Search results for ""Guernica Editions""

Shattered Fossils, a collection of short stories, takes its title from themes of the irretrievable past, particularly within Ark of Gopherwood, in which the narrator describes his friend as someone who has pieced together elements of the historical past, to create a more complete picture of history. From the short story in which a character enters a "painted sidewalk," the collection moves into an exploration of the creation of memoir and memory. Some of the stories, but especially one about a 'bard,' set in Montreal, another set in Iceland and one set off the coast of England, contain ghosts. The last is told from a ghost's perspective. Her husband, a mathematician, has called her from the shadows. While she was alive, he insisted time was immutable. Now he is attempting to solve the equation that will bring her back.

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A young, mixed-race composer, raised without meaningful connections to his Chinese heritage and struggling with identity issues, travels to China in search of his long-missing uncle, an uncle who vanished in the aftermath of Tiananmen Square. An Idea About My Dead Uncle--winner of the inaugural Guernica Prize for the best unpublished novel manuscript--is about the identities we choose and the ones that are imposed on us. It is about being on the outside looking in. It is about dealing with pain through the artistic process. It is about delusion and healing. It is about the power of narrative. According to Gabriella Goliger, winner of the 2011 City of Ottawa Literary Award for Fiction for her novel Girl Unwrapped and a juror for the Guernica Literary Prize: A witty, sharp-edged, finely-crafted story about a young man struggling with identity issues, which causes relationship disasters and a quest for his long lost uncle in China. The introspective but straightforward narrative eventually plunges into the surreal, mirroring the madness that can result from an uncompromising search for self.

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This rich volume begins with a major new essay by renowned short story critic and theorist Charles E. May, "Returning to the Source: Alice Munro, Flannery O'Connor, and Eudora Welty," followed by a major new essay by one of Munro's most long-standing and most perceptive readers, Catherine Sheldrick Ross, identifying and examining the major concerns which Munro has revisited so compellingly for the duration of her astonishing career. Overall, the twenty contributions to Alice Munro Everlasting take an ardently literary approach, with each essay focussing -- uniquely amongst studies of any short story writer -- on the last stories in Munro's fourteen volumes from Dance of the Happy Shades to Dear Life. Collectively, the many different contributions to Alice Munro Country and Alice Munro Everlasting offer a new model for the art of the critical essay -- combining imagination and analysis, personal testimony and scholarship. They are intended equally to honour the genius of Alice Munro and to give enjoyment to all interested readers. And as one excited advance reader remarked, "I imagine that these two books will form the core of Alice Munro studies in the future."

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Making coal patties. Selling liquid soap. Shopping at a glittering shoe mecca. She's done them all living half her life in deprived-post-war-communist-Vietnam-turned-free-market. It's life in a vacuum when strange types of brainwashing happened. Part memoir and part social criticism, Why Do You Look at Me and See a Girl? is a provocative read about a full-fledged bilingual who fights to get free from the dead past and her ancestors' sins.The story starts with her grandmother's prison visit and moves to a journey through the jungle carried out for family reunion. Drawing strength from her, Hoàng completes her transformation in America from an international student to a free naturalized being. As she sheds her adoration for the impeccable American logic, oscillates between languages, and crosses oceans, she confronts the power play and biases, cultural inhibitors and prejudices that condition human behaviors, be it in Vietnam, America or Thailand. All along, she claims justice for her under-appreciated grandma, straightens male and white patronization, tears down tradition and brainwashing, uncovers the Asian submission to western iconography, and resists the attraction of a white guy. In lucid prose and with a hint of quiet humor, Why Do You Look at Me and See a Girl? is an unflinching pursuit of questions about family, finding one's voice, home, and freedom.

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Daniella believes her lost mother is a World War II spy, but is terrorized by a dream of a war-torn jungle, raining fire. At forty, with her life and career stalled, Daniella is visited by four dead ancestors, who try to help her put her life back together. When this fails, propelled by curiosity about her recurring dream, she travels to the nuclear testing grounds at the Bikini Islands, to find out her mother's real role in the war and its aftermath.

