Search results for ""Wits University Press""

Part literary history, part feminist historiography And Wrote My Story Anyway: Novels by Black South African Women critically examines influential novels in English by eminent black female writers. Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society. This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects. Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

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What does the world look like from Africa? What does it mean to think, feel, express without apology for being African? How does one teach society and children to be African – with full consciousness and pride? In institutions of learning, what would a textbook on African-centred psychology look like? How do researchers and practitioners engage in African social psychology, African-centred child development, African neuropsychology, or any area of psychology that situates African realities at the centre?Questions such as these are what eminent professor of psychology Kopano Ratele grapples with in this lyrical, philosophical and poetic treatise on practising African psychology in a decolonised world view. Employing a style common in philosophy but rarely used in psychology, the book offers thoughts about the ideas, contestation, urgency and desire around a psychological praxis in Africa for Africans. While Setting out a framework for researching, teaching and practicing African psychology, the book in part coaxes, in part commands and in part urges students of psychology, lecturers, researchers and therapists to reconsider and reach beyond their received notions of African psychology.

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What does the lawn want? To be watered, fertilised, mowed, admired, fretted over, ignored? This unusual question serves as a starting point for Civilising Grass: The Art of the Lawn on the South African Highveld, an unexpected and often disconcerting critique of one of the most common and familiar landscapes in South Africa. The lawn, Jonathan Cane argues, is not quite as innocent as we might think. Besides the fact that lawns suck up scarce water, consume chemicals, displace indigenous plants and reduce biodiversity, they are also part of a colonial lineage of dispossession and violence. They reduce the political problem of land to the aesthetic question of landscape, thereby obscuring issues of ownership, redress, belonging and labour. The question then becomes: Who takes care of whose lawn, in what clothes, under what conditions and for what reward?Civilising Grass offers a detailed reading of artistic, literary and architectural lawns between 1886 and 2017. The eclectic archive includes plans, poems, maps, gardening blogs, adverts, ethnographies and ephemera, as well as literature by Koos Prinsloo, Marlene van Niekerk and Ivan Vladislavić. In addition, the book includes colour reproductions of lawn artworks by David Goldblatt, Lungiswa Gqunta, Pieter Hugo, Anton Kannemeyer, Sabelo Mlangeni, Moses Tladi and Kemang Wa Lehulere. This book shows that even if the enchantment of a green, flat and soft lawn is almost universal, there are also unexpected moments when alternatives present themselves, occasions when people reject the politeness of the lawn, and situations in which we might glimpse a possible time after the lawn. Drawing on theory and conceptual tools from interdisciplinary fields such as ecocriticism, queer theory, art history and postcolonial studies, Civilising Grass offers the first sustained investigation of the lawn in Africa and contributes to the growing conversation about the complex relationships between humans and non-humans on the continent.

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Evil stalks the township of KwaMashu, near Durban. It comes in the form of Whoonga, a toxic mix of B-grade heroin, rat poison and other chemical components that almost immediately sucks its users into the vortex of addiction and the crime, deception and personal tragedy that goes with it. Caught up in the web, the ulwembu of the title, presided over by the dealer, Bongani Mseleku, are Lieutenant Portia Mthembu, a police officer in the frontline of the fight against the scourge; her son Sipho; his friend, Andile Nxumalo, and Emmanuel Abreu, a Mozambique-born spaza shopkeeper. As it traces Sipho’s descent from talented scholar and aspirant poet and songwriter to suicidal addict, Ulwembu explores the effects of addiction not only on those who suffer from it but on communities, families and the police, both those who try to control the murderous trade and those who benefit from it. Using a process they have dubbed Empatheatre, The Big Brotherhood, Neil Coppen, Dylan McGarry and Mpume Mtombeni, aim to share ‘people’s real-life stories, with the intention to inspire and develop a greater empathy and kindness in spaces where there is conflict or injustice’. Ulwembu is the dramatic result of their efforts.

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The transition from apartheid to the post-apartheid era has highlighted questions about the past and the persistence of its infl uence in present-day South Africa. This is particularly so in education, where the past continues to play a decisive role in relation to inequality. Between Worlds: German Missionaries and the Transition from Mission to Bantu Education in South Africa scrutinises the experience of a hitherto unexplored German mission society, probing the complexities and paradoxes of social change in education. It raises challenging questions about the nature of mission education legacies. Linda Chisholm shows that the transition from mission to Bantu Education was far from seamless. Instead, past and present interpenetrated one another, with resistance and compliance cohabiting in a complex new social order. At the same time as missionaries complied with the new Bantu Education dictates, they sought to secure a role for themselves in the face of demands of local communities for secular statecontrolled education. When the latter was implemented in a perverted form from the mid-1950s, one of its tools was textbooks in local languages developed by mission societies as part of a transnational project, with African participation. Introduced under the guise of expunging European control, Bantu Education merely served to reinforce such control.The response of local communities was an attempt to domesticate – and master – the ‘foreign’ body of the mission so as to create access to a larger world. This book focuses on the ensuing struggle, fought on many fronts, including medium of instruction and textbook content, with concomitant sub-texts relating to gender roles and sexuality. South Africa’s educational history is to this day informed by networks of people and ideas crossing geographic and racial boundaries. The colonial legacy has inevitably involved cultural mixing and hybridisation – with, paradoxically, parallel pleas for purity. Chisholm explores how these ideas found expression in colliding and coalescing worlds, one African, the other European, caught between mission and apartheid education.

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Paul Slabolepszy’s Suddenly the Storm set in Johannesburg’s East Rand at the home of an ageing former police offi cer Dwayne Combrink and his much younger wife Shanell, poses the question of whether the wounds of the past can ever truly be healed.Combative, volatile, constantly on the verge of exploding, Dwayne and Shanell Combrink are two halves of a white South African workingclass couple, living an uneasy truce as they struggle with the day-today trials of scraping together a living and dreaming competing dreams. But beneath Dwayne’s angry, violent exterior lies the heartbreak that governs his attitude to life. Dwayne is a man in mourning. Shanell believes his current level of despair was sparked by the death of his childhood friend and recent work partner, Jonas, but the source of his mourning and anger lies much further back. When the elegant and self-contained Namhla Gumede, born on 16 June 1976, arrives on their doorstep seeking answers to questions that have remained buried for 40 years, Dwayne and Shanell fi nally fi nd out the truth.What starts as a smouldering dark comedy suddenly turns into a roller-coaster ride of startling revelations, rage and recrimination … before the storm finally breaks.

