Search results for ""Hogarth""

An atmospheric tale of identical twins, and the ties that bind and break. Identical twins Clemmy and Helen, named after the beautiful heroines of Greek mythology, live in a dilapidated cottage in the woods, having little contact with the outside world. Abandoned at birth by their father, a painter, the girls are raised by their mother, who they ignore, existing only for each other. Aged 14, they break into their father’s locked studio, discovering a self- portrait their father left for them, alongside a note – addressing them as ‘his beauties.’ This discovery opens the first cracks in their relationship. Helen becomes obsessed with him, determined to become painter herself. Clemmy fights against this, dreaming of an escape from the forest which has always frightened her, and becoming an actor. Aged 16, their mother abandons them. Clemmy celebrates their freedom, and the fault lines between the twins widen. Within a year Clemmy leaves for London and Helen finds herself alone at the cottage and pregnant by Beautiful Boy. The Other is story of love in all its facets: from the unique love of twins who yearn both for togetherness and individualism to sharing the love of a child.

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In the north of England there was a put-down for women with ideas above their station – `Who do you think you are? Lady Docker?’ Through Britain’s post-War years, scarcely a day went by when Sir Bernard and Norah Docker didn’t dominate the newspapers. The Dazzling Dockers, as they were known, were on everyone’s lips.they caught the imagination of a public hungry for frivolity, reality superstars of the age and standardbearers for our own celebrity-obsessed 21st century. Yet of the two, there is no doubt whose star shone brightest. Born over a butcher’s shop in Derby, Norah Docker would enjoy a level of fame second only to a young Queen Elizabeth and Prince Philip. Brash but fun, Sir Bernard was her third millionaire in a row. The Dockers owned a superyacht, a castle and country estates. It couldn’t last of course, and didn’t, but what waves this working class girl made en route from rags to riches and back again. From the Bright Young Things of London’s Roaring Twenties to their swinging equivalents in the 1960s, the adventures of Lady Norah Docker are a dazzling treat.

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'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year 'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices'BuzzfeedAbby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood given the way her own, now-estranged, mother raised her.When Laura takes her own life, her ghost starts to haunt Abby and Ralph in very different ways. Ralph is plunged into depression, and Abby is being terrorized by a force intent on taking everything she loves away from her. With everything on the line, Abby must make the ultimate sacrifice in order to prove her adoration to Ralph and break Laura's hold on the family for good.

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New mother Dani has a lot going on. She's just moved back to her hometown, where her father was once known as the Garbage King; she's fed up of not being a manicure-sporting, perfectly coiffed Normal Woman; and most of all, she's worried that her seemingly healthy husband, Clark, will drop dead, leaving her and her new baby Lotte destitute. And then Dani discovers The Temple. Ostensibly a yoga center, The Temple and its guardian, Renata, are committed to helping people reach their full potential. And if that sometimes requires sex work, so be it. Finally, Dani has found something she could be good at, even great at - meaningful work that will protect her and Lotte from poverty, and provide true economic independence from Clark. But just as she's preparing to embrace this opportunity, Renata disappears, leaving Dani to step into another role entirely - detective. Darkly comic, sharply witty and fiercely smart, Normal Women asks how our societies truly value female labour - and what independence really means.

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'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year 'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices'BuzzfeedAbby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood given the way her own, now-estranged, mother raised her.When Laura takes her own life, her ghost starts to haunt Abby and Ralph in very different ways. Ralph is plunged into depression, and Abby is being terrorized by a force intent on taking everything she loves away from her. With everything on the line, Abby must make the ultimate sacrifice in order to prove her adoration to Ralph and break Laura's hold on the family for good.

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This is the story of a young boy growing up in the seaside town of Blackpool. He is the youngest member of a typical loving family of four. The era is the nineteen sixties and despite having a very close bond with his mother, David has quite a job coming to terms with everything else. This includes School, God, Santa Claus and pretty much all other categories in-between. Later in life when he loses his Mum to dementia aged 81, things begin to take a downwards turn. The loss has affected him much more than he had ever expected. He loses interest in most things, until suddenly a number of unusual events begin to mysteriously point him back in the direction of all the things he loved - music, art and humour, to name but a few. Is someone somewhere trying to tell him something, and if so, who? As events begin to unfold and the universe starts to make a lot more sense, David realises that maybe he is finally moving towards happiness and his true life's purpose. Something that his mum and dad would have surely approved of. More reading and writing, and having a lot more faith.

