Search results for ""Author George Philip"

A brilliant, early dystopian tale of classic science fiction. The Last Man is a powerful, post-apocalyptic tale and precursor to the much later science fiction novels of H.G. Wells, George Orwell, Philip K. Dick and Harlan Ellison amongst others. Overshadowed by the titanic success of Frankenstein, Mary Shelley’s neglected masterpiece tells of a future laid waste by plague. Lionel Varney, an indolent nobleman, is immune to the savage effects of the disease having been bitten by an early victim. Varney is forced to watch the long decline of civilisation as humanity sinks slowly into extinction. FLAME TREE 451: From mystery to crime, supernatural to horror and fantasy to science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic. Each book features a brand new biography and glossary of Literary, Gothic and Victorian terms.

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Blotted Lines rebuffs centuries of mythologization about the creative process—the idea that William Shakespeare "never blotted out line"—to argue that by studying how early modern writers faced the challenges of writing poetry, instructors today can empower their students' approaches to critical writing. Adhaar Noor Desai offers deeply researched accounts of how poetic labor intersected with early modern rhetorical theory, material culture, and social networks. Tracing the productive struggles of such writers as George Gascoigne, Philip Sidney, John Davies of Hereford, Lady Anne Southwell, and Shakespeare across their manuscripts, Desai identifies in their work instances of discomposition: frustration, hesitation, self-doubt, and insecurity. Inspired to unmake their poems so that they might remake them, these poets welcomed discomposition because it catalyzed ongoing thinking and learning. Blotted Lines brings literary scholarship into conversation with modern composition studies, challenging early modern literary studies to treat writing as both noun and verb and foregrounding the ways poetry and criticism alike can model for students the cultivation of patience, collaboration, and risk in their writing.

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The editor has corrected printers’ errors and annotated unfamiliar terms and allusions. Three illustrations by George Cruikshank and a map of Oliver's London accompany the text. "Backgrounds and Sources" focuses on The Poor Law Amendment Act of 1834, central both to Dickens and to the characters in Oliver Twist. The act’s far-reaching implications are considered in source materials that include parlimentary debates on The Poor Laws, a harrowing account of an 1835 Bedfordshire riot, and "An Appeal to Fallen Women," Dickens’ 1847 open letter to London’s prostitutes urging them to turn their backs on "debauchery and neglect." Ten letters on Oliver Twist, written between 1837 and 1864, are reprinted, including those to the novel’s publisher, the novel’s illustrator, and John Forster, Dickens’ close friend and future biographer. In addition, readers can trace the evolution of the novel by examining Dickens’ installment and chapter-division plans and enjoy "Sikes and Nancy," the text of a public reading Dickens composed and performed often to large audiences. "Early Reviews" provides eight witty, insightful, and at times impassioned responses to the novel and to Oliver’s plight by William Makepeace Thackeray and John Forster (anonymously), among others. "Criticism" includes twenty of the most significant interpretations of Oliver Twist published in this century. Included are essays by Henry James, George Gissing, Graham Greene, J. Hillis Miller, Harry Stone, Philip Collins, John Bayley, Keith Hollingsworth, Steven Marcus, Monroe Engel, James R. Kincaid, Michael Slater, Dennis Walder, Burton M. Wheeler, Janet Larson, Fred Kaplan, Robert Tracy, David Miller, John O. Jordan, and Gary Wills. A Chronology and Selected Bibliography are also included.

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Common Prayer explores the relationship between prayer and poetry in the century following the Protestant Reformation. Ramie Targoff challenges the conventional and largely misleading distinctions between the ritualized world of Catholicism and the more individualistic focus of Protestantism. Early modern England, she demonstrates, was characterized less by the triumph of religious interiority than by efforts to shape public forms of devotion. This provocatively revisionist argument will have major implications for early modern studies.Through readings of William Shakespeare's Hamlet, Richard Hooker's Lawes of Ecclesiastical Politie, Philip Sidney's Apology for Poetry and his translations of the Psalms, John Donne's sermons and poems, and George Herbert's The Temple, Targoff uncovers the period's pervasive and often surprising interest in cultivating public and formalized models of worship. At the heart of this study lies an original and daring approach to understanding the origins of devotional poetry; Targoff shows how the projects of composing eloquent verse and improving liturgical worship come to be deeply intertwined. New literary practices, then, became a powerful means of forging common prayer, or controlling private and otherwise unmanageable expressions of faith.

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Blotted Lines rebuffs centuries of mythologization about the creative process—the idea that William Shakespeare "never blotted out line"—to argue that by studying how early modern writers faced the challenges of writing poetry, instructors today can empower their students' approaches to critical writing. Adhaar Noor Desai offers deeply researched accounts of how poetic labor intersected with early modern rhetorical theory, material culture, and social networks. Tracing the productive struggles of such writers as George Gascoigne, Philip Sidney, John Davies of Hereford, Lady Anne Southwell, and Shakespeare across their manuscripts, Desai identifies in their work instances of discomposition: frustration, hesitation, self-doubt, and insecurity. Inspired to unmake their poems so that they might remake them, these poets welcomed discomposition because it catalyzed ongoing thinking and learning. Blotted Lines brings literary scholarship into conversation with modern composition studies, challenging early modern literary studies to treat writing as both noun and verb and foregrounding the ways poetry and criticism alike can model for students the cultivation of patience, collaboration, and risk in their writing.

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"This is an anthology to contemplate, revisit and relish" - LoveReading4Kids'It's time we told our story too. The melanin speaks for itself.' - George the PoetPart of a Story That Started Before Me is an extraordinary new collection of poems chosen by acclaimed spoken-word performer and social commentator George the Poet.Taking readers on a thought-provoking poetical journey through Black British history, the anthology brings together some of the most exciting wordsmiths from across the diaspora and fascinating era-by-era notes from historian Dr Christienna Fryar.From Africans in Roman Britannia to the first Black actor to play Othello on stage, from Malcolm X's visit to the West Midlands to highlighting an organizer of the UK's first Gay Pride, this important collection reveals unsun people and events from our past to recognize the intrinsic impact they've had on Britain today.Featuring: Abi Simms, Adesayo Talabi, AFLO. the poet, Amina Jama, Anu Balofin, Ashley Hickson-Lovence, Becksy Becks, Benjamin Zephaniah, Bridget Minamore, Cara Thompson, Casey Bailey, Deanna Rodger, Derek Walcott, Dorothea Smartt, Dzifa Benson, Edward Kamau Brathwaite, Eno Mfon, Evan the Poet, Fred D'Aguiar, FULAANI onda 3s, George The Poet, Grace Nichols, Henry Stone, Highwater Ell aka Elliott Henry, Ife Grillo, Inua Ellams, Irenosen Okojie, Isaiah Hull, Jade LB, Jeffrey Boakye, Jenny Mitchell, Jeremiah Brown, John Agard, Joseph Coelho, Jude Yawson, Kat Francois, Keith Jarrett, Kelechi Okafor, M. NourbeSe Philip, Malika Booker, Michael Groce, Miles Chambers, Muneera Pilgrim, Nick Makoha, Nii Ayikwei Parkes, Nile Faure-Bryan, Olaudah Equiano, Olivette Otele, Patience Agbabi, Peter deGraft-Johnson aka The Repeat Beat Poet, Phillis Wheatley, Priss Nash, Rakaya Fetuga, Raymond Antrobus, Reece Williams, Safiya Kamaria Kinshasha, Samuel King, Sophia Thakur, Stretch the Top Boy, Thembe Mvula, Theresa Lola, Tré Ventour, Vanessa Kisuule, Wretch 32 and Zena Edwards.