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Nadine Ltaif's poems reflect deeply on the meaning of life, of regrets and the irrepressible determination to continue living. The poet takes us to Carthage; to Andalusia to contemplate its history of Moors, wars and religion; to India where women?s lives, past and present, are expressed through vivid imagery. Hamra sees the exiled poet return to Beirut, the childhood home she fled in 1975. Yet, her poems are full of colour and lightness as she explores her old neighbourhood. This you will not read is a letter of love and absence in Montreal. Journeys are inspirational for Ltaif.

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Canticles is a lyric-styled epic. This second testament--Canticles II (MMXIX) and Canticles II (MMXX)--issues re-readings--revisions, rewrites--of scriptures crucial to the emergent (Anglophone) African Diaspora in the Americas. Canticles II (MMXIX) follows Testament I (also issued in two parts--Canticles I (MMXVI) and Canticles I (MMXVII)) whose subject is History, principally, of slavery and imperialism and liberation and independence. Canticles II, the second part of a trilogy, is properly irreverent where necessary, but never blasphemous. It is scripture become what it always is, really, anyway: Poetry.

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Asylum features interviews with sixteen Canadian refugees from around the world. The interviews are shaped into a five-act play in the likeness of Shakespeare's A Midsummer Night's Dream to address poignant questions about what is true, what is real. Philosophers, artists, and politicians take the stage alongside the refugees to highlight stories of war, displacement, and being other.

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In Wait, relationship and reflection are drawn on to free emotion and understanding from fear, whether it would grow in praise of passion or cooling love, or arise from being trapped by power or lost to indulgence. The poems in Wait seek to cut through the dishonesty and abuse that skew life.

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Like consists of fifty poems every one of which uses the word "like." Like is about people and things Layton likes -- or, sometimes, dislikes. In these poems, Layton expresses a gamut of emotions, from the fear of death to the peaceful contentment of watching two nesting Canadian geese. However, "like" is more than an emotionally charged verb. It is also the basis of simile. It is by likening one thing to another that Layton finds meaning in ordinary things. Since all things are alike in some way, Like is a book of poetry about the underlying unity of all creation.

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A boy finds a vocation as a weaver of bread. A Russian woman, thought dead, e-mails greetings to her adolescent sister in a Canadian suburb. An investment banker vanishes and is found fifteen years later when his daughter discovers a painting of herself in a distant gallery. With wit and ache, Daniel Karasik's Faithful and Other Stories evokes a world of seekers, characters panning for meaning in environments by turns hostile, mystifying, and enchanted. This collection brings together stories honoured with the CBC Short Story Prize, The Malahat Review's Jack Hodgins Founders' Award for Fiction, and the Alta Lind Cook Prize.

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From Black Hand criminals to stand-up cops, from innocent victims and ordinary people to schemers and dreamers: a novel that chronicles one hundred years in the lives and relationships of those who have lived in New York City's Little Italy. A multi-generational, multi-dimensional tale that digs deep into the minds and hearts of this vibrant neighborhood.

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Two brothers come to school and do nothing but tell stories. A man goes to a singles dance. A retired man in India tries to collect his pension. A woman tells the story of her husband's death in partition India. An unnamed narrator offers his "notes" on modern-day America, the culture of success. Some of the stories are set in India, some in America. Some stories are fable-like, others more realistic. Some deal with sex, some are "intellectual" stories. But all stories deal, in one way or another, with small, "mediocre" people, people trying to fit into a world of bigness, applause, success.

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A Rogue's Decameron consists of ten stories - tales - that loosely follow the fabliaux style and are based within the spirit of Chaucer's The Canterbury Tales and Boccaccio's The Decameron: extravagance, joy and ribald humour around sex, lust, vice, death and other ?hungers' of human beings. Using similar framing technique as these works - a prologue, a short description of each story and an epilogue, the stories explore themes such as social commentary and satire aimed at personal politics, societal mores and customs, hierarchies, and religious beliefs. All with Toronto as a backdrop and brought up to date for the sensibilities of a 21st century audience.

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This collection features essays on Nova Scotia-born poet, playwright and literary critic George Elliott Clarke. Instrtumental in promoting the writing of writers of African descent, Clarke's work has won awards including the Governor General's Award for poetry. He is also the recipient of seven honorary doctorates.

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In this dark comedy taking place over twenty-four hours, a blizzard pummels Toronto as a beloved high school teacher coerces his teenage student to assist in his violent suicide forcing the student, his best friend, the friend's bulimic mom, and a down-low cop to outrun each other, the storm, and the ghosts haunting them. I Met Death & Sex Through My Friend, Tom Meuley is a breathtaking and hilarious novel about the lengths people will take to erase themselves in order to matter.

