Search results for ""DOM Publishers""

Originally part of a set, now sold separately, Volume 3 of Sub-Saharan Africa Architectural Guide is dedicated to Western Africa, along the Atlantic Ocean Coast and includes Guinea-Bissau, Guinea, Sierra Leone, Liberia, Côte d’Ivoire, Ghana, Togo, Benin, and Nigeria. Africa is considered the continent of the future. Nowhere else is urbanisation taking place more quickly and the population growing more rapidly. But are enough of us familiar with the architectural aspects of this change? The seven volumes of Architectural Guide Sub-Saharan Africa present the first comprehensive overview that shows the region’s architecture in all its vast diversity. In 49 chapters, each focusing on one country, detailed texts and illuminating photos document the wealth of architecture south of the Sahara. Featuring 850 selected buildings and over 200 articles, the extensive publication not only showcases but also contextualises the continent’s building culture. This set of books paints a multifaceted picture of sub-Saharan Africa’s architecture across time, revealing how contemporary architecture has been shaped by its traditional and colonial roots as well as globalisation and urbanisation. The diverse contributions by almost 350 African and international authors come together to produce a superlative work giving the region the attention it so rightfully deserves.

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In its early decades, the Ethiopian capital, founded in 1886, witnessed a very specific form of architecture. At the beginning of the East African country’s first urbanisation process, a mixture of vernacular knowledge and a new cosmopolitan mindset led to an architectural type that local professionals refer to as the ‘Addis Ababa Style’: Pavilion-like buildings of different sizes, made of stone, earth, and wood, characterised by expressive pinched roofs, generous verandas with curtain walls, and a high degree of detailing. Today, those graceful, appropriate, and nature-based buildings are under threat of being swallowed up due to shortsighted economic interests. In cooperation with the Institute for Architecture in Addis Ababa (EiABC), architects of Berlin’s Technical University studied this typology with regard to its embeddedness in local resources, climatic conditions, and craftsmanship. As such, they employed the ‘Addis Ababa House’ as a case study to discuss the possibility of a non-industrial building type that reflects the desire for a cosmopolitan urban life.

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During the Covid-19 pandemic we have been forced to retreat into private shelters and to question the limits of residential typologies. The villa is an obvious example of such a shelter. It has re-emerged as an object of desire, because of the urge to escape the boundaries of our own four walls. Throughout history this typology has been rethought and reinvented by architectural greats who sought to break radically with the tradition of their times. But what does it mean to us to design a villa during a period of isolation and lockdown? The answer is not clear. The villa has always been both a dream home for clients and a means of expression for architects. It combines architecture’s most primitive function – to create a liveable shelter – with an architect’s endeavour to manifest their ideology in a single building. During an online design studio held at the Dessau School of Architecture, students from ten countries discussed the identities of the villa and their cultural context. The design of private shelters helped to overcome the paralysis of public life. This publication showcases some of the next generation’s most promising ideas. Moreover, it aims to explore new methods for online teaching, which could serve as a reference for institutions in a post-COVID world.

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Like its successful predecessor title, this book documents the competition procedures coordinated by [phase eins]. in recent years. A total of 27 projects in Germany, Austria, Albania, Ukraine, Kuwait, Belgium, Canada and Lebanon are presented with extensive illustrations and explanations.

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The German Architecture Annual, edited by the German Architecture Museum (DAM), has been documenting contemporary architectural projects in Germany for almost 40 years. This year’s edition of the annual presents the shortlist of 25 buildings selected by the jury for the 2022 DAM Preis for Architecture in Germany. The building reviews, written by architectural critics, along with large-format photographs, provide a deep insight into those works.

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Dense, organic cities with interconnected building structures and easily accessed common urban spaces. Cities that offer variety, vibrancy and architectural qualities that tempt people to go exploring on foot or by bike. Cities that have a sense of openness, make people feel safe and create opportunities for conversations in public spaces. Cities that are rooted in tradition and a respect for cultural heritage. Cities that provide meeting places in a setting conducive to cultural cohesion. Social and sensory cities. This book points to urban blocks as the structure best suited to pro­moting sustainable building developments and cities. Its first part presents some urban qualities that have evolved from the urban block as a fundamental, flexible element. These examples have been selected from European block cities as well as from old and new urban districts in Copenhagen.The second part of the book outlines the elements of the urban block city and its potential, proposing 10 principles that underpin an action-oriented platform for transforming older urban districts or planning new ones.