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NEW EDITION IN PAPERBACK to coincide with a new project to unveil a statue of the author in Richmond on Thames in 2022 "I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, as well as Leonard's autobiography, the editor reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors.

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Narrada como un largo y proceloso informe, la novela nos presenta el libro de memorias de Peter Hogarth, un cínico matemático que trabaja en el desierto de Nevada en un proyecto del Pentágono (nombre en código: La Voz del Amo) consagrado a descifrar un misterioso mensaje procedente del espacio exterior. Cuando el proyecto llega a un punto muerto, Hogarth descubre, para su horror, que lo desvelado por el supuesto mensaje extraterrestre podría llevar a la construcción de una bomba de fisión. Hogarth decide entonces que no se debe permitir que tal conocimiento caiga en manos de los militares. La voz del amo es una auténtica novela de culto, una obra inconmensurable en la que Lem diserta sobre cosmología, filosofía, biología evolutiva, y también sobre las posibles formas que puede adoptar la inteligencia extraterrestre.Junto con Solaris y Ciberíada, La voz del amo está considerada una de las mejores, más influyentes e imaginativas novelas del maestro Stanisaw Lem. Una densa fábula filos

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The award-winning illustrated edition of Ted Hughes' classic tale in paperback.Part modern fairy tale, part science fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant "metal man" who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him and Hogarth and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome "space-bat-angel-dragon" from outer space. This children's classic, with its message of peace and hope, is known and loved all over the UK and is part of an exciting collaboration between Walker Books and Faber and Faber.

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Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty—worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.

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When Kitty falls to her death in one of Covent Garden's seedier tenements at the end of 1735, it's seen as an unfortunate accident. But the memory haunts the nightmares of Kitty's neighbour, Jeremiah Potts. Jeremiah scrapes his own poor living by running errands for local artists, the most famous being William Hogarth seemingly unstoppable since the success of his Harlot's Progress. Hogarth has started work on a new painting that shows a woman walking across Covent Garden Piazza. The image raises immediate questions for the artist's wife, Jane but also appears to hark back to something in her husband's past. A similar, half-forgotten history torments another local resident, Prudence Hyssop, who is determined that the New Year of 1736 should signal a fresh start. Meanwhile, gentleman-painter Jonathan Smallow has one thing only in mind. Murder. In a fast-moving tale of lost innocence, thwarted ambition, artistic skulduggery, and blind passion, the lives of Jeremiah, Pr

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Burne Hogarth is one of the most famous artists in the history of comic strips - at the peak with Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant). In 1936 he followed Foster on the massively popular Tarzan comic strip, and set a new standard for dynamics and excitement. This is the first of four exclusive volumes that will collect Hogarth''s entire run, beginning with Tarzan and the Golden City.Restored and reproduced in an oversized format, these editions will finally do justice to one of the most lauded illustrators of all time, whose work has been out of print for more than a decade. Details of illustrations:   Full-color restorations of the newspaper strips, reproduced in the oversized full-page format made popular by current collections of Prince Valiant and Popeye the Sailor.Details of extras:  Historical articles from Scott Tracy Griffin, author of Tarzan: The Centennial

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El Africa misteriosa donde vive Tarzan acaba por convertirse en autopista a la aventura de todo tipo y nivel una especie de cruce de aminos místicos e históricos, casi un mundo apartado del tiempo, donde alternan civilizaciones perdidas y razas ocultas. Burne Hogarth descubre y saca partido a la viñeta grande y espectacular, mientras las andanzas del hombre-mono desembocan inevitablemente en lo fantástico.

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London, 1732. William Hogarth is called to a murder scene. A woman lies dead, her unborn child ripped from her body. It is a warning. Hogarth painted the future King leaving her bed. He must destroy the painting to survive. But her killers made one mistake. They left the Prince's son alive. Centuries later, one man holds proof of this line of succession and keeps a watchful eye on the Prince's heir. The legacy is a terrible burden, but also an incredible opportunity. During a flight in a private jet, when a fellow passenger speaks of having gained possession of proof of this, the Royal Family's darkest secret, everything changes. Within hours of the flight, three of the seven passengers have been silenced. Who killed them? Why? To keep the secret or expose it? Where is the proof? As the body count rises, Alex Connor ratchets up the tension is this page-turning thriller that brings history into the present with devastating consequences.

