Search results for ""APERTURE""
Aperture Hank Willis Thomas: All Things Being Equal
Hank Willis Thomas: All Things Being Equal presents a survey of the artist’s prolific and extraordinary interdisciplinary career, with a particular focus on the work’s relationship to the photographic image and to issues of representation and perception. At the core of Hank Willis Thomas’s practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness , Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas’s influences and inspirations.
£45.00
Aperture Looking Again: Photography at the New Orleans Museum of Art
Looking Again is as much about photography as it is about the specific photographs reproduced within it. It is designed to provide the reader with a glimpse into both the collection at the New Orleans Museum of Art and into photography’s complexity. Through 132 objects and essays, Russell Lord explores the many histories of photography, addressing long-held beliefs and offering new ways of thinking about, and looking at, photographs. As the world moves increasingly toward an image-dependent style of communication, there has never been a better time to seriously examine our belief in or apprehension toward the photographic image. Standing on the threshold of what might be a turning point in humanity’s relationship to the photograph, this volume encourages the reader to dig deeply into photography: to look, and then look again. This book is published on the centennial of the first photography exhibition presented at the New Orleans Museum of Art, in 1918.
£54.00
Aperture The Martin Parr Coloring Book!
Photography and Pop-culture buffs, get out your crayons and colored pencils! Martin Parr’s colorful and tongue-in-cheek photographs—his comedy of contemporary manners—have been transformed into a coloring book. Here is Parr’s affectionate and hilarious catalogue of human foibles—our bad fashion choices, messy foods, trashy souvenirs and the tourists who buy them, and all the often-overlooked silly details of our daily life—rendered afresh. The book’s eighty pages are packed with the most iconic and beloved Parr images, made into original drawings by Jane Mount, offering hours of coloring entertainment, as well as Parr’s witty take on the coloring book craze. Be inspired to create a new version of a classic Parr—sunbathers in Speedos, tea-drinkers and rainbow cakes, socks with sandals—and in the process, experience his vision in a new way. A riotous take on the eccentricities and peculiarities of today’s world, for all fans of Parr’s work, and an original contribution to the coloring genre!
£12.95
Aperture This Is Mars
This Is Mars offers a thrilling visual experience of the surface of the red planet. The multi-award-winning French editor and designer Xavier Barral has chosen and composed photographic frames, drawn from the comprehensive photographic map of Mars made by the U.S. observation satellite MRO (Mars Reconnaissance Orbiter), to revel in the wonder of Mars. What Yann Arthus-Bertrand did with a light aircraft for The Earth from the Air , Barral does for Mars—by scouring tens of thousands of gigabytes of satellite photographs available from NASA, seeking out the most distinct images of the planet’s surface. The result is visionary—a great science book, a unique artist’s book, and a stunning object. The photographs are accompanied by an introduction from research scientist Alfred S. McEwen, principle investigator of the HiRISE telescope; an essay by astrophysicist Francis Rocard, who explains the story of Mars’s origins and its evolution; and a timeline by geophysicist Nicolas Mangold, who demystifies some of Mars’s geological history. Now available as a mid-sized, accessibly priced edition, This Is Mars will excite lovers of great photobooks, and everyone curious about the universe and beyond.
£31.50
Aperture Dandy Lion: The Black Dandy and Street Style
Suits that pop with loud colors and dazzling patterns, complete with a nearly ubiquitous bowtie, define the style of the new “dandy.” Described as “high-styled rebels” by author Shantrelle P. Lewis, black men with a penchant for color and refined fashion, both new and vintage, have gained popular attention in recent years, influencing mainstream fashion. But black dandyism itself is not new; originating in Enlightenment England’s slave culture, it has continued for generations in black cultures around the world. Now, set against the backdrop of hip-hop culture, this iteration of dandies is redefining what it means to be black, masculine, and fashionable. Dandy Lion presents and celebrates individual dandy personalities, designers and tailors, movements and events that define contemporary dandyism. Throughout the book, self-expression is communicated through personal style, clothing, shoes, hats, and swagger. Lewis’s carefully curated selection of contemporary photographs surveys the movement across the globe in spectacular form, with all of the vibrant patterns, electrifying colors, and fanciful poses of this brilliant style subculture.
£22.50
Aperture Negative Publicity: Artefacts of Extraordinary Rendition
British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control. From George W. Bush’s 2001 declaration of the “war on terror” until 2008, an unknown number of people disappeared into a network of secret prisons organized by the U.S. Central Intelligence Agency—transfers without legal process known as extraordinary renditions. No public records were kept as detainees were shuttled all over the globe. Some were eventually sent to Guantánamo Bay or released without charge, while others remain unaccounted for. The paper trail assembled in this volume shows these activities via the weak points of business accountability: invoices, documents of incorporation, and billing reconciliations produced by the small-town American businesses enlisted in detainee transportation. Clark has traveled worldwide to photograph former detention sites, detainees’ homes, and government locations. He and Black recreate the network that links CIA “black sites,” and evoke ideas of opacity, surface, and testimony in relation to this process—a system hidden in plain sight. Negative Publicity: Artefacts of Extraordinary Rendition, copublished with the Magnum Foundation, its creation supported by Magnum Foundation’s Emergency Fund, raises fundamental questions about the accountability and complicity of our governments, and the erosion of our most basic civil rights.
