Search results for ""Hogarth""

The National Gallery in London houses one of the richest collections of Western European paintings in the world, ranging from the 13th to the 20th century. In this beautiful book, one hundred of the greatest works from the collection, each by a different artist, are presented in chronological order, and accompanied by a lively, informative text and full-page color reproductions. From the earliest—a remnant of an Italian altarpiece dating from around 1265—to the most recent—Paul Cézanne’s great Bathers, of about 1894–1905—each painting has been carefully chosen for the unique significance it holds; whether representing a particular artist, place or time, or simply for its beauty and the pleasure it provides to the viewer. The painters featured here include some of the most famous names in European art—Duccio, Giotto, Dürer, Holbein, van Eyck, Botticelli, Leonardo, Michelangelo, Raphael, Titian, Rubens, Rembrandt, El Greco, Velázquez, Zurbarán, Goya, Caravaggio, Claude, Poussin, Hogarth, Gainsborough, Reynolds, Constable, Turner, Courbet, Manet, Monet, Renoir, Degas, Rousseau, and Van Gogh—and some of the most iconic paintings in the world—The Wilton Diptych, The Arnolfini Portrait, The Ambassadors, and Sunflowers. These selected highlights introduce some of the most inspiring paintings ever made. The reader can dip in to explore individual paintings, or read from cover to cover for a full survey.Published by the National Gallery Company/Distributed by Yale University Press

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Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.

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Touch is our first sense. Through touch we make art, stake a claim to what we own and those we love, express our faith, our belief, our anger. Touch is how we leave our mark and find our place in the world; touch is how we connect. Drawing on works of art spanning four thousand years and from across the globe, this book explores the fundamental role of touch in human experience, and offers new ways of looking. In a series of lavishly illustrated essays, the authors explore anatomy and skin; the relationship between the brain, hand, and creativity; touch, desire and possession; ideological touch; reverence and iconoclasm. A final section collects a range of reflections, historic and contemporary, on touch. Objects range from anonymous ancient Egyptian limestone sculpture, to medieval manuscripts and panel paintings, to devotional and spiritual objects from across the world, to love tokens and fede rings. Drawings, paintings, prints and sculpture by Raphael, Michelangelo, Rembrandt, Carracci, Hogarth, Turner, Rodin, Degas, and Kollwitz are explored, along with work by contemporary artists Judy Chicago, Frank Auerbach, Richard Long, the Chapman Brothers, and Richard Rawlins. The events of 2020 have made us newly alive to the preciousness and the dangers of touch, making this exploration of our most fundamental sense particularly timely and resonant.

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The Life of Captain Cipriani (1932) is the earliest full-length work of nonfiction by the Trinidadian writer C. L. R. James, one of the most significant historians and Marxist theorists of the twentieth century. It is partly based on James's interviews with Arthur Andrew Cipriani (1875–1945). As a captain with the British West Indies Regiment during the First World War, Cipriani was greatly impressed by the service of black West Indian troops and appalled at their treatment during and after the war. After his return to the West Indies, he became a Trinidadian political leader and advocate for West Indian self-government. James's book is as much polemic as biography. Written in Trinidad and published in England, it is an early and powerful statement of West Indian nationalism. An excerpt, The Case for West-Indian Self Government, was issued by Leonard and Virginia Woolf's Hogarth Press in 1933. This volume includes the biography, the pamphlet, and a new introduction in which Bridget Brereton considers both texts and the young C. L. R. James in relation to Trinidadian and West Indian intellectual and social history. She discusses how James came to write his biography of Cipriani, how the book was received in the West Indies and Trinidad, and how, throughout his career, James would use biography to explore the dynamics of politics and history.

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The Life of Captain Cipriani (1932) is the earliest full-length work of nonfiction by the Trinidadian writer C. L. R. James, one of the most significant historians and Marxist theorists of the twentieth century. It is partly based on James's interviews with Arthur Andrew Cipriani (1875–1945). As a captain with the British West Indies Regiment during the First World War, Cipriani was greatly impressed by the service of black West Indian troops and appalled at their treatment during and after the war. After his return to the West Indies, he became a Trinidadian political leader and advocate for West Indian self-government. James's book is as much polemic as biography. Written in Trinidad and published in England, it is an early and powerful statement of West Indian nationalism. An excerpt, The Case for West-Indian Self Government, was issued by Leonard and Virginia Woolf's Hogarth Press in 1933. This volume includes the biography, the pamphlet, and a new introduction in which Bridget Brereton considers both texts and the young C. L. R. James in relation to Trinidadian and West Indian intellectual and social history. She discusses how James came to write his biography of Cipriani, how the book was received in the West Indies and Trinidad, and how, throughout his career, James would use biography to explore the dynamics of politics and history.