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Mark Haddon is a writer and artist. His bestselling novel, The Curious Incident of the Dog in the Night-Time, was published simultaneously by Jonathan Cape and David Fickling in 2003. It won seventeen literary prizes, including the Whitbread Award. In 2012, a stage adaptation by Simon Stephens was produced by the National Theatre and went on to win 7 Olivier Awards in 2013 and the 2015 Tony Award for Best Play. In 2005 his poetry collection, The Talking Horse and the Sad Girl and the Village Under the Sea, was published by Picador, and his play, Polar Bears, was produced by the Donmar Warehouse in 2010. The Pier Falls, a collection of short stories, was also published by Cape in 2016. To commemorate the centenary of the Hogarth Press he wrote and illustrated a short story that appeared alongside Virginia Woolf's first story for the press in Two Stories (Hogarth, 2017). His most recent novel, The Porpoise, was published by Chatto & Windus in 201

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The legacy of graphic artist William Hogarth (1697-1764) remains so emphatic that even his last name has evolved into a common vernacular term referring to his characteristically scathing form of satire. Featuring rarely seen images and written contributions from leading scholars, this book showcases a collection of the artist’s works gathered from the Lewis Walpole Library at Yale University and other repositories. It attests to the idiosyncratic nature of his style and its international influence, which continues to incite aesthetic and moral debate among critics. The eight essays by eminent Hogarth experts help to further contextualize the artist’s unique narrative strategies, embedding the work within German philosophical debates and the moral confusion of the Victorian period and emphasizing the social and political dimensions that are part and parcel of its profound impact. Endlessly parodied and emulated, Hogarth’s distinctive satire persists in its influence throughout the centuries and this publication provides the necessary lens through which to view it. Distributed for the Lewis Walpole Library

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Virginia Woolf, figurehead of the Bloomsbury Group and an innovative writer whose experimental style and lyrical prose ensured her position as one of the most influential of modern novelists, was also firmly anchored in the reality of the houses she lived in and those she visited regularly. Detailed and evocative accounts appear in her letters and diaries, as well as in her fiction, where they appear as backdrops or provide direct inspiration. Hilary Macaskill examines the houses that meant the most to Woolf, including: 22 Hyde Park Gate, London – where Virginia Woolf was born in 1882 Talland House, St Ives, Cornwall – the summer home of Virginia’s family until 1895 46 Gordon Square, Bloomsbury, London – the birthplace of the Bloomsbury Group – Virginia lived here from 1904 to 1912 Hogarth House, Richmond, London – where the newly married Woolfs set up home and founded the Hogarth Press Asheham House, East Sussex – the summer home of the Woolfs, 1912-1919 52 Tavistock Square, London – a return to Bloomsbury, the heart of London Monk’s House, Rodmell, East Sussex – where Virginia lived from 1919 until her death in 1941

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Charles Dickens was born in Hampshire on February 7, 1812. His father was a clerk in the navy pay office, who was well paid but often ended up in financial troubles. When Dickens was twelve years old he was send to work in a shoe polish factory because his family had be taken to the debtors' prison. Fagin is named after a boy Dickens disliked at the factory. His career as a writer of fiction started in 1833 when his short stories and essays began to appear in periodicals. The Pickwick Papers, his first commercial success, was published in 1836. In the same year he married the daughter of his friend George Hogarth, Catherine Hogarth. The serialisation of Oliver Twist began in 1837 while The Pickwick Papers was still running. Many other novels followed and The Old Curiosity Shop brought Dickens international fame and he became a celebrity America as well as Britain. He separated from his wife in 1858. Charles Dickens died on 9 June 1870, leaving his last novel

