Search results for ""Wits University Press""

Cupidity, corruption and conciliation are the themes of the three plays in this collection from one of South Africa's leading playwrights and novelists. The Mother of all Eating, a one-hander, with its central character a corrupt Lesotho official, is a grinding satire on materialism in which the protagonist gets his come-uppance. You Fool, How Can the Sky Fall? is an unbridled study in grotesquerie, reflecting a belief, traceable throughout Mda's work, that government by those who inherit a revolution is almost inevitably, in the first decade or two, hi-jacked by the smart operators. The Bells of Amersfoort, with its graphic portrayal of the isolation imposed by exile, picks up on the themes of the other two plays, but adds to them the concept of 'healing', both of the soul and of the land, in a lyrical work which holds out more hope than do its companions in this volume. The plays are introduced by Rob Amato, who directed much of Mda's earlier work.

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My Life is based on the diaries of five South African girls who were growing into womanhood in 1994. The perspective of each young woman on her country and her people is conveyed with a mixture of naivety, exuberance, warmth and humour. A small Karoo town provides the setting for Valley Song, which explores the theme of youth in search of itself, and provides a lyrical metaphor for the new South Africa in which it was set, and has been termed one of Fugard's most endearing plays.

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Democracy is being destroyed. This is a crisis that expresses itself in the rising authoritarianism visible in divisive and exclusionary politics, populist political parties and movements, increased distrust in fact-based information and news, and the withering accountability of state institutions. Over the last four decades, democracy has radically shifted to a market democracy in which all aspects of human, non-human and planetary life are commodified, with corporations becoming more powerful than states and their citizens. This is how neoliberal capitalism functions at a systemic level and if left unchecked, is the greatest threat to democracy and a sustainable planet. Volume six of the Democratic Marxism series focuses on how decades of neoliberal capitalism have eroded the global democratic project and how, in the process, authoritarian politics are gaining ground. Scholars and activists from the political left focus on four country cases - India, Brazil, South Africa and the United States of America - in which the COVID-19 pandemic has fuelled and highlighted the pre-existing crisis. They interrogate issues of politics, ecology, state security, media, access to information and political parties, and affirm the need to reclaim and re-build an expansive and inclusive democracy.Destroying Democracy is an invaluable resource for the general public, activists, scholars and students who are interested in understanding the threats to democracy and the rising tide of authoritarianism in the global south and the global north.

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Who controls the land and minerals in the former Bantustans of South Africa - chiefs, the state or landholders? Disputes are taking place around the ownership of resources, decisions about their exploitation and who should benefit. With respect to all of these issues, the courts have become increasingly important.The contributors to Land, Law and Chiefs in Rural South Africa capture some of these intense contestations over land, law and political authority, focussing on threats to the rights of ordinary people. History and customary law feature strongly in most disputes and succession to chieftaincy is also frequently disputed. Judges have to make decisions in a context where rival claimants to property or office assert their own versions of history and custom. The South African constitution recognises customary law and the courts are attempting to incorporate and develop this branch of jurisprudence as 'living customary law'. Lawyers, community leaders and academics are called on to assist in researching cases around restitution, land rights and customary law. The chapters in this collection discuss legal cases and policy directions that have evolved since 1994. Some chapters analyse the increasing power of chiefs in the South African rural areas, while others suggest that the courts are giving support to popular rights over land and supporting local democratic processes. Contributors record significant pushback from groups that reject traditional authority. These political tensions are a central theme of the collection and thus serve as vital case studies in furthering our understanding of rights and restitution in South Africa.

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In our time of rampant inequality, imperial-capitalist plunder, violence and ecocide, when radical concepts from the past seem inadequate, how do researchers and students of ethnographic work decide what concepts to work with or renew?Gillian Hart is a key thinker in radical political economy, geography, development studies, agrarian studies and Gramscian critique of postcolonial capitalism. In Ethnographies of Power each contributor engages her work and applies it to their own field of study.A major contribution of this collection is the merging of theory with praxis, resulting in invaluable research tools for postgraduate students. These include applying 'gendered labour' practices among workers in South Africa, reading 'racial capitalism' through agrarian debates, using 'relational comparison' in an ethnography of schooling across Durban, reworking 'multiple socio-spatial trajectories' in Guatemala's Maya Biosphere Reserve, critiquing the notion of South Africa's 'second economy', revisiting 'development' processes and 'Development' discourses in US military contracting, reconsidering Gramsci's 'conjunctures' geographically, finding divergent 'articulations' in Cape Town land occupations, and exploring 'nationalism' as central to revaluing recyclables at a Soweto landfill. Together, the chapters show how important the ongoing reworking of radical concepts is to ethnographic critiques of power.Ethnographies of Power offers an invaluable toolkit for activists and scholars engaged in sharpening their critical concepts for social and environmental change towards a collective future.

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What happens when a former liberation movement turned political party loses its dominance but survives because no opposition party is able to succeed it? The trends are established: South Africa's African National Congress (ANC) is in decline. Its hegemony has been weakened, its legitimacy diluted. President Cyril Ramaphosa's appointment suspended the ANC's electoral decline, but it also heightened internal organisational tensions between those who would deepen its corrupt and captured status, and those who would redeem it. The COVID-19 pandemic has heightened its fragility, and the state's inability to manage the socio-economic devastation has aggravated prior faultlines. These are the undeniable knowns of South African politics; what will evolve from this is less certain. In her latest book Precarious Power Susan Booyen delves deep into this political terrain and its trajectory for South Africa's future. She covers an expansive range of topics, from contradictory party politics and dissent that is veiled in order to retain electoral following, to populist policy-making and the use of soft law enforcement to ensure that angry citizens do not become further alienated. Booysen's analysis reveals Ramaphosa to be a president who is weak and walking a tightrope between serving the needs of the organisation and those of the nation. While he rose to the challenge of being a national leader during the COVID-19 pandemic, the crisis has highlighted existing inequalities in South Africa and discontent has grown. The ANC's power has indeed become exceedingly precarious, and this seems unlikely to change in the foreseeable future.This incisive analysis of ANC power - as party, as government, as state - will appeal not only to political scientists but to all who take a keen interest in current affairs.

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Becoming Men is the story of 32 boys from Alexandra, one of Johannesburg's largest townships, over a period of twelve seminal years in which they negotiate manhood and masculinity. Psychologist and academic Malose Langa documents in close detail what it means to be a young black man in contemporary South Africa.The boys discuss a range of topics including the impact of absent fathers, relationships with mothers, siblings and girls, school violence, academic performance, homophobia, gangsterism, unemployment and, in one case, prison life.Deep ambivalence, self-doubt and hesitation emerge in their approach to alternative masculinities premised on non-violent, non-sexist and non-risk-taking behaviour. Many of the boys appear simultaneously to comply with and oppose the prevalent norms, thereby exposing the difficulties of negotiating the multiple voices of masculinity.Providing a rich interpretation of how emotional processes affect black adolescent males, Langa suggests interventions and services to support and assist them, especially in reducing high-risk behaviours generally associated with hegemonic masculinity. This is essential reading for students, researchers and scholars of gender studies who wish to understand manhood and masculinity in South Africa. Psychologists, youth workers, lay counsellors and teachers who work with adolescent boys will also find it invaluable.

