Search results for ""University of Nebraska Press""

One Nation Under Baseball highlights the intersection between American society and America’s pastime during the 1960s, when the hallmarks of the sport—fairness, competition, and mythology—came under scrutiny. John Florio and Ouisie Shapiro examine the events of the era that reshaped the game: the Koufax and Drysdale million-dollar holdout, the encroachment of television on newspaper coverage, the changing perception of ballplayers from mythic figures to overgrown boys, the arrival of the everyman Mets and their free-spirited fans, and the lawsuit brought against team owners by Curt Flood. One Nation Under Baseball brings to life the seminal figures of the era—including Bob Gibson, Marvin Miller, Tom Seaver, and Dick Young—richly portraying their roles during a decade of flux and uncertainty.

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Though the first decades of the twentieth century witnessed extensive U.S. intervention in Latin American affairs, the United States started to back away from overtly flexing its military muscle to gain power and control, instead using a type of “soft power” more in tune with the spirit of cooperation and collaboration. This new policy, often viewed as female attributes of Pan Americanism, opened the door for women to gain a foothold on the inter-American stage. In the late nineteenth and early twentieth centuries, these Pan American women’s movements emerged with the founding of a variety of international organizations that began a worldwide campaign to improve women’s lives. In A Hemisphere of Women E. Sue Wamsley analyzes the history of the Inter-American Commission of Women: the first all-female, government-affiliated body to deal specifically with women’s civil and political rights in a transnational arena. She examines how women who had semi-official government roles worked within a neocolonial, male-dominated diplomatic setting to bring about change. U.S. women assumed that they would be the “natural” leaders, stereotyping their Latin American colleagues as unsophisticated and inexperienced. Party members quickly learned, however, that they had underestimated their Latin American sisters, who also had ideas about women’s rights and how the campaign should be run. Utilizing the policy of “soft power,” the women, with the help of Latin American officials, managed to work around cultural differences and define common goals rooted in the advancement of women’s civil and political rights, giving hemispheric women a recognized position in shaping transnational gender law. Wamsley’s innovative analysis at once addresses a void in scholarship and interweaves the history of Pan Americanism, foreign relations, and imperialism with that of women.

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2017 Alf Andrew Heggoy Book Prize Winner Over a span of thirty years in the late nineteenth and early twentieth centuries, the French Caribbean islands of Martinique and Guadeloupe endured natural catastrophes from all the elements—earth, wind, fire, and water—as well as a collapsing sugar industry, civil unrest, and political intrigue. These disasters thrust a long history of societal and economic inequities into the public sphere as officials and citizens weighed the importance of social welfare, exploitative economic practices, citizenship rights, racism, and governmental responsibility.Paradise Destroyed explores the impact of natural and man-made disasters in the turn-of-the-century French Caribbean, examining the social, economic, and political implications of shared citizenship in times of civil unrest. French nationalists projected a fantasy of assimilation onto the Caribbean, where the predominately nonwhite population received full French citizenship and governmental representation. When disaster struck in the faraway French West Indies—whether the whirlwinds of a hurricane or a vast workers’ strike—France faced a tempest at home as politicians, journalists, and economists, along with the general population, debated the role of the French state not only in the Antilles but in their own lives as well. Environmental disasters brought to the fore existing racial and social tensions and severely tested France’s ideological convictions of assimilation and citizenship. Christopher M. Church shows how France’s “old colonies” subscribed to a definition of tropical French-ness amid the sociopolitical and cultural struggles of a fin de siècle France riddled with social unrest and political divisions.

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Histories of French Sexuality contends that the history of sexuality is at a crossroads. Decades of scholarship have shown that sexuality is implicated in a wide range of topics, such as studies of reproduction, the body, sexual knowledge, gender identity, marriage, and sexual citizenship. These studies have broadened historical narratives and interpretations of areas such as urbanization, the family, work, class, empire, the military and war, and the nation. Yet while the field has evolved, not everyone has caught on, especially scholars of French history. Covering the early eighteenth century through the present, the essays in Histories of French Sexuality show how attention to the history of sexuality deepens, changes, challenges, supports, or otherwise complicates the major narratives of French history. This volume makes a set of historical arguments about the nature of the past and a larger historiographical claim about the value and place of the field of the history of sexuality within the broader discipline of history. The topics include early empire-building, religion, the Enlightenment, feminism, socialism, formation of the modern self, medicine, urbanization, decolonization, the social world of postwar France, and the rise of modern and social media.

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Mark Derby focuses on Douglas Jolly's wartime surgical work in Spain, tracing his career after the Spanish Civil War through his distinguished service in World War II and into his civilian life as medical director of Britain's largest hospital for amputees.

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The date is April 29, 2015. Baltimore is reeling from the devastating riots sparked by the death in police custody of twenty-five-year-old African American Freddie Gray. Set against this grim backdrop, less than thirty-six hours after the worst rioting Baltimore has seen since the assassination of Martin Luther King in 1968, the Baltimore Orioles and the Chicago White Sox take the field at Camden Yards. It is a surreal event they will never forget: the only Major League game until COVID ever played without fans. The eerily quiet stadium is on lockdown for public safety and because police are needed elsewhere to keep the tense city from exploding anew.When the Crowd Didn’t Roar chronicles this unsettling contest—as well as the tragic events that led up to it and the therapeutic effect the game had on a troubled city. The story comes vividly to life through the eyes of city leaders, activists, police officials, and the media who covered the tumultuous unrest on the streets of Baltimore, as well as the ballplayers, umpires, managers, and front-office personnel of the teams that played in this singular game and the fans who watched it from behind locked gates. Amid the uprising and great turmoil, baseball stopped to reflect on the fact that something different was happening in Baltimore and responded to it in an unprecedented way, making this the unlikeliest and strangest game ever played.