£58.50
Aperture This is Mars
This Is Mars offers a previously unseen vision of the red planet. Located somewhere between art and science, the book brings together for the first time a series of panoramic images recently sent back by the U.S. observation satellite MRO (Mars Reconnaissance Orbiter). Since its arrival in orbit in 2006, MRO and its HiRISE telescope have been mapping Mars’s surface in a series of exceptionally detailed images that reveal all the beauty of this legendary planet. Each image presents a six-kilometer-wide zone in which the planet’s geography and its geological and mineralogical textures are revealed. Conceived as a visual atlas, the book takes the reader on a fantastic voyage—plummeting into the breathtaking depths of the Velles Marineris canyons; floating over the black dunes of Noachis Terra; and soaring to the highest peak in our solar system, the Olympus Mons volcano. The search for traces of water also uncovers vast stretches of carbonic ice at the planet’s poles. Seamlessly compiled by French publisher, designer, and editor Xavier Barral, these extraordinary images are accompanied by an introduction by research scientist Alfred S. McEwen, principle investigator on the HiRISE telescope; an essay by astrophysicist Francis Rocard, who explains the story of Mars’s origins and its evolution; and a timeline by geophysicist Nicolas Mangold, who unveils geological secrets of this fascinating planet.
£72.00
Aperture Dawoud Bey: Class Pictures
For the past fifteen years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social, and ethnic spectrum— and intensely attentive to their poses and gestures—he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes. Bey spends two to three weeks in each school, taking formal portraits of individual students, each made in a classroom during one forty-five-minute period. At the start of the sitting, each subject writes a brief autobiographical statement. By turns poignant, funny, or harrowing, these revealing words are an integral part of the project, and the subject’s statement accompanies each photograph in the book. Together, the words and images in Class Pictures offer unusually respectful and perceptive portraits that establish Dawoud Bey as one of the best portraitists at work today.
£22.50
Aperture August Sander: People of the 20th Century: A Cultural Work in Photographs
A landmark in the history of modern art, People of the 20th Century presents the fullest expression of the German photographer August Sander’s lifelong work: a monumental endeavor to amass an archive of twentieth-century humanity through a cross section of German culture. Sander photographed subjects from all walks of life, capturing bankers and boxers, soldiers and circus performers, farmers and families, to create a catalog of the German people, arranged by their profession, gender, and social status. First imagined in the 1920s, he pursued the project for more than fifty years during a politically charged and rapidly changing time, fraught by two world wars and the devastating repercussions of Nazism. Sander never finished the seven-volume, forty-nine portfolio magnum opus, continually refining and shaping it to convey an understanding of the world in which he lived. The photographs, remarkable for their unflinching realism and deft analysis of character, provide a powerful social mirror of Germany between the wars and form one of the most influential achievements of the twentieth century. Now made available again, People of the 20th Century brings together the exquisite reproductions and principal texts of the long out-of-print, seven-volume edition, as well as the main scholarship from the accompanying study edition. This all-in-one edition, with 619 photographs, offers the most comprehensive iteration of Sander’s still-essential vision.
£99.00
Aperture The New Black Vanguard: Photography Between Art and Fashion
In The New Black Vanguard: Photography between Art and Fashion, curator and critic Antwaun Sargent addresses a radical transformation taking place in fashion and art today. The featuring of the Black figure and Black runway and cover models in the media and art has been one marker of increasingly inclusive fashion and art communities. More critically, however, the contemporary visual vocabulary around beauty and the body has been reinfused with new vitality and substance thanks to an increase in powerful images authored by an international community of Black photographers. In a richly illustrated essay, Sargent opens up the conversation around the role of the Black body in the marketplace; the cross-pollination between art, fashion, and culture in constructing an image; and the institutional barriers that have historically been an impediment to Black photographers participating more fully in the fashion (and art) industries. Fifteen artist portfolios feature the brightest contemporary fashion photographers, including Tyler Mitchell, the first Black photographer hired to shoot a cover story for American Vogue; Campbell Addy, founder of the Nii Agency and journal; and Nadine Ijewere, whose early series title, The Misrepresentation of Representation, says it all. Alongside a series of conversations between generations, their images and stories chart the history of inclusion, and exclusion, in the creation of the commercial Black image, while simultaneously proposing a brilliantly reenvisioned future.
£36.00
Aperture The Chinese Photobook: From the 1900s to the Present
Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium’s culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians’ short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook reveals for the first time the richness and diversity of this heritage. This now available in a smaller size, more accessibly priced hardcover edition, volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr’s interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.