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Asian activists, organizers, critics, teachers, artists, and entrepreneurs have become passionately involved in protecting Asia’s heritage. In this book, twelve principal authors from eleven of the region’s countries present their experience of what has been done in the past and their ideas on what should be done in the future. Chapters cover Siam’s temples, Korean religious murals, Beijing’s neighborhoods, Lao textiles, Javanese ruins, Cambodian dance, old Bangkok and George Town, Philippine creative arts, Calcutta’s architecture, China’s salt industry, and the Burmese cat. This book records the start of a conversation that promises to transform the protection of Asia’s heritage.

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This wide-ranging and thought-provoking compilation explores the idea of nonconformity in art, religion, and philosophy. The book features 55 contemporary artists who work outside the norms of current practice, alongside both newly commissioned and previously published texts which, taken together, provide an astute sampling of recent perspectives on art and ideas. Among the artists whose work is featured are Margit Anna, Clayton Bailey, Tony Cox, Abu Bakarr Mansaray, Birgit Megerle, Philip Smith, and Keiichi Tanaami. The accompanying texts include classic works by Sigmund Freud and Leo Steinberg, reprinted with new commentary by Mark Edmundson and Joshua Decter, respectively; a recent essay on unorthodoxy in Judaism by Alan T. Levenson with a response by Jack Wertheimer; and a previously unpublished meditation on Aby Warburg’s art history by Georges Didi-Huberman. Distributed for the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York 11/06/15-03/27/16

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'A pleasure to read... a timely reminder of the need for service' -- The Daily Telegraph'The voices and reminiscence of family and friends merge seamlessly, giving the impression of gathering round the fire on a winter evening' -- The OldieHRH The Duke of Kent has been at the heart of the British Royal Family throughout his life. As a working member of the Royal Family, he supported his cousin The Queen, representing her at home and abroad, until her death in 2022. His royal duties began when, in 1952, at the age of sixteen, he walked in the procession behind King George VI's coffin, later paying homage to The Queen at her Coronation in 1953. Since then he has witnessed and participated in key Royal occasions.A Royal Life is a unique account based on a series of conversations between the Duke and acclaimed Royal historian Hugo Vickers. It covers the Duke's upbringing, his army life, his royal tours and events and associations with organisations. Here too are recollections of family members including his mother, Princess Marina, his grandmother, Queen Mary, his cousin, Prince Philip, the Duke of Edinburgh, and his uncle, King George VI.Other members of the Royal Family contribute their memories, including his wife, the Duchess of Kent, the Duke's siblings, Princess Alexandra and Prince Michael of Kent, his son, the Earl of St Andrews, his daughter, Lady Helen Taylor as well as his cousins, Princess Elizabeth of Yugoslavia, Archduchess Helen of Austria and her brother, Hans Veit Toerring.Containing never before seen photographs from the Duke's private collection, A Royal Life is an unprecedented and remarkable insight into Royal history.

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The very best of the King’s wisdom and humour, covering a huge range of topics that have been close to his heart. Lighthearted and revelatory, this is a wonderful celebration of royal wit and a fascinating glimpse into the life of our new monarch.Charles Philip Arthur George, Prince of Wales and heir apparent for more than seventy years, became King on 8 September 2022. On 6 May 2023, the world watched as he was crowned at Westminster Abbey in an historic ceremony full of ritual and pageantry.Wise Words From King Charles III looks at the personality behind the pomp. Though more guarded than his famously outspoken father, Charles is not averse to sparking controversy with his views on subjects close to his heart. During his years as king-in-waiting, there has been plenty of time for his interests and personality to develop. Passionate about the environment and natural world, he was a conservationist, speaking out about climate change before it beca

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This new edition of ""Notable American Novelists"" presents biographical sketches and analytical overviews of 145 of the best-known American and Canadian writers of long fiction from the 19th and 20th centuries, arranged alphabetically by name. The set's three volumes survey the novelists, whose works are included in core curricula of high school and undergraduate literature studies. Essays on living authors and all the bibliographies in the articles are updated. About two-thirds of the essays are illustrated with portraits of the writers. ""Notable American Novelists"" features often-studied writers ranging from Nathaniel Hawthorne, Mark Twain, Ernest Hemingway, William Faulkner, and Jack London to Joan Didion and J. D. Salinger. Other important nineteenth century figures include Herman Melville, James Fenimore Cooper, Harriet Beecher Stowe, and George Washington Cable. Among the other major twentieth century writers featured are Sinclair Lewis, Norman Mailer, Joyce Carol Oates, John Irving, E. L. Doctorow, Joseph Heller, Toni Morrison, Vladimir Nabokov, Thomas Pynchon, John Steinbeck, Kurt Vonnegut, and John Updike. One can also find essays on such widely read and popular authors as Stephen King, James Michener, Louisa May Alcott, Larry McMurtry, and Anne Rice. A major addition to this new edition is the inclusion of Canadian novelists: Margaret Atwood, Robertson Davies, Frederick Philip Grove, Margaret Laurence, Mordecai Richler, and Sinclair Ross. Each essay begins with a presentation of reference information: the novelist's birth and death dates and a list of the writer's principal works of long fiction, with publication dates. ""Other literary forms"" then briefly describes genres other than long fiction in which the writer has worked, and an ""Achievements"" section encapsulates the author's central contribution and notes major honors and awards. The major sections of the text follow: ""Biography"" provides a sketch of the author's life, and ""Analysis"" looks at the novelist's work in detail; this section examines central and well-known works in the author's canon and illuminates the themes and techniques of primary interest to the novelist. The longest section in the article, ""Analysis"" is divided into subsections on the writer's major individual works. Following ""Analysis"" is a categorized list, ""Other major works,"" that provides titles and dates of works the author has written in genres other than long fiction, including plays, poetry, short fiction, and nonfiction. Each essay concludes with an updated, annotated bibliography. All articles are signed by the principal writer and, where applicable, by the updating contributor. Three helpful reference features are included at the end of volume 3: a glossary entitled ""Terms and Techniques,"" a time line of the writers' birthdates, and an index.

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John le Carré was a defining writer of his time. This enthralling collection letters - written to readers, publishers, film-makers and actors, politicians and public figures - reveals the playfully intelligent and unfailingly eloquent man behind the penname._____'The symbiosis of author and editor, father and son, has resulted in a brilliant book, le Carré's final masterpiece' 5*, Jake Kerridge, Sunday Telegraph_____A Private Spy spans seven decades and chronicles not only le Carré's own life but the turbulent times to which he was witness. Beginning with his 1940s childhood, it includes accounts of his National Service and his time at Oxford, and his days teaching the 'chinless, pointy-nosed gooseberry-eyed British lords' at Eton. It describes his entry into MI5 and the rise of the Iron Curtain, and the flowering of his career as a novelist in reaction to the building of the Berlin Wall. Through his letters we travel with him from the Second World War period to the immediate moment in which we live. We find le Carré writing to Sir Alec Guinness to persuade him to take on the role of George Smiley, and later arguing the immorality of the War on Terror with the chief of the German internal security service. What emerges is a portrait not only of the writer, or of the global intellectual, but, in his own words, of the very private, very passionate and very real man behind the name._____Includes letters to:John BanvilleWilliam BurroughsJohn CheeverStephen FryGraham GreeneSir Alec GuinnessHugh LaurieBen MacintyreIan McEwanGary OldmanPhilip RothPhilippe SandsSir Tom StoppardMargaret ThatcherAnd more...

