Search results for ""University of Nebraska Press""

Indigenous Languages and the Promise of Archives captures the energy and optimism that many feel about the future of community-based scholarship, which involves the collaboration of archives, scholars, and Native American communities. The American Philosophical Society is exploring new applications of materials in its library to partner on collaborative projects that assist the cultural and linguistic revitalization movements within Native communities. A paradigm shift is driving researchers to reckon with questionable practices used by scholars and libraries in the past to pursue documents relating to Native Americans, practices that are often embedded in the content of the collections themselves. The Center for Native American and Indigenous Research at the American Philosophical Society brought together this volume of historical and contemporary case studies highlighting the importance of archival materials for the revitalization of Indigenous languages. Essays written by archivists, historians, anthropologists, knowledge-keepers, and museum professionals, cover topics critical to language revitalization work; they tackle long-standing debates about ownership, access, and control of Indigenous materials stored in repositories; and they suggest strategies for how to decolonize collections in the service of community-based priorities. Together these essays reveal the power of collaboration for breathing new life into historical documents.

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Dante published his ambitious and unusual poem, Divine Comedy, more than seven hundred years ago. In the ensuing centuries countless retellings, innumerable adaptations, tens of thousands of fiery sermons from Catholic bishops and Baptist preachers, all those New Yorker cartoons, and masterpieces of European art have afforded Dante’s fictional apparition of hell unending attention and credibility. Dinty W. Moore did not buy in. Moore started questioning religion at a young age, quizzing the nuns in his Catholic school, and has been questioning it ever since. Yet after years of Catholic school, religious guilt, and persistent cultural conditioning, Moore still can’t shake the feelings of inadequacy, and asks: What would the world be like if eternal damnation was not hanging constantly over our sheepish heads? Why do we persist in believing a myth that merely makes us miserable? In To Hell with It, Moore reflects on and pokes fun at the over-seriousness of religion in various texts, combining narratives of his everyday life, reflections on his childhood, and religion’s influence on contemporary culture and society.

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Named a 2021 Top Thriller by Alta Journal ​2022 Next Generation Indie Book Award Finalist in Action/Adventure Fiction 2021 Professional Achievement Award, Johns Hopkins University faculty Finalist for the 2021 CASEY Award for Best Baseball Book of the Year In this visionary sequel to Castro’s Curveball, the former Washington Senators Minor League catcher has returned to Havana with a small role in a movie being filmed on location. Billy Bryan soon realizes that this place and his past remain as star-crossed as when he played winter ball in the Cuban capital decades before. Against his better judgment, Billy becomes entangled in a scheme to spirit a top baseball prospect off the island. This pits him against his old friend Fidel Castro. Despite being in his final days, the dictator remains a dangerous adversary, as does the Cuban sports machine and the Mexican crime syndicates that now direct baseball talent toward the U.S. Major Leagues. In Escape from Castro’s Cuba, Billy must once again navigate the crosscurrents of the so-called City of Columns: a place where the sunsets from the Hotel Nacional along the Malecón breakwater are as beautiful as ever, but where the alleyways in Old Havana still fan out, crooked and broken, like an old catcher’s fingers.

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Turning an unflinching spotlight on the American Dream, Indigo Moor plunges headfirst into national—and personal—laments and desires. From Emmett Till to the fall of the Twin Towers and through the wildfires of Paradise, California, Moor weaves a thread through the hopes, sacrifices, and Sisyphean yearnings that make this country the beautiful trap that it is. Everybody’s Jonesin’ for Something takes an imagistic leap through the darker side of our search for life, liberty, and the pursuit of happiness, perusing what we lose, what we leave behind, and what strange beauty we uncover.

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Pacifist Prophet recounts the untold history of peaceable Native Americans in the eighteenth century, as explored through the world of Papunhank (ca. 1705–75), a Munsee and Moravian prophet, preacher, reformer, and diplomat. Papunhank’s life was dominated by a search for a peaceful homeland in Pennsylvania and the Ohio country amid the upheavals of the era between the Seven Years’ War and the American Revolution. His efforts paralleled other Indian quests for autonomy but with a crucial twist: he was a pacifist committed to using only nonviolent means. Such an approach countered the messages of other Native prophets and ran against the tide in an early American world increasingly wrecked with violence, racial hatred, and political turmoil. Nevertheless, Papunhank was not alone. He followed and contributed to a longer and wider indigenous peace tradition. Richard W. Pointer shows how Papunhank pushed beyond the pragmatic pacifism of other Indians and developed from indigenous and Christian influences a principled pacifism that became the driving force of his life and leadership. Hundreds of Native people embraced his call to be “a great Lover of Peace” in their quests for home. Against formidable odds, Papunhank’s prophetic message spoke boldly to Euro-American and Native centers of power and kept many Indians alive during a time when their very survival was constantly threatened. Papunhank’s story sheds critical new light on the responses of some Munsees, Delawares, Mahicans, Nanticokes, and Conoys for whom the “way of war” was no way at all.

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In their seven years together, quarterback Johnny Unitas and coach Don Shula, kings of the fabled Baltimore Colts of the 1960s, created one of the most successful franchises in sports. Unitas and Shula had a higher winning percentage than Lombardi’s Packers, but together they never won a championship. Baltimore lost the big game to the Browns in 1964 and to Joe Namath and the Jets in 1969’s Super Bowl III—both in stunning upsets. The Colts’ near misses in the Shula era were among the most confounding losses any sports franchise ever suffered. Rarely had a team in any league performed so well, over such an extended period, only to come up empty. The two men had a complex relationship stretching back to their time as young teammates competing for their professional lives. Their personal conflict mirrored their tumultuous times. As they elevated the brutal game of football, the world around them clashed about Vietnam, civil rights, and sex. Collision of Wills looks at the complicated relationship between Don Shula, the league’s winningest coach of all time, and his star player Johnny Unitas and how their secret animosity fueled the Colts in an era when their losses were as memorable as their victories.

