Search results for ""Guernica Editions""

The Tenderness and the Wood traverses cities, continents, and centuries searching for elusive swallows, symbolic of angels. It is a search for pre-religious purity in lyricism, resisting any sort of paraphrase or story that might later lead to easy codification. The result is an existential and agnostic gospel wherein redemption emerges as the transformative beauty of language itself

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This book is a collaborative work of Ted Goodden?s ceramic sculptures and Cornelia Hoogland?s poems. Specifically, they are responding through image and text to the 64 hexagrams contained in the ancient book of wisdom, the I Ching, or Book of Changes. Cosmic Bowling's calm weather lands in the midst of twitter storms in which everybody wants to start a conversation. Here's a conversation -- facilitated through visual art and poetry -- that's been going on for three millennia, one that asks the perennial question: How should we live now?

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Götterdämmerung is Len Gasparini's fifteenth book of poetry since the early 1970s. What distinguishes this collection from his earlier work is the long title poem: a tour de force that covers new ground in the genre of ecopoetics by launching an acerbic yet lyrical assault on the Anthropocene. Other poems explore such diverse themes as memory, art, and botany. Also included are three literary essays that evince the importance of language and imagination.

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When 26-year old Crito Di Volta is released after 10 years of psychiatric institutionalization, he develops and launches Mortarismo—a new socio-political, psycho-spiritual, artistic movement— with the aim of deinstitutionalizing, and eventually reconnecting with, all of humanity. Called a work of genius and a poem that exceeds Allen Ginsberg's Howl in both authenticity and intensity, di Saverio’s epic Crito Di Volta is a strong pronouncement on civil rights, religion and art; and a daring revolt against the platitudes of contemporary Western society.

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#1 Best Canadian Gay Fiction on GoodreadsWhen a long-lost sister shows up as a trans man named Luke, a series of precipitous events throws the lives of boyfriends Daniel and David into turmoil. While David attends an extravagant family reunion in Sicily, Daniel's ex Marcus plans the world-premiere of his one-man show. The couple's vertiginous exploration of sex, intimacy and love comes to a head when a shocking revelation tests their commitment and future together.

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A woman has her cat euthanized, a decision that causes her to become aware of her ability to kill. She writes, hand haunted by history, and returns to the forgotten memory of the time when her ancestors were animals. By writing, she tries to understand the psyche and its obvious manifestations of cruelty, which she sees every day in the media: rapes, murders, bombings of civilians, indifference towards the powerless, humans and animals that are made to suffer without remorse. This book is a cry provoked by existential questions: how to deal with the wickedness in the world, how to see one's own wickedness without sinking into despair. By writing, by openness to others, by compassion, she seems to be able to face life believing that, if she recognizes the presence of evil both in her and in the world, she will be able to respond by standing among the living.

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A g call to action and accountability. – Shelagh RogersNeedless to say, moments like now, when the hurdles to becoming a respected author are at their lowest. When the only hurdles to being published are the quality of your writing and your patience to deal with certain less and less important gatekeepers. Moments in history like this, must be acknowledged and celebrated. That's what this anthology is: It's a celebration. A moment to cry out, "Look how many of us have a voice! There are stories, and poetry in this country that are about people like me! I am not alone!"

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Winner of the Canadian Jewish Literary Award for PoetryThe poems in Swoon speak to the steady wending of a life's thematic drama: the falling / rising permutations across biographical phases. Indications are filtered through relationship, encounter, art, the natural world, and dream. Associations coalesce in a rhythmic clocking of feeling / thought. Randomness and accident may have a part to play, destiny and mystery, too; suggestion of a plot. There's storyline unfolding that resists a denouement.

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Shakespeare wrote at a unique historical turning point: the world was understood through poetry -- rather than through the science of observing it. In Shakespeare Beyond Science: When Poetry Was the World, Sky Gilbert's radical new research locates Shakespeare as a disciple of the Greek rhetorician Hermogenes, and a student of the Neo-Platonist Johannes Sturm. No, not just another 'interpretation' of the meaning of Shakespeare's work. Instead, a radical approach to Shakespeare as magician and rhetorician, as a post-structuralist, more concerned with form than content, and confident of the dangerous magical power of words not only to persuade but to construct our consciousness.

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How do you write about an artist who refused to be contained? Widely published and celebrated, Roy Kenzie Kiyooka was an influential Canadian artist and writer who gifted an extensive body of work that unfolded in nearly every dimension of media. Throughout his life, he continued to redefine his context for articulation. His early success and recognition as a painter and poet expanded to include a practice in photography, sculpture, film, performance and music improvisation. But his compulsion for articulation also manifested as a resistance towards resolution and an embracing of its provisionality.