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A brilliant new translation of Koestler's long-lost original manuscript. A chilling and unforgettable 20th century classic.From a prison cell in an unnamed country run by a totalitarian government Rubashov reflects. Once a powerful player in the regime, mercilessly dispensing with anyone who got in the way of his party’s aims, Rubashov has had the tables turned on him. He has been arrested and he’ll be interrogated, probably tortured and certainly executed.Darkness at Noon is as gripping as a thriller and a seminal work of twentieth-century literature. Published in Great Britain in 1940, it was feted by George Orwell, went on to be translated into thirty languages and is considered the finest work of pre-eminent European master, Arthur Koestler. And yet the novel’s worldwide reputation has, for over seventy years, been based on the first incomplete and inexpert English translation – Koestler’s original manuscript was lost when he fled the German occupation of Paris in 1940.In 2016, a student discovered that long-lost manuscript in a Zurich archive. At last, with the publication of this new translation of the rediscovered original, Koestler’s masterpiece can be experienced afresh and in its entirety for the first time.THE NEW TRANSLATION BY PHILIP BOEHM

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Rich with analyses of concepts from deconstruction, systems theory, and post-Marxism, with critiques of fundamentalist thought and the war on terror, this volume argues for developing a philosophy of being in order to overcome the quandary of postmodern relativism. Undergirding the contributions are the premises that ontology is a vital concept for philosophy today, that an acceptable leftist ontology must avoid the kind of identity politics that has dominated recent cultural studies, and that a new ontology must be situated within global capitalism.A Leftist Ontology offers a timely intervention in political philosophy, featuring some of the leading voices of our time.Contributors: Bruno Bosteels, Cornell U; Christopher Breu, Illinois State U; Nicholas Brown, U of Illinois at Chicago; Sorin Radu Cucu, Manhattan College; George Edmondson, Dartmouth College; Eva Geulen, U of Bonn; Philip Goldstein, U of Delaware; Klaus Mladek, Dartmouth College; Alberto Moreiras, U of Aberdeen; Jeffrey T. Nealon, Pennsylvania State U; William Rasch, Indiana U; Ben Robinson, Indiana U; Imre Szeman, McMaster U; Roland Vegso, U of Tennessee, Knoxville.

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Common Prayer explores the relationship between prayer and poetry in the century following the Protestant Reformation. Ramie Targoff challenges the conventional and largely misleading distinctions between the ritualized world of Catholicism and the more individualistic focus of Protestantism. Early modern England, she demonstrates, was characterized less by the triumph of religious interiority than by efforts to shape public forms of devotion. This provocatively revisionist argument will have major implications for early modern studies.Through readings of William Shakespeare's Hamlet, Richard Hooker's Lawes of Ecclesiastical Politie, Philip Sidney's Apology for Poetry and his translations of the Psalms, John Donne's sermons and poems, and George Herbert's The Temple, Targoff uncovers the period's pervasive and often surprising interest in cultivating public and formalized models of worship. At the heart of this study lies an original and daring approach to understanding the origins of devotional poetry; Targoff shows how the projects of composing eloquent verse and improving liturgical worship come to be deeply intertwined. New literary practices, then, became a powerful means of forging common prayer, or controlling private and otherwise unmanageable expressions of faith.

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In this, the third volume of an interdisciplinary history of the United States since the Civil War, Sean Dennis Cashman provides a comprehensive review of politics and economics from the tawdry affluence of the 1920s throught the searing tragedy of the Great Depression to the achievements of the New Deal in providing millions with relief, job opportunities, and hope before America was poised for its ascent to globalism on the eve of World War II. The book concludes with an account of the sliding path to war as Europe and Asia became prey to the ambitions of Hitler and military opportunists in Japan. The book also surveys the creative achievements of America's lost generation of artists, writers, and intellectuals; continuing innovations in transportation and communications wrought by automobiles and airplanes, radio and motion pictures; the experiences of black Americans, labor, and America's different classes and ethnic groups; and the tragicomedy of national prohibition. The cast of characters includes FDR, the New Dealers, Eleanor Roosevelt, George W. Norris, William E. Borah, Huey Long, Henry Ford, Clarence Darrow, Ernest Hemingway, Scott Fitzgerald, W.E.B. DuBois, A. Philip Randolph, Orson Welles, Wendell Willkie, and the stars of radio and the silver screen. The first book in this series, America in the Gilded Age, is now accounted a classic for historiographical synthesis and stylisic polish. America in the Age of the Titans, covering the Progressive Era and World War I, and America in the Twenties and Thirties reveal the author's unerring grasp of various primary and secondary sources and his emphasis upon structures, individuals, and anecdotes about them. The book is lavishly illustrated with various prints, photographs, and reproductions from the Library of Congress, the Museum of Modern Art, and the Whitney Museum of American Art.

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'Master of the wartime spy thriller' - FINANCIAL TIMESIn the gripping new spy thriller from the Sunday Times bestselling author of Hitler's Secret, a Cambridge spy must unravel a dangerous mystery that goes all the way to the heart of the Third Reich - and the British Monarchy.________________Sweden, 1942 - Two old friends meet. They are cousins. One is Prince George, Duke of Kent, brother of the King of England. The other is Prince Philipp von Hessen, a committed Nazi and close friend of Adolf Hitler.Days later, the Prince George is killed in a plane crash in the north of Scotland. The official story is that it was an accident - but not everyone is convinced.There is even a suggestion that the Duke's plane was sabotaged, but with no evidence, Cambridge spy Tom Wilde is sent north to discover the truth . . .Dramatic, intelligent, and brilliantly compelling, A PRINCE AND A SPY is Rory's best WWII thriller yet - perfect for readers of Robert Harris, C J Sansom and Joseph Kanon._____________________________Praise for Rory Clements:'Political polarisation, mistrust and simmering violence' - The Times'A standout historical novel and spy thriller' - Daily Express'Enjoyable, bloody and brutish' - Guardian'A dramatic, twisty thriller' - Daily Mail'A colourful history lesson . . . exciting narrative twists' - Sunday Telegraph

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Is your business playing it safe—or taking the right risks?If you read nothing else on managing risk, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help your company make smart decisions and thrive, even when the future is unclear.This book will inspire you to: Avoid the most common errors in risk management Understand the three distinct categories of risk and tailor your risk-management processes accordingly Embrace uncertainty as a key element of breakthrough innovation Adopt best practices for mitigating political threats Upgrade your organization's forecasting capabilities to gain a competitive edge Detect and neutralize cyberattacks originating inside your company This collection of articles includes "Managing Risks: A New Framework," by Robert S. Kaplan and Anette Mikes; "How to Build Risk into Your Business Model," by Karan Girotra and Serguei Netessine; "The Six Mistakes Executives Make in Risk Management," by Nassim N. Taleb, Daniel G. Goldstein, and Mark W. Spitznagel; "From Superstorms to Factory Fires: Managing Unpredictable Supply-Chain Disruptions," by David Simchi-Levi, William Schmidt, and Yehua Wei; "Is It Real? Can We Win? Is It Worth Doing?: Managing Risk and Reward in an Innovation Portfolio," by George S. Day; “Superforecasting: How to Upgrade Your Company's Judgment," by Paul J. H. Schoemaker and Philip E. Tetlock; "Managing 21st-Century Political Risk," by Condoleezza Rice and Amy Zegart; "How to Scandal-Proof Your Company," by Paul Healy and George Serafeim; "Beating the Odds When You Launch a New Venture," by Clark Gilbert and Matthew Eyring; "The Danger from Within," by David M. Upton and Sadie Creese; and "Future-Proof Your Climate Strategy," by Joseph E. Aldy and Gianfranco Gianfrate.

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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The Education Myth questions the idea that education represents the best, if not the only, way for Americans to access economic opportunity. As Jon Shelton shows, linking education to economic well-being was not politically inevitable. In the eighteenth and nineteenth centuries, for instance, public education was championed as a way to help citizens learn how to participate in a democracy. By the 1930s, public education, along with union rights and social security, formed an important component of a broad-based fight for social democracy. Shelton demonstrates that beginning in the 1960s, the political power of the education myth choked off powerful social democratic alternatives like A. Philip Randolph and Bayard Rustin's Freedom Budget. The nation's political center was bereft of any realistic ideas to guarantee economic security and social dignity for the majority of Americans, particularly those without college degrees. Embraced first by Democrats like Lyndon Johnson, Jimmy Carter, and Bill Clinton, Republicans like George W. Bush also pushed the education myth. The result, over the past four decades, has been the emergence of a deeply inequitable economy and a drastically divided political system.

