Search results for ""Yale University Press""

Communicating in Chinese is for the beginning learner. The series now includes three student books and two teacher activity books (available online as PDFs), and provides the framework for a proficiency-based approach to learning standard Chinese. Focusing on all four skills (listening, speaking, reading, writing), the program consists of a series of graded tasks that approximate the real-life tasks that a student might face. The approach requires students to learn and manipulate vocabulary and structures to achieve specific real-life ends. The content of each lesson provides the student with the necessary resources, and the practice to develop the necessary skills, to use Chinese to achieve these ends.The Communicating in Chinese curriculum consists of task-based, interactive classroom exercises. The focus is on the learner, and students are encouraged to develop their own strategies to determine and express meaning. The material covers a variety of daily life needs, including becoming acquainted, making appointments, shopping, engaging in leisure activities, obtaining food and drink, and using transportation. All of these activities are presented in context at home, in school, or in common public places. Through exposure to practical reading texts such as street signs, menus, advertisements, schedules, forms, and hand-written notes - in simplified and traditional characters - students gain familiarity with a wide range of Chinese written styles, and learn to convey simple messages by writing Chinese characters as well.The Communicating in Chinese series has been adopted by many schools and colleges throughout the United States and abroad.

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A new look at artist Oscar Hammerstein II as a pivotal and underestimated force in the creation of modern American culture

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A groundbreaking examination of a central question in international relations: Do states act rationally?

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A fascinating and moving biography of Colin Anson, the German refugee who became an elite British commando

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A leading scientist's guide to the way our immune system protects usbut only most of the time

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A revelatory history of the women who brought Victorian criminals to accountand how they became a cultural sensation

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A haunting novel that probes the enigmas of time and memory, by Nobel Prizewinning author Patrick Modiano

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A charged biography of a notorious Nazi art plunderer and his career in the postwar art world

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An engaging and accessible examination of what ails insurance markets—and what to do about it—by three leading economists “The authors . . . do a masterful job of explaining the intractable complexities created by this socially vital activity.”—Martin Wolf, Financial Times, “Best Books of 2022: Economics” Why is dental insurance so crummy? Why is pet insurance so expensive? Why does your auto insurer ask for your credit score? The answer to these questions lies in understanding how insurance works. Unlike the market for other goods and services—for instance, a grocer who doesn’t care who buys the store’s broccoli or carrots—insurance providers are more careful in choosing their customers, because some are more expensive than others. Unraveling the mysteries of insurance markets, Liran Einav, Amy Finkelstein, and Ray Fisman explore such issues as why insurers want to know so much about us and whether we should let them obtain this information; why insurance entrepreneurs often fail (and some tricks that may help them succeed); and whether we’d be better off with government-mandated health insurance instead of letting businesses, customers, and markets decide who gets coverage and at what price. With insurance at the center of divisive debates about privacy, equity, and the appropriate role of government, this book offers clear explanations for some of the critical business and policy issues you’ve often wondered about, as well as for others you haven’t yet considered.

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Revealing the vital influence of the French artist Marie Laurencin, her visual idiom, and her sexual expression on the modernism of twentieth-century Paris This book offers a long-overdue reassessment of the career of the Parisian-born artist Marie Laurencin (1883–1956), who moved seamlessly between the Cubist avant-garde and lesbian literary and artistic circles, as well as the realms fashion, ballet, and decorative arts. Critical essays explore her early experiments with Cubism; her exile in Spain during World War I; her collaborative projects with major figures of her time such as André Mare, Serge Diaghilev, Francis Poulenc, and André Groult; and her role in the emergence of a “Sapphic modernity” in Paris in the 1920s. Along with more than 60 full-color plates, Laurencin’s life and career are documented through an illustrated chronology and exhibition history, as well as an appendix charting her network of female patrons and associates. Laurencin became a fixture of the contemporary art scene in pre–World War I Paris, including as a muse and romantic partner of the poet Guillaume Apollinaire. She returned to the city after the war, having developed her signature style of diaphanous female figures in a blue-rose-gray palette. Laurencin’s feminine yet sexually fluid aesthetic defined 1920s Paris, and her work as an artist and designer met with high demand, with commissions by Ballets Russes and Coco Chanel, among others. Her romantic relationships with women inspired homoerotic paintings that visualized the modern Sapphism of contemporary lesbian writers like Nathalie Clifford Barney. Indeed, one of Laurencin’s final projects was to illustrate the poems of Sappho in 1950. Distributed for the Barnes Foundation Exhibition Schedule: Barnes Foundation, Philadelphia (October 22, 2023–January 21, 2024)

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A landmark survey of the artistic traditions and cross-cultural exchange of Ethiopia, from the early centuries of our era to today

