist. It's always been my great joy to make music to his words."--Ray Manzarek [C]ertainly a genius in thought and writing it out ...McClure is one of the few contemporaries to have understood Kerouac as a literary poet--and learned some joyous classic invention therefrom ...Thus we have a McClure poet, a McClure natural philosopher, and a McClure prosateur and novelist. Hardly anyone in America with equal range and sharpness, liveness. What more?"--Allen Ginsberg Praise for Mephistos: In Mephistos we are again thrown into Michael McClure's lavish lair of forceful magic. Its actions are literal ones, handfuls of jewels disintegrate as a firewall rises to a solid prism. There is no poet more adept at calling forth the elements, only to fashion them later as eternal amulets for his readers. 'NEW MOON ((BLACK!)) /STAR CLOUDS/ HALOES/ Flashlight reflects/ into two small eyes.' You will find your body changed through the labyrinth these poems initiate."--Cedar Sigo "Close attention will be rewarded in kind. Keep Mephisto near at hand, read only a poem or two at a time, let the imagery possess you. It's okay, you can trust it. It's McClure: he'll never steer you wrong."--Robert Hunter, lyricist, poet, songwriter "He is such a sweet paradox! Like most of Shelley and the late poems of D.H. Lawrence, McClure turns the phenomenal world inside out, seeking Mind within mind."--Diane di Prima, poet "If you've enjoyed McClure's writings in the past, this volume ought to recapture your poetic heart and rekindle your imagination." --Jonah Raskin, New York Journal of Books "Mephistos is perhaps an open love letter to all of McClure's many fans who have followed him ever since he arrived in San Francisco from Kansas City more than half a century ago."--San Francisco Chronicle

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The Beat Generation is one of the great homegrown countercultures of the United States, but in fact its writers traveled widely and most of them lived abroad for periods of time. Their travels were a vital source of inspiration, and in turn they inspired literary scenes and kindred spirits around the globe. The writers we think of as "beat" first met in New York City in the 1940s and 50s, then joined up with others in San Francisco to form the group that became the "Beat Generation." By the 1960s their books had become seminal texts for America's counterculture, and many were being published in translation. As their travels brought them into contact with writers around the world, the Beats' influence spread far beyond the United States. In The Beats Abroad, renowned Beat scholar Bill Morgan documents that international phase of the Beat Generation's story. He delves deep into epicenters like Paris, Tangier, and Mexico City, and tracks down more remote locales from Siberia to Colombia. Entries contain specific addresses for the globetrotting reader to visit on every continent, and are loaded with fascinating stories that illuminate the lives and works of Ginsberg, Burroughs, Corso, Kerouac, Ferlinghetti, and others. This handy reference lets the reader trace Ginsberg's trail through India, or find the hotel in Tangier where Burroughs wrote Naked Lunch, and much, much more.

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"I loved this book when I read it in Arabic. The Penguin's Song is a classic novel of the Lebanese civil war."--Rabih Alameddine, author of An Unnecessary Woman "Sixteen years after appearing in Daoud's native Lebanon, this elegiac novel has finally arrived in English ...Daoud's novel seems to have inherted its sensibilities--its recursive and dense sentences, its damaged narrator, its poignant obsession with lost time--from Remembrance of Things Past or Notes From the Underground...This is a novel about the trap of poverty--but also an affirmation of the Underground Man's noted maxim: 'I swear, gentlemen, that to be too conscious is an illness.'"--Paul Toutonghi, The New York Times Book Review "In The Penguin's Song, a city falls, a father dies, two women walk the same road over and over, a boy with a broken body dreams of love. Like Agota Kristof's Notebook Trilogy, this spare yet lyrical parable tells us more about exile, loss and the wearing away of hope than most us want to know. I love this beautiful book."--Rebecca Brown, author of American Romances and The End of Youth "Daoud's novel is an elegiac account of loneliness and separation...This is a haunting story inhabited by the ghosts of past lives and demolished buildings, where desires are left unfulfilled and loneliness sweeps through every soul. "--Publishers Weekly "Daoud's claustrophobic novel hauntingly conveys one family's isolation after being relocated during the Lebanese civil war...Daoud's evocation of history as it is experienced is excellent. His characters live through momentous events, but their struggles to survive land them in a kind of purgatory. A novel that defies expectations as it summons up the displacement and dehumanization that can come with war."--Kirkus Reviews " ...deftly explores how people cope with the aftermath of war and the tremendous struggle of rebuilding not only with bricks and concrete but with heart, hopes, and dreams."--Lisa Rohrbaugh, Leetonia Community P.L., OH, and Library Journal "Hassan Daoud is one of Lebanon's most important living writers. With her usual empathy and elegance, veteran translator Marilyn Booth brings out the idiosyncrasies and pathetic charm of this unlikely protagonist in his suffocating world. This is a heartbreaking novel that shines a light with empathy onto small lives lived humbly on the margins." --Max Weiss, Professor of History and Near Eastern Studies, Princeton University and author of In the Shadow of Sectarianism: Law, Shi'ism and the Making of Modern Lebanon As war wreaks havoc on the historic heart of Beirut, tenants of the old city are pushed to the margins and obliged to live on the surrounding hillsides, where it seems they will stay forever, waiting. The dream of return becomes a way of life in the unending time of war. "The Penguin" is a physically deformed young man who lives with his aging mother and father in one of the "temporary" buildings. His father spends his days on the balcony of their apartment, looking at the far-off city and pining for his lost way of life. Mother and father both find their purpose each day in worrying about the future for their son, while he spends his time in an erotic fantasy world, centered on a young woman who lives in the apartment below. Poverty and family crisis go hand in hand as the young man struggles with his isolation and unfulfilled sexual longing. Voted "The Best Arabic Novel of the Year" when it was first published, The Penguin's Song is a finely wrought parable of how one can live out an entire life in the dream of returning to another.

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Two long-lost volumes from the classic Beat period. Tau is Philip Lamantia's mystical second collection of poems, originally slated for publication in 1955, but suppressed by the poet due to his evolving religious beliefs. Journey to the End contains the poems of the legendary John Hoffman (1928-1952), whose poems were read by Lamantia in 1955 at the 6 Gallery reading where Allen Ginsberg debuted "Howl." Lamantia's closest friend, a character in Jack Kerouac's Dharma Bums, and the inspiration for two lines of "Howl," Hoffman moved between San Francisco and New York before his death in Mexico at the age of twenty-four. This volume includes biographical notes and Lamantia's commentaries on Hoff man's poetry.

