Search results for ""Author George Philip"

Land of Three Rivers is a celebration of North-East England in poetry, featuring its places and people, culture, history, language and stories in poems and songs with both rural and urban settings. Taking its bearings from the Tyne, Wear and Tees of the title (from Vin Garbutt's song 'John North'), the book maps the region in poems relating to past and present, depicting life from Roman times through medieval Northumbria and the industrial era of mining and shipbuilding up to the present-day. The anthology has modern perspectives on historical subjects, such as W.H. Auden's 'Roman Wall Blues' and Alistair Elliot on the aftermath of the Battle of Heavenfield in the 7th century, as well as poets from past ages, starting with Caedmon, the first English poet, writing in the 8th century. There are classic North-East songs from the oral tradition of balladeers and pitmen poets alongside the work of literary chroniclers like Mark Akenside from the 18th century, followed by evocations of Northumberland by decadent gentry poet Algernon Charles Swinburne contrasting with grim tales of life down the pit by Tommy Armstrong, Joseph Skipsey and Thomas Wilson in the 19th century. The region's favourite tipple is championed by 18th-century poet John Cunningham in his eulogy 'Newcastle Beer', while 200 years later, Tony Harrison's defences are 'broken down / on nine or ten Newcastle Brown' in his 'Newcastle Is Peru' (1969). Durham is celebrated in a 12th-century priest's poem but is a trinity of 'University, Cathedral, Gaol' for Tony Harrison. The River Tyne flows through poems by Wilfrid Gibson, James Kirkup, Michael Roberts, Francis Scarfe from early to mid-20th century, while the region's dialects (from Northumbrian to Geordie and Pitmatic) are heard in poems by Basil Bunting, William Martin, Tom Pickard, Katrina Porteous and Fred Reed. Other modern and contemporary poets and songwriters featured include Gillian Allnutt, Peter Armstrong, Peter Bennet, Robyn Bolam, George Charlton, Julia Darling, Richard Dawson, the Elliotts of Birtley, W.N. Herbert, Alan Hull, James Kirkup, Mark Knopfler, Barry MacSweeney, Sean O'Brien, Rodney Pybus, Kathleen Raine, Jon Silkin and Anne Stevenson, as well as poets who've spent time in the North-East, such as Fleur Adcock, David Constantine, Fred D'Aguiar, Frances Horovitz, Philip Larkin, Michael Longley and Carol Rumens, writing highly memorable poems in response to the place, its people and their stories. The book's introduction is in two parts, with Rodney Pybus covering the historical background and Neil Astley the last 50 years. This emphasises the importance of the oral tradition during the centuries when little "written poetry" of note was produced in the region. There are also fascinating commentaries on key historical figures by the late Alan Myers.

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The Anglican Communion stands at a crossroads. Some want Anglicanism to be exclusive of gays, especially gay priests and bishops. The Windsor Report is seen as the means of achieving this by centralising the Anglican Communion, and bringing wayward provinces, like ECUSA, to heel. In this collection of essays, distinguished academics from the UK and the US offer lively, thoughtful and scholarly critiques of the Windsor Report. What unites this collection is the view that Windsor does not provide a way forward for Anglicanism. Contributors write from a variety of standpoints, including justice for gays, opposition to centralisation, and/or the need for legitimate moral diversity within Anglicanism. This timely collection offers a means of grappling with what has become one of the most controversial issues within Anglicanism, and also a way of reflecting on the future shape of the Church, and how inclusive that Church is going to be. CONTRIBUTORS: Marilyn McCord Adams is Regius Professor of Divinity at the University of Oxford and Canon of Christ Church, Oxford. Thomas Breidenthal has been Dean of Religious Life and of the Chapel at Princeton University since January 2002. Anthony M. Coxon is currently Honorary Professorial Fellow at the University of Edinburgh and Emeritus Professor of Sociological Research Methods, University of Wales. Robin Gill is the Michael Ramsey Professor of Modern Theology in the University of Kent. Sean Gill is Senior Lecturer in Theology and Religious Studies at the University of Bristol. Elaine Graham is the Samuel Ferguson Professor of Social and Pastoral Theology at the University of Manchester. Rowan A. Greer is Professor of Anglican Studies Emeritus at Yale Divinity School. Charles Hefling is a Faculty Member of the Theology Department and the Honours Programme at Boston College, Massachusetts; Editor of the Anglican Theological Review; and the Examining Chaplain to the Bishop of Massachusetts. Carter Heyward is the Howard Chandler Robbins Professor of Theology at Episcopal Divinity School in Cambridge, Massachusetts. Lisa Isherwood is Professor of Feminist Liberation Theologies at the College of St Mark & St John, Plymouth. Gareth Jones studied Theology at Cambridge University, completing his PhD on Bultmann in 1988. Philip Kennedy studied music at the University of Melbourne before joining the Dominican Order in 1977. Richard Kirker is Director of the Lesbian and Gay Christian Movement, a post held since 1979. Christopher Lewis is Dean of Christ Church, Oxford. Andrew Linzey is a member of the Faculty of Theology in the University of Oxford, and Senior Research Fellow of Blackfriars Hall, Oxford. George Pattison is Lady Margaret Professor of Divinity in the University of Oxford. Carolyn J. Sharp is Assistant Professor of Old Testament at Yale Divinity School. Vincent Strudwick is currently Chamberlain of Kellogg College and Associate Chaplain of Corpus Christi College, Oxford. Adrian Thatcher taught Theology at the College of St Mark & St John, Plymouth, from 1977 until his retirement in August 2004.

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Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. The magazine has spoken with most of the world's leading novelists, poets and playwrights, and the interviews themselves have come to be recognised as classic words of literature in their own right. The series as a whole is indispensable for all writers and readers.This new volume in the series builds on the success and acclaim of the first two editions. The interviews:Ralph Ellison (1955)Georges Simenon (1955)Isak Dineson (1956)Evelyn Waugh (1963)William Carlos Williams (1964)Harold Pinter (1966)John Cheever (1976)Joyce Carol Oates (1978)Jean Rhys (1979)Raymond Carver (1983)Chinua Achebe (1994)Ted Hughes (1995)Jan Morris (1997)Martin Amis (1998)Salman Rushdie (2005)Norman Mailer (2007)

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On September 15, 1944, the U.S. First Marine Division landed on a small island in the Central Pacific called Peleliu as a prelude to the liberation of the Philippines. Among the first wave of Marines that hit the beach that day was 22-year-old George Peto.His first combat experience was the landing at Finschhaven, followed by Cape Gloucester. Then as a Forward Observer, he went ashore in one of the lead amtracs at Peleliu and saw fierce fighting for a week before the regiment was relieved due to massive casualties. Six months later, his division became the immediate reserve for the initial landing on Okinawa. They encountered no resistance when they came ashore on D+1, but would go on to fight on Okinawa for over six months.This is the wild and remarkable story of an "Old Breed" Marine, from his youth in the Great Depression, his training and combat in the Pacific, to his life after the war, told in his own words.

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Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the “New Vision” photographer Germaine Krull, and the fauve Maurice Vlaminck.Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l’Ordre (“Return to Order”), and, in one instance, even defined the “dynamism” of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein’s theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist “new man.”In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel’s theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé.

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It has been observed that the traditions, philosophies and beliefs that enjoy historical longevity are not those that remain static and unchanging, but rather those that evolve and adapt to meet the needs of different or changing societies. And that truth, of course, can be extended to religions and spiritualities that by necessity must remain relevant to peoples’ lives or become intellectual museum pieces. With topics ranging from CyberWitches to Activism, from Web Weaving to Urban Witchcraft, from the Arts to Kitchen and Solitary Witchcraft and more, What is Modern Witchcraft? considers contemporary developments in the ancient craft and discusses a number of questions and issues that are frequently raised today. What is Modern Witchcraft? is edited by Trevor Greenfield and features essays from Morgan Daimler, Annette George, Irisanya Moon, Rebecca Beattie, Philipp J. Kessler, Amie Ravenson, Rachel Patterson, Mélusine Draco, Dorothy Abrams, Arietta Bryant and Mabh Savage.