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BRICS is a grouping of the five major emerging economies of Brazil, Russia, India, China and South Africa. Volume five in the Democratic Marxism series, BRICS and the New American Imperialism challenges the mainstream understanding of BRICS and US dominance to situate the new global rivalries engulfing capitalism. It offers novel analyses of BRICS in the context of increasing US induced imperial chaos, deepening environmental crisis tendencies (such as climate change and water scarcity), contradictory dynamics inside BRICS countries and growing subaltern resistance. The authors revisit contemporary thinking on imperialism and anti-imperialism, drawing on the work of Rosa Luxemburg, one of the leading theorists after Marx, who attempted to understand the expansionary nature of capitalism from the heartlands to the peripheries. The richness of Luxemburg’s pioneering work inspires most of the volume’s contributors in their analyses of the dangerous contradictions of the contemporary world as well as forms of democratic agency advancing resistance.While various forms of resistance are highlighted, among them water protests, mass worker strikes, anti-corporate campaigning and forms of cultural critique, this volume grapples with the challenge of renewing anti-imperialism beyond the NGO-driven World Social Forum and considers the prospects of a new horizontal political vessel to build global convergence. It also explores the prospects of a Fifth International of Peoples and Workers.

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The Dutch Reformed Church, it was said in apartheid South Africa, was the National Party at prayer, and indeed, given that the Bible was so fundamental to much of the legislation that governed the apartheid state, that apparently satirical description had the ring of truth.‘Religion in South Africa’s past’, writes Dhammamegha Annie Leatt, has been ‘saturated by politics’ and politics ‘saturated by religion’. So how, she asks, was it possible for a new state to found itself without religious authority? Why did the churches give up so much of their political role in the transition? How can we think about tradition and the customary in relation to secularism? How can we not? In The State of Secularism Leatt guides the reader from a history of global political secularism through an exploration of the roles played by religion and traditional authority in apartheid South Africa to the position of religion in the post-apartheid state. She analyses the negotiations relating to religion in the constitution-making process, arguing that South Africa is both secular in its Constitution and judicial foundations and increasingly non-secular in its embrace of traditional authorities and customary law.In the final chapter Leatt turns her attention to post-apartheid South Africa, examining changing relationships between churches and the ruling African National Congress and the increasing influence of traditional leaders and evangelical Christians in an anti-liberal alliance. This book makes a tremendous contribution to the literature on postcolonial politics on the African continent. It has wonderful insights into the founding of a constitutional democracy in South Africa and will appeal to students in history, politics, sociology, anthropology and constitutional law.Key points This book makes a significant contribution to available literature on the role of religion and traditional authority in a postcolonial state. It sheds light on what was at stake in the often painstaking debates in the constitution-making process about the law and the place of religion in the future democratic state of South Africa. It looks at how traditional leadership and customary law were recognised in the postapartheid dispensation of democratic constitutionalism. This book will appeal to students in history, politics, sociology and anthropology, and constitutional law.

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Capitalism’s addiction to fossil fuels is heating our planet at a pace and scale never before experienced. Extreme weather patterns, rising sea levels and accelerating feedback loops are a commonplace feature of our lives. The number of environmental refugees is increasing and several island states and low-lying countries are becoming vulnerable. Corporate-induced climate change has set us on an ecocidal path of species extinction. Governments and their international platforms such as the Paris Climate Agreement deliver too little, too late. Most states, including South Africa, continue on their carbon-intensive energy paths, with devastating results. Political leaders across the world are failing to provide systemic solutions to the climate crisis. This is the context in which we must ask ourselves: how can people and class agency change this destructive course of history? Volume three in the Democratic Marxism series, The Climate Crisis investigates ecosocialist alternatives that are emerging. It presents the thinking of leading climate justice activists, campaigners and social movements advancing systemic alternatives and developing bottom-up, just transitions to sustain life. Through a combination of theoretical and empirical work, the authors collectively examine the challenges and opportunities inherent in the current moment. This volume builds on the class-struggle focus of Volume 2 by placing ecological issues at the center of democratic Marxism. Most importantly, it explores ways to renew historical socialism with democratic, ecosocialist alternatives to meet current challenges in South Africa and the world.

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Remains of the Social is an interdisciplinary volume of essays that engages with what ‘the social’ might mean after apartheid, a condition referred to as ‘the postapartheid social’. The volume grapples with apartheid as a global phenomenon that extends beyond the borders of South Africa between 1948 and 1994 and foregrounds the tension between the weight of lived experience that was and is apartheid, the structures that condition that experience, and a desire for a ‘post-apartheid social’. Collectively, the contributors argue for a recognition of ‘the post-apartheid’ as a condition that names the labour of coming to terms with the ordering principles that apartheid both set in place and foreclosed. The volume seeks to provide a sense of the terrain on which ‘the post-apartheid’ – as a desire for a difference that is not apartheid’s difference – unfolds, falters and is worked through.

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Although widely known as the Afrikaner Communist who saved Nelson Mandela from the gallows, very little is known about Bram Fischer the man. Fischer was a respected Senior Advocate at the Johannesburg Bar who chose to side with the oppressed and went underground to join the armed struggle. He was arrested on 5 November 1965 after almost 10 months on the run. ""I owed it to the political prisoners, to the banished, to the silenced and to those under house arrest not to remain a spectator, but to act."" These words spoken by Bram Fischer in his statement from the dock during his treason trial were followed by a life sentence. Scion of a proudly Afrikaner family that included a prime minister and a judge president of the Orange Free State, he would seem to be an unlikely hero of the liberation movement. Uncompromising in his political beliefs and driven by an unshakeable integrity and a commitment to the dream of a non-racial democracy, Fischer was also humorous, fun-loving and a family man, devoted to his wife and children. The many facets of this remarkable man are refl ected in The Bram Fischer Waltz, Harry Kalmer's lyrical tribute. A brief and intense work, with the protagonist as narrator, this one person play takes the audience through a roller coaster of emotions as it tells Fischer's story. The play won The Standard Bank Silver Ovation Award when it premiered in English at 2013 the National Arts Festival in Grahamstown and was awarded the Adelaide Tambo Award for Human Rights in the Arts in 2014 . The text is supplemented by a foreword by Adv George Bizos and an introduction by the playwright, reflecting on the path that led him to write the play, and an afterword by Yvonne Malan, entitled The Power of Moral Courage.

