Search results for ""Yale University Press""

A magisterial account of how the cultural and maritime relationships between the British, Dutch and American territories changed the existing world order – and made the Industrial Revolution possible Between 1500 and 1800, the North Sea region overtook the Mediterranean as the most dynamic part of the world. At its core the Anglo-Dutch relationship intertwined close alliance and fierce antagonism to intense creative effect. But a precondition for the Industrial Revolution was also the establishment in British North America of a unique type of colony – for the settlement of people and culture, rather than the extraction of things. England’s republican revolution of 1649–53 was a spectacular attempt to change social, political and moral life in the direction pioneered by the Dutch. In this wide-angled and arresting book Jonathan Scott argues that it was also a turning point in world history. In the revolution’s wake, competition with the Dutch transformed the military-fiscal and naval resources of the state. One result was a navally protected Anglo-American trading monopoly. Within this context, more than a century later, the Industrial Revolution would be triggered by the alchemical power of American shopping

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A revelatory and wide-ranging exploration of Renoir’s extraordinary depictions of the nude and their important artistic legacy Best known as part of the influential vanguard of Impressionist artists that experimented with new painting techniques in the late 19th century, Pierre-Auguste Renoir (1841–1919) was deeply inspired by classical traditions and returned again and again to the canonical subject of the nude. Tracing the entire arc of Renoir’s career, this volume examines the different approaches the artist employed in his various depictions of the subject—from his works that respond to Gustave Courbet, Édouard Manet, Edgar Degas, and Paul Cézanne, to his late, and still controversial, depictions of bathers that inspired the next generation of artists. Eminent scholars not only look at the different ways that Renoir used the nude as a means of personal expression but also analyze Renoir’s art in terms of a modern feminist critique of the male gaze. Offering the first-ever comprehensive investigation of Renoir’s nudes, this beautifully illustrated study includes approximately 50 works, including paintings, pastels, drawings, and sculptures. The book also features an interview with the contemporary figurative painter Lisa Yuskavage that considers Renoir’s continuing influence and the historical significance of the female nude in art.Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute, Williamstown, MA (06/08/19–09/22/19)Kimbell Art Museum, Fort Worth, TX (10/27/19–01/26/20)

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A lyrical collection of the finest poems by a leading Mexican poet, superbly translated for English readers “A literary event. . . . [Baranda’s] work provides a bestiary as fierce as those found in the Odyssey, Beowulf, or The Waste Land.”—Merrill Kaitz, Arts Fuse “A valuable collection . . . a metaphysical and philosophical luminosity of language that immerses the reader in cycles of life, death, and a quest for understanding what it means to be able to perceive.”—Susan Smith Nash, World Literature Today The poetry of María Baranda is a haunting homage to the natural world, transcendent in scope, attentive to the particular, and acutely attuned to the mystery of being. Absorbed by nature’s otherness, Baranda seeks to inhabit the voices of the wind, of wings, night, day, and perhaps most keenly, water. These lyrical verses turn repeatedly to the longings and griefs of embodiment: “What is that God / To be praised with all our sadness / If not love / Or at least the wonder / Of being a body full of blood,” Baranda asks. Drawing on epics such as the Aeneid and Beowulf, the mystical verses of Sor Juana Inés de la Cruz, and writers who engage the landscape of shore and sea, from Daniel Defoe to Dylan Thomas, this sweeping collection brings together the finest poems of one of today’s most powerful and innovative Mexican writers.

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If history is written by the victors, can we really know Hannibal, whose portrait we see through the eyes of his Roman conquerors?"Eve MacDonald has produced a real page-turner in this lucid account of Hannibal, the Carthaginian general whose invasion of Italy brought republican Rome almost to her knees. "—Antony Spawforth, author of The Story of Greece and Rome and co-author ofThe Oxford Classical Dictionary Hannibal lived a life of incredible feats of daring and survival, massive military engagements, and ultimate defeat. A citizen of Carthage and military commander in Punic Spain, he famously marched his war elephants and huge army over the Alps into Rome’s own heartland to fight the Second Punic War. Yet the Romans were the ultimate victors. They eventually captured and destroyed Carthage, and thus it was they who wrote the legend of Hannibal: a brilliant and worthy enemy whose defeat represented military glory for Rome. In this groundbreaking biography Eve MacDonald expands the memory of Hannibal beyond his military feats and tactics. She considers him in the wider context of the society and vibrant culture of Carthage which shaped him and his family, employing archaeological findings and documentary sources not only from Rome but also the wider Mediterranean world of the third century B.C. MacDonald also analyzes Hannibal’s legend over the millennia, exploring how statuary, Jacobean tragedy, opera, nineteenth-century fiction, and other depictions illuminate the character of one of the most fascinating military personalities in all of history.

