Search results for ""city lights books""

In 1955, poet Lawrence Ferlinghetti began issuing small paperback books of poetry from City Lights Bookshop in San Francisco. Since then the press has published over 230 titles and 1,500 authors. Throughout its history, City Lights Books has reflected a broad range of ideas and fresh thought, publishing writers from every part of the world and cutting across lines of culture, age, and gender. Authors include Jack Kerouac, James Joyce, Ernest Hemingway, Robert Burns, Hilda Doolittle, Diane di Prima, Allen Ginsberg, Goethe, Walt Whitman, Gregory Corso, and Karl Marx. The Cooks provide complete information on all City Lights publications from 1955 through 1990, with full decriptions of title pages, collation, contents, bindings, dates published, and print run.

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Published to celebrate forty years of City Lights publishing, which began with the letterpress printing of this book in 1955. It was Lawrence Ferlinghetti's first book, and it has been reprinted twenty-one times, having never been out of print. The original edition contained the first twenty-seven poems to which the author has now added eighteen new verses. Lawrence Ferlinghetti, poet and founder of City Lights Books, author of A Coney Island of the Mind and Pictures of the Gone World, among numerous other books, has been drawing from life since his student days in Paris where he frequented the Academie Julien and where he did his first oil painting.

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Close to 100 figurative drawings in black and white, and in color, mostly nudes in love or strife, some "disastered by life," some with incisive or caustic words integrated in the images. This is a retrospective of Ferlinghetti's graphic work and play, ranging from his early drawings made in Paris ateliers, to yesterday's sessions sketching models in his San Francisco studio. Lawrence Ferlinghetti, poet and founder of City Lights Books, author of A Coney Island of the Mind and Pictures of the Gone World, among numerous other books, has been drawing from life since his student days in Paris where he frequented the Academie Julien and where he did his first oil painting.

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Allen Ginsberg's Howl and Other Poems was originally published by City Lights Books in the Fall of 1956. Subsequently seized by U.S. customs and the San Francisco police, it was the subject of a long court trail at which a series of poets and professors persuaded the court that the book was not obscene. Howl & Other Poems is the single most influential poetic work of the post-World War II era, with over 1,000,000 copies now in print. "Howl was Allen's metamorphosis from quiet, brilliant, burning bohemian scholar trapped by his flames and repressions to epic vocal bard."--Michael McClure "It is the poet, Allen Ginsberg, who has gone, in his own body, through the horrifying experiences described from life in these pages." --William Carlos Williams "At the height of his bardic powers, Allen Ginsberg could terrify the authorities with the mere utterance of the syllable "om" as he led street throngs of citizens protesting the Vietnam War. Ginsberg reigned as the raucous poet of American hippiedom and as a literary pioneer whose freewheeling masterwork "Howl" prevailed against government censorship in a landmark obscenity trial 50 years ago." -- New York Times "Fifty years ago, on October 3, Judge Clayton Horn ruled that Allen Ginsberg's great epic Beat-era poem HOWL was not obscene but instead, a work of literary and social merit. This ruling allowed for the publication of HOWL and exonerated the poet Lawrence Ferlinghetti, who faced jail time and a fine 50 years ago for publishing 'HOWL.'" -- Pacifica.org Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian emigre, and Louis Ginsberg, lyric poet and schoolteacher, in Paterson, New Jersey. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote Kaddish 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom Howl is addressed, is a intuitive Bronx dadaist and prose-poet."

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2019 NCIBA Golden Poppy Award Winner - Poetry***San Francisco’s 7th poet laureate—a Native American and native San Franciscan—explores urban space and the natural world.Deer Trails is a strongly elegiac evocation of a San Francisco that lies buried under its contemporary urban landscape, but can still be found peeking through. Native American and native San Franciscan Kim Shuck is the city's seventh poet laureate, and in these poems she celebrates the enduring presence of indigenous San Francisco as a form of resistance to gentrification, urbanization, and the erasure of memory.Praise for Deer Trails and Kim Shuck"Kim Shuck's serpentine lyrics sing the streets, hills, trees, fog, and rain of San Francisco, as well as the city's deeper cartography of watersheds, village sites, shellmounds, trade paths, and deer trails. As you navigate this book, listen closely: the poems transform into maps, prayers, and medicine that offer healing, wonderment, and joy in our difficult times. 'Travel grateful,' the poet lovingly advises. 'Travel safe.'"––Craig Santos Perez"Deer Trails is a work of maturity and passion from one of Native America's best poets. Kim Shuck is a poet whose dedication to indigenous reality is unquestionable and admirable. The Tsalagi people live in a cherished memory of honor and peace. The poems in Deer Trails are a testament to these ends. I am proud to call her sister."––Lance Henson"Made of leaps of beginning after beginning of images that sound as well as visually show nature's humanity in a montage––naming en route to organic epiphanies––that's the idiomatic brilliance of Kim Shuck's actually quite sophisticated poems of simplicity."––Jack Hirschman"Shuck's poetry reminds us that you can believe in the blue note; our elders’ speeches that we dance near. Her poems seamlessly walk the aggregates of human presence and voice all of nature’s directions. Shuck reminds us of the omniscience of the people in this dictatorship of dimes; the omniscience of the people in all sketches about genocide. Hers is the only way to look at San Francisco. A prayer in the mind of a warrior."––Tongo Eisen-Martin

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Eleven-year-old Lisa becomes her mother's primary support when they face the prospect of homelessness. As Dee, a single mother, struggles with the demons of her own childhood of neglect and abuse, Lisa has to quickly assume the role of an adult in an attempt to keep some stability in their lives. "Dee and Tiny" ultimately become underground celebrities in San Francisco, squatting in storefronts and performing the "art of homelessness." Their story, filled with black humor and incisive analysis, illuminates the roots of poverty, the criminalization of poor families, and their struggle for survival.

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An urgent primer on what can be done to combat emerging threats to the core of U.S. Democracy—presidential elections.In 2000, we learned that an exceptionally close presidential election can produce chaos, because we have no reliable Constitutional mechanism for resolving disputes. Joe Biden just won a presidential election that was extremely close in a number of states. Trump—and his many supporters—refuse to accept the legitimacy of those vote results, leading to an insurrection at the Capitol Building. Where do we go from here?In A Short History, Constitutional scholar Alan Hirsch presents a concise history of presidential elections that resulted in crises and advocates clear, common-sense solutions, including abolishing the Electoral College and the creation of a permanent, non-partisan Presidential Election Review Board to prevent or remedy future crises.“Hirsch does a very good job of offering historical context to illuminate the present—and the terrifying future. His imaginative proposals are probably too sensible to be implemented in an age of parochial partisanship.”—David Shipler, former reporter for the New York Times and Pulitzer Prize winner“Democracy is broken, but as Alan Hirsch explains, it really doesn’t have to be. This is the real story of how our voting system became so vulnerable to attacks from within and without, told with precision, verve, and even hope. This is the way out.”—Douglas Rushkoff, author of Team Human“This is a must-read for anyone who cares about safeguarding presidential elections―which should be everyone.”—Evan Caminker, Professor and former Dean, University of Michigan Law School"The noted law historian, author of Impeaching the President, examines the handful of seriously problematic presidential elections in American history and what the Constitution elucidates about the process of undoing such an event—namely, nothing. . . . A highly relevant study featuring much food for thought and prospects for change."—Kirkus Reviews, Starred Review" [A] seminal work of meticulous and informative scholarship that should be considered as an essential and unreservedly recommended addition to community, college, and university library Contemporary Political Science collections. It should be noted for the personal reading lists of students, academia, political activists, and non-specialist general readers with an interest in the subject."—Midwest Library Review

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The lives of working class Mexican America, where everyday stories offer a portal to myth and fable."No one writes like Dagoberto Gilb! I loved these energetic, soulful, and hilarious stories that by the end had me wondering if I''d encountered the sublime on the page."—Kali Fajardo-Anstine, author of Woman of LightThis collection of eleven stories is the newest installment of an ongoing, multi-volume literary documentary project, penned by one of the contemporary legends of Chicanx literature. Dagoberto Gilb''s cast of characters includes a young family whose exposure to a mysterious cloud of gas alters their lives forever; a high school dropout whose choice to learn the ways of the world from the adults at work in his uncle’s industrial laundry leads him into a dangerous dalliance;  a former high-rise union carpenter who agrees to meet up with an eager old flame; an aging Chicano, livin