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At war against Napoleon near bankrupt English mill-masters experiment with a new factory system acquiring machines to replace men. A young worker leads the Luddites attacking mills and smashing machines. With increased assaults and even murder North England feels the grip of terrorism. Government agents attempt to suppress the rebellion. In 1812 there are more British troops in North England than fighting Napoleon in Europe. Against the Machine relates the story of the diverse characters caught in this conflict. It unveils the rank exploitation which marked the Industrial Revolution. Timely, intense and reflective of another, technological revolution: our own.

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To fill gaping holes in their lives, the protagonists in The Quantum Theory of Love and Madness embark on bizarre quests that ultimately lead them astray. Whether a child savant who sings the lyrics to hundreds of songs (and never talks), a woman who has to decide whether to turn in her arsonist brother, a failed writer whose fictional character suddenly comes to life, an unhappy insurance examiner who discovers a fallen angel and decides to cash in on his find, or a successful, middle-class man who pines for the poet he once was, nothing is sacred in this collection of stories. Myth and imagination hold equal weight, authenticity and fable go hand-in-hand, and the lines between reality and illusion blur. Characters find themselves trapped, or at least, incapable of restoring their humanity. It may be sobering to observe such forays into darkness but underlying their failures is a tacit suggestion that perhaps they could have won out with more imagination, more strength, or simply with some encouragement. And some do; amidst the carnage of those who fail and disappear emerge some who acquire new strength to reconnect with the world.

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Socrates looked expectantly to the afterlife, when he would be able to converse with the wisest of the honored dead. Jüri Talvet has elected not to wait, but instead to begin his conversations with the wise in this life. In these ten letters, Talvet has entered into conversation with one of those wise predecessors, Michel de Montaigne. Talvet?s ruminations place contemporary issues into a long historical perspective, and a rich literary context. These letters offer an uncompromising critique of current global tendencies, but Talvet?s critique is matched by ? or perhaps it is ? a vision of hope.

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In 2019 Barbie turns 60. Never only a toy, she defines the stellar. In Plastic's Republic, Giovanna Riccio delves into Barbie's impact on female beauty highlighting how plasticity in body and persona have allowed the doll to remain top-diva. Other poems bring to life, Mattel's movers-n-shakers who created Barbie to be their in-house money maker. Riccio's Plastications lyrics illustrate how Barbie's mouldable nature lets Mattel position their high achiever as ever-relevant, arguably, by exploiting social trends, political movements and historical events. In the Human Barbies section, Barbie becomes plastic surgery's prophet, spawning "plastic-positive" people who see their bodies as raw material suitable for actual and virtual surgical "doctoring." Riccio's witty, inimitable poems portray Barbie as a complex, contradictory global celebrity, but also explore the philosophical, feminist and body-image issues that this plastic goddess engenders. In the finale, the poems naturally segue to silicone sex dolls and a plastic-smothered ocean.

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When Alexandra attempts to end an abusive marriage, her husband Tareq abducts their infant daughters from their Montreal home and deposits them with his family in a primitive village in Jordan. Trying to retrieve them through legal means, Alexandra comes face to face with Arab cultures where children belong to the father's family and women have no rights to them. She puts a promising career as a medical researcher on hold, sets off alone to Jordan and succeeds in an audacious plan to smuggle her daughters back home. But upon returning to Canada, she finds a judicial system that is unable to protect her children from being kidnapped again -- this time for good, forcing her back to a life with the abusive husband. For the next twenty years, while achieving a PhD and working as a respected scientist, she submits to her husband's tyranny for the sake of her daughters. Her coping mechanism is to dissociate herself from constant verbal and emotional abuse and live as an observant stranger trapped in a life not of h

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Throughout human history, great and free nations have been built on noble dreams. Recently, in some once promising nations, dreams of betterment and possibility, have been effectively compromised. The current political landscape, featuring cold partisan interest, calculated distraction, divisive fear mongering, negativity, and voter disillusionment, has enabled a perfect storm of toxic dysfunction. To make matters worse, personal integrity and accountability have become almost non-existent in political leaders. In such an environment, dreams of social, economic and ecological justice can easily be thwarted. Progress can become much more selective, favouring power and privilege. This handbook integrates critical thinking and media literacy to refocus democratic dreams on more constructive collective pursuits, to re-energize dreamers, and to help hold elected leaders more accountable for their actions and omissions. It is important to speak truth to power, and justice to privilege, in order to empower dreamers

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Combining eloquent lyrics and edgy anti-lyrics, the poems in Poetry is Blood both rehearse and flout conventions of lyric poetry to speak with deep-rooted melancholy about family and tribal history, ancient walls, paintings, monuments, martyred poets, and genocidal madness. These pieces have the wide cross-stylistic reach of elegy yet fearlessly resist any redemptive rhetoric.