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If, as Wallace Stegner said, the national park is “the best idea we ever had,” the rail-trail is certainly a close runner-up. Part transportation corridor, part park, the rail-trail has revolutionized the way America creates high-quality, car-free pathways for bicyclists, runners, walkers, equestrians, and more. It was only a few decades after railroad barons had run roughshod over America’s economy and politics that they began to shed nearly one hundred thousand miles of unneeded railroad corridor. At the same time, bicyclists were being so thoroughly pushed off ever-more-intimidating roadways they came close to extinction. Through political organizing and lawyerly grit, an unlikely, formerly marginalized advocacy arose, seized on seemingly worthless strips of land, and created a resource that is treasured by millions of Americans today for recreation, purposeful travel, tourism, conservation, and historical interpretation.From Rails to Trails is the fascinating tale of the rails-to-trails movement as well as a consideration of what the continued creation of rail-trails means for the future of Americans’ health, nonmotorized transportation networks, and communities across the country.Purchase the audio edition.

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Sky Songs is a collection of essays that takes inspiration from the ancient seabed in which Jennifer Sinor lives, an elemental landscape that reminds her that our lives are shaped by all that has passed through. Beginning with the conception of her first son, which coincided with the tragic death of her uncle on an Alaskan river, and ending a decade later in the Himalayan home of the Dalai Lama, Sinor offers a lyric exploration of language, love, and the promise inherent in the stories we tell: to remember. In these essays, Sinor takes us through the mountains, deserts, and rivers of the West and along with her on her travels to India. Whether rooted in the dailiness of raising children or practicing yoga, Sinor searches for the places where grace resides. The essays often weave several narrative threads together in the search for relationship and connection. A mother, writer, teacher, and yoga instructor, Sinor ultimately tackles the most difficult question: how to live in a broken world filled with both suffering and grace.

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Hockey has had its share of bizarre tales over the years, but none compare to the fascinating story of the California Golden Seals, a team that remains the benchmark for how not to run a sports franchise. From 1967 to 1978, a revolving door of players, apathetic owners, and ridiculous marketing decisions turned the Seals, originally based in Oakland, into hockey’s traveling circus. The team lost tons of money and games, cheated death more often than Evel Knievel, and left behind a long trail of broken dreams. Live seals were used as mascots, players wore skates that were painted white on an almost daily basis, and draft picks were dealt away nonchalantly like cards at a poker game.The California Golden Seals examines the franchise’s mismanaged—but always interesting—history, from its ballyhooed beginnings as a minor-league champion in the 1960s to its steep slide into oblivion in the late 1970s after moving to Cleveland. Through a season-by-season narrative, Currier brings to life the Seals’ history with lighthearted anecdotes, personal interviews, and statistics about hockey’s most infamous losing team.

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La Brea Tar Pits once trapped prehistoric mammals. Today that killer has a chemical cousin in the Athabasca oil sands of Alberta, Canada—immense deposits of natural asphalt destined for upgrading to synthetic crude oil. If the harvesting of this natural asphalt continues unabated, we might find ourselves stuck in a muck of a different kind. Humanity has used asphalt for thousands of years. This humble hydrocarbon may have glued the first arrowhead to the first shaft, but the changes wrought by this material are most dramatic since its emergence as pavement. Since the 1920s the automobile and blacktop have allowed unprecedented numbers of Americans to experience the beauty of their continent from the Adirondacks to the Rockies and beyond, to Big Sur and the Pacific Coast Highway. Blacktop roads, runways, and parking lots constitute the central arteries of our environment, creating a distinct “political territory” and a “political economy of velocity.” In Asphalt: A History Kenneth O’Reilly provides a history of this everyday substance. By tracing the history of asphalt—in both its natural and processed forms—from ancient times to the present, O’Reilly sets out to identify its importance within various contexts of human society and culture. Although O’Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O’Reilly explores asphalt’s contribution to the history, and future, of America and the world.

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In this third volume of Russian Colonization of Alaska, Andrei Val’terovich Grinëv examines the final period in the history of Russian America, from naval officers’ coming to power in the colonies (1818) to the sale of Alaska to the United States (1867). During this time, in addition to the extraction of furs, other kinds of modern production continued to develop in Alaska, including shipbuilding, cutting and mining of timber and coal, and harvesting fish and ice for export. Grinëv’s definitive volume explores how certain economic successes could not prevent the growth of crisis phenomena. Due to the low competitiveness of products and the distributive nature of the economy, the Russian colonial system could not compete with the dynamically developing Anglo-American capitalist colonization.Russian Colonization of Alaska is the first comprehensive study to analyze the origin and evolution of Russian colonization based on research into political economy, history, and ethnography. Grinëv’s study elaborates the social, political, spiritual, ideological, personal, and psychological aspects of Russian America, and accounts for the idiosyncrasies of the natural environment, competition from other North American empires, Alaska Natives, and individual colonial diplomats. The colonization of Alaska, rather than being simply a continuation of the colonization of Siberia by Russians, was instead part of overarching Russian and global history.