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The book opens in China, 1962. Andrew Mlangeni is one of a small select group undergoing military training. The unannounced visitor is Mao Tse-Tung. While still at school, Andrew Mlangeni joined the Communist Party of South Africa and also the ANC Youth League. These were the organisations that shaped his values. Decades of resourceful activism were to lead to his arrest and life sentence in the Rivonia trial. Mlangeni’s lifelong commitment to the struggle for liberation reverberates with other biographies of leading figures. His perspective comes from a somewhat ambiguous position in the hierarchy of liberation leaders. Mlangeni was selected as one of the first-ever six members who received military training in China before the formation of Umkhonto we Sizwe. He seems to have been chosen because he was a dedicated, intelligent and dependable operative, rather than a leader. Even after his release after 25 years on Robben Island, Mlangeni was not given a senior position in the post-apartheid democratic government. ‘I was always the backroom boy,’ says Andrew Mlangeni about himself. This story of an ANC elder is a rigorously researched historical record overlaid with intensely personal reflections which intersect with the political narrative. Above all, it is one man’s story, set in the maelstrom of the liberation struggle. This biographical project has been developed for, and published in conjunction with, the June and Andrew Mlangeni Foundation.

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Despite the transition from apartheid to democracy, South Africa is the most unequal country in the world. Its extremes of wealth and poverty undermine intensifying struggles for a better life for all.The wide-ranging essays in this sixth volume of the New South African Review demonstrate how the consequences of inequality extend throughout society and the political economy, crippling the quest for social justice, polarising the politics, skewing economic outcomes and bringing devastating environmental consequences in their wake.Contributors survey the extent and consequences of inequality across fields as diverse as education, disability, agrarian reform, nuclear geography and small towns, and tackle some of the most difficult social, political and economic issues. How has the quest for greater equality affected progressive political discourse? How has inequality reproduced itself, despite best intentions in social policy, to the detriment of the poor and the historically disadvantaged? How have shifts in mining and the financialisation of the economy reshaped the contours of inequality? How does inequality reach into the daily social life of South Africans, and shape the way in which they interact? How does the extent and shape of inequality in South Africa compare with that of other major countries of the global South which themselves are notorious for their extremes of wealth and poverty? South African extremes of inequality reflect increasing inequality globally, and The Crisis of Inequality will speak to all those – general readers, policy makers, researchers and students – who are demanding a more equal world.

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Labour Beyond Cosatu is the fifth publication in the Taking Democracy Seriously project which started in 1994 and comprises of surveys of the opinions, attitudes and lifestyles of members of trade unions affiliated to the Congress of South African Trade Unions (Cosatu). This survey was conducted shortly before the elections in 2014, in a context in which government economic policy had not fundamentally shifted to the left and the massacre of 34 mineworkers at Marikana by the South African Police Service had fundamentally shaken the labour landscape, with mineworkers not only striking against their employers, but also their union, the National Union of Mineworkers (NUM). Cosatu leaders had started to openly criticise levels of corruption in the State, while a ‘tectonic shift’ took place when the National Union of Metalworkers of South Africa (Numsa) was expelled from Cosatu at the end of 2014.In its analysis of the survey, Labour Beyond Cosatu shows that Cosatu, fragmented and weakened through fi ssures in its alliance with the African National Congress, is no longer the only dominant force infl uencing South Africa’s labour landscape. Contributors also examine aspects such as changing patterns of class; workers’ incomes and their lifestyles; workers’ relationship to civil society movements and service delivery protests; and the politics of male power and privilege in trade unions.The trenchant analysis in Labour Beyond Cosatu exhibits fiercely independent and critically engaged labour scholarship, in the face of shifting alliances currently shaping the contestation between authoritarianism and democracy.

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The re-emergence of debates on the decolonisation of knowledge has revived interest in the National Question, which began over a century ago and remains unresolved. Tensions that were suppressed and hidden in the past are now being openly debated. Despite this, the goal of one united nation living prosperously under a constitutional democracy remains elusive. This volume examines the way in which various strands of left thought have addressed the National Question, especially during the apartheid years, and goes on to discuss its relevance for South Africa today and in the future. Contributors have defined the question as they believe appropriate, which has resulted in a rich tapestry of interweaving perceptions about the unresolved National Question. The volume is structured in two parts. The first examines four foundational traditions – Marxism-Leninism (the Colonialism of a Special Type thesis); the Congress tradition; the Trotskyist tradition; and Africanism. The second part explores the various shifts in the debate from the 1960s onwards, and includes chapters on Afrikaner nationalism, ethnic issues, Black Consciousness, feminism, workerism and constitutionalism. By revisiting these debates, the volume will become a catalyst for an enriched debate on our identity and our future.

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The African Treasury Series, published from the 1940s onwards, consists of texts written by pioneers of South African literature in African languages. It provided a voice for the voiceless and celebrated African culture, history and heritage. The reissue of these foundational texts with new introductions supports ongoing efforts to highlight the importance of writing in indigenous languages, and to remember and celebrate these early giants of African literature. The African Treasury Series is now available in ebook and print formats. Inkondlo kaZulu (Zulu Poems), the first volume of poetry by B.W. Vilakazi, was first published in 1935. This was the first book of poems ever published in isiZulu; it also marked the launch of the newly established Bantu (later, African) Treasury Series (published by the University of the Witwatersrand Press), a collection of twenty classic works written between 1935 and 1987 in African indigenous languages. It contains superb nature poems and also reflects Vilakazi’s contact with Western modernity. As both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry), he used his writings to express his resistance to the realities of capitalist exploitation of African labour and the appalling injustices of the migrant labour system. By committing to writing in poetic form what had traditionally been conveyed orally from one generation to the next, he preserves for future generations deep philosophical and emotional experiences of Zulu society. The republication of Inkondlo kaZulu affords the reader the opportunity to reappraise Vilakazi’s intellectual significance and his renown as the ‘father of Nguni literature’ at a time when the need is acutely felt to unshackle ourselves from ethnic boundaries and break the invisible chains of inherited prejudice. Inkondlo kaZulu is part of Wits University Press’ African Treasury Series.

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#FeesMustFall, the student revolt that began in October 2015, was an uprising against lack of access to, and financial exclusion from, higher education in South Africa. More broadly, it radically questioned the socio-political dispensation resulting from the 1994 social pact between big business, the ruling elite and the liberation movement.The 2015 revolt links to national and international youth struggles of the recent past and is informed by Black Consciousness politics and social movements of the international Left. Yet, its objectives are more complex than those of earlier struggles. The student movement has challenged the hierarchical, top-down leadership system of university management and it’s ‘double speak’ of professing to act in workers’ and students’ interests yet enforce a regressive system for control and governance. University managements, while one one level amenable to change, have also co-opted students into their ranks to create co-responsibility for the highly bureaucratised university fi nancial aid that stand in the way of their social revolution.This book maps the contours of student discontent a year after the start of the #FeesMustFall revolt. Student voices dissect coloniality, improper compromises by the founders of democratic South Africa, feminism, worker rights and meaningful education. In-depth assessments by prominent scholars refl ect on the complexities of student activism, its impact on national and university governance, and offer provocative analyses of the power of the revolt.

