Search results for ""author lauren"

In three urgent pieces of non-fiction Anne Enright explores speech and silence in the lives of Irish women: the long silence surrounding the Mother and Baby home in Tuam which was broken by the voice of Catherine Corless, the silence of Irish literary critics in response to work by women, and the reclaimed voice of the Irish writer Maeve Brennan. The short story form is celebrated with two new pieces of writing, and a biographical piece looks at the role of Canadian fiction in her reading life.

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Desde 1958, cuando fue nombrado sucesor de Christian Dior a los veintiún años,hasta los años ochenta, cuando se refugió en los códigos de elegancia que élmismo había inventado, Saint Laurent manejó las riendas de la moda: introdujo eltraje pantalón y el esmoquin femenino, inventó el mono y la sahariana, y dinamitólos cimientos de la alta costura inaugurando la era de la calle y lanzando su propiacolección de prêt-à-porter. Su legado tiene absoluta vigencia y hoy permaneceen la calle, en los armarios de las mujeres y en las colecciones de los diseñadoresmás punteros. Tímido y frágil, inteligente y ambicioso, Yves Saint Laurentalimentó con dedicación, a lo largo de su vida, su mito de genio tan atormentadocomo deslumbrante.

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Yves Saint Laurent is a name synonymous with style, elegance and high fashion. When he came on the scene at Dior and then started his own line, he quickly changed the way people regarded haute couture and the world of fashion itself. He revolutionized women’s evening wear when he introduced Le Smoking, a woman’s tuxedo, and made couture accessible to a younger generation. Yves Saint Laurent is Roxanne Lowit’s personal photographic history of Saint Laurent, the man and the fashion, from 1978, the year she first met him, to the last show he gave in 2002. With contributions from YSL’s muses and admirers, including Catherine Deneuve, Betty Catroux, Lucie de la Falaise, Pat Cleveland and Valerie Steele, this book represents the backstage experience at YSL’s shows as Lowit experienced them herself. Whether surrounded by beautiful models or peeking at the catwalk from the wings, every moment was a magnificent photo opportunity. Lowit shares magical moments of YSL with the world – intimate, social, absorbed in fashion – and creates a unique portrait of this towering figure of postwar couture.

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An unforgettable journey through art history with Yves Saint Laurent as a guide. January 1962 saw the launch of the very first collection by Yves Saint Laurent. To celebrate the 60th anniversary of the founding of his couture house, the Musée Yves Saint Laurent Paris is organizing a unique retrospective of the couturier’s work that juxtaposes his creations with art works from the collections of four major Paris institutions: the Musée d’Orsay, the Centre Pompidou, the Musée d’Art Moderne de la Ville de Paris and the Musée Picasso, as well as presenting a behind-the-scenes glimpse into the secrets of couture at the Musée Yves Saint Laurent. From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colours, carved out new forms and rethought the structure of garments in order to create his own masterpieces. Here, androgynous silhouettes and Proustian gowns stand alongside Manet’s Le Déjeuner sur l’herbe, feather patterns respond to Jackson Pollock’s drip paintings, flowing silhouettes merge with a mural by Raoul Dufy, Lucio Fontana’s neon lights make metallic fabrics sparkle and the motifs on a coat echo The Dance by Henri Matisse. Exploring the couturier’s deliberate homages to the masters of art and his never-ending quest for new means of aesthetic expression, this book takes readers on an unforgettable journey through art history with Yves Saint Laurent as a guide.