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Outback and Out West examines the ecological consequences of a settler-colonial imaginary by comparing expressions of settler colonialism in the literature of the American West and Australian Outback. Tom Lynch traces exogenous domination in both regions, which resulted in many similar means of settlement, including pastoralism, homestead acts, afforestation efforts, and bioregional efforts at “belonging.” Lynch pairs the two nations’ texts to show how an analysis at the intersection of ecocriticism and settler colonialism requires a new canon that is responsive to the social, cultural, and ecological difficulties created by settlement in the West and Outback.Outback and Out West draws out the regional Anthropocene dimensions of settler colonialism, considering such pressing environmental problems as habitat loss, groundwater depletion, and mass extinctions. Lynch studies the implications of our settlement heritage on history, art, and the environment through the cross-national comparison of spaces. He asserts that bringing an ecocritical awareness to settler-colonial theory is essential for reconciliation with dispossessed Indigenous populations as well as reparations for ecological damages as we work to decolonize engagement with and literature about these places.

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Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavors. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place. By contextualizing and analyzing Antarctic advertisements from the late nineteenth century to the present, Brand Antarctica identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.

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In Animated Lands Andrea Mubi Brighenti and Mattias Kärrholm focus on territory as a living phenomenon—and territoriality as an active and constantly reshaping force. They explore the complexity of territorial production through a series of parallel investigations into fundamental territorial themes, such as rhythm, synchronization, melody, morphogenesis, and animism. The notion of territory is excavated through case studies including the analysis of urban playgrounds, homemaking, the transformations of urban walls, and the stabilization of peculiar building types such as the house-museum. These empirical examples span such cities as Ahmedabad, Amsterdam, London, and Rome. Animated Lands provides a broad introduction to what a theory of territories could be and how it could help to advance sociospatial studies.

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Road to Nowhere is the story of New York City baseball from 1990 to 1996, describing in intimate detail the collapse of both the Mets and the Yankees in the early nineties, the Yankees’ then reclaiming of the city and the Mets attempts to rebuild from the ashes. After the chaos of the 1980s, the New York Yankees finally bottomed out in 1990. The team finished in last place, enduring one of their worst seasons ever. Their best player, Don Mattingly, was suffering from a debilitating back injury. Manager after manager had been fired. The clubhouse was a miserable place to be, with moody, egocentric players making life difficult for up-and-coming talent. It looked like New York would remain a Mets town well into the twenty-first century. Then Yankees owner George Steinbrenner was banished from baseball. Without their manic, meddling owner, the Yankees fell into the hands of Gene Michael. Setting out to rebuild the franchise, Michael made shrewd trades and free agent signings, and he allowed the team’s prospects to develop in the Minor Leagues before getting to the Bronx. Meanwhile, the Mets, beloved for their intensity and hard-partying ways in the 1980s, became everything that had driven fans away from the Yankees. They made bad trades and questionable signings, fired managers seemingly every year, and were a powder keg of never-ending controversy. The Mets bottomed out in 1993, perhaps their worst season ever, when they not only lost 103 games but officially lost the heart of the city to the Yankees. But by 1996, despite their record, the Mets were already making moves that would return them to relevance and set them on a path to the ultimate showdown with the Yankees.Road to Nowhere tells the story of how two teams that had swapped roles in the 1980s swapped them right back in the early 1990s. While playing through several difficult seasons, both teams were making moves that would return them to prominence in just a few years.

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Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation. A Native American language formerly spoken in hundreds of communities in the interior of California, Patwin (also known as Wintun Tʼewe) is now spoken by a small but growing number of language revitalizationists and their students. A Grammar of Patwin brings together two hundred years of word lists, notebooks, audio recordings, and manuscripts from archives across the United States and synthesizes this scattered collection into the first published description of the Patwin language. This book shines a light on the knowledge of past speakers and researchers with a clear and well-organized description supported by ample archival evidence. Lewis C. Lawyer addresses the full range of grammatical structure with chapters on phonetics, phonology, nominals, nominal modifiers, spatial terms, verbs, and clauses. At every level of grammatical structure there is notable variation between dialects, and this variation is painstakingly described. An introductory chapter situates the language geographically and historically and also gives a detailed account of previous work on the language and of the archival materials on which the study is based. Throughout the process of writing this book, Lawyer remained in contact with Patwin communities and individuals, who helped to ensure that the content is appropriate from a cultural perspective.

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Bethany Maile had a mythological American West in mind when she returned to Idaho after dropping out of college in Boston, only to find a farm-town-turned-suburb instead of the Wild West wonderland she remembered. Haunted by what she had so completely misremembered, Maile resolved to investigate her attachment to the western myth, however flawed. Deciding to engage in a variety of “western” events, Maile trailed rodeo queens, bid on cattle, fired .22s at the gun range, and searched out wild horses. With lively reportage and a sharp wit, she recounts her efforts to understand how the western myth is outdated yet persistent while ultimately exploring the need for story and the risks inherent to that need. Anything Will Be Easy after This traces Maile’s evolution from a girl suckered by a busted-down story to a more knowing woman who discovers a new narrative that enchants without deluding.

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In the wake of the Cold War, a diverse group of U.S. immigrants flocked to Costa Rica, distancing themselves from undesirable U.S. policies at home and abroad. Enchanted with Costa Rica’s natural beauty and lured by the prospect of cheap land, these expatriates—former government employees, businessmen and privileged bourgeois, dissident Quakers and self-seeking hippies, farmers and ecologists—sought a new life in a country that was often dubbed the Switzerland of Central America.Cold War Paradise is a social and cultural history of this little-studied immigration flow. Based on extensive oral histories of these immigrants and their diverse writings, ranging from women’s club cookbooks to personal letters, Atalia Shragai examines the motivations for immigration, patterns of movement, settlements, and processes of identity-making among U.S. Americans in Costa Rica from post–World War II to the late 1970s. Exploring such diverse themes as gender, nature, and material culture, this study provides a fresh perspective on inter-American relations from the point of view of ordinary U.S. emigrants and settlers. Shragai traces the formation and evolution of a wide range of identifications among U.S. expats and the varied ways they reconstructed and represented their individual and collective histories within the broader scheme of the U.S. presence in Cold War Central America.