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White Americans have long been comfortable in the assumption that they are the cultural norm. Now that notion is being challenged, as white people wrestle with what it means to be part of a fast-changing, truly multicultural nation. Facing chronic economic insecurity, a popular culture that reflects the nation's diverse cultural reality, a future in which they will no longer constitute the majority of the population, and with a black president in the White House, whites are growing anxious. This anxiety has helped to create the Tea Party movement, with its call to "take our country back." By means of a racialized nostalgia for a mythological past, the Right is enlisting fearful whites into its campaign for reactionary social and economic policies. In urgent response, Tim Wise has penned his most pointed and provocative work to date. Employing the form of direct personal address, he points a finger at whites' race-based self-delusion, explaining how such an agenda will only do harm to the nation's people, including most whites. In no uncertain terms, he argues that the hope for survival of American democracy lies in the embrace of our multicultural past, present and future. "Sparing neither family nor self...he considers how the deck has always been stacked in his and other white people's favor...His candor is invigorating."--Publishers Weekly "One of the most brilliant, articulate and courageous critics of white privilege in the nation."--Michael Eric Dyson "Tim Wise has written another blockbuster! His new book, Dear White America: Letter to a New Minority, is a cogent analysis of the problems of race and inequality as well as a plea for those who harbor views about race and racism to modify and indeed eliminate them. While the book's title addresses white people, this is really a book for anyone who is concerned about eliminating the issue of racial disparity in our society. This is must read and a good read."--Charles J. Ogletree, Jr., the Jesse Climenko Professor of Law at Harvard Law School and the Executive Director of the Charles Hamilton Houston Institute for Race and Justice. He is the author of a number of books, including The Presumption of Guilt: The Arrest of Henry Louis Gates, Jr. and Race, Class and Crime in America "Tim Wise is an American hero in the truest sense of the term--he tells the truth, no matter how inconvenient that truth might be. Dear White America is a desperately needed response to the insidious mythology that pretends whites are oppressed and people of color unduly privileged. In the process, it exposes how new forms of racism have been deliberately embedded into our supposedly 'color blind' culture. Read this book--but rest assured, it's not for the faint of heart."--David Sirota, syndicated columnist, radio host, author of Back to Our Future: How the 1980s Explain the World We Live In Now "The foremost white analyst of racism in America never fails to provide fresh takes as he punctures myths and defenses."--World Wide Work Tim Wise is one of the most prominent antiracist essayists, educators, and activists in the United States. He is regularly interviewed by A-list media, including CNN, C-SPAN, The Tavis Smiley Show, The Tom Joyner Morning Show, Michael Eric Dyson's radio program, and many more. His most recent books include Colorblind and Between Barack and a Hard Place.

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Following the civil rights movement, race relations in the United States entered a new era. Legal gains were interpreted by some as ensuring equal treatment for all and that "colorblind" policies and programs would be the best way forward. Since then, many voices have called for an end to affirmative action and other color-conscious policies and programs, and even for a retreat from public discussion of racism itself. Bolstered by the election of Barack Obama, proponents of colorblindness argue that the obstacles faced by blacks and people of color in the United States can no longer be attributed to racism but instead result from economic forces. Thus, they contend, programs meant to uplift working-class and poor people are the best means for overcoming any racial inequalities that might still persist. In Colorblind, Tim Wise refutes these assertions and advocates that the best way forward is to become more, not less, conscious of race and its impact on equal opportunity. Focusing on disparities in employment, housing, education and healthcare, Wise argues that racism is indeed still an acute problem in the United States today, and that colorblind policies actually worsen the problem of racial injustice. Colorblind presents a timely and provocative look at contemporary racism and offers fresh ideas on what can be done to achieve true social justice and economic equality. "It's a great book. I highly, highly, highly recommend it."--Tavis Smiley "I finally finished Tim Wise's Colorblind and found it a right-on, straight-ahead piece of work. This guy hits all the targets, it's really quite remarkable...That's two of his that I've read [the first being Between Barack] and they are both works of crystal truth..."--Mumia Abu-Jamal "Tim Wise's Colorblind is a powerful and urgently needed book. One of our best and most courageous public voices on racial inequality, Wise tackles head on the resurgence and absurdity of post-racial liberalism in a world still largely structured by deep racial disparity and structural inequality. He shows us with passion and sharp, insightful, accessible analysis how this imagined world of post racial framing and policy can't take us where we want to go--it actually stymies our progress toward racial unity and equality."--Tricia Rose, Brown University "With Colorblind, Tim Wise offers a gutsy call to arms. Rather than play nice and reiterate the fiction of black racial transcendence, Wise takes the gloves off: He insists white Americans themselves must be at the forefront of the policy shifts necessary to correct our nation's racial imbalances in crime, health, wealth, education and more. A piercing, passionate and illuminating critique of the post-racial moment."--Bakari Kitwana "Tim Wise's Colorblind brilliantly challenges the idea that the election of Obama has ushered in a post-racial era. In clear, engaging, and accessible prose, Wise explains that ignoring problems does not make them go away, that race-bound problems require race-conscious remedies. Perhaps most important, Colorblind proposes practical solutions to our problems and promotes new ways of thinking that encourage us to both recognize differences and to transcend them." --George Lipsitz Tim Wise is one of the most prominent antiracist essayists, educators and activists in the United States. For twenty years he has challenged racial inequities as a community organizer, public speaker, workshop facilitator and writer. He has spoken to hundreds of thousands of people, contributed essays or chapters to more than twenty books, and has appeared regularly on radio and television as a guest commentator on race issues. He is regularly interviewed by national media, including CNN, Tavis Smiley and by Tom Joyner. He is the author of Between Barack and a Hard Place: Racism and White Denial in the Age of Obama.

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Haroun Soussan, narrator of Outcast and a Jewish convert to Islam, is a civil engineer and historian who's just completed his life's work, The Jews and History. The book opens with him getting an award from Saddam Hussein during the time of the Iran-Iraq war. Written in the form of an autobiography, the narrative moves in and out of the present, the recent, and more distant past, providing a unique and intimate chronicle of Iraq's contemporary political history. Shimon Ballas was born in Baghdad in 1930 and immigrated to Israel in 1951.

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Dino Campana wrote the unique, visionary masterwork of Italian literature Orphic Songs when he was in his twenties. The originality, rapturous language, and strange beauty of his poetry make him as important to twentieth-century poetry as Garcia Lorca or Mayakovsky. Campana was the wild man of Italian poetry in 1914, on the eve of World War I. The war saved some young Italians from rebellion and from Fascism, but not Campana. Always an outsider, he was a vagabond who worked now and then as a gaucho, miner, fireman, organ-grinder, janitor, circus tumbler, horse groomer, and a wandering musician with a Gypsy band. He died in Castel Pulci, a psychiatric hospital, in 1932. "Dino Campana's small and intensely magical body of poetry from the early years of the last century-prose and free verse that combine the visual and the visionary with astonishing vigor and haunting grace-is little known to English-speaking readers." -Oberlin College Press Dino Campana (1885-1932) was an Italian lyricist and poet, known for his flamboyant personality. His only collection of poems is found in Orphic Songs. In 1918 he was admitted into a mental hospital and lived the rest of his life there.

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Secrets of Voodoo traces the development in Haiti and the Americas of this complex religion from its sources in the brilliant civilizations of ancient Africa. This book presents a straightforward account of the gods of loas and their function, the symbols and signs, rituals, and the ceremonial calendar of Voodoo; and the procedures for performing magical rites are given. "Voodoo," derived from the words meaning "introspection" and "mystere" is a system of belief about the formation of the world and human destiny with clear correspondences in other world religions. Rigaud makes these connections and discloses the esoteric meaning underlying Voodoo's outward manifestations, which are often misinterpreted. Translated from the French by Robert B. Cross. Drawings and photographs by Odette Mennesson-Rigaud. Milo Rigaud was born in Port au Prince, Haiti, in 1903, where he spent the greater part of his life studying Voodoo tradition. In Haiti he studied law, and in France ethnology, psychology and theology. The involvement of Voodoo in the political struggle of Haitian blacks for independence was one of his main concerns after he returned to his country.