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3D printing is said to revolutionise architecture: Thanks to new technologies, plastic, concrete, or metal can be extruded in a liquid state and then hardened into its final form. With this Construction and Design Manual, architects and researchers Kostas Grigoriadis and Guan Lee present a comprehensive, up-to-date overview of the topic. The book consists of detailed case studies of 3D printed buildings, the materials that can be used in large-scale additive manufacturing, and a breakdown of the corresponding design guidelines, limitations, and achievable build dimensions. In addition to these, the focus is on the environmental aspects of the method, the lifecycle of 3D printable materials, and the embodied energy of 3D printing compared to conventional building construction.

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The Törten Project: Murder and Crime Mysteries from a Bauhaus Estate takes readers beyond the chaste white facades of the world-renowned ­Bauhaus Settlement by Walter Gropius. 10 quirky narratives about mysterious entanglements, morbid secrets, and grisly intrigues.

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Sofia is one of the oldest cities in Europe, though it still remains relatively undiscovered as a destination. Its urban fabric comprises an immense range of architectural cultures, with structures by the ancient Thracians, the Romans, the Byzantines, as well as works from the Bulgarian medieval era, the Ottoman Empire, and modern Bulgarian times, including the peculiar period of communist historicism and modernism. This book presents the city and its capacity to produce a unique architectural experience by tracing its specific geography and dissecting its historical layers. Sofia is not defined by any pure styles; it re-mixes various influences into an amalgamation, typical of peripheral cultures, creating an authenticity and uniqueness. Architectural Guide Sofia catalogues not only historical monuments and conspicuous sites, overlooked by standard tourist guides, but also the most recent buildings in the city, outlining the experimental works by the contemporary generation of architects. It profiles over 200 selected buildings from different historical periods and includes several articles exploring the genesis of the local architectures as well as an essay on specific architectural details born out of clashes of various stylistic influences. Over 15 maps and 700 illustrations in colour, coupled with an extensive bibliography, will help the reader and traveller experience Sofia as part of a true architectural adventure.

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Taking examples from major European cities, Public Spaces and Urbanity is a practical guide demonstrating what urban development with a human face might look like. This involves renewing and enhancing humane cities using architecture on a human scale while taking their history into account. Thus the book follows the tradition established by Jan Gehl that regards urban space as a framework for people to live in and socialise. The European tradition of the dense classical city marks the point of departure for this book. Special emphasis is placed on physical and spatial parameters, on development patterns and building types, on the guiding principles governing access, and on interconnections with public roads and pathways – all of which form the foundations of urban life as well as cities that provide safety and security. The book is divided into ten thematic chapters, each providing a definition and general outline of core challenges together with proposals for meeting them. An historical outline of urban development and the practically organised thematic structure underlying concepts discussed allow the examples given to greatly broaden the field of understanding around this topic.

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This collector’s album presents Moscow’s architectural icons. With photographic precision, Denis Esakov captures the fifth façade of the largest European metropolis: roofs, domes, and cube-like buildings stacked on top of each other. By gazing through the drone’s eye, the artist fosters a novel visual aesthetic that opens up new vistas, even for Moscow connoisseurs.

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Urban Eurasia. Cities in Transformation is a journey to urban spaces, places, and people in the global and highly dynamic, but often forgotten region between Europe and Asia. Intriguing photographs and evidence-based reports give a nuanced account to experiences of urban change in cities of the post-Soviet countries. Focusing on the topics of cities and networks, urban housing, economies as well as urban diversity and conflicts, the book tracks common and differentiated patterns, processes, and effects of urban developments in space and society. The multiplicity and assemblage of Soviet, pre-revolutionary and post-Soviet legacies is carved out as a key feature of Eurasian cities. Thanks to fascinating documents, the book’s editors hope to intrigue a wide audience and to stimulate critical discussions besides and beyond the rare media reports about urban transformation in Eurasian cities.