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This book discusses Griffith Jones’s High Church ministry and theology, which developed into mass evangelism in Wales. It considers Jones’s background, his life as a parson, preaching in Welsh and educational interests, as well as his determination to remain within the Church of England. Bishop George Bull’s concerns about evangelism, influence of the Prayer Book and Continental Pietism, ‘conversionism’, and the tendency to separatism are also discussed. Jones may not have been an original thinker, but he was an untiring communicator and organiser. There are sections on Jones’s catechising, ‘baptismal covenant’, and moderate Calvinism which influenced later Welsh Calvinistic Methodism. Jones’s advocacy of the Welsh language, especially with English donors to his schools, his links with the SPCK, and collaboration with gentry – especially Sir John Philipps and Bridget Bevan – show the effectiveness with which he participated in the growing evangelical movement in Wales.

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An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English Studies New Medieval Literatures - now published by Boydell and Brewer - is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Topics in this volume include the political ecology of Havelok the Dane: Thomas Hoccleve and the making of "Chaucer"; and Britain and the Welsh Marches in Fouke le Fitz Waryn. Contributors: Alexis Kellner Becker, Emily Dolmans, Marcel Elias, PhilipKnox, Sebastian Langdell, Jonathan Morton, Marco Nievergelt, George Younge.

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Thirty poets from around the world read to you in person. This is a new concept in publishing: your own personal poetry festival brought into your home. Each poet reads to you for about ten minutes - up to half a dozen poems chosen from across the range of their work. "In Person" is a collaboration between Bloodaxe Books and award-winning film-maker Pamela Robertson-Pearce. Her style of filming combines directness and simplicity, sensitivity and warmth - the perfect combination for these intimate readings. It is as if the poet were sitting in the room with you, reading just to you, and sometimes saying a few things about the poems. Apart from one recording taken from a live public performance, all the films present informal, one-to-one readings. They enhance your appreciation of the poetry. You hear how the poems sound; you see how the poets read and present their work. T.S. Eliot once described poetry as 'one person talking to another', while W.H. Auden believed it was essential to hear poetry read aloud, for 'no poem, which when mastered, is not better heard than read is good poetry'. "In Person" presents the oral art of poetry in that spirit. There are four hours of readings on two DVDs pouched inside the back cover, and all the poems are printed in this book. "In Person" celebrates 30 years of poetry from a pioneering press. Founded in 1978, Bloodaxe has published nearly a thousand titles by three hundred writers. Until now you wouldn't be able to see or hear readings by many of Bloodaxe's international range of poets. "In Person" makes that possible for the first time, presenting readings by 30 essential voices from Britain, Ireland, America, Spain, Hungary, Palestine, Pakistan, China, New Zealand and the Caribbean. Four out of the 30 short films present the poets' work bilingually. Menna Elfyn's reading alternates between her Welsh poems and their English translations. Joan Margarit reads in Catalan in tandem with his translator Anna Crowe reading her English translations. Palestinian poet Taha Muhammad Ali reads in Arabic and then re-inhabits each poem as it is read in English by his translator Peter Cole. Yang Lian introduces his work in English, and reads the poems in Chinese. This anthology presents all their poems in both languages in a parallel-text format, enabling you to follow either language as the poems are read on the film. All the other readings are in English only, and in many varieties of English which will add greatly to your enjoyment and appreciation of the poetry: not just poems read in Scottish, Welsh and Irish English by Jackie Kay, W.N. Herbert, Gwyneth Lewis, Brendan Kennelly and Micheal O'Siadhail, but also George Szirtes' Hungarian-inflected English, Benjamin Zephaniah's melding of Jamaican and Birmingham, and the Caribbean lilt of John Agard and James Berry. The musical range of American voices is just as diverse, ranging from urban Detroit (Philip Levine) to the Ozark Mountains (C.D. Wright). There's also a 'bonus track': a short film of Bloodaxe's first poet, Ken Smith, made by Ivor Bowen just before Ken's untimely death.

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In recent years, there has been a real revival and appraisal of the works of the mid-century modern movement among architects and interior designers: the furniture, lighting and objects designed by Alvar Aalto, Charles & Ray Eames, Eileen Gray, Poul Henningsen, Arne Jacobsen, Pierre Jeanneret, Finn Juhl, Vladimir Kagan, Poul Kjaerholm, Florence Knoll, Le Corbusier, Ludwig Mies van der Rohe, Børge Mogensen, Serge Mouille, George Nakashima, George Nelson, Verner Panton, Ico Parisi, Charlotte Perriand, Gio Ponti, Jean Prouvé, Sergio Rodrigues, Jean Royère, Eero Saarinen, Arne Vodder, Jules Wabbes, Ole Wanscher, Hans J. Wegner, Jorge Zalszupin and many others is integrated in their most exclusive projects and their best pieces are sold at record prices at Christies, Philipps, Sotheby's... In the U.S., the mid-century modern movement in interiors, product and graphic design and architecture was a reflection of the International and Bauhaus movements including the works of Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe. Brazilian and Scandinavian architects were very influential, with a style characterised by clean simplicity and integration with nature. In Europe, the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by the Scandinavian Moderns and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects and the movement known as New Brutalism. This chic, over-sized coffee table book is an essential object for all mid-century design aficionados, interior designers with a passion for the modernist 1950s and for refined readers seeking inspiration for their own interiors. In 20 reports, interior designers and passionate collectors of mid-century furniture, lighting, objects and artworks show how carefully selected touches of high-end mid-century modernism can contribute to a unique living environment.

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This new title in this bestselling series relates 37 stories of shipwrecks, great discoveries, mysteries, and disappearances still thrilling adventure seekers. From the Atlantic to the Pacific Ocean, from the Baltic Sea to the Caribbean, the Antarctic, and the Indian Ocean; from ancient history to the present day, these short tales cover all aspects of high-seas adventure and feature prominent human incidents and tragic events. Combining tales of adventures and legends, they fuel the imagination of all those captivated by the sea and its sailors. The most-famous stories are part of our maritime heritage, like the legend of the Flying Dutchman, which inspired the ghost ship in Pirates of the Caribbean, or the fire that destroyed the MS Georges Philippar off the coast of Somalia, causing the death of senior reporter Albert Londres, who was then returning from China. Some are based on real historical events, like th

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Writing Historical Fiction: A Writers’ & Artists’ Companion is an invaluable companion for a writer working in this challenging and popular literary genre, whether your period is Ancient Rome or World War II. PART 1 includes reflections on the genre and provides a short history of historical fiction. PART 2 contains guest contributions from Margaret Atwood, Ian Beck, Madison Smartt Bell, Ronan Bennett, Vanora Bennett, Tracy Chevalier, Lindsay Clarke, Elizabeth Cook, Anne Doughty, Sarah Dunant, Michel Faber, Margaret George, Philippa Gregory, Katharine McMahon, Valerio Massimo Manfredi, Hilary Mantel, Alan Massie, Ian Mortimer, Kate Mosse, Charles Palliser, Orhan Pamuk, Edward Rutherfurd, Manda Scott, Adam Thorpe, Stella Tillyard, Rose Tremain, Alison Weir and Louisa Young. PART 3 offers practical exercises and advice on such topics as research, plots and characters, mastering authentic but accessible dialogue and navigating the world of agents and publishers.

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The Energy Reader takes an unflinching look at the environmental devastation created by our thirst for energy--including supposedly "clean" renewable sources. From oil spills, nuclear accidents, and mountaintop-removal coal mining to oversized wind farms and desert-destroying solar power plants, virtually every region of the globe is now experiencing the consequences of out-of-control energy development. Essentially no place is sacred, no landscape safe from the relentless search for energy resources to continue powering a culture based on perpetual growth. Precious wildlands, fragile ecosystems, even our own communities and children's health are at risk. Featuring essays by more than thirty of the most brilliant minds in the fields of energy, society, and ecology, The Energy Reader lifts the veil on the harsh realities of our pursuit of energy at any price, revealing the true costs, benefits, and limitations of all our energy options. Contributors include Wes Jackson, Bill McKibben, Sandra B. Lubarsky, Richard Heinberg, Philip Cafaro, Wendell Berry, Juan Pablo Orrego. Collectively, they offer a wake-up call about the future of energy and what each of us can do to change course. Ultimately, the book offers not only a deep critique of the current system that is toxic to nature and people, but also a hopeful vision for a future energy economy--in which resilience, health, beauty, biodiversity, and durability, not incessant growth, are the organizing principles.