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A landmark publication on the drawings of one of the giants of the Italian Renaissance A New York Times Best Art Book of 2023 Sandro Botticelli (ca. 1445–1510) is one of the most beloved artists of the Italian Renaissance, especially known for his paintings La Primavera and The Birth of Venus. A lesser-known aspect of his career is his work as a draftsman. His drawings are extraordinary, yet their rarity and unconventional style have kept them from being more widely recognized. Botticelli Drawings is the first major book to examine this aspect of Botticelli’s work. It considers the foundational role that drawings played in Botticelli’s oeuvre in terms of his aesthetic, practice, and process—from his earliest recorded drawings made under the master Fra Filippo Lippi to the experimental and expressive designs for his final paintings. This catalogue reunites the majority of Botticelli’s surviving sheets, including several new attributions, discussed in detailed object entries. Essays further highlight the development of the artist’s draftsmanship, the broader Florentine culture in which he worked, and his design practices as revealed in new technical analyses of the underdrawings of some of his most renowned paintings. In its focus on little-known and unknown material by one of the best-known artists in the canon, this is a landmark publication in the field of Renaissance art that will be an important reference for years to come. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: Legion of Honor, Fine Arts Museums of San Francisco (November 18, 2023 – February 11, 2024)

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An innovative analysis of 1960s abstract sculpture that draws on transgender studies and queer theory Now back in print, Abstract Bodies was the first book to bridge the interdisciplinary field of transgender studies with the discipline of art history. Original and theoretically astute, it recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventional and open accounts of bodies, persons, and genders. Drawing on transgender studies and queer theory, David J. Getsy offers innovative and archivally rich new interpretations of artworks by and critical writing about four major artists—Dan Flavin (1933–1996), Nancy Grossman (b. 1940), John Chamberlain (1927–2011), and David Smith (1906–1965). Abstract Bodies makes a case for abstraction as a resource in reconsidering gender’s multiple capacities and offers an ambitious contribution to this burgeoning interdisciplinary field.

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A "highly readable and compelling" account (Science) of brainwashing’s pervasive role in the twentieth and twenty-first centuries“Riveting. . . . Dimsdale . . . shows how the art of dark persuasion a generation ago led almost inevitably to today’s misinformation, cyberbullying and cultlike behavior on the Internet.”—Dina Temple-Raston, Washington Post This gripping book traces the evolution of brainwashing from its beginnings in torture and religious conversion into the age of neuroscience and social media. When Pavlov introduced scientific approaches, his research was enthusiastically supported by Lenin and Stalin, setting the stage for major breakthroughs in tools for social, political, and religious control. Tracing these developments through many of the past century’s major conflagrations, Dimsdale narrates how when World War II erupted, governments secretly raced to develop drugs for interrogation. Brainwashing returned to the spotlight during the Cold War in the hands of the North Koreans and Chinese. In response, a huge Manhattan Project of the Mind was established to study memory obliteration, indoctrination during sleep, and hallucinogens. Cults used the techniques as well. Nobel laureates, university academics, intelligence operatives, criminals, and clerics all populate this shattering and dark story—one that hasn’t yet ended.

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"Harry Edward was a hugely talented athlete and an extraordinary man who fought all his life for justice and fairness in the face of repeated prejudice. His story is as powerful today as it was when he lived it and I urge everyone to read this book”—Linford Christie, 1992 Olympic 100m Champion The lost memoir of Britain’s first Black Olympic medal winner—and the America he discovered After winning Olympic medals for Britain in 1920, Harry Edward (1898–1973) decided to try his luck in America. The country he found was full of thrilling opportunity and pervasive racism. Immensely capable and energetic, Harry rubbed shoulders with kings and presidents, was influential in the revival of Black theatre during the Harlem Renaissance, and became a passionate humanitarian and advocate for child welfare. He was present at some of the twentieth century’s most significant moments, worked alongside W. E. B. Du Bois and Orson Welles, and witnessed two world wars and the civil rights movement. Yet he was frustrated at almost every turn. Toward the end of his life he set down his story, crafting this memoir of athletics and activism, race and racism on both sides of the Atlantic. His manuscript went unpublished until now. This is the deeply engaging tale of Edward’s life—and a moving testament to his drive to form a better world.

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Robert Frank’s and Todd Webb’s parallel 1955 projects to photograph America are considered in the context of mid-twentieth-century American culture In 1955 two photographers were awarded grants from the John Simon Guggenheim Foundation to embark on trips across the United States. Robert Frank (1924–2019) drove coast to coast, photographing the highways, bars, and people that formed the basis for his widely admired publication The Americans (1958). Todd Webb (1905–2000) walked across the country, searching for “vanishing Americana and what is taking its place.” Unaware of each other’s work, the photographers produced strikingly similar images of the highway, parades, and dim, smoky barrooms. Yet while Frank’s grainy, off-kilter style revealed many inequities of American life, Webb’s carefully composed images embraced clear detail and celebrated the individual oddities of Americans and their locales. This revelatory book is the first to publish Webb’s 1955 photographs and connects these parallel projects for the first time. More than one hundred images accompany text illuminating Frank’s and Webb’s different perspectives and approaches to similar subjects and places; the difference in reception of Frank’s iconic work and Webb’s relatively unknown series; and the place of the road trip in shaping American identity at midcentury. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (October 8, 2023–January 7, 2024) Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts (February 10–July 30, 2024) Brandywine Museum of Art, Chadds Ford, Pennsylvania (February 8–May 4, 2025)