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William Powell Frith (1819-1909) was the greatest British painter of the social scene since Hogarth. His panoramas of nineteenth-century life broke new ground in their depiction of the diverse London crowd, and they are now icons of their age. Frith’s popularity in his lifetime was unprecedented; on six separate occasions special railings had to be built at the Royal Academy to protect his paintings from an admiring public.Derby Day and The Railway Station are nearly as well known today as a century ago, yet the artist who painted them is now neglected. This book explores Frith's place in the development of Victorian painting: the impact of his unconventional private life on his work, his relationships with Hogarth and Dickens, his influence on popular illustration, the place of costume in his paintings, his female models, his painting materials and practice, and much more. The book makes an important contribution to the literature on art in the Victorian era and to our understanding of the nineteenth century.Exhibition Schedule:Guildhall, London (November 2006 – March 2007)Harrogate (opens April 2007)

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Encuadernación: RústicaColección: VocesEste libro reúne dieciséis reseñas y ensayos de Virginia Woolf inéditos hasta la fecha en español. Los artículos cubren las tres décadas en que la autora se dedicó al periodismo literario con una muestra que va desde breves colaboraciones en periódicos hasta los panfletos de la Hogarth Press, todos ellos unidos por el hilo conductor del ensayo crítico y la reseña literaria.

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"A classic is something utterly strange and original, and yet as deeply familiar and necessary as your own hands. The Iron Man is like no other story in the world and, fifty years after its first publication, we need it as much as ever." -- Philip PullmanPart modern fairy tale, part science-fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant "metal man" who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him, and Hogarth and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome "space-bat-angel-dragon" from outer space. Ted Hughes' classic tale, with its message of peace and hope, is known and loved all over the UK and is an exciting collaboration between Walker Books and Faber and Faber. This beautiful, small-format paperback celebrates 50 wonderful years of Ted Hughes' classic tale.WINNER OF THE V&A BEST ILLUSTRATED BOOK OF THE YEAR"A stunning production ... spectacular" The Sunday Times

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How well do you know the people next door...? Everybody wants to live on Hogarth Street, the pretty, tree-lined avenue with its white houses. The new family are a perfect fit. Katherine and John West seem so in love, with their adorable five-year-old twins. But why don't they join backyard barbecues? Why do they brush away offers to babysit? Why, when you knock at the door, do they shut you out, rather than inviting you in? On the hottest day of the year, a tragedy unfolds behind closed doors. The dawn chorus is split by the wail of sirens. And the families who tried so hard to welcome the Wests realise: Hogarth Street will never be the same again. A completely gripping, twist-packed psychological thriller, perfect for fans of Liane Moriarty, Sally Hepworth and Lisa Jewell. Readers love The Family Across the Street:'OMG!!! SHUT THE FRONT DOOR!!!... The most heart-racing book I've read in a long time, if not ever!!! It had me hook, line and sinker from the first page and I could

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This book interrogates the relationship between the material conditions of Woolf's writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and composition to hand-printing and binding, this study foregrounds the interactions between Woolf's modernist experimentation and the visual and material aspects of her printed works. By drawing on the field of print culture, as well as the materialist turn in Woolf scholarship, it explores how her experience in print, book-design and publishing underlines her experimental writing, and how her literary texts are conditioned by the context of their production. This book, therefore, provides new ways of reading Woolf's modernism in the context of twentieth-century print, material, and visual cultures. By suggesting that Woolf's work at the Hogarth Press sensitized her to the significant role the visual aspects of a text play in its system of representation, it also considers the extent to which materiality informs both her work, as well as her engagement with Bloomsbury formalist aesthetics, which often exaggerate the distinction between visual and verbal modes of expression.

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Vuelve el Tarzan de Burne Hogarth en sus aventuras más icónicas y trepidantes!El encuentro con un submarino japonés reconvertido a investigaciones científicas lleva a un secuestrado Tarzan a la lejana isla de Mua-Ao, donde el señor de la jungla se enfrentará a fieras salvajes y tribus enfrentadas que no hacen ascos a los sacrificios humanos. Y sin apenas descanso, Lord Greystoke se enfrenta al horror de los viles seres sin cuerpo llamados ononoes.