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As command module pilot of Apollo 17, the last crewed flight to the moon, Ron Evans combined precision flying and painstaking geological observation with moments of delight and enthusiasm. On his way to the launchpad, he literally jumped for joy in his spacesuit. Emerging from the command module to conduct his crucial spacewalk, he exclaimed, “Hot diggity dog!” and waved a greeting to his family. As a patriotic American in charge of command module America, Evans was nicknamed “Captain America” by his fellow crew members. Born in 1933 in St. Francis, Kansas, Evans distinguished himself academically and athletically in school, earned degrees in electrical engineering and aeronautical engineering, and became a naval aviator and a combat flight instructor. He was one of the few astronauts who served in combat during the Vietnam War, flying more than a hundred missions off the deck of the USS Ticonderoga, the same aircraft carrier that would recover him and his fellow astronauts after the splashdown of Apollo 17. Evans’s astronaut career spans the Apollo missions and beyond. He served on the support crews for 1, 7, and 11 and on the Apollo 14 backup crew before being selected for Apollo 17 and flying on the final moon mission in 1972. He next trained with Soviet cosmonauts as backup command module pilot for the 1975 Apollo-Soyuz mission and carried out early work on the space shuttle program. Evans then left NASA to pursue a business career. He died suddenly in 1990 at the age of fifty-six.

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From the early sixties to the late seventies, defensive end Ron McDole experienced football’s golden age from inside his old‑school, two‑bar helmet. During an eighteen‑year pro career, McDole—nicknamed “The Dancing Bear”—played in over 250 games, including two AFL Championships with the Buffalo Bills and one NFL Championship with the Washington Redskins. A cagey and deceptively agile athlete, McDole wreaked havoc on football’s best offenses as part of a Bills defensive line that held opponents without a rushing touchdown for seventeen straight games. His twelve interceptions remain a pro record for defensive ends. Traded by the Bills in 1970, he was given new life in Washington as one of the most famous members of George Allen’s game‑smart veterans known as “The Over‑the‑Hill Gang.” Through it all, McDole was known and loved by teammates and foes alike for his knowledge and skill on the field and his ability to have fun off it. In The Dancing Bear McDole the storyteller traces his life from his humble beginnings in Toledo, Ohio, to his four years at the University of Nebraska, his marriage to high school sweetheart Paula, and his long, accomplished professional career. He recounts the days when a pro football player needed an off‑season job to pay the bills and teams had to drive around in buses to find a city park in which to practice. The old AFL and NFL blitz back to life through McDole’s straightforward stories of time when the game was played more for love and glory than for money.

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Before the Coushatta Tribe of Louisiana became one of the state’s top private employers—with its vast landholdings and economic enterprises—they lived well below the poverty line and lacked any clear legal status. After settling near Bayou Blue in 1884, they forged friendships with their neighbors, sparked local tourism, and struck strategic alliances with civic and business leaders, aid groups, legislators, and other tribes. The Coushattas also engaged the public with stories about the tribe’s culture, history, and economic interests that intersected with the larger community, all while battling legal marginalization exacerbated by inconsistent government reports regarding their citizenship, treaty status, and eligibility for federal Indian services. Well into the twentieth century, the tribe had to overcome several major hurdles, including lobbying the Louisiana legislature to pass the state’s first tribal recognition resolution (1972), convincing the Department of the Interior to formally acknowledge the Coushatta Tribe through administrative channels (1973), and engaging in an effort to acquire land and build infrastructure.Basket Diplomacy demonstrates how the Coushatta community worked together—each generation laying a foundation for the next—and how they leveraged opportunities so that existing and newly acquired knowledge, timing, and skill worked in tandem.

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Tanella Boni is a major African poet, and this book, The Future Has an Appointment with the Dawn, is her first full collection to be translated into English. These poems wrestle with the ethnic violence and civil war that dominated life in West Africa’s Ivory Coast in the first decade of the new millennium. Boni maps these events onto a mythic topography where people live among their ancestors and are subject to the whims of the powerful, who are at once magical and all too petty. The elements—the sun, the wind, the water—are animated as independent forces, beyond simile or metaphor. Words, too, are elemental, and the poet is present in the landscape—“during these times / I searched for the letters / for the perfect word.” Boni affirms her desire for hope in the face of ethno‑cultural and state violence although she acknowledges that desiring to hope and hoping are not the same.

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Longtime fly fisherman Quinn Grover had contemplated the “why” of his fishing identity before more recently becoming focused on the “how” of it. He realized he was a dedicated fly fisherman in large part because public lands and public waterways in the West made it possible. In Wilderness of Hope Grover recounts his fly-fishing experiences with a strong evocation of place, connecting those experiences to the ongoing national debate over public lands. Because so much of America’s public lands are in the Intermountain West, this is where arguments about the use and limits of those lands rage the loudest. And those loudest in the debate often become caricatures: rural ranchers who hate the government; West Coast elites who don’t know the West outside Vail, Colorado; and energy and mining companies who extract from once-protected areas. These caricatures obscure the complexity of those who use public lands and what those lands mean to a wider population. Although for Grover fishing is often an “escape” back to wildness, it is also a way to find a home in nature and recalibrate his interactions with other parts of his life as a father, son, husband, and citizen. Grover sees fly fishing on public waterways as a vehicle for interacting with nature that allows humans to inhabit nature rather than destroy or “preserve” it by keeping it entirely separate from human contact. These essays reflect on personal fishing experiences with a strong evocation of place and an attempt to understand humans’ relationship with water and public land in the American West. Purchase the audio edition.

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2020 Choice Outstanding Academic Title The 1848 Treaty of Guadalupe Hidalgo, which transferred more than a third of Mexico’s territory to the United States, deferred full U.S. citizenship for Mexican Americans but promised, “in the mean time,” to protect their property and liberty. Erin Murrah-Mandril demonstrates that the U.S. government deployed a colonization of time in the Southwest to insure political and economic underdevelopment in the region and to justify excluding Mexican Americans from narratives of U.S. progress. With In the Mean Time, Murrah-Mandril contends that Mexican American authors challenged modern conceptions of empty, homogeneous, linear, and progressive time to contest U.S. colonization. Taking a cue from Latina/o and borderlands spatial theories, Murrah-Mandril argues that time, like space, is a socially constructed, ideologically charged medium of power in the Southwest. In the Mean Time draws on literature, autobiography, political documents, and historical narratives composed between 1870 and 1940 to examine the way U.S. colonization altered time in the borderlands. Rather than reinforce the colonial time structure, early Mexican American authors exploited the internal contradictions of Manifest Destiny and U.S. progress to resist domination and situate themselves within the shifting political, economic, and historical present. Read as decolonial narratives, the Mexican American cultural productions examined in this book also offer a new way of understanding Latina/o literary history.

