Search results for ""author lauren"

Yves Saint Laurent (1936 2008) is credited with reviving French haute couture in the 1960s, with making ready-to-wear reputable, and with using non-European cultural references. In addition to the kaleidoscope of images in this book, a coterie of tastemakers have supplied listings that encompass YSL s style inspirations (C is for Costumes, as exemplified by the Russian theme of the famed autumn-winter 1976 77 collection; T is for Tuxedo, which the designer initially referenced with his 1965 Le Smoking ) and important facets of his life (J is for Jardin Majorelle, the garden of the couturier s paradisiacal retreat in Marrakech; R is for Rive Gauche, the bohemian, chic neighbourhood of Paris where the YSL boutique is situated and also the name of the house s famous perfume launched in 1970). This distillation and celebration of the designer s life reveals the inner world of a twentieth-century master.

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The opponents of legal recognition for same-sex marriage frequently appeal to a "Judeo-Christian" tradition. But does it make any sense to speak of that tradition as a single teaching on marriage? Are there elements in Jewish and Christian traditions that actually authorize religious and civil recognition of same-sex couples? And are contemporary heterosexual marriages well supported by those traditions? As evidenced by the ten provocative essays assembled and edited by Mark D. Jordan, the answers are not as simple as many would believe. The scholars of Judaism and Christianity gathered here explore the issue through a wide range of biblical, historical, liturgical, and theological evidence. From David's love for Jonathan through the singleness of Jesus and Paul to the all-male heaven of John's Apocalypse, the collection addresses pertinent passages in the Hebrew Bible and the New Testament with scholarly precision. It reconsiders whether there are biblical precedents for blessing same-sex unions in Jewish and Christian liturgies. The book concludes by analyzing typical religious arguments against such unions and provides a comprehensive response to claims that the Judeo-Christian tradition prohibits same-sex unions from receiving religious recognition. The essays, most of which are in print here for the first time, are by Saul M. Olyan, Mary Ann Tolbert, Daniel Boyarin, Laurence Paul Hemming, Steven Greenberg, Kathryn Tanner, Susan Frank Parsons, Eugene F. Rogers, Jr., and Mark D. Jordan.

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Winner of the 2019 Minnesota Book Award for Novel & Short StoryPoignant portrayals of life on the edge in northern Minnesota border country, from the best-selling author of These Granite Islands and Vacationland Bitter winters are nothing new in Hatchet Inlet, hard up against the ridge of the Laurentian Divide, but the advent of spring can’t thaw the community’s collective grief, lingering since a senseless tragedy the previous fall. What is different this year is what’s missing: Rauri Paar, the last private landowner in the Reserve, whose annual emergence from his remote iced-in islands marks the beginning of spring and the promise of a kinder season. The town’s residents gather at the local diner and, amid talk of spring weather, the latest gossip, roadkill, and the daily special, take bets on when Rauri will appear—or imagine what happened to him during the long and brutal winter. Retired union miner and widower Alpo Lahti is about to wed the diner’s charming and lively waitress, Sissy Pavola, but, with Rauri still unaccounted for, celebration seems premature. Alpo’s son Pete struggles to find his straight and narrow, then struggles to stay on it, and even Sissy might be having second thoughts. Weaving in and out of each other’s reach, trying hard to do their best (all the while wondering what that might be), the residents of this remote town in all their sweetness and sorrow remind us once more of the inescapable lurches of the heart and unexpected turns of our human comedy.

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Laurence Sterne, the author of the innovative fictions The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey, served most of his life as a rural Anglican clergyman in Yorkshire, England; for twenty years his sermons were his primary written labors. Sterne published the first two volumes of sermons as the Sermons of Mr. Yorick in 1760 after the initial, widely celebrated volumes of Tristram Shandy and the ensuing controversy revealed their complex paradoxes: they are both sacred and earthy, entertaining and instructional, products of art, duty, and the desire for profit and fame. The dozen essays in Divine Rhetoric, including an extensive critical history, examine the rhetorical and theological contexts of the sermons as well as their possible influences, discerning their intrinsic value to scholars of the fiction of Laurence Sterne and eighteenth-century Anglicanism. The book is accompanied by an audio CD of one of Sterne’s sermons

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The New York Times bestseller - a sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: she was already married-and so was he.TRULY, MADLY is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental-illness, which transformed their relationship from the stuff of dreams into a living nightmare.Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes readers on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood and the upheavals of the 1960s - as they struggled with love, loss and the ultimate agony of their parting.

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These thirteen essays have been collected to honor Melvyn New, professor emeritus (Florida), and are prefaced by a description of his scholarly career of more than forty years. Suggesting the wide range of that career, the first eight essays offer various critical perspectives on a diverse group of eighteenth-century authors. These include a reading of Eliot in the shadow of Pope; a comparison of Gainsborough’s final paintings and Sterne’s Sentimental Journey; a study of Johnson and casuistry; a discussion of Smollett’s view of slavery in Roderick Random; a bibliographical study of a Lyttelton poem; a comparison of Swift and Nietzsche; and two essays about Fielding’s Joseph Andrews. Laurence Sterne, the primary focus of Professor New’s scholarship, is also the focus of the final five essays, which treat Sterne in contexts as disparate as the kabbalah, abolitionist discourse, local English church politics, the use of the fragment, and, finally, the culture of modernity.