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Blow Up the Ashes, Volume 2 of American Mayhem, reveals the story of Pierre Doucet, a gambler and then a killer for the New Orleans mob during World War II who at one time admires from afar a yellow-haired girl.When decades later he travels to New York, he meets KJ again. They discover she was his "yellow-haired girl". KJ learns Pierre is a killer, but instead of drawing back in horror joins him. KJ and Buckles come together at the novels' end when Buckles wreaks revenge on Big Bill.

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In 1967, the Summer of Love, 17-year old 'Buckles' Sinclair runs from her privileged home in Scarsdale to hitchhike to San Francisco, but instead of Flower Power, Peace, and Love she finds herself plunged into the darkest heart of the American nightmare. Her abandoned mother, KJ, rebuilds her identity and life in the company of a "family" of homosexual men-she is Wendy to The Lost Boys of Manhattan.

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Frenetic, fervent and musical, Songs of My Surrenders is the follow up to di Saverio's highly acclaimed epic poem Crito Di Volta. Whether writing about romantic love, filial reverence, friendship, or brotherhood, Di Saverio insists on passionate and profound connection. A wind of dust blows my tears Into the daisies of the jetty where I wait For you continuously; is it true What they say, that you no longer love Me? I will wait here, still. I will not move.

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Bob Dylan has created a body of work unparalleled in popular music. As a songwriter and as a singer, Dylan expanded the boundaries for song. In this substantially revised and updated second edition of The Bob Dylan Albums, Anthony Varesi analyzes the massive Dylan canon through a detailed discussion of each of the artist's officially released albums. The book follows Dylan's career chronologically from 1962's Bob Dylan through to 2021's Bootleg Series release Springtime in New York. All of Dylan's studio albums, live albums, collections and archival releases are examined in the text and in the detailed, annotated, cross-referenced discography, as are Dylan's notable soundtrack contributions, side projects and benefit concert appearances.The Bob Dylan Albums, 2nd Edition also discusses Dylan's other writings, such as Chronicles and his Nobel Prize lecture, and reviews the films Dylan has appeared in or been the subject of. The book contains frank analyses of the more controversial aspects of Dylan's career, including songs Dylan wrote about George Jackson, Rubin "Hurricane" Carter, Joey Gallo and Lenny Bruce, the use of Dylan's music in advertisements, and Dylan's 2011 trip to China.The book looks at recurring themes in Dylan's songs, the influence of other artists on Dylan's music, and the ongoing relevance of Dylan's work. In the process, The Bob Dylan Albums, 2nd Edition unearths new meaning in both Dylan's most famous works and in his songs and albums that have received less attention..

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Eleven Italian Americans were lynched in New Orleans on March 14, 1891. The lynching caused a crisis between the President and the Congress of the United States, between Washington and Rome. It also introduced a sinister word to America: Mafia. This book has become a HBO film starring Christopher Walken.

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Posing the question: who packed the baggage we carry from birth?Don't Ask poses the question: who packed the suitcase we carry from birth? In this literary thriller, a woman agonizes over her mother's suicide and is thrown into turmoil over her attraction to a German. Hannah Baran is 45, a successful Montreal real estate broker with a highly lucrative client who, like her parents, is a Holocaust survivor. Born in a German DP camp, she is the only child of Rokhl and the late Barak. One day, she arrives to take her mother to the doctor's but Rokhl is gone, leaving behind a mystifying note that reads: I am not her. Throughout Hannah's life, Rokhl's notes have been all the guidance she received from a laconic, distant mother, a foil to Hannah's voluble father who rescued Rokhl from Auschwitz. When Hannah announces that she must travel to Germany on business, Rokhl threatens that should Hannah 'go to that land of murderers,' it would be over her dead body. Three days later, Hannah locates her missing mother in the morgue. Secreted away in a confessional letter for Hannah to find one day is the story of Rokhl's life filled with loss, betrayal, and guilt. It is woven into the intrigue of the plot about contested land and a love affair weighted down by the baggage of history.