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Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51–95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana’s work, however, links between the poet’s musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana—and indeed in early modern cultural production in general. As in many areas of her work, Sor Juana’s engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key. Hearing Voices focuses on these aural conceits in highlighting the importance of sound and—in most cases—its relationship with gender in Sor Juana’s work and early modern culture. Sarah Finley explores attitudes toward women’s voices and music making; intersections of music, rhetoric, and painting; aurality in Baroque visual art; sound and ritual; and the connections between optics and acoustics. Finley demonstrates how Sor Juana’s striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor men’s voices. Sound becomes a vehicle for women’s agency and responds to anxiety about the female voice, particularly in early modern convent culture.

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What does it mean to speak Sakha in the city? Words Like Birds, a linguistic ethnography of Sakha discourses and practices in urban far eastern Russia, examines the factors that have aided speakers in maintaining—and adapting—their minority language over the course of four hundred years of contact with Russian speakers and the federal power apparatus.Words Like Birds analyzes modern Sakha linguistic sensibilities and practices in the urban space of Yakutsk. Sakha is a north Siberian Turkic language spoken primarily in the Sakha Republic (Yakutia) in the northeastern Russian Federation. For Sakha speakers, Russian colonization in the region inaugurated a tumultuous history in which their language was at times officially supported and promoted and at other times repressed and discouraged. Jenanne Ferguson explores the communicative norms that arose in response to the top-down promotion of the Russian language in the public sphere and reveals how Sakha ways of speaking became emplaced in villages and the city’s private spheres. Focusing on the language ideologies and practices of urban bilingual Sakha-Russian speakers, Ferguson illuminates the changes that have taken place in the first two post-Soviet decades, in contexts where Russian speech and communicative norms dominated during the Soviet era. Weaving together three major themes—language ideologies and ontologies, language trajectories, and linguistic syncretism—this study reveals how Sakha speakers transform and adapt their beliefs, evaluations, and practices to revalorize a language, maintain and create a sense of belonging, and make their words heard in Sakha again in many domains of city life. Like the moveable spirited words, the focus of Words Like Birds is mobility, change, and flow, the tracing of the situation of bilinguals in Yakutsk.

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Almost Yankees is a poignant and nostalgic narrative of the lives and travails of Minor League Baseball, focusing on the 1981 championship season of the New York Yankees’ Triple-A farm club, the Columbus Clippers. That year was especially notable in the annals of baseball history as the year Major League Baseball went on strike in midseason. When that happened, the Clippers were suddenly the best team in baseball and found themselves the focus of national media attention. Many of these Minor Leaguers sensed this was their last, best chance to make an impression and fulfill their dreams to one day reach the majors. The Clippers’ raw recruits, prospects, and Minor League veterans responded to this opportunity by playing the greatest baseball of their lives on the greatest team most of them would ever belong to. Then the strike ended, leaving them to return to their ordinary aspirational lives and to be just as quickly forgotten.Almost Yankees is the previously untold baseball story of a team and its players performing in the shadow of one of the sport’s most famous teams and infamous owners. Featuring interviews with more than thirty former players (including Steve Balboni, Dave Righetti, Buck Showalter, and Pat Tabler) and dozens of other baseball and media figures, this season’s narrative chronicles success, failure, resilience, and redemption as told by a special group of players with hopes and dreams of big-league glory. J. David Herman, who worshipped the team as an eleven-year-old, tracked down his old heroes to learn their stories—and to better understand his own. The season proved to be a launching pad for some, a final chance for others, and the end of the dream for many others.

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Back to America is an ethnography of local activist groups within the Tea Party, one of the most important recent political movements to emerge in the United States and one that continues to influence American politics. Though often viewed as the brainchild of conservative billionaires and Fox News, the success of the Tea Party movement was as much, if not more, the result of everyday activists at the grassroots level. William H. Westermeyer traces how local Tea Party groups (LTPGs) create submerged spaces where participants fashion action-oriented collective and personal political identities forged in the context of cultural or figured worlds. These figured worlds allow people to establish meaningful links between their own lives and concerns, on the one hand, and the movement’s goals and narratives, on the other. Collectively, the production and circulation of the figured worlds within LTPGs provide the basis for subjectivities that often nurture political activism. Westermeyer reveals that LTPGs are vibrant and independent local organizations that, while constantly drawing on nationally disseminated cultural images and discourses, are far from simple agents of the larger organizations and the media. Back to America offers a welcome anthropological approach to this important social movement and to our understanding of grassroots political activism writ large.

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More than five hundred years after the fact, present-day writers still use hyperbolic adjectives to describe the “discovery” of the Americas. Columbus’s crossing of the Atlantic—and the age of exploration that ensued—dramatically and forever changed the early modern world. The societies, economies, cultures, arts, and burgeoning sciences of Europe were quickly transformed by the ongoing encounter with the New World. The meeting of the New and the Old Worlds, however, was more than a meeting of disparate civilizations. It was also a confluence of exciting and often surprising associations that continually created new interfaces between materials and knowledge. The Western and Eastern Hemispheres, brought together by sailing ships for the first time on a large scale, helped create the global landscape we take for granted today. Central to this formative moment in global history were New World plants. The agriculture of indigenous peoples mythically and materially shaped English society and, subsequently, its literature in new and startling ways.Sacred Seeds examines New World plants—tobacco, amaranth, guaiacum, and the prickly pear cactus—and their associated Native myths as they moved across the Atlantic and into English literature. Edward McLean Test reinstates the contributions of indigenous peoples to European society, charting an alternative cultural history that explores the associations and assemblages of transatlantic multiplicity rather than Eurocentric homogeny.