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This is a book of theory written from Africa. Its concern is the development of concepts for an understanding of emancipatory politics in Africa in particular, and in the Third World in general. ‘Politics’ here means consciousness, ideology, practice, choices and thought. The two core concepts which the book develops are the idea of ‘excess’ and that of ‘political sequence’. These are both made necessary by the underlying commitment to the axiom that ‘people think’ – that people are capable of thinking rationally beyond their interests as de?ned by their social location within a matrix of social relations regulated by the state. Drawing on the work of Alain Badiou and Sylvain Lazarus, the category of the sequence is used to provide an alternative to historicism in which ‘politics’ exists only as historical sequences which are discontinuous.These concepts are deployed variously in the history of anti-colonial and national liberation struggles and in contemporary experiences on the African continent. The book asserts that Africans, rather than having simply been the victims of modern history, have contributed to the universal history of humanity and continue to do so in original and inventive ways which provide important pointers for thinking human emancipation worldwide in the 21st century.

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Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in fi lm, either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women’s stories in Africa and what governs the mechanics of making those films on the continent?The interviews with Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Djo Tunda wa Munga, Rumbi Katedza, Katarina Hedrén, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory points of departure of women in film – from their understanding of feminisms in relation to lived-experiences and the realpolitik of women working as cultural practitioners.The disciplines of gender studies, postcolonial theory, and film theory provide the framework for the book’s essays. Beti Ellerson, Jyoti Mistry, Antje Schuhmann, Nobunye Levin, Dorothee Wenner and Christina von Braun are some of the contributors who provide valuable context, analysis and insight into, among other things, the politics of representation, the role of fi lm festivals and the collective and individual experiences of trauma and marginality which contribute to the layered and complex fi lmic responses of Africa’s film practitioners.

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This is the first publication in the Democratic Marxism Series, which seeks to elaborate the social theorising and politics of Democratic Marxism. Marx’s writings on and ideas about social transformation have figured prominently in the global Left imagination for more than 150 years. At the end of the twentieth century a number of factors seemed to converge to mark the end of Marxism’s influence on the world and, as a result, by the late twentieth century the relevance of Marxism was under question by both the Left (including Marxists) and Right. The decline was relatively short-lived, however, as the 2008 economic crisis brought into sharp relief the catastrophic effects of financialised capitalism and the need to (re)find alternatives. In the second decade of the twenty-first century, the revival of Marxism is finding new sources of inspiration that revolve around four primary factors: the importance of democracy for an emancipatory project; the ecological limits of capitalism; the crisis of global capitalism; and learning lessons from the failures of Marxist-inspired experiments. This is not simply a return to nineteenth and twentieth century understandings of Marxism. Rather, the twenty-first century has seen enormous creativity from movements that seek to overcome the weaknesses of the past by forging fundamentally new approaches to politics that draw inspiration from Marxism along with many other anti-capitalist traditions such as feminism, ecology, anarchism and indigenous traditions. The Marxism of many of these movements is not dogmatic or prescriptive, but rather open, searching, dialectical, humanist, utopian and inspirational. This edited volume introduces some contemporary approaches to Marxism and explores some of the ways in which Marxism has been used in Africa.

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Percival Kirby was one of the greatest South African musicologists and ethnomusicologists. Born in Scotland in 1887, after completing his studies at the Royal College of Music in London he came out to South Africa as the Music Organiser to the Natal Education Department. In 1920 he moved to Johannesburg as acting Professor of Music at the then University College. He was soon appointed Professor of Music and stayed at the University of the Witwatersrand for 30 years. Kirby was a conductor, timpanist, flautist, composer, teacher, musicologist, scientist and an artist. As well as researching and writing on African music, he wrote the definitive book on the wreck of the Grosvenor. Kirby was concerned about the demise of traditional cultural practices of African people. Whilst at Wits, he was encouraged by his colleagues, people like Raymond Dart and Louis Maingard, to make a comprehensive study of the musical practices of the indigenous peoples of southern Africa. Between 1923 and 1933, supported by several study grants, he travelled thousands of miles, undertook more than nine special expeditions as well as many shorter excursions in his ancient Model T Ford to places like Pietersburg and Potgietersrus, to the area then known as Sekhukhuneland, Transvaal, and to Swaziland and Botswana. He was hosted by local chiefs and taught to play the instruments he encountered. He managed to purchase many of the instruments, and this collection is now known as the Kirby Collection and housed at the South African College of Music, University of Cape Town. The book Musical Instruments of the Native Races of South Africa, first published in 1934, was the culmination of these research trips. It has become the standard reference on indigenous South African musical instruments, but has been out of print for many years. This fourth edition, with a revised title, contains an introduction by Mike Nixon, Head of the Ethnomusicology and African Music programme at the South African College of Music, and new reproductions of the valuable historic photographs by Paff and others, but leaves Kirby’s original text unchanged.

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Ekurhuleni - The Making of an Urban Region is the first academic work to provide an historical account and explanation of the development of this extended region to the east of Johannesburg since its origins at the end of the nineteenth century. From the time of the discovery of gold and coal until the turn of the twenty-first century, the region comprised a number of distinctive towns, all with their own histories. In 2000, these towns were amalgamated into a single metropolitan area, but, unlike its counterparts across the country, it does not cohere around a single identity. Drawing on a significant body of academic work as well as original research by the authors, the book traces and examines some of the salient historical strands that constituted what was formerly known as the East Rand and suggests that, notwithstanding important differences between towns and the racial fragmentation generated by apartheid, the region’s history contains significant common features. Arguably, its centrality as a major mining area and then as the country’s engineering heartland gave Ekurhuleni an overarching distinctive economic character.

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Much has been made about South Africa's transition from histories of colonialism, slavery and apartheid. ""Memory"" features prominently in the country's reckoning with its pasts. While there has been an outpouring of academic essays, anthologies and other full-length texts which study this transition, most have focused on the Truth and Reconciliation Commission (TRC). Pumla Dineo Gqola's What is slavery to me? links with that research in its concern with South Africa's past and the meaning-making processes attendant to it, but reads specifically memory activity which pertains to colonial slavery as practiced predominantly in the Western Cape for three centuries by the British and Dutch. What is slavery to me? is the first full-length study of slave memory in the South African context, and examines the relevance and effects of slave memory for contemporary negotiations of South African gendered and radicalised identities. It draws from feminist, postcolonial and memory studies and is therefore interdisciplinary in approach. It reads memory as one way of processing this past, and interprets a variety of cultural, literary and filmic texts to ascertain the particular experiences in relation to slave pasts being fashioned, processed and disseminated. Much of the material surveyed across disciplines attributes to memory, or ""popular history making"", a dialogue between past and present whilst ascribing sense to both the eras and their relationship. In this sense then, memory is active, entailing a personal relationship with the past which acts as mediator of reality on a day to day basis. The projects studies various negotiations of raced and gendered identities in creative and other public spaces in contemporary South Africa, by being particularly attentive to the encoding of consciousness about the country's slave past. This book extends memory studies in South Africa, provokes new lines of inquiry, and develops new frameworks through which to think about slavery and memory in South Africa.