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The then private residences showcased in this monograph have been designed in by Garegin Yeghoyan (Professor of the International Academy of Architecture) and are testimony to the International Style set within the context of ancient Armenian architecture. These buildings can be seen as analogous to islands of contemporary architecture amidst an ocean of bland structure. They may be viewed against a backdrop of the natural environment and the ‘structured chaos’ of the vernacular fabric. Garegin Yeghoyan thus draws on the long tradition of Armenian architecture, which bears the hallmark of the simplicity and homogeneity offered by the rock-type known as tuff, with all its nuances of colour. This surface of natural stone constituting the ultimate Armenian building material offers an antithesis to modernist forms in concrete and metal and thus embodies the unique feature of this architecture.

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Architectural competitions act as a tool for enhancing a design and selecting planning partners. The quality of urban development, high-rise buildings and open spaces is thus sustainably improved. Nevertheless, this planning and awarding tool is repeatedly scrutinised. Twenty-five international projects from 2009 to 2015 presented in this volume shed light on design methods and techniques employed by internationally renowned architects. The collection is supplemented by explanations of technical and formal criteria regarding the presentation of competition entries and addresses expenditure issues in relation to prize money and architects’ fees. This manual not only includes an essay on the history of architectural drawings submitted in competitions, but also presents theses and guest contributions by judges and entrants. These address the importance of competition designs in relation to panels and diagrams since these hold significant sway over the eventual outcome.

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The Soviet avant-garde architecture of the 1920s to the mid-1930s has increasingly been attracting attention from researchers worldwide. Yet, in spite of this, entire regions remain unstudied. One of these is the south of Russia. Based on extensive research, this guidebook aims to correct the omission. It explores Russia's South and North Caucasus federal districts: Astrakhanskaya, Volgogradskaya, and Rostovskaya regions, Krasnodarsky kray, Crimea, Kalmykiya, Mineralnye Vody, Dagestan, Kabardino-Balkariya, Karachaevo-Cherkesiya, Severnaya Osetiya, and Chechnya. During the Second World War, the south of Russia was the scene of fighting and mass destruction. Post-war reconstruction saw many buildings redesigned in the neoclassical style and the loss of an entire stratum of avant-garde structures. Since the end of the USSR, the way the surviving buildings have been used and run has been equally destructive. For this reason, the structures examined here are divided into two categories: those that have survived and those that have been lost forever. This volume enables readers to view 100 Soviet avant-garde buildings with their own eyes.

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The title Eastern Block Stories features a dozen of articles and over 60 unique hand-picked images about mass housing estates in former communist states. This book aims to address the blind spots to take a closer look at the major challenges for post-socialist housing estates today and imagine what could be their future. Besides stories from Georgia, Belarus, Russia, Ukraine, Poland and Germany unique photographic material which covers cases from more than ten countries is included. The major take of this book is to unveil the diversity of the Eastern blocks alive and the richness of their urban context besides a stigmatizing and alienating gaze. With contributions by Carola S. Neugebauer, Romea Muryń, Kuba Snopek, Dimitrij Zadorin, Lubov Davidkina, Nataliia Mysak, Gigi Shukakidze, Paulina Paga, Maria Melnikova, Aleksandra Katasonova, llyas Kulbarisov, David Sichinava and, Alexander Novikov.

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Some architects regard a visit to Chicago as equal in importance to a pilgrimage to Rome or Athens: The soaring American metropolis at the shores of Lake Michigan has amassed an unmatched collection of first-rate buildings in every possible style since late nineteenth-century industrialization. This book looks at Chicago through the prism of Post-Modernism — under the premise that this style did not cease to exist sometime in the 1990s, but is, in fact, still with us today. Starting with the 1978 Illinois Regional Library for the Blind and Physically Handicapped, curator and critic Vladimir Belogolovsky presents 100 structures, most of which were created after the turn of the millennium. These lavishly illustrated building descriptions are supplemented by introductory essays and interviews with Chicago architects, including Stanley Tigerman, Helmut Jahn and Jeanne Gang.

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Yerevan and Mount Ararat – which is within clear view – occupy significant places within Armenian culture, even allowing that today’s capital once lay elsewhere prior to the devastating earthquake of 1679 and also that Mount Ararat now falls within Turkish territory. Natural catastrophes together with the genocide of 1915 are etched deeply into the identity and consequently the architecture of Armenia. This architectural guide traces the history of Yerevan on the basis of street outlines which played such a decisive role in determining how construction would develop. Armenian Constructivism, the national style, Soviet Modernism and the role of the Armenian diaspora are all themes which find expression in narrative form. An additional excursion takes the reader off to Spitak which was destroyed by an earthquake in 1988 and was supposed to be rebuilt elsewhere as the last model city of the Soviet Union. This architectural guide therefore concludes with questions about the essential nature and character of the modern Armenian city too.