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The first bilingual volume of poems by leading Irish twentieth-century poet Seán Ó RíordáinIn the mid-twentieth century, a new generation of poets writing in Irish emerged, led by the young Seán Ó Ríordáin, among others. Ó Ríordáin’s work has stood the test of time well, and he continues to engage today’s Irish readers and writers. This well-rounded selection of poems brings most of Ó Ríordáin’s works to English-language readers for the first time. The poems appear in their original Irish alongside English translations by some of Ireland's leading poets. Also included for the first time in English is Ó Ríordáin’s essay What Is Poetry?, considered an extraordinary touchstone of critical insight for poets and literary commentators.The volume reflects Ó Ríordáin’s seven main concerns: poetry and its place in the artist’s life; the plural self; the relationship between the individual and society; gender relations; the nature of animals; Ireland, its language and culture; and mortality.

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An examination of remedies for violent rage rediscovered in ancient Greek myths Millennia ago, Greek myths exposed the dangers of violent rage and the need for empathy and self-restraint. Homer’s Iliad, Euripides’ Hecuba, and Sophocles’ Ajax show that anger and vengeance destroy perpetrators and victims alike. Composed before and during the ancient Greeks’ groundbreaking movement away from autocracy toward more inclusive political participation, these stories offer guidelines for modern efforts to create and maintain civil societies. Emily Katz Anhalt reveals how these three masterworks of classical Greek literature can teach us, as they taught the ancient Greeks, to recognize violent revenge as a marker of illogical thinking and poor leadership. These time-honored texts emphasize the costs of our dangerous penchant for glorifying violent rage and those who would indulge in it. By promoting compassion, rational thought, and debate, Greek myths help to arm us against the tyrants we might serve and the tyrants we might become.

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A fresh, new translation of Augustine’s inaugural work as a Christian convert The first four works written by St. Augustine of Hippo after his conversion to Christianity are the “Cassiciacum dialogues,” which have influenced prominent thinkers from Boethius to Bernard Lonergan. In this second, brief dialogue, expertly translated by Michael Foley, Augustine and his mother, brother, son, and friends celebrate his thirty-second birthday by having a “feast of words” on the nature of happiness. They conclude that the truly happy life consists of “having God” through faith, hope, and charity.

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A timely reexamination of the experimental New York print studio Atelier 17, focusing on the women whose work defied gender norms through novel aesthetic forms and techniques In this important book Christina Weyl takes us into the experimental New York print studio Atelier 17 and highlights the women whose work there advanced both modernism and feminism in the 1940s and 1950s. Weyl focuses on eight artists—Louise Bourgeois, Minna Citron, Worden Day, Dorothy Dehner, Sue Fuller, Alice Trumbull Mason, Louise Nevelson, and Anne Ryan—who bent the technical rules of printmaking and blazed new aesthetic terrain with their etchings, engravings, and woodcuts. She reveals how Atelier 17 operated as an uncommonly egalitarian laboratory for revolutionizing print technique, style, and scale. It facilitated women artists’ engagement with modernist styles, providing a forum for extraordinary achievements that shaped postwar sculpture, fiber art, neo-Dadaism, and the Pattern and Decoration movement. Atelier 17 fostered solidarity among women pursuing modernist forms of expression, providing inspiration for feminist collective action in the 1960s and 1970s. The Women of Atelier 17 also identifies for the first time nearly 100 women, many previously unknown, who worked at the studio, and provides incisive illustrated biographies of selected artists.

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A captivating analysis of the past, present, and future of northeastern forests and the forces that have shaped them “Charlie Canham takes us on an inspiring walk through the past, present, and future of northeastern forests, with the wisdom of a lifelong forest scientist and the wonder of a naturalist. Incredibly readable and insightful.”—Indy Burke, Carl W. Knobloch. Jr., Dean, Yale School of Forestry and Environmental Studies Named a “Best Book of 2020” in the history category by Bloomberg BusinessWeek The northeastern United States is one of the most densely forested regions in the country, yet its history of growth, destruction, and renewal are for the most part poorly understood—even by specialists. In this engaging look at both the impermanence and the resilience of the northeastern forest ecosystems, Charles D. Canham provides a synthesis of modern ecological research and explores critical threats that include logging, fire suppression, disease, air pollution, invasive species, and climate change. Providing a historical perspective on how northeastern forests have changed since the arrival of European settlers, Canham also utilizes new theoretical models to predict how these ecosystems will change and adapt to an uncertain future. This is an informed and accessible investigation of an endangered natural landscape that examines the ramifications of the scientific controversies and ethical dilemmas shaping the future of northeastern forests.

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An incisive look at the intellectual and cultural history of free enterprise and its influence on American politics Throughout the twentieth century, “free enterprise” has been a contested keyword in American politics, and the cornerstone of a conservative philosophy that seeks to limit government involvement into economic matters. Lawrence B. Glickman shows how the idea first gained traction in American discourse and was championed by opponents of the New Deal. Those politicians, believing free enterprise to be a fundamental American value, held it up as an antidote to a liberalism that they maintained would lead toward totalitarian statism. Tracing the use of the concept of free enterprise, Glickman shows how it has both constrained and transformed political dialogue. He presents a fascinating look into the complex history, and marketing, of an idea that forms the linchpin of the contemporary opposition to government regulation, taxation, and programs such as Medicare.