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Spontaneous poetry by the author of On the Road, gathered from underground and ephemeral publications; including "San Francisco Blues," the variant texts of "Pull My Daisy" and "American haiku." HERE DOWN ON DARK EARTH before we all go to Heaven VISIONS OF AMERICA All that hitchhikin All that railroadin All that comin back to America --Jack Kerouac Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, and a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights) and Scripture of the Golden Eternity (City Lights).

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This is an account of the Madhyamika (Middle Way) school of Buddhism, a method of mediation and enlightenment that was developed by the great Indian teacher Nagarjuna. In a collaboration between the Frenchwoman Alexandra David-Neel and her friend, the Tibetan lama Aphur Yongden, these teaching are presented clearly and elegantly, intended for the layman who seeks a way to practice and experience the realization of oneness with all existence. "...this is the most direct, no-nonsense, and down-to-earth explanation of Mahayana Buddhism that has been written. Specifically, it is a wonderfully lucid account of the Middle Way method of enlightenment worked out by the great Indian sage Nagarjuna." --Alan Watts, The Book "The Secret Oral Teachings in Tibetan Buddhist Sects by Alexandra David-Neel and Lama Yongden, is always on my night stand. I return to it again and again in different stages of my life." --Marina Ambramovic "David-Neel herself is often relegated to the ranks of "women adventurers" this despite the production of some forty-odd books, several of which have wielded an extraordinary influence." --Harry Oldmeadow, La Trobe University, Bendigo, Australia Alexandra David-Neel was born in 1868 in Paris. In her youth she wrote an incendiary anarchist treatise and was an acclaimed opera singer; then she decided to devote her life to exploration and the study of world religions, including Buddhist philosophy. She traveled extensively to in Central Asia and the Far East, where she learned a number of Asian languages, including Tibetan. In 1914, she met Lama Yongden, who became her adopted son, teacher, and companion. In 1923, at the age of fifty-five, she disguised herself as a pilgrim and journeyed to Tibet, where she was the first European woman to enter Lhasa, which was closed to foreigners at the time. In her late seventies, she settled in the south of France, where she lived until her death at 101 in 1969.

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"In Learning to Die in the Anthropocene, Roy Scranton draws on his experiences in Iraq to confront the grim realities of climate change. The result is a fierce and provocative book."--Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction: An Unnatural History "Roy Scranton's Learning to Die in the Anthropocene presents, without extraneous bullshit, what we must do to survive on Earth. It's a powerful, useful, and ultimately hopeful book that more than any other I've read has the ability to change people's minds and create change. For me, it crystallizes and expresses what I've been thinking about and trying to get a grasp on. The economical way it does so, with such clarity, sets the book apart from most others on the subject."--Jeff VanderMeer, author of the Southern Reach trilogy "Roy Scranton lucidly articulates the depth of the climate crisis with an honesty that is all too rare, then calls for a reimagined humanism that will help us meet our stormy future with as much decency as we can muster. While I don't share his conclusions about the potential for social movements to drive ambitious mitigation, this is a wise and important challenge from an elegant writer and original thinker. A critical intervention."--Naomi Klein, author of This Changes Everything: Capitalism vs. the Climate "Concise, elegant, erudite, heartfelt & wise."--Amitav Ghosh, author of Flood of Fire "War veteran and journalist Roy Scranton combines memoir, philosophy, and science writing to craft one of the definitive documents of the modern era."--The Believer Best Books of 2015 Coming home from the war in Iraq, US Army private Roy Scranton thought he'd left the world of strife behind. Then he watched as new calamities struck America, heralding a threat far more dangerous than ISIS or Al Qaeda: Hurricane Katrina, Superstorm Sandy, megadrought--the shock and awe of global warming. Our world is changing. Rising seas, spiking temperatures, and extreme weather imperil global infrastructure, crops, and water supplies. Conflict, famine, plagues, and riots menace from every quarter. From war-stricken Baghdad to the melting Arctic, human-caused climate change poses a danger not only to political and economic stability, but to civilization itself ...and to what it means to be human. Our greatest enemy, it turns out, is ourselves. The warmer, wetter, more chaotic world we now live in--the Anthropocene--demands a radical new vision of human life. In this bracing response to climate change, Roy Scranton combines memoir, reportage, philosophy, and Zen wisdom to explore what it means to be human in a rapidly evolving world, taking readers on a journey through street protests, the latest findings of earth scientists, a historic UN summit, millennia of geological history, and the persistent vitality of ancient literature. Expanding on his influential New York Times essay (the #1 most-emailed article the day it appeared, and selected for Best American Science and Nature Writing 2014), Scranton responds to the existential problem of global warming by arguing that in order to survive, we must come to terms with our mortality. Plato argued that to philosophize is to learn to die. If that's true, says Scranton, then we have entered humanity's most philosophical age--for this is precisely the problem of the Anthropocene. The trouble now is that we must learn to die not as individuals, but as a civilization. Roy Scranton has published in the New York Times, Wall Street Journal, Rolling Stone, Boston Review, and Theory and Event, and has been interviewed on NPR's Fresh Air, among other media.

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Richly informed and written in an engaging style, Against Empire exposes the ruthless agenda and hidden costs of the U.S. empire today. Documenting the pretexts and lies used to justify violent intervention and maldevelopment abroad, Parenti shows how the conversion to a global economy is a victory of finance capital over democracy. As much of the world suffers unspeakable misery and the Third-Worldization of the United States accelerates, civil society is impoverished by policies that benefit rich and powerful transnational corporations and the national security state. Hard-won gains made by ordinary people are swept away. The history of imperialism is also, however, a history of resistance, struggle, and achievement; Against Empire offers compelling alternatives for progressive change. Michael Parenti is considered one of the nation's leading progressive thinkers. He received his Ph.D. in political science from Yale University in 1962, and has taught at a number of colleges and universities. His writings have been featured in scholarly journals, popular periodicals, and newspapers. Dr. Parenti lectures around the country on college campuses and before religious, labor, community, peace, and public interest groups. Praise for Michael Parenti's books: "A valuable rebuttal to the drumbeat...from the right."--New York Times Book Review "Entertainingly written."--Publishers Weekly "Parenti writes clear, smooth, often provocative prose, has a way of cutting to the heart of complex issues and knows how to tell a story."--Allan Johnson, Author of Human Arrangements