£45.00
Aperture Sebastião Salgado: Other Americas
Other Americas, originally published in France in 1986 and designed by Lélia Wanick Salgado, is Sebastião Salgado’s first book. Upon publication it became an award-winning photobook classic, establishing Salgado’s reputation as the visionary reportage photographer of his generation. With forty-nine black-and-white photographs taken between 1977 and 1984, Salgado’s distilled survey of a continent includes images from Brazil, Ecuador, Bolivia, Peru, Guatemala, and Mexico. The images range in subject, capturing spiritual and religious practices, changing rural landscapes, and intimate domestic life. Each photograph shares a sense of sincere connection—connection between the subject and the photographer, between a population and their homeland, and between Salgado and the audience he seeks to engage. In his text, Alan Riding writes, “Salgado has sought out a lost corner of the Americas and he has made it a prism through which the entire continent can be viewed. A philosophy of life is caught in a look; an entire way of life is frozen in a moment . . .”
£36.00
Aperture Playground: James Mollison
James Mollison’s photo projects are defined by smart, original concepts applied to serious social and environmental themes. For his latest book, Playground, Mollison photographs children at play in their school playgrounds, inspired by memories of his own childhood and interested in how we all learn to negotiate relationships and our place in the world through play. For each picture, Mollison sets up his camera during school break time, making multiple frames and then composing each final photograph from several scenes, in which he finds revealing “play” narratives. With photographs from rich and poor schools, in countries including Argentina, Bhutan, Bolivia, India, Israel, Italy, Japan, Kenya, Nepal, Norway, Sierra Leone, the United Kingdom, and the U.S., Mollison also provides access for readers of all ages to issues of global diversity and inequality.
£27.00
Aperture The Photographer's Playbook: 307 Assignments and Ideas
The best way to learn is by doing. The Photographer’s Playbook features photography assignments, as well as ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals. Whether you’re looking for exercises to improve your craft—alone or in a group—or you’re interested in learning more about the medium, this playful collection will inspire fresh ways of engaging with photographic process. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities, and insight into the practices of those responsible for our most iconic photographs—John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker, and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide. Edited by acclaimed photographers Jason Fulford and Gregory Halpern, the assignments and project ideas in this book are indispensable for teachers and students, and great fun for everyone fascinated by taking pictures.
£19.95
Aperture Penelope Umbrico: Photographs
Penelope Umbrico (Photographs)offers a radical reinterpretation of every-day consumer and vernacular images. As the artist describes, she works “within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects, and information that surrounds us, searching for decisive moments— but in these worlds, decisive moments are cultural absurdities.” Umbrico finds these moments in the printed pages of consumer product mail-order catalogs, travel and leisure brochures, and online sites such as Craigslist, EBay, and Flickr. By identifying and isolating image typologies—candy-colored horizons and sunsets, books used as props—the farcical and surreal nature of the lingua franca of consumerism and recrea-tion is brought to new light. Penelope Umbrico (Photographs) presents a unique and challenging approach to quintessential issues of representation in contemporary culture, including how images are used to construct and communicate consumer desire, and whether or not the growing volume of images we view online fosters a critical visual literacy. This volume, Umbrico’s first monograph, is accompanied by a series of essays, appendices of source material, excerpts from theoretical works, and other material serving as resources for engaging further with the work and issues involved.
£36.00
Aperture Why People Photograph
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are."
£12.95
Aperture Stephen Shore: Selected Works, 1973-1981
Stephen Shore’s Uncommon Places is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic and revealing commentary on why this body of work continues to astound; how it has impacted the work of new generations of photography and the medium at large; and proposes new insight on Shore’s unique vision of America as transmuted in this totemic series.
£54.00
Aperture Between the Eyes: Essays on Photography and Politics
David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum and The Nation. In Between the Eyes: Essays on Photography and Politics, Strauss tackles subjects as diverse as “Photography and Propaganda,” the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay “Photography and Belief,” and in “The Highest Degree of Illusion,” Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media “pandemonium” in its root meaning of “the place of all howling demons,” we need a mind and voice like Levi Strauss' to bring clarity to our vision.