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The contributors to this volume draw on a non-dogmatic Marxist approach to explain the systemic and conjunctural dynamics of crisis inherent in global capitalism. Their analysis asks what is historically specific to capitalism’s crises while avoiding catastrophic or defeatist claims. At the same time the volume situates left agency within actual patterns of resistance and class struggle to clarify the potential for transformative change. The cycle of resistance strengthened by the World social Forum and transnational activism is now punctuated by the experience of the Arab spring, the agency of antisystemic movements, left think tanks, the Occupy Wall street Movement, labour unions, left parties in europe such as syrizia and Podemos and peoples’ budgeting in Kerala, india. On the down side we are witnessing the waning of the Workers Party in Brazil and serious challenges for south Africa’s once powerful labour movement and still formative social justice activism. All these developments are assessed in this volume. This is the second volume in the Democratic Marxism series. it elaborates on crucial themes introduced in the first volume, Marxisms in the 21st Century: Crisis, Critique and Struggle (edited by Michelle Williams and vishwas satgar).

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The Gordonia region of the Northern Cape Province has received relatively little attention from historians. In Hidden Histories of Gordonia: Land dispossession and resistance in the Northern Cape, 1800–1990, Martin Legassick explores aspects of the generally unknown ‘brown’ and ‘black’ history of the region. Emphasising the lives of ordinary people, his writing is also in part an exercise in ‘applied history’ – historical writing with a direct application to people’s lives in the present.Tracing the indigenous history of Gordonia as well as the northward movement of Basters and whites from the western Cape through Bushmanland to the Orange River, the book presents accounts of family histories, episodes of indigenous resistance to colonisation, and studies of the ultimate imposition of racial segregation and land dispossession on the inhabitants of the region. A recurrent theme is the question of identity and how the extreme ethnic fluidity and social mixing apparent in earlier times crystallised in the colonial period into racial identities, until with fi nal conquest came imposed racial classifi cation.

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How do Muslims fit into South Africa’s well-known narrative of colonialism, apartheid, and postapartheid? South Africa is known for apartheid, but the country’s foundation was laid by 176 years of slavery from 1658 to 1834, which formed a crucible of war, genocide, and systemic sexual violence that continues to shape the country today. Enslaved people from East Africa, India, and Southeast Asia, many of whom were Muslim, would eventually constitute the majority of the population of the colony. Drawing on an extensive popular and official archive, Regarding Muslims analyzes the role of Muslims from South Africa’s founding moments to the contemporary period and points to the resonance of these discussions elsewhere. It argues that the 350-year archive of images documenting the presence of Muslims in South Africa is central to understanding the formation of concepts of race, sexuality, and belonging. In contrast to the themes of extremism and alienation that dominate Western portrayals of Muslims, Regarding Muslims explores an extensive repertoire of picturesque Muslim figures in South African popular culture, which oscillates with more disquieting images that occasionally burst into prominence during moments of crisis. This pattern is illustrated through analyses of etymology, popular culture, visual art, jokes, bodily practices, oral narratives, and literature. The book ends with the complex vision of Islam conveyed in the postapartheid period.

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The death of Nelson Mandela on 5 December 2013 was in a sense a wake-up call for South Africans, and a time to reflect on what has been achieved since ‘those magnificent days in late April 1994’ (as the editors of this volume put it) ‘when South Africans of all colours voted for the first time in a democratic election’. In a time of recall and reflection it is important to take account, not only of the dramatic events that grip the headlines, but also of other signposts that indicate the shape and characteristics of a society. The New South African Review looks, every year, at some of these signposts, and the essays in this fourth volume of the series again examine and analyse a broad spectrum of issues affecting the country. They tackle topics as diverse as the state of organised labour; food retailing; electricity generation; access to information; civil courage; the school system; and – looking outside the country to its place in the world – South Africa’s relationships with north-east Asia, with Israel and with its neighbours in the southern African region. Taken together, these essays give a multidimensional perspective on South Africa’s democracy as it turns twenty, and will be of interest to general readers while being particularly useful to students and researchers.

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This book takes the reader on a journey through the sensitive and often painful realities of contemporary South African life. Offering a fresh and innovative perspective on psychodynamic psychotherapy, it captures the possibilities of using psychodynamic theory in service of progressive and socially relevant application. Psychoanalysis as a long term modality is inaccessible to the average South African. In this book the authors describe how psychoanalytically orientated or psychodynamic psychotherapy can be practiced as a short-term endeavour and applied to contemporary issues facing the country. Psychodynamic work is currently undertaken by clinical psychologists, therapists, clinicians, trainers, teachers, clinical supervisors, consultants and researchers working in university settings, state hospitals, community projects, private practice and research. The debates, clinical issues, therapeutic practice and nature of research covered in the book are widely representative of the work being done in the country. The need for shorter term therapy models and evidence-based interventions is as acute in global practice as it is locally. The lessons learned in South Africa have broader implications for international practitioners, and the authors stress the potential inherent in psychoanalytic theory and technique to tackle the complex problems faced in all places and settings characterised by increasing globalisation and dislocation. The book is structured in three main sections. The first introduces contemporary issues about race, identity, disavowal and otherness viewed within an intersubejctive theoretical frame. The second section deals broadly with psychodynamic perspectives in trauma, the impact of violence on attachment, family function and individual survival, and the psychotherapeutic dilemmas these conditions raise for psychodynamically orientated therapists. The third section deals with a range of highly relevant social issues, including the complex relationship between psychoanalysis and traditional healing, the politics and psychodynamics of gendered violence, the challenge of running psychodynamic group therapy community projects with South African AIDS orphans, the intergenerational and psychodynamic processes in the proliferation of serial murder in post-apartheid South Africa and the psychodynamic potential for reparative therapy in contemporary South Africa. Psychodynamic Psychotherapy in South Africa is aimed at local and international practitioners and students, while non-specialist readers will find the text informative and accessible.