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Since the Euromaidan, Kyiv has been the place where Europe‘s future is decided between East and West. Meanwhile, the hybrid war in eastern Ukraine and on the Crimean peninsula has escalated into an open Russian war of aggression. Significant buildings in the capital Kyiv and vital infrastructure has come under fire. The Kyiv Architectural Guide presents over 100 buildings worth seeing from 100 years of the city‘s history, compiled by Ukrainian architectural historian Semen Shyrochyn. The typical residential complexes of avant-garde architecture, the imposing palaces of the Stalin era, the iconic designs of Soviet modernism, as well as the most significant construction projects built since independence are also expertly presented. In over 300 pages, this architectural guide proves that Kyiv is much more than the capital of Ukraine. Kyiv is an inseparable part of the European community of nations, where mutual respect of values counts more than the power of the strongest. This title is part of the Histories of Ukrainian Architecture programme initiated by DOM publishers in response to Russia’s attack on Ukraine’s sovereignty on 24 February 2022.

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The City of Mariupol’s heroic defence and systematic destruction at the beginning of the Russian invasion have made it an international symbol of senseless brutality and Ukrainian defiance. The ruined city today still harbours the embers of that resistance. Join a multidisciplinary team of architects, planners, Mariupol residents, and outside experts as they envision the rebirth of their beloved city following its liberation. Inspired by the Ukrainian people’s faith and determination to rebuild, the authors join forces with displaced Mariupol residents to imagine a dynamic future for Mariupol that will begin the day the Ukrainian flag rises. Despite the unavailability of reliable information and the difficulty of communicating with the scattered population, the team illustrates the case for planning rebuilding while the city is still under occupation, both so as to exorcise the scars of war and colonialism and to establish a viable economy and human-centred city that draws strength from its tragic past. This title is part of the Histories of Ukrainian Architecture programme initiated by DOM publishers in response to Russia’s attack on Ukraine’s sovereignty on 24 February 2022.

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Graz is widely deemed Austria’s capital of architecture. The Alpine country’s second largest city boasts both an Old Town that is a UNESCO World Heritage Site and the experimental Graz School buildings of the late 20th century. As the UNESCO City of Design since 2011, Graz fascinates with outstanding examples of historical and contemporary architecture that range from the Renaissance Eggenberg Palace to the Kunsthaus, otherwise known as the “Friendly Alien.” The updated second edition of the Architekturführer Graz—now also available in English translation—has been expanded to include 60 additional buildings. The book covers all relevant architecture from the 12th to 21st centuries. Twelve tours lead the reader to over 300 buildings, streets, and squares. The accompanying texts provide an in-depth, behind-the-scenes look at the building activities and embed this knowledge in the appropriate artistic and cultural-historical context.

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The Architectural Guide Chechnya and the North Caucasus represents the first pioneering work of its type to shed light on a little-known mountainous region split between Europe and Asia, one of the few places on Earth that can claim a varied amalgam of ethnic cities, ­languages, cultures, a remarkable architectural legacy, and human puzzles. This ground-breaking and comprehensive vademecum, collecting unreleased materials and more than 130 buildings scattered throughout seven geographical and ethno-cultural areas of the North Caucasus, is a unique piece of literature to anyone interested in the culture, the history and, of course, the captivating architectural heritage of this mysterious patch of Earth. Sochi:Holidays in the USSR The Ancient Land of the Circassians Spas, Sanatoriums, and Drinking Galleries Magas and Ingushetia’s Stone Towers Vladikavkaz: Ruler of the Caucasus Grozny and the Chechen Highlands Dagestan: Mountain Hamlets and Modernist Shapes Soviet Monumental Art: Memorials and Mosaics