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In this well-researched book, Philip Massolin takes a fascinating look at the forces of modernization that swept through English Canada, beginning at the turn of the twentieth century. Victorian values - agrarian, religious - and the adherence to a rigid set of philosophical and moral codes were being replaced with those intrinsic to the modern age: industrial, secular, scientific, and anti-intellectual. This work analyses the development of a modern consciousness through the eyes of the most fervent critics of modernity - adherents to the moral and value systems associated with Canada's tory tradition. The work and thought of social and moral critics Harold Innis, Donald Creighton, Vincent Massey, Hilda Neatby, George P. Grant, W.L. Morton, Northrop Frye, and Marshall McLuhan are considered for their views of modernization and for their strong opinions on the nature and implications of the modern age. These scholars shared concerns over the dire effects of modernity and the need to attune Canadians to the realities of the modern age. Whereas most Canadians were oblivious to the effects of modernization, these critics perceived something ominous: far from being a sign of true progress, modernization was a blight on cultural development. In spite of the efforts of these critics, Canada emerged as a fully modern nation by the 1970s. Because of the triumph of modernity, the toryism that the critics advocated ceased to be a defining feature of the nation's life. Modernization, in short, contributed to the passing of an intellectual tradition centuries in the making and rapidly led to the ideological underpinnings of today's modern Canada.

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Will language as we know it cease to exist? What could this mean for the way we live our lives? Shining a light on the technology currently being developed to revolutionise communication, The Future of Language distinguishes myth from reality and superstition from scientifically-based prediction as it plots out the importance of language and raises questions about its future. From the rise of artificial intelligence and speaking robots, to brain implants and computer-facilitated telepathy, language and communications expert Philip Seargeant surveys the development of new digital ‘languages’, such as emojis, animated gifs and memes, and investigates how conventions of spoken and written language are being modified by new trends in communication. From George Orwell’s fictional predictions in Nineteen Eighty-Four to the very real warnings of climate activist Greta Thunberg, Seargeant explores language through time, traversing politics, religion, philosophy, literature, and of course technology, in the process. Tracing how previous eras have imagined the future of language, from the Bible to the works H. G. Wells, and from Star Wars to Star Trek, the book reveals how perfecting language and communication has always been a vital component of utopian dreams of the future. Questioning the potential ramifications of recent and future developments in communication on society and its ideals, The Future of Language is a no holds barred investigation into the state of civilisation and the impact that changes in language could have on our lives.

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Monty Python's Life of Brian film is known for its brilliant satirical humour. Less well known is that the film contains references to what was, at the time of its release, cutting edge biblical scholarship and life of Jesus research. This research, founded on the acceptance of the Historical Jesus as a Jew who needs to be understood within the context of his time, is implicitly referenced through the setting of the Brian character within a tumultuous social and political background. This collection is a compilation of essays from foremost scholars of the historical Jesus and the first century Judaea, and includes contributions from George Brooke, Richard Burridge, Paula Fredriksen, Steve Mason, Adele Reinhartz, Bart Ehrman, Amy-Jill Levine, James Crossley, Philip Davies, Joan Taylor, Bill Telford, Helen Bond, Guy Stiebel, David Tollerton, David Shepherd and Katie Turner. The collection opens up the Life of Brian to renewed investigation and, in so doing, uses the film to reflect on the historical Jesus and his times, revitalising the discussion of history and Life of Jesus research. The volume also features a preface from Terry Jones, who not only directed the film, but also played Brian's mum.

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John Moffatt stars as the Belgian detective Hercule Poirot.The ABC Murders: A chilling letter sets the sleuth on the trail of an enigmatic killer.After the Funeral: A wealthy businessman is dead, and his sister thinks it was murder.Death on the Nile: Poirot is in Egypt when a chilling murder takes place.Peril at End House: Whilst on holiday, the sleuth encounters a young woman, a hat and a bullet.The Murder of Roger Ackroyd: Mrs Farrars is found dead, one year after the death of her husband.Murder on the Orient Express: Poirot is aboard a snowbound train when a passenger is found murdered.Three Act Tragedy: Poirot is one of the guests at a party when a clergyman dies whilst sipping a cocktail.The Mysterious Affair at Styles: Poirot and Captain Hastings become re-acquainted in a quiet English village in 1916.These BBC Radio 4 full-cast dramatisations showcase eight of the finest cases in Hercule Poirot’s career. Based on the original novels by Agatha Christie, they feature a cast of outstanding actors playing an array of likely suspects…Starring: John Moffat, Simon Williams, Nichola McAuliffe, Jill Balcon, Hugh Dickson, Sean Arnold, Susan Jameson, Nichols Boulton, Philip Jackson, Annabelle Dowler, Hilda Schroder, George Cole, Gemma Saunders, Andrew Wincott, Terence Edmond, Bryan Pringle, David Thorpe, Elizabeth Conboy, Rosemary Leach, Donald Sinden, Stratford Johns, Tom George, Sylvia Syms, Sian Phillips, Francesca Annia, Frank Windsor, Peter Polycarpu, Desmond Llewelyn, Andre Maranne, Siriol Jenkins, Kate Binchy, Joss Ackland

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What is steampunk? Going beyond the standard default definitions of Victorian science fiction, yesterday's tomorrow today, or some other equally vague or limited description, Steampunk FAQ provides a historical exploration of its literary and cinematic origins. The journey begins with a look at steampunk's genesis in the novels and short stories of three Californians who hung out a lot with Philip K. Dick, before moving on to the inspirations and antecedents of steampunk. Contrary to what many articles and books say, steampunk's direct inspiration is arguably far more cinematic than literary, a likely reaction to the many film adaptations, pastiches, and knockoffs of the scientific romances of Jules Verne and H. G. Wells. While Verne, Wells, and a host of other Victorian and Edwardian writers have influenced steampunk fiction, cinematic elements from films such as Disney's 20,000 Leagues Under the Sea (1954) and George Pal's Time Machine (1960) show up more often as immediate influences on the style we call steampunk. In offering a celebration of steampunk's style and cultural aesthetic, Steampunk FAQ also explores its connection to cyberpunk, the world of fashion, comics, and culture around the world.

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This book is the first to explore, in depth, major painters of the period and the factors that shaped their art. Accessible to both art novice and specialist, it is written in jargon-free, readable language, blending vignettes about the soaring art market of the eighties with illuminating interpretations of paintings by leading artists from around the world. Painting in the 1980s details where and how painting embodied the zeitgeist of the 1980s in original fusions of style and content. Erpf knows each artist’s work well, and her discussions of the individual paintings are vivid and insightful. They bring the vitality of the art world in this understudied period to the fore. The individual descriptions and discussions of paintings are lively, engaging and provocative. They infuse each chapter with the author’s passion for the subject and carry the reader along. The thematics – painting as puzzle, German history, Italian place – hold each chapter together and set the foundation for the author’s original thinking and point of view. This book explores painting by a broad swathe of artists who were at the heart of that painting resurgence. The many books that examine twentieth-century art tend to emphasize painting as part of European Modernism, American Abstract Expressionism, and Pop Art, with late twentieth-century painting often given short shrift. Excellent monographs and exhibition catalogues on individual artists exist, but Erpf’s intention is to counter the paucity of literature devoted to a larger group of painters. This is not a comprehensive look at all the artists who contributed to 1980s paintings revival. Gallerists, curators and art historians assigned labels such as New Image Painting, Neo-Expressionism, Italian Transavanguardia, Neo-Geo and the blanket designation Postmodernism to categorize painting in this era. Yet these classifications denote a false sense of homogeneity, which will be made clear in this book. This book’s narrative aims to excavate and analyse the art and ideas that shaped each artist’s style and their diverse and often ambiguous content. Works by the following artists are included: Nicolas Africano, Georg Baselitz, Jean-Michel Basquiat, Joseph Beuys, Francesco Clemente, Sandro Chia, George Condo, Enzo Cucchi, Marlene Dumas, Eric Fischl, Denise Green, Philip Guston, Peter Halley, Mary Heilmann, Neil Jenney, Donald Judd, Anselm Kiefer, Gordon Matta-Clark, Robert Moskowitz, Mimmo Paladino, A.R.Penck, Lari Pittman, Sigmar Polke, Gerhard Richter, Susan Rothenberg, David Salle, Julian Schnabel, Joel Shapiro, Frank Stella and David True. The artists discussed are all well known, but the surprises are in the innovative ways the artists insisted on returning to painting in a decade when it had been pronounced dead. Their courage and creativity comes through in the text. This will appeal to artists, art and cultural historians more broadly, and is suitable as a textbook for undergraduate and postgraduate courses in twentieth-century and contemporary art history. Novice art historians, art enthusiasts and collectors will also find much to enjoy here – it has appeal well beyond simply those professionally involved in the art world.