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At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric.The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.

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Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated. One of the influential factors in sports coverage is the upswing in the number of women sports reporters in the last forty years. Sports Journalism also examines the ethics of sports journalism, how sports coverage frequently has differed from that of non-sports news, and how the internet has spawned a set of new ethical issues.

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Adapted for the Paramount+ miniseries Lawmen: Bass Reeves, directed by Taylor Sheridan and starring David Oyelowo 2022 Oklahoma Book Award Finalist for Fiction 2021 National Indie Excellence Award Finalist Set in 1884, Hell on the Border tells the story of Deputy U.S. Marshal Bass Reeves at the peak of his historic career. Famous for being a crack shot as well as for his nonviolent tendencies, Reeves uses his African American race to his strategic advantage. Along with a tramp or cowboy disguise, Reeves appears so nonthreatening that he often positions himself close enough to the outlaws he is pursuing to arrest them without bloodshed. After a series of heroic feats of capturing and killing infamous outlaws—most notably Jim Webb—and an introduction to Belle Starr, Reeves finds himself in the Fort Smith jail, charged with murder. This second book in the Bass Reeves Trilogy investigates what really happened when Reeves made the greatest mistake of his life on the heels of his greatest achievements.

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Justice in Plain Sight is the story of a hometown newspaper in Riverside, California, that set out to do its job: tell readers about shocking crimes in their own backyard. But when judges slammed the courtroom door on the public, including the press, it became impossible to tell the whole story. Pinning its hopes on business lawyer Jim Ward, whom Press-Enterprise editor Tim Hays had come to know and trust, the newspaper took two cases to the U.S. Supreme Court in the 1980s. Hays was convinced that the public—including the press—needed to have these rights and needed to bear witness to justice because healing in the aftermath of horrible crimes could not occur without community catharsis. The newspaper won both cases and established First Amendment rights that significantly broadened public access to the judicial system, including the right for the public to witness jury selection and preliminary hearings. Justice in Plain Sight is a unique story that, for the first time, details two improbable journeys to the Supreme Court in which the stakes were as high as they could possibly be (and still are): the public’s trust in its own government.

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Through an evaluation of Oregon’s exclusionary laws, Leveraging an Empire examines the process of settler colonialism in the evolving region of the Pacific Northwest between the years 1841 and 1859. Oregon laws—through nuanced emphases and new articulations—related to national issues of slavery, immigration, land ownership, education, suffrage, and naturalization.Leveraging an Empire demonstrates how the construction of laws governing matters of race, gender, and citizenship from Oregon’s pre-territorial days through its early statehood reified and institutionalized American legal definitions and national perceptions of these issues leading up to the Civil War. Oregon’s exclusionary laws either supported racial and gender restrictions to specific rights or established a legal precedent for such restrictions through the development of legislation governing the remainder of the century. These laws—some developed even before Oregon became part of the Union in 1846—also influenced federal treatment toward territorial and state policies that restricted American citizens from political rights and reveal the impact of settler colonialism in the American West on the nation.

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Winner of the 2023 John C. Ewers Award from the Western History Association 2023 Choice Outstanding Academic Title By examining historical records and drawing on oral histories and the work of anthropologists, archaeologists, ecologists, and psychologists, We Are Not Animals sets out to answer questions regarding who the Indigenous people in the Santa Cruz region were and how they survived through the nineteenth century. Between 1770 and 1900 the linguistically and culturally diverse Ohlone and Yokuts tribes adapted to and expressed themselves politically and culturally through three distinct colonial encounters with Spain, Mexico, and the United States. In We Are Not Animals Martin Rizzo-Martinez traces tribal, familial, and kinship networks through the missions’ chancery registry records to reveal stories of individuals and families and shows how ethnic and tribal differences and politics shaped strategies of survival within the diverse population that came to live at Mission Santa Cruz.We Are Not Animals illuminates the stories of Indigenous individuals and families to reveal how Indigenous politics informed each of their choices within a context of immense loss and violent disruption.

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How American is Miss America? For Susan Supernaw, a Muscogee (Creek) and Munsee Native American, the question wasn’t just academic. Throughout a childhood clouded by poverty, alcoholism, abuse, and a physical disability, Supernaw sought escape in school and dance and the Native American Church. She became a presidential scholar, won a scholarship to college, and was crowned Miss Oklahoma in 1971. Supernaw might not have won the Miss America pageant that year, but she did call attention to the Native peoples living largely invisible lives throughout their own American land. And she did at long last earn her Native American name. Chronicling a quest to escape poverty and find meaning, Supernaw’s story is revealing, humorous, and deeply moving. Muscogee Daughter is the story of finding a Native American identity among the distractions and difficulties of American life and of discerning an identity among competing notions of what it is to be a woman, a Native American, and a citizen of the world.

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American poet and writer John G. Neihardt (1881–1973) possessed an inquiring and spiritual mind. Those qualities came to the fore in Black Elk Speaks, the story of the Lakota holy man Black Elk, for which he is best remembered. Over the course of thirty years he also wrote a five-volume epic poem, A Cycle of the West, which told the story of the settlement of the American West. Despite Neihardt’s widespread name recognition, the success of Black Elk Speaks, and a list of critically acclaimed books and poems, Lonesome Dreamer is the first biography of Neihardt in nearly forty years. Timothy G. Anderson describes Neihardt’s life from his humble beginnings in Illinois to being named poet laureate of Nebraska in 1921 and to his appearance on the Dick Cavett Show at the age of ninety. Anderson also delves into Neihardt’s success as a poet far from the East Coast literary establishment, his resistance to modernist movements in poetry, and his wish to understand and describe the experience of the Plains Indians. Offering insight into both his personal and his literary life, this biography reaffirms Neihardt’s place in American literary history, his successes and failures, and his unbreakable spirit.