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Nuruddin Farah is widely regarded as one of the most sophisticated voices in contemporary world literature. Michel Foucault is revered as one of the most important thinkers of the twentieth century, with his discursive legacy providing inspiration for scholars working in a range of interdisciplinary fields. The Disorder of Things offers a reading of the Somali novelist through the prism of the French philosopher. The book argues that the preoccupations that have remained central throughout Farah’s forty year career, including political autocracy, female infibulation, border conflicts, international aid and development, civil war, transnational migration and the Horn of Africa’s place in a so-called ‘axis of evil’, can be mapped onto some key concerns in Foucault’s writing most notably Foucault’s theoretical turn from ‘disciplinary’ to ‘biopolitical’ power.In both the colonial past and the postcolonial present, Somalia is typically represented as an incubator of disorder: whether in relation to internecine conflict, international terrorism or contemporary piracy. Through his work, both fictional and non-fictional, Farah strives to present alternative stories to an expanding global readership. The Disorder of Things analyses the politics and poetics that underpin this literary project, beginning with Farah’s first fictional cycle, Variations on the Theme of an African Dictatorship (1979-1983), and ending with his Past Imperfect trilogy (2004-2011). Farah’s writing calls for a more refined, substantial reading of our current geo-political situation. As such, it both warrants and compels the kind of critical engagement foregrounded throughout The Disorder of Things.This book will appeal to students, academics and general readers with an interest in the interdisciplinary study of literature. Its engagement with theorists, drawn from postcolonial, feminist and development studies, set against the backdrop of a host of philosophical and sociological discourses, shows how such intellectual cross-fertilisation can enliven a single-author study.

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This book explores the power of print and the politics of the book in South Africa from a range of disciplinary perspectives - historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in contests over the nature of the colonial public sphere in the nineteenth century; orthography; iimbongi, orature and the canon; book-collecting and libraries; print and transnationalism; Indian Ocean cosmopolitanisms; books in war; how the fates of South African texts, locally and globally, have been affected by their material instantiations; photocomics and other ephemera; censorship, during and after apartheid; books about art and books as art; local academic publishing; and the challenge of 'book history' for literary and cultural criticism in contemporary South Africa.

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A detailed examination of all aspects of parrots from behavior to their conservation.Parrots' colour and charisma, coupled with the fact that they mimic human speech, make them fascinating to many people. They are ancient birds with unique bill and foot structures that enable them to forage on fruits in the canopy of forest trees as well as on seeds in grasslands. Because they depend on fruits and seeds all year round, most species are confined to the tropics or sub-tropics, where the world's biodiversity is at its greatest. There are over three hundred species of parrots, of which more than one hundred are recognised as rare, endangered, vulnerable or threatened with extinction. Parrots are largely distributed in tropical areas of developing countries where economies are weak and uncertain, and where there is great dependence on the exploitation of natural resources, particularly hard wood evergreen forests, which are preferred parrot habitats. Unfortunately, high levels of corruption are common to these regions, with much illegal trade in animals and little or no law enforcement. Collectors of parrots in the first world pay huge sums for rare parrots. However, research, education and conservation actions are greatly reducing illegal trade in African parrots. This book provides complete coverage of all aspects of the biology of extant African, Malagasy and Mascarene parrots, and reviews our knowledge of extinct and fossil parrots from the region. Particular themes include the behavioural and ecological characteristics of parrots, their species characteristics and conservation biology. Current concepts in avian and conservation biology are also discussed. Parrots of Africa, Madagascar and the Mascarene Islands is aimed at ornithologists, conservation biologists, avian ecologists, academics, bird watchers and parrot fans alike. It is well illustrated, with high quality original photographs, and includes distribution maps, figures and tables.

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The Bleek and Lloyd Collection consists of the notebooks in which William Bleek and Lucy Lloyd transcribed and translated the narratives, cultural information and personal histories told to them in the 1870’s by a number of ǀXam informants. It represents a rare and rich record of an indigenous language and culture that no longer exists. The ǀXam materials have exerted a fascination for anthropologists and poets alike. They are compromised, mysterious, and yet essential. How does one begin reading texts that are at once so compromised and so unique? Bushman Letters: Interpreting ǀXam Narrative is an unusual and important book for it examines not only the ǀXam archive but also, and in the first instance, the critical tradition that has grown up around the archive as well as the hermeneutic principles that inform that tradition. It critiques these principles and offers not so much alternative readings as alternative modes of reading. The book accomplishes two things: it shows the problems with the ways that the materials in the Bleek and Lloyd Collection have been approached by previous critics, and it suggests what their interpretations have left out in the course of its own detailed and poetic readings of a number of narratives. The book must be described as metacritical: it is criticism about the critical tradition that has grown up around the ǀXam archive and in the fields of folklore and mythology more widely. Bushman Letters addresses a curiously neglected area in the burgeoning literature on the Bleek and Lloyd collection: the texts themselves. In doing so, the book makes a substantial contribution to the study of oral narratives in general and to the theoretical discourse that informs such studies.

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The First Ethiopians explores the images of Africa and Africans that evolved in ancient Egypt, in classical Greece and imperial Rome, in the early Mediterranean world, and in the early domains of Christianity. Inspired by curiosity regarding the origins of racism in southern Africa, Malvern van Wyk Smith consulted a wide range of sources: from rock art to classical travel writing; from the pre-dynastic African beginnings of Egyptian and Nubian civilisations to Greek and Roman perceptions of Africa; from Khoisan cultural expressions to early Christian conceptions of Africa and its people as 'demonic'; from Aristotelian climatology to medieval cartography; and, from the geo-linguistic history of Africa to the most recent revelations regarding the genome profile of the continent's peoples. The research led to a startling proposition: western racism has its roots in Africa itself, notably in late New-Kingdom Egypt as its ruling elites sought to distance Egyptian civilisation from its African origins. Kushite Nubians, founders of Napata and Meroe who, in the eighth century BC, furnished the Black rulers of the twenty-fifth Dynasty in Egypt, adopted and adapted such dynastic discriminations in order to differentiate their own 'superior' Meroitic civilisation from the world of 'other Ethiopians'. In due course, Archaic Greeks, who began to arrive in the Nile Delta in the seventh century BC, internalised these distinctions in terms of Homer's identification of 'two Ethiopias', an eastern and a western, to create a racialised (and racist) discourse of 'worthy' and 'savage Ethiopians'. Such conceptions would inspire virtually all subsequent Roman and early medieval thinking about Africa and Africans, and become foundational in European thought. The book is richly illustrated and concludes with a survey of the special place that Aksumite Ethiopia - later Abyssinia - has held in both European and African conceptual worlds as the site of 'worthy Ethiopia', as well as in the wider context of discourses of ethnicity and race.