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'Why bother to rob a bank, when you can own a bank?' asked Bertold Brecht. The question is reiterated in the very Brechtian Love, Crime and Johannesburg, the story of Jimmy 'Long Legs' Mangane, a people's poet involved in the struggle, who is accused of robbing a bank. He passionately asserts his innocence, claiming to work for the 'secret secret service'. Lewis, his old friend and comrade from the struggle, now owns a bank. How did this happen? The man of the struggle is now a man of accounts. A man of the nineties. Part of the cellphone generation. Added to the mix is an old-style gangster, two girlfriends, a Jewish father and a very unusual Chief of Police. Described as one of the first genuine post-apartheid plays, Love, Crime and Johannesburg is a witty, light-hearted account of life in the City of Gold at the turn of the millennium. A must for all students of South African theatre. Winner of the 2000 Vita Award for best script of a new South African Play.

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Edward Said described a public intellectual as someone who uses accessible language to address a designated public on matters of social and political significance. The essays in Public Intellectuals in South Africa apply this interpretive prism and activist principle to a South African context and tell the stories of well-known figures as well as some that have been mostly forgotten. They include Magema Fuze, John Dube, Aggrey Klaaste, Mewa Ramgobin and Koos Roets, alongside marginalised figures such as Elijah Makiwane, Mandisi Sindo, William Pretorius and Dr Thomas Duncan Greenlees. The essays capture the thoughts and opinions of these historical figures, who the contributors argue are public intellectuals who spoke out against the corruption of power, promoted a progressive politics that challenged the colonial project and its legacies, and encouraged a sustained dissent of the political status quo. Offering fascinating accounts of the life and work of these writers, critics and activists across a range of historical contexts and disciplines, from journalism and arts criticism to history and politics, it enriches the historical record of South African public intellectual life. This volume makes a significant contribution to ongoing debates about the value of research in the arts and humanities, and what constitutes public intellectualism in South Africa.

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Early hearing detection and intervention (EHDI) is the gold standard for any practising audiologist, and for families of infants and children with hearing impairment. EHDI programmes aim to identify, diagnose and provide intervention to children with hearing impairment from as early as six months old (as well as those at risk for hearing impairment) to ensure they develop and achieve to their potential. Yet EHDI remains a significant challenge for Africa, and various initiatives are in place to address this gap in transferring policy into practice within the southern African context.The diversity of factors in the southern African context presents unique challenges to teaching and research in this field, which has prompted this book project. The South African government's heightened focus on increasing access to health care which includes ongoing Early Childhood Development (ECD) programmes, make this an opportune time for establishing and documenting evidence-based research for current undergraduate and postgraduate students. Early Detection and Intervention in Audiology: An African Perspective aims to address this opportunity.Grounded in an African context with detailed case studies, this book provides rich content that pays careful attention to contextual relevance and contextual responsiveness to both identification and intervention in hearing impairment. With diverse contributions from experts in local and international contexts, but always with an African perspective, this is textbook will be an invaluable resource for students, researchers and practitioners.

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Decolonising the Human examines the ongoing project of constituting 'the human' in light of the durability of coloniality and the persistence of multiple oppressions. The 'human' emerges as a deeply political category, historically constructed as a scarce existential resource. Once weaponised, it allows for the social, political and economic elevation of those who are centred within its magic circle, and the degradation, marginalisation and immiseration of those excluded as the different and inferior Other, the less than human.Speaking from Africa, a key site where the category of the human has been used throughout European modernity to control, exclude and deny equality of being, the contributors use decoloniality as a potent theoretical and philosophical tool, gesturing towards a liberated, pluriversal world where human difference will be recognised as a gift, not used to police the boundaries of the human. Here is a transdisciplinary critical exploration of a wide range of subjects, including history, politics, philosophy, sociology, anthropology and decolonial studies.

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Hegel is most often mentioned – and not without good reason – as one of the paradigmatic exponents of Eurocentrism and racism in Western philosophy. But his thought also played a crucial and formative role in the work of one of the iconic thinkers of the ‘decolonial turn’, Frantz Fanon. This would be inexplicable if it were not for the much-quoted ‘lord-bondsman’ dialectic – frequently referred to as the ‘master-slave dialectic’ – described in Hegel's Phenomenology of Spirit. Fanon takes up this dialectic negatively in contexts of violence-riven (post-)slavery and colonialism; yet in works such as Black Skin, White Masks and The Wretched of the Earth he upholds a Hegelian-inspired vision of freedom.The essays in this collection offer close readings of Hegel’s text, and of responses to it in the work of twentieth-century philosophers, that highlight the entangled history of the translations, transpositions and transformations of Hegel in the work of Fanon, and more generally in colonial, postcolonial and decolonial contexts.

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Patrick van Rensburg (1931-2017) was an anti-apartheid activist and self-made 'alternative educationist' whose work received international recognition with the Right Livelihood Award in 1981.Born in KwaZulu-Natal into what he described as a 'very ordinary South African family that believed in the virtue of racism', Van Rensburg became a self-styled rebel who tirelessly pursued his own vision of a brighter future for emerging societies in post-colonial southern Africa.His emotional and intellectual struggle against his upbringing and cultural roots led him to reject his life of white privilege in South Africa. Determined to prevent the emergence of a privileged black elite in post-colonial society, he devoted his life to implementing an alternative, egalitarian approach to education, focusing on quality and functional schooling for the majority. Rewarded with the internationally prestigious Right Livelihood Award for his unique contribution to education, he saw this work as a 'necessary tool of development'.Exiled from South Africa in 1960 because of his involvement in the London boycott campaign that gave birth to the Anti-Apartheid Movement, Van Rensburg moved to Botswana (then Bechuanaland). There he founded cooperatives, provided vocational training and was among the earliest educationists to espouse the discipline of development studies.Perhaps his best-known legacy is the Swaneng Hill School, which he founded to provide an educational home for primary school 'dropouts' through a curriculum that combined theory and practice, and academic and manual labour. He involved his pupils in building their school, running it, providing their own food, and making their own equipment and furniture.Van Rensburg was an innovative and charismatic visionary who captured the zeitgeist of the late twentieth century, and whose work and vision still have resonance for debates in educational policy today.