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'I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room'Cynical Los Angeles Private Investigator Philip Marlowe always falls for a sob story. Eight years ago Moose Malloy and cute little redhead Velma were getting married - until Malloy was framed for armed robbery. Now he's out and he wants Velma back. Marlowe meets Malloy one hot day in Hollywood and, out of the generosity of his jaded heart, agrees to help. Dragged from one smoky bar to another, Marlowe's search for Velma turns up plenty of gangsters with a nasty habit of shooting first and talking later. And soon what started as a search for a missing person becomes a matter of life and death . . .Farewell, My Lovely is Raymond Chandler's second novel featuring laconic PI Philip Marlowe.'Chandler grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony BurgessDiscover the newest addition to the inimitable Philip Marlowe series - Only to Sleep by Lawrence Osborne - out 6 September 2018 in hardback and ebook from Hogarth.

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Derided as seventies throwbacks upon their arrival and misremembered by the wider population as one-hit wonders, Marillion rode the 1980s as one of the most successful bands in Britain. Delivering the musical and conceptual density of early progressive rock with the caustic energy of punk, the Aylesbury heroes both spearheaded the neo-prog revival and produced its crown jewel in their number one album Misplaced Childhood and its Top 5 singles 'Kayleigh' and 'Lavender.' Musically, their influence reaches from prog legends Dream Theater and Steven Wilson to household names like Radiohead and Muse. The 1980s encapsulated Marillion's birth, commercial apex, and near-implosion. This book combines meticulous history with careful musical analysis to chronicle their most turbulent decade from their first gig, through the dizzying success and destructive decadence of their time with frontman Fish, to his bitter departure and replacement by Steve Hogarth. It turns an experienced critical eye not only on their five albums of the decade - from the seminal Script For A Jester's Tear to Season's End - Hogarth's debut - and a line-up that remains as active as ever. The book also discusses demos, singles, and Fish's solo debut to dissect a band which critics still love to hate, even as today's music industry stands upon their shoulders as pioneers of self-promotion and internet-based crowd funding

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The marriage of Virginia and Leonard Woolf is best understood as a dialogue of two outsiders about ideas of social and political belonging and exclusion. These ideas infused the written work of both partners and carried over into literary modernism itself, in part through the influence of the Woolfs' groundbreaking publishing company, the Hogarth Press. In this book, the first to focus on Virginia Woolf's writings in conjunction with those of her husband, Natania Rosenfeld illuminates Leonard's sense of ambivalent social identity and its affinities to Virginia's complex ideas of subjectivity. At the time of the Woolfs' marriage, Leonard was a penniless ex-colonial administrator, a fervent anti-imperialist, a committed socialist, a budding novelist, and an assimilated Jew who vacillated between fierce pride in his ethnicity and repudiation of it. Virginia was an "intellectual aristocrat," socially privileged by her class and family background but hobbled through gender. Leonard helped Virginia elucidate her own prejudices and elitism, and his political engagements intensified her identification with outsiders in British society. Rosenfeld discovers an aesthetic of intersubjectivity constantly at work in Virginia Woolf's prose, links this aesthetic to the intermeshed literary lives of the Woolfs, and connects both these sites of dialogue to the larger sociopolitical debates--about imperialism, capitalism, women, sexuality, international relations, and, finally, fascism--of their historical place and time.