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A bold and fashionable look at the iconic golds of Yves Saint Laurent—in jewelry, couture, and accessories—from the 1960s to the 2000s“I love gold, it’s a magical color; when reflecting a woman, it’s the color of the sun.”As the official catalogue of the Gold, les ors d’Yves Saint Laurent exhibition in Paris, this stunning book presents the couture, jewelry, and accessories inspired by the golds of Yves Saint Laurent from the 1960s to the 2000s. This eye-catching metallic has been featured heavily throughout the entirety of the designer’s work: from the very first buttons adorning his pea coats to dresses that appear entirely fashioned from gold, no collection escaped the couturier’s “golden” touch. This heavily illustrated and photographed book presents Saint Laurent’s exquisite designs as we follow the thread of gold throughout his collections, offering special insight into the work and intricate techniques used to make the brocades, laces, lamés, leathers, and embroideries of YSL shine. Drawing on a large number of archival documents, interviews, and other resources such as films and shows, Yves Saint Laurent: Gold will show how the cultural, artistic, and social contexts of the time, especially the emancipation of women, resulted in these timeless designs. From the jeweled dress designed for his Autumn/Winter 1966 collection and photographed by David Bailey, to the sequined dresses worn by Zizi Jeanmaire and Catherine Deneuve, Gold sparkles as it conjures up the true treasures of Saint Laurent’s legacy and spirit.

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An intimate exploration of Yves Saint Laurent's creative world, captured by photographer and son of the couturier's right-hand woman, Anne-Marie Muñoz Carlos Muñoz-Yagüe. Yves Saint Laurent: Inside Out presents an extraordinarily intimate insight into a fascinating world of creativity in the latter, sumptuous phase of Saint Laurent's career, between 1989 and his final collection in 2002. The book offers a comprehensive and multi-faceted exploration of the life of an haute couture house: from informal, atmospheric portraits of Yves Saint Laurent at work in his studio, drawing and creating, to the behind-the-scenes work of the petites mains' in the ateliers, the skilled army of artisans whose activity is rarely documented. The house's world-famous models also feature, captured during pre-collection fittings in the house's grandiose salons and in electric backstage moments before the shows. Private archive materials letters, documents, drawings, and ephemera that sit

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A fascinating account of the story of the Yves Saint Laurent Museum in Marrakech – and a gorgeous homage to creativity Conceived as a candid diary, this remarkable book documents the 1,423 days that it took to design, build, and inaugurate a beloved architecture and fashion destination. From the moment the up-and-coming French-Moroccan practice Studio KO received a call from YSL’s longtime partner Pierre Bergé to the opening of the museum’s doors in 2017, one month after Bergé died, the entire process of bringing the building to life – its commission, the creative process behind it, and its construction – is told and illustrated here as never before.

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Examining the incomparable “Main,” or Saint-Laurent Boulevard, that crosses the heart of Montreal from north to south, this book explores how it has been a gateway for immigrants and the place where “solitudes” have met. With analysis of the many social and cultural movements that were born on the Main, the volume shows how they continue to thrive and influence Montreal, Quebec, Canada, and beyond.

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Laurent Durieux is a famous Belgian illustrator who is well known by pop culture fans and collectors for his cult movie poster reinterpretations. Every one of his American exhibitions was sold out on opening night and attended by thousands of enthusiastic fans. This book will be his first monograph and will cover his entire career, with particular focus on his most iconic alternative movie posters (including Jaws, The Birds, Vertigo, and The Master). The book includes a 6-page section of rejected and unpublished poster art and a foreword by filmmaker and Durieux collector Francis Ford Coppola.

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In this facsimile of a handwritten leather-bound journal, Pierre Bergé, the longtime partner of Yves Saint Laurent, remembers their life together In this handwritten, personal memoir, Pierre Bergé recalls his life with Yves Saint Laurent in Morocco. He remembers their arrival in Marrakech in 1966, their first home purchased together, and their exploration of Morocco and its fascinating light. He remembers friends—Loulou de La Falaise, Fernando Sánchez, Andy Warhol, Betty Catroux—who, like them, chose to live in Morocco, or who accompanied them on their adventure. He awakens the past with personal photographs, many published for the first time, and drawings and watercolors by Lawrence Mynott that evoke the magic of Morocco. This moving, intimate book, bound to resemble a leather journal, offers a rare glimpse into the personal life of the celebrated designer, revealing how Morocco’s vibrant culture and extraordinary landscapes inspired some of YSL’s greatest collections.