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A thought-provoking volume on Edvard Munch’s often neglected pictures of nature, exploring the Norwegian artist’s landscapes, seascapes, and existential environments in light of his own time and ours This richly illustrated catalogue provides a multifaceted perspective on the pictures of nature and landscape by Norwegian artist Edvard Munch (1863–1944). This important topic has been neglected in scholarship on Munch, despite the fact that it is a major motif in his oeuvre. This volume is the first to explore the theme in its full breadth throughout Munch’s corpus, including his paintings, lithographs, watercolors, and woodcuts. His depictions of forests, farmland, and the seashore, as well as paintings of sea storms, snow, and other extreme weather, present us with undulating forms that animate nature. They likewise provide an example of Munch’s preference for liminal spaces where transformations take place, often celebrating human interaction with nature in its many manifestations. The book also considers Munch’s less conventional landscapes, and particularly those where his famous Scream motif occurs. These environments depict nature in an existential way, suggesting that the artist held a deep concern for nature’s destruction by humans—a concern no less relevant today. A complementary look at his writings as primary sources alongside his images shows how Munch mixed a scientific perspective on nature with metaphysical and spiritual notions of rebirth that permeate other parts of his corpus. The book also includes a engaging short story by award-winning author Ali Smith that was inspired by Munch's work. Distributed for MUNCH Exhibition Schedule:Clark Art Institute, Williamstown, MA (June 10–October 15, 2023)Museum Barberini, Potsdam (November 18, 2023–April 1, 2024)Munch Museum, Oslo (April 27–August 24, 2024)

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WINNER OF THE 2022 ANISFIELD-WOLF BOOK AWARD (NONFICTION) A BLOOMBERG BEST NONFICTION BOOK “Does not pull its punches.”—The Independent "Enthralling.”—New York Times "A compelling story of racial and ethnic animosity.”—Wall Street Journal An illuminating work revealing the long history of xenophobia—and what it means for today’s divided world Over the last few years, it has been impossible to ignore the steady resurgence of xenophobia. The European migrant crisis and immigration from Central America to the United States have placed Western advocates of globalization on the defensive, and a “New Xenophobia” seems to have emerged out of nowhere. In this fascinating study, George Makari traces the history of xenophobia from its origins to the present day. Often perceived as an ancient word for a timeless problem, “xenophobia” was in fact coined only a century ago, tied to heated and formative Western debates over nationalism, globalization, race, and immigration. From Richard Wright to Sigmund Freud, Jean-Paul Sartre, and Simone de Beauvoir, writers and thinkers have long grappled with this most dangerous of phobias. Drawing on their work, Makari demonstrates how we can better understand the problem that is so crucial to our troubled times.

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A global account of military strategy, which examines the practices, rather than the theories, of the most significant military figures of the past 400 years Strategy has existed as long as there has been organised conflict. In this ground-breaking account, Jeremy Black explores the ever-changing relationship between purpose, force, implementation and effectiveness in military strategy and its dramatic impact on the development of the global power system. Taking a “total” view of strategy, Black looks at leading powers—notably the United States, China, Britain, and Russia—in the wider context of their competition and their domestic and international strengths. Ranging from France’s ancien régime and Britain’s empire building to present-day conflicts in the Middle East, Black devotes particular attention to the strategic practice and decisions of the Kangxi Emperor, Clausewitz, Napoleon, and Hitler.

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Multitalented artist Philip Aguirre sees his prints as completed products. His drawings, however, serve a very different purpose within his work. He views these drawings as the start of a thought process, forming a consistent thread throughout what is, for him, a vitally important method of creation. In that process, it is not unusual to see historic heritage as a source of his inspiration. Thus, his work engages with reoccurring themes such as the spring and water in the world, immigration and refugees, and the story of Africa threading throughout his oeuvre. This book focuses on the broad palette of disciplines that Aguirre practices, reflecting on these important reoccurring themes that have been present throughout his career, as well as the role played by printmaking in his work. It also highlights the selection of prints and drawings from the rich oeuvre that he has built up over the last 40 years, which he recently donated to the collection of modern prints and drawings for the Plantin Moretus Museum print cabinet. Distributed for MercatorfondsExhibition Schedule:Plantin Moretus Museum, Antwerp, Belgium. The Print Cabinet. 27 0ctober 2022 – February 2023.