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Originally published at the height of the Watergate crisis, Charles Black’s classic Impeachment: A Handbook has long been the premier guide to the subject of presidential impeachment. Now thoroughly updated with new chapters by Philip Bobbitt, it remains essential reading for every concerned citizen. Praise for Impeachment: “To understand impeachment, read this book. It shows how the rule of law limits power, even of the most powerful, and reminds us that the impact of the law on our lives ultimately depends on the conscience of the individual American.”—Bill Bradley, former United States senator “The most important book ever written on presidential impeachment.”—Lawfare “A model of how so serious an act of state should be approached.”—Wall Street Journal “A citizen’s guide to impeachment. . . . Elegantly written, lucid, intelligent, and comprehensive.”—New York Times Book Review “The finest text on the subject I have ever read.”—Ben Wittes

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Revealing the power of color as physical medium, a key to interpretation, and a mediator of social and political change“This excellently illustrated volume . . . will serve as a comprehensive survey on color in Western painting from the fifteenth century to the age of Modernism.”—Andrew Shea, New Criterion This expansive study of color illuminates the substance, context, and meaning of five centuries of European painting. Between the mid-15th and the mid-19th centuries, the materials of painting remained remarkably unchanged, but innovations in their use flourished. Technical discoveries facilitated new visual effects, political conditions prompted innovations, and economic changes shaped artists’ strategies, especially as trade became global. Marcia Hall explores how Michelangelo radically broke with his contemporaries’ harmonizing use of color in favor of a highly saturated approach; how the robust art market and demand for affordable pictures in 17th-century Netherlands helped popularize subtly colored landscape paintings; how politics and color became entangled during the French Revolution; and how modern artists liberated color from representation as their own role transformed from manipulators of pigments to visionaries celebrated for their individual expression. Using insights from recent conservation studies, Hall captivates readers with fascinating details and developments in magnificent examples—from Botticelli and Titian to Van Gogh and Kandinsky—to weave an engaging analysis. Her insistence on the importance of examining technique and material to understand artistic meaning gives readers the tools to look at these paintings with fresh eyes.

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Featuring detailed scenes of court pageantry and life-size portraits of members of the French Valois dynasty woven in wool, silk, and precious metal-wrapped threads, the Valois Tapestries are one of the most extravagant sets of hangings produced in the 16th century. The precise circumstances surrounding the tapestries’ commission and their arrival at the Medici court in Florence, as well as the significance of the specific scenes depicted, however, have eluded scholars for years. Presenting new research into the political maneuvering of the Valois and Medici courts and providing extensive physical analysis gathered during a recent cleaning of the tapestries, this volume offers brand new insight into why these magnificent works were made and what they represent.Distributed for the Cleveland Museum of ArtExhibition Schedule:Cleveland Museum of Art (11/18/18–01/21/19)

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Bringing the rich Japanese Shinto artistic tradition to life, this handsome volume explores the significance of calligraphy, painting, sculpture, and the decorative arts within traditional kami veneration ceremonies A central feature of Japanese culture for many centuries, the veneration of kami deities—a practice often referred to as Shinto—has been a driving force behind a broad swath of visual art. Focusing on the Heian period (795–1185) through the Edo period (1615–1868), this generously illustrated volume brings the rich Shinto artistic tradition to life through works of calligraphy, painting, sculpture, and the decorative arts. Thematic essays authored by both American and Japanese scholars explore different dimensions of kami veneration and examine the significance of these objects—many of which have never been seen outside of Japan—in Shinto ceremonies.Distributed for the Cleveland Museum of ArtExhibition Schedule:Cleveland Museum of Art (04/09/19–06/30/19)

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Anne Teresa De Keersmaeker (b. 1960) founded her dance company, Rosas, in 1983. Her work is grounded on a rigorous exploration of the relationship between dance and music, and over the years she has engaged the musical structures and scores of different periods and genres, from early music to contemporary expressions of classical and popular music. Her choreographic practice draws from geometric principles, nature, and social structures to offer unique perspectives on the articulation of the body in space and time.The minimalism of De Keersmaeker’s earliest pieces gave way over the years to ingenious constructions for large ensembles. Then in 2007, the choreography underwent a fundamental change with the emergence of a new kind of minimalism, a paring down to essential principles of sparseness; the spatial constraints of geometric patterns; an unwavering commitment to elementary gestures, notably walking, breathing, and speaking; and a close adherence to a score, musical or otherwise, for the choreographic writing.Photographers Anne Van Aerschot and Herman Sorgeloos were privileged witnesses to this process, and their images, gathered here for the first time, offer an exceptionally acute look at Rosas’s work over the last decade.Distributed for Mercatorfonds

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A revisionist history of the early life and career of Renaissance artist Giovanni Bellini Widely recognized as one of the greatest painters of the Italian Renaissance, Giovanni Bellini is revered for his mastery of color, atmosphere and light. However, his early life and career remain something of a mystery. Daniel Wallace Maze expands on groundbreaking research that argues Jacopo Bellini was not Giovanni Bellini’s father, but rather his half-brother, and that Giovanni was born between 1424–26, up to fifteen years earlier than current scholars’ estimates. In light of this, Young Bellini explores the artist’s early life, including his birth, his unusual upbringing in Venice, and his first-known works of art. Presenting a clear narrative of his early career, and offering a number of newly attributed paintings, Maze provides answers to longstanding questions about Bellini, and poses new questions that will frame future research on the artist's contribution to the Renaissance.