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Hogarth’s Britons explores how the English painter and graphic satirist William Hogarth (1697–1764) set out to define British nationhood and identity at a time of division at home and conflict abroad. With notions of community cohesion, good citizenship and patriotism, wrapped up in a unifying idea of British national character and spirit in all its variety, and set alongside the ongoing national debate on Britain’s past, present and future within European and World affairs, Hogarth and his art has never been more relevant.In the summer of 1745, Prince Charles Edward Stuart ‘Bonnie Prince Charlie’ landed with his supporters, the ‘Jacobites’, in a remote corner of Scotland. This signalled the start of his audacious military campaign, with the backing of Britain’s global adversary France andduring a Europe-wide war, to topple the Hanoverian, Protestant monarch George II and restore the Catholic Stuarts, exiled in France and then Rome since 1688, to the throne. The country descended into turmoil, with regional, local and family loyalty for these rival royal dynasties severely tested, and opposing visions for the new nation of Great Britain – since the Union of England and Scotland in 1707 – laid bare. By early December the prince and his 6,000 troops arrived in Derby, just 120 miles and five days’ march from London. For both sides everything was at stake.From the 1720s, through the crises of the early 1740s, to the civil war called the 1745 Jacobite Rebellion or Rising, Prince Charles’s defeat at Culloden in April 1746 and beyond, Hogarth created some of the most iconic images in British and European art, including Marriage A-La-Mode, O the Roast Beef of Old England (The Gate of Calais) and The March of the Guards to Finchley. Through such vibrant scenes, rich in topical commentary, he conveyed a sense of external threat (real and imagined) from foreign powers and internal political, social and cultural upheaval. At the same time he offered his fellow Britons a confident, reassuring idea of the rights and liberties they enjoyed under King George and his government: a flawed status quo, as Hogarth would readily admit, yet certainly better, he would argue, than the regime that would replace it under the ‘popish’ Stuarts as client monarchs of the self-serving French king, Louis XV.With British society and politics in flux, and the Union between Scotland and England arguably more vulnerable now than at any moment since 1746, the themes explored in Hogarth’s Britons have profound resonance with our own time.

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Tras su aventura con las mujeres amazonas y los Boers Tarzan encuentra las civilizaciones perdidas de los pueblos del agua y el fuego, descendientes de cartagineses que viven en guerra desde hace siglos, aislados del mundo y a la sombra de un temible volcán. En la que es quizás la primera gran historia de Burne Hogarth, el autor comienza a dar rienda suelta al colosalismo y sus viñetas se hacen más espectaculares, las emociones más intensas.

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"París. Un poema" representa un importante hito en la vanguardia en lengua inglesa. Publicado en 1920 en Hogarth Press, la mítica editorial fundada y dirigida por Leonard y Virginia Woolf, condensó muchos de los postulados del modernismo (el gusto por lo "oculto", la fragmentación, el carácter o el "método mítico", las alusiones literarias, históricas y políticas o la libertad formal) y antecedió en casi tres años a "La tierra baldía", de T. S. Eliot. Una auténtica "joya perdida" de la cual ofrecemos la primera traducción al castellano.

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Whether celebrating Hogarth or savaging Hollywood, mocking modern manners or defending traditional English architecture, inviting readers to 'come inside' the Catholic Church or expressing his contempt for modish Marxism and American-style religion, Evelyn Waugh's journalism is sparkling, sometimes vitriolic and always full of good sense. In this wonderful selection he explores his Oxford youth, his unexpected conversion, his literary enthusiasms (from P. G. Wodehouse to Graham Greene) and the perils of basing fictional characters on real people. Decades after their publication, these pieces still retain their capacity to delight, to surprise and to shock.

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On ten strolls through some of the most interesting areas of London, Rudiger Gorner explores the literary landscape of the capital. He meets Shakespeare, Heine and Hogarth south of the river, finds Virginia Woolf and Lady Ottoline Morell in Bloomsbury, discovers Blake and Trollope in Westminster, happens on the Carlyles in Chelsea, comes across John Keats in beautiful Hampstead and searches for Bacon and Hanif Kureishi in the London suburbs. Following this literary rambler means discovering familiar places and their history anew, by seeing them through the eyes of those who walked the streets before him.

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WITH INTRODUCTIONS BY JEANETTE WINTERSON AND GILLIAN BEERThe Waves is an astonishingly beautiful and poetic novel. It begins with six children playing in a garden by the sea and follows their lives as they grow up and experience friendship, love and grief at the death of their beloved friend Percival. Regarded by many as her greatest work, The Waves is also seen as Virginia Woolf's response to the loss of her brother Thoby, who died when he was twenty-six.The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.