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Top Poetry Books of Fall 2016 - Library JournalWho are we humans, with our differences and our personal histories, mythologies and urgencies, as well as our collective struggles and dreams? Why are we here?Questions of culture, ethnicity and gender—and the denial of those borders—infuse these poems, rich with social and political commentary, and filled with compassion, love, anger and hope. Even while writing of one child, one homeless person, one soldier, one war survivor, devorah major connects these individual stories to a contemplation of humanity's place in the cosmos"Four sections of this long-awaited volume: ‘spirit', 'other selves', ‘fragile', ‘whole' reveal a writer and life experiencer at the height of her poetic powers. Whenever I become too self-satisfied in intellectual games, I find my heart upended by these impassioned verses of humanity and what it means to be fully alive and present. From 'nommo-how we come to speak' to 'war memories', this former San Francisco Poet Laureate and worldly cosmonaut handles politics, war, and love in equal measure as the best poets of the people do. Pablo Neruda. Bob Kaufman, June Jordan. Wanda Coleman. Ears to the ground and eyes to the sky.”—Giovanni Singleton"In and then we became, devorah major steps out of the way and allows creation to craft creation. The structures and paints of her descriptions have incredible range of effect: the ascension into the first history a free people teach, the short story perceived through possession, the melodic start-stop motion of a debilitated life, the flash of your torturer’s dream; all part of a collaged panoramic of spirit and flesh. She is at home in all dimensions of her subject. The voices of this work walk straight toward you holding out moments of violence, lament, beauty, and invincibility for you to embrace, offering a face to become your own."—Tongo Eisen-Martin, author of Someone's Dead Already"devorah major remains one of our premier storytellers. She wraps myths and headlines, family lore and visions in language that is both delicate and tough, enticing us to dive in even though the poem she serves up may have dangerously sharp edges. Her poems eagerly call forth the African deities who give her voice as she wrestles with the mysteries of this plane from why a woman may want to be a soldier to how we learn to love. These poems are like prayers to which you return each night."—Jewelle Gomez, author of The Gilda Stories and Name Poems"I hate to turn on the radio each morning where I hear that men haven't changed, staying in office for generations and generally acting the fool. devorah major uses the many voices of women to explore a world that we know less about than the oceans of Enceladus. The great thing about devorah’s book is that we can't interrupt as she rolls out the indictment poem by poem.”—Ishmael Reed"major’s book could not have come at a more appropriate time as now when the clamor of despair is being spoken into the universe. But as many of us know, these are also times for listening to our hearts and minds and doing what’s right for the greater majority, the global world of which we are a part. Reading and really reflecting on the messages in these poems will help us to become our better selves."—Opal Palmer Adisa

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The Books We Love in 2016 - The New Yorker Best Poetry Collections of 2015 - The Washington Post Best Books 2015: Poetry - Library Journal Best Books of 2015 - NPR Books 16 Best Poetry Books of 2015 - BuzzFeed Books Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again. "[This year] Juan Felipe Herrera's Notes on the Assemblage has been a ladder of hope ..."--Ada Limon, The New Yorker "Juan Felipe Herrera's family has gone from migrant worker to poet laureate of the United States in one generation. One generation. I am an adamant objector to the Horatio Alger myth of pulling oneself up by the bootstraps, but Herrera's story is one of epic American proportions. The heads carved into my own Mount Rushmas would be Cesar Chavez, Dolores Huerta, Frida Kahlo, El Chapulin Colorado, Selena, and Juan Felipe Herrera. Notes from the Assemblage further carves out Herrera's place in American letters."--David Tomas Martinez "At home with field workers, wage slaves, the homeless, little children, old folks, artists, traditionalists, the avant-garde, students, scholars and prisoners, the bilingual Juan Felipe Herrera is the real thing: a populist treasure. He will fulfill his appointment as U.S. Poet Laureate with the same high energy, savvy, passion, compassion, commitment and playfulness that his art and life's have always embodied. Bravo! Bravo!"--Al Young "While reporters can give you the what, when, and where of a war, a poet with the enormous gifts of Juan Herrera can give you its soul."--Ishmael Reed "I am proud that Juan Felipe Herrera has been appointed U.S. Poet Laureate, bringing his truthful, beautiful voice to all of us universally. As the first Chicano Laureate, he will empower all diverse cultures."--Janice Mirikitani "Herrera is ...a sometimes hermetic, wildly inventive, always unpredictable poet, whose work commands attention for its style alone . ..Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."--The New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."--National Public Radio

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The poem is perhaps the highest verbal form of communication. It illuminates and it conceals. It is as precise and as vague as a mirror."-David Meltzer Two-Way Mirror is a classic book of poetics. Written in short remarks, autobiographical anecdotes, and inspirational quotations drawn from philosophical, ethnographic, and literary sources, Two-Way Mirror is both a nondidactic guide to the art Meltzer has devoted his life to, and a literary pleasure in itself. With its various writing prompts, Two-Way Mirror has proven to be both inspirational and practical, a teaching tool and a guide to creativity that makes the perfect gift for poets at any stage of development. Attractively bound and printed in a deluxe gift edition, and featuring Meltzer's collection of found artwork collaged from thrift-store grammar books, this new and expanded edition retains the charm of the original while updating it for the present day.Building upon the version he self-published in 1977, Meltzer has written additional material that considers the effect of technological developments since the book's publication, as well as an afterword in which he reflects on the history of the volume, its inception, and its usefulness. Praise for Two-Way Mirror Reading Two-Way Mirror, I feel continually surprised, excited, alive. This book makes me want to make poems, and readers, beware: if you are not already a poet, this book could very well turn you into one."----Matthew Zapruder "I know of no better amalgam of poetry & poetics & no better introduction to the ways in which poetry can emerge for us & lead us beyond ourselves & toward our own fulfillments. Meltzer's grace of mind & the life of poetry that surrounds it make the case complete."--Jerome Rothenberg "A great book of learning from a lifetime's thoughts of the poem. Ramble, scribble, tickle, lightbulb! Timely and highly worthwhile."--Clark Coolidge "Invaluable for anyone who reads or writes poetry, or has a restless desire of any kind, this wondrous, zany compendium gives us 'a biography of poetry' that directly enters our veins, bypassing all the crud and restoring our sense of the art, and David Meltzer is a champion of the impossible to have compiled it ...a gift of delight and wisdom-keep it in your bag by day and by your bed at night."-Mary Ruefle

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"Nochita shimmers with humor and delight, she burns with stark raving intelligence."--Mary Gaitskill "In Nochita, Dia Felix builds an extraordinarily rich and inventive language to carry the kaleidoscopic point of view of her young protagonist. What a pleasure to open a book and find such exuberant and committed artistry. A stunning debut."--Janet Fitch "There is a way some writers say hello on the first page that gets me excited to be in their conversation. Nochita has it with teeth!! I love this book and the weird strong eye it has on the world, melting clothes off bodies with a creme brulee torch. Nochita is quite the dance to read through, kind of like shaking a bad morning off and realizing you really love this world. Makes me smile, like Dia Felix writes, 'I think I can latch on to this machine now."' BUY THIS BOOK, don't just stand there reading my fucking blurb!!"--CAConrad, author of The Book Of Frank Daughter to a divorced new age guru, Nochita wanders through the cracks of California's counter-culture, half feral child, half absurdist prophet. When tragedy strikes she is sent to live with her father, a working-class cowboy with a fragile grasp on sobriety and a dangerously mean fiancee. Stuck with adults chillingly unable to care for her, Nochita takes to the streets, a runaway with nothing to run from, driven forward by desperation, hope, and an irrepressible wonder. Nochita is a poetic novel dazzling in its detail, stylistically daring, by turns hallucinatory, darkly funny, and brutally real. At its heart is the singular voice of Nochita, tender and fierce, alone and alive and utterly unforgettable. Dia Felix is a writer and filmmakerand an award-winning digital media producer for museums (SF Exploratorium, Museum of Arts and Design). She currently teaches and mentors teens in experimental documentary filmmaking. She is the founder and editor of Personality Press. Born and raised in California, she currently lives in New York. Nochita is her first book.

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In 1960 Timothy Leary was not yet famous -- or infamous -- and Allen Ginsberg was both. Leary, eager to expand his experiments at the Harvard Psilocybin Project to include accomplished artists and writers, knew that Ginsberg held the key to bohemia's elite. Ginsberg, fresh from his first experience with hallucinogenic mushrooms in Mexico, was eager to promote the spiritual possibilities of psychedelic use. Thus, "America's most conspicuous beatnik" was recruited as Ambassador of Psilocybin under the auspices of an Ivy League professor, and together they launched the psychedelic revolution and turned on the hippie generation. White Hand Society weaves a fascinating and entertaining tale of the life, times and friendship of these two larger-than-life figures and the incredible impact their relationship had on America. Peter Conners has gathered hundreds of pages of letters, documents, studies, FBI files, and other primary resources that shed new light on their relationship, and a veritable who's who of artists and cultural figures appear along the way, including Jack Kerouac, William Burroughs, Thelonious Monk, Willem de Kooning, and Barney Rosset. The story of the "psychedelic partnership" of two of the most famous, charismatic and controversial members of America's counterculture brings together a multitude of major figures from politics, the arts, and the intersection of intellectual life and outlaw culture in a way that sheds new light on the dawn of the 1960s. "Through the years City Lights has brought us seminal work by Allen Ginsberg, Gregory Corso, and now, this detail-rich double bio of Allen Ginsberg and Timothy Leary. I knew both these men pretty well, and the times intimately, and Peter Conners has been true to it all. I don't know how he amassed the trunks of data he must have used to find the jillions of details which were new to me, but I'm certainly glad that he did. This book wins a well deserved spot on my shelf, and belongs with anyone who wants an intimate view of the Sixties-Seventies spinning of the Great Wheel of the Dharma." --Peter Coyote, actor/author, Sleeping Where I Fall "Peter Conners has given us a wondrous tale of picaresque adventure and authentic friendship -- between Leary the trickster-explorer-scientist and Ginsberg the activist-bard-philosopher, two seminal figures who pioneered new pathways through the cultural maelstrom of the sixties."--Ralph Metzner, co-author, with Ram Dass & Gary Bravo, of Birth of a Psychedelic Culture "The Psychedelic Revolution of the Sixties began with the meeting of two visionary explorers into the unmapped regions of inner consciousness -- Timothy Leary and Allen Ginsberg. In the White Hand Society Peter Conners charts the course from the earliest dirt roads of laughing gas to the superhighways of LSD in one compelling story. It is a thrilling ride on what Ginsberg called the Trackless Transit System, going where no one else had dared venture. Take this as a new kind of guidebook into the mystery of the mind." --Bill Morgan, author of Beat Atlas: A State by State Guide to the Beat Generation in America and The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation "Peter Conners' White Hand Society is a gripping account of a key event in 20th Century history, the decision to actively promote strong psychedelics to the population at large. Conners tells the Timothy Leary story from the traditional perspective of the West Coast counterculture, but he emphasizes the egalitarian influence that the Beat movement had on him and, in particular, the huge Blakean personality of Allen Ginsberg. The result is a portrait of two remarkable figures who came together and changed our culture forever." --John Higgs