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I Sleep in the Arms of Your Eyes is a reflection on love, freely given and loss fully lived. These poems are a contemplation on family life, and on the navigation through attachment, devotion and attempts at connection. They convey in brave simplicity of grounded language a sense of self where it belongs: "nose-touching-close," "sustained and articulate."

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Stone Woman is a saga of Blossom's unconventional family of five women, whose lives are bound by a Vietnam-War draft dodger David, immersed in the Yorkville subculture of the hippie daze of Toronto. The novel draws the reader into a web of liaisons -- into David's love affair with Blossom's mother Liza, his covert dealings with her friend Anna, as well as the mysterious Helena. The story is brought to the present through the lives of the women's daughters who discover that their family secrets have been sculpted -- literally -- into an art form that imparts a sense of homecoming and alludes to a more hopeful future.

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Mothers of the 1950s were wasp-waisted, dutiful, serene, and tied to the kitchen with apron strings. Or so we thought. This collection of searing and startling poetry and prose unties the stereotype and reveals women who were strong, wild, talented, wise, mad, creative, desperate, angry, courageous, bitter, tenacious, reckless and beautiful, sometimes all at once. The fifty-six contributors from across Canada and the world include multi-award-winning poets, novelists, and essayists, as well as compelling new literary voices. Authors include Judy Fong Bates, Denise Chong, Marjorie Doyle, Isabel Huggan, Jeanette Lynes, Alice Major, Daphne Marlatt, Diane Schoemperlen, Betsy Struthers, Sharon Thesen, Patricia Young, and more.

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In the original introduction to Pascal D'Angelo's Son of Italy, the renowned literary critic Carl Van Doren praised D'Angelo's autobiography as an impassioned story of his "enormous struggles against every disadvantage." In his narrative of his fruitless labor as a "pick and shovel" worker in America, D'Angelo, who immigrated from the Abruzzi region of Italy, describes the harsh, often inhumane working conditions that immigrants had to endure at the beginning of the twentieth century. However, interested in more than just material success in America, D'Angelo quit working as a laborer to become a poet. He began submitting his poetry to some of America's most prestigious literary and cultural journals until he finally succeeded. But in his quest for acceptance, D'Angelo unwittingly exposed the complexities of assimilation. Like the works of many other immigrant writers at the time, D'Angelo's autobiography is a criticism of some of the era's most important social themes. Kenneth Scambray's afterword is an analysis of the complexities of this multifaceted autobiographical voice, which has been read as a simplistic immigrant narrative of struggle and success. Guernica's edition of Son of Italy is its first English reprint since its original publication in 1924.

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Jamison Everett, a shy and lonely man with few friends, is a retired high school English teacher. When his artist sister, Monna, who is suffering from Parkinson's Disease, calls and asks for his help, he reluctantly agrees to leave his apartment in Minneapolis and temporarily relocate to her remote Montana town. Perhaps, in caring for his sister, he will find the friendship he longs for. But Monna's fiercely independent husband, Ben, has a different game plan. Parkinson's has robbed Monna of her ability to paint, and if the doctors won't cure her, then by god he'll do it by sheer force of will. Jamison, summoning his courage, offers to help, and an alliance is born. Yet neither man can know how much their nascent friendship will ask of them. Only Monna senses what is coming.

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What you will find in Echoes of Growing up Italian are accounts of the immigrant experience as told through the eyes of women. The Italian diaspora is one of the most significant of the 20th century, with a far-reaching impact in the Americas, Australia and Northern Europe. The Italian immigration narrative is a universal one. The stories in this book of the Italian woman in North America and how she learned to survive as she lived with two cultures in her heart and home. This collection provides the reader with a candid glimpse into the lives of sixteen women from across North America: some were born and raised in Italy while some have only been there on holidays; some are mothers and grandmothers and some are single; some only know a few words of Italian, while others are fluent, but we all have a discerning perspective on what it means to live with two cultures.

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A Blueprint for Survival begins in wildfire season, charting a long-distance relationship against the increasing urgency of climate change in the boreal, then shifts to a long sequence, Seeds, which thinks about forms of resistance, survival, and emergence in the context of the sixth mass extinction. Each seed functions as blueprint, whether simple human-made tool or complex organism driven by its DNA to adapt to and respond to our current existential threat, each showing a different way of being in the world: lentil, snowdrop, chinook salmon, codex, tardigrade, honeybee, the beautiful cell.