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Do you marvel at people who seemingly have it all only to drop everything for life in a remote village? Have you wondered about leaving your roots for migration to the unknown? ‘Fit only for climbing coconut trees.’ The mockery invented by Philip’s father because he was badminton-mad and useless (said father) at all else, lingered with him through school in Malaysia. It travelled with him on an Aeroflot to England in 1970, aged 18, functioning on adrenaline. It stuck through his navigation of parochial middle England – washing backsides in a mental hospital, law practice, sports, and professional and personal relationships. Toughened by an Indian father and a Chinese coach, lifted by a messiah-like Englishman and grounded by a Labrador soulmate, Racket Boy – Where’s My Country, explores Philip’s life over six decades. From being ordered by the British government to leave England, accosted in Bombay, mugged in Barcelona to horse-trading with a petro giant in Ecuador and thrilling in a World Cup in military-ruled Argentina, to list just a few. Philip is now a spectator in the hills of Tuscany, more than just fit to be climbing coconut trees!

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Bringing together 18 chapters written by leading experts in dynamical systems, operator theory, partial differential equations, and solid and fluid mechanics, this book presents state-of-the-art approaches to a wide spectrum of new and challenging stability problems. Nonlinear Physical Systems: Spectral Analysis, Stability and Bifurcations focuses on problems of spectral analysis, stability and bifurcations arising in the nonlinear partial differential equations of modern physics. Bifurcations and stability of solitary waves, geometrical optics stability analysis in hydro- and magnetohydrodynamics, and dissipation-induced instabilities are treated with the use of the theory of Krein and Pontryagin space, index theory, the theory of multi-parameter eigenvalue problems and modern asymptotic and perturbative approaches. Each chapter contains mechanical and physical examples, and the combination of advanced material and more tutorial elements makes this book attractive for both experts and non-specialists keen to expand their knowledge on modern methods and trends in stability theory. Contents 1. Surprising Instabilities of Simple Elastic Structures, Davide Bigoni, Diego Misseroni, Giovanni Noselli and Daniele Zaccaria. 2. WKB Solutions Near an Unstable Equilibrium and Applications, Jean-François Bony, Setsuro Fujiié, Thierry Ramond and Maher Zerzeri, partially supported by French ANR project NOSEVOL. 3. The Sign Exchange Bifurcation in a Family of Linear Hamiltonian Systems, Richard Cushman, Johnathan Robbins and Dimitrii Sadovskii. 4. Dissipation Effect on Local and Global Fluid-Elastic Instabilities, Olivier Doaré. 5. Tunneling, Librations and Normal Forms in a Quantum Double Well with a Magnetic Field, Sergey Yu. Dobrokhotov and Anatoly Yu. Anikin. 6. Stability of Dipole Gap Solitons in Two-Dimensional Lattice Potentials, Nir Dror and Boris A. Malomed. 7. Representation of Wave Energy of a Rotating Flow in Terms of the Dispersion Relation, Yasuhide Fukumoto, Makoto Hirota and Youichi Mie. 8. Determining the Stability Domain of Perturbed Four-Dimensional Systems in 1:1 Resonance, Igor Hoveijn and Oleg N. Kirillov. 9. Index Theorems for Polynomial Pencils, Richard Kollár and Radomír Bosák. 10. Investigating Stability and Finding New Solutions in Conservative Fluid Flows Through Bifurcation Approaches, Paolo Luzzatto-Fegiz and Charles H.K. Williamson. 11. Evolution Equations for Finite Amplitude Waves in Parallel Shear Flows, Sherwin A. Maslowe. 12. Continuum Hamiltonian Hopf Bifurcation I, Philip J. Morrison and George I. Hagstrom. 13. Continuum Hamiltonian Hopf Bifurcation II, George I. Hagstrom and Philip J. Morrison. 14. Energy Stability Analysis for a Hybrid Fluid-Kinetic Plasma Model, Philip J. Morrison, Emanuele Tassi and Cesare Tronci. 15. Accurate Estimates for the Exponential Decay of Semigroups with Non-Self-Adjoint Generators, Francis Nier. 16. Stability Optimization for Polynomials and Matrices, Michael L. Overton. 17. Spectral Stability of Nonlinear Waves in KdV-Type Evolution Equations, Dmitry E. Pelinovsky. 18. Unfreezing Casimir Invariants: Singular Perturbations Giving Rise to Forbidden Instabilities, Zensho Yoshida and Philip J. Morrison. About the Authors Oleg N. Kirillov has been a Research Fellow at the Magneto-Hydrodynamics Division of the Helmholtz-Zentrum Dresden-Rossendorf in Germany since 2011. His research interests include non-conservative stability problems of structural mechanics and physics, perturbation theory of non-self-adjoint boundary eigenvalue problems, magnetohydrodynamics, friction-induced oscillations, dissipation-induced instabilities and non-Hermitian problems of optics and microwave physics. Since 2013 he has served as an Associate Editor for the journal Frontiers in Mathematical Physics. Dmitry E. Pelinovsky has been Professor at McMaster University in Canada since 2000. His research profile includes work with nonlinear partial differential equations, discrete dynamical systems, spectral theory, integrable systems, and numerical analysis. He served as the guest editor of the special issue of the journals Chaos in 2005 and Applicable Analysis in 2010. He is an Associate Editor of the journal Communications in Nonlinear Science and Numerical Simulations. This book is devoted to the problems of spectral analysis, stability and bifurcations arising from the nonlinear partial differential equations of modern physics. Leading experts in dynamical systems, operator theory, partial differential equations, and solid and fluid mechanics present state-of-the-art approaches to a wide spectrum of new challenging stability problems. Bifurcations and stability of solitary waves, geometrical optics stability analysis in hydro- and magnetohydrodynamics and dissipation-induced instabilities will be treated with the use of the theory of Krein and Pontryagin space, index theory, the theory of multi-parameter eigenvalue problems and modern asymptotic and perturbative approaches. All chapters contain mechanical and physical examples and combine both tutorial and advanced sections, making them attractive both to experts in the field and non-specialists interested in knowing more about modern methods and trends in stability theory.

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The Limits of Ferocity is a powerful critique of the culture of extremity represented in the works of D. H. Lawrence, Georges Bataille, Henry Miller, and Norman Mailer. Daniel Fuchs provides close readings of their literary and intellectual texts, which convey a loathing of middle-class culture or, as the case may be, society itself, in favor of a rebellion often expressed as an aggressive, even apocalyptic, sexuality. The Marquis de Sade is the precursor of this literature, which idealizes the self that violates taboos and laws in the search for erotic transcendence. Fuchs shows as well how these writers reflected and contributed to a broader cultural assault on liberal moderation and Freudian humanism. He explains Freud’s theories of culture and sexual aggression and describes how they were rejected or reworked, sometimes in favor of a liberating violence, by theorists including Wilhelm Reich, Norman O. Brown, and Gilles Deleuze and Félix Guattari. Fuchs concludes with a reflection on books by William Burroughs, Bret Easton Ellis, and the sociologist Philip Rieff. This absorbing study illuminates the utopianism and narcissism in works of intellectual and artistic “ferocity” that characterized the turn in American consciousness from the period after the Second World War to the late 1960s and 1970s.