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The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the "White House" amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. "Clarence Lusane is one of America's most thoughtful and critical thinkers on issues of race, class and power."--Manning Marable "Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors."--Barbara Ehrenreich "Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'--enslaved black hands--but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!"--Howard Winant "The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling."--Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media.

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One of the most sensational incidents in the history of France, the Dreyfus Affair was a landmark federal case involving treason and antisemitism. A controversial documentary about the trial by pioneering filmmaker Georges Melies caused riots when it was shown in 1899, and was banned from any screening in France for the next three quarters of a century. Who engineered Dreyfus's conviction? Was the man who played him in the film actually murdered by a mob of enraged moviegoers? And why is Jack Kews, a shadowy 20th-century Zola in New York City, so determined to find out? A web of intrigue, menace and betrayal reaches through space and time, as the search for keys to a historic trap hones in on a cache of zealously guarded forgeries and tins of crumbling film stock. "This erudite page-turner takes us from late 19th-century France to the film studios of the great Georges Melies to the tribulations of a film restorer who finds herself caught up in political intrigue, a century after the famous Affaire Dreyfus. As in her celebrated L. C., Daitch constructs a compelling dialogue with an earlier century that shifts our perspective on our own time." --Susan Bernofsky, Foreign Words "It's Susan Daitch at her finest! A smart, absorbing study of those at the margins of history who, under her deft pen, turn out to be vital. Fascinating story, captivating writing." --Deb Olin unferth, Revolution: The Year I Fell In Love and Went to Join the War "...Daitch manages to reveal her characters in a light that makes us wonder if we are seeing them as they are or as another shadowy transparency. While the book is extensive in scope, the writing is sharp and lean."--The Black Sheep Dances "Daitch has lost none of the bristling intelligence that makes her work so uniquely literary...Daitch's narrative can certainly be enjoyed as cerebral noir; the cryptic calls and notes delivered to Frances are reminiscent of Paul Auster."--The Review of Contemporary Fiction "The world Susan Daitch spins is like uncovering a lost history first-hand through the eyes and ears of those who were there. An engrossing novel for the age of censorship and redaction."--Tottenville Review "Enthusiastically recommended to fans of highbrow, erudite historical fiction. Readers who enjoy the novels of Umberto Eco, for example, will probably also enjoy those of Ms. Daitch."--New York Journal of Books "Questions of integrity, authenticity and the slipperiness of 'truth' in a politicized society animate Susan Daitch's ambitious and highly satisfying novel about France's infamous Dreyfus Affair and its legacy."--Shelf Awareness Susan Daitch is the author of four novels--The Lost Civilization of Suolucidir (City Lights) Paper Conspiracies (City Lights), L. C. (Lannan Foundation Selection and NEA Heritage Award), The Colorist--and a collection of short stories, Storytown. Her work has appeared in a variety of publications such as The Pushcart Prize Anthology, The Norton Anthology of Postmodern American Fiction, and The Brooklyn Rail. Her work was featured in The Review of Contemporary Fiction along with William Vollman and David Foster Wallace. She taught at Barnard College, Columbia University, and the Iowa Writers' Workshop. She currently teaches at Hunter College.

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This anthology by former members of the Gay Liberation Front (GLF) captures the history and spirit of the revolutionary time just after Stonewall, when thousands came out of the closet to claim their sexuality, and when queer resistance coalesced into a turbulent, joyous liberation movement-one whose lasting influence would ultimately inform and profoundly shape the LGBT community of today. Personal essays explore the philosophy and culture of the stridently anti-assimilationist GLF: the actions, demonstrations, and marches; views on marriage, religion, and gender; the drugs, orgies, and communes; and GLF's relationship to the hippies, the Black Panthers, the straight Left, the women's movement, civil rights, and the antiwar struggle. The collection includes contributions from Martha Shelley, Cei Bell, Paola Bacchetta, Susan Stryker, Tom Ammiano, Nikos Diaman, Mark Segal, Barbara Ruth, and Perry Brass.

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In February 2004, the San Francisco Chronicle began printing an enigmatic feature called "All Over Coffee." Almost immediately, letters of love and hate, confusion and praise poured in. Accustomed to the familiar formats of comic strips and cartoons, some readers struggled to understand a creation that seemed to live both within and beyond those boundaries. All Over Coffee blends the timing of comics with the depth of poetry. Artist and writer Paul Madonna has fused art, literature, and comics by pairing timeless cityscapes with philosophical musings and poignant stories in masterfully rendered ink-wash drawings that surpass the art of Ben Katchor in elegance and architectural detail. His work has been compared to "a meeting of the tone of Edward Gorey, the uniqueness of Chris Ware, and the artfulness of Raymond Pettibon." Quirky, whimsical, and often profound, All Over Coffee's stunning imagery and thoughtful writing combine to create a conceptual world, both dreamlike and familiar. This selection will delight anyone who has ever lived in or visited San Francisco-or dreamed of doing so-with its original, off-the-beaten-path view of the city and its inhabitants. Paul Madonna moved to San Francisco and began to self-publish comics after graduating from Carnegie Mellon University's fine arts program and an internship at MAD magazine. In 2002 he launched his incredibly popular website, www.paulmadonna.com, posting a new cartoon each week. In 2004 the San Francisco Chronicle and SFGate.com picked up his strip "All Over Coffee," which continues to appear weekly.

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In The Last Time I Saw You, author Rebecca Brown returns to the obsessive, darkly humorous voice that has earned her comparisons to Samuel Beckett and Djuna Barnes. Some of the tales in this collection are told in the scrappy, breathless voice of a naif on the verge of a terrible revelation. Others are noir-baroque monologues that collapse in on themselves as a speaker at last abandons a much-needed delusion. Intense, artfully crafted, and oddly comic, the stories in this collection are bound to stay with you like an insistent, disturbing dream. Rebecca Brown is the winner of the 2003 Washington State Book Award. Her books include The Gifts of the Body, Excerpts From a Family Medical Dictionary, The Terrible Girls, and The End of Youth.

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Five stories track boys and men as they navigate among the ghosts and mirages of greater Los Angeles. Rifkin's male protagonists are part fuck-up, part primal force, and full of longing-for fathers, for mothers, for sex, for faith, for just getting it right. A one-time actor staggers toward his demise and clings to a ledge of -possibly lunatic belief; a young boy is haunted by cosmic loneliness in the form of a medical encyclopedia; the heir to an absent father's wealth can't quite bring himself to claim his portion. The ordinary becomes epic in the contested terrain between faith and doubt, love and sex, spirit and flesh, reality and illusion. Alan Rifkin is a writer for Los Angeles Magazine. He lives in Long Beach, CA.

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For five consecutive generations, from roughly 1880-1980, Native American children in the United States and Canada were forcibly taken from their families and relocated to residential schools. The stated goal of this government program was to "kill the Indian to save the man." Half of the children did not survive the experience, and those who did were left permanently scarred. The resulting alcoholism, suicide, and the transmission of trauma to their own children has led to a social disintegration with results that can only be described as genocidal. Ward Churchill is the author of A Little Matter of Genocide, among other books. He is currently a Professor of American Indian Studies at the University of Colorado, Boulder.