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The Pacific is not only the world's largest body of water; its vast expanse also includes an extraordinary number and diversity of oceanic islands, from Palau and the Marianas east of the Philippines to Cocos Island and the Galapagos west of the Americas. The isolation of these islands and the extreme distances between them long prevented scientists from studying their floras and faunas in a comparative context. But now George R. Zug, one of the world's foremost experts on the diverse reptiles and amphibians of the Pacific Basin, offers the first such systematic overview in more than half a century. Reptiles and Amphibians of the Pacific Islands is a compendium of frogs, lizards, snakes, and turtles living on these lands and in the adjacent waters of the oceanic islands in the tropical Pacific. The means to identify each species is included, along with entries that describe each animal's form, coloration, habitat, distribution, reproductive biology, and natural history. Color plates of more than 75 percent of the species also help to facilitate visual identification. This accessible and informative guide is the most comprehensive field guide available and will appeal to both novice sightseers and professional naturalists.

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Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead of figurative representation or geometric abstraction, painters in the orbit of Abstract Expressionism in the US and Art Informel in Western Europe pursued a radically impulsive approach to form, color, and material. As an expression of individual freedom, the spontaneous artistic gesture gained symbolic significance. Large-scale color-field compositions created a meditative space for ruminating the fundamental questions of human existence. The exhibition and catalogue examine the two sister movements against the background of a vibrant transatlantic exchange, from the 1940s through to the end of the Cold War. This lavishly illustrated volume brings together works by more than 50 artists, amongst them Alberto Burri, Jean Dubuffet, Helen Frankenthaler, K. O. Götz, Franz Kline, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, Hedda Sterne, Clyfford Still, and Jack Tworkov.

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Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other.Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

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Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other.Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

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Historic places across the country have shaped England and the world beyond. They are hotbeds of invention, industry and creativity and they bring our nation's story to life. In 2017 Historic England launched the Irreplaceable: A History of England in 100 Places campaign, designed to celebrate England's remarkable places. Guided by public nominations and a panel of expert judges, including Professor Robert Winston, Mary Beard, George Clarke, David Olusoga, Baroness Tanni Grey Thompson and Bettany Hughes, we compiled a list of 100 places where remarkable things have happened and shaped our collective identity as the country we are today. The book, like the campaign, is divided into ten categories ranging from Music & Literature, through Science & Discovery to Power, Protest & Progress. The final 100 selected places are all contained within this gloriously illustrated book. From the observatory in Greenwich where the modern measurement of time began, to England's oldest inn carved into the sandstone in Nottingham, the choices are surprising, intriguing and enlightening. Some are well-known and others are less familiar, but all deserve to be celebrated as landmarks in England's history. The book explains why each of these 100 places is so important. The result is a unique history of England chosen and told by the people who live here.

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Before George R. R. Martin there was Dorothy Dunnett . . . PERFECT for fans of A Game of Thrones. 'She is a brilliant story teller, The Lymond Chronicles will keep you reading late into the night, desperate to know the fate of the characters you have come to care deeply about.' The Times Literary SupplementThe Ringed Castle is the fifth book in the series -----------------------------'Not to every young girl is it given to enter the harem of the Sultan of Turkey and return to her homeland a virgin . . .'Sixteen-year-old Philippa Somerville has left Constantinople intact. Returning to England as wife in name only to Francis Crawford of Lymond, she wastes no time in seeking the truth about her new spouse, even as she finds herself navigating the paranoid court of Queen Mary.Lymond, meanwhile, arrives in Moscow to assist its young Tsar Ivan to create a fledgling Russian army. But when he is tasked to visit London as Ivan's envoy his path is bound to cross that of the wife he has sworn to divorce. Yet neither Lymond nor Philippa, caught up in their own scheming, can quite see the vast conspiracy enshrouding them . . . 'Lashings of excitement, colour and subtlety' The Times 'Melodrama of the most magnificent kind' The Guardian

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Born in the Philippines to an American father and a Filipina mother, George Cooper is one of the few surviving veteran pilots who saw action over such fearsome targets as Rabaul and Wewak. Not just another flag-waving story of air combat, Jayhawk describes the war as it really was - a conflict with far-reaching tentacles that gripped and tore at not only the combatants, but also their families, friends and the way they lived their lives. Stout examines the story of Cooper’s growing up in gentle and idyllic pre-war Manila and how he grew to be the man he is. At 100 years old, few men are left alive who can share similar experiences. Stout reviews Cooper’s journey to the United States and his unlikely entry into the United States Army Air Forces. Trained as a B-25 pilot, Cooper was assigned to the iconic 345th Bomb Group and flew strafing missions that shredded the enemy, but likewise put himself and his comrades in grave danger. A husband and father, Cooper was pulled two ways by the pull of duty and his obligation to his wife and daughter. And always on his mind was the family he left behind in the Philippines who were under the Japanese thrall.

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Introduced by newsreader, presenter, and Barnardo's president Natasha Kaplinsky, Letters From Lockdown features 100+ letters from celebrity names, COVID heroes, and a diverse range of members of the public, all answering the question - 'What was lockdown like for you?'Contributors include: Paul McCartney · Joe Wicks · Malala Yousafzai · Ed Sheeran · Helen Mirren · Cressida Cowell · Mary Berry · Richard Branson · Peppa Pig · Andy Murray · Helena Bonham Carter · Lenny Henry · Bruno Tonioli · Romesh Ranganathan · The family of Captain Tom · Bear Grylls · Charly Cox · Dr Alex George · Jacqueline Wilson · Matt Lucas · Monica Galetti · Kelly Holmes · Bill Gates· Sir Mo Farah and many more.The publisher will donate all profits, which will be a minimum of £1.50 for each copy of the book sold, to Barnardo's (registered charity in England and Wales no. 216250), who do important work to protect and support the UK's most vulnerable children, more in need now than ever.The letter writers include doctors and nurses, care home staff and vaccinators, train drivers and hairdressers, teachers and environmentalists - people who have been on the frontline in tackling the pandemic, or in trying to get the world back on its feet. Other letters document the unforgettable lighter moments of the past year: interviews crashed by children, TikTok triumphs and disasters, and Goats joining Zoom meetings. Each offers their unique perspective on the year everything changed.Other contributors include: Al Gore; Alexandra Shulman, Davina McCall, Toby Regbo, Trevor McDonald, Jo Malone, Keir Starmer, Boris Johnson, Mark Ronson, Maro Itoje, Nicola Adams, Raymond Blanc, Richard Curtis and Emma Freud, Chris Van Dusen, Sita Brahmachari, Sophie Gonzales, Hayden Kays, Tim Peake, Sean Fitzpatrick, and Joan Collins.The idea for the book came from Natasha Kaplinsky's children, Arlo and Kika. They wrote an open letter, wanting to understand other people's experiences of lockdown. Their question, 'What was lockdown like for you?' is the prompt; the collection of letters in response form the book. As we keep our fingers crossed that this summer will bring a safe end to restrictions, this mixture of funny, sad, heart-warming, surprising, heroic and honest experiences will mark the start of a period of reflection.Adrian Packer, Al Gore, Alex George, Alexandra Shulman, Ali Mercer, Alice M Greenwald, Ali Joy, Andy Murray, Antony Cauvin, Anushua Gupta, Bear Grylls, Benjie and Georgia Ingram-Moore, Bill Gates and Melinda French Gates, Bob Wilson, Boris Johnson, Bruno Tonioli, Buckingham Palace, Charly Cox, Chimwemwe Chiweza, Chris and Vicki Agar, Chris Van Dusen, Clare Wenham, Colette Moreira-Henocq, Cressida Cowell, Davey Glover, Davina McCall, Dawn Bilbrough, Dot McCarthy, Ed Balls, Ed Sheeran, Elliot Jacobs, Emma Freud and Richard Curtis, Fergus Llewellyn, George Alagiah, Gill Edwards, Hayden Kays, Helen Mirren, Helena Bonham Carter, Hollie Long, HRH The Duchess of Cornwall, Hugh Fearnley-Whittingstall, Jacqueline Wilson, Jacquie Jenkins, James Graham, Javed Khan, Jenny Messenger, Jo Malone, Joan Collins, Joe Wicks, John Vincent, Josie Naughton, Kathryn England, Karen Pollock, Karl Jones, Keir Starmer, Kelly Holmes, Laura Elliott, Lenny Henry, Lindsay Hoyle, Maff Potts, Maia Elliott, Malala Yousafzai, Margaret Keenan, Marie Benton, Mark Ronson, Maro Itoje, The Marsh Family, Mary Berry, Matt Lucas, Meggie Foster, Michele Walter, Mo Farah, Monica Galetti, Mr Men's Mr Happy, Neera Butt, Nicola Adams, Nina Raingold, Patricia Daley, Paul Atherton, Paul McCartney, Paul Morrison, Paula Talman, Peppa Pig, Philippa Craddock, Raymond Blanc, Rene Germain, Richard Branson, Roja Dove, Romesh Ranganathan, Rosie Jones, Rosie Mitchell, Sandi Procter, Scott Evans, Sean Fitzpatrick, Sharna Jackson, Sita Brahmachari, Sophie Gonzales, Tamara Rojo, Tanni Grey-Thompson, Tessa Mattholie Butunoi, Tim Peake, Tim Steiner, Toby Regbo, Trevor McDonald, Will Shu, Woody, Zoe Burke