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Mel Buckworth, dependable family man, loses his manufacturing job through recession. Having lost his sense of purpose, his pride sidelines him as he discerns his lack of digital skills so apparent in his children’s generation. He is galled by his daughter Dani’s university friend, Stanley Best, who is about to achieve fame in the fields of nano technology and artificial intelligence. As Mel desperately attempts to find equilibrium he estranges his family, leaves his wife and enlists the help of a greedy grad student. Will Baker teaches Mel the skills he will need to wreak revenge on a system seemingly discarding him. As his aptitudes grow he begins to use the internet, the very thing he despised, as a weapon to inflict his reprisals. Slowly he turns terrorist to deliver his message: that humans will succumb to machines and the social system controlling them. As his acts grow more lethal, Mel knows he must make an indelible declaration. A “manifesto” to be remembered.

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And Along Came Alexis is a book about choices and consequences. The author's youngest daughter, Alexis, was born in 1978 with multiple disabilities, including blindness, an intractable seizure disorder and spastic quadriplegia. The choice to keep her at home despite medical advice resulted in a limiting of career opportunities for her parents and educational and other enrichment opportunities for her siblings. However, it also introduced the family to a whole community of earnest and interesting people dealing with similar challenges that they would never have known otherwise, and it provided rich perspectives on a different way of living. As for Alexis, she thrived far better than had been predicted and developed into a sweet, trusting person with a clear sense of self and an appreciation for the people in her life. The book describes the story of her life to date from her mother's viewpoint: its victories and setbacks, its grim moments and its funny moments. Overall, it is a positive story, demonstrating what is possible, even under very challenging circumstances.

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Kaidenberg's Best Sons is an enthralling portrait of a community starting over in a new land. In a series of linked stories, author Jason Heit explores the lives and fortunes of people bound together by tradition, heritage and history, yet riven by envy, greed and lust. When a community of Eastern European settlers in North Dakota learn that there is promising farmland available in the newly established province of Saskatchewan they load their wagons and head north. Along with their furnishings, they also pack up their resentments, desires and ambitions and bring them to a new, unsettled land. Heit deftly captures both the promise of a new start in a new land and the long shadow of the past that is cast over the characters as they rebuild their lives.

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Through these far-reaching and searching poems, J. J. Steinfeld's work continues to not only orbit a multitude of realities and multifaceted worlds, but to interrogate various aspects of being, whether they appear as the worldly or the otherworldly, the ordinary or the extraordinary, the physical or the spiritual. As Steinfeld concludes in his poem "The End of the World," somewhat confronting the absurd and somehow embracing the existential: "I want a poem with a good ending / all the thoughts and uncertainties / and missed opportunities / tied together with metaphoric hope / even if that poem is about the end of the world / preposterous and ludicrous / as it might be."

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Not in Vain You've Sent Me Light begins with a provocative, sometimes humorous exposé of two lovers and their collisions and triumphs, and evolves into a high-voltage portrait gallery, depicting heroes and artists, scientists and politicians, mothers and their conflicted daughters. Cora Siré draws on a multi-dimensional palette to deepen her exploration of identity, displacement and the cosmic powers of love and art.

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Long-listed for the 2022 Leacock Medal for HumourWhen King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He's been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime. As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Eurasian history. Call Me Stan is the story of a man endlessly struggling to adjust as the world keeps changing around him. It is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love. Or almost everyone.

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Continuing from Desire Lines, Shifting Paradigms is a collection of essays on art, poetry and culture--both high and low--gathered from the astute critical work of Toronto writer Ewan Whyte. Included: essays on Yayoi Kusama, Anish Kapoor, Janet Cardiff, Damien Hirst, Viktor Mitic, Anne Carson and a number of other Canadian artists and poets.

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The Archeology of a Good Ragù offers a unique take on the recovery narrative. A damaged but savvy author finds new wholeness by way of a fascinating old city: Naples, Italy. John Domini's exploration of the place— little known to North Americans, yet rich in culture and challenge— draws on decades of research, living with local friends and family. His work has appeared previously in the New York Times and elsewhere, and he's published award-winning Neapolitan novels. This memoir will take readers into the back alleys and hidden beaches. It will examine intricacies of both romance and crime, and provide insight into the latest Naples immigrants, African refugees. Overall, Archeology of a Good Ragù turns the city into a prism that throws its colors across both urban and spiritual experience, everywhere.