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Un melancólico retrato de Palermo, un homenaje a los clásicos mediterráneos del género negro y una autopsia de los males de la sociedad. El culto, cínico y divertido La Marca es una eficaz mezcla entre Philip Marlowe y Woody Allen.JUAN C. GALINDO, El PaísLa Verdad es siempre revolucionaria, según dicen; incluida la verdad meteorológica. Y así, por una casualidad, y a causa de un cadáver tendido sobre la acera recién lavada por la lluvia de un Palermo otoñal, Lorenzo La Marca se ve empujado a investigar un caso de homicidio en el milieu anticuario de la capital siciliana. Pero ya sabemos que él tiene su propio tempo: deambula por los sinuosos callejones de la ciudad árabe y por las avenidas arboladas de Mondello, pone un disco de Chet Baker, vuelve a ver un película de Bergman, toma un aperitivo en su terraza contemplando el atardecer sobre el mar de tejados y cúpulas... Y únicamente entonces, como la evanescente y compleja arquitectura de un solo de trompeta, la trama va perfilá

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On January 21, 1971, couturier Yves Saint Laurent presented his Spring-Summer haute couture collection. Inspired by the garments of the war years, the collection included short dresses, platform shoes, square shoulders, and exaggerated makeup. The show caused an outrage among the public, the critics, and the press alike, earning it the title of “Paris’s ugliest collection.” Nevertheless, the haute couture designs of the runway made their way to the boulevards, giving full sway to the “retro” trend that quickly conquered the streets. Yves Saint Laurent: The Scandal Collection, 1971 offers a behind-the-scenes look at the influential collection that “drew fire in the fashion world”—from the collection’s inspiration to the press coverage that followed. Beautifully illustrated and documented with well-researched essays, this book is enriched with personal interviews and archival photographs of the show, the models, the designs, and the textile and print samples, as well as sketches and international press clippings.

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A stylish collection of legendary designer Yves Saint Laurent’s maxims on fashion, craft, women and inspiration, presented in an attractive gift format. Founded by Yves Saint Laurent and Pierre Bergé in 1962, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. The designer put the women who wore his clothes first (‘What’s most important in couture is the body we dress, the woman we dress, more so than the ideas we might have’) and was determined to change attitudes of the era (‘Fashion’s purpose was not only to make a woman look beautiful, but also to reassure them and to give them confidence’). He could be critical of the fashion industry (‘I adore clothes but I hate fashion’) and saw himself as a craftsman who perfectly understood his customer (‘I think there are three kinds of designers. The big ones, the real ones, and those who know how to strike a chord with a woman just by making a very simple dress, or a very simple suit’). Presented in a beautiful package and accessible format, The World According to Yves Saint Laurent is the perfect gift for fashion fans, capturing the essence of a true visionary.

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Little Book of Yves Saint Laurent is the pocket-sized and exquisitely illustrated story of 60 years of innovative fashion design.An enigmatic, daring and astonishingly creative designer, Yves Saint Laurent is credited with the elevation of haute couture to fine art, turning the fashion show into a spectacle of breathtaking proportions, and revolutionizing the gendered norms of womenswear.Describing Saint Laurent's beginnings in Algeria as a precocious boy making miniature garments from fabric scraps, Little Book of Yves Saint Laurent depicts, in beautiful photographs and insightful text, the designer's ascent from fashion student to the right-hand of Christian Dior. Going on to found his own fashion house in 1961, Saint Laurent created his famous 'le smoking' trouser suit, brought the leather jacket to the mainstream and astounded the fashion world with his blend of elegance and artistic drama.Little Book of Yves Saint Laurent is a stylish gift for any lover of fashion.