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Go behind the scenes of generations of the British royal family, exploring both the glamour and domestic life inside the spectacular 300‐year-old Kensington Palace Kensington Palace is renowned for its architecture, splendid interiors, internationally important collections, and, of course, its royal residents. This lavish book thoroughly explores Kensington’s physical beauty and its history, presenting new material drawn from archives, newspapers, personal letters, images, and careful analysis of the building itself. Originally a fashionable Jacobean villa, Kensington was dramatically rebuilt in 1689 by Christopher Wren for the newly crowned monarchs, William III and Mary II. The palace became the favored London home of five sovereigns, yet also survived fires, partial collapse, bombings, and periods of neglect. Queen Victoria recognized the national significance of her birthplace and childhood home, turning the palace into her own memorial as well as a home for members of her extended family and their descendants. With over 450 illustrations, including specially commissioned reconstructions and historic plans, this volume explores the personal tastes and fashions of the British monarchy over the course of 300 years and provides insight into the 20th- and 21st-century royal family’s domestic life.Published in association with the Paul Mellon Centre for Studies in British Art

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An expansive and ambitious intellectual history of democratic socialism from one of the world’s leading intellectual historians and social ethicists The fallout from twenty years of neoliberal economic globalism has sparked a surge of interest in the old idea of democratic socialism—a democracy in which the people control the economy and government, no group dominates any other, and every citizen is free, equal, and included. With a focus on the intertwined legacies of Christian socialism and Social Democratic politics in Britain and Germany, this book traces the story of democratic socialism from its birth in the nineteenth century through the mid‑1960s. Examining the tenets on which the movement was founded and how it adapted to different cultural, religious, and economic contexts from its beginnings through the social and political traumas of the twentieth century, Gary Dorrien reminds us that Christian socialism paved the way for all liberation theologies that make the struggles of oppressed peoples the subject of redemption. He argues for a decentralized economic democracy and anti-imperial internationalism.

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An earthy, cruel, and hilarious family drama of profound and reckless love Set in a bar in the Florida Everglades, this biting, brutally funny multigenerational family drama concerns a Gulf Coast couple, their disabled young ward, two lesbian tenants, and the bonds that bind them all together. The eleventh winner of the Yale Drama Series playwriting competition, it is a powerful story born out of the playwright’s own experiences with the rapidly changing social environment of rural Florida, where long-standing traditions and beliefs can collide, sometimes dangerously, with new ideas of personhood, identity, and self-realization. A rich and colorful mélange of American classes and cultures, Bottle Fly recounts a profoundly human struggle to reconcile the masks worn at home with the ones donned to go out into the world.

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The first book-length study of household servants and slaves, exploring a visual history over 400 years and four continents The first book-length study of both images of ordinary household workers and their material culture, Household Servants and Slaves: A Visual History, 1300–1700 covers four hundred years and four continents, facilitating a better understanding of the changes in service that occurred as Europe developed a monetary economy, global trade, and colonialism. Diane Wolfthal presents new interpretations of artists including the Limbourg brothers, Albrecht Dürer, Paolo Veronese, and Diego Velázquez, but also explores numerous long-neglected objects, including independent portraits of ordinary servants, servant dolls and their miniature cleaning utensils, and dummy boards, candlesticks, and tablestands in the form of servants and slaves. Wolfthal analyzes the intersection of class, race, and gender while also interrogating the ideology of service, investigating both the material conditions of household workers’ lives and the immaterial qualities with which they were associated. If images repeatedly relegated servants to the background, then this book does the reverse: it foregrounds these figures in order to better understand the ideological and aesthetic functions that they served.

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A newly expanded volume on England’s preeminent “Home County,” exploring its mix of rural and urban architecture as well as its many major historic buildingsSurrey, originally published in 1962, was the first Buildings of England volume that Pevsner shared with another author, and Ian Nairn’s brilliant, provocative descriptions have been treas­ured by many ever since. For centuries Surrey has been the playground for London, and home to thousands of its commuters. Yet much of the county is still deeply wooded or surprisingly bucolic. This fully revised and enhanced edition, the first since 1971, is packed with new information on its major historic buildings – Waverley Abbey, Farnham Castle, Sutton Place and Loseley Park among others – and much-expanded accounts of its Victorian set pieces – Royal Holloway College, Holloway Sanatorium and Charterhouse School – alongside fresh appreciation of the twentieth century, including its principal monument, Guildford’s cath­edral. To the fore in Surrey is domestic architecture: medieval farmhouses, seventeenth-century gentry houses in the Artisan Classical style, eighteenth-century country houses, Victorian and Edwardian businessmen’s residences, designed most famously by Norman Shaw, Lutyens and Voysey, and high-class suburban estates. Into this small county is fitted architecture of endless variety, ranging from Georgian designed landscapes to military cemeteries, from seminaries to shooting clubs, and from lime kilns to lunatic asylums.