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From acclaimed Nigeria-born, Brooklyn-based poet Uche Nduka, a book of love poems written with compact elegance and vivid eroticism.Facing You is a collection of love lyrics, as well as an exploration of what goes into making the public and private self, from acclaimed Nigerian American poet Uche Nduka. Passionate and erotic, Facing You resists being hermetically sealed within the relationship, and is subject to the intrusions of “the dubious world”: war, exile, protest, and police violence intrude but cannot defeat Nduka’s expressions of desire, where reality and surreality are one."For decades, Uche Nduka’s refulgent poetry has shone out amid the various national and cultural contexts in which he has found himself, from Nigeria to Germany to Brooklyn. The brief poems of Facing You showcase Nduka at his most iconic. Casual and elemental, Surreal and Blue, these poems are like fuses: exactly equal to their tasks. Facing You proves the pliant strength of the lyric, its ability, in a handful of blunt and turning lines, to reverse reality with the ease of an upraised mirror. Nduka’s poetry models the principle of agile, flamelike survival amid this most leaden of worlds."—Joyelle McSweeney"Uche Nduka’s lyrical abstractions are razor sharp and lighting fast. Each poem turns several corners in the blink of an eye. A Nigerian-American poet by way of Germany and Holland, Nduka has honed his genius on the whetting stones of a tri-continental cosmopolitanism. His voice is both courtly and sensual, and his poems as frankly sexual as they are defiantly explosive. Like Rimbaud, Nduka sings the pride of exile, the debauchery of imagination, with wile and wit. We are lucky to have him."—Kit Robinson"It’s not enough to be in love. These poems want to lose themselves in you. In Facing You, Uche Nduka conjures up the kind of romance that ends up in movies and songs––a love so strong you dissolve into your lover. At the same time, Nduka’s short and leaping phrases play hard to get. Just when you think you might be closer to making contact, he pivots, leaving you to feel like a rug has been pulled out from under you. What do we make of this push-and-pull dynamic from a speaker who says, 'I need a hell of a lot / of love to run my life on'? I think it means that Nduka’s poems understand how difficult intimacy is, how it can feel like chasing a dream, how it requires constant courage to overcome the fear of being hurt: 'You must have the guts / to tear absence apart.' It’s much easier to run away. Facing You lives in the gap between the desire for intimacy and intimacy itself, the exact place where meaning-making both comes to be and breaks down. It holds us suspended between language and sense, speech-sounds and communication, where we can feel the full brunt of our yearning."—Anaïs Duplan

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Newsweek, Lit Hub, The Philadelphia Inquirer, and The Atlanta Journal Constitution pick Race Man by Julian Bond as one of their Most-Anticipated Books of 2020!"This compilation of works by social activist and civil rights leader Julian Bond should be required reading in 2020."—Juliana Rose Pignataro, Newsweek"Bond's essays, speeches and interviews were powerful weapons in his lifelong fight for civil rights."—The New York Times"Justice and equality was the mission that spanned his life. Julian Bond helped change this country for the better. And what better way to be remembered than that."—President Barack ObamaAn inspiring, historic collection of writings from one of America's most important civil rights leaders.No one in the United States did more to advance the legacy of Martin Luther King Jr. than Julian Bond. Race Man—a collection of his speeches, articles, interviews, and letters—constitutes an unrivaled history of the life and times of one of America’s most trusted freedom fighters, offering unfiltered access to his prophetic voice on a wide variety of social issues, including police brutality, abortion, and same-sex marriage.A man who broke race barriers and set precedents throughout his life in politics; co-founder of the Southern Poverty Law Center and long-time chair of the NAACP; Julian Bond was a leader and a visionary who built bridges between the black civil rights movement and other freedom movements—especially for LGBTQ and women's rights. As we enter the third decade of the twenty-first century, there is no better time to return to Bond's works and words, many of them published here for the first time."Endlessly grateful for this collection of work that shows the expansive nature of Julian Bond's ideas of black liberation, and how those ideas are woven into the fabric of both resistance and uplift. Race Man is the map of a journey that was not only struggle and not only triumph."—Hanif Abdurraqib, author of They Can't Kill Us Until They Kill Us: Essays "Race Man is the essential collection of Julian Bond's wisdom—and required reading for the organizers and leaders who follow in his footsteps today."—Marian Wright Edelman, President Emerita, Children's Defense Fund"Race Man is a staggering collection that offers a genealogy of Bond's freedom-oriented politics and soul work as captured in his written words. Race Man is a book that looks back and speaks forward. It is a timely example of what movement building can look like when servant leaders refuse to leave the most vulnerable out of their visions for Black freedom. We need that reminder, like never before, today."—Darnell L. Moore, author of No Ashes in the Fire: Coming of Age Black & Free in America" [An] essential volume that will appeal to a broad audience of readers interested in the civil rights movement and human rights overall . . ."—Library Journal, Starred Review"Bond's years as an activist also offer a guide through the intellectual and political history of the left in the second half of the 20th century . . . Bond's essays capture the intellectual world that inspired him and that he helped inspire in turn."—Robert Greene II, The Nation

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“A true poet of modern classic culture in mid-twentieth century U.S.A.”—Allen Ginsberg“At their best the poems have an intensely oral, I would like to call it glossolalic, freedom, as if they captured the essence of what one might like to express in the moment of rapture.”—David RattrayBeginning in the 1950s until his untimely death at age 49, Stephen Jonas (1921-1970) was an influential if underground figure of the New American Poetry. A gay African-American poet of self-obscured origins, heavily influenced by Ezra Pound and Charles Olson, the Boston-based Jonas was a pioneer of the serial poem and an erudite mentor to such acknowledged masters as Jack Spicer and John Wieners, even as he lived a shadowy existence among drug addicts, thieves, and hustlers.Arcana: A Stephen Jonas Reader is the first selection of his work to appear in 25 years. With a biographical introduction and a postscript delving into recent discoveries concerning the poet's birthplace and background, Arcana is a crucial corrective to our understanding of post-war American poetry, restoring Jonas to his rightful place among the period’s vanguard. Featuring previously uncollected and unpublished work, a section of never-before-seen facsimiles from notebooks, and a generous selection from his innovative serial poem Exercises for Ear (1968), Arcana is a much-needed retrieval of an overlooked American poet, as well as a valuable contribution to African American and Queer literature.Praise for Arcana:"The work of Steve Jonas, though vital to many of his more illustrious contemporaries, has remained obscured far too long, particularly as we've become unaccustomed to the high stakes once involved in the life of poetry. Accompanied by a reprint of Joseph Torra’s invaluable introduction, as vital and fresh now as when it came out 25 years ago, along with David Rich’s extraordinary archaeological dig into genealogical records and biographical materials to clarify Jonas’s self-effaced origins, the publication of Arcana is an important event in our increasingly evanescent cultural history, evidence of what is real."––Ammiel Alcalay