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Alexandra - A History is a social history of one of South Africa's oldest townships. It covers the period from the township's founding in 1912, when it was perceived as a peri-urban out-post, through to its growth as a centre of black working class life in the heart of Johannesburg, to the post-apartheid era. Declared as a location for 'natives and coloureds', Alexandra became home to a diverse population where home-owners, tenants, squatters, hostel-dwellers, workers and migrants drawn from every corner of the country converged to make a life in the city. The stories of ordinary people are at the core of the township's history. Based on scores of life history interviews, the book portrays in vivid detail the daily struggles and tribulation of Alexandrans. A focus point is the rich history of political resistance, in which civic movements and political organisations - such as the ANC, Communist Party and socialist organisations like the Movement for Democracy of Content - organised bus boycotts, anti-removal and anti-pass campaigns, and mobilised for housing and a better life for residents. But the book is not only about politics. It tells the stories of daily life, of the making of urban cultures and of the infamous Spoilers and Msomi gangs. Over weekends Alexandra came alive as soccer matches, church services and shebeens vied for the attention of residents. ""Alexandra - A History"" highlights the social complexities of the township, which at times caused tension between different segments of the population, such as between the 'bona fides' and amagoduka, stand-owners and tenants, or hostel-dwellers and township residents. Above all else the community spirit of Alexandrans, expressed in an enduring love for the place, has repeatedly triumphed in the face of untold misery and adversity.

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In the age of the African Renaissance, southern Africa has needed to reinterpret the past in fresh and more appropriate ways. The last 500 years represent a strikingly unexplored and misrepresented period which remains disfigured by colonial/apartheid assumptions, most notably in the way that African societies are seen as fixed, passive, isolated, un-enterprising and unenlightened.This period is one of the most formative in relation to southern Africa's past while remaining, in many ways, the least known. Key cultural contours took shape, while in a jagged and uneven fashion some of the features of modern identities emerged. Enormous internal economic innovation and political experimentation was taking place at the same time as expanding European mercantile forces started to press upon southern African shores and its hinterlands. This suggests that interaction, flux and mixing were a strong feature of the period, rather than the homogeneity and fixity proposed in standard historical and archaeological writings."" Five Hundred Years Rediscovered: Southern African Precedents and Prospects"" represents the first step, by a group of archaeologists and historians, to collectively reframe, revitalise and re-examine the last 500 years. By integrating research and developing trans-frontier research networks, the group hopes to challenge thinking about the region's expanding internal and colonial frontiers, and to extend current perceptions about southern Africa's colonial past.

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Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography.The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists.The essays focus on a variety of musics (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel's Messiah). Musical institutions and previously little-researched performers (such as the African National Congress' troupe-in-exile Amandla) are explored.The writers (from South Africa, the UK and US) move well beyond their subject matter, intervening in debates on race, historiography and postcolonial epistemologies and pedagogies.

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Two very different women meet during a long wait to buy subsidized rice and discover they have more in common than their poverty; an old man and child share a last, loving waltz; a cynical, disabled gangster learns humanity from a committed social worker; and a young girl finds her missing father and her role in the political struggle. This colleciton of three plays and one cine poem captures the essence of Zakes Mda's method as a dramatist. In most of the works, the chartacters have no names: they come onto the stage with no identity - except perhaps for the kind of clothes they wear - and slowly reveal themselves. What the reader experiences is a slow but intimate process of revelation (on the part of the characters) and discovery (on the part of the audience or readers).

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Anxious Joburg focuses on Johannesburg, the largest and wealthiest city in South Africa, as a case study for the contemporary global South city. Global South cities are often characterised as sites of contradiction and difference that produce a range of feelings around anxiety. This is often imagined in terms of the global North’s anxieties about the South: migration, crime, terrorism, disease and environmental crisis. Anxious Joburg invites readers to consider an intimate perspective of living inside such a city. How does it feel to live in the metropolis of Johannesburg: what are the conditions, intersections, affects and experiences that mark the contemporary urban? Scholars, visual artists and storytellers, all look at unexamined aspects of Johannesburg life. From peripheral settlements to the inner city to the affluent northern suburbs, from precarious migrants and domestic workers to upwardly mobile young women and fearful elites, Anxious Joburg presents an absorbing engagement with this frustrating, dangerous, seductive city. It offers a rigorous, critical approach to Johannesburg revealing the way in which anxiety is a vital structuring principle of contemporary life. The approach is strongly interdisciplinary, with contributions from media studies, anthropology, religious studies, urban geography, migration studies and psychology. It will appeal to students and teachers, as well as to academic researchers concerned with Johannesburg, South Africa, cities and the global South. The mix of approaches will also draw a non-academic audience.

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This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of 'content producers'. Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony. A valuable introduction to the confusion that confronts journalism students, it has much to offer practising media professionals. Daniels uses her years of experience as a newspaper journalist to write with authority and illuminate complex issues about newsroom politics. Interviews with alienated media professionals and a semi-autobiographical lens add a personal element that will appeal to readers interested in the inner life of the media.

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Emerging in the late nineteenth century and gaining currency in the 1930s and 1940s, Afrikaner nationalist fervour underpinned the establishment of white Afrikaner political and cultural domination during South Africa's apartheid years. Focusing on manifestations of Afrikaner nationalism in paintings, sculptures, monuments, buildings, cartoons, photographs, illustrations and exhibitions, Troubling Images offers a critical account of the role of art and visual culture in the construction of a unified Afrikaner imaginary, which helped secure hegemonic claims to the nation-state. This insightful volume examines the implications of metaphors and styles deployed in visual culture, and considers how the design, production, collecting and commissioning of objects, images and architecture were informed by Afrikaner nationalist imperatives and ideals. While some chapters focus only on instances of adherence to Afrikaner nationalism, others consider articulations of dissent and criticism. By 'troubling' these images: looking at them, teasing out their meanings, and connecting them to a political and social project that still has a major impact on the present moment, the authors engage with the ways in which an Afrikaner nationalist inheritance is understood and negotiated in contemporary South Africa. They examine the management of its material effects in contemporary art, in archives, the commemorative landscape and the built environment. Troubling Images adds to current debates about the histories and ideological underpinnings of nationalism and is particularly relevant in the current context of globalism and diaspora, resurgent nationalisms and calls for decolonisation.