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This book chronicles and analyses the role of the perspective within the history and evolution of landscape architecture and design. The first part of the book examines perspectives produced at key stages of the profession’s history, beginning with their origins in Renaissance art, and moving chronologically into present day practice. It charts how both linear and atmospheric perspective helped visualize imagined landscapes, first in paintings, later real spaces, and expanding from private gardens into designs for public spaces. Used both as a visualization tool preceding construction and as a persuasive tool for publicity and prestige afterwards, it has always played a role in influencing the understanding of landscape. Shown through key images, perspective visualization has resonated between artistic influences, media, and technology, yet its role has evolved differently than it has in architecture. In distinct contrast, landscape perspectives must convey positive experiences of being outdoors while communicating key design ideas, forms, and materials. The second part of the book is an instructional chapter, which outlines and describes the perspective’s key characteristics and variables. Perspective types are explained in an easy to understand way. Step by step procedures for using grids, constructing spaces, and fine-tuning pictorial composition, encourage readers to construct perspectives themselves. The third part of the book is an inspirational chapter with many diverse examples from international landscape architecture offices and practitioners. This extensive gallery showcases the perspective’s remarkable versatility as a stage for projects of all sizes, as well as its capacity for story­telling and expression. The many eye-catching images illustrate the perspective’s power in the digital age. With its focus on history, theory and practical aspects of the perspective and its specific role in landscape architecture, the book is an invaluable reference for researchers, students, and designers.

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Chisinau, today the capital and largest city of the Republic of Moldova, has undergone tumultuous changes under the successive political regimes that marked the twentieth century. Once part of the territory seized by the Russian Empire, it was integrated into the Romanian Kingdom during the interwar period, before being annexed by the USSR, like all of Bessarabia, and radically transformed into a socialist city. This guide focuses on the latter period. The distinct urbanistic and architectural tendencies after the Second World War are reflected in the five segments of the book: the Stalinist Empire, Soviet Modernism, Postmodernism, Soviet Brutalism, and the Industrial City. Each reflects the essential Soviet mandate to build not only a new city, but also a new society. In addition to photographic documentation and critical analysis of socialist architecture, the guide also includes essays on Chisinau’s development between 1945 and 1989, devoted among other things to the city’s cinemas and life in ‘microraions’.

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Prefabricated housing is a pressing issue – for those looking­ for affordable homes as well as for refugees fleeing wars or natural disasters. In common with politicians, architects were caught unawares by the largest wave of migration since the end of the Second World War. However, are tent cities and containers the best solution for cheap, dignified, and quickly assembled accommodation for displaced persons? This challenging situation, along with the changing urban landscape, with its ever-diminishing space, calls into question existing standards in relation to serial housing. Bold and unconventional ideas are called for if architects are to offer high-quality solutions. From eccentric experiments all the way to projects that have already been realized, international design teams present their work between the twin poles of unconventional developments and life-saving shelters in this volume spanning more than 250 ­pages. Introduced with articles on design principles, and divided into three sections according to the form the structures take when delivered – cuboid, panels and custom units – the book covers everything from playful follies to architectural constructions for the homeless and out­patient medical stations which offer a response to social problems and space shortages. The text, photographs and plans put forward ideas as to how more can be done than the mere assembling of containers. Should we not first consider notions ­bordering on the absurd in order to come up with workable solutions for housing today?

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Originally part of a set, now sold separately, Volume 5 of Sub-Saharan Africa Architectural Guide is dedicated to Eastern Africa, from the Great Lakes to the Indian Ocean and includes Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius, and Madagascar. Africa is considered the continent of the future. Nowhere else is urbanisation taking place more quickly and the population growing more rapidly. But are enough of us familiar with the architectural aspects of this change? The seven volumes of Architectural Guide Sub-Saharan Africa present the first comprehensive overview that shows the region’s architecture in all its vast diversity. In 49 chapters, each focusing on one country, detailed texts and illuminating photos document the wealth of architecture south of the Sahara. Featuring 850 selected buildings and over 200 articles, the extensive publication not only showcases but also contextualises the continent’s building culture. This set of books paints a multifaceted picture of sub-Saharan Africa’s architecture across time, revealing how contemporary architecture has been shaped by its traditional and colonial roots as well as globalisation and urbanisation. The diverse contributions by almost 350 African and international authors come together to produce a superlative work giving the region the attention it so rightfully deserves.