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Beyond 1619 brings an Atlantic and hemispheric perspective to the year 1619 as a marker of American slavery’s origins and the beginnings of the Black experience in what would become the United States by situating the roots of racial slavery in a broader, comparative context. In recent years, an extensive public dialogue regarding the long shadow of racism in the United States has pushed Americans to confront the insidious history of race-based slavery and its aftermath, with 1619—the year that the first recorded enslaved persons of African descent arrived in British North America—taking center stage as its starting point. Yet this dialogue has inadvertently narrowed our understanding of slavery, race, and their repercussions to the U.S. context. Beyond 1619 showcases the fruitful results when scholars examine and put into conversation multiple empires, regions, peoples, and cultures to get a more complete view of the rise of racial slavery in the Americas. Painting racial slavery’s emergence on a hemispheric canvas, and in one compact volume, provides historical context beyond the 1619 moment for discussions of slavery, racism, antiracism, freedom, and lasting inequalities. In the process, this volume shines new light on these critical topics andillustrates the centrality of racial slavery, and contests over its rise, in nearly every corner of the early modern Atlantic World. Contributors: John N. Blanton, Jesse Cromwell, Erika Denise Edwards, Rebecca Anne Goetz, Rana Hogarth, Chloe L. Ireton, Marc H. Lerner, Paul J. Polgar, Brett Rushforth, Casey Schmitt, Jenny Shaw, James Sidbury.

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'Read, read, read, read, my unlearned reader! read...' Sterne's great comic novel is the fictional autobiography of Tristram Shandy, a hero who fails even to get born in the first two volumes. It contains some of the best-known and best-loved characters in English literature, including Uncle Toby, Corporal Trim, Parson Yorick, Dr Slop and the Widow Wadman. Beginning with Tristram's conception, the novel recounts his progress in 'this scurvy and disasterous world of ours', including his misnaming during baptism and his accidental circumcision by a falling sash-window at the age of five; unsurprisingly, Tristram declares that he has been 'the continual sport of what the world calls Fortune'. Tristram Shandy also offers the narrator's 'opinions', at once facetious and highly serious, on books and learning in an age of rapidly expanding print culture, and on the changing understanding of the roles of writers and readers alike. This revised edition retains the first edition text incorporating Sterne's later changes, and adds two original Hogarth illustrations and a wealth of contextualizing information. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This selection brings together the best prose writings of the great early nineteenth-century essayist Charles Lamb, whose shrewd wit and convivial style have endeared him to generations of readers. These pieces include early discussions of Hogarth and Shakespeare; masterly essays written under the pen-name 'Elia' that range over such subjects as drunkenness, witches, dreams, marriage and the joy of roast pig; and letters to Lamb's circle of contemporaries, among them Samuel Taylor Coleridge and William Wordsworth. Wryly amused by the world, allusive, searching and endlessly inventive, these are the essential works of a master of English prose.In his introduction Adam Phillips discusses how Charles Lamb's tragic life and sainted reputation, caring for his mentally ill sister Mary, belied the quality of his work. This edition also includes a biographical index of Lamb's correspondents.Charles Lamb (1775-1834) was an English essayist best known for his humorous Essays of Elia from which the essay 'A Dissertation Upon Roast Pig' is taken. Lamb enjoyed a rich social life and became part of a group of young writers that included William Hazlitt, Percy Bysshe Shelley, Lord Byron and Samuel Taylor Coleridge with whom he shared a lifelong friendship. Lamb never achieved the same literary success as his friends but his influence on the English essay form cannot be underestimated and his book, Specimens of the English Dramatic Poets is remembered for popularising the work of Shakespeare's contemporaries.

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With this sixth volume The Hogarth Press completes a major literary undertaking - the publication of the complete essays of Virginia Woolf. In this, the last decade of her life, Woolf wrote distinguished literary essays on Turgenev, Goldsmith, Congreve, Gibbon and Horace Walpole. In addition, there are a number of more political essays, such as 'Why Art To-Day Follows Politics', 'Women Must Weep' (a cut-down version of Three Guineas and never before reprinted), 'Royalty' (rejected by Picture Post in 1939 as 'an attack on the Royal family, and on the institution of kingship in this country'), 'Thoughts on Peace in an Air Raid', and even 'America, which I Have Never Seen...' ('['Americans are] the most interesting people in the world - they face the future, not the past'). In 'The Leaning Tower' (1940), Virginia Woolf faced the future and looked forward to a more democratic post-war age: 'will there be no more towers and no more classes and shall we stand, without hedges between us, on the common ground?' Woolf stimulates her readers to think for themselves, so she 'never forges manifestos, issues guidelines, or gives instructions that must be followed to the letter' (Maria DiBattista).In providing an authoritative text, introduction and annotations to Virginia Woolf's essays, Stuart N. Clarke has prepared a common ground - for students, common readers and scholars alike - so that all can come to Woolf without specialised knowledge.