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Soon after Satchel Paige arrived at spring training in 1937 to pitch for the Pittsburgh Crawfords, he and five of his teammates, including Josh Gibson and Cool Papa Bell, were lured to the Dominican Republic with the promise of easy money to play a short baseball tournament in support of the country’s dictator, Rafael Trujillo. As it turned out, the money wasn’t so easy. After Paige and his friends arrived on the island, they found themselves under the thumb of Trujillo, known by Dominicans for murdering those who disappointed him. In the initial games, the Ciudad Trujillo All-Star team floundered. Living outside the shadow of segregation, Satchel and his recruits spent their nights carousing and their days dropping close games to their rivals, who were also stocked with great players. Desperate to restore discipline, Trujillo tapped the leader of his death squads to become part of the team management. When Paige’s team ultimately rallied to win, it barely registered with Trujillo, who a few months later ordered the killings of fifteen thousand Haitians at the border between Haiti and the Dominican Republic. Paige and his teammates returned to the states to face banishment from the Negro Leagues, but they barnstormed across America wearing their Trujillo All-Stars uniforms.The Pitcher and the Dictator is an extraordinary story of race, politics, and some of the greatest baseball players ever assembled, playing high-stakes games in support of one of the Caribbean’s cruelest dictators.

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2023 Ray and Pat Browne Award for Best Edited Collection in Popular and American Culture One of the greatest untold stories about the globalization of the Western is the key role of comics. Few American cultural exports have been as successful globally as the Western, a phenomenon commonly attributed to the widespread circulation of fiction, film, and television. The Comic Book Western centers comics in the Western’s international success. Even as readers consumed translations of American comic book Westerns, they fell in love with local ones that became national or international sensations. These essays reveal the unexpected cross-pollinations that allowed the Western to emerge from and speak to a wide range of historical and cultural contexts, including Spanish and Italian fascism, Polish historical memory, the ideology of shōjo manga from Japan, British post-apocalypticism and the gothic, race and identity in Canada, Mexican gender politics, French critiques of manifest destiny, and gaucho nationalism in Argentina. The vibrant themes uncovered in The Comic Book Western teach us that international comic book Westerns are not hollow imitations but complex and aesthetically powerful statements about identity, culture, and politics.

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Rising from the Ashes explores continuing Native American political, social, and cultural survival and resilience with a focus on the life of Numiipuu (Nez Perce) anthropologist Archie M. Phinney. He lived through tumultuous times as the Bureau of Indian Affairs implemented the Indian Reorganization Act, and he built a successful career as an indigenous nationalist, promoting strong, independent American Indian nations.Rising from the Ashes analyzes concepts of indigenous nationalism and notions of American Indian citizenship before and after tribes found themselves within the boundaries of the United States. Collaborators provide significant contributions to studies of Numiipuu memory, land, loss, and language; Numiipuu, Palus, and Cayuse survival, peoplehood, and spirituality during nineteenth-century U.S. expansion and federal incarceration; Phinney and his dedication to education, indigenous rights, responsibilities, and sovereign Native Nations; American Indian citizenship before U.S. domination and now; the Jicarilla Apaches’ self-actuated corporate model; and Native nation-building among the Numiipuu and other Pacific Northwestern tribal nations. Anchoring the collection is a twenty-first-century analysis of American Indian decolonization, sovereignty, and tribal responsibilities and responses.

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A Los Angeles Times Best Seller A 2020 NPR Best Book of the Year Is there life after baseball? Starting from this simple question, The Wax Pack ends up with something much bigger and unexpected—a meditation on the loss of innocence and the gift of impermanence, for both Brad Balukjian and the former ballplayers he tracked down. To get a truly random sample of players, Balukjian followed this wildly absurd but fun-as-hell premise: he took a single pack of baseball cards from 1986 (the first year he collected cards), opened it, chewed the nearly thirty-year-old gum inside, gagged, and then embarked on a quest to find all the players in the pack. On Balukjian’s trip in the summer of 2015, he spanned 11,341 miles through thirty states in forty-eight days. Actively engaging with his subjects, he took a hitting lesson from Rance Mulliniks, watched kung fu movies with Garry Templeton, and went to the zoo with Don Carman. In the process of finding all the players but one, he discovered an astonishing range of experiences and untold stories in their post-baseball lives. While crisscrossing the country, Balukjian retraced his own past, reconnecting with lost loves and coming to terms with his lifelong battle with obsessive-compulsive disorder. Alternately elegiac and uplifting, The Wax Pack is part baseball nostalgia, part road trip travelogue, and all heart, a reminder that greatness is not found in the stats on the backs of baseball cards but in the personal stories of the men on the front of them.

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Daughters of 1968 is the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage. The May 1968 events—with their embrace of radical individualism and antiauthoritarianism—triggered a break from the past, and the women’s movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemporary feminism. This theoretical debate manifested itself in battles between women and organizations on the streets and in the courts. The history of French feminism is the history of women’s claims to individualism and citizenship that had been granted their male counterparts, at least in principle, in 1789. Yet French women have more often donned the mantle of particularism, advancing their contributions as mothers to prove their worth as citizens, than they have thrown it off, claiming absolute equality. The few exceptions, such as Simone de Beauvoir or the 1970s activists, illustrate the diversity and tensions within French feminism, as France moved from a corporatist and tradition-minded country to one marked by individualism and modernity.

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Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather’s correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather’s use of “racialized vernacular” in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather’s fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather’s use of ancient philosophy in The Professor’s House. Together the essays reassess Cather’s lifelong encounter with, and interpretation and reimagining of, the arts.