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Social scientist Archie Mafeje, who was born in the Eastern Cape but lived most of his scholarly life in exile, was one of Africa's most prominent intellectuals. This ground-breaking book is the first to consider the entire body of Mafeje’s oeuvre and offers much-needed engagement with his ideas.The most inclusive and critical treatment to date of Mafeje as a thinker and researcher, it does not aim to be a biography , but rather offers an analysis of his overall scholarship and his role as a theoretician of liberation and revolution in Africa.Bongani Nyoka argues that Mafeje’s superb scholarship developed out of both his experience as an oppressed black person and his early political education. These, merged with his university training, turned him into a formidable cutting-edge intellectual force. Nyoka begins with an evaluation of Mafeje's critique of the social sciences; his focus then shifts to Mafeje’s work on land and agrarian issues in sub-Saharan Africa, before finally dealing with his work on revolutionary theory and politics. By bringing Mafeje’s work to the fore, Nyoka engages in an act of knowledge decolonisation, thus making a unique contribution to South studies in sociology, history and politics.

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In November 1949, Davidson Don Tengo (D.D.T.) Jabavu, the South African politician, Methodist lay preacher and retired professor of African languages and Latin at Fort Hare University in the Eastern Cape, set out on a four-month trip to attend the World Pacifist Meeting in India. The conference brought together delegates from over thirty countries to reflect on how Mahatma Gandhi's life and teachings could inform pacifist work in the post-World War II era. Jabavu wrote an isiXhosa account of his journey up the east coast of Africa and to different parts of India which was first published in 1951 by Lovedale Press. His narrative contains wide-ranging reflections on the fauna and flora of the changing landscape, on intriguing social interactions during his travels, and on the conference itself, where he considered what lessons Gandhian principles might yield for oppressed South Africans engaged in struggles for freedom and dignity. He incorporates accounts of chance meetings with important figures of post-independence India and of the anti-colonial struggle in East Africa, as well as with members of the American civil rights movement. His commentary on non-violent resistance, and on the dangers of nationalism when coupled with militarism and racism, enriches the existing archive of intellectual and political exchange between Africa and India from a black South African perspective. This new edition includes Jabavu's travelogue in the original isiXhosa, with an English translation by the late anthropologist Cecil Wele Manona. Tina Steiner's introductory chapter examines the networks of international solidarity and friendship that Jabavu helped to strengthen in the course of his travels. A chapter by Mhlobo W. Jadezweni, whose updating of the original isiXhosa orthography has made Jabavu's text accessible to new generations of readers, considers the richness of Jabavu's isiXhosa style as a contribution to the archive of great African-language literature. Catherine Higgs provides biographical sketches of D.D.T. Jabavu and Cecil Wele Manona which situate this travelogue within the broader context of their lives. Evan M. Mwangi's Afterword is a reflection on the historical and political significance of making African-language texts available to readers across Africa.

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In 1937, a group of young Capetonians, socialist intellectuals from the Workers’ Party of South Africa, embarked on a remarkable public education and cultural project. They called it the New Era Fellowship (NEF). In different forums – public debates, lectures, study circles and cultural events – the seeds of radical thinking were planted, nurtured and brought to full flower. The group sought to disrupt and challenge not only prevailing political narratives but the very premises – class and ‘race’ – on which they were based. In the critical thinking and analytical discipline they brought to bear to dismantle these constructs, they were 40 years ahead of their time. Their leaders were extraordinary men and women who, in bringing their individual lived experiences into the arena, were able to connect with issues at a deep, personal level. Taking a position of non-collaboration and non-racialism, the NEF played a vital role in challenging society’s responses to events ranging from the problem of taking up arms during the Second World War for an empire intent on stripping people of colour of their human rights to the Hertzog Bills, which foreshadowed apartheid in all its ruthless effectiveness. In subsequent narratives of liberation their significance has been overlooked, even disparaged, and has never been fully understood and acknowledged. By shining a contemporary light on the NEF and locating its contribution in current sociological and political discourse, Crain Soudien shows how its members were at the forefront of redefining the debate about social difference in a racially divided society.

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Civil society, NGOs, governments, and multilateral institutions all repeatedly call for improved or ‘good’ governance – yet they seem to speak past one another. Governance is in danger of losing all meaning precisely because it means many things to different people in varied locations. This is especially true in sub-Saharan Africa. Here, the postcolony takes many forms, reflecting the imperial project with painful accuracy. Offering a set of multidisciplinary analyses of governance in different sectors (crisis management, water, food security, universities), in different locales (including the African Union and specific regional contexts from West Africa, Zambia, to South Africa), and from different theoretical approaches (network to adversarial network governance, and beyond), this volume makes a useful addition to the growing debates on ‘how to govern’. It steers away from offering a ‘correct’ definition of governance, or from promoting a particular position on postcoloniality. It gives no conclusion that neatly sums up all the arguments advanced. Instead, readers are invited to draw their own conclusions based on these differing approaches to and analyses of governance in the postcolony. As a robust, critical assessment of power and accountability in the sub-Saharan context, this collection brings together topical case studies that will be a valuable resource for those working in the field of African international relations, public policy, public management and administration.

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From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, elite wealth and political corruption in Angola and Zambia, the role of popular religion in the political intransigence of Jacob Zuma, funerals of big men in Cameroon, youth cultures of consumption in Niger and South Africa, queer consumption in Cape Town, middle-class food consumption in Durban and the consumption of luxury handcrafted beads, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts and historical moments.In 1899, Thorstein Veblen coined the phrase ‘conspicuous consumption’ to describe status-seeking in the obscenely unequal world of late-nineteenth century America. Many of the aspects he described in The Theory of the Leisure Class are still evident in our world today. While Veblen’s crude denunciation of material extravagance finds echoes in media exposés about the lifestyles of the rich worldwide, it is particularly recognisable in reporting on Africa. Here, images of conspicuous consumption have long circulated in local and global media as indictments of political corruption and signs of moral depravity.The essays in Conspicuous Consumption in Africa put Veblen’s concept under robust critical scrutiny, drawing on theorists like Mbembe, Guyer and Bayart by way of critique or addition. They delve into the pleasures, stresses and challenges of consuming in its religious, generational, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices, textures and relations. The authors resist the trap of easy moralisation, pointing to more complex ethical and political registers of analysis and judgement. This volume shows how central and revealing conspicuous consumption can be to fathoming the history of Africa’s projects of modernity, and their global lineages and legacies. In its grounded, up-close case studies, it is likely to feed into current public debates on the nature and future of African societies – South African society in particular.

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More than a million black South African women are domestic workers. These nannies, housekeepers and chars continue to occupy a central place in in postapartheid society. But it is an ambivalent position. Precariously situated between urban and rural areas, rich and poor, white and black, these women are at once intimately connected and at a distant remove from the families they serve. ‘Like family’ they may be, but they and their employers know they can never be real family.Ena Jansen shows that domestic worker relations in South Africa were shaped by the institution of slavery at the Cape. This established social hierarchies and patterns of behaviour and interaction that persist to the present day, and are still evident in the predicament of the black female domestic worker.To support her argument, Jansen examines the representation of domestic workers in a diverse range of texts in English and Afrikaans. Authors include André Brink, JM Coetzee, Imraan Coovadia, Nadine Gordimer, Elsa Joubert, Antjie Krog, Sindiwe Magona, Kopano Matlwa, Es'kia Mphahlele, Sisonke Msimang, Zukiswa Wanner and Zoë Wicomb.. Later texts by black authors offer wry and subversive insights into the madam/maid nexus, capturing paradoxes relating to shifting power relationships.Like Family is an updated version of the award-winning Soos familie published in 2015 and the highly-acclaimed 2016 Dutch translation, Bijna familie.