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A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh.A New York Times bestsellerAs seen in the Daily Mail and Mail on SundayIn 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: she was already married-and so was he.TRULY, MADLY is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental-illness, which transformed their relationship from the stuff of dreams into a living nightmare.Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes readers on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood and the upheavals of the 1960s - as they struggled with love, loss and the ultimate agony of their parting.

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This book explores the religious teachings of best-selling Victorian author and former Member of Parliament, Laurence Oliphant (1829–1888). While several biographies have been written on his captivating life, the stage of his life when Oliphant first established ‘The Household' commune has, until now, been largely unexplored. This book focuses on this later stage of his life, exploring Oliphant’s religious teachings. Additionally, this study incorporates a newly discovered archive, which reveals many behind-the-scenes details of The Household's teachings. Jeffrey D. Lavoie shows that Oliphant provided a unique interpretation of sexuality from a mystical Christian perspective, which opposed the restrictive contemporaneous “Victorian morality."

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OS Explorer is the Ordnance Survey's most detailed map and is recommended for anyone enjoying outdoor activities such as walking, horse riding and off-road cycling. The series provides complete GB coverage and can now be used in all weathers thanks to OS Explorer - Active, a tough, versatile version of OS Explorer. The OS Explorer Active range now includes a digital version of the paper map, accessed through the OS smartphone app, OS Maps.

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Marie Laurencin, in spite of the noticeable reputation she made in Paris in the first half of the twentieth century, has attracted only sporadic attention by late-twentieth century art historians. Until now the substance of her art and the feminist issues that were entangled in her life have been narrowly examined or reduced by an author's chosen theoretical format; and the terms of her lesbian identity have been overlooked. In this case study of une femme inadaptée and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women's studies and literary criticism. Kahn's thorough reading of the artist's visual and literary production ensures a comprehensive overview which addresses notable works and passages but also integrates those that are less well known. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women's work. Provocative and engagingly written, this fresh new study of Marie Laurencin's life and works also explores the multiple valences by which to connect the histories of, and find new connections between, women artists across the twentieth century.

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Revealing the vital influence of the French artist Marie Laurencin, her visual idiom, and her sexual expression on the modernism of twentieth-century Paris This book offers a long-overdue reassessment of the career of the Parisian-born artist Marie Laurencin (1883–1956), who moved seamlessly between the Cubist avant-garde and lesbian literary and artistic circles, as well as the realms fashion, ballet, and decorative arts. Critical essays explore her early experiments with Cubism; her exile in Spain during World War I; her collaborative projects with major figures of her time such as André Mare, Serge Diaghilev, Francis Poulenc, and André Groult; and her role in the emergence of a “Sapphic modernity” in Paris in the 1920s. Along with more than 60 full-color plates, Laurencin’s life and career are documented through an illustrated chronology and exhibition history, as well as an appendix charting her network of female patrons and associates. Laurencin became a fixture of the contemporary art scene in pre–World War I Paris, including as a muse and romantic partner of the poet Guillaume Apollinaire. She returned to the city after the war, having developed her signature style of diaphanous female figures in a blue-rose-gray palette. Laurencin’s feminine yet sexually fluid aesthetic defined 1920s Paris, and her work as an artist and designer met with high demand, with commissions by Ballets Russes and Coco Chanel, among others. Her romantic relationships with women inspired homoerotic paintings that visualized the modern Sapphism of contemporary lesbian writers like Nathalie Clifford Barney. Indeed, one of Laurencin’s final projects was to illustrate the poems of Sappho in 1950. Distributed for the Barnes Foundation Exhibition Schedule: Barnes Foundation, Philadelphia (October 22, 2023–January 21, 2024)

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Margaret Laurence instinctively turned to the epic mode to create archetypal narratives of loss, exile, and redemption. Drawing on the Bible, Dante, and Milton, Laurence absorbed the epic structure and populated it with the Manawaka world of Hagar Shipley, Rachel Cameron, Stacey MacAindra, and Morag Gunn. Paul Comeau traces the development of Margaret Laurence's voice from its tentative beginnings in her African fiction to its culmination in the Manawaka Cycle. According to Comeau, Laurence's ability to illustrate the epic dimension in her characters' strengths and weaknesses has ensured her a lasting place among great Canadian writers.

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A COAL HILL REVIEW special edition. In these carefully-wrought elegies, Maxwell King writes of nature and family. By turns mournful and celebratory, the poems present a man who knows himself and his world.