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Upton Bell grew up at the knee of the NFL’s first great commissioner, his father, the legendary Bert Bell, who not only saved the game from financial ruin after World War II but was one of its greatest innovators.Present at the Creation details Bell’s firsthand experiences, which started as he watched his father draw up the league schedule each year at the kitchen table using dominoes. There he learned the importance of parity, which is a hallmark of the league’s success, and also how to create it. Over the past fifty-three years, Bell has been an owner, a general manager, a personnel executive, a scouting director for two Super Bowl teams, a television commentator and analyst, and a talk-radio host. He has seen the NFL from the inside and has experienced many of the most important moments in NFL history. Bell was player personnel director for the Baltimore Colts when the team played in three championship games and appeared in two Super Bowls. At thirty-three he became the youngest general manager in NFL history when he joined the Patriots in that role in 1971. He left the NFL in 1974 to compete against it, joining the upstart World Football League as owner of the Charlotte Hornets, which lasted just two years. In 1976 Bell began his forty‑year career as a radio and TV talk-show host, yet he remains a football guy who was in the middle of the game’s most significant moments and knows that half the story has never been told, until now.Watch a book trailer.

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Millennial Cervantes explores some of the most important recent trends in Cervantes scholarship in the twenty-first century. It brings together leading Cervantes scholars of the United States in order to showcase their cutting-edge work within a cultural studies frame that encompasses everything from ekphrasis to philosophy, from sexuality to Cold War political satire, and from the culinary arts to the digital humanities.Millennial Cervantes is divided into three sets of essays—conceptually organized around thematic and methodological lines that move outward in a series of concentric circles. The first group, focused on the concept of “Cervantes in his original contexts,” features essays that bring new insights to these texts within the primary context of early modern Iberian culture. The second group, focused on the concept of “Cervantes in comparative contexts,” features essays that examine Cervantes’s works in conjunction with those of the English-speaking world, both seventeenth- and twentieth-century. The third group, focused on the concept of “Cervantes in wider cultural contexts,” examines Cervantes’s works—principally Don Quixote—as points of departure for other cultural products and wider intellectual debates. This collection articulates the state of Cervantes studies in the first two decades of the new millennium as we move further into a century that promises both unimagined technological advances and the concomitant cultural changes that will naturally adhere to this new technology, whatever it may be.

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Despite the increasing number of popular and celebrated sports documentaries in contemporary culture, such as ESPN’s 30 for 30 series, there has been little scholarly engagement with this genre. Sports documentaries, like all films, do not merely showcase objective reality but rather construct specific versions of sporting culture that serve distinct economic, industrial, institutional, historical, and sociopolitical ends ripe for criticism, contextualization, and exploration.Sporting Realities brings together a diverse group of scholars to probe the sports documentary’s cultural meanings, aesthetic practices, industrial and commercial dimensions, and political contours across historical, social, medium-specific, and geographic contexts. It considers and critiques the sports documentary’s visible and powerful position in contemporary culture and forges novel connections between the study of nonfiction media and sport.

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Segregation Made Them Neighbors investigates the relationship between whiteness and nonwhiteness through the lenses of landscapes and material culture. William A. White III uses data collected from a public archaeology and digital humanities project conducted in the River Street neighborhood in Boise, Idaho, to investigate the mechanisms used to divide local populations into racial categories. The River Street Neighborhood was a multiracial, multiethnic enclave in Boise that was inhabited by African American, European American, and Basque residents. Building on theoretical concepts from whiteness studies and critical race theory, this volume also explores the ways Boise’s residents crafted segregated landscapes between the 1890s and 1960s to establish white and nonwhite geographies. White describes how housing, urban infrastructure, ethnicity, race, and employment served to delineate the River Street neighborhood into a nonwhite space, an activity that resulted in larger repercussions for other Boiseans. Using material culture excavated from the neighborhood, White describes how residents used mass-produced products to assert their humanity and subvert racial memes. By describing the effects of racial discrimination, real-estate redlining, and urban renewal on the preservation of historic properties in the River Street neighborhood, Segregation Made Them Neighbors illustrates the symbiotic mechanisms that also prevent equity and representation through historic preservation in other cities in the American West.

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The Black Bruins chronicles the inspirational lives of five African American athletes who faced racial discrimination as teammates at UCLA in the late 1930s. Best known among them was Jackie Robinson, a four‑star athlete for the Bruins who went on to break the color barrier in Major League Baseball and become a leader in the civil rights movement after his retirement. Joining him were Kenny Washington, Woody Strode, Ray Bartlett, and Tom Bradley—the four played starring roles in an era when fewer than a dozen major colleges had black players on their rosters. This rejection of the “gentleman’s agreement,” which kept teams from fielding black players against all-white teams, inspired black Angelinos and the African American press to adopt the teammates as their own. Kenny Washington became the first African American player to sign with an NFL team in the post–World War II era and later became a Los Angeles police officer and actor. Woody Strode, a Bruins football and track star, broke into the NFL with Washington in 1946 as a Los Angeles Ram and went on to act in at least fifty‑seven full-length feature films. Ray Bartlett, a football, basketball, baseball, and track athlete, became the second African American to join the Pasadena Police Department, later donating his time to civic affairs and charity. Tom Bradley, a runner for the Bruins’ track team, spent twenty years fighting racial discrimination in the Los Angeles Police Department before being elected the first black mayor of Los Angeles.