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'Ah, I remember you: you're the guy who lost the Tour de France by eight seconds!''No monsieur, I'm the guy who won the Tour twice.The international bestselling autobiography of the legendary French cyclist Laurent Fignon Two-time winner of the Tour de France in the early eighties, Laurent Fignon became the star for a new generation. In the 1989 tour, he lost out to his American arch-rival, Greg LeMond, by an agonising eight seconds. In this revealing account, the former champion spares nobody, not even himself, and pulls back the curtain on what really went on behind the scenes of this epic sport - the friendships, the rivalries, the betrayals, the parties, the girls and, of course, the performance-enhancing drugs. Fignon's story bestrides a golden age in cycling: a time when the headlines spoke of heroes, not doping, and a time when cyclists were afraid of nothing.‘Sports book of the year: He's ruthlessly honest, about himself and about cycling, and he provides a gripping insight into an unrelenting hard world’ Independent

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The star pieces from fashion designer Yves Saint Laurent's art collection – including works by Cézanne, Picasso, Mondrian and Matisse – have been unveiled in the Grand Palais, Paris, ahead of what auctioneers have dubbed the art ‘sale of the century.’Yves Saint Laurent and Pierre Bergé amassed the collection together before the designer’s death in June 2008. The works, which had adorned the pair’s Paris flats, the Chateau Gabriel in Normandy and their home in Morocco, include antiquities, Old Master and 19th-century paintings and drawings, Art Deco pieces and European furniture and art. Now Pierre Bergé has decided to sell the entire collection. It’s the end of an era and the sale has already excited enormous interest and speculation. This book shows, for the first time, the collection in situ in the pair’s homes. Although some pieces have been photographed separately in the past, they have never been photographed together, making this beautifully produced book the ultimate record of one of the 20th century’s great collections.

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As a tribute to their academic teacher and to further his interests, the students of Prof. Dr. Laurent Waelkens collected fifteen scholarly contributions on ius commune graeco-romanum, written by academics from eleven different countries, mainly but not exclusively from Eastern Europe. The book consists of three main parts. In the first part, four authors focus on the Graeco-Roman law in the Roman Empire itself. In the second part, five contributions concern the influence of Graeco-Roman law outside of the Byzantine Empire. The six contributions of the third and final part study the impact of the Western ius commune tradition on Eastern European countries. Thus, the volume highlights the continued importance of the study of Roman law for the understanding of our common pan-European legal heritage.

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The development of Rancière’s philosophical work, from his formative years through the political and methodological break with Louis Althusser and the lessons of May 68, is documented here, as are the confrontations with other thinkers, the controversies and occasional misunderstandings. So too are the unity of his work and the distinctive style of his thinking, despite the frequent disconnect between politics and aesthetics and the subterranean movement between categories and works. Lastly one sees his view of our age, and of our age’s many different and competing realities. What we gain in the end is a rich and multi-layered portrait of a life and a body of thought dedicated to the exercise of philosophy and to the emergence of possible new worlds.

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‘A photographic encyclopaedia of one of the 20th century’s greatest creators’ The Business of FashionFounded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

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A New American Sculpture, 1914–1945 is the first publication to situate the individual contributions of Gaston Lachaise, Robert Laurent, Elie Nadelman, and William Zorach into a compelling constellation of artists with shared aesthetic and social concerns. Although each European-born, American artist cultivated his own distinct style, their creative priorities were all deeply rooted in quiet composition, synthetic approaches to anatomy, and architectural unity of curves and volume. At a time when abstract forms were popular, Lachaise, Laurent, Nadelman, and Zorach were all ultimately in favor of maintaining the integrity of the human body to explore modernist styles. This handsome book underscores their unrelenting search for a novel American visual tradition at the intersection of modernism, historic visual culture, and contemporary popular imagery. Distributed for the Portland Museum of ArtExhibition Schedule:Portland Museum of Art (05/26/17–09/08/17)Memphis Brooks Museum of Art, Memphis, Tennessee (10/14/17–01/07/18)Amon Carter Museum of American Art (02/17/18–05/13/18)