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The Terrorism Trap is a powerfully argued analysis of the deeper causes and meaning of September 11. Why did the attacks happen? Who is to blame? Who is taking advantage of the crisis? Who is hurt by all the ensuing events? Why do they hate us? Responding to such questions, Michael Parenti probes the religious zealotry of today, Afghanistan's hidden history, and the course of US-led globalization that has impoverished and angered much of the world. This acute dissection of the political, economic, and religious forces behind the attacks provides historical perspective and insight into how to prevent future terrorism and save democracy. "...it is a thorough explanations of [Parenti's] views on the political and economic tangle that has linked US business interest to the kind of animosity that fuels terrorist attacks; an interest that, rather than being squelched or even crippled, has exploited the weaknesses of a national and global economy severely shocked by the attacks." -Corey O'Malley, Friction Magazine "It should be required reading for anyone who believes in a true democracy rather than a corporate state and/or a security state. Parenti emphasizes the need for a change in U.S. policy as it relates to the world free market, which has become a metaphor for the obscene differences in income for "the haves and have nots." Driven by a love of democracy and a passion for the truth, Parenti strips naked the secretive machinations of the U.S. government leaders that give little regard to people throughout the world." -Alex Vavoulis, Community Alliance. Michael Parenti is one of the nation's most astute political analysts. He received his Ph.D. in political science from Yale University in 1962 and has taught at a number of colleges and universities in the United States and abroad. He frequently appears on radio and television talk shows and lectures on college campuses and before community, church, and public interest groups to discuss current issues and ideas. His books are read by both lay readers and scholars, and are used extensively in college courses. He is the author of many books including History as Mystery, America Besieged, Blackshirts and Reds: Rational Fascism and the Overthrow of Communism, Dirty Truths, and Against Empire, all of which have been published by City Lights. His work has been published in CovertAction Quarterly; Monthly Review; New Political Science; Nature; Z Magazine; Dollars and Sense; The Humanist; The Nation; Journal of Politics; American Political Science Review; The New York Times; Los Angeles Times, and elsewhere.

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Atet A.D. is the third volume of Nathaniel Mackey's ongoing epistolary fiction, From a Broken Bottle Traces of Perfume Still Emanate. Like the first two volumes, Bedouin Hornbook and Djbot Baghostus's Run, this work is written by the composer/multi-instrumentalist N., a founding member of a band formerly known as the Mystic Horn Society. The letters in Atet A.D. span a seven-month period beginning shortly after Thelonious Monk's death and culminating in the band recording their first album on John Coltrane's birthday. Rendered in N.'s distinctive mix of discursive registers, they chronicle and meditate upon, among other events, Penguin's return from seclusion, N.'s recurring cowrie shell attacks, the band's adoption of a new name, and their being beset, beginning with a gig in Seattle, by a new, perplexing twist in their expressive powers. "As with all of Mackey's prose fiction, his hermeneutic speculations are advanced as much by the power of puns as by syllogistic reasoning. For all the wordplay, Mackey manages to cover a lot of ground in this neo-novel, which is not so much about "characters" as it is about ideas and themes like gender equality, the survival of African customs and spiritual values in America, and the play of dreams within our waking realities. Most idiosyncratically, Mackey, with his nuanced knowledge of jazz, convinces the reader that music operates like a language, with all the power to convey, say, a specific feminist critique of male-centered jazz culture, or to acquire levels of symbolism that would make Dante wonder if he should have taken up sax." -Publishers Weekly "Atet A.D. is a fascinating work of poetic/musical fiction-storytelling that plays with, and is inspired by, language and the mystical concepts and connections that arise unbidden from the manipulation of metaphor and meaning, while simultaneously fueled by the sounds and energy of American jazz which Mackey views as a source of spiritual and sexual discipline and discovery" -Art Lange, Pulse Nathaniel Mackey, recipient of a 1993 Whiting Writers' Award, is the author of School of Udhra and Whatsaid Serif, both also published by City Lights Publishers. He won the National Book Award for Poetry in 2006, was awarded the Ruth Lilly Poetry Prize in 2014, and won Yale's Bollingen Prize for American Poetry in 2015. He teaches a poetry workshop at Duke University.

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America Besieged deals with the underlying forces within U.S. society that deeply affect our lives. Showing how we are being misled and harmed by those who profess to have our interests at heart, Michael Parenti writes: "We are indeed a nation besieged, not from without but from within, not subverted from below but from above; the moneyed power exercises a near monopoly influence over our political life, over the economy, the state, and the media. Some Americans are astonished to hear of it. Others have had their suspicions, although they may not be quite sure how it all adds up. This book invites the reader to stop blaming the powerless and poor and, in that good old American phrase, start 'following the money.' That is the first and most important step toward lifting the siege and bringing democracy back to life." Michael Parenti, one of America's most astute and entertaining political analysts, is the author of Against Empire; Dirty Truths; Blackshirts and Reds: Rational Fascism and the Overthrow of Communism; Democracy for the Few; Land of Idols: Political Mythology in America; and many other books. Michael Parenti is considered one of the nation's leading progressive thinkers. He received his Ph.D. in political science from Yale University in 1962, and has taught at a number of colleges and universities. His writings have been featured in scholarly journals, popular periodicals, and newspapers, and articles and books of his have been translated into Spanish, Chinese, Japanese, German, Polish, Portuguese, and Turkish. .

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With Bukowski, the votes are still coming in. There seems to be no middle ground—people seem either to love him or hate him. Tales of his own life and doings are as wild and weird as the very stories he writes. In a sense, Bukowski was a legend in his time . . . a madman, a recluse, a lover . . . tender, vicious . . . never the same . . . these are exceptional stories that come pounding out of his violent and depraved life . . . horrible and holy, you cannot read them and ever come away the same again.Bukowski . . . "a professional disturber of the peace . . . laureate of Los Angeles netherworld [writes with] crazy romantic insistence that losers are less phony than winners, and with an angry compassion for the lost." —Jack Kroll, Newsweek"Bukowski’s poems are extraordinarily vivid and often bitterly funny observations of people living on the very edge of oblivion. His poetry, in all it’s glorious simplicity, was accessible the way poetry seldom is – a testament to his genius." —Nick Burton, PIF MagazineCharles Bukowski (1920-1994) published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including books published by City Lights Publishers such as Notes of a Dirty Old Man, More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, The Bell Tolls for No One,and Absence of the Hero.

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In the years immediately following World War II, Jacques Prevert spoke directly to and for the French who had come of age during the German Occupation. First published in 1946 by Les Editions de Minuit, a press with its origins in the Underground, PAROLES met with enormous success, and there were several hundred thousand copies in print by the time these first translations in English were published by City Lights in 1958. Today Prevert speaks out in a voice still attuned to our times, for the human condition (which is always his focus) has not changed. In fact, man's inhumanity to man would seem to have intensified, making these poems ever more touching, ever more prescient. Jacques Prevert (1900-1977) was a French poet and screenwriter. His poetry is popular in French education and is films formed a part of the poetic realist movement.

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"One of Turkey's most interesting modern writers."--Booklist When the Emperor of Byzantium orders the destruction of all religious paintings and icons, Constantinople is thrown into crisis. Fear grips the monastery where Andronikos, a young monk, is thrown into a spiritual crisis. Amidst stirrings of resistance he decides to escape, leaving behind his beloved Ioakim, who must confront his own crisis of faith and decide where to place his allegiance. The dualities of dogma and faith, individual and society, East and West, are embodied in a story of prohibited love and devotion to the unseen. Bilge Karasu (1930--1995) was born in Istanbul. Often referred to as "the sage of Turkish literature," during his lifetime he published collections of stories, novels, and two books of essays. "The 'other' is usually construed as a person or society removed from 'us' by space. But Karasu has chosen to study his 'other' across the divide of time, pushing readers to compare the profound identity crises engulfing individuals in ancient Byzantium to those in the early Turkish Republic. In doing so, Karasu shows the futility of separating ourselves from 'others' -- and the social upheaval that results when we do."--Time Out Istanbul

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Chosen a Best Children's Book of the Year by the Bank Street Center!Voted a Best Book of the Year by School Library Journal and Kirkus Reviews!A biography for younger readers about one of the most influential activists of our time, who was an early advocate for African Americans and for gay rights."Bayard had an unshakable optimism, nerves of steel, and, most importantly, a faith that if the cause is just and people are organized, nothing can stand in our way."—President Barack Obama"Bayard Rustin was one of the great organizers and activists of the Civil Rights Movement. Without his skill and vision, the historic impact of the March on Washington might not have been possible. I am glad this biography will make young people aware of his life and his incredible contribution to American history.—Congressman John Lewis"'We need, in every community, a group of angelic troublemakers,' declared Bayard Rustin in the late 1940s. A proponent of nonviolent resistance and a stalwart figure in the civil rights movement, Rustin organized a profound and peaceful milestone in American history—the 1963 March on Washington. . . . Troublemaker for Justice describes not only how Rustin orchestrated the March on Washington in two months but also how he stood up for his Quaker principles throughout his life. The three authors, Jacqueline Houtman, Walter Naegle and Michael G. Long, show the difficulties Rustin faced as a gay black man in 20th-century America, and that he shouldered them with strength, intelligence, and a quest for peace and justice."—Abby Nolan, The Washington Post"An excellent biography that belongs in every young adult library. Readers will find Rustin’s story captivating; his story could encourage young people to fight for change."—Michelle Kornberger, Library Journal,*Starred Review"In today's political landscape, this volume is a lesson in the courage to live according to one's truth and the dedication it takes to create a better world."—Kirkus Reviews, *Starred Review"A long-overdue introduction to a fascinating, influential change maker."—Publishers Weekly, *Starred Review"This biography is an indispensable addition to the literature of both civil and gay rights."—Michael Cart, Booklist, *Starred reviewBayard Rustin was a major figure in the Civil Rights movement. He was arrested on a bus 13 years before Rosa Parks and he participated in integrated bus rides throughout the South 14 years before the Freedom Riders. He was a mentor to Dr. Martin Luther King, Jr., teaching him the techniques and philosophy of Gandhian nonviolent direct action. He organized the March on Washington in 1963, one of the most impactful mobilizations in American history.Despite these contributions, few Americans recognize his name, and he is absent from most history books, in large part because he was gay. This biography traces Rustin’s life, from his childhood and his first arrest in high school for sitting in the “whites only” section of a theater, through a lifetime of nonviolent activism."Authors Jacqueline Houtman, Walter Naegle, and Michael G. Long provide middle and high school students with a biography of Rustin that illustrates how the personal is political. Young readers will take away valuable lessons about identity, civics, and 20th-century history."—Rethinking SchoolsTeachers: Discussion Guide Available! Explanation of Common Core Instructional Standards Available! Reach out to the publisher at Stacey [@] citylights.com

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This bilingual anthology, compiled and edited by Francisco Moran, with the collaboration of a superb group of Spanish-English translators, presents a dramatic selection of work by a new generation of Cuban poets to whom North American readers have as yet had little or no access. Contributors include: Norge Espinosa, Omar Perez, Alessandra Molina, Antonio Jose Ponte, Soleida Rios, Felix Lizarraga, Reina Maria Rodriguez, and others. With translations by Peter Bush, Elizabeth Bell, Cola Franzen, Mark Schafer, Nancy Gates Madsen, and Anne MacLean. Francisco Moran is a professor of Hispanic American literature at Southern Methodist University.