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During the 1930s, the British Intelligence agencies became increasingly concerned about Communist influence in the country. They reacted by spying on thousands of ordinary British citizens. Amongst them were many artists and writers who, in tune with the spirit of the times', had become sympathetic to left-wing causes, most notably the Spanish Civil War. Telephones were bugged, post opened, homes searched and people encouraged to report suspicious behaviour - all reminiscent of the East German Stasi. This book has been written in the light of previously secret files, now available in The National Archives, which indicate the extent of the surveillance and the consequences for those being watched. It focuses on a significant number of writers and artists who were either members of the Communist Party of Great Britain or were suspected of being fellow travellers'. They include: George Orwell, Stephen Spender, Olivia Manning, Storm Jameson, W.H. Auden, Sylvia Townsend Warner, J.B. Priestley, Doris Lessing, Julian Trevelyan, Randall Swingler, Paul Hogarth, Clive Branson and James Boswell. _The Secret War Against the Arts_ is a unique account of a dramatic period of modern history, from the outbreak of the Spanish Civil War to the Hungarian uprising in 1956, revealing how MI5 was systematic, unrelenting and uncompromising in its pursuit of artists and writers throughout the period, while failing to see the much more disturbing treachery of others - Anthony Blunt, Guy Burgess and Kim Philby, for example.

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"Advances in Accounting Behavioral Research" publishes quality articles encompassing all areas of accounting that incorporate theory from and contribute knowledge and understanding to the fields of applied psychology, sociology, management science, and economics. The series promotes research that integrates accounting issues with organizational behavior, human judgment/decision making, and cognitive psychology. Volume 8 contains papers on a variety of behavioral accounting topics. The lead article is a literature review of research associated with the belief adjustment model (Hogarth and Einhorn 1992), which has been used as the theoretical support for a significant body of research in accounting. This article synthesizes prior accounting research and identifies future research opportunities. The remaining eight articles are empirical in nature and examine behavioral issues in auditing, ethics, and management accounting. One study investigates the efficiency and effectiveness of a recent change to the audit workpaper review process, which delegates more review tasks to senior and staff auditors. Two studies investigate communications in the audit review process with one focusing on linguistic delivery style of the client and the other focusing on electronic communication medium for client inquiry. Another study investigates the concept of role morality and whether accountants have different ethical propensities when making business decisions rather the personal decisions. The remaining four articles investigate various aspects of managerial accounting systems, including budgetary participation, the role of culture and acculturation in information sharing, activity based costing, and manager's moral equity. Overall, these papers provide interesting insight into various aspects of behavioral accounting.

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Chiswick is considered to be one of West London’s most appealing suburbs, renowned for its leafy appearance, riverside pubs and fine houses. Its four original villages – Strand on the Green, Turnham Green, Little Sutton and Old Chiswick – have remained a cohesive body despite the construction of a major road in the 1950s. The area has always been known for its good air, fishing and riverside trades. In the late nineteenth century Thornycroft & Co. shipbuilders launched their vessels and built the first torpedo boat for the Royal Navy. The yard was close to another of the area’s main industries – brewing – and Fuller’s Griffin Brewery is still a major business here operating from its 350-year-old site beside the Thames. In Chiswick in 50 Buildings author Lucy McMurdo presents an engaging and accessible perspective of the area’s rich architectural heritage. Walk around Chiswick’s streets and you will see buildings from the 1500s onwards in every architectural style. Until the mid-nineteenth century it was renowned for its market gardens and parkland as well as its grand Palladian villa, Chiswick House, designed in the early eighteenth century by the 3rd Earl of Burlington. This remains one of Chiswick’s treasures. With the arrival of the railway in the 1860s the area became rapidly urbanised, the population increased and fields made way for housing. Unsurprisingly, many famous people have made Chiswick their home including artists Hogarth and Whistler and poet W. B. Yeats. Illustrated throughout, this book guides you on a fascinating architectural tour of this leafy and attractive London suburb.

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'I need a man good-looking enough to pick up a dame who has a sense of class, but he's got to be tough enough to swap punches with a power shovel.' In the first of the four cases in Trouble is My Business, Los Angeles PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble out of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.'Age does not wither Chandler's prose' Literary Review'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterDiscover the newest addition to the inimitable Philip Marlowe series - Only to Sleep by Lawrence Osborne - out 6 September 2018 in hardback and ebook from Hogarth.