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Hercules and the King of Portugal investigates how representations of masculinity figure in the fashioning of Spanish national identity, scrutinizing ways that gender performances of two early modern male icons—Hercules and King Sebastian—are structured to express enduring nationhood. The classical hero Hercules features prominently in Hispanic foundational fictions and became intimately associated with the Hapsburg monarchy in the early sixteenth century. King Sebastian of Portugal (1554–78), both during his lifetime and after his violent death, has been inserted into his own land’s charter myth, even as competing interests have adapted his narratives to promote Spanish power. The hybrid oral and written genre of poetic Spanish theater, as purveyor and shaper of myth, was well situated to stage and resolve dilemmas relating both to lineage determined by birth and performance of masculinity, in ways that would ideally uphold hierarchy. Dian Fox’s ideological analysis exposes how the two icons are subject to political manipulations in seventeenth-century Spanish theater and other media. Fox finds that officially sanctioned and sometimes popularly produced narratives are undercut by dynamic social and gendered processes: “Hercules” and “Sebastian” slip outside normative discourses and spaces to enact nonnormative behaviors and unreproductive masculinities.

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Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Diné sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw from long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.

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What forges the unique human personality? In Island in the City Micah McCrary, taking his genetic inheritance as immutable, considers the role geography has played in shaping who he is. Place often leaves indelible marks: the badges of self-discovery; the scars from adversity and hardship; the gilded stamps from personal triumphs; the tattoos of memory; and the new appendages—friendships, experiences, and baggage—we carry with us. Each place, with its own personality, has the power to form or revise our personhood in surprising and fascinating ways. McCrary considers three places he has called home (Normal, Illinois; Chicago; and Prague) and reflects on how these surroundings have shaped him. His sharp-eyed, charming memoir-in-essays contemplates how aspects of his identity, such as being black, male, middle-class, queer, and American, have developed and been influenced by where he hangs his hat.

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2022 Heggoy Prize from the French Colonial Historical Society Royal Historical Society's 2022 Gladstone Book Prize Shortlist Hostages of Empire combines a social history of colonial prisoner-of-war experiences with a broader analysis of their role in Vichy’s political tensions with the country’s German occupiers. The colonial prisoners of war came from across the French Empire, they fought in the Battle for France in 1940, and they were captured by the German Army. Unlike their French counterparts, who were taken to Germany, the colonial POWs were interned in camps called Frontstalags throughout occupied France. This decision to keep colonial POWs in France defined not only their experience of captivity but also how the French and German authorities reacted to them.Hostages of Empire examines how the entanglement of French national pride after the 1940 defeat and the need for increased imperial control shaped the experiences of 85,000 soldiers in German captivity. Sarah Ann Frank analyzes the nature of Vichy’s imperial commitments and collaboration with its German occupiers and argues that the Vichy regime actively improved conditions of captivity for colonial prisoners in an attempt to secure their present and future loyalty. This French “magnanimity” toward the colonial prisoners was part of a broader framework of racial difference and hierarchy. As such, the relatively dignified treatment of colonial prisoners must be viewed as a paradox in light of Vichy and Free French racism in the colonies and the Vichy regime’s complicity in the Holocaust. Hostages of Empire seeks to reconcile two previously rather distinct histories: that of metropolitan France and that of the French colonies during World War II.

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Autofiction, or works in which the eponymous author appears as a fictionalized character, represents a significant trend in postwar American literature, when it proliferated to become a kind of postmodern cliché. The Story of “Me” charts the history and development of this genre, analyzing its narratological effects and discussing its cultural implications. By tracing autofiction’s conceptual issues through case studies and an array of texts, Marjorie Worthington sheds light on a number of issues for postwar American writing: the maleness of the postmodern canon—and anxieties created by the supposed waning of male privilege—the relationship between celebrity and authorship, the influence of theory, the angst stemming from claims of the “death of the author,” and the rise of memoir culture. Worthington constructs and contextualizes a bridge between the French literary context, from which the term originated, and the rise of autofiction among various American literary movements, from modernism to New Criticism to New Journalism. The Story of “Me” demonstrates that the burgeoning of autofiction serves as a barometer of American literature, from modernist authorial effacement to postmodern literary self-consciousness.

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Downwind is an unflinching tale of the atomic West that reveals the intentional disregard for the inhabitants and the environment in nuclear testing by the federal government and in uranium extraction by mining corporations during and after the Cold War. Sarah Alisabeth Fox interviews residents of the Great Basin region affected by environmental contamination from the uranium industry and nuclear testing fallout. Those residents tell tales of communities ravaged by cancer epidemics, farmers and ranchers economically ruined by massive crop and animal deaths, and Native miners working in dangerous conditions without proper safety equipment so that the government could surreptitiously study the effects of radiation on humans. In chilling detail, Downwind brings to light the stories and concerns of these groups whose voices have been silenced and marginalized for decades in the name of “patriotism” and “national security.” With the renewed boom in mining in the American West, Fox’s look at this hidden history, unearthed from years of field interviews, archival research, and epidemiological studies, is a must-read for every American concerned about the fate of our western lands and communities.

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In The Kid and Me Frederick Turner deftly re-creates the Lincoln County War in what was then New Mexico Territory. The 1878 war pitted an established faction led by James Dolan against new arrivals in the county led by John Tunstall and Alexander McSween. When Tunstall and McSween opened a dry-goods store in 1876 in a direct challenge to Dolan’s monopoly on the dry-goods business, trouble was inevitable. Both the Dolan and the Tunstall-McSween factions garnered supporters, including lawmen, criminal gangs, and ranch hands. The ambush and murder of Tunstall by a local sheriff’s posse loyal to Dolan sparked a wave of revenge killings and bloody reprisals in which Billy the Kid—one of Tunstall’s ranch hands—played a prominent role. Narrated by George Coe, an aged veteran of New Mexico’s Lincoln County War but now a devout painter of village churches, The Kid and Me tells what it felt like to ride alongside Billy the Kid, whom Coe both admired and greatly feared. Gang loyalty, extreme violence, political corruption in the highest places, and profound moral ambiguity characterize this tale of what made the American West wild.