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A lively tour through experimental Chinese photography from the early 1990s to today The past thirty years were dynamic, transformative decades in Chinese photography. Artists exposed to recent work from around the globe experimented with photography in newly conceptual and expressive ways, and their art from this period offers a portrait of a country at a moment of rapid urbanization, globalization, and cultural foment. A Window Suddenly Opens reveals the key role that photography has played in questioning and refashioning the aesthetic and social status quo of modern Chinese society for the past three decades. Alongside prescient works by Cao Fei, Lin Tianmiao, Rong Rong, Song Dong, Wang Qingsong, Zhang Huan, Zhang Peili, and many other artists, essays and interviews by scholars and curators explore the history of experimental photography in China and the artistic transformations of the digital age. The book also features texts written between 1994 and 2014 by Chinese artists, some published for the first time here in English, which offer essential insights into their ideas and experiences as they forged new creative paths. To explore further, readers can instantly access artist videos inside this book with Hirshhorn Eye, the Hirshhorn Museum’s award-winning image-recognition technology. Published in association with the Hirshhorn Museum and Sculpture Garden Exhibition Schedule: Hirshhorn Museum and Sculpture Garden (November 4, 2022–January 7, 2024)

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An eclectic selection of twentieth-century artwork from the collection of legendary curator and museum director Walter Hopps, some with personal reminiscences by the artists themselves Over a fifty-year career that included stints at the famed Ferus Gallery in Los Angeles and as director of the Pasadena Art Museum (now Norton Simon Museum), the Corcoran Gallery, and as founding director of the Menil Collection, the legendary curator Walter Hopps (1932–2005) established himself as a voracious and eclectic collector of twentieth-century art. Hopps together with his wife Caroline Huber—also a curator, as well as an artist—assembled an adventurous and diverse collection of art, a large portion of which has been donated or promised to the Menil Collection. Featuring sculpture and photography as well as drawings and paintings, and including work by Christo, Linda Connor, Beauford Delaney, Anne Doran, Marcel Duchamp, Walker Evans, Robert Rauschenberg, Ed Ruscha, and Niki de Saint Phalle, to name a few, this book reveals the personal choices of two fine curatorial minds. Many of the more than fifty works illustrated have a story—often marvelous, sometimes humorous, and in several cases in the artist’s own words—of how they came to be in the collection. The publication also highlights artists not often featured in print, such as John Altoon, James Bettison, Mark Flood, and Sonia Gechtoff. Candid photos also highlight some of interactions between Hopps, Huber, and the artists from 1957 to 2001. Distributed for the Menil Collection

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A celebration of the diverse world of American watercolors from the late nineteenth through the twentieth century, featuring works from the Harvard Art Museums’ collection Watercolor holds a special place in the history of American art. For generations of artists, the medium has provided a space for innovation and experimentation, allowing practitioners to let their imagination loose and to reflect on process and perception. Its rise to the status of fine art in the decades following the Civil War is well documented, yet its continued role as a testing ground and means of generating new ideas throughout the twentieth century has received comparatively less attention. This volume considers continuity and change in the American watercolor tradition over a century of production through the lens of the Harvard Art Museums’ collection. Works by well-known watercolorists such as Winslow Homer, John Singer Sargent, and James Abbott McNeill Whistler are included, as well as surprising additions from Zelda Fitzgerald, Alexander Calder, Claes Oldenburg, and many others. In the spirit of the medium, the authors take a fluid and open-ended approach to the topic, offering both personal and scholarly reflections that invite readers to ponder the influence of these works on their own experience of the world. In addition to contextual essays, there are close readings of singular works and examinations of the unique material characteristics of the watercolor medium.Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums, Cambridge, MA (May 20–August 13, 2023)

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A leading historian’s guide to great-power competition, as told through America’s successes and failures in the Cold War “There is an undeniable ease and fluidity to Mr. Brands’s narrative, and his use of Cold War archives is impressive.”—A. Wess Mitchell, Wall Street Journal“If you want to know how America can win today's rivalries with Russia and China, read this book about how it triumphed in another twilight struggle: the Cold War.”—Stephen J. Hadley, national security adviser to President George W. Bush America is entering an era of long-term great power competition with China and Russia. In this innovative and illuminating book, Hal Brands, a leading historian and former Pentagon adviser, argues that America should look to the history of the Cold War for lessons on how to succeed in great-power rivalry today.

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A compelling new history of the EU and the people who sought to shape and challenge it—from Maastricht to today The European Union is the most ambitious, and one of the most contentious, international organizations ever created. Decisions made in Brussels shape the lives of over 500 million Europeans, and its laws and policies resonate around the world. But how has the EU endured over three turbulent decades marred by crises at home and abroad? In this major account, Dermot Hodson traces the development of the EU from its establishment in 1993 through to Brexit, Covid-19, and the invasion of Ukraine. Hodson shows how the union has been held together not by faceless technocrats but national leaders who stood together in times of turmoil despite a fierce backlash from a new generation of right-wing populists. Circle of Stars offers a rich appraisal of Europe’s troubled past and turbulent present—focusing on the people who built the EU as we know it today.