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Shadow of Liberation explores the twists, turns, contestations and compromises of the African National Congress’ (ANC) economic and social policy-making, with a particular focus on the transition era of the 1990s and the early years of democracy. Padayachee and Van Niekerk focus on the primary question of how and why the ANC, given its historical egalitarian, redistributive stance, did such a dramatic about-face in the 1990s and moved towards an essentially market-dominated approach. Was it pushed or did it go willingly? What role, if any, did Western governments and international financial institutions play? And what of the role of the late apartheid state and South African business? Did leaders and comrades ‘sell out’ the ANC’s emancipatory policy vision?Drawing on primary archival evidence as well as extensive interviews with key protagonists across the political, non-government and business spectrum, the authors argue that the ANC’s emancipatory policy agenda was broadly to establish a social democratic welfare state to uphold rights of social citizenship. However, its economic policy framework to realise this mission was either non-existent or egregiously misguided.With the damning revelations of the Zondo Commission of Inquiry into State Capture on the massive corruption of the South African body politic, the timing of this book could not be more relevant. South Africans need to confront the economic and social policy choices that the liberation movement made and to see how these decisions may have facilitated the conditions for corruption – not only of a crude financial character but also of our emancipatory values as a liberation movement – to emerge and flourish.

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N. Chabani Manganyi is one of South Africa’s most eminent intellectuals and an astute social and political observer of his time. He has had a distinguished career in psychology, education and in government, and has written widely on subjects relating to ethno-psychiatry, autobiography, black artists and race.Being-Black-in-the-World, one of his first publications, was written in 1973 at a time of global socio-political change and renewed resistance to the brutality of apartheid rule, including the Durban strikes of 1973 and the emergence of Black Consciousness. Publication of the book was delayed until the young Manganyi had left the country (to study at Yale University) as his publishers feared that the apartheid censorship board and security forces would prohibit him from leaving the country, and perhaps even incarcerate him, for being a ‘radical revolutionary’. Like Fanon in Black Skins, White Masks, Manganyi expressed the vileness of the racist order and its effect on the human condition.While the essays in this book are clearly situated in the material and social conditions of that time, they also have a timelessness that speaks to our contemporary concerns regarding black subjectivity, affectivity and corporeality; the persistence of a racial (and racist) order; and the possibilities of a renewed de-colonial project. Each of these short essays can be read as self-contained reflections on what it meant to be black during the apartheid years. At the same time, Manganyi weaves a tight and interconnected argument that gives the book a quiet cohesiveness. He is a master of understatement, and yet this does not stop him from making incisive political criticisms of black subjugation under apartheid. The essays will reward close study for anyone trying to make sense of black subjectivity and the persistence of white insensitivity to black suffering. Ahead of its time, the ideas in this book are an exemplary demonstration of what a thoroughgoing and rigorous de-colonial critique should entail.

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Shortly after the giant bronze statue of Cecil John Rhodes came down at the University of Cape Town, student protestors called for the decolonisation of universities. It was a word hardly heard in South Africa’s struggle lexicon and many asked: What exactly is decolonisation? This book brings together some of the most innovative thinking on curriculum theory to address this important question. In the process, several critical questions are raised: Is decolonisation simply a slogan for addressing other pressing concerns on campuses and in society? What is the colonial legacy with respect to curricula and can it be undone? How is the project of curricula decolonisation similar to or different from the quest for post-colonial knowledge, indigenous knowledge or a critical theory of knowledge? What does decolonisation mean in a digital age where relationships between knowledge and power are shifting? Strong conceptual analyses are combined with case studies of attempts to ‘do decolonisation’ in settings as diverse as South Africa, Uganda, Tanzania and Mauritius. This comparative perspective enables reasonable judgments to be made about the prospects for institutional take-up within the curriculum of century-old universities. Decolonisation in Universities is essential reading for undergraduate teaching, postgraduate research and advanced scholarship in the field of curriculum studies.

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The 2017 publication of Betrayal of the Promise, the report that detailed the systematic nature of state capture, marked a key moment in South Africa’s most recent struggle for democracy. In the face of growing evidence of corruption and of the weakening of state and democratic institutions, it provided a powerful analysis of events that helped galvanise resistance within the Tripartite Alliance and across civil society. Working often secretly, the authors consolidated large amounts of evidence from a variety of sources. They showed that the Jacob Zuma administration was not simply a criminal network but part of an audacious political project to break the hold of white business on the economy and to create a new class of black industrialists. State-owned enterprises (SOEs) such as Eskom and Transnet were central to these plans.Shadow State is an updated version of the original, explosive report that changed South Africa’s recent history. It introduces a whole new language to discuss state capture, showing how SOEs were ‘repurposed’, how political power was shifting away from constitutional bodies to ‘kitchen cabinets’, and how a ‘shadow state’ at odds with the country’s constitutional framework was being built.

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Organise or Die? Democracy and Leadership in South Africa’s National Union of Mineworkers is the first in-depth study of one of the leading trade unions in the country. Founded in 1982, the trade union played a key role in the struggle against white minority rule, before turning into a central protagonist of the ruling Tripartite Alliance after apartheid. Deftly navigating through workerist, social movement and political terrains that shape the South African labour landscape, this book sheds light on the path that led to the unprecedented 2012 Marikana massacre, the dissolution of the Congress of South African Trade Unions (Cosatu) federation and to fractures within the African National Congress (ANC) itself.Working with the notions of organisational agency and strategic bureaucratisation, Raphaël Botiveau shows how the founding leadership of NUM built their union’s structures with a view to mirror those of the multinational mining companies NUM faced. Good leadership proved key to the union’s success in recruiting and uniting mineworkers and NUM became an impressive school for union and political cadres, producing a number of South Africa’s top post-apartheid leaders. An incisive analysis of leadership styles and strategies shows how the fragile balance between an increasingly distant leadership and an increasingly militant membership gradually broke down.Botiveau provides a compelling narrative of NUM’s powerful history and the legacy of its leadership. It will appeal to a broad readership – including journalists, students and social sciences scholars – interested in South Africa’s contemporary politics and labour history.

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Shaping markets through competition and economic regulation is at the heart of addressing the development challenges facing countries in southern Africa. The contributors to Competition Law and Economic Regulation: Addressing Market Power in southern Africa critically assess the efficacy of the competition and economic regulation frameworks, including the impact of a number of the regional competition authorities in a range of sectors throughout southern Africa. Featuring academics as well as practitioners in the field, the book addresses issues common to southern African countries, where markets are small and concentrated, with particularly high barriers to entry, and where the resources to enforce legislation against anti-competitive conduct are limited. What is needed, the contributors argue, is an understanding of competition and regional integration as part of an inclusive growth agenda for Africa.By examining competition and regulation in a single framework, and viewing this within the southern African experience, this volume adds new perspectives to the global competition literature. It is an essential reference tool and will be of great interest to policymakers and regulators, as well as the rapidly growing ecosystem of legal practitioners and economists engaged in the field.