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In their seven years together, quarterback Johnny Unitas and coach Don Shula, kings of the fabled Baltimore Colts of the 1960s, created one of the most successful franchises in sports. Unitas and Shula had a higher winning percentage than Lombardi’s Packers, but together they never won a championship. Baltimore lost the big game to the Browns in 1964 and to Joe Namath and the Jets in 1969’s Super Bowl III—both in stunning upsets. The Colts’ near misses in the Shula era were among the most confounding losses any sports franchise ever suffered. Rarely had a team in any league performed so well, over such an extended period, only to come up empty. The two men had a complex relationship stretching back to their time as young teammates competing for their professional lives. Their personal conflict mirrored their tumultuous times. As they elevated the brutal game of football, the world around them clashed about Vietnam, civil rights, and sex. Collision of Wills looks at the complicated relationship between Don Shula, the league’s winningest coach of all time, and his star player Johnny Unitas and how their secret animosity fueled the Colts in an era when their losses were as memorable as their victories.

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In Walking to Magdalena, Seth Schermerhorn explores a question that is central to the interface of religious studies and Native American and Indigenous studies: What have Native peoples made of Christianity? By focusing on the annual pilgrimage of the Tohono O’odham to Magdalena in Sonora, Mexico, Schermerhorn examines how these Indigenous people of southern Arizona have made Christianity their own. This walk serves as the entry point for larger questions about what the Tohono O’odham have made of Christianity. With scholarly rigor and passionate empathy, Schermerhorn offers a deep understanding of Tohono O’odham Christian traditions as practiced in everyday life and in the words of the O’odham themselves. The author’s rich ethnographic description and analyses are also drawn from his experiences accompanying a group of O’odham walkers on their pilgrimage to Saint Francis in Magdalena. For many years scholars have agreed that the journey to Magdalena is the largest and most significant event in the annual cycle of Tohono O’odham Christianity. Never before, however, has it been the subject of sustained scholarly inquiry.Walking to Magdalena offers insight into religious life and expressive culture, relying on extensive field study, videotaped and transcribed oral histories of the O’odham, and archival research. The book illuminates Indigenous theories of personhood and place in the everyday life, narratives, songs, and material culture of the Tohono O’odham.

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Situated at the crossroads of queer theory and postcolonial studies, Hybrid Anxieties analyzes the intertwined and composite aspects of identities and textual forms in the wake of the French-Algerian War (1954–1962). C. L. Quinan argues that the war precipitated a dynamic in which a contestation of hegemonic masculinity occurred alongside a production of queer modes of subjectivity, embodiment, and memory that subvert norms. Innovations in literature and cinema were also directly impacted by the long and difficult process of decolonization, as the war provoked a rethinking of politics and aesthetics. The novels, films, and poetry analyzed in Hybrid Anxieties trace this imbrication of content and form, demonstrating how a postwar fracturing had both salutary and injurious effects, not only on bodies and psyches but also on artistic forms. Adopting a queer postcolonial perspective, Hybrid Anxieties adds a new impulse to the question of how to rethink hegemonic notions of gender, sexuality, and nationality, thereby opening up new spaces for considering the redemptive and productive possibilities of negotiating life in a postcolonial context. Without losing sight of the trauma of this particularly violent chapter in history, Hybrid Anxieties proposes a new kind of hybridity that, however anxious and anticipatory, emphasizes the productive forces of a queer desire to deconstruct teleological relationships between past, present, and future.

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Psychoanalysis and the GlObal is about the hole at the heart of the “glObal,” meaning the instability and indecipherability that lies at the hub of globalization. The contributors use psychoanalysis to expose the unconscious desires, excesses, and antagonisms that accompany the world of economic flows, cultural circulation, and sociopolitical change. Unlike the mainstream discourse of globalization, which most often assumes unencumbered movement across borders, these contributors uncover what Lacan calls “the Real” of the glObal—its rifts, gaps, exceptions, and contradictions.Psychoanalysis and the GlObal adopts a psychoanalytic lens to highlight the unconscious circuits of enjoyment, racism, and anxiety that trouble, if not undermine, globalization’s economic, cultural, and environmental goals or gains. The contributors interrogate how unconscious desires and drives are externalized in our increasingly globalizing world: the ways in which traumas and emotional conflicts are integral to the disjunctures, homogeneities, and contingencies of global interactions; how social passions are manifested and materialized in political economy as much as in climate change, urban architecture, refugee and gender politics, or the growth of neo-populism; and how the unconscious serves as a basis for the rise and breakdown of popular movements against authoritarianism and neoliberal globalization. Psychoanalysis and the GlObal represents a major step forward in understanding globalization and also in extending the range and power of psychoanalytic critiques in, and of, geography.

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In Defense of Farmers illuminates anew the critical role farmers play in the future of agriculture and examines the social, economic, and environmental vulnerabilities of industrial agriculture, as well as its adaptations and evolution. Contextualizing the conversations about agriculture and rural societies within the disciplines of sociology, geography, economics, and anthropology, this volume addresses specific challenges farmers face in four countries: Bolivia, Brazil, Canada, and the United States. By concentrating on countries with the most sophisticated production technologies capable of producing the largest quantities of grains, soybeans, and animal proteins in the world, this volume focuses attention on the farmers whose labors, decision-making, and risk-taking throw into relief the implications and limitations of our global industrial food system. The case studies here acknowledge the agency of farmers and offer ways forward in the direction of sustainable agriculture. The future of industrial agriculture depends on farmers’ decisions.