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A controversial look at the end of globalization and what it means for prosperity, peace, and the global economic order Globalization, long considered the best route to economic prosperity, is not inevitable. An approach built on the principles of free trade and, since the 1980s, open capital markets, is beginning to fracture. With disappointing growth rates across the Western world, nations are no longer willing to sacrifice national interests for global growth; nor are their leaders able—or willing—to sell the idea of pursuing a global agenda of prosperity to their citizens. Combining historical analysis with current affairs, economist Stephen D. King provides a provocative and engaging account of why globalization is being rejected, what a world ruled by rival states with conflicting aims might look like, and how the pursuit of nationalist agendas could result in a race to the bottom. King argues that a rejection of globalization and a return to “autarky” will risk economic and political conflict, and he uses lessons from history to gauge how best to avoid the worst possible outcomes.

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A leading neuroscientist and pioneer in the study of mindfulness explains why addictions are so tenacious and how we can learn to conquer them “I found [The Craving Mind] to be one of the best things I’ve read . . . on addiction.”—Ezra Klein, New York Times “Accessible and enjoyable. The Craving Mind brilliantly combines the latest science with universal real-life experiences—from falling in love to spending too much time with our phones.”—Arianna Huffington We are all vulnerable to addiction. Whether it’s a compulsion to constantly check social media, binge eating, smoking, excessive drinking, or any other behaviors, we may find ourselves uncontrollably repeating. Why are bad habits so hard to overcome? Is there a key to conquering the cravings we know are unhealthy for us? This book provides groundbreaking answers to the most important questions about addiction. Judson Brewer, a psychiatrist and neuroscientist who has studied the science of addictions for twenty years, reveals how we can tap into the very processes that encourage addictive behaviors in order to step out of them. He describes the mechanisms of habit and addiction formation, then explains how the practice of mindfulness can interrupt these habits. Weaving together patient stories, his own experience with mindfulness practice, and current scientific findings from his own lab and others, Brewer offers a path for moving beyond our cravings, reducing stress, and ultimately living a fuller life.

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Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II’s daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents’ writings to relate, in an exhilarating parallel narrative, the events across every theater—Europe, Pearl Harbor, North Africa, and Japan—as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies. Moseley’s broad and intimate history draws on newly unearthed material to offer a comprehensive account both of the war and the abundance of individual stories and overlooked experiences, including those of women and African-American journalists, which capture the drama as it was lived by reporters on the front lines of history.

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Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime.Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/18–11/04/18)

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This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall’s artwork that highlight its relationship to the studio and the artist’s creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall’s work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition.Distributed for MercatorfondsExhibition Schedule:CENTRALE for contemporary art, Brussels (04/04/19–08/04/19)

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A new theory of how and why we cooperate, drawing from economics, political theory, and philosophy to challenge the conventional wisdom of game theory Game theory explains competitive behavior by working from the premise that people are self-interested. People don’t just compete, however; they also cooperate. John Roemer argues that attempts by orthodox game theorists to account for cooperation leave much to be desired. Unlike competing players, cooperating players take those actions that they would like others to take—which Roemer calls “Kantian optimization.” Through rigorous reasoning and modeling, Roemer demonstrates a simpler theory of cooperative behavior than the standard model provides.

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Offering historical, social, and artistic context for some of the most influential artists and filmmakers from the 1960s to the present day, this timely book looks at three filmic techniques—appropriation, documentary film, and montage—and how they confront the viewer with pieces of reality within a particular “frame.” Including previously unpublished material, Truth features a selection of interviews with and essays about twenty-four artists and filmmakers, among them Bruce Conner, Chick Strand, Jean-Marie Straub and Danièle Huillet, Pratibha Parmar, and Dara Birnbaum, whose work incorporates one or more of these techniques. Rather than proposing similarities among these artists’ practices, the book explores the varied ways that their work examines truth, meaning, and form as a way of coming to terms with reality.Distributed for the Dallas Museum of ArtExhibition Schedule:Dallas Museum of Art (10/22/17–01/28/18)

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Providing an expansive and revelatory look at the collaborative artistic relationship between photographers and printers, this book focuses on the work and practice of Schneider/Erdman, Inc., a Manhattan-based printing business owned by Gary Schneider and John Erdman from 1981 to 2001. Well-known within the booming New York photography scene, Schneider and Erdman printed works by artists such as Richard Avedon, Matthew Barney, and Nan Goldin. In addition to a thorough overview of Schneider and Erdman’s technical mastery of printing methods and materials, Analog Culture also sheds light on the importance of the close personal relationship between photographers and printers within the art-making process. The striking works reproduced in the volume are enhanced by exclusive interviews with Schneider, Erdman, and their collaborators, offering an unparalleled behind-the-scenes view of New York’s photographic culture in the late 20th century. Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (05/19/18–08/12/18)

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An insightful exploration of the iconic Galápagos tortoises, and how their fate is inextricably linked to our own in a rapidly changing world The Galápagos archipelago is often viewed as a last foothold of pristine nature. For sixty years, conservationists have worked to restore this evolutionary Eden after centuries of exploitation at the hands of pirates, whalers, and island settlers. This book tells the story of the islands’ namesakes—the giant tortoises—as coveted food sources, objects of natural history, and famous icons of conservation and tourism. By doing so, it brings into stark relief the paradoxical, and impossible, goal of conserving species by trying to restore a past state of prehistoric evolution. The tortoises, Elizabeth Hennessy demonstrates, are not prehistoric but rather microcosms whose stories show how deeply human and nonhuman life are entangled. In a world where evolution is thoroughly shaped by global history, Hennessy puts forward a vision for conservation based on reckoning with the past, rather than trying to erase it.