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The first Sports Banger retrospective, published to celebrate the ten-year anniversary of the anarchic, genre-bending cult fashion house. Sports Banger is a genre-defying, boundary-breaking fashion collective run by Jonny Banger, who interrogates British pop culture, fashion, class and politics through the subversion and (mis)appropriation of branding. Sports Banger: Lifestyles of the Poor, Rich and Famous tells the story of the first ten years of the irreverent brand, from its foundation in 2013 to the present day. It charts the rise of the brand from an underground bootlegging operation to an all-inclusive, internationally recognized DIY fashion house, record label and socially conscious satirist in the mould of a modern-day Hogarth. In a layout created by the Sports Banger studio, the book’s images reflect the anarchic story: photographs of studio ephemera, couture pieces, community projects, protests and fashion shows feature alongside one off pieces produced for Skepta, 2 Chainz, Samantha Morton, David Hoyle and more. The book contains a full t-shirt archive of iconic Sports Banger bootleg t-shirts. Reappropriated Nike, NHS and Adidas logos rub shoulders with images of defaced government letters, raves, food banks and official collaborations with Tommy Hilfiger and Slazenger. The book is an of-our-times hybrid of political comment, DIY fashion and proud class consciousness. Essays featured come from influential figures from the worlds of fashion, art and music, including Turner Prize-winning artist Jeremy Deller, writer and curator Anastasiia Fedorova, and fashion writer and curator Nathalie Khan as well as voices of the general public and reviews from Vogue, Dazed and the V&A.

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Luther Corhern, Miramichi guide and keeper of Cavender Bill's Salmon Camp log, never met a fisherman in his life (other than Stan Tuney) who would tell you a lie. It's a good thing, too — you'd have a job on your hands if you had to sort fact from fiction in Lute's chronicles. Here's the situation: a rich American has bought the old Cavender place and turned it into a fishing camp. Now known as Cavender Bill, he takes in fellow American "sports" as guests, hiring Lute and his friends as guides. Cav thinks the sports would enjoy a log: a fishing record embellished with guides' stories. Lute, with his grade six education, is the natural choice to man the Underwood Deluxe. Now, Lute is a dreamer, and it would be fair to say that Luther Corhern's Salmon Camp Chronicles strays somewhat from its original purpose. It contains stories about Lute's friends Nean "short for Neanderthal" Kooglin, Elvis "formerly Hogarth" Glasby, Lindon Tucker, and lying Stan Tuney. Dryfly Ramsey, Shadrack Nash, and Kid and Corry Lauder show up, too. But Lute's mind ranges in all directions, over topics such as a computer that sends letters from the future, the curative power of mackerel tied to the feet, golf, and Christmas. The weather, however, isn't what it used to be. According to Elvis, "She used to be a lot colder when we were operatin' under Fahrenheit. Old Celsius don't seem to have the bite in it, so it don't." But every topic leads Lute back to the salmon and to the mystical river that's home to man and fish alike.

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This is the first companion guide ever to be written on the Ashmolean's outstanding Aegean collections, the best and most comprehensive outside Greece. Comprising 12,000 objects, the Ashmolean holds a remarkable collection of Neolithic and Cycladic antiquities, the best Minoan collection outside Crete, and a comprehensive corpus of Mycenaean antiquities. It is thanks to the indefatigable work of Sir Arthur Evans, and other great Aegean pioneers, such as Sir John Linton Myres and David Hogarth, that the Ashmolean, with its rich archival resources, stands out today as one of the most important museums for the study of Aegean archaeology. The companion guide, written by top scholars in the field, takes a chronological as well as thematic approach to the study of the Aegean collections. The texts, written with the wider audience in mind, introduce readers to the history of the collection and its current display strategy, Sir Arthur Evans and his work in Crete, the world of the early Cyclades, Knossos and Minoan Crete, Mycenaean Greece, and the Aegean seals and scripts that were central in Evans's archaeological research on the island. The companion guide is beautifully designed and richly illustrated throughout. Images of the gallery, of individual objects and group shots, maps, plans, and timelines, provide the reader with the feel of the Aegean World gallery, which since its opening in 2009 has been enthusiastically received. The book follows the strategy developed specifically for the Aegean World gallery at the Ashmolean Museum: 'how we know what we know?' about Aegean prehistory, and the role of archaeologists as filters through whom our knowledge of the past is diluted and shaped. The guide also includes about 80 highlighted objects, which are accompanied with new photographs - specifically taken for this publication, a brief description and bibliography. The companion guide is published in collaboration with the Ashmolean Museum, University of Oxford.