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Public Privates focuses on public and private acts and spaces in media to explore the formation of geographies. Situated at the intersections of cultural geography, feminist geography, and media studies, Marcia R. England’s study argues that media both reinforce and subvert traditional notions of public and private spaces through depiction of behaviors and actions within those spheres. Though popular media contribute to the erosion of indistinct edges between spaces, they also frequently reinforce the traditional dualism through particular codings that designate the normed and gendered socio-spatial actions appropriate in each sphere—producing geographical imaginations and behaviors. England applies her immensely readable construction to a diverse and wide-ranging array of media including Buffy the Vampire Slayer, The Fast and the Furious, J-Horror, sitcoms, Degrassi, and reality TV. By examining the gendered representations of public and private spaces in media and how images influence imagined and lived geographies, England shows how popular culture, specifically visual media, transmits ideologies that disintegrate the already blurred boundaries between public and private spaces.

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“Mary and John Crane’s flight back toward their nesting grounds in Alaska was starting differently than most years. It wasn’t that they had lost each other again, like they did the year before in Nebraska, but this spring John wasn’t his normal self.” So begins Can You Dance Like John?, Jeff Kurrus’s fictional account of one sandhill crane learning to cope with the loss of her mate. Set on the crane’s migration path, this bittersweet story of love, loss, and healing will appeal to all ages. Michael Forsberg’s beautiful color photographs also help entertain and educate readers about sandhill cranes.

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Shape Shifters presents a wide-ranging array of essays that examine peoples of mixed racial identity, from the Roman and Chinese borderlands of classical antiquity to medieval Eurasian shape shifters, Native peoples of the missions of Spanish California, and African Americans in the post–civil rights era. At different times in their lives or over generations in their families, racial shape shifters have moved from one social context to another. And as new social contexts were imposed on them, identities have even changed from one group to another. Moving beyond the static either/or categories of racial identification found within typical insular conversations about mixed-race peoples, Shape Shifters explores these mixed-race identities as fluid, ambiguous, contingent, multiple, and malleable. With contributions by Ryan Abrecht, George J. Sánchez, Laura Moore, and Margaret Hunter, among others, Shape Shifters explores the forces of migration, borderlands, trade, warfare, occupation, colonial imposition, and the creation and dissolution of states and empires to highlight the historically contingent basis of identification among mixed-race peoples across time and space.

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The Heart in the Glass Jar begins with one man’s literal heart (that of a prominent statesman in mid-nineteenth-century Mexico) but is truly about the hearts, bodies, legal entanglements, and letters—as both symbols and material objects—of northern Mexicans from the 1860s through the 1930s. William E. French’s innovative study of courtship practice and family formation examines love letters of everyday folk within the framework of literacy studies and explores how love letters functioned culturally and legally. French begins by situating love letters in the context of the legal system, which protected the moral order of families and communities and also perpetuated the gender order—the foundation of power structures in Mexican society. He then examines reading and writing practices in the communities that the letters came from: mining camps, villages, small towns, and the “passionate public sphere” that served as the wider social context for the love letters and crimes of passion. Finally, French considers “sentimental anatomy,” the eyes, hearts, souls, and wills of novios (men and women in courting relationships), that the letters gave voice to and helped bring into being. In the tradition of Carlo Ginzburg’s The Cheese and the Worms and Natalie Zemon Davis’s The Return of Martin Guerre, French connects intimate lives to the broader cultural moment, providing a rich and complex cultural history from the intersection of love and law.

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A Cycle of the West rewards its readers with a sweeping saga of the American West and John G. Neihardt’s exhilarating vision of frontier history. It is infused with wonder, nostalgia, and a keen appreciation of epic history. Unquestionably the masterpiece of the poet who has been called the “American Homer,” A Cycle of the West celebrates the land and legends of the Old West in five narrative poems: The Song of Three Friends (1919), The Song of Hugh Glass (1915), The Song of Jed Smith (1941), The Song of the Indian Wars (1925), and The Song of the Messiah (1935). This unforgettable epic of discovery, conquest, courage, and tragedy speaks movingly and resoundingly of a unique American experience. The new introduction by former Texas poet laureate Alan Birkelbach and annotations by Joe Green present fresh views of Neihardt’s iconic work.

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The 1936 Yankees, the 1963 Dodgers, the 1975 Reds, the 2010 Giants—why do some baseball teams win while others don’t?General managers and fans alike have pondered this most important of baseball questions. The Moneyball strategy is not the first example of how new ideas and innovative management have transformed the way teams are assembled. In Pursuit of Pennants examines and analyzes a number of compelling, winning baseball teams over the past hundred-plus years, focusing on their decision making and how they assembled their championship teams.Whether through scouting, integration, instruction, expansion, free agency, or modernizing their management structure, each winning team and each era had its own version of Moneyball, where front office decisions often made the difference. Mark L. Armour and Daniel R. Levitt show how these teams succeeded and how they relied on talent both on the field and in the front office. While there is no recipe for guaranteed success in a competitive, ever-changing environment, these teams demonstrate how creatively thinking about one’s circumstances can often lead to a competitive advantage.Purchase the audio edition.

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In Topoi/Graphein Christian Abrahamsson maps the paradoxical limit of the in-between to reveal that to be human is to know how to live with the difference between the known and the unknown. Using filmic case studies, including Code Inconnu, Lord of the Flies, and Apocalypse Now, and focusing on key concerns developed in the works of the philosophers Deleuze, Olsson, and Wittgenstein, Abrahamsson starts within the notion of fixed spatiality, in which human thought and action are anchored in the given of identity. He then moves through a social world in which spatiotemporal transformations are neither fixed nor taken for granted. Finally he edges into the pure temporality that lies beyond the maps of fixed points and social relations. Each chapter is organized into two subjects: topoi, or excerpts from the films, and graphein, the author’s interpretation of presented theories to mirror the displacements, transpositions, juxtapositions, fluctuations, and transformations between delimited categories. A landmark work in the study of human geography, Abrahamsson’s book proposes that academic and intellectual attention should focus on the spatialization between meaning and its materialization in everyday life.