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To date, there has been no published textbook which takes into account changing sociolinguistic dynamics that have influenced South African society. Multilingualism and Intercultural Communication breaks new ground in this arena. Its scope ranges from macro-sociolinguistic questions pertaining to language policies and their implementation (or non-implementation), to microsociolinguistic observations of actual language use in verbal interaction, mainly in multilingual contexts of Higher Education (HE). There is a gradual move for the study of language and culture to be taught in the context of (professional) disciplines in which they would be used. This book caters for this growing market. Because of its multilingual nature, it caters to English and Afrikaans language speakers, as well as the Sotho and Nguni language groups. It brings together various interlinked disciplines such as Sociolinguistics and Applied Language Studies, Media Studies and Journalism, History and Education, Social and Natural Sciences, Law, Human Language Technology, Music, Intercultural Communication and Literary Studies. The unique crosscutting disciplinary features of the book will make it a must-have for twenty-first century South African students and scholars and those interested in applied language issues.

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These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present. In this ground-breaking book, Mbuso Nkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that, for most Black South Africans, the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored.Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks. In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist.This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

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What does friendship have to do with racial difference, settler colonialism and post-apartheid South Africa? While histories of apartheid and colonialism in South Africa have often focused on the ideologies of segregation and white supremacy, Ties that Bind explores how the intimacies of friendship create vital spaces for practices of power and resistance. Combining interviews, history poetry, visual arts, memoir and academic essay, the collection keeps alive the promise of friendship and its possibilities while investigating how affective relations are essential to the social reproduction of power. From the intimacy of personal relationships to the organising ideology of liberal colonial governance, the contributors explore the intersection of race and friendship from a kaleidoscope of viewpoints and scales. Insisting on a timeline that originates in settler colonialism, Ties that Bind uncovers the implication of anti-Blackness within nonracialism, and powerfully challenges a simple reading of the Mandela moment and the rainbow nation. In the wake of countrywide student protests calling for decolonization of the university, and reignited debates around racial inequality, this timely volume insists that the history of South African politics has always already been about friendship.Written in an accessible and engaging style, Ties that Bind will interest a wide audience of scholars, students, and activists, as well as general readers curious about contemporary South African debates around race and intimacy.

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Dorothea Bleek (1873 to 1948) devoted her life to completing the ‘bushman researches’ that her father and aunt had begun in the closing decades of the nineteenth century. this research was partly a labour of familial loyalty to Wilhelm, the acclaimed linguist and language scholar of nineteenthcentury Germany and later of the Cape Colony, and to Lucy Lloyd, a self-taught linguist and scholar of bushman languages and folklore; but it was also an expression of Dorothea’s commitment to a particular kind of scholarship and an intellectual milieu that saw her spending her entire adult life in the study of the people she called ‘bushmen’. How has history treated Dorothea Bleek? Has she been recognised as a scholar in her own right, or as someone who merely followed in the footsteps of her famous father and aunt? Was she an adventurer, a woman who travelled across southern Africa driven by intellectual curiosity? Or was she conservative, a researcher who belittled the people she studied? These are some of the questions with which Weintroub starts her thoughtful biography of Dorothea Bleek. The book examines Dorothea’s life story and family legacy, her rock art research and her fi eldwork in southern Africa, and, in light of these, evaluates her scholarship and contribution to the history of ideas in south Africa. The compelling and surprising narrative reveals an intellectual inheritance intertwined with the story of a woman’s life, and argues that Dorothea’s life work – her study of the bushmen – was also a sometimes surprising emotional quest.

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This volume contains cutting edge contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline. The volume aims to promote the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research. Since this volume covers the recording, interpretation and presentation of rock art, it will attract a wide audience of researchers, heritage managers and students, as well as anyone interested in the field of rock art studies.

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In the twenty years of transitional and democratic politics in South Africa, Susan Booysen constantly traversed two worlds, as direct observer and analyst-researcher. First, there is the world of the African National Congress (ANC), in which there is a sense of representation of the people in the contexts of elections and modern government. In ANC parlance, this is the time of the ‘national democratic revolution’ and there is continuous progress.The other world is that of critical observation and analysis. Here the observer-researcher negotiates the route between counter-truths, assessing how the ANC’s hegemonic power project of close to a century has materialised in the period of government power. It is a shifting target that is being analysed. The ‘answers’ are often at variance with the officially-projected ANC perspectives. The ANC and the Regeneration of Political Power straddles both worlds, but is unapologetically analytical. It builds on the empathy of understanding the struggles and achievements along with deferred dreams and frustrations. It moves to analyses of power, victories, strategy, engineering, manipulation, denials and corrections, obfuscation … and causes for celebration. Anchored in this world, the book focuses on discerning the bigger picture, which transcends the daily and monthly variances of who is in power and who in favour with those who are in power. Booysen has constructed the book around the framework of political power. Her analysis focuses on how the ANC, in twenty years of political power, has acted to continuously shape, maintain and regenerate power in relation to its internal structures and processes, opposition parties, people, government and the state.The chapters are all anchored in ongoing research and monitoring over this period, sometimes from the sidelines, but at other times with one foot in the political sphere.In 2011 the power configurations of and around the ANC are converging to deliver a present that holds vexing uncertainties. By dissecting contemporary power dimensions and comparing them with what has gone before, Booysen explores the construction of the political power ‘complex’ of the ANC. In so doing she offers insights into how South African politics, which is in many ways synonymous with the politics of the ANC, is likely to unfold in years, possibly decades, to come.

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South Africa’s future is increasingly tied up with that of India. While trade and investment between the two countries is intensifying, they share long-standing historical ties and have much in common: both countries are important players in the global South. As India emerges as a major economic power, the need to understand these links becomes ever more pressing. Can the two countries enter balanced forms of exchange or will India inevitably dominate? What forms of transnational political community between these two regions have yet to be researched and understood? South Africa and India addresses these questions and offers new approaches for researching transnational histories.