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"You must check out the newest from my favorite transcendent and down to earth preacher."--Laurie Anderson, artist, musician The Earth Wants YOU is a motivational handbook, filled with inspired visions of a wild, creative, Earth-led cultural revolution. Reverend Billy and the Church of Stop Shopping offer up a heady mix of humor, insightful critique, passionate commitment, emotional catharsis, and example after example of vibrant direct action. Stop shopping and feel the love as you sign up for the struggle of our lives! Earthalujah! Praise for The Earth Wants YOU: "Singing instructions for joining the Earthalujah choir!"--Jodie Evans, CODEPINK "My Earthmojis are smiling for Reverend Billy! And that's all the dirt you're gonna get from me. O;"--Justin Vivian Bond, trans-genre artist, Radical Faerie "Mama Earth will shake us ALL off unless we shake shit UP and shut it DOWN!"--Bertha Lewis, The Black Institute "This is what makes social movements succeed--it's the big love-slog we have to go through to achieve change."--Andy Bichlbaum, The Yes Men "Join Rev and his merry band of activists as they imagine ways of arousing concern for the environment and racial justice." --Coco Fusco, creator of Eu Sou Um Consumidor "When the singing activists hit the high notes in a bank lobby or a DARPA lab or the back aisle of a Walmart, they wipe away the veils hiding the madness of our corporate-controlled, consumer-crazed society."--Annie Leonard, director of Greenpeace USA "Ssssh, listen ...let the Church of Stop Shopping exorcise your fear, doubt and burnout, and join the Earthalujah Revolution!"--Jess Worth, BP or not BP? "This call to action is at once sobering and encouraging. We have fucked up really badly, but the ability to see it--is the first and hardest step toward fixing it."--Douglas Rushkoff, author of Throwing Rocks at the Google Bus "Reverend Billy's ALL IN! bodies and voices ...not just clicks and posts, for this small village we call Earth. Preach On!"--Obang Metho, Solidarity Movement for a New Ethiopia "The Stop Shoppers packs a whoop."--Roberto Sifuentes, La Pocha Nostra "In between satire and silence, there is a space of penetrating reckoning for all vibrations that flow counter to the balance of Nature. And from this dynamic and tricky space, the Honorable Reverend and his Holified Choir will shout, sing and sermonize a soul-bound love message of Truthalujah!"--John Sims, The AfroDixie Remixes "The Church of Stop Shopping is in the vanguard of a new movement that challenges this consumer society that is killing our planet."--Mike Roselle, Climate Ground Zero and Coal River Mountain Watch "Billy, Savi and the choir have love and optimistic humor, and they don't give up on people."--David LaChapelle, comedian "He seems to be writing while his actions are going on, like he can write while he's hand-cuffed."--Benny Zable, The Nimbin Environment Centre, NSW Australia "The Earth Wants You takes readers deep inside the heart, mind and balls of the activist-artist. Reverend Billy rocks hard!"--Annie Sprinkle, artist, ecosexual sexecologist "He was a comic act. Now he's evolved into a man compulsively challenging the true extent of the right to protest." --Anohni, creator of the song "4 Degrees" Reverend Billy and his choir of singing-activists are on the front lines of creative direct action, and here they offer up a distillation of the passion, the inspiration, and the hopes for love and survival that fuel their work. In a mix of essays, polemics, surrealist scenarios and news flashes from the frontlines, Reverend Billy answers the question, "What are we to do?" with a resounding chorus of "Take Action NOW!"

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This book collects Ferlinghetti and Ginsberg's letters for the first time. Most have never been published before. Includes facsimiles of letters -- quantity TBA. Bill Morgan, editor, provides introductory notes, and footnotes, to contextualize/clarify letters for contemporary readers. The letters are collected between the years 1955 to 1997, which spans their entire friendship, from Ferlinghetti's publication of the revolutionary "HOWL and Other Poems" to Ginsberg's death. Majority of letters are from the earlier period, given that letter writing was most common then, of course, before people started using phone/fax/email. Provides a rich historic background into the process of acquiring and publishing HOWL. Offers an insider's view into Ferlingetti's role as publisher and Ginsberg's beginning writing career. The letters are quite illuminating, for example, showing the importance of Ferlinghetti as an editor of Ginsberg's work, a subject that has not been studied. Readers will be surprised to learn that Ginsberg had little confidence in his early writings. He often referred to his poems as "white elephants," and said that they wouldn't last 100 years. It was Ferlinghetti who realized Ginsberg's incredible talent and often encouraged him to get past his lack of self confidence.

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Before Buffy, before Twilight, before Octavia Butler's Fledgling, there was The Gilda Stories, Jewelle Gomez's sexy vampire novel."The Gilda Stories is groundbreaking not just for the wild lives it portrays, but for how it portrays them--communally, unapologetically, roaming fiercely over space and time."--Emma Donoghue, author of Room"Jewelle Gomez sees right into the heart. This is a book to give to those you want most to find their own strength."—Dorothy AllisonThis remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the blood" by two women there, Gilda spends the next two hundred years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, re-definitions of family, and yes, the erotic potential of the vampire story.Jewelle Gomez is a writer, activist, and the author of many books including Forty-Three Septembers, Don't Explain, The Lipstick Papers, Flamingoes and Bears, and Oral Tradition. The Gilda Stories was the recipient of two Lambda Literary Awards, and was adapted for the stage by the Urban Bush Women theater company in thirteen United States cities. Alexis Pauline Gumbs was named one of UTNE Reader's 50 Visionaries Transforming the World, a Reproductive Reality Check Shero, a Black Woman Rising nominee, and was awarded one of the first-ever "Too Sexy for 501c3" trophies. She lives in Durham, North Carolina.More praise for The Gilda Stories:"Jewelle's big-hearted novel pulls old rhythms out of the earth, the beauty shops and living rooms of black lesbian herstory, expressed by the dazzling vampire Gilda. Her resilience is a testament to black queer women’s love, power, and creativity. Brilliant!"--Joan Steinau Lester, author of Black, White, Other"In sensuous prose, Jewelle Gomez uses the vampire story as a vehicle for a re-telling of American history in which the disenfranchised finally get their say. Her take on queerness, community, and the vampire legend is as radical and relevant as ever."--Michael Nava, author of The City of Palaces"I devoured the 25th anniversary edition of Jewelle Gomez's The Gilda Stories with the same venal hunger as I did when I first read it. I still feel a connection to Gilda: her tenacity, her desire for community, her insistence on living among humanity with all its flaws and danger. The Gilda Stories are both classic and timely. Gilda emphasizes the import of tenets at the crux of black feminism while her stories ring with the urgency of problems that desperately need to be resolved in our current moment."--Theri A. Pickens, author of New Body Politics"This revolutionary classic by a pioneer in black speculative fiction will delight and inspire generations to come."--Tananarive Due, author of Ghost Summer"The Gilda Stories was ahead of its time when it was first published in 1991, and this anniversary edition reminds us why it's still an important novel. Gomez's characters are rooted in historical reality yet lift seductively out of it, to trouble traditional models of family, identity, and literary genre and imagine for us bold new patterns. A lush, exciting, inspiring read."--Sarah Waters, author of Tipping the Velvet" . . . its focus on a black lesbian who possesses considerable agency througout the centuries, and its commentary on gender and race, remain significant and powerful."--Publishers Weekly