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2020 SABR Baseball Research AwardLast Seasons in Havana explores the intersection between Cuba and America’s pastime from the late 1950s to the early 1960s, when Fidel Castro overthrew Cuban dictator Fulgencio Batista. César Brioso takes the reader through the triumph of the revolution in 1959 and its impact on professional baseball in the seasons immediately following Castro’s rise to power. Baseball in pre‑Castro Cuba was enjoying a golden age. The Cuban League, which had been founded in 1878, just two years after the formation of the National League, was thriving under the auspices of organized baseball. Throughout the first half of the twentieth century, players from the Major Leagues, Minor Leagues, and Negro Leagues had come to Cuba to play in the country’s wholly integrated winter baseball league. Cuban teams had come to dominate the annual Caribbean Series tournament, and Havana had joined the highest levels of Minor League Baseball, fielding the Havana Sugar Kings of the Class AAA International League. Confidence was high that Havana might one day have a Major League team of its own. But professional baseball became one of the many victims of Castro’s Communist revolution. American players stopped participating in the Cuban League, and Cuban teams moved to an amateur, state‑sponsored model. Focusing on the final three seasons of the Cuban League (1958–61) and the final two seasons of the Havana Sugar Kings (1959–60), Last Seasons in Havana explores how Castro’s rise to power forever altered Cuba and the course of a sport that had become ingrained in the island’s culture over the course of almost a century.

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This bilingual volume focuses on the teachings, experiences, and practical wisdom of expert Native orators as they instruct a younger generation about their place in the world. In carefully crafted presentations, Yup’ik elders speak about their “rules for right living”—values, beliefs, and practices—which illuminate the enduring and still-relevant foundations of their culture today. While the companion volume, Wise Words of the Yup’ik Peopleweaves together hundreds of statements by Yup’ik elders on the values that guide human relationships, Yup’ik Words of Wisdom, highlights the words of expert orators and focuses on key conversations that took place among elders and younger community members as the elders presented their perspectives on the moral underpinnings of Yup’ik social relations. The orators in this volume—including Frank Andrew from Kwigillingok, David Martin from Kipnuk, and Nelson Island elders Paul John and Thersea Moses—were raised in isolated Yup’ik communities in Alaska and were educated much like their parents and grandparents. Translated, edited, and organized for a general audience, this bilingual edition is for those who want to know not only what the elders have to say but also how they say it. A new introduction explores this book’s impact over the past decade.

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Jerry Parkinson spent nearly ten years, from 2000 to 2010, as a member of the NCAA’s Division I Committee on Infractions, participating in over one hundred major infractions cases. He came away from that experience—and the experience of reading extensive commentary on infractions cases—with the conviction that most observers do not understand the NCAA’s rules-enforcement process, despite the amount of public attention many major cases receive. Parkinson uses his insider’s perspective, along with illustrative stories, to help readers understand how the NCAA’s rules-enforcement process really works. These stories include: a university board of trustees chair committing suicide over an infractions case; a pay-for-play scandal leading directly to the state’s governor; a head coach falsely portraying a deceased player as a drug dealer to cover up the coach’s own misconduct; a gambler laundering his money by making the largest booster payments in NCAA history; and a coach’s sexual abuse of children leading to some of the harshest sanctions ever imposed by the NCAA. Based on years of experience and infused with insight, Parkinson provides a broad view of the world of NCAA rule breakers and the NCAA rules-enforcement process.

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2020 Collaborative Project Award by the Society for the Study of Early Modern Women and Gender Women and Community in Medieval and Early Modern Iberia draws on recent research to underscore the various ways Iberian women influenced and contributed to their communities, engaging with a broader academic discussion of women’s agency and cultural impact in the Iberian Peninsula. By focusing on women from across the socioeconomic and religious spectrum—elite, bourgeois, and peasant Christian women, Jewish, Muslim, converso, and Morisco women, and married, widowed, and single women—this volume highlights the diversity of women’s experiences, examining women’s social, economic, political, and religious ties to their families and communities in both urban and rural environments. Comprised of twelve essays from both established and new scholars, Women and Community in Medieval and Early Modern Iberia showcases groundbreaking work on premodern women, revealing the complex intersections between gender and community while highlighting not only relationships of support and inclusion but also the tensions that worked to marginalize and exclude women.

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Rez Metal captures the creative energy of Indigenous youth culture in the twenty-first century. Bridging communities from disparate corners of Indian Country and across generations, heavy metal has touched a collective nerve on the Navajo Reservation in Arizona in particular. Many cultural leaders—including former Navajo president Russell Begaye—have begun to recognize heavy metal’s ability to inspire Navajo communities facing chronic challenges such as poverty, depression, and addiction. Heavy metal music speaks to the frustrations, fears, trials, and hopes of living in Indian Country.Rez Metal highlights a seminal moment in Indigenous heavy metal: when Kyle Felter, lead singer of the Navajo heavy metal band I Dont Konform, sent a demo tape to Flemming Rasmussen, the Grammy Award–winning producer of several Metallica albums, including Master of Puppets. A few months later, Rasmussen, captivated by the music, flew from Denmark to Window Rock, Arizona, to meet the band. Through a series of vivid images and interviews focused on the venues, bands, and fans of the Navajo Nation metal scene, Rez Metal provides a window into this fascinating world.

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2019 Midwest Book Award for Nature 2020 High Plains Book Award Finalist 2020 Silver Nautilus Book Award Winner in Green Living and Sustainability “Sustainable” has long been the rallying cry of agricultural progressives; given that much of our nation’s farm and ranch land is already degraded, however, sustainable agriculture often means maintaining a less-than-ideal status quo. Industrial agriculture has also co-opted the term for marketing purposes without implementing better practices. Stephanie Anderson argues that in order to provide nutrient-rich food and fight climate change, we need to move beyond sustainable to regenerative agriculture, a practice that is highly tailored to local environments and renews resources. In One Size Fits None Anderson follows diverse farmers across the United States: a South Dakota bison rancher who provides an alternative to the industrial feedlot; an organic vegetable farmer in Florida who harvests microgreens; a New Mexico super-small farmer who revitalizes communities; and a North Dakota midsize farmer who combines livestock and grain farming to convert expensive farmland back to native prairie. The use of these nontraditional agricultural techniques show how varied operations can give back to the earth rather than degrade it. This book will resonate with anyone concerned about the future of food in America, providing guidance for creating a better, regenerative agricultural future.Download a discussion guide (PDF).Purchase the audio edition.