£15.95
Aperture Awol Erizku: Mystic Parallax
Mystic Parallax is the first major monograph by rising interdisciplinary artist Awol Erizku. Working across photography, film, video, painting, and installation, his work references and re-imagines African American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans Erizku’s career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons, such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, “It’s important for me to create confident, powerful, downright regal images of Black people.” Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Félix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist’s tremendous power and originality. Copublished by Aperture and The Momentary
£54.00
Aperture Presence: The Photography Collection of Judy Glickman Lauder
Presence is a thrilling immersion into the personal collection of photographer and humanitarian Judy Glickman Lauder. Nearly 160 images by some eighty photographers, selected from Judy Glickman Lauder’s collection of over 650 prints, explore the idea of “presence” of the human spirit. This stunningly designed album showcases the imagery of beloved and influential photographers of the twentieth century, such as Berenice Abbott, Richard Avedon, Henri Cartier-Bresson, Imogen Cunningham, Nan Goldin, Susan Meiselas, Gordon Parks, Sebastião Salgado, Weegee, and James Van Der Zee. Spanning Pictorialism, portraiture, and fashion, to documentary and photojournalism, and featuring iconic figures from the fields of art, politics, entertainment, and social justice, Presence: The Photography Collection of Judy Glickman Lauder celebrates photography’s ability to capture the human experience. Essays by Anjuli Lebowitz and Adam D. Weinberg provide historical and artistic context, while an autobiographical essay by Glickman Lauder tells the story of her collection. This book accompanies an exhibition drawn from the Judy Glickman Lauder Collection at the Portland Museum of Art, to which the Collection has been gifted. Published by Aperture in partnership with the Portland Museum of Art, Maine
£36.00
Aperture Robert Cumming: The Difficulties of Nonsense
In the “Curiosity” issue of Aperture magazine, Sarah Bay Gachot writes that Robert Cumming’s interest in photography spawned from his interest in perception: “Cumming wanted the viewer to get to know, personally, the process of perception—perhaps to ward off the onset of visual inertia. The pictures unfold slowly over time; the more you look, the more you see.” The Difficulties of Nonsense features Cumming’s conceptual black-and-white and color photographs from the 1970s, revealing his fascination with illusion and trickery. From his base in Los Angeles, Cumming made functional-looking constructions, rendered useless and created primarily to be photographed with his 8-by-10 camera. Playing with props, proportions, unusual angles, light, and mirrors, the images invite viewers to look in—and then to second-guess what they see. As the first publication to survey this significant series, The Difficulties of Nonsense serves as a touchstone for contemporary artists and for those interested in artwork that came out of Los Angeles in the 1970s. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph pays homage to a time when Cumming, and many in the photographic community, worked to playfully push the boundaries of photography and narrative.
£40.50
Aperture A Long Arc: Photography and the American South: Since 1845
Collects over 150 years of key moments in the visual history of the Southern United States, with over two hundred photographs taken from 1850 to present The South is perhaps the most mythologized region in the United States and also one of the most depicted. Since the dawn of photography in the nineteenth century, photographers have articulated the distinct and evolving character of the South’s people, landscape, and culture and reckoned with its fraught history. Indeed, many of the urgent questions we face today about what defines the American experience—from racism, poverty, and the legacy of slavery to environmental disaster, immigration, and the changes wrought by a modern, global economy—appear as key themes in the photography of the South. The visual history of the South is inextricably intertwined with the history of photography and also the history of America, and is therefore an apt lens through which to examine American identity. A Long Arc: Photography and the American South accompanies a major exhibition at the High Museum of Art in Atlanta, with more than one hundred photographers represented, including Walker Evans, Robert Frank, Gordon Parks, William Eggleston, Sally Mann, Carrie Mae Weems, Dawoud Bey, Alec Soth, and An-My Lê. Insightful texts by Imani Perry, Sarah Kennel, Makeda Best, and Rahim Fortune, among others, illuminate this broad survey of photographs of the Southern United States as an essential American story. Copublished by Aperture and High Museum of Art, Atlanta
£54.00
Aperture Paolo Ventura: Short Stories
Paolo Ventura’s Short Stories are whimsical narratives told through pictures—tales of love, war, and family—where things magically appear or disappear, set in an imaginary past of World War II Italy. Much like in silent films, the drama unfolds with no words or captions. For these works, Ventura constructed life-sized sets, in which he situated himself and members of his family (casting his son, wife, and twin brother as actors), in stories that are at once charming and disquieting. While seemingly simple, Ventura’s vignettes come with larger implications: brothers who encounter each other by surprise on the battlefield, jugglers who appear from above, a man who packs himself into his suitcase, a small-town magician who accidently makes his son disappear for real, and many others. Here, Ventura has built a world of realistic proportions and actors, in fantastical tales and against painted backdrops—challenging notions of what is real and what is make-believe. This book collects the entire series of Ventura’s Short Stories together for the first time, including three previously unpublished, and offers a glimpse into the artist’s extraordinary imagination. Paolo Ventura (born in Milan, 1968) graduated from the Accademia di Belle Arti di Brera in Milan in 1991. His work has been exhibited internationally, including at Forma International Center for Photography, Milan; Rencontres de la Photographie, Arles, France; and Maison Européenne de la Photographie, Paris. He also created a series of works for the Italian pavilion at the 2011 Venice Biennale. His works have been acquired by prominent collections, including the Museum of Fine Arts, Boston; Library of Congress, Washington, D.C.; and the Margulies Collection, Miami. His monographs include War Souvenir (2006), Winter Stories (Aperture and Contrasto, 2009), and The Automaton (2012).
£40.50
£54.00
Aperture Paul Strand: The Garden at Orgeval: Selection and Essay by Joel Meyerowitz
T&HFL12 After a lifetime of working on a series of “collective portraits” in far-flung places such as Mexico; Ghana; Italy; Tir a’Mhurain, Scotland; and his adoptive country, France, an aging Paul Strand decided to concentrate on still lifes and the stony beauty of his own garden at Orgeval, France, as a site in which to distill his discoveries as a photographer. The work that constitutes The Garden at Orgeval is marked by close and careful study of the forms and patterns within nature—of tiny buttonshaped flowers, cascading winter branches, and fierce snarls of twigs. While the images bear the same directness and precise vision that is quintessentially Strand, the work also reflects a growing metaphorical turn. Renowned photographer Joel Meyerowitz—whose own affinity toward Strand’s Orgeval series stems from a lifetime of photographing in different genres and ultimately returning to nature as an enduring subject—will select the photographs in the book, and respond to them in an accompanying personal essay, reflecting on issues, including the contemplation of one’s garden and growing old. Beautifully produced in a modest size, in the manner of a volume of poems, this book’s task is to do credit to Strand’s final work, both as an individual and as a key figure in Modernist photography.