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‘What are democracies meant to do? And how does one know when one is a democratic state?’ These incisive questions and more by leading political scientist, Steven Friedman, underlie this robust enquiry into what democracy means for South Africa post 1994. Democracy and its prospects are often viewed through a lens which reflects the dominant Western understanding. New democracies are compared to idealised notions of the way in which the system is said to operate in the global North. The democracies of Western Europe and North America are understood to be the finished product and all others are assessed by how far they have progressed towards approximating this model. The goal of new democracies, like South Africa and other developing nation-states, is thus to become like the global North. Power in Action persuasively argues against this stereotype. Friedman asserts that democracies can only work when every adult has an equal say in the public decisions that affect them. From this point of view, democracies are not finished products and some nations in the global South may be more democratic than their Northern counterparts. Democracy is achieved not by adopting idealised models derived from other societies – rather, it is the product of collective action by citizens who claim the right to be heard not only through public protest action, but also through the conscious exercise of influence on public and private power holders. Viewing democracy in this way challenges us to develop a deeper understanding of democracy’s challenges and in so doing to ensure that more citizens can claim a say over more decisions in society.

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In 2013, former National Security Agency (NSA) contractor Edward Snowden leaked secret documents revealing that state agencies like the NSA had spied on the communications of millions of innocent citizens. International outrage resulted, but the Snowden documents revealed only the tip of the surveillance iceberg. Apart from insisting on their rights to tap into communications, more and more states are placing citizens under surveillance, tracking their movements and transactions with public and private institutions. The state is becoming like a one-way mirror where it can see more of what its citizens do and say, while citizens see less and less of what the state does, owing to high levels of secrecy around surveillance.Jane Duncan assesses the relevance of Snowden’s revelations for South Africa. In doing so she questions the extent to which South Africa is becoming a surveillance society governed by a surveillance state. Is surveillance used for the democratic purpose of making people safer, or is it being used for the repressive purpose of social control, especially of those considered to be politically threatening to ruling interests? What kind of collective is needed to ensure that unaccountable surveillance does not take place? What works and what does not work as organised responses? These questions and more are examined in this penetrating analysis of South African and global democracy.Stopping the Spies is aimed at South African citizens, academics as well for general readers who care about our democracy and the direction it is taking.

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‘People from different parts of the world ask ‘what mix’ I am. Which would you prefer? Salt and vinegar or cinnamon and sugar? Neither one of my parents was black Black. Neither one of them was white White. I am not half-and-half.’ (from Chapter 1, ‘This Blackness’)How is ‘race’ determined? Is it your DNA? The community that you were raised in? The way others see you or the way you see yourself?In Race Otherwise: Forging a New Humanism for South Africa Zimitri Erasmus questions the notion that one can know race with one’s eyes, with racial categories and with genetic ancestry tests. She moves between the intimate probing of racial identities as we experience them individually, and analysis of the global historical forces that have created these identities and woven them into our thinking about what it means to be ‘human’.Starting from her own family’s journeys through regions of the world and ascribed racial identities, she develops her argument about how it is possible to recognise the pervasiveness of race thinking without submitting to its power.Drawing on the theoretical work of Frantz Fanon, Sylvia Wynter and others, Erasmus argues for a new way of ‘coming to know otherwise’, of seeing the boundaries between racial identities as thresholds to be crossed, through politically charged acts of imagination and love.

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The stirring collection of essays, talks and extracts by activists and former judge Albie Sachs marks more than 25 years of thinking about constitution making and non-racialism. Following the Constitutional Court's landmark Nkandla ruling in March 2016, it serves as a powerful reminder of the tenets of the Constitution, the rule of law and the continuous struggle to uphold democratic rights and freedoms.We, the People offers an intimate, insider's view of South Africa's Constitution by a writer who has been deeply entrenched in its historical journey from the depths of apartheid right up to the politically contested present. As a second-year law student at the University of Cape Town, Sachs took part in the Defiance Campaign and went on to attend the Congree of the People in Kliptown, where the Freedom Charter was adopted in 1955. Three decades later, shortlu after the bomb attack in Maputo that cost him his arm and the sight in one eye, he was called on by the Constitutional Committee of the African National Congress to co-draft (with Kader Asmal) the first outline of a Bill of Rights for a new democratic South Africa. In 1994, he was appointed by Nelson Mandela to the Constitutional Court, where he served as a judge until 2009.We, the People consists of some of Sachs' most memorable public talks and writings, in which he takes us back to the broad-based popular foundations of the Constitution inthe Freedom Charter. He picks up on Oliver Tambo's original vision of a non-racial future for South Africa, rather than one based on institutionalised power-sharing between the races. He explores the tension between perfectability and corruptibility, hope and mistrust, at the centre of all the constitutions. Sachs deals with the enforcement of social and economic rights and the building of the Constitutional Court in the heart of the Old Forst Prison as a mechanism for reconciling the past and the future.Subjective experience and objective analysis interact powerfully in a personalised narrative that reasserts the value of constitutionality not just for South Africans, but for people striving to advance human dignity, equality and freedom across the planet today.

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First published in 1916, Sol Plaatje’s Native Life in South Africa was written by one of the South Africa’s most talented early 20th-century black leaders and journalists. Plaatje’s pioneering book arose out of an early African National Congress campaign to protest against the discriminatory1913 Natives Land Act. Native Life vividly narrates Plaatje’s investigative journeying into South Africa’s rural heartlands to report on the effects of the Act and his involvement in the deputation to the British imperial government. At the same time it tells the bigger story of the assault on black rights and opportunities in the newly consolidated Union of South Africa – and the resistance to it.Originally published in war-time London, but about South Africa and its place in the world, Native Life travelled far and wide, being distributed in the United States under the auspices of prominent African-American W E B Du Bois. South African editions were to follow only in the late apartheid period and beyond.The aim of this multi-authored volume is to shed new light on how and why Native Life came into being at a critical historical juncture, and to refl ect on how it can be read in relation to South Africa’s heightened challenges today. Crucial areas that come under the spotlight in this collection include land, race, history, mobility, belonging, war, the press, law, literature, language, gender, politics, and the state.