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A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. Contains insightful and provocative new scholarship and sketches out new directions for future research Approaches Woolf's writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law Explores the multiple trajectories Woolf’s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies

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Artistas. Sus vidas y sus obras es una impresionante exploración de más de 80 famosos artistas y sus fascinantes vidas.Este libro cuenta las inspiradoras historias detrás de las obras más famosas del mundo y sus creadores, incluyendo sus influencias, amistades y rivales. Descubre las vidas de artistas tan icónicos como Raphael, Hogarth, Van Gogh, Warhol y Kiefer. Biografías ilustradas a todo color para cada uno de los artistas, las cuales revelan sus obras visionarias, sus técnicas, pero también las personalidades que les convirtieron en leyendas. Artistas. Sus vidas y sus obras es un regalo ideal para los amantes del arte, tanto jóvenes como adultos, y una mirada única y fascinante a las vidas de estos creadores.

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WITH INTROUCTIONS BY EAVAN BOLAND AND MAUD ELLMANThe serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life. One of the great literary achievements of the twentieth century, To the Lighthouse is often cited as Virginia Woolf's most popular novel.The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.

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In 1931, Virginia and Leonard Woolf's Hogarth Press published a small run of a beautiful edition of Rainer Maria Rilke's Duino Elegies, in English translation by the writers Vita and Edward Sackville-West. This marked the English debut of Rilke's masterpiece, which would eventually be rendered in English over 20 times, influencing countless poets, musicians and artists across the English-speaking world. Published for the first time in 90 years, the Sackville-Wests' translation is both a fascinating historical document and a magnificent blank-verse rendering of Rilke's poetry cycle. Featuring a new introduction from critic Lesley Chamberlain, this reissue casts one of European literature's great masterpieces in fresh light.

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Mind, Body, Motion, Matter investigates the relationship between the eighteenth century's two predominant approaches to the natural world - mechanistic materialism and vitalism - in the works of leading British and French writers such as Daniel Defoe, William Hogarth, Laurence Sterne, the third Earl of Shaftesbury and Denis Diderot. Focusing on embodied experience and the materialization of thought in poetry, novels, art, and religion, the literary scholars in this collection offer new and intriguing readings of these canonical authors. Informed by contemporary currents such as new materialism, cognitive studies, media theory, and post-secularism, their essays demonstrate the volatility of the core ideas opened up by materialism and the possibilities of an aesthetic vitalism of form.

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Originally hand-printed at her Hogarth Press in Richmond, Monday or Tuesday is the only collection of short stories that Virginia Woolf published during her lifetime, providing a fascinating insight into the early stages of development of themes that would blossom in her later masterpieces. From the impressionist description of four groups of people walking by a flowerbed in the botanic gardens at Kew to the soaring flight of a heron above the teeming life of towns and cities below and the reveries of a woman as she looks at a mark on the wall, the eight pieces included in this volume showcase Woolf's inimitable observational powers and her boldly modern style of writing.

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Mesmerizing, exhilarating and awe-inspiring, London has provided a rich subject for the many artists, satirists, map-makers and engravers who have tried to make a lasting record of their impressions of the city. Representations of London are fascinatingly diverse, presenting a lively and thought-provoking body of work that lets us see London as it has been experienced by its inhabitants through the ages. London: a view from the streets brings together and interprets vivid images of the changing faces of London, featuring never-before-seen works from the rich collection of the British Museum. A broad range of pieces from artists including Canaletto, Hogarth, Cruikshank,Whistler and George Scharfe are all engagingly explored by Anna Maude, herself an expert on prints and drawings of London.

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With an introduction by Adam Phillips Monday 17 July 1922. Back from Garsington, & too unsettled to write - I meant to say read; but then this does not count as writing. It is to me like scratching; or, if it goes well, like having a bath - which of course, I did not get at Garsington. 1920. The war is over, and Virginia Woolf is meeting friends old and new, from Maynard Keynes to Vita Sackville-West. She is reading and reviewing voraciously, and the Hogarth Press is thriving. Jacob's Room was published in 1922, and Woolf began work on what was to become Mrs Dalloway. This was a time of creative highs and lows, as well as a growing confidence as Woolf developed her distinctive literary voice.

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