£27.00
Aperture Ari Marcopoulos: Zines
Ari Marcopoulos is an inveterate maker of zines. This project collects in one volume for the first time a selection of zines by Marcopoulos, many never before released, providing a unique insight and overview into an essential part of this influential artist’s daily practice. Often self-published or created in collaboration with boutique and independent publishers like ROMA, Dashwood Books, and PPP Editions, these informal, DIY-aesthetic creations function as sketchbook, diary, installation space, and a means of processing Marcopoulos’s daily practice of photographing his life, his family, his neighborhood, and the rarified cultural milieu in which he operates. This collection showcases an impressive array of printed zines, exploring each as an artistic object through an engaging layout. Beginning in 2015 and presented chronologically per year, key zines are featured—including some made during the pandemic, when Marcopoulos worked primarily on the screen, making PDF zines—and punctuated by individual images presented full scale. An interview with Hamza Walker underscores the role of zines as an essential part of Marcopoulos’s artistic practice, emphasizing the personal, diaristic element within the work, while an essay from Maggie Nelson meditates on the work’s position within a wider social and cultural context. Ari Marcopoulos: Zines is a must-have for anyone interested in this prolific artist’s personal practice and zine culture.
£45.00
Aperture Shikeith: Notes towards Becoming a Spill
The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as “leaning into the uncanny,” visualizing ritual and the process of excavating Black men’s erotic potential, the better to exorcise the “intangible presences that haunt their bodies and psyches.” The men’s faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as “an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.
£45.00
Aperture Tom Sandberg: Photographs
The first major publication dedicated to one of Norway's most important photographers Working in a signature modulating gray scale, the late Norwegian photographer Tom Sandberg spent decades rendering the world according to an exacting vision, training his eye on the shapes and forms of the everyday—dark abstractions of asphalt and sea, the hard edges of an automobile, an ominously curved tunnel, an anonymous figure casting a shadow—to plumb the nature of photographic seeing. His pictures are subtle yet transformative, studies of stillness that radiate mystery. A perfectionist in the darkroom, Sandberg was acutely sensitive to the rich spectrum of black and white, and his handmade prints, at times printed on aluminum and canvas, project a powerful physical presence. Although Sandberg is esteemed in his native Norway and throughout Scandinavia and Europe, his oeuvre is less known in the United States and other parts of the world. This monograph, produced in close collaboration with the Tom Sandberg Foundation in Oslo, is a long-overdue celebration of this distinguished artist.
£54.00
Aperture An-My Lê: On Contested Terrain
On Contested Terrain is published on the occasion of the first comprehensive exhibition of An-My Lê’s work, organized by the Carnegie Museum of Art. Throughout her career, Lê has photographed sites of former battlefields, spaces reserved for training for or reenacting war, and the noncombatant roles of active service members. She is part of a lineage of photographers who have adapted the conventions of landscape photography to address the human traces of history and conflict, but is one of the few who have experienced the sights and sounds associated with growing up in a warzone.The publication includes selections from Viêt Nam (1994–98), a series made on Lê’s return, twenty years after her family was evacuated by the US military and 29 Palms (2003–4), made on the eponymous military base built as a training ground during the Iraq War. It will also include many new and never-before-published images. Texts by curators Dan Leers and Lisa Sutcliffe and an interview between Lê and Pulitzer Prize–winning author Viet Thanh Nguyen, address how Lê’s work complicates the landscapes of conflict that have long informed American identity.
£49.50
Aperture Nigel Poor: The San Quentin Project
The San Quentin Project collects a largely unseen visual record of daily life inside one of America’s oldest and largest prisons, demonstrating how this archive of the state is now being used to teach visual literacy and process the experience of incarceration. In 2011, Nigel Poor—artist, educator, and cocreator of the acclaimed podcast Ear Hustle—began teaching a history of photography class through the Prison University Project at San Quentin State Prison. Neither books nor cameras were allowed into the facility, so an unorthodox course with a range of inventivemapping exercises ensued: students crafted “verbal photographs” of memories for which they had no visual documentation, and annotated iconic images from different artists. After the first semester, Poor says, “one student told me he could now see fascination everywhere in San Quentin.” When Poor received access to thousands of negatives in the prison’s archive, made by corrections officers of a former era, these images of San Quentin’s everyday occurrences soon became launchpads for her students’ keen observations. From the banal to the brutal, to distinct moments of respite, the pictures in this archive gave those who were involved in the project the opportunity to share their stories and reflections on incarceration.