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The Soweto Student Uprising of 1976 was a decisive moment in the struggle against apartheid. It marked the expansion of political activism to a new generation of young activists, but beyond that it inscribed the role that young people of subsequent generations could play in their country’s future. Since that momentous time students have held a special place in the collective imaginary of South African history.Drawing on research and writing by leading scholars and prominent activists, Students Must Rise takes Soweto ’76 as its pivot point, but looks at student and youth activism in South Africa more broadly by considering what happened before and beyond the Soweto moment. Early chapters assess the impact of the anti-pass campaigns of the 1950s, of political ideologies like Black Consciousness as well as of religion and culture in fostering political consciousness and organisation among youth and students in townships and rural areas. Later chapters explore the wide-reaching impact of June 16th itself for student organisation over the next two decades across the country. Two fi nal chapters consider contemporary student-based political movements, including #RhodesMustFall and #FeesMustFall, and historically root these in the long and rich tradition of student activism in South Africa.2016 marks the 40th anniversary of the 1976 June 16th uprisings. This book rethinks the conventional narrative of youth and student activism in South Africa by placing that most famous of moments – the 1976 students’ uprising in Soweto – in a deeper historical and geographic context.

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Dominance and Decline takes stock of the Zuma-led administration and its impact on the African national Congress (AnC). Combining hard-hitting arguments with astute analysis Booysen shows how the ANC has become centered on the personage of Zuma, and how defense of his flawed leadership undermines the party’s capacity to govern competently and protect its long-term future. Following on from her first book, The African National Congress and the Regeneration of Power (2011), Booysen’s principle argument is that the state is failing as the president’s interests supersede those of party and state. Organisationally, the ANC has become a hegemon riven by faction, while the Zuma ANC oversees the implosion of the tripartite alliance and decimation of the youth, women’s and veterans’ leagues. Electorally, the ANC has been ceding ground to increasingly assertive opposition parties. The ANC falters on the policy front as it regurgitates old ideas and renews and implements these insufficiently. As Zuma’s replacements start competing and succession politics take shape, the book considers whether the ANC will be able to recover from the damage wrought under Zuma’s reign. Ultimately, Booysen asserts, the damage is irrevocable though the electorate may still reward the ANC for transcending the Zuma years. This is a must-have reference book on the development of the modern ANC. With rigour and incisive ness, Booysen persuasively analyses the cataclysmic period under Zuma and offers scholars and researchers a coherent framework for considering future patterns in the ANC.

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Environmental and animal studies are rapidly growing areas of interest across a number of disciplines. Natures of Africa is one of the first edited volumes which encompasses transdisciplinary approachesto a number of cultural forms, including fiction, non-fi ction, oral expression and digital media. The volume features new research from East Africa and Zimbabwe, as well as the ecocritical and eco-activist‘powerhouses’ of Nigeria and South Africa.The chapters engage one another conceptually andepistemologically without an enforced consensus of approach. In their conversation with dominant ideas about nature and animals, they reveal unexpected insights into forms of cultural expression of local communities in Africa. The analyses explore different apprehensions of the connections between humans, animals and the environment, and suggest alternative ways of addressing the challenges facing the continent. These include the problems of global warming, desertification, floods, animal extinctions and environmental destruction attendant upon fossil fuel extraction. There are few books that show how nature in Africa is represented, celebrated, mourned or commoditised. Natures of Africa weavestogether studies of narratives – from folklore, travel writing, novels and popular songs – with the insights of poetry and contemporary reflections of Africa on the worldwide web. The chapters test disciplinary and conceptual boundaries, highlighting the ways in which the environmental concerns of African communities cannot be disentangled from social, cultural and political questions.This volume draws on and will appeal to scholars and teachers of oral tradition and indigenous cultures, literature, religion, sociologyand anthropology, environmental and animal studies, as well as media and digital cultures in an African context.

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This fifth volume in the New South African Review series takes as its starting point the shock wave emanating from the events at Marikana on 16 August 2012 and how it has reverberated throughout politics and society. some of the chapters in the volume refer directly to Marikana. In others, the influence of that fateful day is pervasive if not direct. Marikana has, for instance, made us look differently at the police and at how order is imposed on society. Monique Marks and David Bruce write that the massacre ‘has come to hold a central place in the analysis of policing, and broader political events since 2012 …’. The chapters highlight a range of current concerns – political, economic and social. David Dickinson’s chapter looks at the life of the poor in a township from within. in contrast, the chapter on foreign policy by Garth le Pere analyses south Africa’s approach to international relations in the Mandela, Mbeki and Zuma eras. Anthony turton’s account, ‘When gold mining ends’ is a chilling forecast of an impending environmental catastrophe. Both Devan Pillay and noor nieftagodien focus attention on the left and, in different ways, ascribe its rise to a new politics in the wake of Marikana. The essays in Beyond Marikana present a range of topics and perspectives of interest to general readers, but the book will also be a useful work of reference for students and researchers.

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African-language writing is in crisis. The conditions under which African writing developed in the past (only remotely similar to those of Western models), resulted in an inability of Eurocentric literary models to explore the hermeneutic world of African language poetics inherited from the oral and the modern worlds. Existing modes of criticism in the study of this literary tradition are often unsuited for a nuanced understanding of the intrinsic and extrinsic aspects at play in the composition, production and reading of these literatures.In African-Language Literatures, Innocentia Jabulisile Mhlambi charts new directions in the study of African-language literatures generally, and isiZulu fiction in particular. She proposes that African popular arts and culture models be considered as a solution to the debates and challenges informing discourses about expressive forms in African languages. Mhlambi shows how this approach brings into relationship the oral and written forms, the local and the international, and elitist and popular genres, and she places the resultant emerging, eclectic culture into its socio-historical context. She then uses this theoretical approach to explore – in a wide range of cultural products – what matters or what is of interest to the people, irrespective of social hierarchies and predispositions.It is the author’s contention that, contrary to common perception, the African-language literary tradition displays diversity, complexity and fluidity, and that this should be seen as an invitation to look at systems of meaning which do not hide their connections with the facts of power and material life.

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In this book Natasha Distiller explores historic and contemporary uses of Shakespeare in South African society which illustrate the complexities of colonial and post-colonial realities as they relate to iconic Englishness. Beginning with Solomon Plaatje, the author looks at the development of an elite group educated in English and able to use Shakespeare to formulate South African works and South African identities. Refusing simple or easy answers, Distiller then explores the South African Shakespearian tradition postapartheid. Touching on the work of, amongst others, Can Themba, Bloke Modisane, Antony Sher, Stephen Francis, Rico Schacherl and Kopano Matlwa, and including the popular media as well as school textbooks, Shakespeare and the Coconuts engages with aspects of South Africa’s complicated, painful, fascinating political and cultural worlds, and their intersections. Written in an accessible style to explain current cultural theory, Shakespeare and the Coconuts will be of interest to students, academics and the general interested reader.