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Lizards exhibit, in a form that is simpler to isolate and study, many of the same traits of higher vertebrates. For this reason, zoologists have long chosen lizards as model systems to address questions that are central to ecological and evolutionary theory. This books brings together many of the most active researchers currently using lizards to study the evolution of social behavior, plus three well-known experts on behavior of other taxa for an outside perspective. Each author begins by developing one or more hypotheses, then presents data on a specific lizard system that addresses these issues. The chapters are arranged in three sections that reflect the primary levels at which behavioral ecologists examine adaptive variation in social behavior: individual variation within populations, variation among different populations of the same species, and variation among several species. Contributors: Troy A. Baird, University of Central Oklahoma; George W. Barlow, University of California-Berkeley; Philip W. Bateman, University of Pretoria; Marguerite Butler, University of California-Berkeley; William E. Cooper, Jr., Indiana University-Purdue University at Fort Wayne; Stanley F. Fox, Oklahoma State University; Paul J. Gier, Huntington College; Masami Hasegawa, Natural History Museum and Institute, Chiba, Japan; Diana K. Hews, Indiana State University; Jonathan B. Losos, Washington University; Peter Marler, University of California-Davis; J. Kelly McCoy, Angelo State University; Kenneth A. Nagy, University of California-Los Angeles; Gordon H. Orians, University of Washington; Vanessa S. Quinn, Indiana State University; Thomas W. Schoener, University of California-Davis; Paul A. Shipman, Oklahoma State University; Barry Sinervo, University of California-Santa Cruz; Chris L. Sloan, University of Central Oklahoma; Heidi M. Snell, Charles Darwin Research Station, Ecuador; Howard L. Snell, University of New Mexico; Paul A. Stone, University of Central Oklahoma; Dusti K. Timanus, University of Central Oklahoma; Martin J. Whiting, the University of Witwatersrand; Kelly R. Zamudio, Cornell University.

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Japan, 1980s: A special police squad is tracking down one of the “afflicted” to recover the “stuff.” Although the operation seems like a drug bust, the “stuff” is actually some kind of text. Death Sentences—a work of science fiction that shares its conceit with the major motion picture The Ring—tells the story of a mysterious surrealist poem, penned in the 1940s, which, through low-tech circulation across time, kills its readers, including Arshile Gorky and Antonin Artaud, before sparking a wave of suicides after its publication in 1980s Japan. Mixing elements of Japanese hard-boiled detective story, horror, and science fiction, the novel ranges across time and space, from the Left Bank of Paris to the planet Mars. Paris, 1948: André Breton anxiously awaits a young poet, Who May. He recalls their earlier encounter in New York City and the mysterious effects of reading Who May’s poem “Other World.” Upon meeting, Who May gives Breton another poem, “Mirror,” an even more unsettling work. Breton shares it with his fellow surrealists. Before Breton can discuss the poem with him, Who May vanishes. Who May contacts Breton about a third poem, “The Gold of Time,” and then slips into a coma and dies (or enters another dimension). Copies of the poem are mailed to all of Who May’s friends—Breton, Gorky, Paul Éluard, Marcel Duchamp, and other famous surrealists and dadaists. Thus begins the “magic poem plague.”Death Sentences is the first novel by the popular and critically acclaimed science fiction author Kawamata Chiaki to be published in English. Released in Japan in 1984 as Genshi-gari (Hunting the magic poems), Death Sentences was a best seller and won the Japan Science Fiction Grand Prize. With echoes of such classic sci-fi works as George Orwell’s 1984, Ray Bradbury’s Fahrenheit 451, William Gibson’s Neuromancer, and Philip K. Dick’s Martian Time-Slip, Death Sentences is a fascinating mind-bender with a style all its own.

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'Bring us, Lord our God, at our last awakening, into the house and gate of heaven...' John Donne's prayer speaks of the hope and promise of a life with God that embraces us beyond death as well as during our time on earth. However, people of faith are not exempt from fears, fantasies and speculation, nor from the normal sequence of grief reactions that afflict bereaved human beings. Poetry, whether or not it is consciously religious, can help. In this selection of poems and thoughtful commentaries, Janet Morley offers an enriching approach to a subject we might prefer to avoid contemplating - our ordinary mortality. Here you will find the work of Dylan Thomas, Gillian Clarke, Philip Larkin, U. A. Fanthorpe, Seamus Heaney, Ann Griffiths, Jane Kenyon, Anne Stevenson, A. K. Ramanujan, Richard Baxter, George Herbert, Roger McGough and many more. Ranging in tone from joyful and ecstatic to gentle, ironic, despairing and even hilarious, these writers help us to look at death, accompany the dying, celebrate those who have died, and articulate our hope about what lies beyond. As a result, we have an opportunity to experience the whole range of human emotions about what it means to live, to love and to be loved.

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Fresh examinations of the role of medicinal plants in medieval thought and practice and how they contributed to broader ideas concerning the body, religion and identity. The important and ever-shifting role of medicinal plants in medieval science, art, culture, and thought, both in the Latin Western medical tradition and in Byzantine and medieval Arabic medicine, is the focus of this new collection. Following a general introduction and a background chapter on Late Antique and medieval theories of wellness and therapy, in-depth essays treat such wide-ranging topics as medicine and astrology, charms and magical remedies, herbal glossaries, illuminated medical manuscripts, women's reproductive medicine, dietary cooking, gardens in social and political context, and recreated medieval gardens. They make a significant contribution to our understanding ofthe place of medicinal plants in medieval thought and practice, and thus lead to a greater appreciation of how medieval theories and therapies from diverse places developed in continuously evolving and cross-pollinating strands,and, in turn, how they contributed to broader ideas concerning the body, religion, identity, and the human relationship with the natural world. Contributors: MARIA AMALIA D'ARONCO, PETER DENDLE, EXPIRACION GARCIA SANCHEZ, PETER MURRAY JONES, GEORGE R. KEISER, DEIRDRE LARKIN, MARIJANE OSBORN, PHILIP G. RUSCHE, TERENCE SCULLY, ALAIN TOUWAIDE, LINDA EHRSAM VOIGTS

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'A pleasure to read... a timely reminder of the need for service' -- The Daily Telegraph'The voices and reminiscence of family and friends merge seamlessly, giving the impression of gathering round the fire on a winter evening' -- The Oldie'A remarkable memoir penned by the Duke of Kent, whose entire life has been dedicated to Queen and country... an insider's account of what it is like to be a working royal.' -- Daily MailHRH The Duke of Kent has been at the heart of the British Royal Family throughout his life. As a working member of the Royal Family, he supported his cousin The Queen, representing her at home and abroad, until her death in 2022. His royal duties began when, in 1952, at the age of sixteen, he walked in the procession behind King George VI's coffin, later paying homage to The Queen at her Coronation in 1953. Since then he has witnessed and participated in key Royal occasions.A Royal Life is a unique account based on a series of conversations between the Duke and acclaimed Royal historian Hugo Vickers. It covers the Duke's upbringing, his army life, his royal tours and events and associations with organisations. Here too are recollections of family members including his mother, Princess Marina, his grandmother, Queen Mary, his cousin, Prince Philip, the Duke of Edinburgh, and his uncle, King George VI.Other members of the Royal Family contribute their memories, including his wife, the Duchess of Kent, the Duke's siblings, Princess Alexandra and Prince Michael of Kent, his son, the Earl of St Andrews, his daughter, Lady Helen Taylor as well as his cousins, Princess Elizabeth of Yugoslavia, Archduchess Helen of Austria and her brother, Hans Veit Toerring.Containing never before seen photographs from the Duke's private collection and a new chapter on the Platinum Jubilee and the funeral of Queen Elizabeth II, A Royal Life is an unprecedented and remarkable insight into Royal history.