£36.00
Aperture Through Positive Eyes: Photographs and Stories by 130 HIV-positive arts activists
Through Positive Eyes is a collaborative photo-storytelling project by 130 people living with HIV and AIDS around the world. This global photographic collaboration with Gideon Mendel and the UCLA Art & Global Health Center chronicles a very particular moment in the epidemic, when effective treatment is available but far from universal, and the enduring stigma associated with HIV and AIDS has become entrenched. Through Positive Eyes addresses this stigma, social inequality, and limited access to medication through the voices of those experiencing it. The participants in the project have volunteered to tell their stories and create their own artistic statements, empowering themselves in order to banish stigma.
£22.00
Aperture Richard Renaldi: Touching Strangers
Now available in a new paperback edition, Richard Renaldi’s Touching Strangers embodies the human desire to connect despite our differences. Renaldi directed strangers to pose in front of a large-format, 8-by-10-inch view camera in towns and cities all over the United States. These startlingly intimate portraits reveal “humanity as it could be as most of us wish it would be and as it was, at least for those one fleeting moments in time.” These relationships may have only lasted for one moment, but the resulting photographs are moving and provocative, and continue to raise profound questions about the possibilities for breaking down social barriers with positive human connection in a diverse society.
£18.95
Aperture Zanele Muholi: Somnyama Ngonyama: Hail the Dark Lioness
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reflect her journey, explore her own image and possibilities as a black woman in today’s global society, and — most important — to speak emphatically in response to contemporary and historical rascisms. As she states, “I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified. . . . To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back.” More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement.
£63.00
Aperture Self Publish, Be Happy: A DIY Photobook Manual and Manifesto
An economic and cultural revolution has shaken the photobook world in the last five years: self-publishing. An army of photographers operating as publishers have had an instrumental role in today’s photobook renaissance. This book offers a do-it-yourself manual and a survey of key examples of self-published success stories, as well as a self-publishing manifesto and list of resources. The manual portion of this volume offers insight, advice, and rudimentary how-tos for the photographer interested in self-publishing. The survey offers an overview of the contemporary self-publishing landscape and includes a contribution by the Museum of Modern Art’s art librarian and bibliographer David Senior, which grounds today’s activities in a legacy of artists’ books and collectives. The case studies themselves will each illustrate a particular theme and genre of self-publishing (such as diary, documentary, or conceptual object), and will be accompanied by personal testimonies from the artists who created them. Author Bruno Ceschel, founder of the Self Publish, Be Happy organization, provides a rallying cry for all those involved in the contemporary photobook revolution—a moment in which the photobook, in all its infinitesimal manifestations, has never before been so omnipresent in our cultural landscape, nor so critical to the photographer’s practice. Self Publish, Be Happy, founded by Bruno Ceschel in 2010, collects, studies, and celebrates self-published photobooks through an ongoing program of workshops, live events, and on/ offline projects. Its London-based collection contains more than two thousand publications. Self Publish, Be Happy is the physical manifestation of a worldwide online community formed of a new, ever-evolving generation of young artists, who experiment, stretch, and play with the medium of photography.
£19.95
Aperture Sama Alshaibi: Sand Rushes In
Sama Alshaibi: Sand Rushes In , the first book by this rising artist, presents work from Silsila , a video and photographic installation that premiered at the 2013 Venice Biennale, as well as other series. Alshaibi’s lyrical multimedia work explores the landscape of conflict: the ongo - ing competition for land, resources, and power in the Middle East, and the internal battle for control between fear and fearlessness. Additional material, selected from the artist’s series Negative’s Capable Hands, Collapse, and Thowra, is presented in the context of Silsila , meaning “chain” or “link” in Arabic. The artist uses the desert, borders, and the body as over - arching symbols of the geopolitical and environmental issues and histories, linking the Arab- speaking world. Alshaibi operates between the United States, western Asia, and North Africa. Much of her work is inspired by and shot onsite in distinct natural landscapes, from the Western Sahara of North Africa to the eastern Arabian Desert on the edges of Iraq—highlighting the jarring contrast between desert and fertile oasis. Alshaibi is often a protagonist in the work, taking on the guise of distinct yet interrelated characters. Edited by Isabella Ellaheh Hughes, a writer and curator based in Abu Dhabi and Honolulu, this book includes an interview between Hughes and Alshaibi, a foreword by Salwa Mikdadi, and an essay by Alfredo Cramerotti.
£45.00
Aperture Richard Learoyd: Day for Night
This deluxe, oversized monograph offers the most comprehensive collection of Richard Learoyd’s color studio images to date—mostly portraits, but also including a handful of exquisite still lifes. The color images are made with one of the most antiquarian of photographic processes: the camera obscura, literally translated from Latin as “dark room.” Learoyd has created a room-sized camera in which the Cibachrome photographic paper is exposed. The subject is in the adjacent room, separated by a lens. Light falling on the subject is directly focused onto the photographic paper without an interposing film negative. The result is an entirely grainless image. The overall sense of these larger-than-life images redefines the photographic illusion. Learoyd’s subjects, composed simply and directly, are described with the thinnest plane of focus, recreating and exaggerating the way that the human eye perceives— not without a small acknowledgment to the paintings of the Dutch Masters. The 150 images in this volume have been reproduced with utmost care to capture the luminosity of the original materials. Includes an artist statement by Learoyd and curatorial statement by Martin Barnes, who is organizing the first solo exhibition of the artist’s work at the Victoria and Albert Museum, London.