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Until the watershed leak of top-secret documents by Edward Snowden to the Guardian UK and the Washington Post, most Americans did not realize the extent to which our government is actively acquiring personal information from telecommunications companies and other corporations. As made startlingly clear, the National Security Agency (NSA) has collected information on every phone call Americans have made over the past seven years. In that same time, the NSA and the FBI have gained the ability to access emails, photos, audio and video chats, and additional content from Google, Facebook, Yahoo, Microsoft, YouTube, Skype, Apple, and others, allegedly in order to track foreign targets. In Spying on Democracy, National Lawyers Guild Executive Director Heidi Boghosian documents the disturbing increase in surveillance of ordinary citizens and the danger it poses to our privacy, our civil liberties, and to the future of democracy itself. Boghosian reveals how technology is being used to categorize and monitor people based on their associations, their movements, their purchases, and their perceived political beliefs. She shows how corporations and government intelligence agencies mine data from sources as diverse as surveillance cameras and unmanned drones to iris scans and medical records, while combing websites, email, phone records and social media for resale to third parties, including U.S. intelligence agencies. The ACLU's Michael German says of the examples shown in Boghosian's book, "this unrestrained spying is inevitably used to suppress the most essential tools of democracy: the press, political activists, civil rights advocates and conscientious insiders who blow the whistle on corporate malfeasance and government abuse." Boghosian adds, "If the trend is permitted to continue, we will soon live in a society where nothing is confidential, no information is really secure, and our civil liberties are under constant surveillance and control." Spying on Democracy is a timely, invaluable, and accessible primer for anyone concerned with protecting privacy, freedom, and the U.S. Constitution. "Everyone of us is under the omniscient magnifying glass of the government and corporate spies...How do we respond to this smog of surveillance? Start by reading Spying on Democracy: Government Surveillance, Corporate Power, and Public Resistance by Heidi Boghosian" --Bill Moyers "With ex-CIA staffer Edward Snowden's leaks about National Security Agency surveillance in the headlines, Heidi Boghosian's Spying on Democracy: Government Surveillance, Corporate Power, and Public Resistance feels especially timely. Boghosian reveals how the government acquires information from telecommunications companies and other organizations to create databases about 'persons of interest.'" --Publishers Weekly "Heidi Boghosian's Spying on Democracy is the answer to the question, 'if you're not doing anything wrong, why should you care if someone's watching you?'" --Michael German, Senior Policy Counsel, ACLU and former FBI agent Heidi Boghosian is the Executive Director of the National Lawyers Guild, a progressive Bar Association established in 1937. She co-hosts the weekly civil liberties radio program, "Law and Disorder," which airs on Pacifica's WBAI in New York and on over 50 national affiliate stations around the country. She has published numerous articles and reports on policing, protest, and the First Amendment, including The Policing of Political Speech (National Lawyers Guild 2010), Applying Restraints to Private Police (Missouri Law Review 2005), and The Assault on Free Speech, Public Assembly, and Dissent (North River Press 2004). Her book reviews have been published in The Federal Lawyer and the New York Law Journal. She received her JD from Temple Law School where she was editor-in-chief of the Temple Political & Civil Rights Law Review. She also holds an MS from Boston University College of Communication and a BA from Brown University.

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"A walking badass of a book."--Rolling Stone "Don is a great writer. His work is worth reading." -- Henry Rollins Hallucinating between childhood and manhood, Eddie Burnett is both hero and anti-hero in this hard-hitting collection of linked stories. Coming of age in California's post-war suburbs and freefalling through the turbulence of the sixties and early seventies, Eddie's transformation from a boy's innocence to a man's hardened wariness is captured in lyrical, emotionally raw episodes. He navigates the minefields of American masculinity in a series of disturbing, yet strangely uplifting odysseys, from hope to despair and back again. Author, screenwriter, actor, and performer Don Bajema lives in New York City.

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In his official response to the attacks of September 11, George W. Bush invoked the Crusades, tapping into a centuries-long history of fear and aggression. The West's longstanding perception of Islam as a threat has taken on new and more complex implications in the twenty-first century, as years of migration and resulting demographic shifts have brought the "enemy" within Western borders. Virulent opposition to the planned construction of an Islamic center near the 9/11 attack site in New York City reveals much about the intensity of public sentiments simmering just below the surface. As the United States and countries across Europe struggle with a resurgence of unexamined fear and antagonism, often directed against their own citizens, the imperative for better understanding could not be greater. Crusade 2.0 examines the resurgence of anti-Islamic sentiment in the West and its global implications. John Feffer discusses the influence of three "unfinished wars"--the Crusades, the Cold War, and the current "war on terror." He presents a timely, concise and provocative look at current events in the context of historical trends and goes beyond a "clash of civilizations" critique to offer concrete ways to defuse the ticking bomb of Islamophobia. "John Feffer's Crusade 2.0: The West's Resurgent War On Islam offers a brief but effective expose of a social cancer that continues to grow exponentially, in America and Europe, threatening the security and civil liberties of Muslims and the principles and values of Western democracies."--John L. Esposito "John Feffer's illuminating and important new work, Crusade 2.0, sheds light on the disturbing phenomenon of Islamophobia in America with a clear-eyed view of history, meticulous research, and persuasive arguments. This accessible and informative book shows how fear-mongering, when married to ignorance and selfish political agendas, not only threatens to marginalize entire communities of innocent people but also undermine the core values of pluralism, tolerance and fairness that define America." --Wajahat Ali "If you want to understand the particular madness of America's twenty-first century, you need to read John Feffer's account of how Washington launched "crusade 2.0," including two invasions and occupations of Muslim lands and a Global War on Terror sporting aptly named Hellfire missiles aimed directly at the Muslim world. Add in the injection of fear of Islam directly into the American bloodstream and the rise of Islamophobia as domestic political red meat, and you have a truly American nightmare. Feffer is its Homer and this is our sad Odyssey."--Tom Engelhardt John Feffer is co-director of Foreign Policy in Focus at the Institute for Policy Studies in Washington, DC. He is the author of several books, including North Korea, South Korea. His essays have been published in The New York Times, The Boston Globe, and elsewhere; he has been interviewed by CNN, MSNBC, Al Jazeera, Democracy Now! and other international news media.

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A new edition of the African American masterpiece featuring critical essays by Angela Y. Davis.A masterpiece of African American literature, Frederick Douglass's Narrative is the powerful story of an enslaved youth coming into social and moral consciousness by disobeying his white slavemasters and secretly teaching himself to read.Achieving literacy emboldens Douglass to resist, escape and ultimately achieve his freedom. After escaping slavery, Douglass became a leader in the anti-slavery and women's rights movements, a bestselling author and U.S. diplomat.In this new critical edition, legendary activist and feminist scholar Angela Davis sheds new light on the legacy of Frederick Douglass.In two philosophical lectures originally delivered at UCLA in autumn 1969, Davis focuses on Douglass's intellectual and spiritual awakening, and the importance of self-knowledge in achieving freedom from all forms of oppression. With detailed attention to Douglass's text, she interrogates the legacy of slavery and shares timeless lessons about oppression, resistance and freedom.And in an extended introductory essay written for this edition, Davis comments on previous editions of the Narrative and re-examines Douglass through a contemporary feminist perspective.An important new edition of an American classic."Angela Y. Davis presents a long overdue examination of Douglass' work not just from the perspective of a woman but one of the most provocative and profound minds of the last half century. It is my sincere hope that this City Lights edition of The Narrative will inspire researchers and individuals to take a closer look at the tremendous degree of influence Anna Murray Douglass had in the life and the career of her husband and my great-great-great grandfather."—Kenneth B. Morris, Jr., Great-great-great grandson of Frederick Douglass and Great-great grandson of Booker T. Washington"Davis' arguments for justice are formidable . . . The power of her historical insights and the sweetness of her dream cannot be denied."—New York Times Book Review"Long before 'race/gender' became the obligatory injunction it is now, Angela Davis was developing an analytical framework that brought all of these factors into play. For readers who only see Angela Davis as a public icon . . . meet the real Angela Davis: perhaps the leading public intellectual of our era."—Robin D. G. Kelley author of Thelonious Monk: The Life and Times of an American Original"One of America's last truly fearless public intellectuals."—Cynthia McKinney, Former U.S. Democratic Congresswoman"Angela Davis's revolutionary spirit is still strong. Still with us, thank goodness!"—Virginian-Pilot"There was a time in America when to call a person an 'abolitionist' was the ultimate epithet. It evoked scorn in the North and outrage in the South. Yet they were the harbingers of things to come. They were on the right side of history. Prof. Angela Y. Davis stands in that proud, radical tradition."—Mumia Abu-Jamal"Behold the heart and mind of Angela Davis, open, relentless, and on time!"—June Jordan"The enormous revolution in Black consciousness which has occurred in your generation, my dear sister, means the beginning or the end of America. Some of us, white and Black, know how great a price has already been paid to bring into existence a new consciousness, a new people in an unprecedented nation. If we know, and do nothing, we are worse than the murderers hired in our name. If we know, then we must fight for your life as though it were our own—which it is—and render impassable with our bodies the corridor to the gas chamber. For, if they take you in the morning, they will be coming for us that night."—James Baldwin