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Although perspective has long been considered one of the essential developments of Renaissance painting, this provocative new book shifts the usual narrative back centuries, showing that medieval sculptors were already employing knowledge of optical science, geometry, and theories of vision in shaping the beholder’s experience of their work. Meticulous visual analysis is paired with close readings of medieval texts in examining a series of important relief sculptures from northern and central Italy dating from the twelfth through the fourteenth centuries, including the impressive sculptural programs at the cathedrals of Modena and Ferrara, and the pulpits by Giovanni and Nicola Pisano at Pisa and Pistoia. Demonstrating that medieval sculptors orchestrated the reception of their intended religious and political messages through the careful manipulation of points of view and architectural space, Christopher R. Lakey argues that medieval practice was well informed by visual theory and that the concepts that led to the codification of linear perspective by Renaissance painters had in fact been in use by sculptors for hundreds of years.

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An urgent and timely story of the contentious politics of incorporating environmental justice into global climate change policy Winner of the Harold and Margaret Sprout Award, sponsored by the International Studies Association “Should be required reading for the most committed Green New Dealers and their opponents alike.”—Liam Denning, Bloomberg Although the science of climate change is clear, policy decisions about how to respond to its effects remain contentious. Even when such decisions claim to be guided by objective knowledge, they are made and implemented through political institutions and relationships—and all the competing interests and power struggles that this implies. Michael Méndez tells a timely story of people, place, and power in the context of climate change and inequality. He explores the perspectives and influence that low-income people of color bring to their advocacy work on climate change. In California, activist groups have galvanized behind issues such as air pollution, poverty alleviation, and green jobs to advance equitable climate solutions at the local, state, and global levels. Arguing that environmental protection and improving public health are inextricably linked, Mendez contends that we must incorporate local knowledge, culture, and history into policymaking to fully address the global complexities of climate change and the real threats facing our local communities.

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During the late 17th and early 18th centuries, Boston was both a colonial capital and the third most important port in the British empire, trailing only London and Bristol. Boston was also an independent entity that pursued its own interests and articulated its own identity while selectively appropriating British culture and fashion. This revelatory book examines period dwellings, gravestones, furniture, textiles, ceramics, and silver, revealing through material culture how the inhabitants of Boston were colonial, provincial, metropolitan, and global, all at the same time. Edward S. Cooke, Jr.’s detailed account of materials and furnishing practices demonstrates that Bostonians actively filtered ideas and goods from a variety of sources, combined them with local materials and preferences, and constructed a distinct sense of local identity, a process of hybridization that, the author argues, exhibited a conscious desire to shape a culture as a means to resist a distant, dominant power.Published in association with the Paul Mellon Centre for Studies in British Art

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Few terms in political theory are as overused, and yet as under-theorized, as constitutional revolution. In this book, Gary Jacobsohn and Yaniv Roznai argue that the most widely accepted accounts of constitutional transformation, such as those found in the work of Hans Kelsen, Hannah Arendt, and Bruce Ackerman, fail adequately to explain radical change. For example, a “constitutional moment” may or may not accompany the onset of a constitutional revolution. The consolidation of revolutionary aspirations may take place over an extended period. The “moment” may have been under way for decades—or there may be no such moment at all. On the other hand, seemingly radical breaks in a constitutional regime actually may bring very little change in constitutional practice and identity. Constructing a clarifying lens for comprehending the many ways in which constitutional revolutions occur, the authors seek to capture the essence of what happens when constitutional paradigms change.

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An essential exploration of how authoritarian regimes operate at the local level “Gorlizki and Khlevniuk have produced an impressive study. . . . A must for scholars of Stalinism and Soviet politics more generally.”—Gerald Easter, Russian Review How do local leaders govern in a large dictatorship? What resources do they draw on? Building on recent innovations in the theory of dictatorship, Yoram Gorlizki and Oleg Khlevniuk examine these questions by looking at one of the most important authoritarian regimes of the twentieth century. They show how Soviet regional leaders, lacking Stalin’s direct access to the means of repression, resorted to alternative strategies—especially through political exclusion and control of information—to build the local networks they needed to rule. The authors suggest that making sense of these networks is key to understanding how the dictatorship as a whole operated. Analytical scrutiny provides important clues to how the institutions of dictatorship changed over time, how conflicts within it were resolved, and how certain central policies, such as on the management of ethnic diversity, were implemented.