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Joyce Sutphen’s evocations of life on a small farm, coming of age in the late 1960s, and traveling and searching for balance in a very modern world are both deeply personal and familiar. Readers from Maine to Minnesota and beyond will recognize themselves, their parents, aunts and uncles, and neighbors in these poems, which move us from delight in keen description toward something like wisdom or solace in the things of this world. In addition to poems selected from the last twenty-five years, Carrying Water to the Field includes more than forty new poems on the themes of luck, hard work, and the ravages of time—erasures that Sutphen attempts to ameliorate with her careful attention to language and lyrical precision.

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2022 WHA Caughey Western History Prize for the most distinguished book on the American West Can a sea be a settler? What if it is a sea that exists only in the form of incongruous, head-scratching contradictions: a wetland in a desert, a wildlife refuge that poisons birds, a body of water in which fish suffocate? Traci Brynne Voyles’s history of the Salton Sea examines how settler colonialism restructures physical environments in ways that further Indigenous dispossession, racial capitalism, and degradation of the natural world. In other words, The Settler Sea asks how settler colonialism entraps nature to do settlers’ work for them. The Salton Sea, Southern California’s largest inland body of water, occupies the space between the lush agricultural farmland of the Imperial Valley and the austere desert called “America’s Sahara.” The sea sits near the boundary between the United States and Mexico and lies at the often-contested intersections of the sovereign lands of the Torres Martinez Desert Cahuillas and the state of California. Created in 1905, when overflow from the Colorado River combined with a poorly constructed irrigation system to cause the whole river to flow into the desert, this human-maintained body of water is considered a looming environmental disaster. The Salton Sea’s very precariousness—existing always in the interstices of human and natural influences, between desert and wetland, between the skyward pull of the sun and the constant inflow of polluted water—is both a symptom and symbol of the larger precariousness of settler relationships to the environment, in the West and beyond. Voyles provides an innovative exploration of the Salton Sea, looking to the ways the sea, its origins, and its role in human life have been vital to the people who call this region home.

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2021 Choice Outstanding Academic Title A city of modest size, Providence, Rhode Island, had the third-largest Native American population in the United States by the first decade of the twentieth century. Native Providence tells the stories of the city’s Native residents at this historical moment and in the decades before and after, a time when European Americans claimed that Northeast Natives had mostly vanished. Denied their rightful place in modernity, men, women, and children from Narragansett, Nipmuc, Pequot, Wampanoag, and other ancestral communities traveled diverse and complicated routes to make their homes in this city. They found each other, carved out livelihoods, and created neighborhoods that became their urban homelands—new places of meaningful attachments. Accounts of individual lives and family histories emerge from historical and anthropological research in archives, government offices, historical societies, libraries, and museums and from community memories, geography, and landscape. Patricia E. Rubertone chronicles the survivance of the Native people who stayed, left, and returned, or lived in Providence briefly, who faced involuntary displacement by urban renewal, and who made their presence known in this city and in the wider Indigenous and settler-colonial worlds. Their everyday experiences reenvision Providence’s past and illuminate documentary and spatial tactics of inequality that erased Native people from most nineteenth- and early twentieth-century history.

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Molly McClain tells the remarkable story of Ellen Browning Scripps (1836–1932), an American newspaperwoman, feminist, suffragist, abolitionist, and social reformer. She used her fortune to support women’s education, the labor movement, and public access to science, the arts, and education. Born in London, Scripps grew up in rural poverty on the Illinois prairie. She went from rags to riches, living out that cherished American story in which people pull themselves up by their bootstraps with audacity, hard work, and luck. She and her brother, E. W. Scripps, built America’s largest chain of newspapers, linking midwestern industrial cities with booming towns in the West. Less well known today than the papers started by Joseph Pulitzer and William Randolph Hearst, Scripps newspapers transformed their owners into millionaires almost overnight. By the 1920s Scripps was worth an estimated $30 million, most of which she gave away. She established the Scripps Institution of Oceanography in La Jolla, California, and appeared on the cover of Time magazine after founding Scripps College in Claremont, California. She also provided major financial support to organizations worldwide that promised to advance democratic principles and public education. In Ellen Browning Scripps, McClain brings to life an extraordinary woman who played a vital role in the history of women, California, and the American West.

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When Sunflowers Bloomed Red is a welcome addition to the history of the American Midwest that should have appeal to students, scholars, and general readers.—Greg Hall, Annals of Iowa When Sunflowers Bloomed Red offers readers entry into the Kansas radical tradition and shows how the Great Plains agrarian movement influenced and transformed politics and culture in the twentieth century and beyond. When Sunflowers Bloomed Red reveals the origins of agrarian radicalism in the late nineteenth-century United States. Great Plains radicals, particularly in Kansas, influenced the ideological principles of the Populist movement, the U.S. labor movement, American socialism, American syndicalism, and American communism into the mid-twentieth century. Known as the American Radical Tradition, members of the Greenback Labor Party and the Knights of Labor joined with Prohibitionists, agrarian Democrats, and progressive Republicans to form the Great Plains Populist Party (later the People’s Party) in the 1890s. The Populists called for the expansion of the money supply through the free coinage of silver, federal ownership of the means of communication and transportation, the elimination of private banks, universal suffrage, and the direct election of U.S. senators. They also were the first political party to advocate for familiar features of modern life, such as the eight-hour workday for agrarian and industrial laborers, a graduated income tax system, and a federal reserve system to manage the nation’s money supply. When the People’s Party lost the hotly contested election of 1896, members of the party dissolved into socialist and other left-wing parties and often joined efforts with the national Progressive movement.