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Advent is celebrated when the year is becoming darker and colder, moving into the death and dormancy of winter. Before we can greet the coming of the light, we need to engage with some themes that are challenging and occasionally fearful. Like the Magi who travelled a long distance to search out and adore the infant Jesus, and who took some wrong turns on the way, we too have a journey to undertake before we find that we have 'Walked haphazard by starlight straight Into the kingdom of heaven.' U. A. Fanthorpe, BC:AD Haphazard by Starlight is a companion volume to Janet Morley's bestselling Lent book, The Heart's Time, which delighted readers with its thoughtfully chosen selection of poems and its biblically sensitive commentaries. Here, the reader is given an opportunity to engage in a pilgrimage of the heart, through Advent and Christmas to the feast of the Epiphany. Each day - from 1 December to 6 January - offers a poem (sometimes explicitly Christian, often not) and an accessible commentary that is both critically informed and devotional in intent. The poets represented include Rowan Williams, Elizabeth Jennings, Edwin Muir, Philip Larkin, Jane Kenyon, Gillian Clarke, George Herbert, T. S. Eliot, Sylvia Plath, Emily Dickinson, Waldo Williams, P. J. Kavanagh, Ruth Fainlight, William Blake and many more.

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In this volume, Heather McPherson examines the connections among portraiture, theater, the visual arts, and fame to shed light on the emergence of modern celebrity culture in eighteenth-century England.Popular actors in Georgian London, such as David Garrick, Sarah Siddons, and John Philip Kemble, gave larger-than-life performances at Drury Lane and Covent Garden; their offstage personalities garnered as much attention through portraits painted by leading artists, sensational stories in the press, and often-vicious caricatures. Likewise, artists such as Joshua Reynolds and Thomas Lawrence figured prominently outside their studios—in polite society and the emerging public sphere. McPherson considers this increasing interest in theatrical and artistic celebrities and explores the ways in which aesthetics, cultural politics, and consumption combined during this period to form a media-driven celebrity culture that is surprisingly similar to celebrity obsessions in the world today.This richly researched study draws on a wide variety of period sources, from newspaper reviews and satirical pamphlets to caricatures and paintings by Reynolds and Lawrence as well as Thomas Gainsborough, George Romney, and Angelica Kauffman. These transport the reader to eighteenth-century London and the dynamic venues where art and celebrity converged with culture and commerce. Interweaving art history, history of performance, and cultural studies, Art and Celebrity in the Age of Reynolds and Siddons offers important insights into the intersecting worlds of artist and actor, studio and stage, high art and popular visual culture.

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Banks failed, credit contracted, inequality grew, and people everywhere were out of work while political paralysis and slavery threatened to rend the nation in two. As financial crises always have, the Panic of 1837 drew forth a plethora of reformers who promised to restore America to greatness. Animated by an ethic of individualism and self-reliance, they became prophets of a new moral order: if only their fellow countrymen would call on each individual’s God-given better instincts, the most intractable problems could be resolved.Inspired by this reformist fervor, Americans took to strict dieting, water cures, phrenology readings, mesmerism, utopian communities, free love, mutual banking, and a host of other elaborate self-improvement schemes. Vocal activists were certain that solutions to the country’s ills started with the reformation of individuals, and through them communities, and through communities the nation. This set of assumptions ignored the hard political and economic realities at the core of the country’s malaise, however, and did nothing to prevent another financial panic twenty years later, followed by secession and civil war.Focusing on seven individuals—George Ripley, Horace Greeley, William B. Greene, Orson Squire Fowler, Mary Gove Nichols, Henry David Thoreau, and John Brown—Philip Gura explores their efforts, from the comical to the homicidal, to beat a new path to prosperity. A narrative of people and ideas, Man’s Better Angels captures an intellectual moment in American history that has been overshadowed by the Civil War and the pragmatism that arose in its wake.

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A state-of-the-field survey of historical sociology, Remaking Modernity assesses the field’s past accomplishments and peers into the future, envisioning changes to come. The seventeen essays in this collection reveal the potential of historical sociology to transform understandings of social and cultural change. The volume captures an exciting new conversation among historical sociologists that brings a wider interdisciplinary project to bear on the problems and prospects of modernity.The contributors represent a wide variety of theoretical orientations and a broad spectrum of understandings of what constitutes historical sociology. They address such topics as religion, war, citizenship, markets, professions, gender and welfare, colonialism, ethnicity, bureaucracy, revolutions, collective action, and the modernist social sciences themselves. Remaking Modernity includes a significant introduction in which the editors consider prior orientations in historical sociology in order to analyze the field’s resurgence. They show how current research is building on and challenging previous work through attention to institutionalism, rational choice, the cultural turn, feminist theories and approaches, and colonialism and the racial formations of empire.ContributorsJulia AdamsJustin BaerRichard BiernackiBruce CarruthersElisabeth ClemensRebecca Jean EmighRussell FaegesPhilip GorskiRoger GouldMeyer KestnbaumEdgar KiserMing-Cheng LoZine MagubaneAnn Shola OrloffNader SohrabiMargaret SomersLyn SpillmanGeorge Steinmetz

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Essays on varied topics, with particular emphasis on the Normans in the mediterranean world. Papers here have as a general theme the "Norman Age", with a special slant towards the Mediterranean world. Subjects treated include the policies of the Norman rulers, their military and naval organisation and coinage, chronicle sources and aspects of church history in their principalities, and the relations of the Normans with Byzantium, the Fatimid rulers and the crusading states. Other papers treat more generally of art, literature and language in the Norman period. Listing: Adam of Balsham's Oratio de Utensilibus; Chronicle of Falco of Benevento; Coinages of Norman Apulia and Sicily; De Clericis et Rustico; Franks in 11cByzantium; Knight's Arms and Armour 1150-1250; Marriage of Henry VI and Constance of Sicily; Military Combat in Anglo-Norman Art; Nobilitàe Parentela nell'Italia Normanna; Norman Kings of Sicily and the Fatimid Caliphate; Norman Naval Activity in the Mediterranean c.1060-c.1108. Normans through their Languages; Richard of Salerno 1097-1112; Simon Magus in S. Italy; Tomb of King John in Worcester Cathedral; Tombs of Roger II in Cefalù. Contributors: J.J.G. ALEXANDER, GEORGE BEECH, MATTHEW BENNETT,ARMANDO BISANTI, H.E.J. COWDREY, VINCENZO D'ALESSANDRO, WALTER FRÖÖHLICH, PHILIP GRIERSON, JEREMY JOHNS, PATRIZIA LENDINARA, G.A. LOUD, JANE MARTINDALE, LUCIO MELAZZO, IAN PEIRCE, JONATHAN SHEPARD, LIVIA VARGA.