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An enthralling appreciation of the monumentally gifted popular artist and cultural icon who challenged Hollywood’s standards of beauty and glamour Barbra Streisand has been called the “most successful...talented performer of her generation” by Vanity Fair, and her voice, said pianist Glenn Gould, is “one of the natural wonders of the age.” Streisand scaled the heights of entertainment—from a popular vocalist to a first-rank Broadway star in Funny Girl to an Oscar-winning actress to a producer and director. But she has also become a cultural icon who has transcended show business. To achieve her success, Brooklyn-born Streisand had to overcome tremendous odds, not the least of which was her Jewishness. Dismissed, insulted, even reviled when she embarked on a show business career for acting too Jewish and looking too Jewish, she brilliantly converted her Jewishness into a metaphor for outsiderness that would eventually make her the avenger for anyone who felt marginalized and powerless. Neal Gabler examines Streisand’s life and career through this prism of otherness—a Jew in a gentile world, a self-proclaimed homely girl in a world of glamour, a kooky girl in a world of convention—and shows how central it was to Streisand’s triumph as one of the voices of her age.

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Fifty years after the Moon landing, a new history of the space race explores the lives of both Soviet and American engineers At the dawn of the space age, technological breakthroughs in Earth orbit flight were both breathtaking feats of ingenuity and disturbances to a delicate global balance of power. In this short book, aerospace historian Roger D. Launius concisely and engagingly explores the driving force of this era: the race to the Moon. Beginning with the launch of Sputnik 1 in October 1957 and closing with the end of the Apollo program in 1972, Launius examines how early space exploration blurred the lines between military and civilian activities, and how key actions led to space firsts as well as crushing failures. Launius places American and Soviet programs on equal footing—following American aerospace engineers Wernher von Braun and Robert Gilruth, their Soviet counterparts Sergei Korolev and Valentin Glushko, and astronaut Buzz Aldrin and cosmonaut Alexei Leonov—to highlight key actions that led to various successes, failures, and ultimately the American Moon landing.

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This book celebrates 40 years of work by Pierre Droulers (b. 1951), a pioneer of contemporary dance and choreographer of more than 30 works. A key figure in France and Belgium since the 1970s, Droulers was one of the first students to graduate from the Mundra School. In tune with the zeitgeist since the beginning of his career, Droulers has collaborated with singular and forward-thinking musicians, from jazz saxophonist Steve Lacy and beat poet Brion Gysin to Isreali group Minimal Compact and performance artist Winston Tong. In later years Droulers has developed fruitful artistic exchanges with visual artists, particularly Michel François and Ann Veronica Janssens. Drawing on archives for images and text, along with personal recollections and quotations, this monograph presents a three-dimensional narrative: the collisions of faces, landscapes, and words revealing Droulers’s artistic world as one of obsessions and fantasies, of light and darkness. Distributed for Mercatorfonds

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The rise of democratic ideals and the burgeoning middle class of the late 19th and early 20th centuries precipitated an important surge in the prevalence of music in everyday life. Café concerts, dances, and operas all flourished in major cities across Europe as more people wanted access to performances and musical education. The approximately 150 artworks included in this handsomely illustrated volume, by major artists including Edouard Manet, Edgar Degas, Berthe Morisot, James McNeill Whistler, Henri de Toulouse-Lautrec, and Pierre Bonnard, trace the growing presence of music in painting, and include depictions of public performances—brass bands, circuses, cabarets, orchestras, operas, festivals–-as well as more intimate scenes featuring parlor music and music lessons. Distributed for Editions Hazan, ParisExhibition Schedule:Musée des impressionnismes Giverny (03/24/17-07/02/17)

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The first comprehensive overview of Jasper Johns’s work in an innovative medium that the artist has singlehandedly redefined over the course of four decades Jasper Johns (b. 1930) is arguably the most important living American artist, and his work is central to any history of postwar art. With extensive new scholarship based on original research and interviews with the artist, Jasper Johns: Catalogue Raisonné of Monotypes provides the definitive account of his groundbreaking work in an intrinsically subversive medium situated between painting, drawing, and printmaking. Susan Dackerman and Jennifer L. Roberts examine Johns’s innovative use of the printing press to create alterity, overturning monotype’s long-standing reputation for subjectivity. Featured in this volume are all 143 monotypes Johns made between 1954 and June 2015, most of them published here for the first time. Each work is generously illustrated in color and accompanied by complete cataloguing information, including technical specifications, provenance, exhibition history, and bibliographic references.

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A world-renowned media and cultural critic offers an insightful analysis of serial TV drama and the modern art of the small screen Television and TV viewing are not what they once were—and that’s a good thing, according to award-winning author and critic Clive James. Since serving as television columnist for the London Observer from 1972 to 1982, James has witnessed a radical change in content, format, and programming, and in the very manner in which TV is watched. Here he examines this unique cultural revolution, providing a brilliant, eminently entertaining analysis of many of the medium’s most notable twenty-first-century accomplishments and their not always subtle impact on modern society—including such acclaimed serial dramas as Breaking Bad, The West Wing, Mad Men, and The Sopranos, as well as the comedy 30 Rock. With intelligence and wit, James explores a television landscape expanded by cable and broadband and profoundly altered by the advent of Netflix, Amazon, and other “cord-cutting” platforms that have helped to usher in a golden age of unabashed binge-watching.

