Search results for ""Etudes""

Federico Fiorillo''s 36 Studies (Caprices) for Violin solo.36 Etüden (Capricen) für ViolineFederico Fiorillos 36 Etüden (Caprices) für Violine Solo.

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6 Concert Etudes for Violin, Op. 16, by Belgian violinist and composer Henri Vieuxtemps, edited by Enrique Fernandez Arbós. Suitable for advanced violinists.6 Konzert-Etüden für Violine op. 16 des belgischen Violinisten und Komponisten Henri Vieuxtemps, herausgegeben von Enrique Fernandez Arbós. Geeignet für Fortgeschrittene.

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Born in Versailles, Rodolphe Kreutzer initially learned violin from his father, a violinist at the Royal Chapel, and subsequently from Anton Stamitz. In 1795 Kreutzer began a thirty-year career as violin teacher at the Paris Conservatory and, from 1801 was the principal violin at the Paris Opéra. Kreutzer''s importance as a pedagogue, the founder of the French School of violin playing, is revealed in his educational materials. This volume of Kreutzer''s 42 Etudes of Caprices edited by Friedrich Hermann is a cornerstone of any aspiring violinist''s library.42 Etüden (Capricen) für ViolineDie Etüden dieser Sammlung stammen aus der Feder des Violinisten und Komponisten Rodolphe Kreutzer. Neben einigen Werken für Orchester und die Bühne veröffentlichte der Professor für Violinspiel 42 Übungsstücke, die bis heute vielen Violinschülern bekannt sind.Herausgeber Friedrich Hermann fügte in dieser Ausgabe eine zweite, ergänzende Stimme hinzu.

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These etudes were selected through Dr. Hague's extensive study of all available Czerny etudes. Her goal was to find musically interesting and pianistically satisfying pieces at this level. The editors have found that the study of Czerny etudes is enjoyable for students and yields enormous benefits for pianistic and musical development. Czerny is one of the great piano pedagogues and has provided us with a rich legacy that we are privileged to share with future generations of pianists.

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La typologie des langues est aujourd'hui une dicipline en plein essor. Ce volume reunit les articles les plus importants produits par l'auteur au cours de quelque vingt-cinq ans d'exploration des langues les plus diverses. Ces etudes abordent quelques questions fondamentales: nature des categories grammaticales, classes de mots, syntaxe de la proposition, definition du sujet et de l'objet, temps, aspect et mode, articulation theme-rheme, quete des universaux, problemes methodologiques et terminologiques. L'option theorique se situe resolument dans la tradition saussurienne et s'inspire de la pensee d'Emile Benveniste. Dans cet esprit, l'article initial, d'orientation epistemologique, presente la typologie comme une voie susceptible de rapprocher la linguistique du statut d'une veritable science. Gilbert Lazard est professeur honoraire a la Sorbonne et membre de l'Institut. Ses travaux se partagent entre l'etude des langues iraniennes et la linguistique generale. Il est notamment l'auteur d'une Grammaire du persan contemporain, d'un ouvrage sur L'actance et, en collaboration, d'une description de la Structure de la langue tahitienne.

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This volume makes available Professor Jolivet-Lévy's papers on the art of Byzantine Cappadocia published over the last twenty years. They deal mainly with wall-paintings, a field in which the author has specialized. In its richness and "diversity, the archaeological documentation preserved in Cappadocia provides important evidence for the society and religious life of the Byzantine province (subsequently, from the end of the 11th century, part of the Seljuk sultanate of Rum). Although often little known to art historians, these monuments are of great importance for the history of Byzantine art, in particular for the period of the ninth and tenth centuries.

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