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Swimming Toward the Sun: Collected Poems 1968-2018 gathers together five decades of poetry of the accomplished Canadian poet Laurence Hutchman. He invites us to take a poetic odyssey, starting in the late 1960's enriched by his travels to Europe, leading us through the turbulent times in cosmopolitan Montreal of the 1970's, to a long residence in New Brunswick and finally his return to Ontario. Through a powerful and daring use of language and a haunting musicality of lines, Hutchman explores the relationship between real and imaginative landscape as he bears witness to his place and time.

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Inspired by American playwright Sarah Ruhl's 100 Essays I Don't Have Time to Write, this collection is a series of miniature reflections, meditations, and ruminations on subjects encompassing matters of theatre and poetry, two subjects very close to Garebian's heart. Perceptive, witty, and intimate, the mini musings bubble with a sense of wonder, excitement, and intimacy. A vibrant, provocative series of mini musings that also affords insight into a particular artistic sensibility as several pieces are really slices of memoir and autobiography.

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I Will Be Corrupted is a collection of poems about a man who suffers from serious depression but is able to appear normal and live somewhat of a normal life. And yet what he sees and experiences in his everyday become poems and an insight into the mind of a kind and gentle person who wants to understand why he is here.

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On a quest to rescue his community from a fiery demise, possum and poet Zak, seeks assistance from rodents in the North and sets out on a journey into an ancient forest. But separated from his own surroundings and his bob-cat companion, Sena, he quickly loses his sense of direction and becomes hopelessly lost in the wilderness. Here, Zak enters a world of self-discovery as he struggles to survive starvation, predation, drowning, illness and ice. Meanwhile, his forest-folk comrades he left behind suffer the menace of drought, wildfire and the malicious deeds of Mungo, an indomitable villain actively ravaging precious ecosystems. As Zak's feathered and furry friends await such an uncertain future, they formulate the theory that Mungo and the others of his species have lost cognizance of what they are, causing them to become "familiar" and bring havoc upon the forest -- all, because they were never taught to use their noses as a reference. But unbeknownst to everyone, the havoc originates inside a dark world whose terrifying resident has, itself, become familiar; and Zak will play a key role in events that ultimately end in a savage showdown.

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The poems in A Map of Rain Days address the beauty and shadows of life while navigating the realities of racism, addiction, suicide, rape, abuse and death. Ecstasy and loneliness, romance and terror are juxtaposed. Love is brutal and intoxicating, adolescence is "the carcass of youth." Yet still we live and love and come out kicking.The poems in A Map of Rain Days span a lifetime, moving backwards from the loss of a mother to when the speaker was a "tiny girl in a third-floor walk-up." The title of the book comes from the poem of the same name, in which the speaker walks "down the corridors/in [her] mother's bruised shoes;" when she describes her mother's toes as "crooked and curled/in a misguided, arthritic map/of rain days," the speaker is describing the life she has lived.Winter is a metaphor for isolation, darkness and death. The speaker lives in a country that "is an ice storm." Aunty and Uncle are "hidden in rock/and snow." Death and winter are inextricably linked: "Mother floats around the car/with the snow" and "snow...caresses a man who struggles/with his foolproof design/for suicide." Even love and longing are locked in winter: "bent over you/I become the stillness of night, the snow itself."Love and loss feature in the poems: love for a mother and a daughter, longing for a lover, and the loss of a best friend. Love is overpowering. When the speaker has to move her mother out of her apartment on the eve of her daughter's birthday, "Love fills [her] up like a ballooon,/so full and stretched and thin [is she]." When her daughter moves across the continent, the speaker holds "tight to the pillow/that [she] laid [her] head upon/as if it were love/itself." When a friend dies unexpectedly, the speaker cannot let him go, and there is "a can of Diet Coke/that [she is] keeping for the next time/[he stops] by."Love is both brutal and intoxicating. The speaker longs for a man who, "when [she pauses] to wipe/the sand from [her] eyes...[is] gone." Romance "has been chewed/out of [her]/kisses carved away," yet still she listens to a lover's "breath fall/and the cacophony of sheets/against [their] skin."There is violence in love: a controlling husband who would "cut [her] breasts off/so no man/can look at them" and a lover who "turned [her] to ash that stuck/to the soles of [his] feet/during [his] tirades/and blackouts." In all of this, the speaker becomes "the thin voice itself/and little more." When she tries to escape, she turns around "to find him:/in his hands he holds all of me." Living in exile is another motif in the book. Born and raised in Montreal, the speaker, whose background is South Asian, experiences "the swill and gore" of adolescence in a hostile Toronto suburb. Struggling to live in a world where "sticks and stones broke all of [her]," she wonders how her father learned "to put his feet down/on unfamiliar soil." But it is possible to look racism in the eye; responding to the racist taunts of a man on a bus, the speaker tells him "my mother's black coat/against the winter-white paysage is always/and only home/and he/should be so lucky." When the speaker has finally begun to feel that "in [her] tiny radius/of the world/[she is] almost white," Donald Trump wins the American election, and racism rears its ugly head full on. However, despite all the hardships life throws at the speaker, life goes on, and she lives and loves and comes out stronger.