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Cinema mon amour focuses on the mutual fascination that art and film have for one another. It features work by international artists, including Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff & George Bures Miller, collectif_fact, Tacita Dean, Stan Douglas, Thomas Galler, Christoph Girardet & Matthias Muller, Douglas Gordon, Teresa Hubbard / Alexander Birchler, Samson Kambalu, Daniela Keiser, Urs Luthi, Philippe Parreno, Julian Rosefeldt, Hiroshi Sugimoto, Sam Taylor-Johnson, and Mark Wallinger. All of them have engaged with different themes surrounding cinema and filmmaking. The well-founded essays discuss topics such as cinema as space, the film industry, found footage, specific movies and genres, the mechanisms of film, as well as the filmmakers' gaze at art. This lavishly illustrated book, published to coincide with an exhibition at Aargauer Kunsthaus in Switzerland, offers an insight into the allure that film and cinema have on us. Cinema mon amour, Aargauer Kunsthaus, Aarau, Switzerland, 22 January to 17 April 2017.

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Find out what Joseph Conrad, Arthur Miller, Geoffrey Chaucer, and Mark Twain can tell you about being a more effective manager. Looking for business insights? Forget the Wall Street Journal. You can learn a lesson or two from Arthur Miller and David Mamet. Put down Forbes and Fortune for once and spend an evening with Chaucer and George Bernard Shaw. Not only will you enjoy yourself, you're also likely to discover some fresh management perspectives and ideas! Written by a former CEO of a global corporation who has also been an English literature professor, this provocative new business book proves that great novels and plays are a rich, untapped resource for businesspeople looking for solutions to problems they confront on the job. Robert A. Brawer digs deeply into fictions by literary legends such as Mark Twain, Joseph Conrad, Theodore Dreiser, Sinclair Lewis, and Joseph Heller to unearth vital lessons that managers can readily apply to the real world of work. From tips on resolving office conflicts in James Thurber's "The Catbird Seat" to pointers on gaining client confidence found in Chaucer's Canterbury Tales, Brawer finds nuggets of business wisdom in places where most businesspeople never think of looking. Focusing mainly on fiction that explores business themes, Brawer uses Heller's Something Happened and Shaw's Major Barbara to illustrate the dangers of allowing excessive faith in corporate hype to impair a manager's ability to accurately assess serious problems. From Mamet's Glengarry Glen Ross and Dreiser's Sister Carrie, he infers important lessons about the art of salesmanship. He explores the problems of alienation and maintaining personal integrity in a corporate world through a close reading of Arthur Miller's Death of a Salesman and Sloan Wilson's The Man in the Grey Flannel Suit. And out of his analysis of Upton Sinclair's The Jungle and John Dos Passos's The Big Money, among other major nineteenth- and twentieth-century works, Brawer develops an inspiring discourse on self-interest and efficiency versus ethical responsibility and compassion in a Darwinian business world. As instructive as it is entertaining, Fictions of Business shows you how to take advantage of great novels and plays in solving the human problems of management. Praise for Fictions of Business "What a fabulous concept: the bringing together of great literature and management theory. This is a business book that challenges the intellect and goes about unveiling the basic principles of management in a way that forces you to think about what you know in a completely different way. It's a business book that stays with you long after you've read it." -Shelly Lazarus, Chairman and CEO, Ogilvy & Mather "A truly refreshing contribution to the multitude of books on corporate management. Brawer has cleverly crafted a set of essays that are both inspirational and practical." -Robert A. Kavesh, Professor of Finance and Economics, Leonard N. Stern School of Business, New York University. "Robert Brawer is both a successful entrepreneur and a distinguished literary scholar, and his book, Fictions of Business, is wise about both trade and fiction. Brawer writes with ironic wit and sharp observation about the culture of the corporation and the workplace." -Martin Peretz, Editor-in-Chief, The New Republic and Professor of Social Studies, Harvard University. "Brawer's message is clear and true: good literature enriches business leaders, making them more productive in their careers." -Richard D. Franke, former Chairman and CEO, John Nuveen Company. "Although commerce and literary analysis might seem worlds apart, Robert Brawer's book brilliantly weaves together fictional characters with larger-than-life figures from the corporate world. In Brawer's compelling narrative, literature offers striking models for good corporate practice." -Philip Gossett, Dean of Humanities, University of Chicago.

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From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. They engender trauma that echoes for generations, in the experiences of those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South African Apartheid, the practice of torture after 9/11, and the "disappearances" that occurred during South American dictatorships. Schwab's texts include memoirs, such as Ruth Kluger's Still Alive and Marguerite Duras's La Douleur; second-generation accounts by the children of Holocaust survivors, such as Georges Perec's W, Art Spiegelman's Maus, and Philippe Grimbert's Secret; and second-generation recollections by Germans, such as W. G. Sebald's Austerlitz, Sabine Reichel's What Did You Do in the War, Daddy?, and Ursula Duba's Tales from a Child of the Enemy. She also incorporates her own reminiscences of growing up in postwar Germany, mapping interlaced memories and histories as they interact in psychic life and cultural memory. Schwab concludes with a bracing look at issues of responsibility, reparation, and forgiveness across the victim/perpetrator divide.

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An elegantly bound collection of fine wine writing past and present – the perfect gift for wine lovers everywhere (or the wine lovers in their life). With contributions from Michael Broadbent on good and bad vintages, Ian Maxwell Campbell on Bordeaux vs Burgundy, George Orwell and PG Wodehouse on the complementary pleasures of wine and tea, Randall Grahm on the search for California’s ‘magic grape’ and Andrew Caillard MW on the art of the wine label, it brims with wit and wisdom from some of the most erudite wine writers ever to raise a glass. Also includes Steven Spurrier, Jason Tesauro, Jane MacQuitty, Giles MacDonogh, Philippe de Rothschild, Fiona Morrison MW, Dan Keeling, Charles Walter Berry and many more. Like Cyril Ray’s classic Compleat Imbiber before it, In Vino Veritas might rightfully be described as ‘the quintessential late-evening or bedtime book for those who like wine'. ‘Denied wine’s bridge to gregariousness, “cabined, cribbed, confined, bound in to saucy doubts and fears,” as Macbeth once complained, we need an antidote, and rummaging around in this anthology of wine writing is a good one: It’s a set of keys to open the windows and let some sun shine in.’ - World of Fine Wine