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On Time is Joanne Kyger's first full-length collection of poetry in nearly a decade. Beginning in 2005, in the throes of the endless wars of the Bush administration, and proceeding chronologically to 2014, On Time may be seen as the day book of a master poet, moving between the personal and the political, the natural and the spiritual in a restless quest for sanity. Reflecting her practice of Zen Buddhism, and her long engagement with environmentalism, On Time is a profound examination of contemporary culture from a perspective of wisdom and maturity, permeated with righteous indignation and fierce criticism. Praise for On Time: "On Time offers exquisite panoramic views of eternity. It reads like an early morning drive up the coast with sunlight showing through the branches. Joanne's words gain a perfect stillness hanging in the air. They sound in our mind then dissolve to a hairline edge. Glide with the turn. Get blown away. There is no greater voice in American poetry."-Cedar Sigo "Oh reader, you can just relax and spend hour upon hour inside Joanne Kyger's On Time, Poems 2005-2014, for oodles of pleasure and line-fun! Kyger beautifully observes her life and times. She's realistic, yet graceful and good-willed, annotating herself, her friends and acquaintances, while definitely saying no to Sartre's dictum, 'hell is other people.' What a graceful, complicated and wonderful book!"--Ed Sanders "Like the double meaning of the title, Kyger's poems speak to the phenomenological--both to the observations of the state of being and to one's own placement in the world. Her poems ' step / about entering into an agreement / with the page of the moment'. Working elegantly, tone by tone, her poems are by turns political, pointed, intimate, humorous, ordinary, and profound. Here you will find instructive or incriminating dreams, world affairs, human frailties, friends that come and go, wisdom and whimsy. Visually sculpted, rich in mood movement, provocative and pleasurable, these are poems like the moon: illuminating, in transit, stately, and enduring."-Hoa Nguyen About the Author: One of the major poets of the SF Renaissance, Joanne Kyger was born in 1934 in Vallejo, CA. After studying at UC Santa Barbara, she moved to San Francisco in 1957, where she became a member of the circle of poets around Jack Spicer and Robert Duncan. In 1960, she joined Gary Snyder in Japan. They then traveled to India where, along with Allen Ginsberg and Peter Orlovsky, they met the Dalai Lama. She returned to California in 1964 and published her first book, The Tapestry and the Web, in 1965. In 1969, she settled in Bolinas, where she continues to reside today. She has published over 30 books of poetry and prose, including The Japan and India Journals: 1960-1964 (2015), On Time: Poems 2005-2014 (2015), As Ever: Selected Poems (2002), and About Now: Collected Poems (2007), which won the 2008 Josephine Miles Award from PEN Oakland.

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A long-awaited collection from a pioneer of the spoken word movement, these poems soar and sway with the syncopation and melodies of jazz. Portraits, chronicles, incantations and invocations, drawn from a lifetime of prolific activity. From his early days in the Black Arts Movement and up to the present, Daaood has been a powerful artistic and social force, an inspired seer/seeker. Whether collaborating with renowned musicians, heading up a performance group or inspiring and nurturing new talent, he speaks to and from the urgency of his time. Kamau Daaood, performance poet and community arts activist, is the artistic director of Los Angeles' World Stage Performance Gallery, which he co-founded with master drummer Billy Higgins. His work can be heard on his award-winning CD Leimert Park.

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"The Poetry Deal: San Francisco Poet Laureate Series No. 5 gives us di Prima's vision as she looks back at a life lived truly and looks out at a society she still has hope for even as it grieves its failings."--David Nilsen, Fourth & Sycamore: A Literary Journal "The Poetry Deal shines with eros and kindness and the reality of inspiration. No American or Anarchist voice or soul-building heart has ever been more clear. The pages are fierce with love and generosity."--Michael McClure, author of Ghost Tantras "The Poetry Deal is fresh flame from a revolutionary fire that continues to burn. Every woman of every age should carry it in a purse with their pepper spray. Diane is the ultimate weapon."--Amber Tamblyn, author of Dark Sparkler "In her latest collection as San Francisco Poet Laureate, di Prima is again at the height of her powers, with 'the act of writing itself more compelling than ever.'"--Micah Ballard, author of Waifs and Strays "I return to this book again and again to remember what it means to own and further a poetic and political lineage."--Ana Bozicevic, author of Rise in the Fall "The Poetry Deal [is] an urgent success of the highest order ...Diane di Prima should always be high on the American poetry play list. "--Barbara Berman, The Rumpus "Recounting a life in poetry, her commitment to progressive thought and action, and a half-century of Bay Area culture, crises, and change, di Prima writes at the top of her game ...di Prima recalls the time an institutionalized Ezra Pound told her that 'poets have to eat'; rarely has a poet left so much bread on the table for future poets."--*Starred Review, Publishers Weekly "This is a volume that traverses the specific and reaches the universal. She marks her poems with great strength and utmost sensitivity. They are poems that live in real time; not cyberspace. di Prima's poetry is well-lived and poetry worth living in. She is a gifted teacher enjoining the reader to face life's lessons for the attendant dilemmas of old age. Carry this book with you. It will arm you with continuous insight and flaming provocation."--Robert Sutherland-Cohen The Poetry Deal is the first full-length collection of individual poems in decades from legendary feminist Beat poet Diane di Prima. Framed by two passionate, and critical, prose statements assessing her adopted home city, The Poetry Deal is a collection of poems that provide a personal and political look at forty years of Bay Area culture. Often elegiac in tone, the book captures the poet's sense of loss as she chronicles the deaths of friends from the AIDS epidemic as well as the passing of illustrious countercultural colleagues like Philip Whalen, Pigpen from the Grateful Dead, and Kirby Doyle. She also recalls and mourns out-of-town inspirations like Chogyam Trungpa Rinpoche, Audre Lorde, and Ezra Pound. Yet even as she laments the state of her city today, she finds triumph and solace in her own relationships, the marriages of her friends, the endurance of City Lights, and other symbols of San Francisco's heritage. Born in Brooklyn in 1934, Diane di Prima emerged as a member of the Beat Generation in New York in the late '50s; in the early '60s, she founded the important mimeo magazine The Floating Bear with her lover LeRoi Jones (Amiri Baraka). In the late '60s, she moved to San Francisco, where she would publish her groundbreaking Revolutionary Letters (1971) with City Lights. Her other important books include Memoirs of a Beatnik, Pieces of a Dream, Recollections of My Life as a Woman, and Loba. She was named San Francisco Poet

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"Beautiful Chaos is an extraordinary journey of Carey Perloff and her theatre, ACT. Their continued evolution and ability to define and re-define themselves with courage, tenacity, and bravery allow them to confront what seem like insurmountable odds. This continues to shape and inspire Carey and those who work with her."--Olympia Dukakis, Academy Award-winning actress "Carey Perloff's lively, outspoken memoir of adventures in running and directing theatre will be a key document in the story of playmaking in America."--Tom Stoppard, Playwright "Carey Perloff, quite literally, raised a vibrant new theater from the rubble of an old one. This refreshingly honest account of her triumphs and misfires over the past two decades is both a fascinating read and an invaluable handbook for anyone attempting such a labor of love."--Armistead Maupin, author of Tales of the City "Carey Perloff's marvel of a book is part memoir of a working mother, a passionate artist, a woman flourishing in a male-dominated craft- and part lavish love letter to theater. It is as lively, thoughtful, and insightful an account I have ever read about the art form. This one is for any person who has ever sat in the dark and been spellbound by the transformative power of theater."--Khaled Hosseini, author of The Kite Runner "Carey Perloff is a veteran of the regional theatre wars. Beautiful Chaos is her vivacious account of her ambitious work commanding San Francisco's American Conservatory Theatre (ACT). The book exudes Perloff's trademark brio: smart, outspoken, full of fun and ferment."--John Lahr, author of Tennessee Williams: Mad Pilgrimage of the Flesh "This is an engaged, engaging, deeply intelligent, and passionate account of why the theatre matters and how it works in a city and in a society. It is also a fascinating and essential chapter in the history of San Francisco itself, as well as the story of a committed theatre artist's determination and vision."--Colm Toibin, author of Nora Webster Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her twenty-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey--her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change--is a compelling, entertaining story for anyone interested in how theater gets made. She offers a behind-the-scenes perspective, including her intimate working experiences with well-known actors, directors, and writers, including Tom Stoppard, Harold Pinter, Robert Wilson, David Strathairn, and Olympia Dukakis. Whether reminiscing about her turbulent first years as a young woman taking over an insolvent theater in crisis and transforming it into a thriving, world-class performance space, or ruminating on the potential for its future, Perloff takes on critical questions about arts education, cultural literacy, gender disparity, leadership, and power. Carey Perloff is an award-winning playwright, theater director, and the artistic director of the American Conservatory Theater of San Francisco since 1992.