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A city that has existed for over 2,000 years, Verona has a wealth of historic architecture: from Ancient Roman masterworks such as the Arena, through seventeenth-century neoclassical gems like the Gran Guardia Palace, to inventive recent restorations and adaptations. Its Gothic and Romanesque edifices - frequently constructed in pink brick - are a particular highlight. The architectural remnants of every period of the history of this UNESCO-listed city is covered here, in the first architectural guide to Verona, Lake Garda, and Valpolicella. The towns and villages around Lake Garda have long attracted tourists, and the selection in this volume reflects this. Villas and hotels loom large, including the eccentric villa complex constructed by the poet Gabriele D'Annunzio, with its First World War gunship built into the grounds. Through his considered selection of buildings, historian and socio-urbanist Sergey Nikitin provides a sometimes-irreverent look at sights that range from the well-known to the more hidden, such as Carlo Scarpa's careful balancing of old and new in the Museo Castelvecchio, the magnificent 1930s tunnels on Strada Gardesana Occidentale, and even a traditional bakery for the complete Italian experience. The guide includes detailed addresses and maps for ease of visiting and a further reading list for those who want to explore the area from home first.

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Originally part of a set, now sold separately, Volume 6 of Sub-Saharan Africa Architectural Guide is dedicated to Central Africa, from the Atlantic Ocean to the Great Lakes and includes Central African Republic, Cameroon, Equatorial Guinea, São Tomé and Príncipe, Gabon, Republic of the Congo (Brazzaville), Democratic Republic of the Congo (Kinshasa), and Angola. Africa is considered the continent of the future. Nowhere else is urbanisation taking place more quickly and the population growing more rapidly. But are enough of us familiar with the architectural aspects of this change? The seven volumes of Architectural Guide Sub-Saharan Africa present the first comprehensive overview that shows the region’s architecture in all its vast diversity. In 49 chapters, each focusing on one country, detailed texts and illuminating photos document the wealth of architecture south of the Sahara. Featuring 850 selected buildings and over 200 articles, the extensive publication not only showcases but also contextualises the continent’s building culture. This set of books paints a multifaceted picture of sub-Saharan Africa’s architecture across time, revealing how contemporary architecture has been shaped by its traditional and colonial roots as well as globalisation and urbanisation. The diverse contributions by almost 350 African and international authors come together to produce a superlative work giving the region the attention it so rightfully deserves.

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Originally part of a set, now sold separately, Volume 4 of Sub-Saharan Africa Architectural Guide is dedicated to Eastern Africa, from the Sahel to the Horn of Africa and includes Chad, Sudan, South ­Sudan, Eritrea, Djibouti, Ethiopia, and Somalia. Africa is considered the continent of the future. Nowhere else is urbanisation taking place more quickly and the population growing more rapidly. But are enough of us familiar with the architectural aspects of this change? The seven volumes of Architectural Guide Sub-Saharan Africa present the first comprehensive overview that shows the region’s architecture in all its vast diversity. In 49 chapters, each focusing on one country, detailed texts and illuminating photos document the wealth of architecture south of the Sahara. Featuring 850 selected buildings and over 200 articles, the extensive publication not only showcases but also contextualises the continent’s building culture. This set of books paints a multifaceted picture of sub-Saharan Africa’s architecture across time, revealing how contemporary architecture has been shaped by its traditional and colonial roots as well as globalisation and urbanisation. The diverse contributions by almost 350 African and international authors come together to produce a superlative work giving the region the attention it so rightfully deserves.

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The Architectural Guide Norway showcases 150 architectural objects realized in Norway in the period from 2000 to 2020. The geography of the buildings covers both the largest and most visited cities of the country – Oslo, Bergen, Stavanger – and objects of the so-called Norwegian Scenic Routes, one of the most important infrastructure project to promote the breathtaking nature and its architecture. Anna Martovitskaya’s selection of projects demonstrates a wide range of artistic techniques, typologies and scales, but these are not only united by the country of origin, but also by their diversity. A much more important factor of unity is the approach of Norwegian architects to the challenges they face. No matter whether it is an everyday task (e. g. a pedestrian bridge, a viewing platform or a pavilion), a large office complex or a large urban development project, the focus is always on people and their relationship to nature. While today many voices loudly promote the need to conserve resources, Norway consistently implements the principle of environmental protection, not only through the use of innovative technologies, but also by making the buildings themselves and the developed areas the epitome of human rationality and environmental friendliness.

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This guide explores Manila's architectural history through nearly 120 buildings: from the neoclassicism and art deco of the American occupation to the brutalist concrete under the auspices of the Marcos regime right through to the expressive ecclesiastical architecture that serves the Philippines' large Catholicpopulation.

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