£90.00
Aperture An-My Lê: Events Ashore
An-My Lê’s first publication, Small Wars, brought together three bodies of black-and-white work (Vietnam, Small Wars, and 29 Palms), offering a trilogy of tautly rendered examinations of the spectacle of war, memory, and landscape. With Events Ashore, Lê continues her exploration of the American military, a pursuit both personal and civic. With this body of work, however, Lê emerges as a master colorist, employing the large-format color negative to powerful effect to capture the sometimes surreal, often surprisingly beautiful vistas of the military at work, with an emphasis on descriptive and compositional precision and subtlety of palette. Events Ashore began when the artist was invited to photograph U.S. naval ships preparing for deployment to Iraq, the first in a series of visits to battleships, humanitarian missions in Africa and Asia, training exercises, and scientific missions in the Arctic and Antarctic. As Lê explains, these trips allowed her to study close at hand the military’s non-combat activities, becoming “a launching point for an examination of the U.S. military on the global stage across oceans and borders as a symbol of conflict, an echo of the age of exploration, and an unlikely (and unsung) force in the unfolding environmental crisis. . . . This work is as much about my perspective, and personal history as a political refugee from Vietnam, as it is about the vast geopolitical forces and conflicts that shape these landscapes.”
£54.00
Aperture Photography After Frank
In Photography After Frank, former New York Times writer and picture editor Philip Gefter presents the tale of contemporary photography, starting with a pivotal moment: Robert Frank’s seminal work in the 1950s. Along the way, he connects the dots of photography’s transformation into what it is today. Gefter begins with Frank’s challenge to the notion of photography’s objectivity with the grainy, off-handed spontaneity of The Americans. Next comes the “staged document” and postmodernism’s further challenge to image fidelity. Other themes are photojournalism, the diversity of portraiture, the influence of private and corporate collections on curatorial decisions, and how the market shapes art making. Throughout the book, Gefter deftly connects Frank’s legacy with the work of dozens of important individual artists who followed in his wake, from Lee Friedlander and Nan Goldin to Stephen Shore and Ryan McGinley. The book includes texts written exclusively for this publication as well as essays drawn from Gefter’s critical writings, reviews, and even obituaries. Photography After Frank offers a page-turning yet journalistic approach bound to appeal to students and artworld aficionados, alike.
£22.00
Aperture Philip Montgomery: American Mirror
“Montgomery’s photographs capture the reality of Americans in crisis, in all our flawed, tragic, ridiculous glory.” —Patrick Radden Keefe, author of Empire of Pain: The Secret History of the Sackler DynastyAmerican Mirror is award-winning photographer Philip Montgomery’s dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the COVID-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads.
£40.50
Aperture Paul Mpagi Sepuya
Paul Mpagi Sepuya presents the work of one of the most prominent, up-and-coming photographers working today. Sepuya primarily makes studio photographs of friends, artists, collaborators, and himself, inviting viewers to consider the construction of subjectivity. He challenges and deconstructs traditional portraiture by way of collage, layering, fragmentation, mirror imagery, and the perspective of a black, queer gaze. In contrast to the slick artifice of contemporary portraiture, Sepuya suggests the human element of picture taking—fingerprints, smudges, dust on the surface of mirrors. He also allows glimpses into the studio setting—including tripods, backdrops, lenses, and the photographer himself—encouraging multivalent narrative reads of each image. For Sepuya, photography is a tactile and communal enterprise. Although the creation of artist books has been a long-standing part of his practice, Paul Mpagi Sepuya is the first publication of his work to be released widely, copublished with the Contemporary Art Museum St. Louis on the occasion of a major solo exhibition.
£27.00
Aperture Feast for the Eyes: The Story of Food in Photography
From basic sustenance to savory repasts, food awakens the senses and touches both private and public life. It can be political, religious, aspirational, commercial, creative, symbolic, national, and regional. Food’s complexity of form and meaning—and the fact that it’s often at hand—have made it a much-photographed subject throughout the history of photography. Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography’s rich history—not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright’s introduction and commentary accompanying the photographs bring insight and intelligence to this spectacular subject, and trace the progression of the genre from photography’s beginnings to present day, featuring artists from all eras—Roger Fenton, Nickolas Muray, Edward Weston, Irving Penn, Stephen Shore, Laura Letinsky, Wolfgang Tillmans, Nobuyoshi Araki, and Martin Parr, to name a few. Through key pictures, Bright explores the important figures and movements of food photography to provide an essential primer.