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Before George R. R. Martin there was Dorothy Dunnett . . . THE PERFECT GIFT for fans of A Game of Thrones. 'She is a brilliant story teller, The Lymond Chronicles will keep you reading late into the night, desperate to know the fate of the characters you have come to care deeply about.' The Times Literary SupplementCheckmate is the sixth and final book in the series -----------------------------'If they place the sun in my right hand and the moon in my left and ask me to give up my mission, I will not give it up until the truth prevails or I myself perish in the attempt . . .'It is 1557 and legendary Scottish warrior Francis Crawford of Lymond is once more in France. There he is leading an army to rout the hated English from Calais. Yet while Lymond seeks victory on the battlefield he is haunted by his troubled past - chiefly the truth about his origins and his marriage (in name only) to young Englishwoman Philippa Somerville. As the French offer him a way out of his marriage and his wife appears in France on a mission of her own, the final moves are made in a great game that has been playing out over an extraordinary decade of war, love and struggle - bringing the Lymond Chronicles to a spellbinding close.'A masterpiece of historical fiction' Washington Post 'Melodrama of the most magnificent kind' The Guardian

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The terrorist attacks of 11 September 2001 were a local event that nevertheless elicited strong reactions throughout the world. The unprecedented strike on the continental United States, its instantaneous broadcast, and its global stakes placed 9/11 at the centre of ideological debates that still rage today. The impact was especially felt in France.Chronic Aftershock looks at the significance of 9/11 in France as documented by prominent politicians, public intellectuals, journalists, sociologists, political scientists, philosophers, novelists, and conspiracy theorists. In his comprehensive account Jean-Philippe Mathy addresses the rise of a small but influential group of self-described “anti-anti-Americans” who shared the views of American neoconservatives in support of regime change in Iraq; the media controversy involving French Evangelical churches’ response to the religious views of George W. Bush; the widespread “I am Charlie” movement following the attacks against the offices of Charlie Hebdo; and the unending French national debate on the place of the Muslim community in a secular, universalist republic. The book also considers the November 2015 Islamist attacks in Paris, often described as “the French September 11.”Combining approaches from intellectual history, cultural studies, and literary criticism, Chronic Aftershock explores the legacy of 9/11 and recent instances of transatlantic divide to provide an innovative and timely assessment of the radicalized violence that remains a major threat in today’s world.

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"A smorgasbord for those who are sick and tired of it." —Seattle Book Review The 2021 edition of the premiere journal of contemporary dada writing and art considers humankind past and present with a collection of contemporary dada art and writing driven by the theme “HUMANITY: THE REBOOT.” More than 242 creators from 31 countries establish that social protest can be creatively achieved via risk-taking art. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, MAINTENANT 15 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by renowned Cuban American artist Edel Rodriguez, whose provocative work has been featured on the covers of TIME, The New Yorker, Der Spiegel, and more. Past issues of MAINTENANT include work by artists Mark Kostabi, Walter Robinson, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, and Kazunori Murakami; writers include Gerard Malanga, Charles Plymell, Andrei Codrescu, and more, with a strong contingent of artist-writers from the world of punk rock. MAINTENANT 15 contributors include: Derek Adams • Alexey Adonin • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Elizabeth Ashe • Gaëlle Audic • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Regina Lafay Bellamy • John M. Bennett • C. Mehrl Bennett • Volodymyr Bilyk • József Bíró • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • John Bowman • Jeff Boynton • Gedley Belchior Braga • Bob Branaman • philipkevinbrehse • Kathy Bruce • Imanol Buisan • Fork Burke • Irene Caesar • Billy Cancel • Peter Carlaftes • Virginia Carroll • Mona Jean Cedar • Robert Cenedella • Mutes César • Leanne Chabalko • Sarah M. Chen • Ross Cisneros • Lynette Clennell • Andrei Codrescu • Chuck Connelly • Roger Conover • Anthony Cox • Lars Crosby • Tchello d’Barros • Steve Dalachinsky • Zoë Darling • Allison Davis • Holly Day • Avelino de Araujo • Quỳnh Iris de Prelle • Laylah DeLautréamont • Bart Dewolf • Peter Dizozza • Sam Dodson • Bruce Louis Dodson • Carol Dorf • Robert Duncan • Jeff Farr • Amoye Favour • Rich Ferguson • Kathleen Florence • Gioivanni Fontana • Texas Fontanella • Robert C. Ford • Kofi Fosu Forson • Abigail A. Frankfurt • Barbara Friedman • Thomas Fucaloro • Joanna Fuhrman • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • Mark Glista • Benjamin Goluboff • S. A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • John S. Hall • Janet Hamill • Bibbe Hansen • David Hargreaves • Nour Hassan • Heide Hatry • Aimee Herman • Karen Hildebrand • Jack Hirschman • Mark Hoefer • Lawrence Holzworth • Mane Hovhannisyan • Joël Hubaut • Heikki Huotari • Matthew Hupert • Ayushi Jain • Annaliese Jakimides • Marta Janik • Ruud Janssen • Mathias Jansson • Debra Jenks • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Allan Kausch • Marina Kazakova • Donna Joy Kerness • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Paweł Kuczyński • Anatoly Kudryavitsky • Béné Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Patricia Leonard • Linda Lerner • Adam Li • Alexander Limarev • Laurinda Lind • Goran Lišnjić • Yvonne Litschel • Richard Loranger • Sarah Maino • Jaan Malin • Sophie Malleret • Bibiana Padilla Maltos • Giovanni Mangiante • Mary Manspeaker • Phil Marcade • Fred Marchant • Eliette Markhbein • Sara Cahill Marron • Malak Mattar • Bronwyn Mauldin • Ellyn Maybe • John Mazzei • Jesse McCloskey • Philip Meersman • R. S. Mengert • Lawrence Miles • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Tim Murphy • Alexander Nderitu • Gerald Nicosia • Anna O’Meara • Valery Oisteanu • Ruth Oisteanu • Marc Olmsted • Suzi Kaplan Olmsted • Jane Ormerod • Yuko Otomo • Csaba Pál • Lisa Panepinto • Gay Pasley • John S. Paul • Paulo • Giorgia Pavlidou • Ernst Perdriel • Puma Perl • Raymond Pettibon • Alex Andy Phuong • Charles Plymell • Leslie Prosterman • Lauren Purje • Renaat Ramon • Nicca Ray • C. R. Resetarits • Mado Reznik • Wes Rickert • Benjamin Robinson • Bruce Robinson • Aliah Rosenthal • Alison Ross • Bradley Rubenstein • Mashaal Sajid • Ralph Salisbury • Martina Salisbury • Aram Saroyan • Phil Scalia • Jack Seiei • Silvio Severino • Craig Shannon • Susan Shup • Bertholdus Sibum • Denise Silk-Martelli • Angela Sloan • Valerie Sofranko • Orchid Spangiafora • Dd. Spungin • Laurie Steelink • Samantha Steiner • J. J. Steinfeld • Christine Sloan Stoddard • Rich Stone • W. K. Stratton • Lucien Suel • Neal Skooter Taylor • Michael Thompson • Fred Tomaselli • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Luca Vallino • Anoek van Praag • Lynnea Villanova • Barbara Vos • Silvia Wagensberg • Tom Walker • George Wallace • Scott Wannberg • Mike Watt • Jennifer Weigel • Poul R. Weile • Ingrid Wendt • Syporca Whandal • A Whittenberg • Maw Shein Win • Yaryan • Gerald Yelle • Logan K. Young • Lorene Zarou-Zouzounis • Larry Zdeb • Leonard Zinovyev • Nina Zivancevic • Joanie HF Zosike

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Charles III: The Making of a King highlights the most important portraits of King Charles III from the National Portrait Gallery’s Collection. Charles III: The Making of a King celebrates King Charles III in the year of his coronation. Follow Charles’ life from a baby, his investiture as Prince of Wales to becoming king through the National Portrait Gallery’s collection of portraits and photographs of Britain’s newest monarch. From the same publisher that brought to you Elizabeth II: Princess, Queen, Icon. The beautiful gift book includes a timeline of key events from King Charles’ life, and explores the future of the monarchy through photographs and paintings of the wider royal family, including Diana, Princess of Wales, Camilla, Queen Consort, William and Catherine, Prince and Princess of Wales, Harry and Meghan, Duke and Duchess of Sussex, and Prince George of Wales. Presenting family photographs alongside important formal portraits, this book features works by key artists who have depicted the King from 1948 to the present day, such as Nadav Kander, Cecil Beaton, Marcus Adams, Lisa Sheridan, Lord Snowdon, Joan Williams, Patrick Lichfield, Norman Parkinson, Bern Schwartz, Carole Cutner, Bryan Organ, Terence Donovan, Nicola Philipps and Mario Testino.