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The story of Isaac Newton's decades in London - as ambitious cosmopolitan gentleman, President of London's Royal Society, Master of the Mint, and investor in the slave trade. Isaac Newton is celebrated throughout the world as a great scientific genius who conceived the theory of gravity. But in his early fifties, he abandoned his life as a reclusive university scholar to spend three decades in London, a long period of metropolitan activity that is often overlooked. Enmeshed in Enlightenment politics and social affairs, Newton participated in the linked spheres of early science and imperialist capitalism. Instead of the quiet cloisters and dark libraries of Cambridge's all-male world, he now moved in fashionable London society, which was characterized by patronage relationships, sexual intrigues and ruthless ambition. Knighted by Queen Anne, and a close ally of influential Whig politicians, Newton occupied a powerful position as President of London's Royal Society. He also became Master of the Mint, responsible for the nation's money at a time of financial crisis, and himself making and losing small fortunes on the stock market. A major investor in the East India Company, Newton benefited from the global trading networks that relied on selling African captives to wealthy plantation owners in the Americas, and was responsible for monitoring the import of African gold to be melted down for English guineas. Patricia Fara reveals Newton's life as a cosmopolitan gentleman by focussing on a Hogarth painting of an elite Hanoverian drawing room. Gazing down from the mantelpiece, a bust of Newton looms over an aristocratic audience watching their children perform a play about European colonialism and the search for gold. Packed with Newtonian imagery, this conversation piece depicts the privileged, exploitative life in which this eminent Enlightenment figure engaged, an uncomfortable side of Newton's life with which we are much less familiar.

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**A Jennette McCurdy book club pick** **Cosmopolitan, The 20 best books to look forward to in 2024** **An Independent Book of the Month** 'I loved it: the fast pace, the wry protagonist, and how Brody painfully examines the measures we take to find closure' Jennette McCurdy 'A brilliant, dark debut about grief and the way in which the internet can magnify mania' Mail on Sunday 'I fell down Rabbit Hole in an obsessive spiral' Kate Reed Petty 'A twisty, pacy crime thriller' independent.co.uk 'A mindblowing debut' Heather Darwent 'A gritty tale of grief, family secrets and addiction' Observer ________________________________ A deliciously dark and twisted debut about family secrets, true crime, and destructive obsession – by a striking new talent Teddy Angstrom is no stranger to morbid public interest in her family’s tragedies. And when her father dies suddenly, ten years to the day after her sister Angie’s disappearance, she intends to maintain as much privacy as she always has. Clearing out her father’s office, however, Teddy discovers her father’s double life: a decade-long investigation into wild conspiracies from a Reddit community of true crime fans fixated on Angie. Repelled and compelled in equal measure by this new online dimension, Teddy finds herself falling down that same rabbit hole. So when nineteen-year-old Mickey, a charming amateur internet sleuth, materialises in real life, Teddy determines that the two of them are going to team up to find out what really happened to Angie – and whether there’s any chance she might still be alive. But as she struggles to reconcile new information with old memories, Teddy doesn’t notice that her obsession is making her increasingly self-destructive. And she’s in way over her head before she’s realises that Mickey, too, is not all she seems… Noirish, haunting and razor-sharp, as compulsive as a late-night Reddit binge, Rabbit Hole is an unforgettable debut about violence, family and grief. 'A smart and edgy mystery that kept me turning pages from start to finish' Alexis Schaitkin ‘I absolutely loved this book … I couldn't put it down’ Ainslie Hogarth 'An unputdownable debut from a writer I would follow anywhere' Allie Rowbottom