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Volume 21 in the City Lights Spotlight Poetry Series: A searing indictment of anti-Black social and political violence by British Jamaican poet and leading scholar of Afro-pessimism D.S. Marriott.A book that turns Blackness into a question of reading, of inscribing and decoding Blackness in poetry, Before Whiteness ranges from medieval Beowulf to contemporary UK grime. Born in Britain but now living in the U.S., D.S. Marriott trains his analytical gaze on grim American subjects like the Middle Passage and lynchings, yet also finds inspiration in African American poets and artists. The book ends with “Another Burning,” a mournful elegy for the victims of the 2017 Grenfell Tower fire in London and stirring rebuke of the structural racism of contemporary UK society.“In Before Whiteness, Marriott inhabits the names we remember, such as Lester Young and Dambudzo Marechera, and victims of the Grenfell Tower fire, names we never knew. All of them people who have no place at the table where the Human family feasts. ‘Blackness /’ Marriott reminds us, ‘wasn’t in the language—we saw it / being evacuated / but we still inhabited / the ashes.’ These are not poems for the faint of heart, or those in need of denouncements. But with the evocative language of a wordsmith and the fearless insights of a philosopher, these poems guide us through the inner life of social death.”—Frank B. Wilderson III, author of Afropessimism“The mature poetry of the British-Caribbean poet D. S. Marriott is often possessed by a majestic full-throatedness, but Before Whiteness makes audible his more intimate tone, the sound of an approachable vulnerability. Before whiteness comes infancy, a time before language and the impingement of the white world, but this writing also stands in the face of whiteness, can stand against whiteness. Its words may be placed on white ground, the long history of English verse, but also are hauled from a dense Black record of suffering, resistance and joy. … Only a great poet’s writing can be at once so rich with echoes, so exacting in its thought, and so emotionally open.”—John Wilkinson, author of My Reef My Manifest Array and Lyric in Its Times

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Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.The narrative ranges over the decade from 1954—the year di Prima and Herko first met—to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.One of The Millions' Most Anticipated Books of 2021.Praise for Spring and Autumn Annals:"The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives."—Chris Kraus"Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness."—Thurston Moore"Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'"—Ana Božičević"A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima’s poetic memoir of the artist journey is a triumph. A must read and reread for years to come."—Karen Finley

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A Regional Independent Bookstore Bestseller!An urgent call for the political transformation needed to address the common causes of climate change, COVID-19, and racism.“ . . . some big titles will address emergencies that have outlived Trump. The Path to a Livable Future by Stan Cox, explores the connections among the many crises of the past year and a half.”—Dorany Pineda, Los Angeles Times2020 was a year defined by crisis. For decades, scientists have been sounding the alarm about the urgency of addressing climate change, but it took COVID-19 to demonstrate clearly that the future of human life on Earth is interconnected and at risk. While the virus quickly spread across the globe, extreme weather events compounded the suffering and economic catastrophe. In the U.S., public demonstrations of outrage over the murder of George Floyd expanded to include a growing awareness of the pandemic's disproportionate impact on communities of color. In cities around the world, people took to the streets to protest racial inequity in all of its forms.In The Path to a Livable Future, Stan Cox makes plain the connections between the multiple crises facing us today, and provides an inspired vision for how to resolve them. With a deeply informed, clear to-do list, Cox shows us how we can work together to address the climate emergency, white supremacy, and our vulnerability to future pandemics all at once. Our future depends on it."An iconoclast of the best kind, Stan Cox has an all-too-rare commitment to following arguments wherever they lead, however politically dangerous that turns out to be."—Naomi Klein"Cox lays out a refreshingly grounded roadmap for the survival of all life on earth, based on up-to-date science, and anchored in the racial justice imperative."—Leah Penniman, co-founder of Soul Fire Farm, author of Farming While Black: Soul Fire Farm's Practical Guide to Liberation on the Land "Above all, he shows that a healthy, just, sustainable future is possible if we reduce our ecological footprint and share the earth's gifts equitably. For this we need to organize, resist, imagine, and forge another path together."—Vandana Shiva, author of Who Really Feeds the World?: The Failures of Agribusiness and the Promise of Agroecology

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Finalist for the Republic of Consciousness PrizeFamily Album is Ecuadorian author Gabriela Alemán’s rollicking follow-up to her acclaimed English-language debut, Poso Wells.Alemán is known for her spirited and sardonic take on the fatefully interconnected—and often highly compromised—forces at work in present-day South America, and particularly in Ecuador. In this collection of eight hugely entertaining short stories, she teases tropes of hardboiled detective fiction, satire, and adventure narratives to recast the discussion of national identity. A muddy brew of pop-culture and pop-folklore yields intriguing, lesser-known episodes of contemporary Ecuadorian history, along with a rich cast of unforgettable characters whose intimate stories open up onto a vista of Ecuador’s place on the world stage.From a pair of deep-sea divers using Robinson Crusoe’s map of a shipwreck to locate sunken treasure in the Galápagos Archipelago, to a night with the husband of Ecuador’s most infamous expat, Lorena Bobbitt, this series of cracked “family portraits” provides a cast of picaresque heroes and anti-heroes in stories that sneak up on a reader before they know what’s happened: they’ve learned a great deal about a country whose more well known exports—soccer, coffee and cocoa—mask an intriguing national story that’s ripe for the telling.One of The Millions Most Anticipated Books for 2022!"Ecuadorian writer Alemán’s sparkling collection (after the novel Poso Wells) brims with humor and adventure."—Publishers Weekly"Plays with tropes ranging from the Robinson Crusoe story to the classic betrayed-wife setup to wrestle with the impossible-to-decode oddness of human life, which old stories can only hide for so long."—Lily Meyer, NPR"It takes a rare and talented writer to create a cast of characters who each feel so unique, distinct, and whose stories unravel unexpectedly while also feeling inevitable, exactly right. Thoughtful and subversive, with Family Album, Alemán has given us a gift."—Jean Kyoung Frazier, author of Pizza Girl"Divers, adventurers, wrestlers, athletes: a diverse array of people come to light in these stories to insist again and again in challenging the weight of the written letter. Gabriela Alemán's stories inhabit the past to work through its possible versions. Her characters understand that History is a form of desire and the truth is not a house but a patina covering a place that has ceased to exist."—Yuri Herrera, author of A Silent Fury: The El Bordo Mine Fire"Gabriela Alemán's stories unravel a rich and intriguing universe in which nothing, and no one, is what it seems."—Pilar Quintana, author of The Bitch"These stories are like lizards lying on rocks in the sun. When you try to pick one up it darts away and disappears. Sometimes a tail comes off in your hand or the thing bites your fingers and drops of blood decorate the rock. Best read while listening to Julio Jaramillo sing 'Amor sin Esperanza' and 'Hojas Muertas.'"—Barry Gifford, author of Sailor & Lula: The Complete Novels"Gabriela Alemán writes beautiful, sly, enigmatic stories originating in a rogues gallery of real life legends, including El Santo and John Wayne Bobbitt, as well as lesser known and invented souls, all of them struggling against the silent—or is it hostile?—backdrop of Ecuador’s past and present. Family Album is a mordantly funny and haunting collection."—Zachary Lazar, author of Vengeance