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Born in the Philippines to an American father and a Filipina mother, George Cooper is one of the few surviving veteran pilots who saw action over such fearsome targets as Rabaul and Wewak. Not just another flag-waving story of air combat, Jayhawk describes the war as it really was - a conflict with far-reaching tentacles that gripped and tore at not only the combatants, but also their families, friends and the way they lived their lives. Stout examines the story of Cooper’s growing up in gentle and idyllic pre-war Manila and how he grew to be the man he is. At 100 years old, few men are left alive who can share similar experiences. Stout reviews Cooper’s journey to the United States and his unlikely entry into the United States Army Air Forces. Trained as a B-25 pilot, Cooper was assigned to the iconic 345th Bomb Group and flew strafing missions that shredded the enemy, but likewise put himself and his comrades in grave danger. A husband and father, Cooper was pulled two ways by the pull of duty and his obligation to his wife and daughter. And always on his mind was the family he left behind in the Philippines who were under the Japanese thrall.

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The Triumph of Politics offers a comparative and historical interpretation of Venezuela's Chavez, Bolivia's Morales and Ecuador's Correa - South America's most prominent ‘21st century socialists'. It argues that the claims of these 21st century socialists should be taken seriously even though not necessarily at face value. The authors show how the consensual market oriented policymaking that characterized almost all of South America in the 1990s has now given way to something quite different. Polarization and intense political conflict have returned to much of the region. Although the Left has not always been the beneficiary of this changed pattern, the ‘21st century' governments of Chavez, Morales and Correa have been agenda setters. The questions raised by their emergence, style of governance and policy orientations resonate across Latin America and beyond. It is likely that the kind of politics with which they have been associated will be influential in the region for quite some time to come.

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A highly readable history of the military and political events of World War One, this wide-ranging book begins with the state of Europe before the war then embarks on major chapters chronicling the war a year at a time. Major battles are interspersed with sections detailing the weapons used from dreadnoughts and anti-aircraft guns to U-boats and heavy field artillery, with specification boxes providing key technical details on each weapon. A final chapter looks at the aftermath of war and the newly emerging European states. All aspects of the conflict are covered, from common illnesses through to the use of propaganda and atrocities on all sides. Key fact boxes delve into the lives of the political leaders, generals and fighters, and also discuss the political movements which flourished. The first battle of Ypres, battles in Champagne and Artois, the winter offensive against Russia, and the breaking of the Hindenburg line are all discussed in detail. It chronicles the course of each year of the war, and details the major events, including the battle of the Marne, the first day of the Somme, the race to the sea, and the stalemate on the Italian front. Fascinating fact boxes highlight the lives of important political leaders and generals, such as Alexei Brusilov, Henri-Philippe Petain, Douglas Haig, David Lloyd George and President Woodrow Wilson. Illustrated with compelling and evocative photographs taken during World War One, and featuring informative maps and battleplans.

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L.A.’s Landmark Restaurants: Celebrating the Legendary Locations Where Angelenos Have Dined for Generations follows in the footsteps of George Geary’s now classic and critically acclaimed book, L.A.’s Legendary Restaurants. L.A.’s Landmark Restaurants is an illustrated history of over 50 famous Los Angeles restaurants from throughout the 20th century that were not featured in Geary’s first book. The focus in L.A.'s Landmark Restaurants is on restaurants where Angelenos—rather than celebrities—have been dining for generations. Along with recipes made famous by each restaurant, L.A.’s Landmark Restaurants contains profiles of such legendary eateries as Cole’s, Philippe the Original, Pacific Dining Car, The Original Pantry Café, The Victor Hugo, Canter’s Delicatessen, Sportsmen's Lodge, Mocambo, Nate ’n Al’s, The Smoke House, Tail o’ the Pup, The Apple Pan, Valentino, and dozens of other beloved establishments in this beautiful tribute to Los Angeles and its historic restaurants. Each location profiled is illustrated with a collection of historic and contemporary photographs and ephemera—such as menus, matchbooks, and advertisements—and every entry features a short history of the restaurant, entertaining anecdotes, and such details as the year of opening, address, phone number (both original and current), type of cuisine, and the name of the restaurant's founder. Recipes made famous by the restaurant, updated for today’s cook and kitchen by Chef Geary, will satisfy anyone seeking to replicate their favorite dish from these legendary restaurants and their chefs.Truly a love letter to Los Angeles and its world famous cuisine, L.A.’s Landmark Restaurants is sure to bring back treasured memories and knowing smiles from anyone who has dined at these fabled establishments.

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Anxious about the threat of Ottoman invasion and a religious schism that threatened Christianity from within, sixteenth-century northern Europeans increasingly saw their world as disharmonious and full of mutual contradictions. Examining the work of four unusual but influential northern Europeans as they faced Europe’s changing identity, Jennifer Nelson reveals the ways in which these early modern thinkers and artists grappled with the problem of cultural, religious, and cosmological difference in relation to notions of universals and the divine.Focusing on northern Europe during the first half of the sixteenth century, this book proposes a complementary account of a Renaissance and Reformation for which epistemology is not so much destabilized as pluralized. Addressing a wide range of media—including paintings, etchings and woodcuts, university curriculum regulations, clocks, sundials, anthologies of proverbs, and astrolabes—Nelson argues that inconsistency, discrepancy, and contingency were viewed as fundamental features of worldly existence. Taking as its starting point Hans Holbein’s famously complex double portrait The Ambassadors, and then examining Philipp Melanchthon’s measurement-minded theology of science, Georg Hartmann’s modular sundials, and Desiderius Erasmus’s eclectic Adages, Disharmony of the Spheres is a sophisticated and challenging reconsideration of sixteenth-century northern European culture and its discomforts.Carefully researched and engagingly written, Disharmony of the Spheres will be of vital interest to historians of early modern European art, religion, science, and culture.

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Die Briefe Philipp Jakob Speners, des Begründers des Pietismus, sind für die Kirchen- und Kulturgeschichte Quellen allerersten Ranges. Sie gewähren Einblick in das Werden und die Ausbreitung der pietistischen Bewegung und sind darüber hinaus von einzigartigem Informationswert für viele Gebiete des geistigen und gesellschaftlichen Lebens auch außerhalb des religiös-kirchlichen Raumes. Der vorliegende Band beinhaltet 141 Briefe aus dem Jahr 1689. Für die Entstehung des Pietismus sind sie von höchster Bedeutung, weil sich in diesen Briefen der Beginn der in Leipzig entstehenden Auseinandersetzungen und die Entstehung des Namens "Pietisten" widerspiegelt, zudem die Auseinandersetzung mit dem sächsischen Kurfürsten Johann Georg III., die den Anstoß dazu gab, dass Spener im Jahr 1691 Dresden verließ, um Propst in Berlin zu werden. Als politisch wichtiges Thema erscheint der Pfälzische Erbfolgekrieg mit seinen Folgen. "Insgesamt kann der Wert der Edition der Spenerbriefe für die Sozial-, Alltags-, Kultur- und Kirchengeschichte nicht hoch genug eingeschätzt werden." Susanne Schuster in Zeitschrift für Kirchengeschichte 121 (2010), S. 283f

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This is an anthology of nearly four centuries of nature writing about one of America's premier regions-the Blue Ridge Mountains and Shenandoah Valley of Virginia. Beginning with Captain John Smith's eager gaze westward in search of gold and ending with contemporary essayist John Daniel's transformative gaze inward in search of wilderness, The Height of our Mountains features the work of seventy of the nation's finest writers on nature, from 1607 to 1997. Responding to Thomas Jefferson's claim in Notes on the State of Virginia that "the height of our mountains has not yet been estimated with any degree of exactness," Branch and Philippon have gathered a diverse collection of written perspectives on the region in an effort to "measure" the remarkable richness of this landscape through a variety of literary forms and styles. The result is a wide-ranging survey that includes the colonial narratives of William Byrd and George Washington, as well as the natural histories of John Bartram and John James Audubon; the travel narratives of King Louis Philippe of France and the diaries and memoirs of Cornelia Peake McDonald, Walt Whitman, and John Burroughs; works of fiction by Edgar Allen Poe and Willa Cather; speeches by James Madison, Herbert Hover, and Franklin Roosevelt; and contemporary writings by Donald Culcross Peattie, Edwin Way Teale, Roger Tory Peterson, Annie Dillard, Donald McCaig, Peter Svenson, and Jake Page. The book contains a lengthy and detailed introduction on the character and form of nature writing, the concepts of place and bioregionalism, and the literary natural history of the Blue Ridge country itself. Ample notes, beautiful illustrations and amps, and a lengthy bibliography make this book a lasting treasure.