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An entertaining and lively guide to rediscovering the pleasure in art“Ben Street is one of the greatest communicators and writers on art. [This is] an expert guide to looking at and understanding art. Beautifully put together and brilliantly written.”—Katy Hessel, author of The Story of Art Without Men How to Enjoy Art: A Guide for Everyone provides the tools to understand and enjoy works of art. Debunking the pervasive idea that specialist knowledge is required to understand and appreciate art, instead How to Enjoy Art focuses on experience and pleasure, demonstrating how anyone can find value and enjoyment in art. Examples from around the world and throughout art history—from works by Fra Angelico and Berthe Morisot to Kazuo Shiraga and Kara Walker—are used to demonstrate how a handful of core strategies and skills can help enhance the experience of viewing art works. With these skills, anyone can encounter any work of art—regardless of media, artist, or period—and find some resonance with their own experiences. How to Enjoy Art encourages us to rediscover the fundamental pleasure in viewing art.

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A highly original and compelling account of individual Jews who resisted Nazi persecution, challenging the traditional portrayal of Jewish passivity during the Holocaust Finalist for the National Jewish Book Award, Holocaust category “These are the stories that longtime readers of Holocaust literature have been waiting to read: evidence of small, covert acts of resistance (often by individuals working on their own initiative) against a fanatically coordinated genocidal force.”—Library Journal (starred review) Drawing on twelve years of research in dozens of archives in Austria, Germany, Israel, and the United States, this book tells the story of five Jewish people—a merchant, a homemaker, a real estate broker, and two teenagers—who bravely resisted persecution and defended themselves in Nazi Germany. These stories have not been told until now, and each case is one of many, as Gruner shows by resurfacing similar accounts of Jewish refusal to accept persecution and violence in Germany and Austria between 1933 and 1943, upending the notion of passive Jews and expanding the concept of resistance. Each individual described here represents a category of resistance: written opposition, oral protest, contesting Nazi propaganda, defiance of anti-Jewish laws and measures, and self-defense against physical attacks. Many of these courageous acts resulted in the resisters being prosecuted and put on trial, and often receiving harsh punishments, while some led to acquittal by courts and others to changes in Nazi policies. Taken together, these accounts reframe our understanding of German Jewish attitudes during the Holocaust, while also providing an astonishing examination of the complex Nazi reactions to the many individual acts of Jewish resistance.

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A New York Times best art book of 2022A groundbreaking study of the public art collective Smokehouse Associates, whose abstract works transformed New York’s Harlem community in the late 1960s Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public art. Though relatively unknown today, Smokehouse was ambitious in its scale, community engagement, and interaction with the built environment. Published over fifty years after the collective’s founding, Smokehouse Associates offers the first critical examination of the group’s work. Eric Booker provides a historical overview of the collective; Charles Davis II and James Trainor delve into contextual histories of public art, urban design, and architecture; and an artist roundtable moderated by Ashley James presents critical reflections. With previously unpublished images and ephemera and a rich chronology, Smokehouse Associates serves as a sourcebook that expands the narrative of public art and social practice in the United States to include the contributions of artists of African descent. Distributed for The Studio Museum in Harlem

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An enchanting, beautifully illustrated guide to seasonal plantsshowing the long history of herbal remedies and their uses today

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The first comprehensive history of seventeenth-century London, told through the lives of those who experienced it “Lively and arresting. . . . [Lincoln] is as confident in handling the royal ceremonials of political transition . . . as she is with London's thriving coffee-house culture, and its turbulent maritime community.”—Ian W. Archer, Times Literary Supplement “Lincoln has a curator’s gift for selecting all the right details for a thoroughly absorbing account.”—Tony Barber, Financial Times, “Best Books of 2021: History” The Gunpowder Plot, the Civil Wars, Charles I’s execution, the Plague, the Great Fire, the Restoration, and then the Glorious Revolution: the seventeenth century was one of the most momentous times in the history of Britain, and Londoners took center stage. In this fascinating account, Margarette Lincoln charts the impact of national events on an ever-growing citizenry with its love of pageantry, spectacle, and enterprise. Lincoln looks at how religious, political, and financial tensions were fomented by commercial ambition, expansion, and hardship. In addition to events at court and parliament, she evokes the remarkable figures of the period, including Shakespeare, Bacon, Pepys, and Newton, and draws on diaries, letters, and wills to trace the untold stories of ordinary Londoners. Through their eyes, we see how the nation emerged from a turbulent century poised to become a great maritime power with London at its heart—the greatest city of its time.