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2021 Golden Poppy Award Winner for Poetry - Chosen by the California Independent Booksellers Alliance2022 California Book Award FinalistPolitically astute, filled with wisdom and great humanity, this is poetry meant to conjure a healing and provoke a confrontation, an invitation to a journey through Black America."Words are not the revolution itself, Eisen-Martin seems to say, and yet this book disturbed me more than any other I read this year. It reminds me that poetry can rewire our thinking—can actually change our minds—by using nothing like the rote language we’re so used to hearing in speech and in prose. It can jolt us out of patterns, back into intelligence."—The New York Times, "The Best Poetry of 2021"A rhapsodic follow-up to Tongo Eisen-Martin's Heaven is All Goodbyes, this collection further explores themes of love and loss, family and faith, refracted through the lens of Black experience. These poems honor intellectual tradition and ancestral knowledge while blazing an entirely new path, recording and replaying the poet's sensory travels through America, from its packed metropolises to desolate anytowns. Radical, outraged, knowing, wry, and deeply humane, these are poems of survival that soar with a vision of collective liberation.Praise for Blood on the Fog:"Continuing the lofty tradition of Langston Hughes, June Jordan, and Amiri Baraka, Tongo Eisen-Martin has emerged on center stage as today's premier revolutionary poet. A master craftsman and a sensitive artist, he reserves his sledgehammer words for the cruelty of imperialism. He should not only be read—he should be studied."—Gerald Horne"In Blood on the Fog, find a poetry of 'swinging type body language' where the swinging swings like Ellington and Ali combined, knocking you out inside and out, and turning you around in this extraordinary book."—Terrance Hayes"Black poetry has got to get its head around the deranged way language and the world expect us to be and live again. Tongo has figured this out, is feeling out how to vein the poem with his own life, and that's why I love his work."—Simone White"This is no precious, immortal-aspirational monologue; no autocrat stone of finality; no poor folks as thought experiments. More fugue than state. More disturbance as the groove. If poems are for anything, I feel like it must be this."—Justin Phillip Reed"Blood on the Fog is the illest artifact of time travel I've ever experienced. Tongo Eisen-Martin takes us to a tomorrow and yesterday where we stand—contorted and mangled—but oh so beautiful, faithful and free."—Kiese Laymon"Whether speaking rhyme in slant, calling forward Medgar Evers, or the spirituality of an oppressed people, Eisen-Martin offers stanza after stanza as a sunrise. Each poem leads us towards our liberation. This means these poems are heavy in their desire to free our current state of stoic apathy. This means Tongo Eisen-Martin's poetic legacy will live forever."—Mahogany L. Browne

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WINNER OF THE WHITING AWARDPEN AMERICA LITERARY AWARD FINALISTRecommended by Héctor Tobar as an essential Los Angeles book in the New York Times.Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond."Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and CorinaCarribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree.Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border."Eat the Mouth that Feeds You renders the feminine grotesque at its finest."—Myriam Gurba, author of Mean"Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."—Héctor Tobar, author of The Barbarian Nurseries"Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."—Dontaná McPherson-Joseph, The Foreword, *Starred Review". . . a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons."—Wendy Ortiz, Alta Magazine"Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers."—Zoe Ruiz, The Millions"This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder."—Kirkus Reviews, *Starred Review"Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract."—Publishers Weekly"The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."—Brian Evenson, author of Song for the Unraveling of the World

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The triumphs and tragedies of growing up as the son of a famous Beat artistTOSH is a memoir of growing up as the son of an enigmatic, much-admired, hermetic, and ruthlessly bohemian artist during the waning years of the Beat Generation and the heyday of hippie counterculture. A critical figure in the history of postwar American culture, Tosh Berman's father, Wallace Berman, was known as the "father of assemblage art," and was the creator of the legendary mail-art publication Semina. Wallace Berman and his wife, famed beauty and artist's muse Shirley Berman, raised Tosh between Los Angeles and San Francisco, and their home life was a heady atmosphere of art, music, and literature, with local and international luminaries regularly passing through.Tosh's unconventional childhood and peculiar journey to adulthood features an array of famous characters, from George Herms and Marcel Duchamp, to Michael McClure and William S. Burroughs, to Dennis Hopper and Dean Stockwell, to the Rolling Stones, Neil Young, and Toni Basil.TOSH takes an unflinching look at the triumphs and tragedies of his unusual upbringing by an artistic genius with all-too-human frailties, against a backdrop that includes The T.A.M.I. Show, Sgt. Pepper's Lonely Hearts Club Band, Easy Rider, and more. With a preface by actress/writer Amber Tamblyn (daughter of Wallace's friend, actor Russ Tamblyn), TOSH is a self-portrait taken at the crossroads of popular culture and the avant-garde. The index of names included represents a who's who of midcentury American—and international—culture.Praise for Tosh:"Tosh Berman's sweet and affecting memoir provides an intimate glimpse of his father, Wallace, and the exciting, seat-of-the-pants LA art scene of the 1960s, and it also speaks to the hearts of current and former lonely teenagers everywhere."--Luc Sante, author of The Other Paris"This is the story of a kid growing up inside of art world history, retelling his upbringing warts and all. A well-written, fast-moving book that is candid, funny, often disturbing, and never dull."--Gillian McCain, co-author of Please Kill Me: The Uncensored Oral History of Punk"TOSH is a delightfully entertaining memoir filled with sly wit and a profound personal perspective."--John Zorn, composer"One could not wish for a better guide into the subterranean and bohemian worlds of the California art/Beat scene than Tosh Berman, only scion of the great Wallace. Tosh has a sly wit and an informed eye, he is both erudite and neurotic, and often hilarious."--John Taylor, Duran Duran"There's the life—and then there's the life. With TOSH you can have both. My life, and that of many who sailed with me, was formed by the 40's & 50's. TOSH takes you there."--Andrew Loog Oldham, producer/manager, The Rolling Stones "As the son of artist Wallace Berman, Tosh Berman had a front row seat for the beat parade of the '50s, and the hippie extravaganza of the '60s. It was an exotic, star-studded childhood, but having groovy parents doesn't insulate one from the challenge of forging one's own identity in the world. Berman's successful effort to do that provides the heart and soul of this movingly candid chronicle of growing up bohemian."--Kristine McKenna, co-author of Room to Dream by David Lynch "This is a beautifully written memoir, and I highly recommend it to those who are interested in the Sixties, Topanga Canyon, the Southern California art scene, and for those who wonder what it might mean to grow up as the son of one of our most acclaimed artists."--Lisa See, author of The Tea Girl of Hummingbird Lane

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A scion of the New York School, Edmund Berrigan grew up in and around poetry. More Gone, number 18 in the Spotlight Poetry Series, is his first full-length collection in a decade, as well as the first to follow-up to his well-received memoir Can It!Written in a distinctive mix of New York quotidian and post-Language abstraction, More Gone documents the poet’s search for domestic tranquility amidst the city that never sleeps. Berrigan draws on a variety of materials, from songs to found language, assembling them into poems of oblique humor and wry perspective on the challenges of everyday existence. These poems aren’t anecdotes or confessions so much as objects in their own right, even as they remain rooted in a recognizable urban landscape: “Mostly, the city is begging for love, grieving, / or telling us to back the fuck off.” "In More Gone, Eddie Berrigan shows so much writing savvy it has long sleeves, on which he wears his heart. There are poems with strategic non sequiturs which yield an inherent logic that convinces and leads to unfamiliar perceptions. There are multi-line riffs during which he works the count, throwing three or four different pitches. The last will look like a fastball, but it's a slider, low and away, and down you go. In simpler compositions he redirects you with subtle shifts of time and context. He includes himself, which gives a poem its worth. A vulnerable and movingly confident self. He impresses with deep impressions."—John Godfrey "The language employed in Edmund Berrigan's More Gone infuses itself on the lateral plane, variegated as it is by glints from particulars that rely 'on sensory input to motion.' He teases beauty out of terminus via tenuous electrification. One feels clarity evince itself through an opaque psychic transparency, a transparency that magically filters lingual seepage. Thus, our consciousness is marked by an incremental elevation providing us with an experience of language that engages our capacity to cast greater light on the stark complexity that we optically imbibe as daily reality."—Will Alexander "Edmund Berrigan's poems may be 'more gone,' but they are also more here. 'Anxious, patient and sentient,' they happen at an intimate core of self, family, community, and world, webbing out in all our neighboring shades and activities of being, where experience glitches and knits. They are rollercoastery, beautiful, knowing, revelatory, and real."—Eleni Sikelianos

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Chinaka Hodge came of age along with hip-hop--and its influence on her suitors became inextricable from their personal interactions. Form blends with content in Dated Emcees as she examines her love life through the lens of hip-hop's best known orators, characters, archetypes and songs, creating a new and inventive narrative about the music that shaped the craggy heart of a young woman poet, just as it also changed the global landscape of pop. Praise for Dated Emcees: "In the old tellings hip-hop was a woman, a certain kind--one needing, even begging to be saved. In Dated Emcees, Chinaka Hodge gives her a voice and she tells of her loves and desires, her traumas and pains in words as hard, as lit, as loving, cunning, cutting, ecstatic, as tender and devastating as her big world requires. This is poetry that, in its infinite power and intimate grace, will still turn in your mind long after the music is over."--Jeff Chang, author of Who We Be: A Cultural History of Race in Post-Civil Rights America "Hodge writes with an unpredictable, rare honesty. This collection quietly and simply illustrates love in a complicated world." --Donald Glover AKA Childish Gambino "This is an absolute powerhouse of a book, and a new pinnacle for Chinaka Hodge. There's enough beauty and heartbreak and melancholy and humor and sorrow in here for three collections, or two lifetimes. Hodge's writing is so incredibly specific but somehow universal, so honest and raw but somehow polished to unimproveability. She deserves a wide audience, an attentive audience, an audience that wants to be astounded."--Dave Eggers, author of The Circle "Chinaka Hodge is hands down, unequivocally, my favorite writer of words. All day. Every day. She writes with the grace of a dancer, the bars of a rapper, the heart of your best friend, and all of the swag and soul of Oakland. Dated Emcees made me cry. And I don't really do that. It doesn't use Hip Hop as a lens. It is Hip Hop. In the way that we, who have grown up with rap as our brilliant, estranged, mythological, abusive lover/father/son, are all Hip Hop. Aware of his flaws, and his potential. And loving him unconditionally. These are poems to read every day. To make mantras from. They are the best poems you've ever read." --Daveed Diggs, Actor/Rapper, star of Hamilton on Broadway "Every time I hear new work from Chinaka Hodge I wonder if she was always this good. She was, I'm pretty sure. And yet somehow, she's leveled up again. Dated Emcees is a dropped microphone, and a direct challenge to anyone listening. Step your game up."--George Watsky, author of How to Ruin Everything: Essays "Ms. Hodge's collection complicates dogmatic notions of feminist principles and hip hop pathologies. She is the steward of a candid and sonorous new form, a lyrical journalism expressed in a meter that climbs from West Oakland's Bottoms to the peak of a Wonder-laced rocket love. Dated Emcees is outlined in the matter of black life, streamlined through the filter of black womb ...a smoke-filled lung in a sweat-filled club of safety and danger, and the bass of black moon."--Marc Bamuthi Joseph, arts activist, spoken word artist, US Artists Rockefeller Fellow