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In February 1988, philosophers Jacques Derrida, Hans-Georg Gadamer, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss the philosophical and political implications of Martin Heidegger’s thought. This event took place in the very amphitheater in which, more than fifty years earlier, Heidegger, as rector of the University of Freiburg and a member of the Nazi Party, had given a speech entitled “The University in the New Reich.” Heidegger’s involvement in Nazism has always been, and will remain, an indelible scandal, but what is its real relation to his work and thought? And what are the responsibilities of those who read this work, who analyze and elaborate this thought? Conversely, what is at stake in the wholesale dismissal of this important but compromised twentieth-century philosopher? In 1988, in the wake of the recent publication of Victor Farias’s Heidegger and Nazism, and of the heated debates that ensued, these questions had become more pressing than ever. The reflections presented by three of the most prominent of Heidegger’s readers, improvised in French and transcribed here, were an attempt to approach these questions before a broad public, but with a depth of knowledge and a complex sense of the questions at issue that have been often lacking in the press. Ranging over two days and including exchanges with one another and with the audience, the discussions pursued by these major thinkers remain highly relevant today, especially following the publication of Heidegger’s already notorious “Black Notebooks,” which have added another chapter to the ongoing debates over this contested figure. The present volume recalls a highly charged moment in this history, while also drawing the debate toward its most essential questions.

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France’s greatest poet of the last half century, Yves Bonnefoy wrote many books of poetry and poetic prose, as well as celebrated critical essays on literature and art (to which a second volume will be devoted). At his death in 2016 aged ninety-three, he was Emeritus Professor of Comparative Poetics at the Collège de France. The selection for this volume (and the second one) was made in close collaboration with the poet. The lengthy introduction by John Naughton is a significant assessment of Bonnefoy’s importance in French literature. Bonnefoy started out as a young surrealist poet at the end of the Second World War and, for seven decades, he produced poetry and prose of great, and changing, depth and richness. In his lines we encounter `the horizon of a voice where stars are falling, / Moon merging with the chaos of the dead’. Fellow poet Philippe Jaccottet spoke of his abiding gravité enflammée. Bonnefoy knew what translation demands, having himself translated Shakespeare, Donne, Yeats, and Keats; Petrarch and Leopardi from Italian; and, from Greek, George Seferis. This volume is edited and translated by three of Bonnefoy’s long-time translators –Anthony Rudolf, John Naughton, and Stephen Romer – with contributions from Galway Kinnell, Richard Pevear, Beverley Bie Brahic, Emily Grosholz, Susanna Lang, and Hoyt Rogers.

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In this new edition of the anthropological classic Exotic No More, some of today's most respected anthropologists demonstrate the tremendous contributions that anthropological theory and ethnographic methods can make to the study of contemporary society. With chapters covering a wide variety of subjects--the economy, religion, the sciences, gender and sexuality, human rights, music and art, tourism, migration, and the internet--this volume shows how anthropologists grapple with a world that is in constant and accelerating transformation. Each contributor uses examples from their adventurous fieldwork to challenge us to rethink some of our most firmly held notions. This fully updated edition reflects the best that anthropology has to offer in the twenty-first century. The result is both an invaluable introduction to the field for students and a landmark achievement that will set the agenda for critical approaches to the study of contemporary life. Contributors: Ruben Andersson, Philippe Bourgois, Catherine Buerger, James G. Carrier, Marcus Colchester, James Fairhead, Kim Fortun, Mike Fortun, Katy Gardner, Faye Ginsburg, Roberto J. Gonz lez, Tom Griffiths, Chris Hann, Susan Harding, Faye V. Harrison, Laurie Kain Hart, Richard Jenkins, George Karandinos, Christopher M. Kelty, Melissa Leach, Margaret Lock, Jeremy MacClancy, Sally Engle Merry, Fernando Montero, Matt Sakakeeny, Anthony Alan Shelton, Christopher B. Steiner, Richard Ashby Wilson

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Anxious about the threat of Ottoman invasion and a religious schism that threatened Christianity from within, sixteenth-century northern Europeans increasingly saw their world as disharmonious and full of mutual contradictions. Examining the work of four unusual but influential northern Europeans as they faced Europe’s changing identity, Jennifer Nelson reveals the ways in which these early modern thinkers and artists grappled with the problem of cultural, religious, and cosmological difference in relation to notions of universals and the divine.Focusing on northern Europe during the first half of the sixteenth century, this book proposes a complementary account of a Renaissance and Reformation for which epistemology is not so much destabilized as pluralized. Addressing a wide range of media—including paintings, etchings and woodcuts, university curriculum regulations, clocks, sundials, anthologies of proverbs, and astrolabes—Nelson argues that inconsistency, discrepancy, and contingency were viewed as fundamental features of worldly existence. Taking as its starting point Hans Holbein’s famously complex double portrait The Ambassadors, and then examining Philipp Melanchthon’s measurement-minded theology of science, Georg Hartmann’s modular sundials, and Desiderius Erasmus’s eclectic Adages, Disharmony of the Spheres is a sophisticated and challenging reconsideration of sixteenth-century northern European culture and its discomforts.Carefully researched and engagingly written, Disharmony of the Spheres will be of vital interest to historians of early modern European art, religion, science, and culture.

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Global in scope, but refusing a familiar totalizing theoretical framework, the essays in The Politics of Culture in the Shadow of Capital demonstrate how localized and resistant social practices—including anticolonial and feminist struggles, peasant revolts, labor organizing, and various cultural movements—challenge contemporary capitalism as a highly differentiated mode of production.Reworking Marxist critique, these essays on Asia, Latin America, the Caribbean, North America, and Europe advance a new understanding of "cultural politics" within the context of transnational neocolonial capitalism. This perspective contributes to an overall critique of traditional approaches to modernity, development, and linear liberal narratives of culture, history, and democratic institutions. It also frames a set of alternative social practices that allows for connections to be made between feminist politics among immigrant women in Britain, women of color in the United States, and Muslim women in Iran, Egypt, Pakistan, and Canada; the work of subaltern studies in India, the Philippines, and Mexico; and antiracist social movements in North and South America, the Caribbean, and Europe. These connections displace modes of opposition traditionally defined in relation to the modern state and enable a rethinking of political practice in the era of global capitalism. Contributors. Tani E. Barlow, Nandi Bhatia, Dipesh Chakrabarty, Chungmoo Choi, Clara Connolly, Angela Davis, Arturo Escobar, Grant Farred, Homa Hoodfar, Reynaldo C. Ileto, George Lipsitz, David Lloyd, Lisa Lowe, Martin F. Manalansan IV, Aihwa Ong, Pragna Patel, José Rabasa, Maria Josefina Saldaña-Portillo, Jaqueline Urla

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Eventually every conqueror, every imperial power, every occupying army gets out. Why do they decide to leave? And how do political and military leaders manage withdrawal? Do they take with them those who might be at risk if left behind? What are the immediate consequences of departure? For Michael Walzer and Nicolaus Mills, now is the time to ask those questions about exiting—and to worry specifically about the difficulties certain to arise as we leave—Iraq. Getting Out approaches these issues in two sections. The first, entitled "Lessons Learned," examines seven historical cases of how and how not to withdraw: Britain's departure from the American colonies and from India, the French withdrawal from Algeria, Israel's unilateral withdrawal from Gaza, and the U.S. decision to leave (or not leave) the Philippines, Korea, and Vietnam. These cases offer a comparative perspective and an opportunity to learn from the history of political and military retreats. The second section, "Exiting Iraq," begins with an introduction to just how the United States got into Iraq and continues with an examination of how the U.S. might leave from a diversity of voices, ranging from those who believe that the Iraq war has produced no real good to those who hope for a decent ending. In addition to essays by volume editors Walzer and Mills, Getting Out features contributions by Shlomo Avineri, Rajeev Bhargava, David Bromwich, Frances FitzGerald, Stanley Karnow, Brendan O'Leary, George Packer, Todd Shepard, Fred Smoler, and Stanley Weintraub.