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Arguably the most important living artist in America, Jasper Johns (b. 1930) has been a leading advocate of drawing as an artistic genre in its own right, not just a preparatory medium for other works. This catalogue brings together 41 of Johns’s drawings, spanning more than 60 years of his illustrious career and, beginning in 1954, the origin of his mature practice. It encompasses his most famous recurring motifs, including flags, targets, and numbers, and an essay by David Breslin contextualizes this reiterative aspect of Johns’s career. Exquisite reproductions and large-scale details reveal the touch and process of this master draftsman, imparting to the reader a feeling of being in close contact with the artist himself. As this intimate book shows, Johns’s art, at once simple and enigmatic, is above all a meditation on the world around him, a constant investigation of what he calls “the condition of being here.”Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (11/03/18–01/27/19)

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In this compelling publication, two masters come face-to-face when the works of Edvard Munch are juxtaposed against Gustave Flaubert’s groundbreaking novel Madame Bovary. Munch’s art is presented in stills taken from an elaborate video installation, Madame B (2014), created by Michelle Williams Gamaker and the internationally acclaimed cultural theorist, video artist, and curator Mieke Bal. Emma and Edvard Looking Sideways: Loneliness and the Cinematic explores the filmic aspect of Munch’s art by combining contemporary art theory with Bal’s own idiosyncratic way of looking at art – directly and closely. The reader can reflect upon how we view each other in social situations and question what happens when we are denied visual dialogue. Distributed for MercatorfondsExhibition Schedule:Munch Museum, Oslo (02/04/17–04/17/17)

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An intimate look at Elie Wiesel, author of the seminal Holocaust memoir Night and recipient of the Nobel Peace Prize Finalist for the National Jewish Book Award, Biography category “An indispensable touchstone.”—Julia M. Klein, Forward As an orphaned survivor and witness to the horrors of Auschwitz, Elie Wiesel (1928–2016) compelled the world to confront the Holocaust with his searing memoir Night. How did this soft-spoken man from a small Carpathian town become such an influential figure on the world stage? Drawing on Wiesel’s prodigious literary output and interviews with his family, friends, scholars, and critics, Joseph Berger seeks to answer this question. Berger explores Wiesel’s Hasidic childhood in Sighet, his postwar years spent rebuilding his life from the ashes in France, his transformation into a Parisian intellectual, his failed attempts at romance, his years scraping together a living in America as a journalist, his decision to marry and have a child, his emergence as a spokesperson for Holocaust survivors and persecuted peoples throughout the world, his lifelong devotion to the state of Israel, and his difficult final years. Through this penetrating portrait we come to know intimately the man the Norwegian Nobel Committee called “a messenger to mankind.”

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In this thought-provoking book, preeminent scholar Stephen Houston turns his attention to the crucial role of young males in Classic Maya society, drawing on evidence from art, writing, and material culture. The Gifted Passage establishes that adolescent men in Maya art were the subjects and makers of hieroglyphics, painted ceramics, and murals, in works that helped to shape and reflect masculinity in Maya civilization. The political volatility of the Classic Maya period gave male adolescents valuable status as potential heirs, and many of the most precious surviving ceramics likely celebrated their coming-of-age rituals. The ardent hope was that youths would grow into effective kings and noblemen, capable of leadership in battle and service in royal courts. Aiming to shift mainstream conceptions of the Maya, Houston argues that adolescent men were not simply present in images and texts, but central to both.

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“For readers in search of a thoughtful, thorough, and approachable survey of the history of religion, this book is an excellent place to start.”—Booklist Written for those with faith and for those without—and especially for younger readers—A Little History of Religion sweeps us through the story of religion in our world, from the dawn of religious belief to the present. An emphathetic yet discerning guide to the enduring importance of faith, Richard Holloway introduces us to the history and beliefs of the major world religions—Judaism, Islam, Christianity, Buddhism, Hinduism. He also explores where religious belief comes from; the search for meaning through the ages; how differences in belief sometimes lead to hostility and violence; what is a sect and what is a cult; and much more. Throughout, Holloway encourages curiosity and tolerance, accentuates nuance and mystery, and calmly restores a sense of the value of faith.

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This intriguing book tells the story of England’s great medieval Angevin dynasty in an entirely new way. Departing from the usual king-centric narrative, Richard Huscroft instead centers each of his chapters on the experiences of a particular man or woman who contributed to the broad sweep of events. Whether noble and brave or flawed and fallible, each participant was struggling to survive in the face of uncontrollable forces. Princes, princesses, priests, heroes, relatives, friends, and others—some well known and others obscure—all were embroiled in the drama of historic events. Under Henry II and his sons Richard I (the Lionheart) and John, the empire rose to encompass much of the British Isles and the greater part of modern France, yet it survived a mere fifty years. Huscroft deftly weaves together the stories of individual lives to illuminate the key themes of this exciting and formative era.

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