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Sergio Prim is a staid, middle-aged geographer. The romantic advances of Brezo Varela, a lively young woman who shares his profession, induce a series of terrifying hallucinations from which he attempts to seek refuge by immersing himself in the quest to map a place in which love never results in disillusionment. A lyrical examination of language, imagination, and desire. Belen Gopegui burst onto the Spanish literary scene in 1993, bowling over critics with her masterful debut La escala de los mapas (The Scale of Maps), which was hailed as a masterpiece. This is her first work translated into English.

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Based on the author's life as a gay man and a poet, King of Shadows is a collection of twenty-one autobiographical essays that circle in and around San Francisco since the 1960s. The three longest pieces deal with Aaron Shurin's coming into poetry and gay identity via a high school production of A Midsummer Night's Dream, his deep relationships with poets Denise Levertov and Robert Duncan, and his personal history of venturing into San Francisco gay bars, starting in 1965 and ending just before Stonewall. Aaron Shurin is the author of fifteen books, including Involuntary Lyrics and The Paradise of Forms, named a Publishers Weekly Best Book of the Year.

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The explosive protests and police riots outside the 1968 Democratic National Convention and the ensuing conspiracy trial gave voice to the tumultuous politics of the time. Frank Condon and Ron Sossi have crafted a dramatically gripping playscript from a careful selection of actual court transcripts, accompanied here by an introduction and historical reflections written by Tom Hayden, one of the original defendants. This potent book captures the trial's original energy, its confrontational and sometimes theatrical tactics, and its absolute outrage.

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Since the publication of Our Word Is Our Weapon-which Publishers Weekly described as "strong as dignity and as subtle as love"-Mexico's enigmatic Zapatista leader has written some of his most brilliant and complex works. From a retelling of indigenous myths and legends, to visions of the future of Mexico, from searing critiques of the US war in Iraq, to clandestine radio broadcasts from the jungles of Chiapas, here is an amazing selection of writing that gives voice to the literary and poetic genius of Latin America's greatest living writer and rebel.

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A Power Governments Cannot Suppress is a major collection of essays on American history, race, class, justice, and ordinary people who stand up to power. Zinn approaches the telling of U.S. history from an active, engaged point of view, drawing upon untold histories to comment on the most controversial issues facing us today: government dishonesty, terrorism, the wars on Iraq and Afghanistan, the loss of our liberties, immigration, and the responsibility of the citizen to confront power for the common good. A Power Governments Cannot Suppress is an invaluable post-9/11 era addition to the themes that run through Howard Zinn's bestselling classic, A People's History of the United States. "Thank you, Howard Zinn. Thank you for telling us what none of our leaders are willing to: The truth. And you tell it with such brilliance, such humanity. It is a personal honor to be able to say I am a better citizen because of you." --Michael Moore, director of Fahrenheit 9/11 "This strong, incisive book by Howard Zinn provides us with a penetrating critique of current U.S. policies and embraces the sweep of history...A Power Governments Cannot Suppress leaves us with the faith that citizens have what it takes to confront power and to reverse the dangerous and unjust acts of our government." --Jonathan Kozol, author of The Shame of the Nation: The Restoration of Apartheid Schooling in America "Find here the voice of the well-educated and honorable and capable and humane United States of America, which might have existed if only absolute power had not corrupted its third-rate leaders so absolutely." --Kurt Vonnegut, author of A Man Without a Country "Howard Zinn is a unique voice of sanity, clarity, and wisdom who reads history not only to understand the present but to shape the future ...Profoundly insightful ...A Power Governments Cannot Suppress should be read by every American, over and over again." --Michael Lerner, editor of Tikkun Magazine "Zinn writes with an enthusiasm rarely encountered in the leaden prose of academic history..." --New York Times Book Review "Zinn collects here almost three dozen brief, passionate essays that follow in the tradition of his landmark work, A People's History of the United States ...Readers seeking to break out of their ideological comfort zones will find much to ponder here. " --Publishers Weekly Howard Zinn is an acclaimed historian, playwright, and combat veteran of World War II. He is the author of more than two dozen books, including his masterpiece A People's History of the United States, and The Historic Unfulfilled Promise (City Lights).

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Nominated for the 2010 Stonewall Book Award, the oldest book award given for outstanding achievement in Gay, Lesbian, Bisexual and Transgendered Literature A woman is haunted by the atrocities committed by her husband, and makes a heart-wrenching decision about atonement; secret fears and unspoken desires reveal the profound ambivalence at the heart of an interracial couple's relationship; a Jamaican man mourns his friend's death at the hands of anti-gay vigilantes; and two extraordinary young men escape the horrors of slavery when they leave their bodies behind on the Middle Passage. Known for his courageous explorations into the heavily mined territories of race and sexuality, Thomas Glave offers a series of profound portraits of the traumas of war, the ravages of homophobia and racism, and the ultimate triumph of desire. "The Torturer's Wife is one of the most interesting American books I have read ...a literary text that incites the reader to become a conscious and seduced re-reader." --Juan Goytisolo, The Marx Family Saga "Glave's disruption of form is a powerful metaphor for sexual, racial and geopolitical disjunctions. Glave is a gifted stylist ...blessed with ambition, his own voice and an impressive willingness to dissect how individuals actually think and behave. " --New York Times Book Review "Thomas Glave walks the path of such greats in American literature as Richard Wright and James Baldwin ..." --Gloria Naylor, The Women Of Brewster Place "Glave is a brilliant writer of startingly fresh prose ...his stories are intricate tapestries of life rendered through a triumphant act of the imagination." --Clarence Major, My amputations Thomas Glave is an O. Henry award-winning author and was named a Village Voice Writer on the Verge in 2001. He is the author of Whose Song? and Other Stories, Words to Our Now: Imagination and Dissent (winner of the Lambda Literary Award for Nonfiction), and editor of Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles. He has taught at the State University of New York at Binghamton and at the Massachusetts Institute of Technology.