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The case for a thoughtful secularism from some of today's most distinguished scientists, philosophers, and writersCan secularism offer us moral, aesthetic, and spiritual satisfaction? Or does the secular view simply affirm a dog-eat-dog universe? At a time when the issues of religion, evolution, atheism, fundamentalism, Darwin, and science fill headlines and invoke controversy, The Joy of Secularism provides a balanced and thoughtful approach for understanding an enlightened, sympathetic, and relevant secularism for our lives today. Bringing together distinguished historians, philosophers, scientists, and writers, this book shows that secularism is not a mere denial of religion. Rather, this positive and necessary condition presents a vision of a natural and difficult world—without miracles or supernatural interventions—that is far richer and more satisfying than the religious one beyond.From various perspectives—philosophy, evolutionary biology, primate study, Darwinian thinking, poetry, and even bird-watching—the essays in this collection examine the wealth of possibilities that secularism offers for achieving a condition of fullness. Factoring in historical contexts, and ethical and emotional challenges, the contributors make an honest and heartfelt yet rigorous case for the secular view by focusing attention on aspects of ordinary life normally associated with religion, such as the desire for meaning, justice, spirituality, and wonder. Demonstrating that a world of secular enchantment is a place worth living in, The Joy of Secularism takes a new and liberating look at a valuable and complex subject.The contributors are William Connolly, Paolo Costa, Frans de Waal, Philip Kitcher, George Levine, Adam Phillips, Robert Richards, Bruce Robbins, Rebecca Stott, Charles Taylor, and David Sloan Wilson.

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Theology of Money is a philosophical inquiry into the nature and role of money in the contemporary world. Philip Goodchild reveals the significance of money as a dynamic social force by arguing that under its influence, moral evaluation is subordinated to economic valuation, which is essentially abstract and anarchic. His rigorous inquiry opens into a complex analysis of political economy, encompassing markets and capital, banks and the state, class divisions, accounting practices, and the ecological crisis awaiting capitalism. Engaging with Christian theology and the thought of Carl Schmitt, Georg Simmel, Karl Marx, Adam Smith, and many others, Goodchild develops a theology of money based on four contentions, which he elaborates in depth. First, money has no intrinsic value; it is a promise of value, a crystallization of future hopes. Second, money is the supreme value in contemporary society. Third, the value of assets measured by money is always future-oriented, dependent on expectations about how much might be obtained for those assets at a later date. Since this value, when realized, will again depend on future expectations, the future is forever deferred. Financial value is essentially a degree of hope, expectation, trust, or credit. Fourth, money is created as debt, which involves a social obligation to work or make profits to repay the loan. As a system of debts, money imposes an immense and irresistible system of social control on individuals, corporations, and governments, each of whom are threatened by economic failure if they refuse their obligations to the money system. This system of debt has progressively tightened its hold on all sectors and regions of global society. With Theology of Money, Goodchild aims to make conscious our collective faith and its dire implications.

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A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition. The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel. “Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues—youthful style, behavior modification, and art versus morality—are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner. “Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley. A Selected Bibliography is also included.

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Since she succeeded to the throne in 1952, Queen Elizabeth II has become respected, celebrated, and beloved around the world. This stunning collection of powerful images illustrates her storied reign in all its glory. More than 300 extraordinary photographs, along with insightful commentary by the royal journalist Victoria Murphy, showcase the significant, historic, and intimate moments throughout the Queen’s life, first as a young princess and then as the longest-reigning British monarch. The book covers her war years in service; her marriage to Prince Philip; her coronation—the first to be televised; ​her extensive official travels around the world; the glittering diplomatic occasions and encounters with ​world leaders, dignitaries, and celebrities; the pomp and pageantry of ceremonial events; her role as a fashion icon; her relationships with her parents, King George VI and ​the Queen Mother, and her sister, Princess Margaret; the birth of her son and heir to the throne Prince Charles; family life with her four children and eight grandchildren, as well as her beloved dogs and horses; and the growing role of Prince William and his wife, the Duchess of Cambridge, as they support the Queen in her public duties. Shown here too are the Crown Jewels as well as the Queen’s personal jewelry collection; a look at the royal palaces and residences; and portraits from the stunning royal weddings that have so enchanted the world. Throughout her reign, with a combination of star power and a profound sense of duty, Queen Elizabeth II has steered the British monarchy into the modern era with supreme style and grace. She is truly a queen for all ages.

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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Exploring a wide range of material including dramatic works, medieval morality drama, and lyric poetry this book argues for the central significance of literary material to the history of emotions. Early modern English writing about pity evidences a social culture built specifically around emotion, one (at least partially) defined by worries about who deserves compassion and what it might cost an individual to offer it. Pity and Identity in the Age of Shakespeare positions early modern England as a place that sustains messy and contradictory views about pity all at once, bringing together attraction, fear, anxiety, positivity, and condemnation to paint a picture of an emotion that is simultaneously unstable and essential, dangerous and vital, deceptive and seductive. The impact of this emotional burden on individual subjects played a major role in early modern English identity formation, centrally shaping the ways in which people thought about themselves and their communities. Taking in a wide range of material - including dramatic works by William Shakespeare, Thomas Heywood, Ben Jonson, Thomas Middleton, and William Rowley; medieval morality drama; and lyric poetry by Philip Sidney, Thomas Wyatt, Samuel Daniel, Thomas Lodge, Barnabe Barnes, George Rodney and Frances Howard - this book argues for the central significance of literary material to the broader history of emotions, a field which has thus far remained largely the concern of social and cultural historians. Pity and Identity in the Age of Shakespeare shows that both literary materials and literary criticism can offer new insights into the experience and expression of emotional humanity.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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The Politics of Method in the Human Sciences provides a remarkable comparative assessment of the variations of positivism and alternative epistemologies in the contemporary human sciences. Often declared obsolete, positivism is alive and well in a number of the fields; in others, its influence is significantly diminished. The essays in this collection investigate its mutations in form and degree across the social science disciplines. Looking at methodological assumptions field by field, individual essays address anthropology, area studies, economics, history, the philosophy of science, political science and political theory, and sociology. Essayists trace disciplinary developments through the long twentieth century, focusing on the decades since World War II. Contributors explore and contrast some of the major alternatives to positivist epistemologies, including Marxism, psychoanalysis, poststructuralism, narrative theory, and actor-network theory. Almost all the essays are written by well-known practitioners of the fields discussed. Some essayists approach positivism and anti-positivism via close readings of texts influential in their respective disciplines. Some engage in ethnographies of the present-day human sciences; others are more historical in method. All of them critique contemporary social scientific practice. Together, they trace a trajectory of thought and method running from the past through the present and pointing toward possible futures.Contributors. Andrew Abbott, Daniel Breslau, Michael Burawoy, Andrew Collier , Michael Dutton, Geoff Eley, Anthony Elliott, Stephen Engelmann, Sandra Harding, Emily Hauptmann, Webb Keane, Tony Lawson, Sophia Mihic, Philip Mirowski, Timothy Mitchell, William H. Sewell Jr., Margaret R. Somers, George Steinmetz, Elizabeth Wingrove

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An authoritative account of the long battle between exclusionary and inclusive versions of the American story Was the United States founded as a Christian nation or a secular democracy? Neither, argues Philip Gorski in American Covenant. What the founders actually envisioned was a prophetic republic that would weave together the ethical vision of the Hebrew prophets and the Western political heritage of civic republicanism. In this ambitious book, Gorski shows why this civil religious tradition is now in peril--and with it the American experiment. Gorski traces the historical development of prophetic republicanism from the Puritan era to the present day. He provides close readings of thinkers such as John Winthrop, Thomas Jefferson, Frederick Douglass, W.E.B. Du Bois, and Hannah Arendt, along with insightful portraits of recent and contemporary religious and political leaders such as Jerry Falwell, Pat Robertson, Ronald Reagan, George W. Bush, and Barack Obama. Gorski shows how the founders' original vision for America is threatened by an internecine struggle between two rival traditions, religious nationalism and radical secularism. Religious nationalism is a form of militaristic hyperpatriotism that imagines the United States as a divine instrument in the final showdown between good and evil. Radical secularists fervently deny the positive contributions of the Judeo-Christian tradition to the American project and seek to remove all traces of religious expression from the public square. Gorski offers an unsparing critique of both, demonstrating how half a century of culture war has drowned out the quieter voices of the vital center. American Covenant makes the compelling case that if we are to rebuild that vital center, we must recover the civil religious tradition on which the republic was founded.

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