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In the 1980s there was a surge of trade union power on a scale not previously experienced in South Africa. The National Union of Metalworkers of South Africa (Numsa) was a highly prominent and innovative union in this assertion of muscle and one of Cosatu's most radical affiliates, and its story is one of astonishing achievements as its activities built workers' rights and deeply eroded the apartheid state. Metal that will not bend - a translation of the union's motto Insimbi ayigobi - tells that story by revisiting the formation of the powerful modern day union movement. The trade union movement kept the internal struggle alive in the late 1980s when community organisations in the United Democratic Front (UDF) had been smashed. Many books have been published on the ANCs struggle for liberation. However, this critical aspect of internal mass mobilisation, which put pressure on the apartheid state through huge stayaways and which relied almost entirely on the organisation of Cosatu and its strong affiliates, has generally not been adequately explored. Metal that will not bend traces the themes of power, independence and workers' control as they were practiced by Numsa. A number of small metal organisations with at times antagonistic organisational and political strategies were built in different ways and with different attitudes to the exiled liberation movements in the early 1980s. They eventually unified into one powerful organisation. Kally Forrest describes how workers' struggles built this power, and she scrutinises the strategies used in the late 1980s, such as innovative bargaining strategies, to significantly improve the conditions of impoverished workers. The book then progresses to examine how Numsa used its power in an attempt to insert a workers' perspective into the political transition of the early 1990s. It explores the obstacles the union faced, such as the violence that erupted across the country, and its commonality and divergence from the politics of the liberation movements (chiefly the ANC).

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The fundamentals of human embryology covers embryonic development, with a unique focus on adult anatomy. Its goal is to impart to students a comprehensive overview of how the human embryo forms, not only as a basis for the student of human anatomy, but also as a link to abnormalities they may encounter in their clinical careers. Extensively illustrated with labeled line drawings, now enlarged for better visibility, this concise manual will meet the needs of both undergraduate and postgraduate students in the Human Sciences.

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Drawing on rich and poignant interviews with mothers who have been diagnosed HIV-positive, ""Contradicting Maternity"" provides a rare perspective of motherhood from the mother's point of view. Whereas motherhood is often assumed to be a secondary identity compared to the central figure of the child, this book reverses the focus, arguing that maternal experience is important in its own right. The book explores the situation in which two very powerful identities, those of motherhood and of being HIV-positive, collide in the same moment. This collision takes place at the interface of complex, and often split, social and personal meanings concerning the sanctity of motherhood and the anxieties of HIV. The book offers an interpretation of how these personal and social meanings resonate with, and also fail to encompass, the experiences surrounding HIV-positive mothers. Photographs, academic literature and the accounts of real women are read with both a psychodynamic and discursive eye, highlighting the contradictions within maternal experience, as well as between maternal experience and the social imagination. ""Contradicting Maternity"" will appeal to scholars, students and practitioners in psychology, the social sciences and the health professions. The sensitive and readable analysis will also be of interest to mothers, whether HIV-positive or not.

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This is the first book to capture the poignant stories of transnational African families and their use of Information and Communication Technologies (ICTs) in mediating their experiences of migration and caring across distance. Transnational Families in Africa analyses the highs and lows of family separation as a result of migration in three contexts: migration within South Africa from rural to urban areas; migration from other African countries into South Africa; and middle-class South Africans emigrating to non-African countries.The book foregrounds the importance of kinship and support from extended family as well as both the responsibilities migatory family members feel and the experience of loss by those left behind. Across the diverse circumstances explored in the book are similarities in migrants’ strategies for keeping in touch, but also large differences in relation to access to ICTs and ease-of-use that highlight the digital divide and generational gaps. As elsewhere in the world, and in spite of the varied experiences in these kinship circles, the phenomenon that is the transnational family is showing no signs of receding. This book provides a groundbreaking contribution to global debates on migration from the Global South.

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In fascinating detail, Ashwin Desai and Goolam Vahed bring the inner workings of the Natal Indian Congress (NIC) to life against the canvas of major political developments in South Africa during the 1970s and 1980s, and up to the first democratic elections in 1994.The NIC was relaunched during the rise of the Black Consciousness Movement, which attracted a following among Indian university students, and whose invocation of Indians as Black led to a major debate about ethnic organisations such as the NIC. This debate persisted in the 1980s with the rise of the United Democratic Front and its commitment to non-racialism. The NIC was central to other major debates of the period, most significantly the lines drawn between boycotting and participating in government-created structures. The NIC continued to attract recruits who encouraged the development of community organisations. Some members played dual roles and were members of a legal organisation as well as allies of the African National Congress’ underground armed struggle. Drawing on oral interviews, newspaper reports, and minutes of organisational meetings, this in-depth study tells a largely untold history, challenging existing narratives around Indian ‘cabalism’, and bringing the African and Indian political story into present debates about race, class and nation.

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How I Lost My Mother is a deeply felt account of the relationship between a mother and son, and an exploration of what care for the dying means in contemporary society. The book is emotionally complex - funny, sad and angry - but above all, heartfelt and honest. It speaks boldly of challenges faced by all of us, challenges which are often not spoken about and hidden, but which deserve urgent attention. This is first and foremost a work of the heart, a reflection on what relationships mean and should mean. There is much in the book about relationships of care and exploitation in southern Africa, and about white Jewish identity in an African context. But despite the specific and absorbing references to places and contexts, the book offers a broader, more universal view. All parents of adult children, and all adults who have parents alive, or have lost their parents, will find much in this book to make them laugh, cry, think and feel.

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Bill Freund, the late social historian and leading analyst of African history, passed away in 2020 soon after finishing his autobiography. Often described as the academy’s ‘outsider insider’, he was an eminent South African historian who published prodigiously in the areas of labour, capital and economic history. What influenced this American-educated academic to become such an astute and trusted observer of the political economy in Africa?In this deeply introspective autobiography, we follow Bill’s intellectual journey from a modest Jewish home in Chicago in the 1950s – where new vistas were opened up through voracious reading, inspiring teachers and intellectual engagement – to the Universities of Chicago, Yale, Ahmadu Bello, Dar es Salaam and Harvard, and finally to a permanent teaching position at the University of KwaZulu-Natal in Durban, South Africa in 1985. Freund begins with his family’s fascinating history in Habsburg Austria, describes émigré life in the USA, and provides astute reflections on his teaching experiences. Peppered in between the commentaries on academic life are stories of his travels, poems he wrote for loved ones, and endearing anecdotes of friendships that shaped his life.Freund offers rich insights into the world of Africanists and their scholarship on different continents, as well as thoughtful and balanced observations on late- and post-apartheid South Africa. His autobiography reveals the intellectual man and the world that shaped him – and which he in turn influenced through a deep commitment to rigorous scholarship. It includes a select bibliography of his many publications as well as a foreword by Robert Morrell on the making of this book.

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