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In this new edition, discover how to achieve commercial-grade recordings, even in the smallest studios, by applying power-user techniques from the world’s most successful producers.Recording Secrets for the Small Studio is based on the backroom strategies of more than 250 famous names. This thorough and down-to-earth guide leads you through a logical sequence of practical tasks to build your live-room skills progressively from the ground up, with user-friendly explanations that introduce technical concepts on a strictly need-to-know basis. On the way, you’ll unravel the mysteries of many specialist studio tactics and gain the confidence to tackle a full range of real-world recording situations.Specifically designed for small-studio enthusiasts, this book provides an intensive training course for those who want a fast track to releasing quality results, while the chapter summaries, assignments, and extensive online resources are perfect for school and college use. Learn the fundamental principles of mic technique that you can apply in any recording scenario – and how to avoid those rookie mistakes that all too often compromise the sonics of lower-budget productions. Explore advanced techniques which help industry insiders maintain their competitive edge even under the most adverse conditions: creative phase manipulation, improvised acoustics tweaks, inventive monitoring workarounds, and subtle psychological tricks. Find out where you don’t need to spend money, as well as how to make a limited budget really count. Make the best use of limited equipment and session time, especially in situations where you’re engineering and producing single-handed. Pick up tricks and tips from celebrated engineers and producers across the stylistic spectrum, including Steve Albini, Neal Avron, Roy Thomas Baker, Joe Barresi, Howard Benson, Tchad Blake, T-Bone Burnett, Geoff Emerick, Brian Eno, Paul Epworth, Shawn Everett, Humberto Gatica, Imogen Heap, Ross Hogarth, Trevor Horn, Rodney Jerkins, Leslie Ann Jones, Eddie Kramer, Jacquire King, Daniel Lanois, Sylvia Massy, Alan Meyerson, Justin Niebank, Gary Paczosa, Tony Platt, Jack Joseph Puig, David Reitzas, Bob Rock, Laura Sisk, Fraser T Smith, Young Guru, and many more. Now extensively expanded and updated, with new sections on contact mics, software instruments, squash mics, and ensemble depth distortion.

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**A Jennette McCurdy book club pick** **Cosmopolitan, The 20 best books to look forward to in 2024** **An Independent Book of the Month** 'I loved it: the fast pace, the wry protagonist, and how Brody painfully examines the measures we take to find closure' Jennette McCurdy 'A brilliant, dark debut about grief and the way in which the internet can magnify mania' Mail on Sunday 'I fell down Rabbit Hole in an obsessive spiral' Kate Reed Petty 'A twisty, pacy crime thriller' independent.co.uk 'A mindblowing debut' Heather Darwent 'A gritty tale of grief, family secrets and addiction' Observer ________________________________ A deliciously dark and twisted debut about family secrets, true crime, and destructive obsession – by a striking new talent Teddy Angstrom is no stranger to morbid public interest in her family’s tragedies. And when her father dies suddenly, ten years to the day after her sister Angie’s disappearance, she intends to maintain as much privacy as she always has. Clearing out her father’s office, however, Teddy discovers her father’s double life: a decade-long investigation into wild conspiracies from a Reddit community of true crime fans fixated on Angie. Repelled and compelled in equal measure by this new online dimension, Teddy finds herself falling down that same rabbit hole. So when nineteen-year-old Mickey, a charming amateur internet sleuth, materialises in real life, Teddy determines that the two of them are going to team up to find out what really happened to Angie – and whether there’s any chance she might still be alive. But as she struggles to reconcile new information with old memories, Teddy doesn’t notice that her obsession is making her increasingly self-destructive. And she’s in way over her head before she’s realises that Mickey, too, is not all she seems… Noirish, haunting and razor-sharp, as compulsive as a late-night Reddit binge, Rabbit Hole is an unforgettable debut about violence, family and grief. 'A smart and edgy mystery that kept me turning pages from start to finish' Alexis Schaitkin ‘I absolutely loved this book … I couldn't put it down’ Ainslie Hogarth 'An unputdownable debut from a writer I would follow anywhere' Allie Rowbottom