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The epic biography Starring Red Wing! brings the exciting career, dedicated activism, and noteworthy legacy of Ho-Chunk actress Lilian Margaret St. Cyr vividly to life. Known to film audiences as “Princess Red Wing,” St. Cyr emerged as the most popular Native American actress in the pre-Hollywood and early studio-system era in the United States. Today St. Cyr is known for her portrayal of Naturich in Cecile B. DeMille’s The Squaw Man (1914); although DeMille claimed to have “discovered the little Indian girl,” the viewing public had already long adored her as a petite, daredevil Indian heroine. She befriended and worked with icons such as Mary Pickford, Jewell Carmen, Tom Mix, Max Sennett, and William Selig. Born on the Winnebago Reservation in 1884 and orphaned in 1888, she spent ten years in Indian boarding schools before graduating from the Carlisle Indian Industrial School in 1902. She married James Young Johnson, and in 1907 the couple reinvented themselves as the stage personas “Princess Red Wing” and “Young Deer,” performing in Wild West shows around New York and beginning their film careers. As their popularity grew, St. Cyr and Johnson decamped from the East Coast and helped establish the second motion picture company in Southern California, where Red Wing became a Native American leading lady in westerns until her career waned in 1917. After returning to the reservation to work as a housekeeper, she took her show on a two-year tour to educate the public about Native culture and lived out her life in New York, performing, educating, and crafting regalia.Starring Red Wing! is a sweeping narrative of St. Cyr’s evolution as America’s first Native American film star, from her childhood and performance career to her days as a respected elder of the multi-tribal New York City Indian Community.

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While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy. Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.

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The weather of the Great Plains is extreme and highly variable, from floods to droughts, blizzards to tornadoes. In Great Plains Weather Kenneth F. Dewey explains what makes this region’s climate unique by presenting a historical climatology of extreme weather events. Beginning with tornadoes—perhaps the most formidable plains weather phenomena—he describes the climatology of these storms and discusses memorable tornadoes of the plains. As one of the storm chasers who travels the Great Plains in the spring and summer tracking severe weather, Dewey also shares some of his experiences on the road. Dewey then goes on to discuss famous blizzards, from the “School Children’s Storm” of 1888 to more recent storms, along with droughts and floods. Precipitation, or the lack thereof, has long determined human activity in the region; exacerbated by the vagaries of climate change, it continues to have a significant economic and cultural impact on the people of the plains. Dewey’s absorbing narrative is complemented by images of tornadoes, snowstorms, and flash floods that he amassed in forty years of climatological research.

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A gravestone, a mention in local archives, stories still handed down around Oyster Bay: the outline of a woman begins to emerge and with her the world she inhabited, so rich in tradition and shaken by violent change. Katie Kettle Gale was born into a Salish community in Puget Sound in the 1850s, just as settlers were migrating into what would become Washington State. With her people forced out of their traditional hunting and fishing grounds into ill-provisioned island camps and reservations, Katie Gale sought her fortune in Oyster Bay. In that early outpost of multiculturalism—where Native Americans and immigrants from the eastern United States, Europe, and Asia vied for economic, social, political, and legal power—a woman like Gale could make her way. As LLyn De Danaan mines the historical record, we begin to see Gale, a strong-willed Native woman who cofounded a successful oyster business, then won the legal rights from her Euro-American husband, a man with whom she had raised children but who ultimately made her life unbearable. Steeped in sadness—with a lost home and a broken marriage, children dying in their teens, and tuberculosis claiming her at forty-three—Katie Gale’s story is also one of remarkable pluck, a tale of hard work and ingenuity, gritty initiative and bad luck that is, ultimately, essentially American.

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[LaPier’s] book refreshingly is tied to her extended family, especially its women, instead of the generalized ‘Blackfoot’ of most outside ethnographers. Readable in style, [Invisible Reality] conveys the self-respect and confidence that paternalist governance and poverty could not defeat.—A. B. Kehoe, ChoiceRosalyn R. LaPier demonstrates that Blackfeet history is incomplete without an understanding of the Blackfeet people’s relationship and mode of interaction with the “invisible reality” of the supernatural world. Religious beliefs provided the Blackfeet with continuity through privations and changing times. The stories they passed to new generations and outsiders reveal the fundamental philosophy of Blackfeet existence, namely the belief that they could alter, change, or control nature to suit their needs and that they were able to do so with the assistance of supernatural allies. The Blackfeet did not believe they had to adapt to nature. They made nature adapt. Their relationship with the supernatural provided the Blackfeet with stability and made predictable the seeming unpredictability of the natural world in which they lived. In Invisible Reality LaPier presents an unconventional, creative, and innovative history that blends extensive archival research, vignettes of family stories, and traditional knowledge learned from elders along with personal reflections on her own journey learning Blackfeet stories. The result is a nuanced look at the history of the Blackfeet and their relationship with the natural world.

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In 1957 Horace Stoneham took his Giants of New York baseball team and headed west, starting a gold rush with bats and balls rather than pans and mines. But San Francisco already had a team, the Seals of the Pacific Coast League, and West Coast fans had to learn to embrace the newcomers. Starting with the franchise’s earliest days and following the team up to recent World Series glory, Home Team chronicles the story of the Giants and their often topsy-turvy relationship with the city of San Francisco. Robert F. Garratt shines light on those who worked behind the scenes in the story of West Coast baseball: the politicians, businessmen, and owners who were instrumental in the club’s history.Home Team presents Stoneham, often left in the shadow of Dodgers owner Walter O’Malley, as a true baseball pioneer in his willingness to sign black and Latino players and his recruitment of the first Japanese player in the Major Leagues, making the Giants one of the most integrated teams in baseball in the early 1960s. Garratt also records the turbulent times, poor results, declining attendance, two near-moves away from California, and the role of post-Stoneham owners Bob Lurie and Peter Magowan in the Giants’ eventual reemergence as a baseball powerhouse. Garratt’s superb history of this great ball club makes the Giants’ story one of the most compelling of all Major League franchises.

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