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This book originated from a 2010 conference marking the fortieth anniversary of the publication of the landmark "Phelps volume," Microeconomic Foundations of Employment and Inflation Theory, a book that is often credited with pioneering the currently dominant approach to macroeconomic analysis. However, in their provocative introductory essay, Roman Frydman and Edmund Phelps argue that the vast majority of macroeconomic and finance models developed over the last four decades derailed, rather than built on, the Phelps volume's "microfoundations" approach. Whereas the contributors to the 1970 volume recognized the fundamental importance of according market participants' expectations an autonomous role, contemporary models rely on the rational expectations hypothesis (REH), which rules out such a role by design. The financial crisis that began in 2007, preceded by a spectacular boom and bust in asset prices that REH models implied could never happen, has spurred a quest for fresh approaches to macroeconomic analysis. While the alternatives to REH presented in Rethinking Expectations differ from the approach taken in the original Phelps volume, they are notable for returning to its major theme: understanding aggregate outcomes requires according expectations an autonomous role. In the introductory essay, Frydman and Phelps interpret the various efforts to reconstruct the field--some of which promise to chart its direction for decades to come. The contributors include Philippe Aghion, Sheila Dow, George W. Evans, Roger E. A. Farmer, Roman Frydman, Michael D. Goldberg, Roger Guesnerie, Seppo Honkapohja, Katarina Juselius, Enisse Kharroubi, Blake LeBaron, Edmund S. Phelps, John B. Taylor, Michael Woodford, and Gylfi Zoega.

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Founded in 1960 by a group of relatively unknown young writers, Tel Quel quickly became one of the most influential literary journals and controversial intellectual movements in France. During the following two decades Tel Quel published the best in French intellectual thought and writing, including Roland Barthes, Georges Bataille, Jacques Derrida, Jean-Pierre Faye, Michel Foucault, Gérard Genette, Julia Kristeva, Bernard-Henri Lévy, Marcelin Pleynet, Philippe Sollers, and Tzvetan Todorov. By focusing on Tel Quel as an instrument of cultural renewal, Danielle Marx-Scouras demonstrates that literature—even when it claims to be disengaged—can never escape its historical ties. The book elucidates the complexities of French intellectual life and the role played by Tel Quel in the evolution of intellectual thought and writing in the 1960s and 1970s. Tel Quel's cultural politics have been fashioned as much by the unpredictable historical changes of the post-World War II and Cold War era as they have by the advances in literary studies, semiotics, philosophy, and psychoanalysis during this period. The journal ceased publication in 1982, shortly before the dissolution of Marxism-Communism marked by the demolition of the Berlin Wall, the reunification of Europe, and the collapse of the Soviet Union. Marx-Scouras ultimately finds in its cultural venture some significant parting thoughts on a vigorous period of European literary and intellectual history.

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The Warburg Institute, founded in the 1920s in Hamburg by art and cultural historian Aby Warburg, is a pioneering institution that has greatly shaped the fields of art, myth, religion, medicine, philosophy, and intellectual history. When, in 1933, the institute was moved to London to escape the Nazis, its research and legacy were protected and further developed by a network of researchers dispersed throughout the UK, the US, and Canada. The first interdisciplinary study of the Warburg network as an arena of intellectual transmission, transformation, and exchange, this volume reveals the dynamics, agencies, and actors at play in the development of the Warburg Institute's program and output, with a specific focus on the role of Raymond Klibansky (1905–2005) in the institute's major ventures. Among these collective projects of the institute are the famous Saturn and Melancholy, which blends art history with philosophical and cultural history, and the Latin and Arabic Corpus Platonicum Medii Aevi series, which contributed to research on the continuity of Platonic thought. Consulting published and unpublished sources including correspondences, memories, and diaries of affiliated scholars, the essays explore the history of the Warburg Library as a vital cultural institution and the personal and intellectual relationships of the researchers devoted to it. From Hamburg to London to Montreal, Raymond Klibansky and the Warburg Library Network takes readers on a journey into more than forty years of intellectual life at one of the most prestigious cultural research institutes. Contributors include Philippe Despoix (Université de Montréal), Georges Leroux (UQAM), Eric Méchoulan (Université de Montréal), Elisabeth Otto (Université de Montréal), Elizabeth Sears (University of Michigan), Davide Stimilli (University of Colorado at Boulder), Jillian Tomm (Université de Montréal), Martin Treml (Zentrum für Literatur- und Kulturforschung Berlin), Jean-Philippe Uzel (UQAM), Regina Weber (DLA Marbach), Claudia Wedepohl (The Warburg Institute London), and Graham Whitaker (Glasgow University)

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Georges de La Tour's haunting depiction of a repentant Mary Magdalen gazing into a mirror by candlelight; Jean Simeon Chardin's perfectly balanced image of a young boy making a house of cards; Jean Honore Fragonard's monumental suite of landscapes showing aristocrats at play in picturesque gardens--these are among the familiar and beloved masterpieces in the National Gallery of Art, which houses one of the most important collections of French old master paintings outside France. This lavishly illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by elisabeth Louise Vigee Le Brun in the eighteenth. French art before the revolution is characterized by an astonishing variety of styles and themes and by a consistently high quality of production, the result of an efficient training system developed by the traditional guilds and the Royal Academy of Painting and Sculpture, founded in 1648 by King Louis XIV. The National Gallery collection reflects this quality and diversity, featuring excellent examples by all the leading painters: ideal landscapes by Claude Lorrain and biblical subjects by Nicolas Poussin, two artists who spent most of their careers in Rome; deeply moving religious works by La Tour, Sebastien Bourdon, and Simon Vouet; portraits of the grandest format (Philippe de Champaigne's Omer Talon) and the most intimate (Nicolas de Largillierre's Elizabeth Throckmorton); and familiar scenes of daily life by the Le Nain brothers in the seventeenth century and Chardin in the eighteenth. The Gallery's collection is especially notable for its holdings of eighteenth-century painting, from Jean Antoine Watteau to Hubert Robert, and including marvelous suites of paintings by Francois Boucher and Fragonard. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist.

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Since the advent of the contemporary US national security apparatus in 1947, entrepreneurial public officials have tried to reorient the course of the nation's foreign policy. Acting inside the National Security Council system, some principals and high-ranking officials have worked tirelessly to generate policy change and innovation on the issues they care about. These entrepreneurs attempt to set the foreign policy agenda, frame policy problems and solutions, and orient the decision-making process to convince the president and other decision makers to choose the course they advocate. In National Security Entrepreneurs and the Making of American Foreign Policy Vincent Boucher, Charles-Philippe David, and Karine Prémont develop a new concept to study entrepreneurial behaviour among foreign policy advisers and offer the first comprehensive framework of analysis to answer this crucial question: why do some entrepreneurs succeed in guaranteeing the adoption of novel policies while others fail? They explore case studies of attempts to reorient US foreign policy waged by National Security Council entrepreneurs, examining the key factors enabling success and the main forces preventing the adoption of a preferred option: the entrepreneur's profile, presidential leadership, major players involved in the policy formulation and decision-making processes, the national political context, and the presence or absence of significant opportunities. By carefully analyzing significant diplomatic and military decisions of the Johnson, Nixon, Reagan, and Clinton administrations, and offering a preliminary account of contemporary national security entrepreneurship under presidents George W. Bush, Barack Obama, and Donald Trump, this book makes the case for an agent-based explanation of foreign policy change and continuity.

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