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Set in the small town of Grenville, Ontario, a setting perhaps familiar to the reader from the author's previous novel Cadillac Road, this story progresses from the 1950s through the 1980s. In 1940, five-year-old Martin Thorton fell from the family's apartment balcony, suffering catastrophic and permanent injuries. His accident plays a role in everything that happens afterwards -- his marginalization growing up a disabled person, his mother's guilt and unfailing devotion, his sister's alienation. Told from the point of view of his sister Gretchen, and his friend Donna, this is Martin's story.

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Bewilderness explores urban and suburban wildernesses--threshold places--in a darkly comedic, surreal set of prose poems. In Bewilderness, urban and suburban landscapes come to life as shape-shifting places, enchanted places, mundane places of magical thinking, as the reader explores the heterotopias of playgrounds and backyards, lakefront parks, splintery subdivisions, and semi-industrial wastelands. Creatures that inhabit these edged-out corners of land take on the features and neuroses of their human co-habitants in poems that are direct, declarative missives with offbeat instructions for navigating and inhabiting these liminal worlds.

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This story--part memoir, part historical fiction--spans a period of one hundred years, from 1914 to 2014, with the main emphasis being on the years of the two World Wars. It concentrates on the lives of real people--the author's parents, the author, a young pilot from New Jersey in WW1, and others--as well as some fictional characters, who all lived through one or both of the wars and were profoundly affected personally by them. Arise the Dead II focuses on World War Two where the home of the author's parents was bombed in late 1940 during the 'blitz' on London.

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Ramya immigrated to Canada from India with her husband about fifteen years ago. She typifies the first generation immigrant - a person who straddles two cultures, two countries, two continents, even perhaps two different worlds altogether.The novel has two intertwined threads of narration simultaneously unspooling. The one set in the present is about Ramya's battle to rebuild her life. The other, a series of sorties into the past, examines Ramya's sundry relationships. One narrative skein is Canadian, modern and multicultural, while the other is Indian, steeped in myth and mysticism. They are the two sides of the same coin, the obverse and the reverse - the world as seen through the bi-focal lens of immigrant reality.

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Flesh - a composite of poems perceived, evoked, discovered, moving between and among sensory boundaries as they eschew forward, backward or around exterior life to interior. Here Flesh of person, nature, language, spaces meet separate and become one. Flesh as surfaces, layers, textures, beings with sense memory perceptions of an unforgiving Flesh that scars and the forgiving Flesh that rebuilds itself.

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Finalist for the 2019 Governor General's Literary AwardMyth, folklore, and magic permeate the stories in Marianne Micros' collection Eye. Set in ancient and modern Greece, and in contemporary Europe and North America, these tales tell of evil-eye curses, women healers, ghosts, a changeling, and people struggling to retain or gain power in a world of changing beliefs. Here you will find stories of a nymph transformed into a heifer, a young soldier who returns home to discover that his brother is a changeling, an ancient temple uncovered during the construction of a church, a betrayed woman lost in a labyrinth, a wise woman confronting changes to her position when modern technology comes to her village. Some stories show that people still seek refuge in myth and folk beliefs; the ways of the past are not gone. The paving of a village does not destroy the power of the evil eye or the ability to repel it. A temple in honour of the old gods comes again to the surface. An unfinished musical composition for piano magically completes itself whenever it is played.