£40.50
Aperture Border Cantos
This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the twothousand- mile border between the U.S. and Mexico since 2004, with increased focus since 2009—the latest installation in his ongoing series Desert Cantos, a multi-faceted approach to the study of place and man’s complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol “drag tires,” spent shotgun shells, ladders, and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach’s photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book will include several suites of photographs drawn from a number of distinct series, or Cantos—some made with a large-format camera as well as an iPhone. The book will also contain a compilation of two dozen sculpture-instruments, graphic scores, instrument designs, and links to videos of performances by Galindo on the image-inspired instruments.
£45.00
Aperture Stonework and Lime Kilns
Over the course of nearly five decades, Bernd and Hilla Becher documented almost every type of industrial architecture—from water towers and steel mills to gas tanks and grain silos—in Europe and the United States. Whether presenting single shots or their signature typologi - cal grids, the Bechers created a photographic testament to the industrial revolution that so emphatically shaped the nineteenth and twentieth centuries. At the same time, however, they also captured a much-older manufacturing tradition: the quarrying and processing of stones. This volume, an essential addition to the Bechers’ body of work, is devoted to their photographs of rock-processing plants and lime kilns taken in Germany, France, The Netherlands, Belgium, Switzerland, Austria, and Great Britain throughout the 1980s and ’90s. Each structure is unique, its details dependent upon the region and the date of its construction, and the book features buildings whose essential function is ancient but which remain important today. Although a small number of these images have been included in previous monographs, this is the first publication to showcase a comprehensive collection of the Bechers’ study of stonework and lime kilns.
£55.00
Aperture A Wild Life: A Visual Biography of Photographer Michael Nichols
A Wild Life is Michael “Nick” Nichols’s story, told with passion and insight by author and photo-editor Melissa Harris. Nichols’ story combines a life of adventure, with a conviction about how we can redeem the human race by protecting our wildlife. The book’s two central characters are the photographer - who journeys from the American South, via the photographers’ co-operative Magnum, to becoming lead wildlife photographer of National Geographic magazine – and the author, who travels with the photographer on assignment in Africa, to gain intimate and deep insight into her subject. Harris’s story also draws on meetings with some of the world’s leading eco-scientists – including legendary primatologist, Jane Goodall.
£22.50
Aperture Nan Goldin: The Ballad of Sexual Dependency
The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers-collectively described by Goldin as her "tribe." Her work describes a world that is visceral, charged, and seething with life. First published in 1986, this reissue recognizes the persistent relevance and freshness of Nan Goldin's cutting-edge photography. Her lush color photography and candid style demand that the viewer go beyond the surface to encounter a profound intensity. As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the color, smell, sound, and physical presence, the density and flavor of life." Through an accurate and detailed record of her life, Ballad reveals Goldin's personal odyssey as well as a more universal understanding of the different languages men and women speak, and the struggle between autonomy and dependency. Over the past twenty-five years, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Nan Goldin's story of urban life on the fringe was the swan song of an era that reached its peak in the early eighties. Yet it has captured an important element of humanity that is transcendent: a need to connect. This new edition of Ballad has been printed using new scans and separations created by master-separator Robert Hennessey from Goldin's original transparencies, rendering them with unparalleled sumptuousness and impact.
£36.00
Aperture Along Some Rivers: Photographs and Conversations
Robert Adams, one of America's foremost living photographers, has spent decades considering and documenting the landscape of the American West and the ways it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. Aperture's previous bestselling collections of his essays, Beauty in Photography and Why People Photograph, assembled his thoughts on a range of subjects, including writing, teaching, photography's place in the arts and a host of fellow photographers. Along Some Rivers collects Adams's correspondence and conversations—some of which have never been published before—with writers and curators including William McEwan, Constance Sullivan and Thomas Weski. In so doing, it provides another point of entry, offering a portrait of the artist in debate and elucidating his thoughts on a number of his now legendary projects, including Cottonwoods and What We Bought. Adams also expounds on why, in his view, Marcel Duchamp has not been a helpful guide for art, and he discusses which filmmakers and painters have influenced him, which cameras he prefers and how he approaches printing his pictures. Along Some Rivers also includes a selection of 28 unpublished landscapes.
£13.95
Aperture Martin Parr: The Non-Conformists
In 1975, fresh out of art school, Martin Parr found poor footing in the London photography scene, so he moved to the picturesque Yorkshire Pennine mill town of Hebden Bridge. Over a period of five years, he documented the town in photographs, showing in particular the aspects of traditional life that were beginning to decline. Susie Parr, whom he had met in Manchester, joined him in documenting a year in the life of a small Methodist chapel, together with its farming community. Such chapels seemed to encapsulate the region’s disappearing way of life. Here Martin Parr found his photographic voice, while together he and Susie assembled a remarkable and touching historic document—now published in book form for the first time. The Non-Conformists takes its title from the Methodist and Baptist chapels that then char - acterized this area of Yorkshire and defined the fiercely independent character of the town. In words and pictures, the Parrs vividly and affectionately document cobbled streets, flat-capped mill workers, hardy gamekeepers, henpecked husbands, and jovial shop owners. The best Parr photographs are interleaved with Susie Parr’s detailed background descriptions of the society they observed.
£27.00
Aperture Direct David Benjamin Sherry: Pink Genesis
£108.00