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Shortlisted for the 2021 Wolfson History Prize and a finalist for the 2021 Cundill History Prize Told for the first time from their perspective, the story of children who survived the chaos and trauma of the Holocaust—named a best history book of 2020 by the Daily Telegraph “Impressive, beautifully written, judicious and thoughtful. . . . Will be a major milestone in the history of the Holocaust and its legacy.”—Mark Roseman, author of The Villa, the Lake, the Meeting How can we make sense of our lives when we do not know where we come from? This was a pressing question for the youngest survivors of the Holocaust, whose prewar memories were vague or nonexistent. In this beautifully written account, Rebecca Clifford follows the lives of one hundred Jewish children out of the ruins of conflict through their adulthood and into old age. Drawing on archives and interviews, Clifford charts the experiences of these child survivors and those who cared for them—as well as those who studied them, such as Anna Freud. Survivors explores the aftermath of the Holocaust in the long term, and reveals how these children—often branded “the lucky ones”—had to struggle to be able to call themselves “survivors” at all. Challenging our assumptions about trauma, Clifford’s powerful and surprising narrative helps us understand what it was like living after, and living with, childhoods marked by rupture and loss.

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The surprising story of Iran’s transformation from America’s ally in the Middle East into one of its staunchest adversaries"An original interpretation that puts Iranian actors where they belong: at center stage."—Michael Doran, Wall Street Journal“An extraordinary account. . . . Deeply nuanced and eloquent.”—Benjamin Weinthal, Jerusalem Post Offering a new view of one of America’s most important, infamously strained, and widely misunderstood relationships of the postwar era, this book tells the history of America and Iran from the time the last shah, Mohammad Reza Pahlavi, was placed on the throne in 1941 to the 1979 revolution that brought the present Islamist government to power. This revolution was not, as many believe, the popular overthrow of a powerful and ruthless puppet of the United States; rather, it followed decades of corrosion of Iran’s political establishment by an autocratic ruler who demanded fealty but lacked the personal strength to make hard decisions and, ultimately, lost the support of every sector of Iranian society. Esteemed Middle East scholar Ray Takeyh provides new interpretations of many key events—including the 1953 coup against Prime Minister Mohammad Mossadeq and the rise of Ayatollah Ruhollah Khomeini—significantly revising our understanding of America and Iran’s complex and difficult history.

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Tracing the global history of the Sassoon family, entrepreneurs and patrons of remarkable art and architecture, from Baghdad to Mumbai, Shanghai, Hong Kong, and London The Sassoons were prosperous as bankers and treasurers to the Ottoman sultans in nineteenth-century Baghdad, until they were driven out by religious persecution and economic pressures. Assuming the precarious status of stateless Jews, the family dispersed, establishing businesses in Mumbai, Hong Kong, Shanghai, and London. Their wealth enabled them to collect splendid works of art from the various cultures that welcomed them. This volume tells the sweeping global story of the Sassoon family through the works of art they collected. Lavishly illustrated with paintings, porcelain, manuscripts, Judaica, and architecture, it foregrounds family members who were patrons of art and sponsors of remarkable buildings, highlighting the role of the family’s accomplished women. Rachel Sassoon was editor of both the Times and the Observer newspapers in London at the turn of the twentieth century. The renowned war poet Siegfried Sassoon was a cousin. Victor Sassoon hosted the glitterati of the 1920s and 1930s at his Cathay Hotel in Shanghai. This fascinating and elegant book—with gilt edges and a ribbon bookmark—features a family tree and explores generations of Sassoons for whom art was not only a mark of their arrival in the rarefied world of the upper class but a pleasure in itself. Published in association with the Jewish Museum, New York Exhibition Schedule:Jewish Museum, New York (March 3–August 13, 2023)

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A New York Times best art book of 2022Traces the history of lace in fashion from its sixteenth-century origins to the present Threads of Power: Lace from the Textilmuseum St. Gallen offers a look at one of the world’s finest collections of historical lace. It traces the development of European lace from its emergence in the sixteenth century to the present, elucidating its important role in fashion. The book explores the longstanding connections between lace and status, addressing styles in lace worn at royal courts, including Habsburg Spain and Bourbon France, as well as lace worn by the elite ruling classes and Indigenous peoples in the Spanish Americas. Featuring new research, the publication covers a range of topics related to lace production, lace in fashion and portraiture, lace revivals, the mechanization of the lace industries in the nineteenth and twentieth centuries, and contemporary innovations in lace. With a focus on lace techniques, women lace makers, and lace as a signifier of wealth and power, this richly illustrated book includes wide-ranging contributions by curators and experts from major museums and academic institutions. Distributed for Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (September 16, 2022–January 1, 2023)