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An illuminating volume of critical essays charting the diverse territory of digital humanities scholarship The digital humanities have traditionally been considered to be the domain of only a small number of prominent and well-funded institutions. However, through a diverse range of critical essays, this volume serves to challenge and enlarge existing notions of how digital humanities research is being undertaken while also serving as a kind of alternative guide for how it can thrive within a wide variety of institutional spaces. Focusing on the complex infrastructure that undergirds the field of digital humanities, People, Practice, Power examines the various economic, social, and political factors that shape such academic endeavors. The multitude of perspectives comprising this collection offers both a much-needed critique of the existing structures for digital scholarship and the means to generate broader representation within the field. This collection provides a vital contribution to the realm of digital scholarly research and pedagogy in acknowledging the role that small liberal arts colleges, community colleges, historically black colleges and universities, and other underresourced institutions play in its advancement. Gathering together a range of voices both established and emergent, People, Practice, Power offers practitioners a self-reflexive examination of the current conditions under which the digital humanities are evolving, while helping to open up new sustainable pathways for its future. Contributors: Matthew Applegate, Molloy College; Taylor Arnold, U of Richmond; Eduard Arriaga, U of Indianapolis; Lydia Bello, Seattle U; Kathi Inman Berens, Portland State U; Christina Boyles, Michigan State U; Laura R. Braunstein, Dartmouth College; Abby R. Broughton; Maria Sachiko Cecire, Bard College; Brennan Collins, Georgia State U; Kelsey Corlett-Rivera, U of Maryland; Brittany de Gail, U of Maryland; Madelynn Dickerson, UC Irvine Libraries; Nathan H. Dize, Vanderbilt U; Quinn Dombrowski, Stanford U; Ashley Sanders Garcia, UCLA; Laura Gerlitz; Erin Rose Glass; Kaitlyn Grant; Margaret Hogarth, Claremont Colleges; Maryse Ndilu Kiese, U of Alberta; Pamella R. Lach, San Diego State U; James Malazita, Rensselaer Polytechnic Institute; Susan Merriam, Bard College; Chelsea Miya, U of Alberta; Jamila Moore Pewu, California State U, Fullerton; Urszula Pawlicka-Deger, Aalto U, Finland; Jessica Pressman, San Diego State U; Jana Remy, Chapman U; Roopika Risam, Salem State U; Elizabeth Rodrigues, Grinnell College; Dylan Ruediger, American Historical Association; Rachel Schnepper, Wesleyan U; Anelise Hanson Shrout, Bates College; Margaret Simon, North Carolina State U; Mengchi Sun, U of Alberta; Lauren Tilton, U of Richmond; Michelle R. Warren, Dartmouth College.

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An illuminating volume of critical essays charting the diverse territory of digital humanities scholarship The digital humanities have traditionally been considered to be the domain of only a small number of prominent and well-funded institutions. However, through a diverse range of critical essays, this volume serves to challenge and enlarge existing notions of how digital humanities research is being undertaken while also serving as a kind of alternative guide for how it can thrive within a wide variety of institutional spaces. Focusing on the complex infrastructure that undergirds the field of digital humanities, People, Practice, Power examines the various economic, social, and political factors that shape such academic endeavors. The multitude of perspectives comprising this collection offers both a much-needed critique of the existing structures for digital scholarship and the means to generate broader representation within the field. This collection provides a vital contribution to the realm of digital scholarly research and pedagogy in acknowledging the role that small liberal arts colleges, community colleges, historically black colleges and universities, and other underresourced institutions play in its advancement. Gathering together a range of voices both established and emergent, People, Practice, Power offers practitioners a self-reflexive examination of the current conditions under which the digital humanities are evolving, while helping to open up new sustainable pathways for its future. Contributors: Matthew Applegate, Molloy College; Taylor Arnold, U of Richmond; Eduard Arriaga, U of Indianapolis; Lydia Bello, Seattle U; Kathi Inman Berens, Portland State U; Christina Boyles, Michigan State U; Laura R. Braunstein, Dartmouth College; Abby R. Broughton; Maria Sachiko Cecire, Bard College; Brennan Collins, Georgia State U; Kelsey Corlett-Rivera, U of Maryland; Brittany de Gail, U of Maryland; Madelynn Dickerson, UC Irvine Libraries; Nathan H. Dize, Vanderbilt U; Quinn Dombrowski, Stanford U; Ashley Sanders Garcia, UCLA; Laura Gerlitz; Erin Rose Glass; Kaitlyn Grant; Margaret Hogarth, Claremont Colleges; Maryse Ndilu Kiese, U of Alberta; Pamella R. Lach, San Diego State U; James Malazita, Rensselaer Polytechnic Institute; Susan Merriam, Bard College; Chelsea Miya, U of Alberta; Jamila Moore Pewu, California State U, Fullerton; Urszula Pawlicka-Deger, Aalto U, Finland; Jessica Pressman, San Diego State U; Jana Remy, Chapman U; Roopika Risam, Salem State U; Elizabeth Rodrigues, Grinnell College; Dylan Ruediger, American Historical Association; Rachel Schnepper, Wesleyan U; Anelise Hanson Shrout, Bates College; Margaret Simon, North Carolina State U; Mengchi Sun, U of Alberta; Lauren Tilton, U of Richmond; Michelle R. Warren, Dartmouth College.

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