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The Migrant Canon in Twenty-First-Century France explains the causes of twenty-first-century global migrations and their impact on French literature and the French literary establishment. A marginal genre in 1980s France, since the turn of the century “migrant literature” has become central to criticism and publishing. Oana Sabo addresses previously unanswered questions about the proliferation of contemporary migrant texts and their shifting themes and forms, mechanisms of literary legitimation, and notions of critical and commercial achievement. Through close readings of novels (by Mathias Énard, Milan Kundera, Dany Laferrière, Henri Lopès, Andreï Makine, Éric-Emmanuel Schmitt, Alice Zeniter, and others) and sociological analyses of their consecrating authorities (including the Prix littéraire de la Porte Dorée, the Académie française, publishing houses, and online reviewers), Sabo argues that these texts are best understood as cultural commodities that mediate between literary and economic forms of value, academic and mass readerships, and national and global literary markets. By examining the latest literary texts and cultural agents not yet subjected to sufficient critical study, Sabo contributes to contemporary literature, cultural history, migration studies, and literary sociology.

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Glory, Trouble, and Renaissance at the Robert S. Peabody Museum of Archaeology chronicles the seminal contributions, tumultuous history, and recent renaissance of the Robert S. Peabody Museum of Archaeology (RSPM). The only archaeology museum that is part of an American high school, it also did cutting-edge research from the 1930s through the 1970s, ultimately returning to its core mission of teaching and learning in the twenty-first century. Essays explore the early history and notable contributions of the museum’s directors and curators, including a tour de force chapter by James Richardson and J. M. Adovasio that interweaves the history of research at the museum with the intriguing story of the peopling of the Americas. Other chapters tackle the challenges of the 1990s, including shrinking financial resources, the Native American Graves Protection and Repatriation Act and relationships with American Indian tribes, and the need to revisit the original mission of the museum, namely, to educate high school students. Like many cultural institutions, the RSPM has faced a host of challenges throughout its history. The contributors to this book describe the creative responses to those challenges and the reinvention of a museum with an unusual past, present, and future.

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15 Bytes Book Award 2021 Independent Publisher Book Awards, Gold Medal Winner In English disparate means “different” or “miscellaneous”—apt descriptors of these essays by Patrick Madden. In Spanish, however, disparate means “nonsense,” “folly,” or “absurdity,”—words appropriate to Madden’s goal of undercutting any notion that essays must be serious business. Thus, in this collection, the essays are frivolous and lively, aiming to make readers laugh while they think about such abstract subjects as happiness and memory and unpredictability. In this vein, Madden takes sidelong swipes at weighty topics via form, with wildly meandering essays, abandoned essays in honor of the long tradition of essayists disparaging their own efforts, and guerrilla essays—which slip in quietly under the guise of a borrowed form, abruptly attack, and promptly escape, leaving laughter and contemplation in their wake. Madden also incorporates cameos from guest essayists, including Mary Cappello, Matthew Gavin Frank, David Lazar, Michael Martone, Jericho Parms, and Wendy S. Walters, much like a musician features other performers.Disparates reflects the current zeitgeist by taking on important issues with a touch of cleverness, a dash of humor, and a little help from one’s friends. Read Chapter 1.

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Popular English travel guides from the sixteenth and seventeenth centuries asserted that women who wandered too far afield were invariably suspicious, dishonest, and unchaste. As the essays in Travel and Travail reveal, however, early modern women did travel, often quite extensively, with no diminution of their moral fiber. Female travelers were also frequently represented on the English stage and in other creative works, both as a reproach to the ban on female travel and as a reflection of historical women’s travel, whether intentional or not.Travel and Travail conclusively refutes the notion of female travel in the early modern era as “an absent presence.” The first part of the volume offers analyses of female travelers (often recently widowed or accompanied by their husbands), the practicalities of female travel, and how women were thought to experience foreign places. The second part turns to literature, including discussions of roving women in Shakespeare, Margaret Cavendish, and Thomas Heywood. Whether historical actors or fictional characters, women figured in the wider world of the global Renaissance, not simply in the hearth and home.

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A prolific and award-winning writer, Lee Martin has put pen to paper to offer his wisdom, honed during thirty years of teaching the oh-so-elusive art of writing. Telling Stories is intended for anyone interested in thinking more about the elements of storytelling in short stories, novels, and memoirs. Martin clearly delineates helpful and practical techniques for demystifying the writing process and provides tools for perfecting the art of the scene, characterization, detail, point of view, language, and revision—in short, the art of writing. His discussion of the craft in his own life draws from experiences, memories, and stories to provide a more personal perspective on the elements of writing. Martin provides encouragement by sharing what he’s learned from his journey through frustrations, challenges, and successes. Most important, Telling Stories emphasizes that you are not alone on this journey and that writers must remain focused on what they love: the process of moving words on the page. By focusing on that purpose, Martin contends, the journey will always take you where you’re meant to go.

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America’s Digital Army is an ethnographic study of the link between interactive entertainment and military power, drawing on Robertson Allen’s fieldwork observing video game developers, military strategists, U.S. Army marketing agencies, and an array of defense contracting companies that worked to produce the official U.S. Army video game, America’s Army. Allen uncovers the methods by which gaming technologies such as America’s Army, with military funding and themes, engage in a militarization of American society that constructs everyone, even nonplayers of games, as virtual soldiers available for deployment.America’s Digital Army examines the army’s desire for “talented” soldiers capable of high-tech work; beliefs about America’s enemies as reflected in the game’s virtual combatants; tensions over best practices in military recruiting; and the sometimes overlapping cultures of gamers, game developers, and soldiers. Allen reveals how binary categorizations such as soldier versus civilian, war versus game, work versus play, and virtual versus real become blurred—if not broken down entirely—through games and interactive media that reflect the U.S. military’s ludic imagination of future wars, enemies, and soldiers.

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