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Brings together, for the first time, Lucian Freud's oil on copper paintings, including his lost portrait of Francis Bacon and two works that have never been reproduced before In the early 1950s, Lucian Freud produced several works in oil paint on copper, a technique favored by 17th-century artists such as Rembrandt and Frans Hals, but unusual for a 20th-century painter. Originally thought to be only a handful, Freud in fact painted more than a dozen copper works—all small-scale, enamel-smooth and astonishingly intense. Based on a decade of research, this book, for the first time, brings together all of Freud’s “coppers,” including two works that have never been reproduced before. Among these paintings is Freud’s famous portrait of Francis Bacon, labeled by Nicholas Serota as "the most important portrait of the 20th century." The work was stolen in 1988—its whereabouts still unknown—but during research for the book a rare photograph was discovered that shows the work just minutes before the theft, and it is published here for the first time.Distributed for Less Publishing

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A revealing and gripping investigation into how social media platforms police what we post online—and the large societal impact of these decisions Most users want their Twitter feed, Facebook page, and YouTube comments to be free of harassment and porn. Whether faced with “fake news” or livestreamed violence, “content moderators”—who censor or promote user‑posted content—have never been more important. This is especially true when the tools that social media platforms use to curb trolling, ban hate speech, and censor pornography can also silence the speech you need to hear. In this revealing and nuanced exploration, award‑winning sociologist and cultural observer Tarleton Gillespie provides an overview of current social media practices and explains the underlying rationales for how, when, and why these policies are enforced. In doing so, Gillespie highlights that content moderation receives too little public scrutiny even as it is shapes social norms and creates consequences for public discourse, cultural production, and the fabric of society. Based on interviews with content moderators, creators, and consumers, this accessible, timely book is a must‑read for anyone who’s ever clicked “like” or “retweet.”

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A new history that overturns the received wisdom that science displaced magic in Enlightenment Britain—named a Best Book of 2020 by the Financial Times In early modern Britain, belief in prophecies, omens, ghosts, apparitions and fairies was commonplace. Among both educated and ordinary people the absolute existence of a spiritual world was taken for granted. Yet in the eighteenth century such certainties were swept away. Credit for this great change is usually given to science – and in particular to the scientists of the Royal Society. But is this justified? Michael Hunter argues that those pioneering the change in attitude were not scientists but freethinkers. While some scientists defended the reality of supernatural phenomena, these sceptical humanists drew on ancient authors to mount a critique both of orthodox religion and, by extension, of magic and other forms of superstition. Even if the religious heterodoxy of such men tarnished their reputation and postponed the general acceptance of anti-magical views, slowly change did come about. When it did, this owed less to the testing of magic than to the growth of confidence in a stable world in which magic no longer had a place.

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Traces the feminist icon Carolee Schneemann’s prolific six-decade output, spanning her remarkably diverse, transgressive, and interdisciplinary expression Carolee Schneemann (1939–2019) was one of the most experimental artists of the twentieth and early twenty-first centuries. This book traces six decades of the feminist icon’s diverse, transgressive and interdisciplinary expression through Schneemann’s experimental early paintings, sculptural assemblages and kinetic works; rarely seen photographs of her radical performances; her pioneering films; and groundbreaking multi-media installations. Contributors shed new light on Schneemann’s work, which addressed urgent topics from sexual expression and the objectification of women to human suffering and the violence of war. An artist who was concerned with the precarious lived experience of both humans and animals, this book positions Schneemann as one of the most relevant, provocative and inspiring artists in recent years.Published in association with Barbican Art GalleryExhibition Schedule:Barbican Art Gallery, London (September 8, 2022–January 8, 2023)

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An exploration of the anthropogenic landscapes of Lucca, Italy, and how its people understand social and environmental change through cultivation In Italy and around the Mediterranean, almost every stone, every tree, and every hillside show traces of human activities. Situating climate change within the context of the Anthropocene, Andrew Mathews investigates how people in Lucca, Italy, make sense of social and environmental change by caring for the morphologies of trees and landscapes. He analyzes how people encounter climate change, not by thinking and talking about climate, but by caring for the environments around them. Maintaining landscape stability by caring for the forms of trees, rivers, and hillsides is a way that people link their experiences to the past and to larger-scale political questions. The human-transformed landscapes of Italy are a harbinger of the experiences that all of us are likely to face, and addressing these disasters will call upon all of us to think about the human and natural histories of the landscapes we live in.

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A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia “Richly detailed and illustrated. . . . An engaging exploration of book history.”—Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era’s surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of “uterine vellum,” and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources—codices and scrolls, documents and ephemera, works of craft and art—that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy.