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Part Unabomber, part van Gogh, David Pelenstein yearns to create an unforgettable masterpiece. He spends his days in the Chicago Public LIbrary, browsing the stacks in search of connections between obscure volume, scrupulously footnoting his research into anarchy, magnetotherapy, plastic surgery, and more. We read this journal, tracing his course through books and philosophies as he prepares his magnum opus&nash;blowing up the library that he loves. Fueled by lust for Eve Jablom, the young woman at the library's checkout desk, Felsenstein hones his plans to perfection. All that remains is to carry them out. "Instant Karma is irresistible from beginning to end. To make this original treatment of a complex and indeed zany subject so consistently entertaining is proof of a new and prodigious talent." --Harry Matthews, author of Cigarettes and Tlooth "...a tour de force, an engaging, farcical, joyful reprise of 1000 great ideas tumbling around in one humble brain, in one ordinary body." --Frederick Barthlme, author of painted Desert "...concentrated and diabolically clever novel...this is a tricky puzzle of a tale, one readers will enjoy in direct proportion to their interest in the roles books and libraries play in our lives, and to their familiarity with the diverse sources Swartz so cannily samples and remixes in this intelligent, arch, timely and piquant satire. " --The Chicago Tribune " Welcome to the oddball world of David Felsenstein, a Chicago loner who's part Young Werther, part Travis Bickle and part post-adolescent Borges...a kind of Dewey Decimal tribute to Paul Auster's Leviathan..." --The Los Angeles Times "Imagine a collaboration between David Sedaris and David Foster Wallace on a book about the interrelationship of art and anarchy ...What you end up with is Mark Swartz's weird but wonderful Instant Karma ..." --Washington City Paper "Mark Swartz's irreverent first novel, Instant Karma, features a lonely bookish pack rat ...there is some sense in which Instant Karma can stand as an odd second cousin to Jonathan Franzen's recent collection of essays, How To Be Alone." --Readerville "An obsessive read about an obsessive reader, Mark Swartz's Instant Karma is a book with the sort of power that makes you remember the sort of power books have." --Daniel Handler, author of Watch Your Mouth and The Basic Eight "This novella proves that too much reading can cause a shy boy to use explosives. The attenuated Young Werther here, direct heir to all the neurasthenic adolescents in literature, updates himself with late twentieth-century books, but stays in character. Nice satire, useful common reader." --Andrei Codrescu, NPR commentator and author of Ay Cuba! A Socio-Erotic Journey and Cassanova in Bohemia "As a reference librarian I have sometimes wondered what goes on in the hearts and minds of the many people who use the library all day, every day. Swartz provides just such a glimpse into one fictional psyche. Instant Karma's troubled protagonist's diary entries, obsessively footnoted from idiosyncratically disparate library texts, lead toward a potentially explosive end." --Jim Van Buskirk, Reference Librarian, San Francisco Public Library Mark Swartz is a writer from Chicago now living in Brooklyn. He works for the Museum of Modern Art as a copywriter and editor.

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The attacks of 9/11 have renewed a hunger for ideas about how to effect change. The strategies and hard-won victories of dedicated activists from global justice and community struggles can provide vision and hope, and in this collection of 33 articles and essays, we hear first-hand accounts from North America, Europe and Latin America. In recent years, thousands have flooded the streets to effectively challenge the global economic system. Globalize Liberation aims to deepen, popularize, update and provide concrete practical ideas for this spirit of resistance and innovation. Contributors include: Betita Martinez, Starhawk, Walden Bello, Naomi Klein, Guillermo Gomez-Pena, Midnight Notes Collective, Rage Against the Machine and more. David Solnit is a founder of Art and Revolution, and was a key organizer of the 1998 anti-WTO protests in Seattle.

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Between 1952 and 1954, Jean-Michel Mension haunted Saint-Germain-des-Pres as a member of the legendary Letterist International, direct progenitor of the Situationist International. In a series of conversations, Mension recounts this very particular vie de boheme whiled away with Guy Debord and a rogue's gallery of hard drinkers and thinkers. The Tribe is a rare, vivid tour of a moment and milieu barely noticed at the time by the tourists who flocked to the Left Bank for a glimpse of Sartre & Co. The rich iconography includes many of Ed van der Elsken's celebrated photographs of "the tribe" and a trove of Letterist leaflets and posters. A rare, vivid tour of a moment and milieu barely noticed at the time by the tourists flocking to Saint-Germain for a glimpse of Sartre & Co. "The Tribe relates the Parisian wanderings of a heterogeneous group of individuals who cultivated laziness and revolt, alcohol and talk, drift and chance, creative hopes and encounters ...in quest of a Rimbaldian derangement of all the senses, of detournement of art and daily life in the defiance of order, by vandalism, by deliquency, but also by an altogether contemporary quest for a supersession of Marxism." -Le Monde libertaire "In his oral memoir The Tribe, Jean-Michel Mension provides a useful context for [Guy] Debord's particular estrangement from postwar modernity. Mension reveals a multicultural dimension that is rarely explored in the burgeoning literature on this group ..." -McKenzie Wark, Bookforum "Mension, who began submitting writing to the Letterist journal at 18, recounts life in this fascinating, emphatically improvident, quasi-anarchist subculture, delivering vivid anecdotes and a still-fresh scoff-law sensibility." -Publishers Weekly Jean-Michel Mension (1934 - 2006) misspent his youth in Saint-Germain-des-Pres in the early 1950s before joining the Communist Party in 1962 and the Ligue Communiste in 1968. The Tribe is Mension's first book; he published his second in 2001: Le Temps gage: aventures politiques et artistique d'un irregulier a Paris.

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Points of Departure brings together seventeen Mexican authors born in the 1950s and 1960s, most of whom had never before been published in English. Magical realism and exoticism are nowhere to be found in this collection of sophisticated, very contemporary stories. Rather, the surreal contradictions and juxtapositions of daily life in Mexico are a permeating presence. A sharp sense of irony, incongruity, and hilarity pervades many of the scenarios offered here, along with an acid-tongued fatalism in the face of a reality where poverty, lawlessness, and urban decay coexist alongside innocent dreams of love. Bernardo Ruiz, Josefina Estrada, Rafael Perez Gay, Humberto Rivas, Daniel Sada, Rosa Beltran, David Toscana, Juan Villoro, Monica Lavin, Juvenal Acosta, Alvaro Uribe, Rosina Conde, Eduardo Antonio Parra, Mauricio Montiel, Ethel Krauze, Enrique Serna, Francisco Hinojosa "A satisfying collection of 17 short stories by as many writers, all born in the 1950s and 1960s...A fine collection." --Kirkus Review Gustavo Segade is Emeritus Professor of Spanish at San Diego State University. He has translated the work of many South American and Mexican writers, including Olga Orozco, Alberto Blanco, Rosina Conde, Sergio Elizondo, Monica Lavin and Daniel Sada. Monica Lavin (Mexico City) is a writer and journalist, a dedicated cultural organizer and commentator, and president of the Association of Ibero-American Writers.

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