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The development of Rancière’s philosophical work, from his formative years through the political and methodological break with Louis Althusser and the lessons of May 68, is documented here, as are the confrontations with other thinkers, the controversies and occasional misunderstandings. So too are the unity of his work and the distinctive style of his thinking, despite the frequent disconnect between politics and aesthetics and the subterranean movement between categories and works. Lastly one sees his view of our age, and of our age’s many different and competing realities. What we gain in the end is a rich and multi-layered portrait of a life and a body of thought dedicated to the exercise of philosophy and to the emergence of possible new worlds.

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An incredible collection of Yves Saint Laurent’s designs, beautifully captured by the leading fashion photographers of the 20th century Yves Saint Laurent: Icons of Fashion Design & Photography is a gorgeous homage to the uncrowned king of haute couture. Originally published in 1988, the book traces the success of Saint Laurent’s haute couture and readytowear designs from 1962 to 1988 through the lens of the world’s leading fashion photographers, including Richard Avedon, Helmut Newton, William Klein, and more. Inside, 135 photographs document Saint Laurent’s groundbreaking designs worn by the most beautiful women of the ’60s, ’70s, and ’80s: Audrey Hepburn, Twiggy, Jean Shrimpton, Mounia, and Veruschka. Saint Laurent was equipped with an infallible instinct for reading the aesthetic signs of the times, and this enabled him to have a profound effect on fashion. With an introduction by Marguerite Duras, this classic volume documents Saint Laurent’s everevolving artistry and the combined efforts of the world’s most talented fashion photographers, and is as beautiful and rewarding as one of Saint Laurent’s creations.

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The opponents of legal recognition for same-sex marriage frequently appeal to a "Judeo-Christian" tradition. But does it make any sense to speak of that tradition as a single teaching on marriage? Are there elements in Jewish and Christian traditions that actually authorize religious and civil recognition of same-sex couples? And are contemporary heterosexual marriages well supported by those traditions? As evidenced by the ten provocative essays assembled and edited by Mark D. Jordan, the answers are not as simple as many would believe. The scholars of Judaism and Christianity gathered here explore the issue through a wide range of biblical, historical, liturgical, and theological evidence. From David's love for Jonathan through the singleness of Jesus and Paul to the all-male heaven of John's Apocalypse, the collection addresses pertinent passages in the Hebrew Bible and the New Testament with scholarly precision. It reconsiders whether there are biblical precedents for blessing same-sex unions in Jewish and Christian liturgies. The book concludes by analyzing typical religious arguments against such unions and provides a comprehensive response to claims that the Judeo-Christian tradition prohibits same-sex unions from receiving religious recognition. The essays, most of which are in print here for the first time, are by Saul M. Olyan, Mary Ann Tolbert, Daniel Boyarin, Laurence Paul Hemming, Steven Greenberg, Kathryn Tanner, Susan Frank Parsons, Eugene F. Rogers, Jr., and Mark D. Jordan.

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Yves Saint Laurent (1936 2008) is credited with reviving French haute couture in the 1960s, with making ready-to-wear reputable, and with using non-European cultural references. In addition to the kaleidoscope of images in this book, a coterie of tastemakers have supplied listings that encompass YSL s style inspirations (C is for Costumes, as exemplified by the Russian theme of the famed autumn-winter 1976 77 collection; T is for Tuxedo, which the designer initially referenced with his 1965 Le Smoking ) and important facets of his life (J is for Jardin Majorelle, the garden of the couturier s paradisiacal retreat in Marrakech; R is for Rive Gauche, the bohemian, chic neighbourhood of Paris where the YSL boutique is situated and also the name of the house s famous perfume launched in 1970). This distillation and celebration of the designer s life reveals the inner world of a twentieth-century master.

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