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The writings of two influential Elizabethan thinkers testify to the influence of Old English law and literature on Tudor society and self-image. Full of fresh and illuminating insights into a way of looking at the English past in the sixteenth century... a book with the potential to deepen and transform our understanding of Tudor attitudes to ethnic identity and the national past. Philip Schwyzer, University of Exeter. Laurence Nowell (1530-c.1570), author of the first dictionary of Old English, and William Lambarde (1536-1601), Nowell's protégé and eventually the first editor of theOld English Laws, are key figures in Elizabethan historical discourses and in its political and literary society; through their work the period between the Germanic migrations and the Norman Conquest came to be regarded as a foundational time for Elizabethan England, overlapping with and contributing to contemporary debates on the shape of Elizabethan English language. Their studies took different strategies in demonstrating the role of early medieval history in Elizabethan national -- even imperial -- identity, while in Lambarde's legal writings Old English law codes become identical with the "ancient laws" that underpinned contemporary common law. Their efforts contradict the assumption that Anglo-Saxon studies did not effectively participate in Tudor nationalism outside of Protestant polemic; instead, it was a vital part of making history "English". Their work furthers our understanding of both the history of medieval studies and the importance of early Anglo-Saxon studies to Tudor nationalism. Rebecca Brackmann is Assistant Professor of English, Lincoln Memorial University.

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Margaret Laurence and Jack McClelland—one of Canada’s most beloved writers and one of Canada’s most significant publishers—enjoyed an unusual rapport. In this collection of annotated letters, readers gain rare insight into the private side of these literary icons. Their correspondence reveals a professional relationship that evolved into deep friendship over a period of enormous cultural change. Both were committed to the idea of Canadian writing; in a very real sense, their mutual and separate work helped bring “Canadian Literature” into being. With its insider’s view of the book business from the late 1950s to the mid-1980s, Margaret Laurence and Jack McClelland, Letters presents a valuable piece of Canadian literary history curated and annotated by Davis and Morra. This is essential reading for all those interested in Canada’s literary culture.

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OS Explorer is the Ordnance Survey's most detailed map and is recommended for anyone enjoying outdoor activities like walking, horse riding and off-road cycling. The OS Explorer range now includes a digital version of the paper map, accessed through the OS smartphone app, OS Maps. Providing complete GB coverage the series details essential information such as youth hostels, pubs and visitor information as well as rights of way, permissive paths and bridleways.

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At long last, critics, scholars, and lovers of fiction can experience the full range and imaginative powers of the collected novels of Paul Laurence Dunbar (1872–1906). In these four novels, readers can explore the characters, landscape, atmosphere, and visionary sensibilities of this preeminent African American writer. In the prime of his literary career, between 1898 and 1902, Dunbar published The Uncalled, The Love of Landry, The Fanatics, and The Sport of the Gods. Despite widespread critical interest, the novels have been largely subordinated to his short stories and poetry. The Collected Novels of Paul Laurence Dunbar redresses this imbalance by showing that the novels are also reflections of his exceptional literary talent. While correcting and standardizing the texts, the editors describe the major forms and themes of the novels, putting them in the proper contexts of Dunbar’s creativity, his professional career, and his place in American literary history. Each novel explores, in varying degrees, the issues of race, class, politics, region, morality, and spirituality and challenges the assumption that black novelists should cast only blacks as main characters and as messengers of racial-political unity. The Collected Novels of Paul Laurence Dunbar presents all four novels under one cover for the first time, allowing readers to assess why he was such a seminal influence on the twentieth century African American writers who followed him into the American canon. The Collected Novels of Paul Laurence Dunbar will interest students, teachers, scholars, and general readers for generations to come.

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At long last, critics, scholars, and lovers of fiction can experience the full range and imaginative powers of the collected novels of Paul Laurence Dunbar (1872–1906). In these four novels, readers can explore the characters, landscape, atmosphere, and visionary sensibilities of this preeminent African American writer. In the prime of his literary career, between 1898 and 1902, Dunbar published The Uncalled, The Love of Landry, The Fanatics, and The Sport of the Gods. Despite widespread critical interest, the novels have been largely subordinated to his short stories and poetry. The Collected Novels of Paul Laurence Dunbar redresses this imbalance by showing that the novels are also reflections of his exceptional literary talent. While correcting and standardizing the texts, the editors describe the major forms and themes of the novels, putting them in the proper contexts of Dunbar’s creativity, his professional career, and his place in American literary history. Each novel explores, in varying degrees, the issues of race, class, politics, region, morality, and spirituality and challenges the assumption that black novelists should cast only blacks as main characters and as messengers of racial-political unity. The Collected Novels of Paul Laurence Dunbar presents all four novels under one cover for the first time, allowing readers to assess why he was such a seminal influence on the twentieth century African American writers who followed him into the American canon. The Collected Novels of Paul Laurence Dunbar will interest students, teachers, scholars, and general readers for generations to come.

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The son of former slaves, Paul Laurence Dunbar was one of the most prominent figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, as well as numerous songs, plays, and essays in newspapers and magazines around the world. In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures of the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar’s literary achievement. The 104 stories written by Dunbar between 1890 and 1905 reveal Dunbar’s attempts to maintain his artistic integrity while struggling with America’s racist stereotypes. Making them available for the first time in one convenient, comprehensive, and definitive volume, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy.

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A captivating, seductive and monumental celebration of the life and career of one of the greatest actors of the 20th century.

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