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Skater Girl is a collection of intensely personal essays, an archaeology of the self. Robin Pacific sifts through the midden of consciousness to find shells, potsherds, a broken piece of mirror. Themes of art, spirituality and social justice run like a current through otherwise disconnected pieces and fragments, many as short as one paragraph. Further, ideas about aging, loss and mortality colour many of them. The book is about the formation of Robin Pacific's many selves, about creativity, spiritual seeking, and the dream of a more equal society.

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The Walled Garden is a unique collection of short essays addressing a wide variety of subjects. From an exploration of the films of Andrei Tarkovsky and Federico Fellini to an update on the linguistic theories of Ernest Fenollosa, from a look into the true nature of time and the present moment to a discussion of 'psychic birthplaces', from reflections on Paleolithic caves, poetry and art, The Walled Garden includes the wild, the tamed and the stunningly unusual.

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In Zanzibar, in 2008, George Elliott Clarke began to write his "Canticles," an epic poem treating the Transatlantic Slave Trade, Imperial and colonial conquest, and the resistance to all these evils. That is the subject of Canticles I (MMXVI) and (MMXVII). In Canticles II (MMXIX) and (MMXX), Clarke rewrites significant scriptures from an oral and "African" or "Africadian" perspective. Now, in Canticles III (MMXXII) and (MMXXIII), Clarke shifts focus—from world history and theology — to the specific history and bios associated with the creation of the African ("Africadian") Baptist Association of Nova Scotia. By so doing he concludes the most remarkable epic ever essayed in Canadian letters — an amalgam of Pound and Walcott — but entirely and inimitably his own.

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Seeker: A Sea Odyssey is the story of two people who meet in Mexico and fall in love. Rita is an American part-time English language teacher and freelance reporter for an English language tourist magazine struggling to raise two young boys on her own. Bernard is a French geologist under contract to the Mexican government to search for underground thermal springs. She dreams of finding Shangri-la after witnessing a bloody government crackdown from which she barely escapes. He dreams of having a yacht and sailing the world. Their dreams mesh, and they immigrate to Canada to earn the money to build their boat.

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This story follows three generations of a Vietnamese family as they struggle through major events of the 20th century. From the War of Independence against the French colonial power to the Vietnam War, the novel depicts a family's resilience in the face of tragedy, as told through the voice of a young girl attempting to understand family scandals within an historical context. At the novel's core is the death from AIDS in the early 1980s of the narrator's half French, half Vietnamese cousin Daniel, a beautiful rebel who is stricken down following a summer escapade in Provincetown. His family of three generations of physicians cannot bear to call the disease by its true name. Daniel dies alone in his Montreal hospital room.

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Like his three siblings, 32-year-old Alfredo Freddy Flowers Falconi has led two lives: the idyllic one before The Incident -- his mother's 1984 death -- and the complicated one afterward. He was just eight-years-old when his father abandoned the family, and nine when his oldest brother, Small Carm, covered up the circumstances of Rosa Falconi's demise to keep the family's honour intact. Twenty-three years later, that lie has become a black hole: hidden at the centre of all of their lives, it's supremely powerful force that, when uncovered by Freddy, threatens to tear them apart. Set against the backdrop of the Falconi family's shuttered tractor showroom on Toronto's pulsating and ethnically diverse Spadina Avenue, Falconi's Tractor explores the Italo-Canadian experience, Catholicism, family dynamics, the fall of a family business, infidelity, and mental health—all with a red Falconi tractor and a Ferrari sports car as bookends to the action.

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Revolt/Compassion gathers together six important works by Michael Springate: Historical Bliss, Dog and Crow, The Consolation of Philosophy, Freeport Texas, Kareena, and Kut: Shock and Awe. Written and produced over a twenty-five year period, they capture an expansive range of interests and influences, and reflect the artistic interdisciplinarity which has been a defining feature of his career.

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It is 1955, and the three Fayette sisters have lived their whole lives in the enchanting French Quarter of New Orleans. Though neglected by their parents, they share a close bond with one another--from afternoons in their small, shared bedroom, to trying to speak with ghosts beneath the sweeping trees in their garden. When the middle sister Constance disappears, the family believes she has run away, as she has done before; it is only the youngest--thirteen-year-old Bonavere (known as Bonnie)--who suspects there is more to it. Met only with grief from her family and resistance from the police, Bonnie embarks on a journey to bring her sister home, venturing through fabled Red Honey Swamp, and the city's vibrant and brutal history. Unravelling the layers of her sister's secret life, Bonnie discovers a pattern of girls found half-mad in the Louisiana swampland, and a connection to the wealthy, notorious Lasalle family. To rescue her sister, she must confront the realities of true violence, and the very nature of insanity.

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