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Immortal Water offers a unique portrayal of the very human fear of ageing. The novel depicts two men from two time periods: the Spanish conquistador Juan Ponce de Leon in the 16th Century and a retired teacher named Ross Porter in contemporary times, both in the midst of life altering crises. Inside parallel plots the two men form an obsession with a quixotic search for the mythical fountain of youth. The protagonists sparkle into fullness as each is depicted in his struggle to remain vital while age slowly steals his significance away.

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There are unseen forces in our lives that shape who we are and what we become. How we respond to those forces determines our futures. These stories examine how characters respond to the unexpected. Do we carry our memories of the beautiful moments of life with us into death? And, ultimately, what do we value in life that defines us--from a hat to the shadow of a figure in a window reminding us of what we have lost or need to hold onto.

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Poets attribute an array of roles and capacities to the involuntary muscle and catalyst of our storied lives. The heart becomes a repository of erotic and familial love and a sanctuary for memory. In this collection, poets explore the flux of the heart's responses and instigations: the heart's tender overtures, its joyous pulse, its mating call for the other, its changeable temperament, its final tick in freeze-frame. Among the poets featured: Kenneth Sherman, Lorna Crozier, Marilyn Bowering, Roo Borson, Patrick Lane, Charles Bukowski, Rita Dove, Eugénio de Andrade, John Barton, Robyn Sarah, and Mary di Michele.

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At the age of twenty, Sheyda Porrouya's life is almost over. She was born in Iran on the day staunchly orthodox mullas declared the birth of the Islamic Republic and set about summarily purging the country of all things Western and un-Islamic. To make matters worse, as she matured, Sheyda seemed increasingly unable to distinguish between fairy tale and reality. She began to exhibit disturbing behavior. When Sheyda is accused of killing her mother, she is immediately jailed and sentenced to death by hanging. The narrative jumps back and forth from Sheyda's childhood to her current life in one of Iran's most notorious prisons, where she awaits either release or execution.

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Three Canadian soldiers awaiting deployment to the war in Afghanistan beat a homeless man to death on the steps of their armoury after a night of heavy drinking. The poet, whose downtown Toronto home overlooks the armoury and surrounding park, describes the crime, its perpetrators, the victim, and a cast of homeless witnesses that includes the woman, a prostitute, who first alerts police. The subsequent trial evokes reflection on the immigrant experience the poet shares with one of the accused, and on the agony of that young soldier? mother. From Kandahar to Bridgetown to Mississauga, Ontario, Where the Sun Shines Best encompasses a tragedy of epic scope, a lyrical meditation on poverty, racism and war, and a powerful indictment of the ravages of imperialism.

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The Confessions of Joseph Blanchard is a contemporary story of obsessive love, sexual transgression and tragic loss. Bachelor and professional accountant Joseph Blanchard has led a socially active though emotionally cautious life into his late thirties. When he discovers that his beautiful nineteen-year-old cousin Sophie, a talented concert pianist, is in love with him, he finds he is helpless to resist her youthful charms, and against his better judgment embarks upon a passionate affair. As a safeguard against causing pain to her parents, the two lovers conspire to keep their relationship secret. For a while they are happy. But Sophie's performing career compels her to spend time in the company of other musicians, many of them young men. Consumed by jealousy, Joseph allows rage to seize control, with tragic results. Grieving, he sets about to destroy all evidence of the affair. But when a family secret is exposed, it reveals the past in a new light. In the end, his health in decline and with nothing left but memories, he discloses his secret to a confidant.

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Howard O'Hagan was one of the first native-born westerners to make a mark on Canadian literature. The purpose of this collection of essays on the works of O'Hagan, edited by Sergiy Yakovenko, is not only to refresh scholarship on his best known work, Tay John, but also to break the vicious circle of ignoring O'Hagan's other works-his later novel The School-Marm Tree (1977) and his short stories and sketches, collected in Wilderness Men (1958) and The Woman Who Got on at Jasper Station and Other Stories (1963). This volume offers two original articles on The School-Marm Tree, by Ren?e Hulan and Carl Watts, and Albert Braz's profound study of O'Hagan's Wilderness Men. Among the other contributors: Joseph Pivato, D.M.R. Bentley, Kylee-Anne Hingston, Jack Robinson, Sergiy Yakovenko, and something from Howard O'Hagan himself.

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