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Pierre Bourdieu (1930-2002) is the most influential sociologist of our time. His works take in education, culture, sport, literature, painting, class, philosophy, religion, law, media, intellectuals, methodology, photography, universities, colonialism, kinship, schooling and politics. Not much remains outside Bourdieu's sociological eye. His works are widely read across disciplines and he was one of the most prominent public intellectuals in France.Conversations with Bourdieu presents the first comprehensive attempt at a critical engagement with Bourdieu's theory as a totality. Michael Burawoy constructs a series of imaginary conversations between Bourdieu and his nemesis, Marxism, from which he silently borrowed so much. Starting with Marx, and proceeding through Gramsci, Fanon, Freire, de Beauvoir, and Mills, Burawoy takes up the challenge Bourdieu presents to Marxism, simultaneously developing a critique of Bourdieu and a reconstruction of Marxism. Karl Von Holdt, in turn, brings these conversations to South Africa, showing the relevance of Bourdieu's ideas to a country he never visited. Armed with Bourdieu, Von Holdt takes up some of the most pressing social and political issues of contemporary South Africa: the relation between symbolic and real violence, the place of intellectuals in public life, the intervention of gender in politics, the grappling with race, the critique of education, the importance of habitus, the history and future of class mobilisation, and the legacy of the liberation struggle. Conversations with Bourdieu pioneers a distinctive approach to doing social theory that is neither a combat sport nor an artificial synthesis, but a way of pushing theory to its limits through dialogue; dialogue between theorists and dialogue between theory and the world it represents.The book is distinctive too in pointing towards a new global sociology consciously rooted in a dialogue between the social realities and theoretical perspectives of North and South. The conversations were first presented as Mellon Lectures at the University of the Witwatersrand, Johannesburg in 2010

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0||The aim of this volume is to examine nascent movements, genre shifts, developing authors/playwrights and controversial themes as they emerged in both drama and theatre. The editors have focused on the essence of creative nexus of London from the end of the nineteenth century up to the beginning of the Great War (1914). The resultant study discusses Gordon Craig and production design, Wilde, Shaw, Synge, Pinero, Strindberg,Harley Granville Barker,Jones, Archer, Ford Madox Ford, D.H.Lawrence,Galsworthy, Sims, women playwrights, popular theatre among other topics. The work complements J.L.Styan s 3 volume Modern Drama in Theory and Practice and is more focused on late 19th/early 20th c transitions and dramatic breakthroughs than Modern British Drama of Christopher Innes.

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For nearly ten years - indeed more if we include his period of influence under Mandela's presidency - Thabo Mbeki bestrode South Africa's political stage. Despite attempts by some in the new ANC leadership to airbrush out his role, there can be little doubt that Mbeki was a seminal figure in South Africa's new democracy, one who left a huge mark in many fields, perhaps most controversially in state and party management, economic policy, public health intervention, foreign affairs and race relations. If we wish to understand the character and fate of post-1994 South Africa, we must therefore ask: What kind of political system, economy and society has the former President bequeathed to the government of Jacob Zuma and to the citizens of South Africa generally? This Question is addressed head-on here by a diverse range of analysts, commentators and participants in the political process. Amongst the specific questions they seek to answer: What is Mbeki's legacy for patterns of inclusion and exclusion based on race, class and gender? How, if at all, did his presidency reshape relations within the state, between the state and the ruling party and between the state and society? How did he reposition South Africa on the continent and in the world? This book will be of interest to anyone wishing to understand the current political landscape in South Africa, and Mbeki's role in shaping it.

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The Constitution of post-apartheid South Africa declares the Republic to be 'a sovereign, democratic state' founded on 'human dignity, the achievement of equality and the advancement of human rights and freedoms; non-racialism and non-sexism'. After centuries of white domination and decades of increasingly savage repression, freedom came to South Africa far later than elsewhere in the continent - and yet was marked by a commitment to non-racialism. Nelson Mandela's Cabinet and government were made up of women and men of all races, and many spoke of the birth of a new 'Rainbow Nation'. How did this come about? How did an African nationalist liberation movement resisting apartheid - a universally denounced violent expression of white supremacy - open its doors to other races, and whites, in particular? At what cost to itself? And what did non-racialism mean - why could whites, coloureds and Indians not join the African National Congress (ANC) until after 1990, when the ANC was unbanned, but had to remain racially discrete 'partners' - while fighting for a non-racial future? Why could members of all races join the Communist Party and the Liberal Party - but not the ANC? This book uncovers some of the stories and hidden histories that help explain our past. It focuses on a talented, brave, but tiny minority of whites - liberals, radicals, communists, Trotskyists, humanists, Christians, idealists - who rejected the growing racism of post-war South Africa and worked to breach the dividing line between black and white. From the Torch Commando, which could mobilise tens of thousands of whites at the beginning of the 1950s, to the Liberal Party and Congress of Democrats, which could boast only a few hundred members by the end of the decade, white activists fought to maintain the vision of racial equality in an increasingly divided society. Their African nationalist allies fought a harder battle within the ANC and other organisations, under growing pressure from Africanists and others, to keep alive the notion that black and white could struggle together and could live peacefully side by side. Together, black and white activists developed a theory of struggle and ways of mobilising that somehow kept alive the ideal of a non-racial South Africa. The democratic state ushered in after 1994 can be traced back directly to the work they undertook in the 1950s and after.

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The management of South Africa's elephants is a lightning-rod for a whole range of associated values-based policy issues pertaining to elephant in South Africa. The results of this comprehensive work will pave a way to better resolution of these controversial issues. The research has been thoroughly peer-, stakeholder- and publicity reviewed. It contains contributions from an expert author team comprised of many of the world's leading specialists, including biologists, environmentalists, ethicists, economists and lawyers. This title explores a range of topics: synthsising, evaluating and summarizing knowledge on the biology and ecology of elephants, elephant effects on trees, other herbivores, birds and ecosystem function, management techniques and the social, economic and ethical implications various options. Elephant management is the first of its kind and topical both nationally and internationally. The anticipated readership is broad, including not only conservation policymakers and practitioners in South Africa and Africa, but also postgraduate students in many parts of the world, researchers and academics, conservation NGO's, and members of the public.The title is likely to become required reading for university courses on related topics.

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Do South Africans Exist? addresses a gap in contemporary studies of nationalism and the nation, providing a critical study of South African nationalism, against a broader context of African nationalism in general. Narratives of resistance, telling of African peoples oppressed and exploited, presume that 'the people' preceded the period of nationalist struggle. This book explores how an African 'people' came into being in the first place, particularly in the South African context, as a collectivity organised in pursuit of a political, and not simply cultural, end. The author argues that the nation is a political community whose form is given in relation to the pursuit of democracy and freedom, and that if democratic authority is lodged in 'the people', what matters is the way that this 'people' is defined, delimited and produced. He argues that the nation precedes the state, not because it has always existed, but because it emerges in and through the nationalist struggle for state power. Ultimately, he encourages the reader to re-evaluate knee-jerk judgements about the failure of modernity in Africa.

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