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This is the best and most authoritative edition of Tender Buttons, a major fixture in the modernist canon, featuring facsimiles of Stein's corrections, in her own handwriting. Our edition comes out on the centennial of its original publication, and will relate to the worldwide celebrations next year. Every previous edition has contained dozens of errors — from minor punctuation problems to entire phrases omitted. None has included the corrections and additions Stein personally made after the book appeared. This edition resolves over 100 variances among archival materials and previous versions of the book, providing the first reliable text of Tender Buttons in a compact format that is as approachable for casual readers as it is reliable for more serious scholars. A Note on the Text describes the methods behind this edition and lists all variances resolved. An Afterword by Juliana Spahr discusses the enduring significance of Tender Buttons at its centennial anniversary.

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"Printer's ink is the greater explosive."—Lawrence Ferlinghetti Lawrence Ferlinghetti founded the City Lights publishing house sixty years ago in 1955, launching the press with his now legendary Pocket Poets Series. First in the series was Pictures of the Gone World—and within a year, he had brought out two more volumes, translations by Kenneth Rexroth and then, poems by Kenneth Patchen. But it was the success and scandal of Number Four, Howl & Other Poems by Allen Ginsberg (1956), that put City Lights on the map, positioning the Pocket Poets Series at the forefront of the literary counterculture. A landmark sixtieth retrospective celebrating 60 years of publishing and cultural history, this edition provides an invaluable distillation of the energetic, iconoclastic and still fresh body of work represented in the ongoing series. Ferlinghetti has selected a handful of poems from each of the sixty volumes, including the work of Ginsberg, Kerouac, Corso, Pasolini, Voznesensky, Prévert, Mayakovsky, Cortázar, O'Hara, Ponsot, Levertov, di Prima, Duncan, Lamantia, Lowry, and more, all of the Pocket Poets Series' innovative, influential, and often ground-breaking American and international poets.

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"There was no one in this country as ferocious, as brilliant, or as necessary as Pedro Pietri. In these days of growing inequality it is to his rebel vision I turn to for hope and for strength. A towering poet, absolutely peerless, explosively talented, a pioneer, and iconoclast, and activist, to whom the entire spoken word movement owes a debt beyond calculation."--Junot Diaz "One of the great American poets of the twentieth century, a leader of the Nuyorican poetry movement that ignited at Miguel Algarin's Nuyorican Poet's Cafe. Perhaps the most progressive and at the same time funniest poet of the period."--Amiri Baraka Pedro Pietri's often playfully absurd poems chronicle the joys and struggles of Nuyoricans--urban Puerto Ricans whose lives straddle the islands of Puerto Rico and Manhattan--and define the Latino experience in urban America. By turns angry, heartbreaking, and hopeful, his writings are imbued with a sense of pride and nationalism and were embraced by the generation of Latino poets that followed him. Pedro Pietri: Selected Poetry gathers the most enduring and treasured work among his published books, Puerto Rican Obituary, Traffic Violations, and Out of Order, along with a generous selection of his previously unpublished works. Pedro Pietri (1944--2004) was born in Ponce, Puerto Rico, and raised in Manhattan. In the early '70s he was a featured poet at the Nuyorican Poets Cafe. Juan Flores (1943-2014) was a professor and director of Latino Studies at New York University, and author of many books on Puerto Rican and Latino culture. Pedro Lopez Adorno is a professor in the Department of Africana and Puerto Rican/Latino Studies of Hunter College since 1987, and a published poet.

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The New York Times Bestseller! "This is The Most Inspiring Children's Book We've Ever Seen."--Refinery29.com "The very first kids' book released by the iconic publishing house City Lights, Rad American Women A-Z navigates the alphabet from Angela Davis to Zora Neale Hurston with colorful illustrations and short, powerful narratives. The perfect gift for the junior riot grrl in your life."--Bust Magazine "The History of Feminism--in an Awesome Picture Book. The ABCs just got a major girl-power upgrade."--Chantal Strasburger, Teen Vogue Like all A-Z books, this one illustrates the alphabet--but instead of "A is for Apple", A is for Angela--as in Angela Davis, the iconic political activist. B is for Billie Jean King, who shattered the glass ceiling of sports; C is for Carol Burnett, who defied assumptions about women in comedy; D is for Dolores Huerta, who organized farmworkers; and E is for Ella Baker, who mentored Dr. Martin Luther King and helped shape the Civil Rights Movement. And the list of great women continues, spanning several centuries, multiple professions, and 26 diverse individuals. There are artists and abolitionists, scientists and suffragettes, rock stars and rabble-rousers, and agents of change of all kinds. The book includes an introduction that discusses what it means to be "rad" and "radical," an afterword with 26 suggestions for how you can be "rad," and a Resource Guide with ideas for further learning and reading. American history was made by countless rad--and often radical--women. By offering a fresh and diverse array of female role models, we can remind readers that there are many places to find inspiration, and that being smart and strong and brave is rad. Rad American Women will be appreciated by various age groups. It is Common Core aligned for students grades 3 - 8. Pre-school and young children will be captured by the bright visuals and easily modified texts, while the subject matter will stimulate and inspire high-schoolers and beyond. "This is not a book. This is a guest list for a party of my heroes. Thank you for inviting us." --Lemony Snicket, author of A Series of Unfortunate Events books "I feel honored to be included in this book. Women need to take radical steps to become feminists, and to be strong to fight for their rights and those of others facing oppression and discrimination. The world needs rad women to create a just society." --Dolores Huerta, Labor Leader, Civil Rights Activist "It's almost always with a chuckle that I view a cartoon image of myself. But to see cartoon-me positioned (alphabetically) amongst so many of my women heroes and role models ...well, I just broke down and cried. Happy tears. I surely hope that this one-of-a-kind collection of radical American women reaches the hands of all children who want to grow up and become amazing women." --Kate Bornstein, author of My New Gender Workbook "I was totally in rapture reading this book. Bold women, bold colors, and fierce black paper cutouts. I cheer these histories of women who fight not for war or country or corporation, but for EVERYONE! I can't wait for my son to read this." --Nikki McClure, Illustrator of All in a Day

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A contributor to Donald Allen's seminal New American Poetry anthology, John Wieners was on the periphery of many of the twentieth century's most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the SF Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet's imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described "would-be poet" dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalization (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he's left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners' sense of glamour. Praise for Stars Seen in Person: "Like Rimbaud in Season in Hell, or Baudelaire with Intimate Journals, there's an unguarded spark and trust in John Wieners because impulse and imagination reign supreme. In 1955 he writes, "I shall try the only true thing I want to do. I shall go to my poems." Predating The Hotel Wentley Poems, moving through Ace of Pentacles, and ushering us into his life before Nerves, Stars Seen in Person further illuminates John as our future/former best unkept secret."--Micah Ballard "Thanks to Michael Seth Stewart's editorial legerdemain, at long last we have the magnificent John Wieners here before us, in his full undressed splendor: poet, stargazer, philosopher, shaman, flaneur, survivor. His journals----an inspiring monument, filled with taut provocations and purple illuminations----are valuable as cultural history, as lyric performance, as uninhibited autobiography, and as a motley, genre-defying epitome of gesamtkunstwerk aesthetic possibilities that seem as fresh and enticing as anything being dreamt up today." --Wayne Koestenbaum "These pages of notebooks and poetry--so exhaustively exhumed and returned to light and breath--are equivalent to Rilke's Letters to a Young Poet, but in reverse. John Wieners (forever young) evolved through his prose notes towards a sustained poetics of adolescence, holding that tormented phase on a long unyielding band-wave, resisting the sop of adult living with all his might and undergoing the inevitable punishments that such persistence brings."--Fanny Howe "John Wieners remains one of the best poets of my generation. His work & life continue to influence younger poets. These journals reveal his deep commitment to poetry & the poem; they contextualize his constant questing & devotion to the art. I knew John during many of the periods his journals cover &, as always, remain amazed & moved by his deeply examined honesty & purity."--David Meltzer John Wieners studied with Charles Olson at Black Mountain College, and later edited the small magazine Measure. He lived for a year and a half in San Francisco, where he wrote his breakthrough book, Hotel Wentley Poems (1958). In the early seventies he settled into an apartment on Boston's Beacon Hill, where he lived and wrote until his death in 2002.

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