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An unprecedented look at the contemporary collective’s theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group’s twentieth anniversary. An overview essay relates their work’s formal qualities to several historical moments over this span: the club era following September 11, 2001; postcolonial theater after the 2008 financial collapse; and political theater responding to the pressing issues of today. Other contributions read the collective’s output through a lens of queer and other critical theory, and contextualize it within the twenty-first-century experimental performance scene. A richly illustrated visual chronology features texts on each of My Barbarian’s past works written by the artists. Performances and video works are re-created using stills alongside photos, drawings, scripts, and personal materials drawn from the artists’ archives, many never previously published.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (October 29, 2021–February 27, 2022) Institute of Contemporary Arts, Los Angeles (September 2022–January 2023)

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A groundbreaking examination of Mel Bochner’s inventive drawing practice produced collaboratively with the artist Encompassing both works on paper and oversized wall drawings made from the 1960s to the present, this handsomely designed volume documents the first-ever museum retrospective of drawings by Mel Bochner (b. 1940). Drawing has long been critical to the work of this pioneering conceptual artist, and essayists explore the theoretical framework and playful experimentation of his decades-long practice. The book, conceived and designed in close collaboration with the artist, features his own writings about his philosophy of wall drawings and reflections on significant exhibitions of his work. Bochner was a key figure of the Minimalist and Conceptual Art movements whose first exhibition in 1966 is now recognized as seminal. Today the artist is known for works in a range of media that explore the conventions of language and visual art as well as the relationships between them; his experimental works on paper, canvas, and wall—all of which are celebrated here—are a foundational facet of his practice and a critical influence on contemporary art.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (April 23–August 22, 2022)

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An extensive retrospective dedicated to Roger Raveel (1921‑2013), one of the most important Belgian painters of the second half of the 20th century Commemorating the centenary of the artist’s birth in 2021, the Centre for Fine Arts – BOZAR will present an extensive retrospective dedicated to Roger Raveel (1921‑2013), considered one of the most important Belgian painters of the second half of the twentieth century. While belonging to the generation of artists that emerged following the Second World War, flanked by Magritte and Panamarenko, Raveel radically defended his own independence from the values commonly associated with this generation, notably the supposed superiority of internationality over all forms of local anchorage. In today’s context of globalized art and its associated stereotypes, Raveel’s choice to draw inspiration from his immediate, intimate surroundings—while always being very well informed about trends in the international art scene—now seems revolutionary, even prophetic. Showcasing some 120 artworks from public and private collections, this catalogue seeks to demonstrate the singularity of Raveel’s pictorial language as it took form over time.Distributed for MercatorfondsExhibition Schedule:BOZAR Centre for Fine Arts, Brussels (February 10–July 04, 2021)

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An award-winning historian’s examination of impossible events at the dawn of modernity and of their enduring significance “Historically rich and superbly written.”—David J. Davis, Wall Street Journal Accounts of seemingly impossible phenomena abounded in the early modern era—tales of levitation, bilocation, and witchcraft—even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals. Eire observes how levitating saints and flying witches were as essential a component of early modern life as the religious turmoil of the age, and as much a part of history as Newton’s scientific discoveries. Relying on an array of firsthand accounts, and focusing on exceptionally impossible cases involving levitation, bilocation, witchcraft, and demonic possession, Eire challenges established assumptions about the redrawing of boundaries between the natural and supernatural that marked the transition to modernity. Using as his case studies stories about St. Teresa of Avila, St. Joseph of Cupertino, the Venerable María de Ágreda, and three disgraced nuns, Eire challenges readers to imagine a world animated by a different understanding of reality and of the supernatural’s relationship with the natural world. The questions he explores—such as why and how “impossibility” is determined by cultural contexts, and whether there is more to reality than meets the eye or can be observed by science—have resonance and lessons for our time.

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A timely and provocative essay about the parallel lives of Rosa Luxemburg and Hannah Arendt and their mission for a more humane society “[A] short but moving book . . . Even better, the volume’s advice is not only pragmatically political—necessary during a time of threats to democracy and mounting failures to deal with the climate crisis—but modestly uplifting.”—Bill Marx, Arts Fuse “An intimate and timely meditation on dark times, Hermsen’s illuminating essay offers readers a way to think with Hannah Arendt and Rosa Luxemburg about how to build a more humane world in common.”—Samantha Rose Hill, author of Hannah Arendt Rosa Luxemburg (1871–1919) and Hannah Arendt (1906–1975) were critical Jewish mavericks who both suffered under violent political regimes and sought to reform systems of power. Although temporally separated by the Second World War and the rise of totalitarianism, they held in common strikingly similar convictions about freedom, human dignity, capitalism, democracy, and political commitment. In this powerful book, Joke J. Hermsen explores the lives and works of these two remarkable thinkers and the essential hope that emboldened them in the political struggle. Luxemburg and Arendt were spurred on by a restless love for the world and an unwavering belief in the possibility of new beginnings; for them, hope was an absolute prerequisite of resistance and a counterpoint to melancholy—a defense against despair that kept them attuned to what could be. Exploring the intertwined nature of philosophy and the active pursuit of justice, this is an urgent, courageous reminder to remain alert to the glimmers of hope in dark times.

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